Issuu

THE WISH LIST: GIFTS THAT HIT

GLAMOUR IN THE VALLEY

Christmas, inspired.

Image: Bed Bath N Table.

From furniture and homewares to lighting and artwork, create the look you love this Christmas.

250 brands.

Endless inspiration.

10 HOME AND LIFESTYLE

SPECIALITY STORES INCLUDING HARVEY NORMAN, DOMAYNE AND SPOTLIGHT.

LATE NIGHT SHOPPING EVERY THURSDAY UNTIL 9PM.

Over 500 FREE undercover carparks.

Macgregor Homemaker

572-588 Kessels Road, Macgregor homemakergroup.com.au/macgregor

Macgregor HOMEMAKER

Macgregor HOMEMAKER

Life, inspired.

LIVE THE (W)RIGHT LIFE

Imagined by Spyre, Watts & Wright find home by the river in Byron Street’s final chapter. Set along Bulimba’s riverfront, Watts & Wright presents fifteen finely resolved residences beyond compare. Here, the architecture is considered, every detail is intentional and life moves at a pace that just feels right.

ABSOLUTE MASTERY, ABOVE ALL ELSE.

DEVELOPED BY

COURTNEY CAULFIELD

IN THIS ISSUE

TALENT: Tessa Law

DIRECTION: Kiri Johnston & Natalie McGowan

STYLING: Kiri Johnston & Natalie McGowan

PHOTOGRAPHY: Darcy Campbell

PHOTOGRAPHY ASSISTANT: Jack Smith

PHOTOSHOOT ASSISTANT: Cali Westmoreland

HAIR & MAKE-UP: Ginelle Dale

LOCATION: 1000 Ann Street

JANUARY DEADLINE: Monday, 15 December 2025

ENQUIRIES: partnerships@stylemagazines.com.au Visit @stylemagazines.com.au Connect @stylemagazines

Publisher’s Indemnity: those who make advertising placement and/or supply copy material or editorial submissions to Style Magazines undertake to ensure that all such material does not infringe any copyright, trademark, defamation, libel, slander or title, breach of confidence, does not contain anything obscene or indecent, or does not infringe the Trade Practices Act or other laws, regulations or statutes. Further to the above mentioned, these persons agree to indemnify the publisher and/or its agents against any investigations, claims or judgements. All material appearing in Style Magazines is copyright. While every effort is made to ensure information is correct at time of publication, no responsibility is accepted by Style Magazines for the accuracy of any information contained in the text or advertisements.

LEADERSHIP

Director PAUL JOHNSTON

Director TRACY SINCLAIR

EDITORIAL

Editor KIRI JOHNSTON

Deputy Print Editor NATALIE MCGOWAN

Deputy Digital Editor BIANCA LICINA

Digital Content Creator VICTORIA LEWIS

CREATIVE

Senior Graphic Designer GRACE DE LUNA

Junior Graphic Designer CAITLIN FINUCAN

Creative Assistant CALI WESTMORELAND

ADVERTISING

Senior Account Manager KELLY BEASLEY

Senior Account Manager VALENTINA TRIFUNOV

Account Manager JACKSON GREGORY

CREATIVE AGENCY

Digital Marketing Manager CHARLIE COLEMAN

Content Producer/Journalist TAHLIA LEATHART

INTERNS

Jazmyne Purdew,

Spence, Tamanna Wadehra, Scarlett Forrest

Acknowledgement of traditional owners: We acknowledge the Turrbal and Jagera/Yuggera Peoples, the traditional custodians of the land on which we live and work today. We pay respect to Elders both past, present, and emerging and stand together with the Aboriginal and Torres Strait Islander leaders of today and tomorrow.

There are some people who just have it, and Tessa Law is one of them. Effortlessly cool in that way you only understand once you’ve met her. A Melbourne-turned-Byron chick that makes everything look considered. I knew straight away she had to be our December cover muse.

It’s been a big year in all the right ways – full, interesting, and genuinely enjoyable. What stands out most is the momentum and the fun threaded through it.

And now we’re here in December, the Friday of the year. Everyone’s in a great mood, wrapping things up, easing into that almost-holiday feeling. I’m ready for celebrating, catching up with friends and family, and spending as many days as possible fresh faced, wild haired, feet in the sand.

Inside this issue, you’ll find a good mix: GOMA’s new lightfilled exhibition, a party playlist curated by Kita Alexander, a day in the life of a ballerina preparing for The Nutcracker, and QTC Artistic Director Daniel Evans reflecting on a season built on instinct and feeling.

Our gift guide pulls together pieces we love, new discoveries, and things worth passing on. There’s a NYE beauty look that takes me back to my Valley clubbing days, the Michelin-trained owner of Montrachet, and a handful of boutique hotels worth checking into when you need a reset.

However you’re spending your summer, I hope this issue fits into it.

Enjoy the break and take it easy.

EDITOR

KIRI@STYLEMEDIA.COM.AU

@KIRIJOHNSTON

Editors’ Letters

Most looking forward to these holidays? Doing the Ha Giang loop What was the moment of the year? Meeting my fave Real Housewife, obviously What’s on your 2026 radar? More beaching, more reading, more gigs, and Morocco

DEPUTY PRINT EDITOR NATALIE@STYLEMEDIA.COM.AU @NATMCGOWAN

Most looking forward to these holidays? 10 days of beach What was the moment of the year? Going to the Australian Open and Melbourne Grand Prix What’s on your 2026 radar? Saving for a house (*sigh*)

DEPUTY DIGITAL EDITOR

BIANCA@STYLEMEDIA.COM.AU

@BIANCALICINA

We scoured Brisbane City for the best festive season outfits. Check out what we found.

These are the Aussie swimwear labels every beach babe is getting their ‘kinis from this summer.

