The Architect's Diary Magazine - Jan-Feb 2025 Edition

THE

ARCHITECT’S

© MOTALEB ARCHITEKTEN

D I A R Y

A T M A

H O U S E

BUILDING A LEGACY : A VISION FOR GENERATIONS WWW . T H E2,A2025 R C| H I T E C| T SD IARY.COM VOLUME JAN-FEB 1ST EDITION

EDITOR’S NOTE W

ith this holiday season and immersing ourselves into the dreamland of cheerful movies, we all wonder, <What if these buildings could exist in real life?= The houses covered in grasslands like Hobbiton or a mud house in the countryside, a vibrant bar that can transport you to a different place, or a traditional restaurant that can bring the nostalgic memories back along! Well, to make this 'new' year more special, we have carefully crafted our Jan-Feb Edition to take you all on a virtual tour of India’s such built legacies.

All these built wonders and the architects behind them over the ages get transformed into legacies. The one that radiates vision for generations to come. There are numerous such legacies left behind by the legends and visionaries inspiring us. To celebrate those legacies and to ignite thought-provoking conversation with the professionals, this time The Architect’s Diary is initiating with Elev8— the prestigious design festival, which is an offline event happening at the iconic landmark of Ahmedabad—ATMA House on the 1st & 2nd of February. Witness the change, engage in the discussions, and get to meet these legends in real life and 100+ such idealist architects and designers from across the nation!

But, when it comes to exploration and learning, what can be your better companion rather than books, movies, and built legacies? To get you covered with the writings of some of the visionary architects and designers of India, we have carefully curated TAD Recommendations.

ar. siddharth bhayani FOUNDER, THE ARCHITECT’S DAIRY

editor’s

PICK OF THE MONTH ATMA House, the iconic building legacy, illuminates inspiration for generations to come. Secondly, Swastik, the natureinspired retreat, sets a benchmark in sustainable design. A residence named Into The Wild—resonating the name given by its traditional materials and artisan techniques. Lastly, the book by Ar. Canna Patel delivers inspirational interior designing for the Indian context.

KNOW MORE

Visit www.thearchitectsdiary.com for more information about architecture & interiors.

For any editorial queries, write to editorthearchitectsdiary@gmail.com

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02 COVER STORY ATMA House - Building a Legacy: A vision for future generations

pg. 11-72

03 PROJECT FEATURES Architecture + Interior Design takes up this digital space and experience virtual tour of India’s built legacies.

pg. 73-78

04 TAD RECOMMENDATIONS Are you a book worm? Find some inspirations with those alongside an amazing movie you must watch.

pg. 81-88

CONTENTS

01 EDITOR’S NOTE From the desk of the editor, the picks of the month is something to look up!

05 TADPOD INTERVIEWS Find out Jenny Majmudar, the founder of Beso on reveals! Also read through what Ar. Khushru Irani discusses navigating the aspects of architecture and design for social transformation.

LIST OF CONTENTS

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THE

ARCHITECT’S D I A R Y

TAD Magazine is a pool of new creations and recommendations prioritizing new structures, materials, technologies, products, and infinite innovations. From carefully curated project features to TADPOD interviews, we strive to provide meaningful content beyond visual aesthetics. Along with project features, we offer a digital gallery for product designers to display their brand-new products, as well as an opportunity to express their thoughts and ideas through interviews. With more than 10,000 TAD members and thousands of global readers, this digital magazine is growing significantly and creating a positive impact in the community.

SIDDHARTH BHAYANI EDITOR-IN-CHIEF

BAARAT KRISHNA EDITOR

RAJVI DEDAKIA COPY EDITOR

AKANKSHA SAHANI GRAPHIC DESIGNER

HET SHAH INTERVIEWS - HEAD

ALI TURNER MARKETING MANAGER

JINAL MEHTA SOCIAL MEDIA MANAGER

1101, One world west, Ambli - Bopal Rd, Ahmedabad, Gujarat 380058 WWW.THEARCHITECTSDIARY.COM WWW.ARCHIOO.COM 05 WWW.THEARCHITECTSDIARY.COM

COVER STORY

BUILDING A LEGACY: A VISION FOR GENERATIONS

CLICK HERE To find the full blog on ATMA House, Ahmedabad, an iconic landmark to experience

© REVERIE_ARCHITECTURE

ATMA House Mill Owners’ Association Building, also known as ATMA House, was the first of four buildings Le Corbusier commissioned in Ahmedabad. With his sensitive and creative approach to the city’s context and climate, he developed a new set of architectural elements to address the requirements. Let’s delve into this legacy building in detail through the blog.

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01-02 FEB. 2025

ATMA HOUSE, AHMEDABAD T HE M E : B U ILDING A LE G AC Y-A VISION FOR G E NE R AT IONS

EXHIBITING WORK OF

200+ EDITION 3

DYNAMIC ARCHITECTS & INTERIOR DESIGNERS

150+ EXHIBITORS | 30+ SPEAKERS | 6+ PANEL DISCUSSIONS | 15+ MASTERCLASSES AND WORKSHOPS | 5+ DISPLAY GALLERIES

CONNECT WITH OUR SPEAKERS

WHY YOU SHOULD ATTEND ELEV8?

