LUXURY’S NEW ADDRESS PIKOS SKYE BY
Winter, inspired.
Image from Domayne: Alyssa Lounge
INSIDE
Introducing Skye, Kangaroo Point’s luxury new residences
GRAYA’s Palma is a Spanish sanctuary in the heart of Ascot
ON THE COVER: Artist Impression
INSIDE:
TALENT Carolina Fontaneti
PHOTOGRAPHY Mathilde Bouby
DIRECTION Kiri Johnston & Tracy Sinclair
STYLING Kathryn Edmonds
ASSIST Natalie McGowan
HMUA Penny Antuar
Deputy
Director
Director
EDITORIAL
Editor KIRI JOHNSTON
CREATIVE
Lead
Senior
Creative
ADVERTISING
Senior
Senior
Inside Idle: the vision behind New Farm’s design-led cafe
The Grecian home of SABO co-founder Thessy Batsinilas
Three emerging creatives let us into their colourful workspaces 37 A conversation with the visionary behind Cirque du Soleil’s Corteo
Business
Sales
Model-owned vintage boutique Mondo Hire is a Paddington gem 51 Monthly Digest: what’s new on the Brisbane foodie scene
MARKETING
Content
Carolina wears TIFFANY & CO T Hoop Earrings in Yellow Gold Medium $2,850, GREEN WARDROBE PARIS GEORGIA Elemental Trench Coat $390, CAMARGUE RABANNE Tassel Dress $1,512, LA TRIBE Sloane Boot, Stylist’s own.
Acknowledgement of traditional owners: We acknowledge the Turrbal and Jagera/Yuggera Peoples, the traditional custodians of the land on which we live and work today. We pay respect to Elders both past, present, and emerging and stand together with the Aboriginal and Torres Strait Islander leaders of today and tomorrow.
LEditors’ etters
This month’s vibe:
Crashing out over my freshly-cut bangs
Current fixation:
My silver Samo Ondoh bag
Best moment from June: Drinks with the gals at LOS
Natalie McGowan
DEPUTY PRINT EDITOR
NATALIE@STYLEMEDIA.COM.AU
@NATMCGOWAN
This month’s vibe:
Blocking anyone on a Euro summer holiday Current fixation: My Assembly Label loafers Best moment from June: My stay at The Bower in Byron Bay
Bianca Licina
DEPUTY DIGITAL EDITOR
BIANCA@STYLEMEDIA.COM.AU
@BIANCALICINA
As a winter-born baby with a love for interiors, design, and art, I’ve always believed home is where the heart is. I love nothing more than styling my apartment, hosting friends at home, and curating timeless pieces that elevate the everyday.
This July issue celebrates beautiful spaces and the people shaping Brisbane into a city worth staying in. From visionary developers to design tastemakers, we’re profiling the creatives bringing their A-game to every project.
On the cover, we spotlight the luxury apartments coming to Kangaroo Point on page 12. We also feature an Ascot home with an impressive garage and wine cellar, and an award-winning restaurant design that transforms into a late-night disco.
Thessy and Georgio Batsinilas open the doors to their Southside home on page 30, and we also meet three emerging creatives, a vintage curator with the dreamiest collection, and the man behind Cirque du Soleil’s latest show.
I was also invited along to the Australian launch of the all-electric Polestar 4, which I drove down to Byron Bay — and I can’t stop raving about it, check out page 43.
Settle in, and let these pages lead you home.
Kiri Johnston
LAUNCHING 22 JULY
HAKUSHO
5 bag trends everyone’s carrying on about ATM
Win a shopping spree worth $2k to spend at Macgregor Homemaker Centre
Once a month not enough? Hear from us daily – what’s new, hot, and happening, plus weekly giveaways. Scan to stay in the loop.
STYLEMAGAZINES.COM.AU
@STYLEMAGAZINES
SCROLL
Get to know our Deputy Editors, Nat & Bianca
SCAN ME
SCAN ME
@KIRIJOHNSTON
SCAN ME
AN ICON IN THE MAKING
A sneak peek into Brisbane’s most enviable new address.
Carolina wears PASPALEY Lavalier Earrings in 750 Yellow Gold $5,200, Lavalier – 2 White Star, Australian South Sea Pearls, Button, 12mm, White $4,280, CAMARGUE
VICTORIA BECKHAM Cropped Long Sleeve Shirt $710, CAMARGUE ESSE STUDIOS Classic Leather Midi Skirt
$330, MARYON’S TODS T Ring Classic Loafers $1,500, THE GREEN WARDROBE CELINE Triomphe Belt $490
ARTIST IMPRESSION
Taking prestige to a whole new level.
Kangaroo Point has long been one of Brisbane’s favourite meeting points –a suburb synonymous with socialising, sweeping city views, and a steady stream of activewear as locals walk the peninsula’s riverfront, settle in for a coffee at Joey’s, or ascend the 107 steps next to the heritage-listed cliffs. And now, it’s home to a new landmark: Skye by Pikos.
Poised on the prestigious River Terrace, Skye commands an enviable 100 metres of uninterrupted river frontage. This extraordinary development, now well into its build, will feature 64 beautifully designed three-bedroom residences, four exceptional penthouses, and one showstopping grand penthouse – Skye One – all of which reflect Pikos Group’s commitment to design excellence. This same philosophy extends to Gaia, another visionary project by Pikos currently underway on the opposite side of the Kangaroo Point peninsula, which is reinventing resort-style living in Brisbane by placing wellness, community, and nature at its core.
Made up of three separate buildings to maximise the river breeze, privacy, and natural light, Skye has now reached its full 14-storey height – and with the façade complete, the focus has turned inward. With just two residences per floor, every home is its own private sanctuary, where considered details and flowing indoor–outdoor living come together in quiet grandeur. For penthouse residents, things are taken even further. Think wine cellars, private saunas, and expansive master suites – just a hint of what’s to come when the Skye Penthouse Collection officially launches in September.
At the pinnacle sits the aforementioned Skye One: a one-of-a-kind penthouse that defines prestige living. This four-bedroom, two-storey marvel will come complete with its own rooftop wellness retreat, including a heated magnesium pool, steam room, sauna, gym, full outdoor kitchen, private lift, and jaw-dropping views over the Brisbane River, Botanic Gardens, Story Bridge, and city skyline. It’s not just high-end – it’s high function, with the ease of its future owners in mind.
Throughout the development, craftsmanship is front and centre, no matter if you’re residing in Skye One or on one of the lower levels. From the 18,000 square metres of hand-selected Classic Roman Travertine imported from Tivoli to the European oak flooring underfoot, these details celebrate fine Italian artistry while grounding each space in a distinctly natural, Queensland feel.
Here, it’s not just about the homes (though they are undeniably exquisite). It’s about the lifestyle that comes with them. Overlooking what is arguably Brisbane’s most coveted vista and positioned close to the Kangaroo Point Green Bridge, Skye offers easy access to the CBD, South Bank, the Botanic Gardens, Howard Smith Wharves, James Street, and beyond, placing the city at your fingertips and the high life at your door.