COME SCROLL WITH US

Once a month not enough? Hear from us daily – what’s new, hot, and happening, plus weekly giveaways. Scan to stay in the loop.

In need of NYE plans? We’ve rounded up Brisbane’s hottest spots to ring in 2026.

@LALULABEL_

TAKE TEN

Welcome to your cabin escape, where laidback flirts with rooftop paradise. Check in, breathe out. With 15% off your stay, plus a take-home beach bag, daily breakfast, a charcuterie plate and a spritz kit ready to toast the sunset — the scene is already set.

7 Staghorn Avenue, Surfers Paradise, QLD 4217, Australia

Your cabin haven awaits, book now and use promo code QTSTYLE to unlock this exclusive package.

HEATWAVE

What do you get when one of summer’s favourite prints meets a retro-inspired swim-short?

CMNTY GRDN delivers the season’s coolest (and hottest) trunks made for turning heads poolside and beyond.

MODA MOMENTS

OH-SO 2000S

In case you missed it, the earlyaughts are still very much in the spotlight – and Ziah just delivered the chicest proof. In their signature pared-back style, enjoy this subtle, elevated nod to the iconic whale tail: Y2K, but make it chic.

COVERED IN CHROME

Great styling doesn’t stop at the outfit. Noah The Label’s metallic hair ties are the perfect cool-girl accessory – a chrome accent that catches the light and elevates even the simplest look.

TRACK STAR

Ena Pelly is redefining athleisure through a 2025 lens with a SportySpice-coded edge, pairing crop tops with crisp button-ups for a look that’s equal parts polished and playful.

CMNTY GRDN

NOAH THE LABEL

ENA PELLY

ZIAH

EDIT NATALIE MCGOWAN

SYDNEY MELBOURNE

BRISBANE PERTH GOLD COAST

Australian Fine Jewellery

GOLDEN LEGACY

Rooted in the rich traditions of their Middle Eastern heritage and their ancestors’ stories of survival, spouses Mary and Ernest Salib craft future heirlooms through their fine jewellery brand, David Ramzy.

DAVID RAMZY DAVIDRAMZY.COM.AU

Mary had dreamed up the idea for David Ramzy before meeting Ernest, but six months after their first date at Coogee’s Una Más in 2022, the couple decided to bring the vision to life together.

“When I met Ernest on that first date, I thought, ‘I’ll either never see this guy again or I’ll end up marrying him, so I may as well tell him all my dreams,’” Mary recalls.

As the eldest daughter of Middle Eastern immigrant parents, Mary grew up surrounded by examples of strength. Her father fled Syria decades earlier to avoid conscription, only to be caught in the Lebanese Civil War and forced to fight. After years of displacement, in the early ‘90s, her parents eventually settled in Sydney, where Mary was born and raised.

Coming from a long line of jewellers from both sides of her family, Mary learned early on that jewellery was more than adornment, recognising it as a recurring symbol in her family’s history. “My grandmother’s form of saving was buying gold jewellery. Whenever she had spare cash, she would make her way to the jewellery district and buy some pieces, and it paid off,” she says.

That gold became a lifeline more than once. When her grandfather needed urgent surgery, a bracelet was sold to cover the cost. And when the Syrian civil war escalated in the mid-2010s, her grandparents sold nearly all their gold to fund their escape to safety. This, along with the Middle Eastern tradition of marking milestones with gold gifts, informed Mary’s sentimental relationship to jewellery.

Ernest’s background mirrors a similar story of perseverance and hardship. His father left Egypt amid political unrest in

the ‘60s and ‘70s, while his mother – an Egyptian-Sudanese living in Congo –was forced to flee during the civil war. Growing up in an immigrant family in Western Sydney, Ernest quickly learned the power of resilience. “I had a stiff upper lip... I learned that there is no substitute to hard work,” he says.

Their shared familial experiences and cultures, combined with Mary’s creative drive and Ernest’s artistic eye, became the foundation of David Ramzy, which officially launched in December 2023 – right in the midst of their wedding planning.

The brand began with a premium, made-to-order collection of heavy solid gold pieces before expanding into a refined, more accessible fine jewellery line that balances quality and affordability. “I emphasise the real in fine jewellery because we’re seeing more brands try to position themselves as this, when in reality they sell plated and vermeil pieces that hold no true value,” Mary explains.

At its core, David Ramzy is about celebrating life’s moments and milestones, marking special occasions with special pieces. Ultimately, as Mary puts it, “David Ramzy was built on the foundation of a life well lived.”

David Ramzy’s focus is on timeless design, enduring materials, and genuine worth. Sustainability is a natural outcome of that philosophy, with every piece made to last, thoughtfully designed with the intention of being worn and cherished for generations. Though the brand is still in its infancy, the creations feel like heirlooms in the making, with the intention to be treasured, invested in, and passed down – just like the pieces that have defined Mary and Ernest’s family history.

VIRTUE CREATIVE STUDIOS

GENTLE MONSTER

When it comes to South Korean brands, innovation is the expectation and Gentle Monster delivers in spades. Built on experimentation, this luxury eyewear label merges fashion, art, and technology to create pieces that feel almost futuristic. With an A-list following and a roster of high-profile collabs, Gentle Monster has rewritten the rules of what eyewear can be. And if you’ve ever stepped inside one of their stores, you’ll know “shop” hardly fits — these museum-like spaces are an experience of their own.

Where to shop: David Jones, Gentle Monster official site

CERRIC

K-OBSESSED

Innovators at heart, South Korea has mastered the art of creating global obsessions – from K-pop to K-beauty and now, K-fashion. Effortlessly cool, the aesthetic blends playful Asian quirks with a clean, almost Scandi-like minimalism, resulting in a style that feels fresh, modern, and instantly recognisable. Here are the K-fashion brands we’re currently obsessed with and exactly where to shop them.

