The Architect's Diary Magazine - December 2024 Edition

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EDITOR’S NOTE

The best designs are the ones executed carefully with the contextual consideration at the core. And with the context-centralised designs, follows the versatility of architecture. Along with context, climatic conditions and sustainability are equally important and these are the factors which makes every building unique. This month, let's delve into the pool of inspiration with designs deliberately selected to cater distinct typology in built fabric.

One fine day, with electricity cut-out and no devices to distract I stumbled upon the books in my library and was engrossed in questions like how globalization in architecture has been affecting the urban fabric? Pondered in my thoughts, I realised that these questions are crucial, and every architect must address them in order to retain the lost charm of our cities. And so, we assembled our special column - TAD Recommendations, shedding light on one's curiosity.

The month's highlight has to be the CCBA9s Book Launch - 8Great Expectations: Notes to an Architect,9 the sequel to the bestselling book 8Letters to a Young Architect.9 Dive into a digital space of inspiration with our carefully picked books of the month. But, what can be a better way of learning to answer these questions if not from a renowned architect who has dedicated themselves to justifying those answers in life? Here in our exclusive interview with Ar. Siddharth Bathla from Design Factory India, we aim to grasp his wisdom and art of making space alive and amplify our learnings. And lastly, what can be a better companion to a magazine than a deliberately selected Playlist of the Month?

PICK OF THE MONTH

Vaazh House, the cover star residence, blending community and sustainable design. Secondly, The BIVP Penthouse, where minimalism meets luxury in the busy urban fabric. And lastly, Great Expectations: Notes to an Architect, a CCBA book taking us through gurushishya learning for architects around the globe.

CONTENTS

01

EDITOR’S NOTE

Fromtheeditor'sdesk,thepicksofthe montharesomethingtolookup!

FindoutaboutKashishOchani,the founderofYellowBrickRoute,on reveals!AlsoreadthroughwhatAr. SiddharthBathladiscusseson architectureandotherdisciplines. pg.

02

PROJECT FEATURES

Architecture+InteriorDesigntakes upthisdigitalspace.Brandnewones areunique,oneafteranother.

03

GREAT EXPECTATIONS - NOTES TO AN ARCHITECT

AsatributetoProf.Benninger,the bookwasreleasedinPune,his hometown,onthe22ndofOctober 2024inamemorialgatheringforhim.

04

TAD RECOMMENDATIONS

Areyouabooklover?Findsome inspirationsalongsideanamazing movieyoumustwatch.

05

TADPOD INTERVIEWS

THE ARCHITECT’S

DIARY

TAD Magazine is a pool of new creations and recommendations prioritizing new structures, materials, technologies, products, and infinite innovations. From carefully curated project features to TADPOD interviews, we strive to provide meaningful content beyond visual aesthetics. Along with project features, we offer a digital gallery for product designers to display their brand-new products, as well as an opportunity to express their thoughts and ideas through interviews. With more than 10,000 TAD members and thousands of global readers, this digital magazine is growing significantly and creating a positive impact in the community.

SIDDHARTH BHAYANI

EDITOR-IN-CHIEF

BAARAT KRISHNA

EDITOR

RAJVI DEDAKIA

COPY EDITOR

AKANKSHA SAHANI

GRAPHIC

DESIGNER

HET SHAH

INTERVIEWS - HEAD

ALI TURNER

MARKETING MANAGER

JINAL MEHTA

SOCIAL MEDIA MANAGER

ARCHITECTURE & DESIGN FESTIVAL 2025

AHMEDABAD MILL OWNERS ASSOCIATION

THEME: BUILDING A LEGACY-A VISION FOR GENERATIONS

PROJECT FEATURE

PENTHOUSE

LOCATION: Bengaluru

ARCHITECTS: Nebulous Design Workshop P Ltd

PHOTOGRAPHS: Arjun Krishna

WHERE MINIMALISM MEETS LUXURY

Our Modern Organic design aesthetic embodies clean lines, minimalism, and a neutral colour palette to craft uncluttered, sophisticated, and timeless spaces. Inspired by Le Corbusier's colour system, we harmoniously combined exposed brick with concrete facade blending seamlessly with the multidwelling unit's architecture.