Elev8 2025 is your chance to be part of a vibrant community that embodies the power of meaningful conversations and knowledge exchange. This festival isn't just a conference or an exhibition, but an opportunity to experience trendsetting, built-and-unbuilt ideas. As a part of Elev8, you can access an exclusive networking hub to engage with industry leaders and like-minded designers, fostering connections and collaborations. Last but not least, we elevate emerging designers across PAN-INDIA, connecting them with their audience and influential figures, expanding their professional networks.

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PROJECT FEATURE

Malleshwaram Restaurant

LOCATION: Chandigarh ARCHITECTS: Loop Design Studio YEAR: 2024 PHOTOGRAPHS: Purnesh Dev Nikhanj

Malleshwaram is an ode to the traditional Dravidian and Carnatic courtyard homes.

It is intended to be a celebration of the Indian craft and skill, with many a reference from the huge old inwardlooking rural mansions.

An ode to the traditional dravidian and carnatic courtyard homes.

The ceiling rises like an intricately woven canopy, dark beams curving in rhythmic harmony, suspended like a dance frozen in time. The inverted ceiling is the most striking feature giving the space both depth and a sense of fluid motion. This intricate latticework is complemented by a vintage chandelier, casting a warm, golden light that softens the shadows and highlights the organic textures of the wood. The central area has a platform for performers around a small lotus pond. The platform appears almost like a stage, subtly elevated and surrounded by a delicate arrangement of flowers, possibly floating in water—suggesting a ritualistic or meditative space.

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This restaurant serves you understated luxury with an essence of flamboyance

The floor is Mandana stone with Indian marble inlay work to create a pattern. The sunken seating area floor is done up in black and white Athangudi pattern tiles. The very traditional and central courtyard axis is complimented by the rest of the space in a very subtle way., the lime wash walls are adorned with brass artefacts, Tanjore paintings and playful art. The meandering planters at entrance incorporates all sorts of greens that makes it surreal and tranquil. The restaurant serves you understated luxury with an essence of flamboyance and the intimate character of a home. The entire space feels like an ode to ancient times, where each curve and corner evokes stories whispered through the ages.

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AR. SUVRITA BHARDWAJ AR. NIKHIL PRATAP SINGH Principal Architects at Loop Design Studio

Loop Design Studio is an avant-garde design studio based out of Chandigarh, offering a bespoke and leading-edge approach to design with a precise focus on unique and dynamic spatial environments. At Loop Design Studio, every challenge is treated as an opportunity which is given careful thought and consideration. The project brief is a guiding principle – it is a source of motivation and inspiration. Loop Design Studio’s 7-year journey has been replete with a plethora of projects spanning the domain of commercial, hospitality and residential architecture.

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CLICK HERE To find, India’s 10 most liked architecture projects on TAD’s Platform.

PROJECT FEATURE

Aadhya

LOCATION: Thrissur ARCHITECTS: Studio Pragvi YEAR: 2024 PHOTOGRAPHS: marc. frames

AADHYA is a thoughtfully designed three-bedroom home for a family of three, blending introverted and extroverted spaces in harmony. It goes beyond mere functionality to become a sanctuary where design elements tell personal stories.

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The exposed brick walls and large woodenframed windows add charm and visual intrigue.

With reclaimed terracotta roofing, exposed cement, and brick walls, the residence fosters a tactile connection to its environment while embracing sustainable and context-sensitive principles.

The entrance sets the tone with kadappa stone paving, a striking brick wall, and sleek kotta steps leading to the main door. A cantilevered verandah floats over the lush garden, supported by slender columns, creating a light and airy effect. The cantilevered bedroom above the formal living space enhances this floating aesthetic, while the exposed brick walls and large woodenframed windows add charm and visual intrigue.

Nestled amid greenery, the outdoor sit-out offers a serene retreat. Curved, built-in seating encourages relaxation and inward reflection while connecting with the surrounding landscape. The natural finishes— polished granite, natural stone flooring, exposed concrete, and curved metal railings— impart character to the space, balancing functionality with playfulness.

A harmonious blend of rustic charm and modern elegance in the living room

Beyond the living room, an open floor plan seamlessly integrates the sunken family area, dining space, and semi-open kitchen. The kitchen reflects modern aesthetics through contrasting textures and materials. Raw concrete ceilings and walls lend an industrial undertone, balanced by clean white tiles and sleek green cabinetry. Black countertops add sophistication, while open wooden shelving introduces warmth and practicality. Indoor plants and natural light enliven the space, emphasizing a fresh and uncluttered design.

The staircase area combines modern minimalism with rustic charm. A soaring ceiling floods the space with light, while a floating concrete staircase enhances openness. Custom seating and vibrant artwork add personality, while the contrast between smooth industrial finishes and warm wooden accents creates balance.

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The master bedroom upstairs epitomizes simplicity and elegance. White walls serve as a serene backdrop for the bold green slanted ceiling, which evokes a sense of nature. A wooden bed with clean lines, a cane-weave chair, and indoor plants complete the earthy decor. A nostalgic wooden shutter offers a view of the atrium, while a cozy seating nook enhances the room’s tranquil ambience.

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AR. NANDAGOPAL O S Principal Architect at Studio Pragvi

Pragvi is more than just an architecture studio —it’s a shared dream brought to life by four friends who met in architecture school and decided to build something meaningful together. The name <Pragvi,= meaning <to ascend,= reflects our journey and our ambition to create spaces that inspire and elevate. Each of them brings a unique perspective to the table, blending creativity, practicality, and passion in every project we undertake. They believe in crafting designs that not only look beautiful but also feel personal and purposeful.