CERRIC is built on two pillars: sustainability and individuality. Designing without boundaries, the brand delivers bold, freespirited pieces made for true self-expression. With a range spanning apparel and accessories, CERRIC puts a modern, comfortable spin on everyday staples, infusing each piece with its own distinct twist. Think denim, vegan leather, knitwear, and footwear crafted for the cool girls — those who care about style and the footprint it leaves behind.

Where to shop: W Concept, Koriah, MUSINSA Global

OSOI

@osoi_official

Inspired by the Japanese word for “slow” and “patient,” OSOI is the South Korean accessories label redefining modern minimalism. Known for its sculptural silhouettes and impeccable craftsmanship, the brand creates bags and footwear that sidestep trends in favour of timeless, collectible design. The result? Pieces so distinctive and enduring, you’ll never want, or need, to let them go.

Where to shop: Incu, MUSINA Global, SSENSE, FARFETCH, Koriah

WORDS BIANCA LICINA

Refining The Cut

A year after our first conversation, I sat back down with journalist-turnedjeweller Talitha Cummins, founder of The Cut Jewellery, to find out where the past twelve months have taken her.

INTERVIEW NATALIE MCGOWAN

Since we last spoke a year ago, what have you been up to It has been a busy time for us at The Cut Jewellery. We just launched our second location in Sydney, at the iconic St James Trust Building. Our international business has also expanded, with the USA becoming a major market for us. We’ve expanded into natural diamonds and natural gemstones and believe there’s room for natural and lab-grown diamonds to co-exist and thrive. Yet too often we still see brands cling to exclusivity, fuelling misinformation to protect old narratives. At The Cut, we reject that. We offer unbiased education because we believe customers deserve transparency and choice. We had some successful trunk shows in Melbourne this year and are very excited to be moving into that market early next year. Brisbane next!

What have been some of the biggest learnings for you as a founder this year

The jewellery industry has this year faced many challenges – the rising gold price, the introduction of tariffs in the USA, and global uncertainty – which has meant that we’ve had to pivot and make adjustments where necessary and really be on top of our numbers. You have to hustle. It’s not just an ‘open the doors and the clients will flow’ type of market anymore. You have to work for it. But I kind of love that part of it. I love the challenge. The biggest thing

for me this year has been growing my team. With the first two years, the juggle was real. I was wearing every hat and doing every task, which, in fairness, is a great thing to do when you are starting out, so that you know how everything works and you can be part of putting all of the systems in place. I have since hired people to help me do the tasks that don’t require my specific attention, and that has allowed me to keep growing the business, work with the team on the new ranges, create content for social media, and be customer-facing.

Has your creative direction or design philosophy shifted since we last caught up

When we started, I redesigned my engagement ring, and it features 12 ‘steps’ leading up to the top of the diamond. These represent the 12-step alcohol recovery program I’m part of, and the ring signifies the growth and resilience that builds throughout our lives. It’s very symbolic. Since then, we’ve really built on the Contessa range, with pinkie rings, pendants, and earrings. This is our core collection. I love the discussions this collection has generated with clients from all over the world. Some are in recovery, some have had different challenges they’re experiencing, and they love the idea of buying one of these pieces to signify their triumph through adversity. Of course, some just like the designs!

TRENDS THAT DEFINED 2025

Cushion-cut engagement rings (thanks to Taylor Swift and Zendaya)

Unique stones

Bold statement jewellery, such as big gold bangles and chunky rings

Mixed metals with pops of colour

A nod to vintage jewellery

TRENDS THAT WILL DOMINATE 2026

Stronger interest in coloured stones

Pinkie rings

Bespoke engagement rings, especially with lab-grown diamonds

Chunkier, thicker bands

Mixed materials

Layered textures

Tennis bracelets

Redesigned heirloom pieces

Fortitude Valley may be known for never sleeping, but venture down towards Newstead and you’ll find a pocket of calm, colour, and curated charm – a true innercity oasis on Ann Street.

IMAGES DARCY CAMPBELL

ON ANN

Tessa wears OPTIKO Jacques Marie Mage Lockheed $1,825, SEASONS EMPORIUM Brave And True Label Raphael Top

$139.95, BIFFI Le Tricot Perugia White Linen Palazzo Pants $890, MCKINNEY’S JEWELLERS 5PM Chic Link Diamond Necklace $105,000, 5PM Chic MultiGemstone Sugarloaf Bracelet $35,000, 5PM Chic Yellow Beryl & Diamond Ring $14,500, Diamond, Yellow & White Gold Ring $9,950, MARGOT MCKINNEY Yellow & Gold Diamond Kiss Earring with South Sea Pearl Drops POA

Sitting pretty in the beating heart of Fortitude Valley, framed by palmlined walkways and classic chequered tiling, the recently refurbished 1000 Ann Street is where those in the know slip away for a moment of calm.

Opposite page:

Tessa wears OPTIKO Jacques Marie Mage Fugue $1,988, SEASONS EMPORIUM Pippa Ridley Avalon Dress $249, SEASONS EMPORIUM Nude Footwear Nellie Slide $179.95, MCKINNEY’S JEWELLERS 5PM Chic Pink Tourmaline, Tanzanite & Diamond Heart Ring $12,500, South Sea Pearl, Diamond, Pink Sapphire & Rose De France Ring

$19,500, 5PM Chic Pink Sapphire & Diamond Bracelet $52,500, South Sea Keshi Pearl & Diamond Pebble Necklace POA

On this page:

Tessa wears OPTIKO Akoni Telesto $1,200, BIFFI Peserico Silk/ Viscose Dress $1,005, BIFFI Fay Silk/Viscose Foulard $230, SEASONS EMPORIUM Orange Inca The Playa Tote $350, MCKINNEY’S JEWELLERS Yellow Gold Diamond Hoop Earrings

$26,500, Marco Bicego Lunar Pave Set Diamond Necklet $39,750, Yellow Gold Diamond Tennis Bracelet 5.27ct $29,500, Yellow Gold Diamond Tennis Bracelet 2.04ct $15,950

Imagine this: a boutique shopping and dining enclave with all the ease of a beachside escape; its wide, black-and-white tiled avenues swathed in palm trees and washed in the vibrant colours of summer sorbets. There’s room to move, to park, and to feel comfortably removed from the hustle and bustle that lies just outside its elegant perimeter.