For us, luxury is defined by open spaces that breathe freedom and serenity. Enveloped by expansive fields and fresh air, our apartment's east-west orientation culminates in a stunning south-facing garden area. As the sky's natural hues dance across the canvas, we're reminded that true luxury lies in the beauty of nature – a masterpiece no human architect can replicate.

The entrance / foyer directly opens into the outdoor conservatory.

SERENITY CRAFTING

“Enveloped by expansive fields and fresh air, our apartment's east-west orientation culminates in a stunning south-facing garden area. “

Connecting Tranquility: Two separate 3 BHK units, each cocooned in privacy, are connected by a captivating conservatory, offering breathtaking views of the surrounding landscape.

The organic elements bring a sense of warmth and coziness, while the modern touches ensure the space feels sleek and refined. The result is a harmonious balance of opposing forces, creating a truly unique

and captivating environment. The simplicity of the design believes a deep sense of thoughtfulness and attention to detail, resulting in a space that feels both opulent and understated. Every element, from the materials to the lighting, works together to create a sense of warm invitation, making this space the perfect retreat for relaxation and entertainment. The kitchen's futuristic aesthetic is achieved through the innovative use of hexagon-shaped storage units, which add a touch of geometric sophistication to the space.

The Bedrooms are a serene retreat that embodies the essence of monochromatic elegance, where a single color palette is used to create a sense of calm and sophistication. Each room's design is a masterclass in restraint, with a focus on subtle nuances and thoughtful details that add depth and visual interest. A soothing neutral tone sets the tone for the space, providing a tranquil backdrop for the carefully curated furnishings and decor. Rich textures, luxurious fabrics, and clever lighting design add layers of depth and dimension, creating a sense of drama and visual intrigue.

ID. KIRAN SABNANI & AR. MANOJ SABNANI

PRINCIPAL DESIGNERS AT NEBULOUS DESIGN

Nebulous Design Workshop is a contemporary architectural firm that believes that a good design can transform a simple space into a masterpiece. To create the perfect design, designers spend hours with their clients discovering who they are so that designers can give them what they want – contemporary buildings, chic offices, or efficient factories. Nebulous Design love and respect the design process and their design team are a group of highly motivated and talented individuals.

RED RUFF

ARCHITECTS: Vimmu Design & Saku.lab

LOCATION: Anand, Gujarat

YEAR: 2024

PHOTOGRAPHS: Inclined Studio

BLENDING TRADITION & MODERN STYLE

The jewelry showroom offers a carefully curated environment that blends traditional elements with a contemporary sensibility. The combination of warm tones, luxurious materials, and refined furniture results in a space that feels elegant yet inviting, providing customers with an immersive and memorable experience. Deep green tiles provide a luxurious feel and enhance the richness of the overall design. Neutral terrazzo flooring allows the featured pieces and architectural details to take center stage while ensuring durability. Curved glass blocks create transparent divisions, lending the space a sense of openness while maintaining distinct zones

The showroom combines modern sophistication with classic elegance, offering a luxurious and intimate experience. Textured wall installations and decorative ceiling features enhance the space, creating a refined atmosphere that highlights both the jewelry and the artistry of the design.

The showroom’s displays combine minimalist yet elegant vitrines set within columns, highlighting key jewelry pieces. Smaller shelves line the walls, presenting jewelry in an organized, tiered layout that gives prominence to each piece A transparent, curved glass screen adds a modern element and subtly delineates spaces within the showroom without obstructing views. A central pedestal displays a single, finely crafted jewelry piece under a bell jar, framed perfectly by the curved glass block partition.

CRAFTING INTIMATEELEGANCE

<The Showroom’s design focuses on creating an intimate and luxurious ambiance, showcasing fine jewelry in a space that feels both modern and timeless.=

Discreet ceiling spotlights are positioned to emphasize the central columns and arched niches, enhancing the architectural rhythm. Display cases are softly lit to accentuate the jewelry’s brilliance and details. The design draws inspiration from traditional opulence blended with contemporary minimalism. The aesthetic focuses on timeless elegance that highlights the intricate jewelry pieces while keeping the space functional and inviting.

