LFS SUMMER SCHOOLS 2016 PROGRAMME
MIA CALIC Canada, Directing Summer School, Class of 2013 “It was much more than learning how to direct or work with actors; it was learning how to make a story understandable, how to work with your cinematographer and with post production, and how to answer all the questions asked before, during and after the shoot - all of this to help make your story. I left knowing a lot more than anticipated.”
RICARDO UCCIOLI Italy, First Film Summer School, Class of 2015 “Everyone at LFS is so professional that it actually feels like working on a real paid project. Each individual taught me something that enriched me as a director: from the basics of filmmaking to small details and continuity issues. All of this was done without forgetting the human side of working together. I believe this programme to be the ultimate filmmaking experience for beginners. It's a great chance to be a real director for two weeks, to meet and learn from professionals, to improve your creative knowledge and skills and to make amazing international friends. It is something you're going to miss so much after you go home.”
BIRGIT MULLER UK, ‘Exposed! Self-Shooting’ participant, 2014 “Zillah Bowes's expertise is excellent and she creates an atmosphere of mutual respect, fun and trust. I feel very privileged to have been part of this course.”.”
CONTENTS LFS SUMMER SCHOOLS 2016 PROGRAMME 5 6 9 10 13 14 17 18 21 23
Introduction by Archie Tait, Head of Workshops Why Choose LFS? Select Your Course SELF-SHOOTING Documentary Summer School Tutor Profile: Zillah Bowes THE HANDKERCHIEF: Directing Summer School Tutor Profile: Udayan Prasad THE THIEF: First Film Summer School Tutor Profile: Jonas Grim책s Further Information
Prospectus based on design by Mike Leedham, 2D Design Original photographs by Katie Garner. The London Film School reserves the right to make changes in whole or in part to the curriculum at any time without formal notice.
Welcome to The London Film School, and to our 2016 Summer Schools Prospectus. The fact that you are here means that you’re thinking seriously about your career as a filmmaker. Congratulations on taking this first step; we’re very pleased that you’ve found LFS. Led by enormously creative filmmakers, with highly experienced and talented craft tutors, each of our three summer programmes is an immersive, professionalising experience. Your understanding of filmmaking principles will expand immeasurably during your time with us. These principles will play not just to the films you make at LFS, but to all of the films you will make during your career.
“At the age of 30, I made a major career change and decided to become a director. I had no experience prior to the LFS Summer School, but it turned out to be the intense introduction and motivation I needed in order to leap into the field. LFS gave me the theoretical knowledge and mindset – and a good kick – to chase my dream." Idil Ergun, Turkey, Directing Summer School Class of 2013
Now entering its fifth year, Udayan Prasad’s Directing Summer School is already world-famous. Since the first edition in 2012, new shooting exercises have been added and our list of central London locations has grown. We have also expanded our team of professional editors, doubling each filmmaker’s access to the edit of their final film. In 2015 we introduced a second course, the First Film Summer School with Jonas Grimås. Aimed at younger applicants (18-22 years) this course is for those who truly are on the starting blocks, perhaps having never been given the opportunity to make a film before.
INTRODUCTION
INTRODUCTION Once you have absorbed the information in these pages we encourage you to continue by exploring our website. Here you will find a wealth of useful further information, including: • detailed testimonials written by those who have passed through our summer programmes, and who are now forging successful careers right across the globe. • a range of video content, including our Summer Showreel and examples of our tutors’ work. • production photographs from previous Summer Schools. • answers to a whole host of questions you may be asking as you consider submitting an application to us. You can find all of this at: www.lfs.org.uk/summer Finally, an important date for your diary; Monday 29th February 2016 is the initial deadline for applications. Apply by this date to receive priority for our 2016 programmes. Good luck, and we hope to meet you in person very soon! Archie Tait Head of LFS Workshops
This year we launch a third programme, Zillah Bowes’s SelfShooting Documentary Summer School. An expansion of Zillah’s successful 5-day workshop ‘Exposed! A Practical Guide to Self-Shooting Documentary’, each participant will have the opportunity to shoot and edit two films, in two different documentary styles. www.lfs.org.uk/summer
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WHY CHOOSE LFS? 1. GLOBAL LFS is a world-renowned institution, and studying here is guaranteed to be an international experience. Our first Summer School took place in 2012. Since then, 60 filmmakers have taken part representing 31 countries in total. Add to this list the tutors, cast and crew and the global mix is even broader. Many stay in touch once the Summer School has finished, with some even going on to create projects together. 2. INCLUSIVE 50% of summer school participants between 2012 and 2015 were female filmmakers This statistic is well above the global industry average for film.