It’s a delightful discovery that rewards the curious, because 1000 Ann Street is all this and more. Emerging in the early 2000s as the Emporium redevelopment of an old warehouse space, the precinct has recently been thoughtfully refreshed – a considered upgrade that enhances its premium feel while preserving its original charm. It’s an eclectic playground of boutique luxury with all the breezy, slow-living spirit that Brisbane does so well. It’s intimate, inviting, and proudly local with a global mindset.

What keeps the precinct so compelling is its curation – a neighbourhood of creatives, craftspeople, and long-standing independent retailers. Many are family-run and decades old, and all bring a level of care, expertise, and personal connection you simply won’t find at other shopping destinations.

Among its crown jewels is the Green Door, the home of renowned high jewellery designer Margot McKinney OAM. A fourth-generation member of the McKinney family, Margot has built a global reputation for creating spectacular, one-ofa-kind pieces inspired by Australia’s landscapes and crafted from the rarest gems.

Just steps away sits McKinney’s Jewellers’ Pink Door, the family’s fifth-generation fine jewellery store. With 141 years of history and a warm, personal approach to service, McKinney’s is known for its glittering array of local and international jewellery and its deeply loyal following.

Tessa wears stylist’s own bodysuit, ALLA MODA Italian Linen $148/m, MARGOT MCKINNEY Yellow & Gold Diamond Kiss Earring with South Sea Pearl Drops POA, MCKINNEY’S JEWELLERS 5PM Chic Link Diamond Necklace

$105,000, South Sea Pearl & Diamond Ring $17,500, Australian South Sea Pearl with Peanuts Bracelet $24,500, 5PM Chic MultiGemstone Sugarloaf Bracelet

$35,000, 5PM Chic Yellow Beryl & Diamond Ring $14,500

Lovers of fine European fashion will be drawn to BIFFI, a second-generation family-run boutique established in 1982 and specialising in Italian design. Known for their styling expertise and impeccable quality, BIFFI offers unmatched levels of service and sartorial knowledge. Meanwhile, Seasons Emporium brings a distinctly Queensland sensibility with a range of clothing, jewellery, and accessories that capture the essence of coastal luxury – all sustainably sourced and full of personality.

For the creatively inclined, Alla Moda brings the world’s most exquisite textiles – French linens, Italian silks, Swiss cottons – to Brisbane. The two passionate owners have curated Brisbane’s most beautiful fabric selections for over 40 years.

Home lovers will find no shortage of inspiration either. Jack Mitchell Interiors is a wonderland of unique décor, furniture, and gifts hand-selected by Jack Mitchell himself. It’s the opposite of predictable and it’s all the more charming for it.

If you are looking to relax and revitalise, the Ella Baché luxury salon warmly welcomes you to escape the everyday and experience the latest in face, body, hand, and foot care; as well as waxing, IPL skin therapy, spray-tanning, and tinting. Tan Lounge (a 24-hour self-service tanning station), Deluxe Nail Spa, Brisbane Lashes, and Epic Hair Designs round out a well-groomed visit.

All this shopping and well-deserved self-indulgence will almost certainly make you hungry, and on the dining front, you’re exceptionally well catered for. Tartufo Ristorante Italiano & Wine Bar, a Valley institution for over 15 years, plates up moreish, centuries-old Italian recipes accompanied by an extensive list of quality wines in a sophisticated atmosphere. Next door, Piccolo By Him brings authentic Parisian café culture to the precinct with their European eats, chic fit-out, and friendly service.

Those looking for the perfect summer sunset perch will love the new ABOVE Rooftop Pool & Bar, a Mediterraneaninspired open-air pool bar atop Ovolo The Valley. These are just a few of the myriad of choices open to those seeking a wining-and-dining experience that transcends the ordinary and rewards with lasting memories.

The refreshing reality is that 1000 Ann Street is straightforward in its appeal: free customer parking, an unhurried holiday vibe, and an air of boutique luxury – it’s the kind of place in which you could happily lose an afternoon.

Tessa wears SEASONS EMPORIUM Brave And True Label Maya Dress

$159, SEASONS EMPORIUM Olga

Berg Pedro Sequin Pouch $99.95, MCKINNEY’S JEWELLERS 5PM

Chic Sapphire & Diamond Earrings

$15,500, Aquamarine & Diamond

Halo Ring $31,500, 5PM Chic Aquamarine, Spinel And Diamond Bracelet $45,000, 5PM Chic 8.18ct Diamond Necklace $62,500, Asscher Cut Diamond Ring $35,500

PRESENCE IN MOTION

A kaleidoscope of light, reflection, and movement awaits as the work of internationally acclaimed artist Olafur Eliasson returns to Brisbane.

WORDS TAHLIA LEATHART

This summer, Queensland’s Gallery Of Modern Art (QAGOMA) invites Brisbane to experience a new way of seeing with Olafur Eliasson: Presence, the first major exhibition of the artist’s work in Australia in more than a decade. The Danish–Icelandic artist is internationally celebrated for installations that blend natural phenomena with technology, using light, reflection, and movement to shift the way we experience space. Now, Brisbane audiences will have the opportunity to encounter these ideas in ways that feel both global and deeply grounded in place.