For them, architecture is about storytelling— yours, ours, and the spaces we create together.

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PROJECT FEATURE

Vidarth

LOCATION: Udaipur ARCHITECTS: The Brick Tales YEAR: 2024 PHOTOGRAPHS: Pratikruti09

Vidarth is an example of contemporary residential architecture that takes inspiration from traditional building elements and promotes a lifestyle which is deeply rooted with a modern approach. It is an attempt to harmonize traditional materials with a modern design sense.

The house is built on a 5400 sq ft plot with a small garden and verandah space in the front. As one enters, one is welcomed by a foyer space which opens in formal living space on one side and family room on the other side. The lift core with the foyer space is planned in such a way that the formal living space is separated from the rest of the house. Separating the formal living space from the main areas allowed for the family spaces to be as open as possible without compromising on the privacy.

Contemporary residential architecture, which is deeply rooted in a modern approach

An attempt to harmonize traditional materials with a modern design sense 35 PROJECT FEATURE

The ground floor is organized around the central courtyard which is an interpretation of the traditional typology of haveli houses of Rajasthan. The central court is surrounded by dining, an open kitchen, family spaces and master bedroom areas on the ground floor and on the upper floor it is surrounded by passage that leads to son bedroom, entertainment room and guest bedrooms.

The beautifully designed indoor courtyard filters in natural light from the skylight and forms the centre point of the house, around which all activities happen.

The walls of the courtyard are adorned with Agra red sandstone with panels of Basalt stone with brass inlays.

The wall also features a decorative panel with hand painted lotus motif.

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The south façade is clad in Basalt stone with a curved peeping window which gives a clear view of the main gate without being seen in the front. This also forms a very interesting feature in the façade with an arched verandah space which is connected to the master bedroom.

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AR. RINI SINGHVI

Principal Architect at The Brick Tales

The Brick tales is a young, intensely designoriented architectural firm headed by principal architect Rini Singhvi, founded in 2017. They believe that form not only follows function but also fiction. It elevates architecture from mere construction to meaningful encounters. . They engage in building extremely user-oriented spaces that builds a direct relationship of the users to the spaces. They strive for simple, unpretentious and bold designs that speak to its users and do not age with time.

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AQUANT, MUMBAI

PRISM LIGHTS , BENGALURU

THE BRICK BOND SHOWROOM , DELHI

SEEMA GUJRAL FLAGSHIP STORE , NEW DELHI

ZAURA FINE JEWELS , AHMEDABAD

CRIMZON , KALA GHODA, MUMBAI

MUSELAB

RENESĀ ARCHITECTURE DESIGN INTERIORS STUDIO R+R ARCHITECTS

JAYANTI REDDY FLAGSHIP STORE , MUMBAI

STUDIO RUH

RENESĀ ARCHITECTURE DESIGN INTERIORS STUDIO IRAM BOXWALA DESIGN STUDIO

SCULPT , MUMBAI

MOUNA REDDY

AUM ARCHITECTS

SUPERKICKS , DELHI

LUXADDI , DELHI

BLUORNG , NEW DELHI

OUTHOUSE , GOA

JOINT STUDIO

METANOIA DESIGNS

ADITYAVARDHAN , MUMBAI

SHIRAZ JAMALI ARCHITECTS AND FN DESIGN STUDIO

GOKUL JEWELLERS , ANAND, GUJARAT

THE UPSCALE STOREYS STUDIO HASTA

IDUS FURNITURE , NEW DELHI

I’M D’SIGNI’MX

TILAK STONE ARTS INDIA , JAIPUR

VIMMU DESIGN AND SAKU LAB

SHASHWAT GANGWAL

NEZO , MUMBAI

SADHEV , BENGALURU

EKAYA , AHMEDABAD

SUNITA SHEKHAWAT , NEW DELHI

KALAKAARI HAATH , HYDERABAD

FOREST OF CHINTZ , MUMBAI

DHAAGASUTRA : THE THREAD CAVE , PUNE

CRAIG & ROSE , CHENNAI

FLAGSHIP STORE BY GARIMA AGARWAL , LUCKNOW

EXCELLA EXPERT , MUMBAI

SIMAR DUGAL’S LEGACY STORE , NEW DELHI

PEACOCK LIFE , HYDERABAD

ITARAA BY MANIKA , PANCHKULA (CHANDIGARH)

KAWAAKARI , AHMEDABAD

SANJAY PURI ARCHITECTS STUDIO LOTUS & STUDIO GREYMATTER INSITU DESIGN STUDIO

KAUSHAL TATIYA ARCHITECTS

MN DESIGN CO BY GARIMA AGARWAL AMINA BHATIA

PROJECTED RAYS

DESIGN DNA

42MM ARCHITECTURE SJK ARCHITECTS

THE ZARC ARCHITECTURE & DESIGN OPEN ATELIER

SHABNAM GUPTA

VERIZON ARCHITECTS

Nezo Sanjay Puri Architects © Pankaj Anand

PROJECT FEATURE

Swastik

LOCATION: Pune ARCHITECTS: Tao Architecture YEAR: 2024 PHOTOGRAPHS: Hemant Patil

Nestled in the serene Peacock-Valley, emerges as a holistic wellness sanctuary that harmonizes with the natural splendor of its surroundings. Overlooking the backwaters of Khadakwasla Lake and the majestic Sinhgadh, designed to celebrate the daily rituals of the rising Moon and Sun.