Adults of any age can attend a Summer School at LFS. Students on Udayan Prasad's Directing Summer School have ranged from early twenties to 64 years old (average, 31 years). Meanwhile, our First Film Summer School with Jonas Grimås is geared specifically towards those aged 18-22 years. From those with no experience who are just starting out, to those who have found their way into the industry and decided to pursue it seriously - we will always endeavour to make your next step a reality. 3. IMMERSIVE Your time at LFS is very precious. We believe in making every moment, and every penny of your investment, count. On any given day during our programmes you will find every participant engaged in some kind of activity. As a participant on our 3 -week Directing Summer School, you will receive around 130 hours of tuition, plus overnight writing and prep assignments. From script stage to post you’ll get to write, develop and direct two films of your own. You’ll also work on a further six shoots, supporting your fellow participants in roles including first AD, camera operator, clapper loader and gaffer. The learning never stops, and each new role is an opportunity to add to your knowledge on-set experience. Outside of the shoots, specialist masterclasses cover every element of filmmaking - from script development, directing actors and cinematography, to production design, music, sound design and editing. You will eat, sleep and breathe the summer school for the entire 18 days. Our 2-week programmes are similarly packed. It’s our job to send you away exhausted – in the very best way possible!
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www.lfs.org.uk/summer
World map highlighting the 31 countries represented by LFS Summer School participants since 2012.
Choosing where to train is a big decision, especially at the start of your career. Here are six reasons why people pick LFS.
4. LOCATION By choosing LFS, you're choosing to study in one of the most exciting cities in the world.
our Summer School Production Manager. You'll also get to know Carolyn (who runs the Workshops Department), Archie (who designs the courses) - and of course, Udayan, Jonas and Zillah. Together we are a team whose job it is to make your time at LFS a big success.
Pick any week of the year and there are probably more films showing for London’s 8.6 million inhabitants than in any other capital city. Our school is situated in the centre, in Covent Garden, within walking distance of West End cinemas and theatres, the Royal Opera House, the National Gallery, the British Museum, the British Film Institute Library, the BFI Southbank, the Tate Modern and, even closer, Wardour Street in Soho, nerve centre of the British Film Industry.
Since completing the courses our summer school participants have gone on to achieve a whole range of things. From making a first feature, to quitting the day job to become a producer some have leapt straight into the career of their dreams. Others have committed to full-time studies in film, stepped up to first AD roles, or been inspired to move countries and write, write, write...
Our summer programmes are intense, and you'll need your days off for relaxation. With London on your doorstep you'll never be short of options.
Whatever your next step, we'd like to help get you there. You can read more about our previous participants, including what they got up to next, on or website: lfs.org.uk/summer.
5. SUPPORTIVE Will the LFS Summer School be your first time in London? Perhaps it will be your first experience of living in any big city, or even your first trip abroad. If so you're no doubt feeling a mixture of excitement, and trepidation! Fear not - we have lots of people on hand to advise, guide and look after you. Your first enquiry - whether it's by phone or by email - is likely to be dealt with by David, www.lfs.org.uk/summer
WHY CHOOSE LFS?
WHY CHOOSE LFS?
6. PROVEN
“The beauty of a good film school is that it invites you to make mistakes, but never dampens your enthusiasm. At LFS I made plenty, and ignited a passion.” Duncan Jones (LFS Alumnus 2001) Director WARCRAFT, SOURCE CODE, MOON 7
SELECT YOUR COURSE
SELECT YOUR COURSE NEW FOR 2016!