KUSHALDALWADI JONS SAVALIA DISHA PATEL

PRINCIPAL DESIGNERS

SAKU.LAB & VIMMU DESIGN combines a deep enthusiasm for design with a strong dedication to creative problem solving. They encourage their clients to dream big and push the boundaries, resulting in remarkable creations. The strategy focuses on understanding each client's specific requirements, allowing to create distinctive solutions that stand out. Success for the studio is when clients engage them with the most difficult design challenges, knowing that designers will create innovative, creative solutions that push the boundaries of what is possible. Vimmu Designs + SAKU Lab think that collaboration between imagination and expertise fosters innovation.

VIMMU DESIGN + SAKU LAB

AQUANT OPENS ITS FIRST COMPANY-OWNED EXPANSIVE DISPLAY CENTRE IN AHMEDABAD

3109A Digital Door Lock

Combining high security with cutting edge technology, the Yale 3109A Digital Door Lock is a high quality security solution for the contemporary home. The Lock can be opened with PIN code, proximity card or traditional key. And now with enhanced electronics and updated firmware - you have the convenience of Yale Home app connectivity and capability. Enjoy peace of mind, protected by a Yale Lock with 180 years of security expertise built in.

Trusted every day

PROJECT FEATURE

RESERVOIRE

LOCATION: Bengaluru

ARCHITECTS: Studio Camarada

YEAR: 2024

PHOTOGRAPHS: Shamanth Patil

A URBAN JUNGLE OASIS: ART &

NATURE

This new pub, located in Indiranagar, Bangalore, emerges as an epitome of artistic expression and natural allure. It9s more than just a pub; it's an immersive journey through a symphony of diverse art forms and a serene tropical oasis, seamlessly integrated into the urban landscape. The space resonates with elements of ART, sculptures and a wholesome landscape that gives you an immersive experience of an urban jungle reservoire.

HARMONIOUSBLENDOF NATURE,ART&SCULPTURE

8Reservoire9, if taken in literal terms, means a large water body. The presence of a lot of flora and fauna is but natural. Hence, taking from that derivative, the idea to create a green oasis within the structure and in turn open out the main roof by creating a retractable skylight, was the main agenda. . Sculptures and artwork all followed the direct narrative of a 8bird9.

BIRD-INSPIRED

From the actual knife art on walls, to the large than life light sculptures by Artist Siddharth Kerkar, all these followed the narrative of the bird in main context. The showstopper here were the larger-thanlife feather lights by Artist Siddharth, that are suspended from the ceiling, casting a warm glow over the entire space. Along with that- the bar also features a retractable roof, allowing patrons to bask in the sunshine during the day and gaze at the stars at night- A take on the idea of a reservoire.

As you ascend, the mezzanine floor with a courtyard-style design is complete with a bridge and lush greenery, overlooking the floor below. This is the perfect vantage point to observe and experience both the indoors and the outdoors in equal measure. Located on a busy road in Indiranagar, the lush greenery also helps attenuate noise.

Tropical wallpapers and a random rubble stone cladding envelop the walls and gently seeps into the furnishings too.

Notice the columns? which have been wrapped in printed fabric! In essence, Reservoire is a celebration of art, nature, and the harmonious interplay between the two. It’s a place where creativity flourishes, and the boundaries between indoors and outdoors dissolve, creating an immersive experience that delights the senses and nourishes the soul.

ANDRE CAMARA

Studio Camarada, is a forward-thinking architecture firm dedicated to creating innovative, sustainable, and functional designs. Led by Principal Architects Andre and Shravya, the firm combines a wealth of experience and diverse expertise to deliver exceptional architectural solutions. Together, they lead a collaborative team that is committed to transforming ideas into inspiring built environments that meet the needs and aspirations of their clients. Our projects range from hospitality, residential, commercial, institutional all reflecting our dedication to quality, precision, and visionary thinking.

PRINCIPAL ARCHITECT AT STUDIO CAMARADA
AR.

THE

VAAZHHOUSE

LOCATION: Thandarai, TamilNadu

ARCHITECTS: VY Architecture Studio YEAR: 2024

PHOTOGRAPHS: Syam Sreesylam

COMMUNITY & PRIVACY CO-EXIST

Birds fly and make homes in lands far away. Vedanthangal is a chosen land for migratory birds. The untouched vegetation and aquatic plants maintain the bird sanctuary in Vedanthangal as one of the country’s oldest protected regions. The client’s story is that of a man caged in the walls of a city. Setting him free in this chosen land was our role as architects. A home in a vulnerable ecosystem had to be a breathing edifice, born of the earth, slowly ebbing into the soil. A living home for living beings. With reference to the indigenous construction practices of mud architecture and courtyard houses, our design approach was grounded in history and equally modern for the city dwellers to adapt.