Anand Vihar The Fire (Agni)

Architecturally, this unit is conceived as a symbolic representation of the Swastik, adopted from the logo of the project resembling a blooming flower with multiple petals, each serving various functions. This campus features an organically formed, cascading, petal-like roof structure that commands attention from its central location.

The design embraces the undulating terrain, creating a series of extended outdoor decks.

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Symbolizing fire: A space for nourishment of body, mind, and soul

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Representing air: A space for lightness, flow, and positive energy

Ayu Vihar

The Air (Vayu)

The free-flowing architectural form seamlessly incorporates existing trees, creating a harmonious balance between built and natural environments. Inner garden courts are strategically placed, serving as serene sanctuaries, and connecting two major wings dedicated to treatment rooms for men and women. Ayu Vihar is meticulously planned to uphold the highest standards of therapeutic care, creating sensitive spaces that blend seamlessly with their surroundings to enhance the overall therapeutic experience

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Dhyan Vihar The Space (Akash)

The hall is conceived as a circular space with a conical roof, eschewing corners to emphasize the boundlessness of space. The space is bathed in soft sunlight filtered through a tensile fabric roof, which diffuses light and enhances the serene atmosphere. 8Nakshatra Van9 the expansive garden, stretching over acres around the circular hall, enhances the meditative experience, allowing the inner journey to resonate with the larger cosmos and our connection to Mother Earth.

Representing Space: It fosters a sense of unity & boundless nature of existence

Sukh Vihar The Earth (Bhumi)

It offers 64 Guhas designed to blend seamlessly with the natural gradient of the Peacock Valley. The womb-like structures, inspired by Mother Earth, create a comforting and secure environment. These Guhas (cavelike) are complemented by a private veranda, providing both modern comfort and a deep connection to nature.

The minimalist design, with earthy tones and natural materials, creates a space ideal for contemplation.

PROJECT FEATURE

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AR. MANISH BANKER Principal Architect at Tao Architecture

Ar. Manish Banker, a graduate in architecture from the Institute of Environmental Design in Vallabh Vidya Nagar, Gujarat, distinguished himself through his research thesis on organic architecture. Having identified architecture's true meaning and purpose, he established TAO Architecture Pvt. Ltd. in 1994. With the rich experience of 30 years, TAO Studio intends to dissolve the barrier between the inside and outside to create a free-spirited and complimentary environment for its end users.

The studio stands out for its holistic design approach to creating a spatial climate for our clients.

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Trusted every day

CLICK HERE To find, India’s 10 most liked interior projects on TAD’s Platform.

PROJECT FEATURE

Into The Wild

LOCATION: Mettupalayam ARCHITECTS: Earthscape Studio YEAR: 2024 PHOTOGRAPHS: Studio Iksha

With a verdant panoramic view of the mountains and deep woods of coconut and palm trees, the site lays plain with no special characters of terrain or landscape. Being the developer's site, the surrounding environs of about 12acres including our site are plain. This led to create an interesting building which should respect nature.

Idea

to reduce carbon emission They started the design focusing on 25% on construction and 75% on nature. Speaking of sustainability, growing and planting trees is not only sustainable, how our building responds to the nature is more important. So, they focused on the construction technique which will reduce the carbon emission. This self-sustaining structure folds and flows in a fluidic form and they call this technique as fold architecture WWW.THEARCHITECTSDIARY.COM

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Mud is not a material palette, the beautiful thing in earthen architecture This 2BHK farmhouse is full of surprises for each space. The circular transition brings in curiosity about the spaces. These folds and curves feel like entering a cave, giving a wild experience. The windows open to the sylvan view on the outside from the lower level, bringing the cold air into the space.

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Material

artisans and their contributions Mud is not a material palette, the beautiful thing in earthen architecture is not only about using the materials, but also about the artisans. Traditional lime plasters from India flows along smoothly on the floor and the furnitures giving a luxuriant feel inside the spaces. This helps in reducing the temperature of about 3 degrees inside the space from the outside. 7½ft tall verdant landscape bends and hugs the structure with lush grown grass all around

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AR. PETCHIMUTHU KENNEDY Principal Architect at Earthscape Studio

Earthscape Studio was established in 2022, where Ar. Petchimuthu Kennedy started practicing earthen architecture, trying to connect the bridge between nature and humans. The main approach of their architecture towards the environment is to make nature-friendly built forms, which has to be a research project creating and experimenting with different techniques and uses of different nature-friendly materials in the building. By using all the naturally formed materials in their original form, it makes the building sustainable and harmless to the environment.

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PROJECT FEATURE

Melt

LOCATION: Noida ARCHITECTS: Pantone Collective YEAR: 2023 PHOTOGRAPHS: Suryan Dang

Melt, the high-energy cocktail bar, is a concept that revolves around the use of chocolate liquor in its cocktails. With a 10,000 sqft area nestled in the bustling hub of Skymark, Noida.

Immersive experience with its interior design that reflects the name and concept of "melt."

Design

flow of the melting concept The space has been meticulously designed to embody the flow and movement of the melting concept, featuring organic walls and soft curves.