Ready to make your everyday pure decadence? Get in touch with the team today to book a private appointment.
Carolina wears GREEN WARDROBE
MICHAEL LO SORDO Serpentine Gold
Trench Coat $490, SAINT LAURENT
Jamie Shopping in Lambskin $5,500, CAMARGUE PORT TANGER Nunny
Sunglasses $300, CAMARGUE JASMIN
SPARROW Curva Earrings $770
CONSIDERED SPACES
Consider this your visual exhale.
SMAC STUDIO DAVE WHEELER
INTERIORS
Clockwise: FLEUR STUDIOS Palermo Brushed Stainless Steel Side Table $369, HEIN STUDIO Canyon Vase POA, MCMULLIN Hakusho Collection POA, FLEUR STUDIOS Cookie Rosa Levanto Side Table $1,189, HILZA STUDIO Prints from $300, HEIN STUDIO Canyon Vase POA
OBJECTS OF DESIRE
beauty meets function in sculptural forms designed to be desired.
EDIT TRACY SINCLAIR
Brutalist
Is James Street Australia’s best retail precinct? FORME’s co-founder David Calvisi certainly thinks so — and he’s ready to be a part of it. Meet James Place.
WORD ON THE STREET
INTERVIEW BIANCA LICINA
What inspired James Place, and how do you see it enhancing the James Street precinct
Our vision for James Place was to contribute meaningfully to a precinct already known for design excellence. It was envisioned as both a continuation and elevation of that identity. A place deeply connected to its context. An address shaped by architecture, thoughtful curation, and lifestyle. Something that feels entirely James Street but expands its potential.
You’ve worked mainly in residential. How does it feel to be behind one of Brisbane’s most exciting commercial developments
It’s incredibly rewarding and exciting, but it hasn’t come easily. James Place is the result of an amalgamation of 12 individual properties along a street widely regarded as Australia’s best retail precinct. The first acquisition was made in 2020. It’s not unlike our residential projects such as Norfolk at Burleigh Heads, where strategic and timely amalgamations were also key. Norfolk is one of the most recognised developments in Australia, if not globally. James Place is no different. James Place will be the Norfolk of commercial development. A project destined for global recognition.
Why Richards & Spence
Richards & Spence was the obvious choice. Their work is grounded and considered. James Street has an architectural language that’s both recognisable and refined. We weren’t after repetition, but a continuation of
the narrative with intent. James Place shares a material honesty and quiet confidence with its neighbours while introducing its own rhythm and spatial generosity.
Tell me about the central open-air piazza
The piazza is designed as a calm, open space for gathering and reflection – a light-filled courtyard layered with planting, texture, and natural materials. It offers a moment of stillness amid the street’s movement, inviting people in and encouraging them to stay, whether for coffee, a meeting, or simply passing through.
What kind of tenants are you curating for the precinct
We’re focused on operators with a strong sense of identity and a clear point of view. Brands that value quality, detail, and longevity. That includes emerging designers, established names with integrity, and hospitality groups who understand how to create atmosphere and provide exceptional service.
Do you think James Place signals a broader shift in the way Brisbane is developing – more considered, design-led, and lifestyle-focused Definitely. We’re seeing a stronger focus on quality across all aspects of development and a move away from generic or cookie-cutter projects toward places that are thoughtful, well-executed, and built to last. James Place is part of that shift. It reflects a more mature Brisbane, one that values good design, a strong sense of place, and long-term impact.
AT A GLANCE
Developer: FORME
Architect: Richards & Spence
Builder: GRAYA
Location: James Street, Brisbane
Completion: 2026
Key features: Open-air piazza, curated retailers, considered design
PALMA DE ASCOT
GRAYA’s Ascot project, PALMA, is a masterclass in sculptural form, Spanish influence, and architectural finesse.
Interested in PALMA? This home is currently on the market through Ray White New Farm at the time of print.
TEXTURED FOUNDATIONS
A family-run affair with a long-standing history of creativity and artistry, Designer Rugs has spent nearly four decades weaving art into everyday spaces.
For over thirty years, Designer Rugs has been about more than just rugs. At its core, the brand is about storytelling, honouring the trade of rugmaking, and creating design-led pieces that transform a space. It all began in 1986, when the Tal family opened a workshop in Marrickville with one clear vision: to introduce artistic, conceptual rugs to Australian interiors. What started as a niche idea quickly gained momentum after notable commissions for St Patrick’s Cathedral – prepared for the Pope’s 1986 visit – and Parliament House during the Queen’s Bicentennial visit cemented their reputation for bespoke excellence.
Since then, Designer Rugs has continued to carve its place as one of Australia’s most respected rug studios, trusted by architects, interior designers, and design-savvy homeowners alike. Its success stems from the family’s deliberate resistance to fleeting trends, choosing instead to champion timeless design, integrity, and a sincere passion for creative expression. Their commitment to storytelling is perhaps most powerfully reflected in the brand’s collaborative collections, particularly with First Nations artists and art centres, bringing rich cultural narratives and traditional techniques into contemporary interiors. Other notable creative partnerships include some of Australia’s most iconic names in design – Easton Pearson, Akira Isogawa, Catherine Martin, and Dinosaur Designs.
What sets Designer Rugs apart is its ability to customise any design to complement your space seamlessly. As a bespoke rug studio, the brand invites you into the creative process – from selecting colours and shapes to tailoring sizes and choosing from premium materials like New Zealand wool and silk –transforming your vision into a one-of-a-kind piece.
Nearly four decades on, Designer Rugs remains true to its origins: design made personal, art made functional, and stories woven into every fibre.
ANYTHING BUT BEIGE
Beige homes are out and funky, alt home interiors are in. It’s colour with confidence, personality dialled up, and interiors that make a statement. It’s curated chaos, maximalism with a wink, and absolutely no apologies. More is more, neutrals are optional, and beige? That’s just the background noise. This is your space – louder, braver, and unapologetically you.
EDIT TAHLIA LEATHART
JAMES SAID Fringes Fabric Stool $2827.50
STYLING: BREE LEECH PHOTOGRAPHER: LISA COHEN
LIVING EDGE Ceramique Down Table Lamp $1820
CASA BLANCO Roma Console $4400
WOLF & BADGER
Quillattire Clay & Lilac Polka Handle Vase $275
DOMO Kashima Settee Ligne Roset $8725
KLEMENZA Lo Decor Happy Pillow $360
THE ICONIC Crosley Cruiser Bluetooth Portable Turntable $169.95
DESIGNER RUGS Nature Motif $1690
A DECADE OF DESIGN
It’s BLOK Design’s tenth birthday this year, and to celebrate, new owners Megs and Tim McIlwain, alongside newly appointed Creative Director Grace Titmus, are stepping up and pushing the needle forward.
Can you walk us through what a typical project journey looks like at BLOK, from concept to completion
We start the interior design journey with a comprehensive consultation exploring any inspiration, plans, materials, timelines, and budgets in play. Our designers take that information to curate an initial concept and scope of work — a detailed project proposal which includes a visual concept design direction using key reference images, fixtures, finishes, and materials to reflect the essence of the concept. It also outlines our recommended approach, design stages, and associated fees. From there, we work to source, document, and procure. Our team is here to deliver a turnkey experience that completely removes the stress.