SELF-SHOOTING Documentary Summer School with Zillah Bowes Saturday 11th - Friday 24th June 2016 Duration: 2 weeks (1 day off during the course) Capacity: 8 participants Fee: £2,900 Find out more on pages 10-11.
THE HANDKERCHIEF Directing Summer School with Udayan Prasad Sunday 31st July - Saturday 20th August 2016 Duration: 3 weeks (2 days off during the course) Capacity: 12 participants Fee: £4,500 Find out more on pages 14-15.
THE THIEF First Film Summer School with Jonas Grimås Sunday 21st August - Saturday 3rd September 2016 Duration: 2 weeks (1 day off during the course) Capacity: 12 participants Fee: £3,500 Find out more on pages 18-19.
www.lfs.org.uk/summer
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NEW FOR 2016!
SELF-SHOOTING
DOCUMENTARY SUMMER SCHOOL WITH ZILLAH BOWES Do you want to make your own documentaries? Do you want to learn how to shoot and edit them yourself? Do you need more confidence to pick up the camera? Are you a self-taught self-shooter? Do you need more training? Are you moving from another area of media to factual filmmaking? This highly practical 2-week programme is an expansion of our popular 5-day workshop ‘Exposed! A Practical Guide to SelfShooting Documentary.’ It will provide you with the skills and confidence you need to make your own documentaries and improve your documentary filmmaking. The programme is open anyone who already has some filming experience in any area. Award-winning filmmaker Zillah Bowes will help to take you to the next level. The course is designed to get you out filming almost immediately, on the principle that practice, practice and more practice is the key to improving! You will learn how to self-shoot in a variety of situations, record good quality sound, identify characters and stories, and edit your own material. You will be encouraged to stretch yourself in a collaborative, positive environment, and will receive plenty of feedback on your progress.
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The programme is carefully structured around a series of enjoyable exercises at LFS and in the local area of Covent Garden. By the end of the course, each participant will have shot and edited two films (approx. 2-5 minutes each) in two different doc styles. The first will be an observational film, where you'll film and edit a story scene of real life. The second will be an interview film where you'll film and edit a story sequence based on an interview. Participants will research the final films and ideas on the course itself. Each participant will receive editing training and the opportunity to edit both films themselves. The programme features: • Creative approach to self-shooting. • Emphasis on storytelling. • Technical training in camera and sound. • Latest broadcast equipment for participants’ use. • Self-shooting in a variety of situations and styles. • Practical, exercise-based learning. • Individual and immediate feedback on exercises. • Handheld and tripod camera operating. • Emphasis on recording sound as a self-shooter. • Basic editing training in Avid. • Supported editing on your own edit system. • Shooting and editing observational scenes.
www.lfs.org.uk/summer
COURSE BREAKDOWN
WEEK TWO:
WEEK ONE:
Day Seven • Interview styles. • Locations. • Shooting general views and other material. • Formal interview set up demo & exercise. • Research final interview film
Day One • Introductions, course overview & goals. • What are the different ways to shoot docs? • Legal, permissions, health & safety. • Opening night meal at a local Covent Garden restaurant. Day Two • Format/technical overview. • Camera technical training: lenses, focus, exposure, white balance & more! Day Three • Sound technical training: shotgun & radio mics, troubleshooting & more! • Handheld operating. • Tripod operating. Day Four • What is observational? • Shooting terminology. • Observational exercises. • Feedback session. Day Five • Observational exercises. • Feedback session. • Research final observational film.
TECHNICAL INFORMATION Filming equipment will be allocated to participants in pairs, with each kit expected to contain: • Sony PMW-300 / PMW-200 Camera • Sony 32GB SxS Cards • Sennheiser EW100 G3 Radio Mic • Sennheiser / Sony Directional Top Mic with Mic Stand • Manfrotto 504HD Tripod Participants are encouraged to edit at the LFS on their own laptop computers where possible. You are welcome to edit on software you already have, or that you're experienced with (Final Cut Pro X, Premiere Pro or Avid).