As guests enter the bar, they encounter a hidden vault entrance, sparking intrigue and setting the tone for the cocktail experience. The entrance is designed with fluted deep coffee elements, leading into the main arena.

Colors

pantone pop-up color Within the inner floor area, a social banquette setup is combined with a dining experience, offering guests a variety of options for both dining and cocktails. To create contrast and resonate with the high-energy atmosphere, the color blue is used as the Pantone pop-up color. It is artistically incorporated into the flooring as terrazzo inlay, resembling spilling melt waves. The blue color also wraps around the 360-degree amoebashaped bar, serving as a focal and interactive point between the outdoor deck and the inner cocktail space. In the outdoor area of Melt, a mix of deep browns, coffee tones, and the pop-up blue color is incorporated into the in-situ terrazzo flooring. This flooring is laid out in an abstract art pattern, creating a visually striking contrast against the lush tropical foliage of the outdoor space. The deep browns and coffee tones in the flooring complement the earthy and warm ambiance of the outdoor area.

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AR. TANYA CHUTANI

Principal Architect at Pantone Collective

Pantone Collective has been strongly influenced by art and color play. Their design language revolves around one primary color usage with different contrasting elements.

They focus on designing the space in detail.

They make sure to detail every nook & cranny of our space with that perfection. Architect & Designer Tanya Chutani leads Pantone Collective. She completed her bachelor's in architecture from Sushant School of Art & Architecture, Gurgaon, in 2014. An inclination towards interior design & spatial planning made her pursue her master's in interior design in 2016 from IED.

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TAD Recommendations India, with its rich history and cultural evolution, is filled with undiscovered built gems. Here the diverse list of books written by renowned architects and designers opens the door to discovering such architectural masterpieces throughout the timeline.

Meaning is More: Interior Design for India

Architecture and Attitude: A Contemporary Indian Perspective By: Studio Archohm

By: Canna Patel

This book takes readers on a captivating interior design journey, blending vivid illustrations and engaging narratives to reveal five key design principles that bring functionality to life. It explores the designer's inspiration, thought process, and methodology, showcasing timeless, meaningful spaces across five project typologies. A valuable guide for young designers and students, it decodes Indian sensibilities and their translation into design.

Furthermore, it offers insights on transforming contextual details into interiors, products, fashion, and more. Authored by Canna Patel, a renowned architect and interior designer with over 30 years of experience and founder of HCP Interior Design Pvt. Ltd., the book reflects her evolving design expertise and professional journey.

Step inside a living, breathing design marvel!

Studio Archohm, a powerhouse of innovation in Indian architecture and design, invites you into the story of c28c, their iconic studio in NCR. More than just a building, c28c is a bold experiment—a living, breathing design laboratory where materials, textures, light, and form come together in harmony. This book unpacks the journey of creating c28c, revealing how a first-principles approach and environment-conscious thinking shaped a space that is as functional as it is inspiring. From concept to completion, every challenge was met with creativity and clarity, resulting in a studio that stands as a contemporary Indian architectural statement. Far from conventional, c28c is a canvas—a place where design ideas are tested, celebrated, and lived.

TAD RECOMMENDATIONS

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History of Urban Form of India By: Prof. Pratyush Shankar

As India experiences rapid urbanization, understanding the history of its cities becomes essential. This book traces the evolution of Indian urban spaces, from the Indus Valley Civilization (3000 B.C.) to contemporary times, through detailed case studies and hand-drawn illustrations. Focusing on the last 200 years, it explores how public spaces, institutions, and housing were organized and how political and cultural events shaped their form and texture. Why do South Asian cities look the way they do today? Engaging and insightful, this book offers a rich understanding of the historical layers influencing urbanism and helps readers reimagine the cities of the past, present, and future. A must-read for urban enthusiasts, designers, and history lovers.

Designing for Modern India By: Vikram Bhatt

At its core, the book reflects INI's commitment to sustainability— demonstrating how thoughtful design can address environmental challenges. Whether it’s their landscape and urban planning projects that deliver sustainability without added costs or their civic and transport developments driven by collaboration and innovation, INI’s work reveals a deep understanding of architecture as a social art.

From sports stadiums to living spaces, their projects embrace technology to create dynamic, functional environments that feel alive.

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108 Portraits of Indian Architecture By: Dr. Alka Pande

Fascinated all her life, at first by the ancient fairytales and later getting inspired by her education in the History of Art, Dr. Alka Pande grew her interest in ancient architecture and art along the way. That’s when the author decided to map down the historic architectural monuments across the country. From the urban planning of the Indus Valley Civilization to the grandeur of medieval temples and the sophistication of modern design, this book takes readers on a visual odyssey through India’s built heritage. Concluding with a glimpse into contemporary architecture of the late 20th century, this book is a captivating tribute to India’s architectural diversity—a must-read for history buffs, architects, and design enthusiasts.

Museum. Exhibition.

Backyard. Chennai

By: Srivathsan, MSS Pandian, Mahesh Radhakrishnan

Conceptualized in 2008 and rooted in the context of 90s globalization, this visual chronicle documents the evolving identity of Chennai. It explores the power dynamics between the imagined and inhabited city, capturing cultural shifts, aspirations, and urban transformations. Through everyday practices, changing food habits, and the city’s history along the Buckingham Canal, the book paints a layered portrait of Chennai’s cultural and spatial landscape—an insightful reflection that resonates even more strongly in today’s urban realities.