The shell had to allow the gaze to penetrate the surfaces, bear witness of age and history on its skin and withhold the openness of the client in its layout. Amid a cluster of family-owned houses, the north-facing rectangular site belongs to a borderless neighbourhood with the only true boundary being the thinnai—a raised, covered veranda intrinsic to Tamil households.

This space, where the family chit-chats with neighbours and feed dogs, serves as the heart of belonging. The plan is zoned into three. The communal spacesthinnai, living room and courtyard, and the more private kitchen and bedrooms are linearly arranged such that every space is visually connected. At the core of the house is a courtyard.

&NATURE CONNECTION

"A central courtyard, curved walls, and sunlit spaces foster a sense of belonging while balancing privacy and openness in this thoughtfully zoned home."

A wall curves through the volume of the courtyard and shelters the west from harsh sun. On the east, the curve extends to the roof, forming an open space to bask in the morning sun. The perforations in the curve let the sun cast patterns on the earthlike oxide floor and shower rain into the courtyard.

The river rocks in the courtyard are mnemonic objects, reminiscent of the river flowing nearby. The curve, more than a sculptural element, is a play wall to climb up to the roof and lie back, watching clouds drift by. The curve connects the ground and the roof, creating a threedimensional recreational area. The courtyard invites not just the family, but also birds, insects, dogs, and cats, turning the home into a sanctuary for all. Here, the home celebrates the climate’s veracities—bare feet on cool, damp soil, raindrops from the open roof, stargazing at a clear blue sky— breathing life into the narrative.

AR. YOGALAKSHMI AR. VENKATESH

PRINCIPAL ARCHITECTS AT VY ARCHITECTURE STUDIO

Established in Chennai and Mahindra world city. Vy thrives to innovate eco- parametric architecture globally with a primary focus on sustainability. Eco-Parametric Architecture blends the principles of ecofriendly design with the advanced techniques of parametric architecture to create innovative, sustainable solutions. Our unique architectural language, which is simultaneously artistic, is an ode to the earth. In an epoch when <why build?= is a pressing question, the young studio envisions to make liveable spaces with a minimum carbon footprint.

GREAT EXPECTATIONS: NOTES TO AN ARCHITECT

Reflects on contemporary architectural practice and its role in improving the human condition. It gives direction to students and practitioners alike.

BOOK LAUNCH

21ST NOVEMBER, 2024

CEPT UNIVERSITY, AHMEDABAD

The book is published by CEPT University Press, with a foreword by Prof. Benninger’s long-time friend Dr. Bimal Patel. As a tribute to Prof. Benninger, the book was released in Pune, his hometown on the 22nd of October 2024 in a memorial gathering for him.

(Left to Right) Dr. Bimal Patel, Karan Gandhi, Ramprasad Akkisetti, Dr. Tridip Suhrud, & Barjor Mehta
Photographs Credit: CEPT University

(de)Coding Mumbai

Ephemeral Urbanism

What is the significance of temporary settlements in this ever evolving urban fabric? And more accurately, do all these temporary structures contribute on a larger scale to urban development? Ephemeral Urbanism invites us to ponder over aspects of material impermanence such as dematerialization and disassembly as an integral part of the design and construction processes of cities. The research was conducted at Harvard Graduate School of Design with the aim of bringing to light the idea of non-permanent configurations of the urban landscape through diagrams, photographs and aerial images.

India, with a whooping population and not an equivalent amount of land available, often faces a scarcity of housing to cater to all ranges of people. The (de)Coding Mumbai initiative explores how Mumbai's Development Control Regulations (DCR) and Development Plans (DP) have evolved. Originally aimed at ensuring light, ventilation, and public health, these rules now focus more on financial gains, often neglecting thoughtful and innovative housing design. The study examines how these regulations shaped Mumbai9s urban form, why better housing was possible in the past, and the difficulties in achieving it today.