What are some standout projects BLOK has been involved in and what made them special
A standout of the last year was securing the tender for the Queen’s Wharf Residential Tower. We custom-designed lounges, armchairs, and rugs, commissioned original artworks, and centred spaces around luxury materials like marble and textured fabrics. We’ve executed a few standout commercial projects like the Charlton House Display
Suites, the Brisbane Hotel Grand Chancellor, and the Wings Early Learning Childcare Centres.
Are there any distinct characteristics or design elements that define Brisbane style right now
Brisbane is stepping it up a notch right now — we’re really coming into our own, becoming much more of a competitive design field with Sydney and Melbourne. We’ve found that our clients are a lot more forthcoming and eager to challenge the typical Queensland design palette of oaks and whites. We are seeing more depth in tone and colour, and playful patterns, use of lighting, and sculptural elements.
What does “good design” mean to BLOK, and how do you bring that philosophy to life
Good design is considered design. Our philosophy blends curation, emotion, and storytelling to create spaces that are both beautiful and deeply functional. A good design is designed to be timeless, both in durability and style. Our work is all about bringing personality to a space, especially when it comes to residential design. It’s having a deep understanding of our client, their personality, and their lifestyle, to curate a space that tells their story — somewhere that feels innately theirs.
QUEEN’S WHARF RESIDENCES
MODERN MOJAVE
Muted desert tones. Sculptural forms. Material with memory. A palette pulled from scorched earth and salt air. Function disguised as art. It’s Western without the cliché. Minimal, but not meek. Yeehaw, if you know, you know.
Where Californian desert meets coastal chic
EDIT BIANCA LICINA
SWELL BYRON BAY
LIVING EDGE Bezel Mirror $1500
JARDAN Karen Tinney Vase
$500
DAN RUSHFORD
BYRON BAY HANGING CHAIRS
Charlie Leather Chair $950
JUST ADELE
Tiramisu Plinth POA
MCMULLIN Alvin Floor Lamp $899
MCMULLIN Kiri Incense Holder $119
KKUSO HOME Dodo Two-Seater Lounge $1699
HALI Arshand, Niranjan & Vishu $13,560
HIPPIE TRAILS
& INDIA TALES
Tell me about the hippie lifestyle you lived
The Beatles were influential and were my favourite band. The impact they had on society through the Flower Power movement set me on the road to becoming a hippie, with its ideals of peace, love, freedom, and social equality. I wore platform shoes, flared pants, grew a moustache, wore my hair long, and became a regular smoker of marijuana. The hippie movement marked a time of great change in the world. I was part of it, and very lucky to have been the right age at that time.
What prompted your wanderlust as a young man
In 1974, my wife and I decided to travel overseas on an indefinite trip to explore the world before settling back in Melbourne and starting a family. We began in Greece and travelled through Europe in a campervan, worked in Amsterdam and London, before heading back to Australia. The world was at peace at that time, and it was possible to travel through Turkey, Iran, Afghanistan, Pakistan, India, Kathmandu, Burma, Thailand, and Indonesia – something that would not be easy to do today.
Can you paint a picture of your first visit to India
I loved India from the moment a Sikh soldier welcomed us to ‘Mother India’ at the border. It was a magical country, so full of contrasts. Every day is like an adventure. It’s often called the ‘subcontinent of diversity’, and this is what captured me from the very first moment. It has a fascinating blend of ancient traditions and modernity. Beautiful palaces and architectural marvels like the Taj Mahal contrast with the poorest of shanty towns. It’s full of breathtaking
landscapes and friendly people. Each state in India is like a country of its own: the architecture varies, the landscape changes, traditional clothing differs, the food is unique to each state, and the languages are diverse.
Was there a particular region in India that left a lasting impression on you
Visiting the rug region near Varanasi now over 100 times has left a lasting impression on me. The rug-making villages – of which there are several – are approximately sixty kilometres from Varanasi in different directions. To reach them, you go on a fascinating drive through small villages with shops selling local produce, weaving your way past hundreds of women in colourful saris, men walking along the road or riding bicycles, children playing, decorated trucks, cows meandering, goats, chickens, pigs, camels, and even elephants. The rural landscape is dotted with small houses made of cow dung walls and farmers tending to their crops.
How did your experiences in India differ from your travels elsewhere in terms of rugmaking culture and philosophy
I’ve purchased rugs in Turkey, Iran, and Morocco, and in dealing with wholesalers there, most are based in warehouses in the main cities – you simply select from what’s on offer. What I loved in India was that by visiting the villages, you were going straight to the source. You could sit with the producer, look at each piece, and alter designs and colours to suit Australian tastes. This became the backbone of my Hali business. I would request a sample with my changes, and on my next trip would inspect it for approval –and if suitable, I’d put it into production.
A self-proclaimed hippie raised by a father in the rug industry, Ian Swart of Hali Rugs recalls his travels through India in his new memoir Life’s Journey On A Magic Carpet.
INTERVIEW NATALIE MCGOWAN
IDLE INTENTIONS
When friends and forces Bianca Marchi-Simon of Anyday and renowned interior designer Tamsin Johnson came together, Idle was never going to be just another café. Their synergy shows in every refined detail, from the cool stainless steel finishes to the perfectly lit pastries. We ask them both about the design and intent behind Brisbane’s newest cult spot.
INTERVIEW KIRI JOHNSTON
IN CONVERSATION WITH BIANCA MARCHI-SIMON
What inspired this new chapter for Anyday
James Street offered a place to pause, but space was tight. Idle lets us share that same hospitality with more time, more room – and hopefully more of what people love.
What drew you to the location
New Farm felt natural. The space allowed us to expand pastry production and welcome people for sit-down breakfast and lunch. It gave us the freedom to bring our full vision to life.
How does this project reflect where the group is heading creatively
Every venue gives us a chance to collaborate and evolve. Like sAme sAme and Biànca, we love handing over a brief and seeing how it gets interpreted. Tamsin’s approach was calm, considered and really balanced function with beauty.
What kind of mood or experience are you hoping to create
A place that feels generous, relaxed, and connected – whether you’re grabbing coffee or staying a while.
How did the collaboration with Tamsin come about and what did she bring to the vision
Tamsin’s travel-informed perspective brought thoughtful richness. She paired custom tiles and stainless steel with antique lighting, balancing the intentional and effortless.
IN CONVERSATION WITH TAMSIN JOHNSON
What sparked the design direction for this project
Bianca pitched an alimentari-style concept. We leaned into modern Milanese cues – cooler, more refined –avoiding the usual merch-heavy look.
Any references or materials that shaped the space
I wanted a slightly clinical, lab-like feel: stainless steel, aluminium, acrylic details. The sharpness is softened by terrazzo and texture.
What kind of rhythm or mood were you aiming to create
Something pure, pared back, and quietly confident, like a modern macelleria.
How does hospitality design differ from your other work
It doesn’t, really. I still aim for confidence and permanence. Without the antique elements that come with residential interiors, I can play more with theme and tone.