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“

I needed to know him, I needed to find out who he really was, so I set out on a journey...

-Nathaniel Kahn

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Director: Nathaniel Kahn Producer: Susan Rose Behr YEAR: 2003

M

y Architect= is an Academy Awardnominated documentary that takes viewers on a deeply personal journey through the eyes of Nathaniel Kahn, as he sets out to uncover the life and legacy of his late father— Louis Kahn, one of the most iconic architects of our time.

Known for his artistic temperament, Louis Kahn left behind architectural masterpieces like the Salk Institute, Kimbell Art Museum, IIM Ahmedabad, Yale University Art Gallery, and National Parliament House—all of which continue to stand as timeless inspirations. But more than that Louis Kahn’s personal life was an intertwining mystery which Nathaniel takes us for closer insights through this documentary. Following Kahn’s sudden and mysterious death, Nathaniel embarks on a quest to piece together his father’s life by engaging with renowned architects and collaborators starting with Philip Johnson, Frank Gehry, I.M. Pei, Moshi Safdie, and BV Doshi who knew him best. Poignant and thought-provoking, <My Architect= beautifully weaves together personal discovery and architectural brilliance, offering an intimate portrait of a legend through the eyes of his son.

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INCLUSIVE PROJECTS FOR PERSONS WITH DISABILITIES

INTERNATIONAL DAY OF PERSONS WITH DISABILITIES

CLICK HERE To find, the seven inclusive projects in India set an inspiring example to follow

WWW.ARCHIOO.COM AVAILABLE NOW !

WAVE LENGTH Wave Length Hangings lights FLOWER PLATTER SERVEWARE A member of the Zoi Clan, Flower platter’s

ADVAYA CABINET The Advaya furniture piece serves as a storage unit at its core, providing ample space for organizing various items and belongings.

silhouette is inspired by a person carrying goods in hands. The platform itself is inspired by Warli motifs, in the shape of a flower.

RAT-A-TAN DINING CHAIRS Chair with the head of backrest being hand weaved in cane and rest of the chair made in teakwood, the seat and backrest cushioned and finished in printed comfortable fabric.

DUBINDO Dubindo Dining Tables

Comment

down your answers. thearchitectsdiaryin

think tank T H U R S D A Y

WITH AR.RAVI SHARMA

JENNY MAJMUDAR She studied Architecture at Savannah college of Art and Design (SCAD) and has worked as a designer at HBA (Hirsh Bedner associates), Los Angeles in the Hospitality Design Industry. These interests and experiences became steppingstones to take her creative skills to the next level in building her own design firm Beso.

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EXCLUSIVE

Q1: Your journey from your initial embrace of the field must have been an incredible experience. Could you share some of the key moments throughout your journey?

JM: My design journey has seamlessly evolved from spaces to products, guided by core principles. It began at SCAD, where I learned to infuse architecture with soul and narrative. At HBA in Los Angeles, working on high-profile projects expanded my horizons. Driven by a passion for history, craftsmanship, and sustainability, I transitioned to product design, founding Bēsō. Inspired by Charles Eames9 idea that <details make the design,= Bēsō9s furniture celebrates craftsmanship, authenticity, and sustainability. From SCAD to Los Angeles and now to Bēsō, my journey underscores design9s transformative force.

Q2: Your designs have a distinct modern and sleek aesthetic. What inspired the initial design philosophy of Bēsō, and how has it evolved over the years?

JM: At Bēsō, our vision is to create furniture that blends profound functionality with modern design. We combine Indian craftsmanship with innovative principles, crafting pieces that are both structurally and artistically exceptional. Our artisans, with centuries of expertise, shape materials into forms that harmonize heritage with contemporary elegance. As we9ve grown, we9ve embraced sustainability and explored new materials, ensuring our designs reflect both precision and refinement. We view design as a narrative, connecting deeply with clients and infusing their spaces with purpose. In a world of mass production, Bēsō stands as a symbol of integrity and craftsmanship.

TADSTORIES

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VRUT REVOLVING CHAIR

8Vrut’—a revolving chair that captures the essence of its Sanskrit name, meaning "to rotate" or "whirl." Its striking design, with a backrest inspired by the graceful curve of an elephant9s trunk, adds both playfulness and sculptural elegance to any room. More than just a chair, Vrut invites interaction, becoming a conversation piece while symbolising the strength and grace of the elephant. The chair's curved form and its rotational ability bring a dynamic yet grounded presence, making it an engaging addition to any space.

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EXCLUSIVE

Q3: Each of your products has a unique name and a distinct character. What inspired you to take this creative approach? How do you come up with the names and stories for each product?

Q6: As your career gains momentum, what exciting steps do you plan to take next? Where do you envision yourself and your design practice evolving in the coming years?

JM: At Bēsō, each product has a unique name and character, reflecting my design philosophy of blending rich heritage with contemporary aesthetics. Named after Sanskrit terms, our pieces honor Indic civilization and embed deeper meanings. For example, our <Kosh= nightstand draws its name from the Sanskrit word for <treasury,= reflecting its role as a functional and elegant storage solution. Similarly, <Dhyāna= chair, named after the Sanskrit word for meditation, is designed as a tranquil space for introspection. This naming approach combines traditional Indian craftsmanship with modern design, ensuring each piece resonates deeply and tells a story of timeless elegance.