Celebrating Public Spaces of India

<Public spaces are a window into the city9s soul.= - Sharon Zukin. Public spaces play a vital role in the development of any urban fabric, specifically in developing nations like India.It can be either a bustling market or Temple Chowk, a historic place, a business district, or simply a waterfront area. In this book, the authors cover such iconic landmarks across India and analyze the public nature and its contribution in evolving the built fabric.

Great Expectations: Notes to an Architect

UnbuiltArchitecture of Future Collectives

Invention comes at times of crisis. In those times retrieving the social and cultural pattern of the city comes as a priority for architects. Unbuilt 2.0 is a collection of inspiring ideas that thoughtfully address issues of innovation in design, technology, and conservation. The book not only focuses on current issues but also aims to question 8what will happen9 to existing urban residues. By thoughtfully curating the answerable designs, the book prepares us for the future, sudden changes, and urban requirements.

One fine day, while conversing, Christopher Benninger and Akkisetti Ramprasad shared their thoughts on their inspiring journey in the field of architecture, within a brief history of time marked by human progress and great expectations as their outcome. This book is a sequel to one of his bestselling works, Letters to a Young Architect, which contains notes on the legacy not only of Christopher but also of all the legendary architects he encountered, shaping the minds of emerging thinkers. The memoir offers insights into Christopher9s life lessons and his perspective on urban issues, as well as the impact of new technologies on a broader scale.

With the rapidly growing population and shifts in economic paradigms, a boom can be seen in the housing industry. However, amidst the extensive construction, design considerations and a sensitive approach to house design seem to have been neglected, resulting in a lack of consideration for quality living. To address these critical issues, Ar. Yatin Pandya aims to take us back to the Courtyard Houses of India, where human needs were central to the design. With the rich cultural influence of traditional Indian houses, let9s dive into a pool of inspiration for modern housing design.

Courtyard Houses of India
Chandigarhisa controversial synthesisofthe arts,abold utopiaof modernity. “

DIRECTOR: Karin Bucher, Thomas Karrer

PRODUCER: Thomas Karrer

YEAR:2023

PowerofUtopia—LivingwithLeCorbusierin Chandigarh explores the legacy of the city envisioned by Le Corbusier as a modern utopia.ThedocumentarybyKarinBucherand

Thomas Karrer beautifully contrasts the city’s original idealswithitscurrentreality,blendingpastdreamswith present-daylife.

Throughinterviewswithresidents,artists,andarchitects, thefilmshowcaseshowChandigarhhasgrownbeyond itsdesign,reflectingabalanceofpreservation,decay,and adaptation. It examines the connection between architectureandsociety,askingwhatwecanlearnfrom thisuniqueexperiment.

The visuals and narratives highlight the city’s transformation into a lived space, revealing both its successes and challenges. This thoughtful documentary immerses viewers in the stories of those who inhabit Chandigarh today, offering a deeper understanding of how visionary architecture influences everyday life and continuestoinspirefuturepossibilities.

AASAD

CUTLERY CABINET

Modern design with natural beauty of wood, Modern design enhanced by the teakwood grains.

HIKARI I

Made in Walnut Steam beech & White Ash it finds beauty in simplicity. Modern with a sense of warmth, it suits various spaces, from dining tables to consoles.

ANDAMAN JOLLY FOOD TROLLEY

The pinnacle of sophistication and functionality. Redefining the art of service, this exquisite trolley boasts an elegant design with a unique feature

ANISH DINING SET

Soft-edged, curvy form—a rounded back and low-lying arms. Slim, cast wooden legs keep its base open and airy. Softly rounded back adds a little luxury to your dining room.

KASHISH OCHANI

She has been ardently working in the Furniture and Home Décor business for more than five years. She is an aesthete, learner, observer and the founder of Yellow Brick Route.

At YBR, they make your house a delightful home that stands for hope, beauty, comfort, coziness and a sense of being. Offering you an inimitable collection of minimalistic along with casual luxury designs of contemporary times.

Q1: Your journey from your initial embrace of the field must have been an incredible experience. Could you share some of the key moments throughout your journey?