Is there a detail that feels uniquely ‘you’ Freshness and an unexpected sense of ‘play’; I will always avoid the expected.
Beneath Brisbane’s Queen Street, Central by J.AR Office is a subterranean dining room built like a stage, part 1980s Hong Kong, part architectural theatre. Awarded the Premier Award for Australian Interior Design, the moody granite-lined space fuses brutalist forms, glowing grid lights, Cantonese performance, and a gleaming disco ball into a bold, after-hours reimagining of modern dining.
Step Into Grèce
A slice of Greece in suburban Brisbane, Grèce, a striking photoshoot location and the home of SABO co-founder Thessy Batsinilas and FitazFK co-founder Georgio Batsinilas, is an embrace of the power couple’s heritage, filled with soul and intention.
INTERVIEW NATALIE MCGOWAN
What was the starting point for the design
It all began with a feeling. I wanted to recreate that relaxed, sun-drenched energy you get on a European summer holiday. From there, the palette naturally leaned into earthy neutrals, washed whites, soft limestone tones, and brushed brass. I envisioned the space to feel both effortless and elevated.
Which pieces in your home spark the most joy for you
Emma Martin’s artwork brings me so much happiness. I have three of her pieces throughout the house and each one feels like a celebration of women, fashion, and fluid form. They are a reflection of so many parts of my world. Emma’s art in my home is empowering, elegant, and feels incredibly personal.
Do you have any go-to places or brands for sourcing interiors
I love curating pieces from a mix of sources. I lean into Australian designers where I can... brands like Fform Life, En Gold, and Sarah Ellison always speak to the aesthetic I love. But I also enjoy sourcing vintage finds as I think that mix gives a home soul. Our gorgeous wrought iron courtyard set is a vintage find.
Which space in your home do you gravitate to most Definitely the courtyard in the centre of the home. It feels like an escape with the arches, the breeze, and the Mediterranean textures – it almost doesn’t feel like Brisbane. It’s where we unwind, entertain, and just slow down.
Who or what is inspiring your interior style right now
I’m forever inspired by Mediterranean architecture. I also find myself drawn to that ’70s Italian coastal energy, which is a bit retro, a bit romantic, but grounded. I’ve recently been obsessing over Stefan Relic and Paulo Valcic’s work, and I am a big admirer of Tamsin Johnson’s interior style.
Is there a design feature you’ve seen while travelling that you recreated at home
When we travel, I’m always taking notes. The tunnelled entrance to our home was inspired by a beautiful building I came across in Kythira, Greece. We paired that with crazy paving, which was directly influenced by the winding stone walkways you find all over Greece. It’s those subtle nods to place and memory that make a home feel layered with meaning.
What’s playing in the background on your ideal day at home
It depends on the mood, but usually it’s either soft acoustic country or Greek summer tracks. Music really sets the tone for how we live in the space.
Do you follow any personal rules or rituals at home
We have a few little traditions that make the house feel like ours. The first time you visit, my husband will more than likely convince you to do a cold plunge in the wellness centre. Some evenings we burn incense to get the house smelling like a monastery in Greece. It’s calming, nostalgic, and instantly shifts the energy of the space.
Androgynous tones are always in. Grey adds instant depth, warmth, and tone to your home, without trying too hard. From soft linens to sculptural silhouettes, these pieces are designed to go the extra mile.
Chic pieces for the modern home
GREY MATTER
DOMAYNE Tia Side Table $199
DOMAYNE Basic Linen Rectangle Cushion $39
DOMAYNE Aniken Floor Lamp $669
DOMAYNE Crawford Queen Bed $899
DOMAYNE Spectra 4-Seater Lounge with Chaise $3,999
DOMAYNE Albon Coffee Table $999
Colourful, cowboy-esque, and wonderfully chaotic – it’s 22-year-old artist Maya Gibbon (aka Miss Space Cowgirl)’s world, and we’re all just living in it.
MISS SPACE COWGIRL
Hi Maya! Introduce yourself
My name is Maya Gibbon. I was born in Jacksonville, Florida, to two military parents, and spent most of my childhood growing up in Canberra. When I was 14, I moved to Brisbane. I’ve been creating art for as long as I can remember. I started out drawing superheroes, monsters, and anything else my imagination could dream up.
What are your biggest sources of inspiration and what inspired the cowgirl aesthetic
Women inspire me, especially strong, bold women who aren’t afraid to be completely themselves. That fearless energy is at the heart of everything I create. My cowgirl theme was born from that same spirit: a mix of strength, freedom, and unapologetic femininity. I’ve always been drawn to the wildness of the west, but I wanted to reimagine it through a modern, playful lens – one that feels vibrant, feminine, and empowered. Add in my love for 70s patterns, music, and a bit of glam, and that’s where my aesthetic really comes to life.
Have any unexpected experiences influenced your work
Over the past seven years, I’ve been on a journey of recovery from an eating disorder – a time marked by challenges, including hospital stays and putting my education on hold. It was an unexpected experience growing up. I couldn’t graduate high school or fully commit to a degree, but throughout everything, art remained my constant. My pencils, paints, sketchbooks, and canvases became my sanctuary – always there, always waiting.
If you had to give your painting style a name, what would it be Colourful Cowgirl Chaos.
Talk me through your creative process
I love starting with a mood board and building from there, especially when clients choose their own colour palettes or work from one of mine. My sketchbook – which I jokingly call my bible – comes with me everywhere. It’s packed with ideas, patterns, sketches, colour swatches, paint samples, lyrics, and poems. It’s my goto source of inspiration, the place I return to whenever I need a spark of creativity.
When you’re in the studio, what are some must-haves that keep you in the zone
Music, snacks, and caffeine – lots of it. I’m especially drawn to 80s tunes, with Nik Kershaw and soft glam rock like Def Leppard on heavy rotation. Sometimes I even match the vibe of the music to the painting I’m working on – it helps set the tone. And of course, no session is complete without snacks (Pringles are a personal fave).
What helps you stay energised and motivated
What really fuels me is being out in the city –visiting galleries, meeting other artists, and connecting with new people. I also thrive on staying busy with commissions; there’s something so satisfying about bringing someone’s vision to life. But honestly, nothing compares to the feeling of finishing a piece and seeing it go to someone who truly loves it. That feeling alone is enough motivation.
What role does your environment play in your creative flow
I recently just moved my studio to SuperOrdinary Brisbane, and it’s been an incredible space to work in every day. Being surrounded by art and creativity really boosts my productivity and workflow. While I love painting at home, it can be tricky to stay focused, especially with my clingy dogs demanding attention!
INDIGO STUART @indigostuart
For Meanjin-based fashion designer Indigo Stuart, home is as much about material memory as it is about space. Her garments, woven directly on the loom using a zero-waste technique of her own making, are vessels of identity – rich with heritage, care, and tactility. “I think of garments as heirlooms,” she says, “objects that connect past and present.” Indigo’s practice is a quiet rebellion against fast, disposable fashion – working with soft, natural fibres like kid silk and alpaca to craft durable clothing. She creates best in a studio at home, surrounded by her own work, books on weaving, zerowaste patternmaking, and the Stuart Crest Badge her mother recently found in a jewellery box. “It’s a symbol of lineage,” she says. “Of connection.”