JM: As my career evolves, I9m excited about Bēsō9s future. Our goal is to expand globally while maintaining our commitment to sustainability and craftsmanship.

Bēsō envisions to become a global brand that highlights traditional Indian craftsmanship. We plan to collaborate with artisans from across India to enrich our collection and preserve their skills. We will also explore innovative, sustainable materials like biodegradable and recycled options to enhance our product line.

JM: The Bēsō furniture catalog celebrates India9s traditional aesthetics and vernacular design, evoking nostalgia for vintage treasures. Each piece is set against earthy backdrops reminiscent of ancestral Indian mud houses, highlighting our use of sustainable materials like reclaimed teak, natural polish, and handwoven cane. Brass utensils add antique charm, while traditional elements like Lippan art enrich the cultural narrative. This imagery is more than a showcase of furniture; it is an homage to the enduring beauty of India9s artisanal legacy. In essence, our photography aims to capture the intricate details and the cultural significance of each piece.

Q5: The user experience with furniture is both functional and emotional. How do you approach balancing aesthetic appeal with comfort and usability in your furniture pieces?

JM: Our design philosophy intricately balances aesthetic appeal with functionality and comfort. Each piece starts with its purpose, enhancing daily living through ergonomic principles and thoughtful forms.

The <Aaram= chair, with its ergonomic contours and handwoven cane, exemplifies this commitment to comfort. We draw inspiration from Indian arts and modern design to create visually engaging furniture that also serves meaningful functions. Our designs evoke nostalgia and connect emotionally by reflecting the warmth of ancestral homes. Bēsō9s furniture balances beauty and usability through thoughtful design, material choice, and a deep respect for Indian craftsmanship and cultural heritage.

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WE VIEW DESIGN AS A NARRATIVE, CONNECTING DEEPLY WITH CLIENTS AND INFUSING THEIR SPACES WITH PURPOSE

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Q4: Your product photography stands out with its unique and captivating style. Can you share the inspiration behind this approach and how it enhances the appeal of your designs?

In addition, we aim to build a community around our values by hosting workshops, exhibitions, and events that connect customers and artisans, fostering a deeper appreciation for sustainable design. Personally, we9re dedicated to continuous learning and global exploration to infuse fresh ideas into Bēsō. Ultimately, we see Bēsō leading the sustainable luxury furniture market, celebrated for both its beauty and ethical practices.

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I’VE COME TO VIEW MY ROLE NOT JUST AS AN ARCHITECT, BUT AS A CITIZEN FIRST EXCLUSIVE INTERVIEW

AR. KHUSHRU IRANI WITH AR. SIMRAN KHARE

DISCUSSION ON

NAVIGATING THE ASPECTS OF ARCHITECTURE AND DESIGN FOR SOCIAL TRANSFORMATION COVER IMAGE IIA Satara, Healthcare Competition, © localground

Q1: 1. Can you share the key moments and experiences that shaped your architectural journey, from entering the field to starting your own practice?

KI: I grew up in Bombay, surrounded by some of the city's most iconic architecture—South Bombay9s Art Deco buildings, Horniman Circle, and cultural landmarks like the NGMA and the Museum Institute of Science.

This rich architectural environment shaped my early interest in design. Even as teenagers, my friends and I would often photograph buildings, unknowingly setting the foundation for my future career. I also interned with Rahul Mehrotra in Bombay, working intensely in a small office that emphasized creativity and focus. After graduating, I joined Christopher Benninger9s firm, CCBA, where I gained hands-on experience managing large projects and learned to never compromise on principles. Later, I pursued Urban Design at UC Berkeley, where the program9s grounded approach to cities, streets, and neighborhoods deeply influenced me. Returning to India, I eventually started my practice full-time in 2017. Building it from scratch has been a journey filled with struggles, learning, and exciting breakthroughs.

Q2: What motivated you to focus on this transformative and often untapped aspect of architecture?

KI: Both the firms I worked with—CCBA and WRT had a profound influence on my understanding of architecture9s role in the social and public sectors. At CCBA, Christopher, who had worked extensively on master planning across Southeast Asia and on projects like SOS Children9s Villages, brought a deep sense of service-mindedness to his practice. Through this, I realized the power of architecture to serve the public good, beyond just the aesthetic or functional aspects.

Over time, I came to realize that this approach to architecture aligned deeply with my values. After facing a period where new work was scarce, I made a conscious decision to choose my struggle. I decided that if I was going to face difficulties in my career, I would choose to focus on work that made a real social impact, even if that meant sacrificing financial gain. For me, the true satisfaction comes when I see the impact our work has on people9s lives—whether it's creating spaces for education, healthcare, or public welfare.

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IF I WAS GOING TO FACE DIFFICULTIES IN MY CAREER, I WOULD CHOOSE TO FOCUS ON WORK THAT MADE A REAL SOCIAL IMPACT

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K

hushru Irani earned his bachelor's in architecture from Pune and furthered his master's of urban design at the University of California. He started his practice at localground in March 2017. The practice searches for an appropriate response to the places it works in, inspired by a specific context, culture, environment and building technology. The studio has worked on a diverse range of projects including buildings for education, campus plans for institutes, adaptive reuse projects and buildings for the social sector. Working with and for the social sector is integral to their practice.

Q3: How do you believe architecture can shape the way individuals perceive and interact with social environments, considering its important role in transforming how people and cities function?