Kashish Ochani: My journey as the founder of Yellow Brick Route has been both challenging and rewarding. It started with a passion and a desire to create furniture that blends functionality with artistic expression. One key moment came when I realized the gap in the market for handcrafted, timeless designs that also embrace modern aesthetics. This realization led to the birth of our vision to craft pieces that resonate with both futurism and classic charm. Another milestone came when I collaborated with talented artisans and designers, ensuring every product reflects both skill and creativity. For instance, each project, like the bespoke poker table for @anantbaug, pushed us to innovate and refine our craft. Through these experiences, the journey has taught me the value of perseverance, teamwork, and staying true to one’s vision, even amidst challenges. Today, seeing our craftsmanship appreciated by discerning clients motivates me to keep evolving.

Q2: Your designs capture a blend of traditional craftsmanship with a modern touch. What inspired the initial design philosophy, and how has it evolved over the years?

Kashish Ochani: The initial philosophy of Yellow Brick Route was inspired by a desire to honor traditional craftsmanship while embracing the possibilities of modern design. Growing up surrounded by timeless handcrafted furniture, I developed a deep appreciation for the artistry and stories behind every piece. When

we started, the goal was to create furniture that wasn’t just functional but also a reflection of personal style—pieces that tell a story. Over time, our approach has evol-ved by incorporating contemporary techniques ke CNC precision and exploring modern materials while staying rooted in the artisanal touch.. This evolution allows us to balance contrasting elements: the warmth of tradition with the sleekness of modernity. Ultimately, it’s this blend that defines our work, making it timeless yet relevant for today’s spaces.

Q3: Yellow Brick Route blends elegance of eras gone with futuristic influences. How do you balance these contrasting styles to create designs that feel both timeless and innovative?

Kashish Ochani: We draw inspiration from classic aesthetics, focusing on clean lines, understated details, and materials that age gracefully. At the same time, we incorporate cutting-edge techniques like CNC precision and explore contemporary materials such as resin and metals to infuse a modern edge. Every piece is thoughtfully crafted to harmonize these influences For example, we might pair a minimalist Scandinavian form with intricate, handcrafted details or use advanced technology to reinterpret traditional patterns. The goal is to create furniture that feels familiar yet forwardthinking—pieces that resonate across generations and

MUSE MODULE STUDY TABLE

Kashish Ochani: We draw inspiration from classic aesthetics, focusing on clean lines, understated details, and materials that age gracefully. At the same time, we incorporate cutting-edge techniques like CNC precision and explore contemporary materials such as resin and metals to infuse a modern edge. Every piece is thoughtfully crafted to harmonize these influences For example, we might pair a minimalist Scandinavian form with intricate, handcrafted details or use advanced technology to reinterpret traditional patterns. The goal is to create furniture that feels familiar yet forwardthinking—pieces that resonate across generations and remain relevant in evolving design landscapes. This delicate balance is achieved through collaboration with artisans and designers who share our vision and a deep respect for both tradition and innovation.

Q4: Your designs cater to a wide audience, from a child to a senior citizen. How do you ensure one piece of furniture is ergonomically suitable for all age groups?

Kashish Ochani: Designing furniture that caters to all age groups requires a thoughtful approach to ergonomics, functionality, and versatility. At Yellow Brick Route, we focus on creating pieces with adaptable designs that prioritize comfort and usability across diverse needs. For instance, we ensure appropriate seat heights, backrest angles, and support levels, considering the needs of children, adults, and seniors. In addition, materials are chosen not just for aesthetics but also for durability and ease of maintenance, ensuring longevity and practicality. We also incorporate modular or adjustable features in some designs, allowing users to customize the furniture to their preferences. Furthermore, testing prototypes with users from various age groups helps us refine each piece to meet universal ergonomic standards. Ultimately, our goal is to design furniture that seamlessly blends functionality with style, ensuring it remains accessible and enjoyable for everyone.

Q5: As your career continues to gain momentum, what exciting steps do you plan to take next? Where do you envision yourself and your design practice evolving in the coming years?

Kashish Ochani: In the coming years, I envision expanding our range to include more innovative and sustainable materials. I aim to create furniture that not only tells a story but also respects the environment. Additionally, collaborating with diverse artisans and designers from across the globe is another exciting step. This collaboration will bring fresh perspectives and cultural richness to our creations.