GENERATION
MEL DUNN
@madeby.mel
Painter, ceramicist, beader, and DIY enthusiast, Mel Dunn’s work is as joyful as her space. Her journey began young, doodling and crafting, later evolving into a career in graphic design. Now, she balances her full-time role as a creative designer with content creation and a small art business. Mel’s work is inspired by fashion, Pinterest scrolls, and fellow Aussie artists, with Brisbane’s calm energy fuelling her focus. At home, her colourful, cosy, and textured space is filled with art and handmade pieces, like a mosaic mirror crafted from sea glass she collected from European beaches on a holiday last year. Energised by feel-good playlists, Mel lets hues and rhythm lead her creative flow.
MUSE
ALESSIA EMANUELE
@alessiaart
Ceramicist and illustrator Alessia Emanuele doesn’t do sterile. Her studio – like her practice – is warm, nostalgic, and happily chaotic, fuelled by whimsy and a firm rejection of the “serious adult life.” Her work began in lockdown as a personal escape from corporate law, evolving from Instagram posts to Brisbane market stalls to a growing online community. She now runs a snail mail club, writes monthly letters, and is launching her first ceramics course – all while chasing poetic details in everyday life. “I’ll get inspired by a radish at dinner, or a line from Mary Oliver,” she says. “And I work just about anywhere –I’m always editing something random on my phone.”
Inside the workspaces of three young Meanjin creatives.
WORDS BEN STEELE & NATALIE MCGOWAN
HOME IS WHERE THE ART IS
Hit the road and discover the work of over 95 of Noosa’s talented local makers at this year’s Noosa Open Studios – a celebration of creativity, community, and the stories that inspire the art.
‘Chatter, Chatter’, Guiliana De Witts @GIULIANASART
‘Bush Markings’, Bronwyn Barton @BRONWYNBARTON
‘The Sunseeker (Ibiza)’, Mitchell English @MITCHELL_ENGLISH_PAINTER
‘My Island Home’, Jen Jay @JENJAYART
‘Golden Girl’, Julia Wheeler @JWDIDIT
AWESTRUCK
Corteo, Cirque du Soleil’s anticipated return to Brisbane, is a whimsical celebration of life and death from the mind of Daniele Finzi Pasca.
Tell me about your background in the circus industry and how you ended up joining Cirque du Soleil
When I was young, I was a gymnast, then I fell in love with clowns. I discovered theatre while working in Pondera with Jerzy Grotowski. For forty years, I’ve been directing a theatre company that has developed a very personal aesthetic language. Guy Laliberté, after attending one of my shows, invited me to Las Vegas and, after a wonderful dinner, asked me to direct one of their productions.
That’s how I became part of the Cirque du Soleil family, and after all these years, I still feel at home.
Do the performers ever get to improvise during the show, or is everything planned out
In a musical score, there are the notes and the pauses between the notes; in a poem, there are the words and the silences between the words. Performers must follow the score precisely, and at the same time, they must give volume, depth, and meaning to the transparent spaces that connect each fragment of a performance.
We look for performers with very specific talents – extremely virtuosic artists capable of interpreting the spaces between one breath and the next. They learn to breathe with the audience, to respond to gusts of wind, and they know how to move in harmony with each other on stage.
What inspired the stories, characters, and acts in Corteo I believe that to picture one’s own funeral, I mean, trying to imagine it, filled with guests, lovers, parents, enemies, is a very healthy thing. In this production, a clown envisions his own funeral. It’s inspired by the dreams I have at night, the stories
my grandmother used to tell me, my homeland, the desire to create beauty, the longing to surprise and move the audience. There are artists and thinkers who continue to inspire me and whom I carry with me as travel companions: Martin Luther King for his courage, Gandhi for his determination, Tarzan for his physical form, Buster Keaton, Dante, Shakespeare, and Julie Hamelin.
Have you ever had to deal with something going wrong mid-show
There’s always something imperfect — a slightly flawed note, the rhythm of a scene, an oversight. But there are also moments when someone steps off stage and senses that something perfect has just happened. I try to concentrate and reflect only on those moments of grace. Every day, we go on stage hoping to interpret the show in a ‘perfect’ way... Among us, there are artists and technicians who have performed Corteo more than 5,000 times. The pursuit of beauty is what gives meaning to these 20 years of touring.
What’s been the most nervewracking act you’ve ever helped bring to life
There are risky acrobatic sequences — sometimes I close my eyes and hold my breath. My hands get sweaty, and my heartbeat quickens every time I watch certain moments of the show.
What’s something the audience never sees but is integral to the performance
The little superstitious gestures before going on stage, the hugs at the end of the show, the training sessions with different coaches, the tension before a premiere. There are countless details.
INTERVIEW NATALIE MCGOWAN, TRANSLATED FROM ITALIAN
JOHAN PERSSON
LAYERED
From outerwear to off-duty essentials, Westfield Chermside has the fellas covered with everything you need to keep your style sharp and your wardrobe winter-ready – think BOSS, Calibre, R.M.Williams, and Rodd & Gunn.
For a foolproof outfit formula on milder days, layer a button-up over a crisp white
Sandwich dressing: coordinate your shoe and bag colours for an effortlessly put-together look.
R.M.WILLIAMS
R.M.WILLIAMS
R.M.WILLIAMS
PEEKABOO
A master in the art of suggestion, the keyhole neckline is gracing the collarbones of itgirls everywhere. A modern sensuality – daring but deliberate – Little Yarn stops traffic with slouchy knits sporting a slightly sultry makeover.
ONE OF OTHERS
SILVER FOX
From metallic finishes to studded statements, arm yourself with winter’s favourite futuristic hue. Avant-garde meets rock ‘n’ roll – silver studs are upping the accessories game with an understated edge, and Khaira Studios is leading the pack.
SAY IT STRAIGHT
Less volume, more impact: the column skirt is back with a vengeance. Think long lines and evening elegance – Permanent Vacation embodies ‘90s cool with this slinky silhouette. Simple, sultry, and straightforward.
BUCKLE UP
This season, the belts are wider and the statement is bolder. Defying convention, belts are making their way up the waistline, a modern take on the cinched silhouette. Channelling serious big belt energy, One Of Others are the ones to watch –refined yet unexpected.
MODA MOMENTS
EDIT VICTORIA LEWIS
LITTLE YARN
JOHNNY JORDAN
KHAIRA STUDIOS
Thanks, it’s vintage!
Meet the vintage dress curator-slash-supermodel who’s breathing new life into old threads by renovating, rotating, and rehoming her curated collection for the modern woman.
WORDS VICTORIA LEWIS
Lily Rendall doesn’t buy new clothes. Instead, she restores them, renovating styles that span generations and turning a passion for the past into Brisbane’s first vintage dress hire company, Mondo Hire. A rare twenty-four-year-old who abstains from vicious trend cycles, Rendall is a born contrarian, poised beyond her years, and possesses the same elegant sensibility as a young Audrey Hepburn. Following in her great-grandmother’s footsteps, with a zest for life and an utterly fabulous wardrobe, she has cultivated a business with a point of difference – and it’s all deeply rooted in love. A love for the art of garment-making, a love for the influential women in her life, and a deep love for ‘what came before’ in fashion.