Day Eight • Informal interview exercises. • Feedback session. • Research & discuss final interview film. • Shoot final interview film. Day Nine • Class computer set up. • Introduction to editing on Avid. • Import all material. Day Ten • Watch observational film rushes. • Edit observational film assembly. Day Eleven • Watch assembly. • Edit observational film. Day Twelve • Watch interview film rushes. • Edit interview film. • Exports & copies.
Day Six • Discuss final observational film. • Shoot final observational film. • Discuss edit software and plan edit set-up.
Day Thirteen • Exports & copies. • Screen & review all edited films. • Final Q&A, goodbyes & end of course.
Friday 17th June is a day off for you to rest!
For application instructions see ‘Further Information’ (p. 23).
www.lfs.org.uk/summer
DOCUMENTARY SUMMER SCHOOL
SATURDAY 11 - FRIDAY 24 JUNE 2016
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Zillah’s feature films include ENEMIES OF HAPPINESS, which won the Grand Jury Prize at Sundance Film Festival and SHE, A CHINESE, which won the Golden Leopard at Locarno Film Festival. As a cinematographer, she has worked with acclaimed directors and artists including Xiaolu Guo, Angus Macqueen, Martin Creed and Tacita Dean. SMALL PROTESTS, Zillah’s debut as a director, screened internationally after premiering at Sheffield Doc/Fest, was nominated for a Grierson Award, and won the Current Short Cuts competition and Best Short Documentary at the London Independent Film Festival. She has also worked as a director on, among others, BBC series DOCTORS ARE HUMAN TOO and Channel 4 series SUPER ME. Zillah is currently developing several fiction projects as a writer/ director and writing her first poetry collection with a bursary from Literature Wales. She teaches at the National Film and Television School, and has taught at several other institutions as well as the LFS.
Reed feedback from Zillah’s 5-day workshop ‘Exposed! A Practical Guide to Self-Shooting Documentary’: “Zillah has an amazing positive energy and her attitude is perhaps the best lesson in how to go about documentary single shooting. All the participants were pushed into new and unfamiliar territory. Although we each had different experiences and backgrounds, we each discovered our strengths and the things we need to work on. I have certainly improved my shooting skills immensely and also my confidence to find the stories and subjects I want to tell.” Ellis, participant May 2014 “Zillah's technical knowledge, advice and skills are all fantastic, but I also really learnt a lot from her creative advice and experience, and often think of what she said. Like, 'if you are present in the world with your camera then things will unfold in front of you'. I have definitely found this to be true. She is not just a practical and technically-able teacher (although she is that), but she understands a creative process and above all is very open - to her subjects but also to the interests and enthusiasms of her students.” Rosie M, participant May 2014
Still from ENEMIES OF HAPPINESS (2006)
“It was thrilling to pick up a camera and go through the process of observational filming, and to then receive helpful feedback after each exercise. The small group size meant we each received lots of individual feedback, and the equipment was easy to use and ideal for this kind of shooting. By the end of the course I was knackered, but thrilled; it was a boost to my confidence, and inspired me to want to pick up a camera again and keep going!" Rosie T, participant July 2015 www.lfs.org.uk/summer
Zillah Bowes talks to UCL students in London about shooting the film ENEMIES OF HAPPINESS.
Zillah fell in love with images after living above a darkroom. She studied at the National Film and Television School and worked happily for several years as a cinematographer in fiction and documentaries before starting a career as a writer and director.
DOCUMENTARY SUMMER SCHOOL
TUTOR PROFILE: ZILLAH BOWES
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THE HANDKERCHIEF DIRECTING SUMMER SCHOOL WITH UDAYAN PRASAD Based on an exercise originally devised by FAMU (the Czech National Film School) this 3-week summer workshop explores the fundamentals of filmmaking from script to screen.
THE STARTING POINT
Using an apparently straightforward event as its starting point – a girl drops a handkerchief and a boy picks it up – the workshop exposes, through a systematic and rigorous process of scrutiny, the complexities inherent in this, and indeed any scenario.