I also see our design practice evolving into a platform that fosters deeper connections with architects and interior designers. Through more personalized collaborations, we aim to build stronger, more meaningful partnerships. By continuing to prioritize quality, craftsmanship, and meaningful relationships, I

strive to make Yellow Brick Route a recognized name in bespoke furniture. Celebrated for its timeless appeal and deep connection to its roots, our journey is about growth, exploration, and pushing boundaries. I am truly excited to see where it takes us.

Q6: How do you find a sense of fulfillment and purpose in your work as a designer, beyond just bringing designs to life?

Kashish Ochani: For me, it lies in the connections my work fosters—with clients, artisans, the spaces my designs inhabit, and my family, who remain a constant source of inspiration and support. Each connection builds a deeper meaning behind my craft. Each piece is an opportunity to tell a story, evoke emotions, and contribute to the character of a home or space. Seeing a client resonate with a design, knowing it reflects their personality or memories, feels deeply rewarding. I also find immense purpose in collaborating with artisans, preserving traditional craftsmanship, and blending it with modern techniques. Empowering skilled hands and bringing their work into contemporary relevance gives me a great sense of pride.

“ IT IS ALL ABOUT VALUE OF PERSEVERANCE, TEAMWORK, & STAYING TRUE TO YOURSELF AMIDST CHALLENGES. “

Siddharth Bathla: I am an architect and an industrial designer from education . A firm believer of design as a process , problem solv-

ing and engaging with the end user. These being the common threads irrespective of the design field has lead me to co found - Design Factory India , a multi disciplinary design studio . In focus I am trained in strategic design management , user experience design processes , communication design , architectural and space design , industrial design , service and system design.

Q1: Can you enlighten your journey from initial to embracing the field of architecture later developing this niche expertise in designing these experiential spaces?

SB: After completing my bachelors in architecture, I realized I didn9t want to limit myself to the traditional silos of the field. I was deeply curious about how architecture could intersect with other creative disciplines. That9s when I came across the BOS school, which had a unique interdisciplinary approach that combined architecture with arts, film, graphics, and Pro Design. It felt like the perfect fit for my aspirations, so I decided to pursue a master9s in design to delve deeper into these ideas. During my master9s program, I began to discover where my true passions lay—space design, graphics, and film. These areas allowed me to explore storytelling in a way that extended far beyond conventional architecture. After graduating, I started exhibiting my work, which became a blend of everything I loved—storytelling through films, creating immersive experiences in museums, and working on projects that celebrated heritage and history. Each project became a way to merge architecture with broader creative narratives, offering me the freedom to think and design differently. I9ve always had a deep love for architecture, a passion that started in my childhood. However, I9ve come to understand that the formal education I received didn9t fully align with the creative direction I wanted to pursue. That realization has fueled my commitment to continuing this journey of exploration. For me, it9s about evolving constantly, finding new ways to blend my interests, and discovering where my passions will take me next.

“ AT THE END OF THE DAY, IS THE IMPACT OUR DESIGNS HAVE ON PEOPLE AND SPACES THAT WILL TRULY MATTER

Q2: How do you balance multiple creative visions when collaborating with various architects to maintain cohesiveness in design? And if you had to pick, which architect has been the most enjoyable to work with, or what has been one of the best projects you’ve worked on?

SB: Every architect is different, and that diversity brings its own set of challenges and opportunities. I believe it9s essential to respect their vision and appreciate the work they9re doing, especially since this is still a relatively new field for many architects in India. For example, museums, particularly contemporary ones, are a typology that most architects here haven9t had much experience with. This often means we have to collaborate closely to bridge gaps in understanding. For instance, while architecture often emphasizes natural light, digital galleries cannot function with it. This requires conversations where we explain that while natural light is valuable, it needs to be controlled and brought in strategically—like in break zones between galleries. Similarly, decisions on floor finishes require discussions; for us, darker floors work better as they allow visitors to focus on the artifacts rather than the ground.

These are design discussions we navigate with every architect. Sometimes they are highly collaborative and fruitful, with architects adapting to these new requirements. Other times, they trust us entirely, asking us to lead the process since we also come from an architectural background. There are instances when architects change our suggestions, and we have to revisit the designs. It9s not always a straightforward process—it9s an evolving journey, an exchange of ideas that leads to a shared vision..