She shows this same affection for her childhood home, which was ripe with mondo grass growing in bushy tufts – later becoming the namesake of the business. Her rental collection of vintage garments, now housed in her pristine Paddington storefront, is a true testament to the idea that good things take time. She tends to her vintage dresses much like you would a flower garden: carefully curating and pruning, cultivating and growing her collection, now 250 garments strong.
But caring for these delicate treasures, as Rendall has come to find out, is no small feat. She leans into the lost art of mending, spending hours painstakingly hand-stitching cigarette burns out of ’80s party dresses or pulling stains out of vintage D&G – her secret is vinegar, cold hand wash, and clove oil (you’re welcome). She says it takes a
small army of professionals – local tailors, cobblers, and seamstresses – to restore these garments to their former glory. But to Rendall, it’s well worth “investing in pieces that you can actually repair and… regularly service, as you would a car or a phone.”
To Rendall, vintage fashion is “wearable art” – an untapped world of creativity, craftsmanship, and connection itching to be explored; stories just waiting to be told. For her, renting these dresses to the modern woman is about continuing a legacy – continuing the stories of the women who have come before. “There’s probably lots of people before us that have treasured these dresses and we’ll never know the stories, but by wearing it yourself, you get to add your own story.”
As to what she looks for in a dress? That’s simple: “It needs to have character.” By looking through her treasure trove of 1940s wedding gowns, old-school designer minis, and delicious ’90s slips, it’s clear she’s got an eye for the unique. With vintage, she says, the secret is to stay “open-minded, experimental, and [to trust] the vision – trying things on.” With 80 years of rich fashion history to choose from at Mondo, there is room for everyone to rent a dress that speaks to them, then pass it on to the next wearer. “It’s a really fun way to dress, to enjoy special pieces and [to] make it worthwhile.”
Rendall thinks we can all find our home in vintage fashion. All we have to do is look back, get inspired, and embrace the subtle irony that vintage dressing is fashion-forward – and the rest, they say, is history.
THE EVE: DESIGN, DISTILLED
A study in purity of vision, The Eve in Sydney is design pared back to its most essential, elegant form – nothing superfluous, everything intentional.
WORDS TRACY SINCLAIR
Tucked between Surry Hills and Redfern, The Eve plays in a league of its own. Conceived by TOGA’s Allan Vidor and brought to life by a dream team of Sydney creatives – SJB’s Adam Haddow, landscape architect Daniel Baffsky, and interior architect George Livissianis –it’s a masterclass in modern elegance.
Rooms are warm and tactile, wrapped in soft light and layered textures. The kind of space that invites you to linger. Stay awhile, run your hand across the finishes, and let the city slip away.
Above it all, a rooftop garden pays quiet homage to the colonialera pleasure gardens – lush with native greenery, exotic palms, and a 20-metre pool set in stone and Sukabumi tile. It’s serene. Almost sacred.
With its dusky pink façade and enduring material palette, The Eve feels intrinsically tied to its neighbourhood, yet fluent in the global language of luxury.
This is a hotel that knows exactly what it’s doing. And it’s doing it beautifully.
The Eve is its own moment entirely.
The Wunderlich Balcony room blended contemporary elegance with heritage charm.
Bar Julius is an European-inspired lobby bar — a stylish all-day space that invites you to linger.
It’s all in the detail –and The Eve nails it, with Saardé lifestyle pieces also available to shop next door.
Wrapped in rich green tiles, the bathroom felt like a personal spa, complete with the dreamiest robe.
GEORG ROSKE
SLEEP
BATHE
INDULGE
DRINK
WRITTEN IN THE STARS
Polestar 4 lands in Australia with sleek design, cosmic energy, and a conscious edge.
WORDS KIRI JOHNSTON
It started with a scenic drive from the Gold Coast, and ended under the stars at Sun Ranch in the Byron Bay hinterland.
The new Polestar 4 arrived with luxury, design, and celestial energy in tow, and the setting couldn’t have been more fitting. Hosted at a western-style hideaway with golden light, cold plunges, morning yoga, and sweeping views, the experience was equal parts high-tech and high-vibe. From stargazing astrology sessions to sunrise saunas, it set the tone for a car that’s not just built to move — but to move you.
And the Polestar 4 does exactly that.
As the brand’s fastest production vehicle to date, it delivers 400kW of power and 686Nm of torque. But while the numbers impress, it’s the design that captivates. Sculptural and clean-lined, the SUV coupé silhouette feels futuristic, refined, and unmistakably Scandinavian.
Inside, the innovation continues. The cabin blends advanced tech with fashionforward sustainability. One standout feature is the Tailored Mist — a 3D-knitted upholstery developed using recycled PET yarn, inspired by sneaker design. Created in collaboration with the Swedish School of Textiles in Borås, the material is seamless, breathable, and tactile — a far cry from traditional automotive interiors. Design director Maria Uggla and colour and material designer Komal Singh looked to the footwear world for cues, and the
result is a space that feels more boutique than car.
Every surface feels intentional — from the soft-touch textiles to the magnesium finishes. A panoramic glass roof expands the sense of space, while the Harman Kardon sound system and moodreactive ambient lighting bring atmosphere into play. There’s even a solar-systeminspired interface to match your mood (or, perhaps, your moon sign).
As we gathered around the fire postdinner, listening to an astrologer decode our birth charts under the stars, the connection became clear. Named after Polaris, the brightest fixed star in the sky, Polestar is more than a badge — it’s a metaphor. A directional marker. A design philosophy. A guiding light for what’s next.
And while it’s beautiful, it’s also responsible. The Polestar 4 carries the brand’s lowest carbon footprint ever at 19.4 tonnes CO₂e. Year-on-year, the company has cut overall greenhouse gas emissions by 16.5%, and pervehicle emissions by 24.7%. They’ve also joined the Initiative for Responsible Mining Assurance (IRMA), reinforcing their commitment to ethical sourcing and sustainable production.
From tailoring to tech, performance to purpose, the Polestar 4 isn’t just a car — it’s a signal. Quietly confident. Cleverly designed. And completely future facing.
The Great Outdoors, Goats, And A Luxe Motorhome
Turns out, you can have your artisan coffee and drink it too – even with a toddler on board. Armed with a luxe Interstate ‘ One’ motorhome and a loosely planned route, we ventured from a picturesque farm stay to our favourite coastal region. It was part glamping, part chaos – and all kinds of unforgettable.
WORDS JENNA AMBLER-JOHNSTON
With a toddler in tow, we hit the road early from Brisbane, hoping to beat the impending traffic brought on by a public holiday, school break, and the inevitable rush of city-goers heading for the coast. Fortunately, luck was on our side. We had a straight run over the border and through the lush sugar cane paddocks and mountain-lined horizons that welcome you into the Byron–Ballina Shire.