Head Of International Art at QAGOMA Geraldine Kirrihi Barlow describes the exhibition as one that quietly encourages awareness. “What’s remarkable is how it brings people together,” she says. “You become aware of others moving through the space even when you’re focused on your own experience. That gentle shared rhythm is part of the work.”

Each installation offers a moment of pause, of stillness, of gentle curiosity. “Presence 2025 appears to move and shift with energy,” Geraldine says. “Olafur uses yellow monofrequency lights and layers of pattern to create a ‘moiré effect’ activated by our motion. Mirrors then expand the gallery beyond what seems possible, creating the impression of a complete sphere from only one-eighth of its full volume.”

One of the most iconic works in the exhibition is Beauty (1993), a piece that brings a rainbow into a darkened room, shimmering close enough to touch. “We are thrilled to be showing one of Olafur’s earliest works,” Geraldine explains. “Making Beauty, he realised the vital role of perception as the audience experienced the artwork. Without us – without our eyes, our touch, our movement, and perception of light – the artwork, just like a rainbow, doesn’t fully exist.”

Three new commissions anchor the exhibition, each responding uniquely to GOMA’s architecture. The title work, Presence (2025), brings a radiant sun-like form into the gallery, reaching more than six metres toward the ceiling. Mirrors multiply the space into a dazzling sequence of repeating reflections. “It is amazing to watch Olafur and his studio work together to develop and test ideas,” Geraldine says. “Then we work out how to best locate these within GOMA’s expansive gallery spaces.”

Behind the scenes, the exhibition is the culmination of more than a year of planning. Eliasson’s installations are technically complex, often requiring precisely calibrated lighting and customdesigned components. “Some works need alignment and lighting accuracy down to the millimetre,” Geraldine says. “It’s meticulous, but essential. When the effect is right, the experience feels effortless.”

Although visually striking, Eliasson’s art carries a quiet environmental awareness. His installations often prompt visitors to consider their surroundings and their relationship to the world around them. “His practice nudges you toward reflection,” Geraldine says. “Not with intensity, but with a sense of invitation – to notice the light, the atmosphere, the way we move in relation to one another.”

It’s a perspective that aligns naturally with Brisbane’s evolving creative landscape, where sensitivity to environment and experience has become increasingly central to the city’s artistic identity. For anyone planning their visit, Geraldine offers one simple suggestion: take your time. Move slowly. Allow your eyes to adjust and your attention to wander. “It’s an exhibition that rewards curiosity,” she says.

BEAUTY, OLAFUR ELIASSON (1993)

KITA ALEXANDER

Get to know Brisbane-born singer-songwriter and our all-round girl crush, Kita Alexander.

GO-TO PARTY OUTFIT

I love a mini dress and some kitten heels. I get the legs out of those baggy jeans and feel on top of the world.

INGREDIENTS FOR THE PERFECT NIGHT OUT

Good music, close friends, and no phones.

PARTY FAUX PAS

My party taboo is having a limit on how messy I get. I like straddling the line but as soon as I cross over, please someone send me home.

A PARTY PLAYLIST FOR YOU, CURATED BY

“Man! I Feel Like a Woman!”

Shania Twain

“Go Your Own Way” Fleetwood Mac

“Evil Woman” Electric Light Orchestra

“Dancing in the Moonlight” Toploader

“Push It”

Salt-N-Pepa

“Hollaback Girl” Gwen Stefani

“Roses” Outkast

“The Horses” Daryl Braithwaite

“September” Earth, Wind & Fire

“Wake Me Up Before You Go-Go” Wham!

“I Wanna Dance with Somebody (Who Loves Me)”

Whitney Houston

“Crazy Little Thing Called Love” Queen

“Ain’t No Mountain High Enough”

Marvin Gaye, Tammi Terrell

“Jump” Kris Kross

“Whatta Man”

Salt-N-Pepa, En Vogue

9:30AM

:30AM

a day in the life

As The Nutcracker returns to the stage this December, we spent a day with Queensland Ballet ballerina Chiara Gonzalez — the Sugar Plum Fairy herself — whose presence is as poised as her port de bras.

WORDS CHIARA GONZALEZ

IMAGES ANGHARAD GLADDING

9am: Arrive at my work, the Thomas Dixon Centre, West End, and pop into Tom’s Kitchen to get my morning fix: an oat latte.

9.30am: Warming up for daily class, which we do every day from 10am to 11.30am. Class gets our bodies ready, but more importantly, it’s where we refine our technique. Some days it’s tough and absolutely exhausting, but if you skip it, you feel it immediately.

10.30am: After barre work, which lasts around 35 minutes, we move to the centre of the studio and practise adagio, pirouettes, and jumps.

11.30am: Preparing my pointe shoes for my rehearsal of the Sugar Plum Fairy pas de deux with my partner, Edison Manuel. All female dancers must prepare their pointe shoes for every rehearsal and performance – a relentless, time-consuming task that takes about an hour each day. Only female dancers dance en pointe, balancing and performing on the tips of their toes.

11.45am: I’m rehearsing with Edison for the leading roles of the Sugar Plum Fairy and the Prince. He’s an exceptional partner who makes me feel completely safe and supported in every lift and pirouette.

12.35pm: More stretching and a bite to eat for lunch. Dancers not only have to be flexible but also strong. It is a fine line to tread (dance!). At the Thomas Dixon Centre we have physios, Pilates, and gym equipment to make sure we are in optimal form for each season.

1.45pm: Costume fitting for the Sugar Plum Fairy is always a special moment. All our costumes are reused each year, so each season we have fittings to make sure every detail sits perfectly and that the headdress is secure for the performances. For each performance, we have a dresser who will help us do up the hooks and eyes of our tutus.