KI: Architecture, to me, is deeply intertwined with how we experience life. We wake up in buildings, work in them, unwind, heal, and celebrate in them— whether it9s a home, an office, a hospital, a cinema, or a restaurant. Almost every moment of our lives is spent in spaces shaped by architects, which makes it undeniable that architecture plays a fundamental role in influencing how we live, interact, and function as a society. Because of this, I believe creating these environments is not just a profession—it9s a privilege and a profound responsibility. Architecture isn9t something we9re entitled to practice simply because we9ve studied it or earned a degree. It demands more than technical expertise; it demands intention, humility, and purpose. Until we acknowledge that, we risk approaching our work with a mindset of selfindulgence rather than service.

That9s why I feel it9s so important to constantly reflect on our role as architects. What position do we occupy in society? What values do we bring into our practice? These questions shape not just the kind of work we do but also the impact we leave behind. It9s about going beyond aesthetics to create meaningful, thoughtful spaces that respond to people9s needs and aspirations. At its core, architecture should empower and inspire—it should foster connection, inclusivity, and a sense of belonging. That, I believe, is the true purpose of our work.

IIA Satara, Healthcare Competition, © localground

IIA Satara, Healthcare Competition, © localground

IIA Satara, Healthcare Competition, © localground

Q4: Your studio is housed in a 100-year-old building located in the Cantonment area, which exudes a unique character and reflects Pune’s rich architectural context. Could you share your journey of renovating and repurposing this historic structure?

KI: The studio has been an integral part of our practice —a space where we9ve spent years shaping ideas, projects, and collaborations. The building itself has a rich history; it was originally a single-family home, part of a much larger 10,000-square-foot structure.

We occupy only a small portion—about 1,400 to 1,500 square feet—but the journey of adapting it into our workspace was both challenging and deeply rewarding. When we first took over the space, the building was in a state of disrepair. It required extensive restructuring—strengthening the foundation, rebuilding sections, and repairing walls that had partially collapsed. Beyond that, we focused heavily on restoring its character. We salvaged and repaired original elements like doors, windows, handrails, and floors, and even had to rebuild the roof.

The context of the neighborhood added another layer to the process. It9s an eclectic area, blending old and new houses, a diverse mix of people, businesses, and cultures. That dynamic energy shaped how we approached the renovation—striking a balance between preserving the building9s heritage and adapting it for modern use. Interestingly, the studio didn9t feel 8complete9 when we first moved in—it evolved with us. Over the 12 years we9ve been there, we9ve added elements, modified spaces, and adapted it as our needs changed. It has remained a living, breathing project rather than something frozen in time.

The space has also grown to become more than just an office—it9s a place where we9ve hosted talks, events, and gatherings. It9s been a platform for exchange and dialogue, and in many ways, it has shaped the ethos of our practice. Looking back, it9s been an incredibly fulfilling process—one that continues to evolve even today.

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WHAT POSITION DO WE OCCUPY IN SOCIETY? WHAT VALUES DO WE BRING INTO OUR PRACTICE?

Q5: With technology advancing at such a rapid pace, how are you integrating and harnessing its potential in your architectural practice to enhance design, innovation, and functionality?

KI: I would describe our practice as relatively simple and grounded. We focus on designing buildings that are straightforward to construct, relying on welltested, standard construction methods rather than pushing the boundaries of cutting-edge technology.

Within this framework of accessible and proven processes, our goal is to create environments that engage people in meaningful and positive ways. When it comes to technology, I see it in two parts— technology inside the studio and technology outside, on the construction site. Inside the studio, we work with tools that are basic but effective. We haven9t deeply ventured into AI, parametric design, or advanced digital modeling techniques, though we9re aware of these technologies and their growing relevance. Our process remains more analog, rooted in sketches, models, and drawings. That said, we are open to incorporating tools when they add value—for example, we9ve discussed experimenting with VR headsets to give clients a more immersive experience of their projects. While we haven9t adopted it yet, we9re certainly not opposed to leveraging such tools when they align with the purpose of our work.

Q6: With such a distinctive architectural journey behind you, what do you envision as the next chapter of your career? Where do you see yourself and your practice evolving in the coming years?

KI: Honestly, I wish I had a clear answer! But I think that9s what makes life as an architect so exciting and fulfilling—the unpredictability, the possibilities, and the constant evolution. We rarely know what9s going to happen tomorrow, but we can certainly imagine and hope for the best. For me, the goal is quite simple—to continue loving what I do more each day. If I can achieve that, I think it9s a good day, and life feels meaningful. I feel incredibly fortunate to be able to do the kind of work we9re doing, and my focus is to keep engaging with it in the most patient, resilient, and thoughtful way possible. As for the future, I think it9s extremely exciting. India is at such an interesting juncture right now—there9s so much happening, so much being built, and there9s an entire generation of young architects doing some truly incredible work. It9s inspiring to be a part of this ecosystem.

When you think about it, we9re a nation of 1.5 billion people and only about 150,000 architects—so we9re an incredibly small community. Architecture isn9t easy.

It9s a complex, layered, and deeply challenging process, and doing good work requires so many things to align just right. But that9s also what makes it so rewarding.

So, as I look ahead, my focus is to keep pushing, keep learning, and keep building spaces that hopefully resonate with people. And as for what comes next— I9m excited to find out!

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