Gone were the usual scenes of a tent packed in the back or a last-minute Airbnb booking. This time, we were traveling in six metres of glamping luxury on wheels: the Interstate ‘One’. With storage to spare, everything had been folded, organised, and tucked away the night before, leaving us with an abundance of time to enjoy the ride.
There’s a reason this region draws in millions – yes, millions – of visitors each year. You tell yourself, “Let’s try somewhere new this time,” but the lure of crystal-clear waters teeming with marine life, ancient rainforests, charming hinterland towns, and some of the best produce in the country always wins.
The only thing missing from our neatly packed setup was, of course, the produce itself – fuel for the days ahead. So, our first stop was the Mullumbimby Markets, nestled below Mt Chincogan. The showgrounds were lined with stalls from local growers and farmers, hot food sizzling on grills, and the scent of spices and fresh herbs drifting through the air, tempting us to sample everything.
With our basket full and the fridge stocked, the early morning start began to catch up with us. It was time to make the final leg of the journey to our abode for the night. The beauty of traveling fully equipped is that going off-grid isn’t just possible – it’s encouraged. Booked through Hipcamp, Casa G & T in the tiny town of Meerschaum Vale was, quite literally, a breath of fresh air.
Our hosts, Tony and Glen, had swapped Sydney’s hustle for a quieter life in the Ballina Hinterland – and were promptly ambushed by our overexcited toddler demanding a full farm tour on arrival.
Guided to our exclusive parking spot, the view that greeted us was dazzling: a serene paradise with lawns lined by fruit trees, banana-leaf-munching goats, freeroaming hens, grazing cattle, and a sweeping view over the marshland valley below. It immediately transported me back to childhood memories of rural New Zealand.
The days that followed were a dreamy blur: misty mornings with hot coffee warming our hands, watching the sunrise cast bursts of orange through the gum trees. Morning visits to our goat neighbours, Gus and Darryl. Day trips to our favourite beach, Broken Head, and wandering through nearby towns – Bangalow, Lennox Head, Eltham, and Federal.
Each evening ended the same way: a quiet dinner back at Casa G & T, followed by collapsing into bed, exhausted but content, in the back of the Fiat.
Originally, we’d planned to head further south after four nights. But those plans quietly slipped away. The simplicity of packing up our home-on-wheels led us instead to the Suffolk Park Holiday Camp, where we spent the rest of the trip by the beach. Misty mornings were traded for the crash of waves and walks to the local bakery for coffee and breakfast. It had been years since we lived in Suffolk Park, but the familiar streets, the lighthouse in the distance, and the view of the Broken Head headland reminded us exactly why we love this place.
A week of pure joy spent with family and friends, now seen through the eyes of the next generation – falling in love with the beauty of the region just like we once did. A trip made effortless, all thanks to our beloved home on wheels.
STAY
SHOP
I was having one of those weeks. Work drama, lost my wallet, and a cloud of self-doubt hanging heavy. Motivation was low, frustration high. The only thing keeping me going? My weekend plans.
I slipped out of work early that Friday, buzzing with the promise of a break. Then came the inevitable highway traffic – so much for relaxing just yet. I took a deep breath, settled in, and switched gears.
And then, we spotted a little sign off the main road and like magic, my stress disappeared. We’d arrived at The Bower Byron Bay.
A quick wander through the property confirmed it – this place is Byron’s best-kept secret. Boutique and luxurious, but in that effortlessly cool, distinctly Byron way. Palm trees framed a winding gravel path; the magnesium pool lined with lounge chairs and plush cabanas.
Our room? A total dream. We stayed in The Bower Studios, a private little hideaway made just for two. With its own entrance and an outdoor shower, the space was beautifully designed –seamless and serene. The wardrobe flowed into the bedroom, which opened into the bathroom and shower in one fluid line. Think moody tones, dark timber, limestone walls, and a linen
THE ART OF A BYRON ESCAPE
Our Deputy Digital Editor ditched the city for a winter weekend in Byron Bay. The verdict? 10/10 would recommend.
WORDS BIANCA LICINA
curtain that softly sectioned the space. It was minimal, warm, and unmistakably Byron.
The weather turned it on for us, so we leaned into it. Days were filled with slow strolls, boutique browsing, beach swims, lighthouse visits, and long lunches. We had two standout dinners – The Smoking Camel and Pixie – that left us full and happy. We also ventured just out of town to try Folk, a relaxed, plantbased cafe full of soul. With The Byron Bay General Store just next door and Johnson Street’s boutiques – Venroy, Nagnata, Deiji Studios – a stone’s throw away, everything we wanted was within reach. And when we needed more action, town was just a five-minute drive.
Afternoons were reserved for poolside lounging – spicy marg in my hand, G&T in his. But the on-site spa? That was the true highlight. I booked a 90-minute facial – pure, sensory bliss using Mukti Organics, made just up the road in Mullumbimby. I left glowing – and overhauled my entire skincare routine on the spot.
Truthfully, we barely left the room after that. Morning outdoor showers, afternoon naps, evening baths. We were in our own little bubble – and had no desire to pop it.
No notes – The Bower is one of those boutique hotels that just gets it.
No city slickers – just locals, backpackers, and that signature Byron energy. Folk is Byron as a cafe: laid-back, soulful, and full of charm. With indie tunes, a plant-based menu, and nature all around, it’s the perfect spot for a slow, sunny morning.
THE SMOKING CAMEL
Step into The Smoking Camel and you’ll find a moody, buzzing space, complete with a disco ball. Think Middle Eastern flavours, fun cocktails, and a whole lot of atmosphere. Easily one of Byron’s most fun and flavour-packed spots.
PIXIE ITALIAN
Long lunches, late dinners, and a damn good drinks list –Pixie nails the art of the relaxed Italian feast. With cool interiors, classic dishes, and a Byron twist, this spot is effortlessly chic and always a good time.
FOLK BYRON BAY
ALL THE RIGHT MOVES
Director of NS Properties, Nicholas Stankiewicz is the kind of person you want in your corner when you’re navigating big decisions. Approachable, sharp, and with a proven track record of getting the best outcome for your property and for you, Nicholas and the team at NS Properties will help you make all the right moves.
What do today’s buyers really value in a home, beyond just location and price
Today’s buyers want more than square meterage and suburb names – they want soul. Lifestyle, light, flow, and emotional connection are what create real traction. They’re drawn to homes that feel right, often meaning timeless finishes, thoughtful design, a sense of calm, and intuitive indoor–outdoor flow. It’s less about ticking boxes and more about evoking a sense of belonging.
How does NS Properties approach property presentation and campaign prep to deliver the best result
At NS Properties Brisbane, we believe your home deserves more than a transactional sale – it deserves a story. Our campaigns are strategic, elevated, and beautifully curated from day one. We collaborate with stylists, photographers, and digital experts to ensure each listing launches with maximum visual and emotional impact. We build campaigns designed to attract high-quality buyers and drive strong competition – and that’s how we continue to set suburb records across Brisbane’s inner west.