A girl drops a handkerchief and a boy picks it up.
It goes on to examine the variations and possibilities which must be considered before the event can be translated first into a script, and then - via all the stages of prep, shoot and post production - onto the screen. The primary areas covered are: • Script writing • Visual language • Choosing locations • Mise en scene • Performance/working with actors • Shooting • Editing and post production At the end of the course each participant will receive a certificate of attendance, plus a DVD of their scenes which may be used for showreel purposes or as part of an application portfolio.
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Let us imagine that we have to film the following scenario:
What is the story? Do the boy and girl know each other? What is the nature of their relationship? What do they want? Why did the girl drop the handkerchief? Was it accidental? Deliberate? When did the boy see the handkerchief? As she dropped it? Or after she had dropped it? Does he return it? Keep it? Discard it? What does the handkerchief signify? Did the boy and the girl expect to see each other, or did they come upon each other by chance? Whose story do we want to tell? The girl’s? The boy’s? A third party? The point, of course, is that: EVERYTHING BEGINS AND ENDS WITH THE STORY.
www.lfs.org.uk/summer
DIRECTING SUMMER SCHOOL
SUNDAY 31 JULY - SATURDAY 20 AUGUST 2016 COURSE BREAKDOWN At appropriate moments throughout the schedule, the group will also receive a series of illustrated seminars and masterclasses by professional filmmakers:
WEEK ONE Each participant will begin by shooting an exercise, impromptu, set in a single location in Covent Garden. The films will be edited and reviewed with a professional screenwriter, followed by a masterclass on script. While taking part in acting workshops led by Udayan, each participant will then write a short script based on the ‘Dropped Handkerchief’ scenario. The scripts will be subject to rigorous constraints in locations, number of set-ups and camera movement. The group will recce and prepare for their first shoots with a production manager, supervised by a director of photography. WEEK TWO
“What was incredible about this experience was the passion and the love that all the mentors had for their subjects, and the power with which they could transmit it. I realised that before the Summer School, I didn't really know what being a director was. I would recommend this experience to everyone.” Thomas Morelli, Italy, Class of 2014
In week two the participants will split into three groups of four to shoot their scenes. In order to understand what an actor requires from a director, participants will fulfill the roles of both actor and director, reversing roles with their fellow participants. After a rushes review each group will be provided with an editor and a private editing suite, taking it in turns to prepare their first cuts. The twelve films will be reviewed as a group with a screenwriter, supervising editor and director of photography. Every decision made at each step of the production will be carefully scrutinised. Each participant will then revise their ‘Dropped Handkerchief’ script in the light of this experience. www.lfs.org.uk/summer
• Working with Actors by Udayan Prasad • Light, space, colour, framing and movement by a Director of Photography. • Choice and manipulation of space by a Production Designer. • The use of Sound and Music by a Sound Designer. • The art and function of editing by an Editor. WEEK THREE Week three is where everything gets drawn together. Each participant will reshoot their handkerchief scene, this time with professional actors and sound recordists. Participants will be expected to apply all of the lessons learnt from the first two weeks to produce a piece of work which reflects their learning at LFS.