Q3: Which one of your projects would you recommend as a must-visit for our viewers—one that stands out as your best or your personal favorite among all the projects you’ve worked on?

SB: For me all the projects are loved ones, but the one that holds special place in my heart is the museum we designed in Anjar called 8Balak9. It is a memorial for all the kids who lost their lives in the Kutch earthquake We didn9t design it to make people cry, but as a memorial, it naturally evokes deep emotions. When parents who lost their children visit, they often break down. The challenge for us was creating a space where people could grieve, yet also feel a sense of comfort and hope. Balancing these contrasting emotions—grief and hope—was a deeply meaningful experience.

Seeing how the museum resonates with visitors now gives us strength as designers and reminds us why we do what we do. Balak isn9t just a project; it9s a space that speaks to the human spirit, and it9s a reminder of the impact thoughtful design can have.

Q4: In this era of rapidly evolving technology, integrating advanced experiential and immersive spaces has become essential, especially to capture the attention of the current generation. What have been your experiences—both good and bad—when working with technology to craft these spaces?

SB: The downside, I believe, is that technology can sometimes become a taboo—it9s used simply because it9s available, leading to overuse. I don9t think that9s the right approach. The story should always come first. Technology is a tool, a facilitator, not the core of the experience. For example, whether people watched films in theaters or now on Netflix, the essence of the film hasn9t changed. The story remains the most important aspect, and technology is just a medium to deliver it.

Similarly, in our field, if a certain technology fits well with the story or enhances the experience, why not use it? For instance, we9re having this conversation in a virtual space—something that wasn9t common five or ten years ago. This platform facilitates our interaction, but it doesn9t replace the importance of the dialogue itself. However, relying too much on technology, like insisting all talks or meetings must happen virtually, would be counterproductive. There9s still value in physical interactions, especially for designers who need to collaborate across a table.

On the positive side, technology offers incredible opportunities to enhance storytelling. The level of interaction and engagement it enables is remarkable. With the right interventions, you can create spaces where people not only experience but also interact and learn in ways that weren9t possible before. It9s about using technology thoughtfully—leveraging its strengths without letting it overshadow the essence of the story or experience.

Q5: Who has been your inspiration in this niche industry? Was there an initial source of inspiration that motivated you to pursue and continue on this path?

SB: I wouldn9t say there9s just one source of inspiration—it9s more of a collective journey shaped by many people and experiences. Exposure is what defines the next step for me. For instance, when I started exploring design, I came across Charles and Ray Eames. Reading about their work was a revelation. Here were architects who not only designed buildings but also explored graphics, films, and more, decades ago. It resonated with my thoughts on wanting to go beyond traditional architectural boundaries. As I moved forward, I drew inspiration from creative minds in different fields. Take Aamir Khan, for example —his approach to storytelling in films like PK or Taare Zameen Par, where he combines impactful topics with meticulous execution, is something I admire.

“ IT’S AN EVOLVING JOURNEY, A DYNAMIC EXCHANGE OF IDEAS THAT GRADUALLY SHAPES A SHARED VISION. “

Q6: With your impressive career so far, where do you envision yourself in the coming years? What is your next goal or dream project that you are aiming for?

SB: As I mentioned earlier, I9m moving towards exploring both the pre-Museum and post-Museum experiences. I9ve had a lot of exposure to the process of designing museums, but now I9m more focused on what happens after the museum is built. How do these museums evolve into institutions that serve society? For instance, we9re working on an archaeological museum, and I think about what that museum will mean five years down the line. What role will it play in shaping society, in connecting like-minded people, or in having a lasting impact?

For me, the goal is to design spaces that not only reflect the past but also help shape the future. Take Smriti Van, for example—what will it do in the coming years? How can it impact lives, perhaps even saving lives in the next flood? The key is making these spaces enduring, where people learn from the past and apply those lessons for a sustainable future. It's about creating institutions that continue to grow and influence future generations.

At the end of the day, it9s the impact our designs have on people and spaces that will truly matter. Our work will live on in those who experience it, and it9s through their stories and actions that the fulfillment of our work comes to life. As for advice for those wanting to explore a career in designing experiential spaces, I9d say: just follow your heart. There are no strict rules in life or design. If you try to solve things with a formula, you9ll miss the essence of creativity. The process should set you free, not constrain you.

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