2.45pm: Preparing more shoes for the ongoing rehearsals and performances.

4pm: Time to start getting ready for the performance! Dancers do all their own hair and makeup. The costume department gives us detailed drawings of the exact look, and we follow those designs to make sure everything is stage perfect. Toi, toi, toi! (A German expression that performers say to wish each other good luck. It is bad luck to wish a fellow performer “good luck”!)

GET IN YOUR FEELINGS

As Artistic Director Daniel Evans prepares for Queensland Theatre Company’s (QTC) 2026 Season, we look back on how he got here and the heart-led stories that are shaping the year ahead.

WORDS NATALIE MCGOWAN

JADE ELLIS

There’s a strange but powerful electricity that comes from seeing live theatre. A dark room full of strangers, all watching the same story play out in real time before the final bows are taken and the room empties – that exact performance never to be experienced again.

For Daniel Evans, it’s sacred.

As a boy growing up in suburban Brisbane, Evans recalls his love affair with theatre beginning at QPAC’s Lyric Theatre, watching shows like Grease and Joseph And The Amazing Technicolor Dreamcoat unfold on the stage before him. “It was like it was punching out of the proscenium theatre and into my chest,” he says. “QPAC kind of became a church.”

And so, a young Daniel Evans (unofficially) began his career in the arts, directing, starring in, and casting fellow 12-yearolds to be in his backyard adaptations of Andrew Lloyd Webber classics.

Like many stumbling their way through the awkwardness of adolescence, Evans, a self-described “creative, imaginative, theatreloving kid”, admits he felt the stigma of being different, and, though he says it was the reason he was teased, the drama classroom ended up becoming his safe haven. “I think in many ways, studying drama and finding my tribe in the drama classroom saved me a wee bit,” he reflects.

That sense of belonging naturally led him to a career in the arts, spanning reality TV (Big Brother, Beauty And The Geek, The Traitors… the titbit that he cast Layla from Big Brother season nine particularly tickled me) to cofounding his own theatre company with his friend and collaborator Amy Ingram called The Good Room, exploring the anonymous stories of ordinary people and revealing the beauty within them. A common thread emerged in all of Evans’ work: a fascination with the complexities of human nature and emotions.

family intervention story about a hoarding migrant mother and her children; The Sapphires, the trailblazing First Nations story of four Yorta Yorta women performing for soldiers during the Vietnam War; Pride And Prejudice, an adaptation of the classic love story that examines family, social class, and gender roles; Do Not Go Gentle, a poignant imagining of aged-care residents as explorers on Captain Scott’s doomed Antarctic expedition; Strong Is The New Pretty, the story of the AFL women’s league and the women who refused to be sidelined; Small Mouth Sounds, an audio-immersive silent retreat satire that explores existential questions; and Into The Woods, where fairytale characters confront what lies beyond the stories that were written for them.

Watch any of them – or better yet, all of them – and you’ll be met with sometimes-funny, sometimes-emotional, always astonishingly moving theatre.

“I want to upset your worldview, or make your heart open, or challenge you, or give you a feeling that perhaps you haven’t felt before but you suddenly go, ‘That feels contagious.’”

When the opportunity came to apply for the Artistic Director role at QTC, Evans called it a “nexus moment.” He’s no stranger to the company; his first work with them took place in 2000, when a 16-year-old Evans won QTC’s Young Playwrights Award for his debut titled Opening a Fuzzwollop’s Frame of Mind after being encouraged to enter by his drama teacher, Mrs Thompson. Now, 25 years on from that moment, in his inaugural season at the helm of QTC, he has one goal: to make you feel something.

The 2026 QTC season is defined by four words: All Feeling. No Filter.

It’s a program that tackles big ideas and even bigger emotions: The Great Gatsby, in all its dazzling yet tragic glory of unrequited love and class struggles; Torch The Place, a

I ask him if there’s a particular production he’s most looking forward to, and, in true theatre-kid fashion, he laughs: “It’s like Sophie’s Choice. It’s like evicting a Big Brother contestant.”

Beyond the programming, QTC is carrying its 2026 theme into the fabric of how the company works behind the scenes. Their collaborations with Queensland’s leading arts organisations (Opera Queensland, Queensland Symphony Orchestra, Brisbane Festival, and Shake & Stir Theatre Company) are built on the same values driving the season: honesty, connection, and storytelling that cuts straight to the heart.

Central to this is a deep commitment to amplifying First Nations voices, led by Head Of First Nations Theatre Isaac Drandić, whose team determines their own projects. “That’s where we spend a lot of our energy –honouring the fact that the First Nations people of this country are our original storytellers,” Evans explains. “I think you can go further and dream bigger when you’re together.”

I tell Evans how, on the car ride home after attending the 2026 Season Launch, which gave a preview of all the upcoming shows, it was all I could talk about. At this, he says, “That’s what success looks like to me. I want the conversations in the cars. I want to upset your worldview, or make your heart open, or challenge you, or give you a feeling that perhaps you haven’t felt before but you suddenly go, ‘That feels contagious.’”

With tickets now on sale for the February launch, Evans invites you to experience what he did as a child at the Lyric Theatre: a shared moment in a dark room with strangers and a story that stays with you long after the curtain call.

FOR HIM

Skip the socks and last-minute guesses. This Christmas, Westfield Chermside has everything the well-dressed man in your life will love – even the things he doesn’t know he wants yet. From fashion to fragrance, Westfield Chermside has the gifts for him that move effortlessly from under the tree into his daily rotation.

1 2 3

WATCHES

A timeless timepiece will keep him organised and effortlessly put-together.

ACCESSORIES

A keychain, a hint of cologne, a great weekender bag –sometimes it’s the little things that elevate everything.