And finally...the course will culminate with a dedicated screening day where all twelve final films will be thoroughly reviewed, analysed and discussed. Led by Udayan, the participants will welcome back the team of professionals who have been advising throughout the course for their final thoughts and feedback. APPLICATION REQUIREMENTS Priority for this programme will be given to applicants aged 23+ years on 31st July 2016, or to those with some practical filmmaking experience who have already committed to a career in film. For more guidance see ‘Further Information’ (p. 23). 15
His creative partnership with Simon Gray was particularly fruitful resulting in: THEY NEVER SLEPT (1990), a merciless parody of the British secret service during World War II starring Edward Fox; FEMME FATALE (1992), with Simon Callow and Donald Pleasence; RUNNING LATE (1992), starring Peter Bowles in a picaresque black comedy which won a Golden Gate Award for Best TV Feature at the San Francisco International Film Festival. He won a second Golden Gate Award for 102 BOULEVARD HAUSSMANN (1991), starring Alan Bates and scripted by Alan Bennett. 102 Boulevard Haussmann was also nominated for a BAFTA for best single TV drama. In 1998 he again collaborated with Alan Bennett, this time directing TALKING HEADS – PLAYING SANDWICHES. This resulted in a second BAFTA nomination for best single TV drama. His first theatrical feature was the critically acclaimed, BROTHERS IN TROUBLE (1995), a tragi-comic story set in the Sixties of an illegal immigrant struggling to survive in a grim northern English town. Brothers In Trouble won the Golden Alexander Award for best first feature at the Thessaloniki International Film Festival. His second theatrical feature, MY SON THE FANATIC, was selected for Directors' Fortnight at the Cannes Film Festival in 1997 and won the best feature award at the Potsdam Film Festival. The film was distributed in Europe and the United States to great critical acclaim. GABRIEL & ME, his www.lfs.org.uk/summer
third feature, starring Billy Connolly and Iain Glen, was followed in 2001 by a documentary, ACCORDING TO BERYL. About Dr Samuel Johnson’s relationship with Mrs Thrale, the film featured Dame Beryl Bainbridge and was centred around her novel According To Queenie. In 2005 he made his fourth feature, OPA!, starring Matthew Modine and Richard Griffiths, which premiered at the Toronto International Film Festival the same year. Udayan’s fifth and most recent feature was THE YELLOW HANDKERCHIEF (2008) starring Eddie Redmayne, William Hurt, Maria Bello and Kristen Stewart. Produced by Arthur Cohn and shot in Louisiana, the film was his US debut, and had its premier in January 2008 at the Sundance Film Festival. The Yellow Handkerchief was released, to critical acclaim, in 2010 in the United States by Samuel Goldwyn Films. In 2013 Udayan directed two episodes of THE TUNNEL for Sky Atlantic and Canal Plus - the Anglo French adaptation of the Danish/Swedish serial THE BRIDGE. The production company was Kudos Film & Television. When not actively involved in production, Udayan is a frequent visiting lecturer at several film schools including The London Film School, The National Film & Television School (UK); The Wajda School and the National Film, Television and Theatre School (both in Poland).
Kristen Stewart, William Hurt and Eddie Redmayne in THE YELLOW HANDKERCHIEF (2008)
Born in India, Udayan Prasad came to Britain at the age of nine. After attending art school in Leeds and the National Film and Television School, he made a number of documentaries, including A CORNER OF A FOREIGN FIELD (1985), about Pakistanis in Britain and INVISIBLE INK (1987), about the literature produced by writers from the Indian subcontinent on the British in Britain. During the early nineties he directed a number of high-prestige dramas for BBC TV, working with Britain's top writers.
DIRECTING SUMMER SCHOOL
TUTOR PROFILE: UDAYAN PRASAD
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THE THIEF FIRST FILM SUMMER SCHOOL WITH JONAS GRIMÅS If you've always wanted to make a film, but haven’t known where to start, our First Film Summer School with Jonas Grimås will give you the tools to create your very own masterpiece.
the storekeeper. The Thief could steal an idea, or someone’s show, or someone’s thunder. The Thief could steal someone’s heart…The possibilities are endless.
Launched in 2015, this 2-week summer intensive will teach you everything from developing your ideas into a script to working with other filmmakers to shoot and edit your story. You'll discover how professional filmmakers work with actors to create clear and consistent characterisation. You will be immersed in hands on production exercises, and finally, you will write and direct your own film - and all in just two weeks. Aimed at those with little or no practical filmmaking experience, this latest programme has been carefully designed to complement our more advanced 3-week summer course, with Udayan Prasad.
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Briefed by tutor Jonas Grimås, teamed with your fellow participants and supported by a full-time production manager, you will dive straight into the deep end of the pool. It is the beginning of a 2"I learned more in two week roller coaster ride, led by Jonas and a weeks at LFS than I did team of guest filmmakers who will present masterclasses in screenwriting, editing, cinein four years as a film matography and sound.
minor at university. It was such a great crash course on how to make a film.”