What’s one piece of advice you’d give someone preparing to sell their home in 2025
Don’t cut corners on presentation. In 2025, buyers are more discerning than ever, and styling can be the difference between a quiet campaign and a standout result. Declutter, invest in professional staging, and let your agent craft a campaign that builds genuine momentum. A strong first impression is everything.
What continues to drive you in the industry, and what’s next for NS Properties
What drives me is transformation – not just of spaces, but of lives. Real estate is deeply personal, and helping people navigate big decisions with clarity, care, and confidence is what I love most. That said, none of it would be possible without the incredible team beside me. I’m lucky to work with a group of passionate and skilled professionals. Forming the NS Team are Bianca Wark, Jace Bateman, and Cheryl Harris, with Teresa Stankiewicz leading the operational side of the business. Together, we form the backbone of NS Properties Brisbane, and it’s this team that allows us to keep evolving, growing, and delivering exceptional results. We’ve got some truly standout homes launching this winter – architecturally refined, light-filled, and deeply connected to Brisbane’s evolving lifestyle.
What does home mean to you, and how has that shaped the way you approach your work
To me, home is where clarity, safety, and creativity live. It’s the one place you should feel entirely like yourself – and that belief is at the heart of everything we do. I approach every listing with emotional intelligence, respect, and a clear strategy because I know that selling a home is never just a transaction. It’s a chapter. And we’re here to help write it well.
HOT PROPERTY
Led by Tamara Gannon, TG Property Group is in the business of turning prime listings into sold signs – hot property, indeed. Built on trust, teamwork, and transparency, their ‘peoplefirst’ philosophy means honest advice, genuine care, and a commitment to making every move as seamless as can be.
What are some of the biggest trends you’re seeing in the local property market right now
Buyers are returning strongly, especially for wellpresented, move-in-ready homes in good locations. Investors are also active, with recent sales to both local and interstate buyers. Many people are buying and selling within the same market, causing a domino effect. With the median house price over $1 million and changes to the first home buyer scheme being introduced, prices are likely to keep rising.
How do you support first-home buyers navigating the market
We provide clear, honest communication, answer questions along the way, and ensure all parties are informed and comfortable throughout the sales process. Additionally, we connect buyers with trusted external experts we use ourselves – such as mortgage brokers, buyer advocacy agencies, and other touchpoints – to help them navigate every step with confidence.
What advice do you give clients about preparing their home for sale to get the best price
We always tell our clients that presentation and preparation are everything. From the right pricing strategy to small improvements and professional staging, every detail matters. We offer personalised guidance on how to present a property to its full potential, and we back that up with a strong marketing campaign to attract the right buyers and drive competition. We work exclusively for our sellers,
negotiating on their behalf to ensure a smooth, stressfree experience from start to finish. Funnily enough, much of our business comes from referrals and past clients, which reflects the trust and satisfaction we build through our personalised approach.
What types of properties are currently most in demand in the areas you serve
Right now, we’re seeing the highest demand for move-in-ready family homes, particularly in soughtafter suburbs with good schools, transport, and lifestyle amenities. Homes with open plan living, outdoor entertaining spaces, and home office flexibility are especially popular.
What does home mean to you and how does that shape the way you approach your work
Home to me is where my family comes together to share food, laugh, and create memories. It’s that sense of connection and belonging that makes a house truly a home. This deep love for family and home is exactly why I started TG Property Group – to help families across Brisbane continue making those special memories, whether in their current homes or their next chapter. Every day, I’m driven by the goal of ensuring that the homes we sell or help find are more than just properties – they’re places where life’s most meaningful moments happen.
WHAT’S YOUR LEG-ACY
It’s one of the most commonly asked questions when it comes to varicose veins – and unfortunately, the answer is yes. If both your parents have them, there’s a 90 per cent chance you’ll develop them too. However, technically, it’s not the veins themselves that are inherited, but rather the underlying condition known as venous disease.
Venous disease affects the strength and elasticity of your vein walls and damages the valves that help return blood to the heart. When these valves become weakened or faulty, blood begins to pool in the legs – a process known as venous reflux – eventually leading to varicose veins.
Even if visible veins aren’t present, the condition can still run deep. If your veins are failing, you may experience symptoms such as aching, swollen, itchy, or ‘hot’ legs, especially after long periods of standing. Other red flags include nocturnal cramps, restless legs, brown skin staining, eczema, or a hardening of the skin – particularly around the ankles – which, if left untreated, can lead to ulceration.
If these symptoms sound familiar and you have a family history of varicose veins, it might be time to book an assessment with a phlebologist. Catching venous disease early can make all the difference.
THE LEG VEIN DOCTOR 465 MILTON RD, AUCHENFLOWER 3720 9912 THELEGVEINDOCTOR.COM
BEAUTY SLEEP, UPGRADED
WORDS YANA VAN DER BYL
She who masters REM rules the world (or at least doesn’t need five coffees before noon).
This isn’t just beauty sleep, it’s smarter sleep. Think: deeper rest, better dreams, and waking up like a wellness queen.
REM is where the magic happens, your brain resets, your skin glows, and your emotions process in peace. Sleepmaxxing is a ritual. Magnesium mocktail. Hot shower. Breathwork. Phone? In another room. We’re done with doomscrolling. Toolkit? Mouth tape (brave), silk eye mask (chic), Oura Ring (stats), red light, white noise, cold room, and a weighted blanket to tuck you into your highest self.
Forget hustle. We’re in our REM era now. where your sleep routine is sacred, your circadian rhythm is synced, and bedtime is the new going out.
Do varicose veins run in the family?
YUMI
MONTHLY DIGEST
Dig into our roundup of Brisbane's hottest new restaurants, cafés, and bars.
HIDEKI
@hidekirestaurant
The sister venue to everyone’s favourite Burnett Lane yakitori joint, Hideki has just landed on James Street. Expect the same refined flavours with a slightly more relaxed attitude. This new kid on the block is where fine dining meets casual bites — all in an elevated yet unpretentious alfresco setting. Sake and streetwatching, anyone?
@idle.bakery
Just like that, we bid farewell to the Brisbane institution that was Agnes Bakery, and we welcome the new creation from Anyday just down the road in New Farm. A quiet embrace of Brisbane leisure, Idle is the triple-threat café, market, and neighbourhood pantry that has made quite the entrance — and, dare we say, is already setting a new standard.
WINNIFRED’S
@winnifredsonarthur
Winnifred’s Champagne Bar is set to bring a touch of French flair, and 14,000 bottles of bubbly, to be precise, to the eclectic Arthur Street this August. Spanning five distinct spaces, each inspired by a Champagne subregion, the venue is a true love letter to the art of celebration. It’s simple, refined, and has that certain ‘je ne sais quoi’.
TELLUS
@tellus_brisbane
Tellus, meaning ‘earth’ in Latin, is a testament to culinary artistry and craftsmanship, using natural ingredients to form modern Australian flavours rooted in Latin culture. Expect zesty dishes like jalapeño kingfish crudo with citrus dressing and sweet basil oil to greet your tastebuds, while the aroma of crusty burnt sugar loaf beckons.
PALERMO, ITALY