CALIBRE Woven Leather Carryall $599

CALIBRE Logo Plate Cap

BOSS

SHIRTS

From festivals to long lunches, these shirts will see him through all summer long.

SHOES

A well-curated footwear collection means he’s covered for every occasion the season brings.

SUNGLASSES

A great pair of sunnies is the simplest way to sharpen his look.

BOTTOMS

A solid lineup of staple shorts and trousers will make getting ready every morning that much easier.

BOSS Suede Loafers with Debossed Logos $379

CALIBRE Multi-Lace Sneaker $269

1. BOSS Relaxed-Fit Shirt with Textured Floral Pattern $399

2. CALIBRE Monogram Scarf Print Short Sleeved Shirt $399

3. CALIBRE Hotel De Calibre Print T-Shirt $179

Beckham Navigator Sunglasses $980

GIFTS WORTH GIVING

VICTORIA

what’s in my bag?

This season, we pack our handbags with personality and purpose. From evening touch-ups to jet-set touch downs, if it’s on our arm, it’s essentials only.

WORDS VICTORIA LEWIS IMAGES GRACE DE LUNA

MIMCO The Clutch Bag

35MM CO. The Reloader® Film Camera

RARE BEAUTY Luminising Lip Gloss

FENTY BEAUTY Volumising Mascara SSAINT Smokeshow Perfume

JULY Juliette Soft Large Tote INTELLIGENT CHANGE

Gratitude Journal

SLIP Black Sleep Mask

AESOP Hydrating Mist

MUKTI Hydrating Mist

NÉCESSAIRE Hand Cream

SOPHIE LOU JACOBSEN

Glasses

FROM THE GROUND UP

As Brisbane’s appetite for thoughtful, design-led living rises, Melbourne studio mckimm brings its signature balance of craftsmanship and calm to Queensland’s evolving architectural landscape.

WORDS TAHLIA LEATHART

Across Brisbane and beyond, architecture is entering a new era. The rush of glass and steel excess is giving way to something more grounded: homes that breathe; that prioritise natural light, texture, and tactility. At the forefront of that movement is mckimm – a Melbourne-born design studio now expanding its timeless aesthetic to Queensland’s luxury landscape.

At its helm is founder Nick McKimm, a designer and builder whose journey from carpenter to industry leader has shaped the studio’s philosophy from day one. “The early years working on site were the best education I could have asked for,” Nick says. “Carpentry gives you a handson connection to how materials come together. How each stage depends on precision, and how early decisions can shape the entire build.”

This first-hand experience became the backbone of mckimm, which Nick founded in 1991. What began as a design and build practice has evolved into a fully integrated studio, encompassing architecture, interiors, construction, and project management under one roof.

“In the early days, I saw the disconnect that could happen when architects, builders, and clients worked independently,” he recalls. “I wanted to create a more transparent, collaborative way of working, where every decision serves the same vision.” It’s an approach that has come to define mckimm’s success – holistic, detaildriven, and deeply human.

For more than three decades, mckimm has built a reputation for timeless design; spaces where clean lines and natural materials meet an effortless sense of calm. Yet for Nick, the pursuit of good design isn’t about following trends. “People’s lifestyles and priorities are constantly changing,” he says. “Wellness, light, connection to nature – these have become central to how people want to live. Pushing boundaries means responding to these shifts with thought and intention.”

That balance between innovation and restraint is something Nick has refined

through years of experience. While his work has expanded beyond Melbourne’s Bayside, the region remains central to mckimm’s identity. “Designing in Bayside has taught us so much about flow, privacy, and light,” he says. “Every project responds to its environment – how it sits in the landscape, how it breathes, how it connects indoors and out.”

Walk into a mckimm home and you immediately sense that connection. Raw yet refined, sculptural but liveable. Concrete, timber, and stone are recurring elements, not because they’re fashionable, but because they endure. “Enduring quality is about honesty in materials and intent,” Nick explains. “We design homes that evolve with the people who live in them. Spaces that feel timeless rather than fleeting.”

Inside the studio, collaboration is everything. Nick leads a team of designers, architects, and builders who are encouraged to challenge conventions and think holistically. “Today’s clients come to us well-informed and with strong ideas,” he says. “That’s exciting. It pushes us to innovate and to look at how light moves through a space, or how a room can shift from day to night without ever losing the essence of who we are.”

As mckimm moves into luxury developments and boutique apartment projects, including in Queensland’s growing high-end market, the challenge is scale – how to maintain individuality while expanding reach.

Looking ahead, Nick’s focus is on legacy – both in the homes mckimm creates and the next generation of designers it inspires. “I hope our legacy is one of thoughtfully designed, sustainable homes that stand the test of time,” he says. “But just as importantly, I want to inspire others to see architecture as a connected process – where design, construction, and craftsmanship are all part of the same conversation.”

And for the man who started with a hammer in hand, that vision remains firmly grounded.

TIMOTHY KAYE

In the chaos the season can bring, find calm amongst the summer storm with clean lines, an understated palette, and pared-back aesthetics that are set to reset.

EDIT VICTORIA LEWIS

MODERN MUSE

When it comes to vein health, a lot of people assume it’s mainly a women’s issue. The truth is however, that venous disease doesn’t care about gender. In fact, research shows that around 40% of Australian men will develop varicose veins at some point in their lives.

The problem is that men often leave it longer to seek treatment – sometimes until the veins are quite advanced. This can increase the risk of complications, like skin ulcers or permanent damage. Part of the reason is that men are usually less concerned about how their legs look and may ignore early warning signs.

That’s why it’s important to recognise common symptoms: aching, heaviness,

swelling, or visible veins – all early signals that shouldn’t be overlooked. Treating veins sooner not only improves how your legs look but also reduces discomfort and helps prevent serious issues like ulcers or blood clots.