Misha Schwarz, USA, Class of 2015
Your idea will be scrutinised, turned inside out and worked on, until it has realised its full potential. Your idea will be put under the microscope, in a first ‘test’ shoot, before being taken back to the editing room and analysed by a professional editor, to work out how it can be refined even further. And then…the real actors will step onto the set.
THE THIEF BRIEF
Your shoots will take place in the courtyards, alleyways, gardens and piazzas of Covent Garden.
You will arrive at LFS with your own story for a 2-minute, 2character, single exterior location film entitled THE THIEF. In your movie the Thief might steal an apple from a shop, and elude
During these two intensive weeks you will learn the fundamentals and get a clearer understanding of what it is that makes a good film: the idea and - above all - the teamwork.
www.lfs.org.uk/summer
COURSE BREAKDOWN
WEEK TWO:
WEEK ONE:
Day Eight • Reviewing the scripts. • Working with Actors 2: A table read of all the final scripts, this time with the professional actors who will be starring in your films. • Group Polish: Putting the 'finishing touches' to the scripts. • Overnight Assignment: Finish polishing your script.
Day One • Making a Film - An Introduction by Jonas: The Team, the Technology, the Creative Relationships. • How It All Works: The Diagram of Production. • Group Supper at a local Covent Garden restaurant Day Two • Practical Approaches to Storytelling: How to tackle the short film format. • Writing Masterclass. • Editing Masterclass. • Choosing Locations. • Overnight Assignment: Write the first draft of your script.
Day Nine • Production Meetings: The shoots are prepared in detail. • Sound Masterclass.
Day Three • Working with Actors 1: A table-read of your scripts; participants learn to be actors, then learn how to direct actors. • Overnight Assignment: Write the second draft of your script.
Day Twelve • Editing Day: Each director works with a professional editor to refine the final cut, colouring and soundtrack of their film.
Day Four • Cinematography Masterclass . • The Recce: How to assess your location. Day Five • Shoot 1: In three teams of four, each participant directs their script while the others work the camera and act. Day Six • Vewing the Cuts: Understanding what went right/wrong. • Individual Writer Surgeries and Shooting Exercises.
FIRST FILM SUMMER SCHOOL
SUNDAY 21 AUGUST - SATURDAY 3 SEPTEMBER 2016
Days Ten & Eleven • Shoot 2: Take turns to direct your final scripts with professional camera operators, sound recordists and actors.
Day Thirteen • Screening Day: Final screenings of all twelve films, including group discussion and notes from the consultant writer, cinematographer, editor, and Jonas. • Farewell Dinner at a local Covent Garden restaurant. APPLICATION REQUIREMENTS Priority for this programme will be given to applicants aged 18-22 years on 21st Aug 2016, or to those with little or no practical filmmaking ex-perience. For more guidance see ‘Further Information’ (p. 23).
Day Seven • Writing Day: Produce the final draft of your short film script. Sunday 28th August is a day off. www.lfs.org.uk/summer
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FIRST FILM SUMMER SCHOOL
TUTOR PROFILE: JONAS GRIMÅS
Jonas won the BAFTA Film Award for best short film with ARTISTEN (The Artist). He was also nominated for best short film with MAROONED. He has made a name for himself making British crime dramas having directed episodes of HAMISH MACBETH with Robert Carlyle, SILENT WITNESS and SECOND SIGHT: KINGDOM OF THE BLIND star"Jonas is a wise and wonderful mentor ring Clive Owen, HOPE & GLORY who, along with the guest tutors, the with Lenny Henry and THE HELLO GIRLS for BBC. He was also a reguproduction manager David and the lar contributor to ITV’s HEARTwhole crew, created such a collaboraBEAT having directed thirty tive and relaxed environment in which episodes.
to learn and share ideas.”
Still based in London, Jonas has taken on Swedish projects directing Annie Zhang, Australia, Class of 2015 two WALLANDER films: THE TRICKSTERS and THE PHOTOGRAPHER, RADIO SHADOW, THE COMMISSION for SVT plus the high profile job of turning Camilla Läckberg best-selling novels ISPRINSESSAN (The Ice Princess) and PREDIKANTEN (The Preacher) into television. He recently completed MIKE THE MIDWIFE, a comedy pilot for Channel Four, a string of observational documentaries: 300 / FAKING IT / ELGAR'S TROMBONE / A SHOT OF GLASS / DELPHINE'S TOP / PAINTING EURYDICE / OUR SCHOOL DAYS / '100'.
NEXT: HOW TO APPLY
Still from THE THIEF, directed by Serban Racoviteanu (Romania, First Film Summer School, Class of 2015)
Named Cultural Personality of the Year 2011 by The StockholmsKultur Foundation, Jonas is a Swedish film director living in London since 1988, educated at Dramatiska Institutet in Stockholm 1984-87 and the Royal College of Art, London.
He has filmed the performance of MOZART PIANO CONCERT no 9, transferred the stage play LOCKED UP to the screen and since 2008 made sixty short films under the title MY UNEVENTFUL LIFE. For info, showreels and clips visit jonasgrimas.com. www.lfs.org.uk/summer
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HOW TO APPLY:
background in a different creative field.
We are now accepting applications for our 2016 Summer Schools.
If you need some help in choosing which course to apply for, please contact us for advice.
Application is via an online form available from the LFS website.
THE OFFER & PAYMENT PROCESS:
You will be asked to submit: • your CV • a personal statement explaining why you're applying for the Summer School, what you hope to gain from it etc. • proof of your date of birth e.g. passport scan, uploaded photo of an ID card (Directing & First Film applicants only) • brief details of your shooting, camera and/or editing experience to date (Documentary applicants only)
Places for all three courses will be offered from Thursday 10th March 2016, with priority given to those who apply by Monday 29th February.
Directing Summer School applicants: Those who wish may also upload a film they've already made. Films should be max. 10 minutes in length, or the first 10 minutes of a longer piece.
There is no deadline for submitting deposit payments. The first eight Documentary and twelve Directing & First Film applicants to submit a deposit will secure a place. They will then each be given a deadline by which to pay the remainder of the fee.
AGE RESTRICTIONS (DIRECTING & FIRST FILM APPLICANTS): In 2015 we added the First Film Summer School to our schedule with the specific aim of creating two groups of filmmakers whose knowledge and experience were more closely aligned. Those with little (or no) practical filmmaking experience are now encouraged to consider the 2-week programme with Jonas Grimås. For applicants aged 18-22 years, this will almost certainly be the most appropriate course, but not necessarily. For those with some experience behind them we recommend the 3-week course with Udayan Prasad. This course is not restricted to those with on-set credentials or technical knowhow. Participants could be post grads, have an extensive work history or a
FURTHER INFORMATION
FURTHER INFORMATION
In the event that we are oversubscribed with suitable applicants, the equivalent number of offers will be made. Those wishing to accept must secure their place by submitting a non-refundable 20% deposit.
Once eight/twelve participants have been confirmed, a standby list will be in operation for all subsequent applicants. VISA INFORMATION: If you’re applying for one of our summer programmes from outside the UK, you can check if you need a visa by visiting the UK Border Agency website. (Link available from the LFS website.) CONTACT US: David Anderson Summer School Production Manager summerschool@lfs.org.uk +44 (0)207 836 9642
Our website offers the most detailed, up-to-date source of Further Information on our 2016 Summer Schools: lfs.org.uk/summer-programmes/faqs
www.lfs.org.uk/summer
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The London Film School 24 Shelton Street London WC2H 9UB U.K. Registered in England No. 1197026 Registered Charity No. 270302 Telephone: +44 (0)20 7836 9642 Fax: +44 (0)20 7497 3718 Email: info@lfs.org.uk Web: www.lfs.org.uk
lfs.org.uk/summer The London Film School is a Creative Skillset Academy