At The Leg Vein Doctor, the team offer modern, minimally invasive treatments like sclerotherapy and laser therapy that don’t require a hospital stay and involve minimal downtime. Most procedures are walk-in, walkout, so you can get back to your day quickly.

Looking for a practical and unique gift? Consider booking an initial consultation at The Leg Vein Doctor. It’s a thoughtful way to help the man in your life take control of his vein health before problems get worse.

SMOOTH OPERATOR

Shimmer like the night sky when the clock strikes midnight. Chrome hues wash over the eyelids in an iridescent wave, while ‘90s glamour overtakes in bouncy blowouts and spiky updos.

Faith wears MEHRON Metallic

Eye Powder Silver $23, KAT

VON D Dazzle Long-Wear

Eyeshadow Stick $36.74, RIMMEL Lasting Finish Lip Liner

Cappuccino 705 $6.47, RIMMEL

Slv Lasting Finish Lipstick 901

Golden Dust $9.62, L’OREAL

PARIS Le Kohl Superliner Eye Liner Midnight Black $15.29

MIDNIGHT METALLICS

Faith wears L’OREAL PARIS

Le Khol Superliner Eye Liner

Midnight Black $16.99, ORTEGA

Ethereal Glow Balm $47.41, PATRICK TA Major Dimension III

Matte Eye Shadow Palette $125, HALF MAGIC Crystal Butter Lip

Balm $38, RIMMEL Lasting Finish

Lip Liner Cappuccino 705 $6.47, HALF MAGIC Glitterpuck Multi-

Use Pressed Fiary Dust $51

TALENT FAITH QUACH

PHOTOGRAPHER CAYTLAN KOLJNDREKAJ

DIRECTION CALI WESTMORELAND

STYLING VICTORIA LEWIS

MAKEUP PAINT BY BROCK

HAIR MIA BLINCO

LOCATION STUDIO 74

BROLLY COFFEE

@brolly_coffee

Brought to you by the makers of Botanica, Brolly Coffee is your new neighbourhood espresso staple. A few doors down from Botanica’s Red Hill home, it mixes clean lines, terracotta accents, and a signature pink awning that catches the morning light. Expect Single O coffee, specialty iced brews, flaky pastries, and cinnamon rolls worth travelling for. Designed for an easy grab-and-go or a slow-paced sitdown, Brolly blends suburban simplicity with considered style, creating a warm, familiar spot that already feels part of the community.

MONTHLY DIGEST

Dig into our roundup of Brisbane’s hottest new restaurants, cafés, and bars.

RUBY’S WINE SHOP

@rubys_wine_shop

Curated yet approachable, Ruby’s Wine Shop is a charming, artdeco-inspired bar-meets-bottle-shop in Albion specialising in small-batch, minimal-intervention drops. Pop in for an afternoon swirl or linger into the evening – their dog-friendly, communityfocused atmosphere makes it easy to stay. Whether you’re picking up a bottle or settling in with friends for a glass and gossip, Ruby’s delivers a refined, easygoing experience shaped by good wine, good company, and a loyal local crowd.

SHAMAN

@shamanbne

A moody, underground escape, Shaman is the city’s newest after-dark destination – part rum and tequila bar, part intimate listening lounge. Slip down the staircase to find candlelit corners, homely vibes, and cocktails crafted with precision. The menu leans into agave spirits, smoky pours, and twists on classics made for unhurried sipping. With warm lighting, timber textures, and a soundtrack drifting between jazz and downtempo beats, Shaman invites you to settle in with a cocktail and shut out the outside world for a while.

BIG BOY BANGKOK

@bigboybangkok.au

Bold flavours, generous pours, and a whole lot of attitude – welcome to Big Boy Bangkok. Tucked away in Newstead, this new street-food-style Thai spot has taken over the former Newstead Social and transformed it into a riot of colour, heat, and retro Bangkok charm. With inventive flavours that run wild, the menu pulls no punches with Thai classics and reinvented dishes. That big, irreverent personality spills onto the drinks list too, where the flavours get as playful as the decor.

YOUR TASTE OF MEXICO, SERVED HIGH ABOVE THE BRISBANE SKYLINE

FRENCH CONNECTION

After taking the reins at Montrachet last year, Clément Chauvin is putting his Michelin-star training and culinary experience on full display through his new French cookbook.

WORDS NATALIE MCGOWAN

When Parisian-born, Canberra-based chef Clément Chauvin heard that French institution Montrachet had gone into voluntary liquidation, he had already been considering what his next move would be. The timing couldn’t have been better and, concerned someone else might take over and compromise the restaurant’s 20-year legacy, he bought it. What he hadn’t expected, however, was for all but one staff member to resign, leaving him to rebuild the restaurant from the ground up right after he had signed the contract.

Born on the outskirts of Paris and having moved to Lyon at the age of 13 – the gastronomic capital of France – Chauvin remembers the moment he fell in love with food. “I was having dinner at a friend’s house, and their mum, who was a home cook, made basically Michelin-star-quality food,” he recalls. It was a revelation for Chauvin, who, by 15, was enrolled in a three-year culinary program, determined to learn everything about ingredients, flavour, and technique.

Soon after graduating and days before his 18th birthday, he began working under the lauded Anne-Sophie Pic in her two-Michelin-star restaurant, which would later regain its third star. “You can imagine, it was intense,” he says. Long hours, working from 8:30am to midnight, practical jokes, yelling, harsh criticism… a complete departure from the ease of student life.

One story stands out from that first week: he was tasked with removing a tray from the oven, and when 90-degree sugar syrup spilled onto his arm, he held onto the tray until it was safely on the bench before tending to his badly blistered arm. “My sous chef was staring at me and basically said, ‘If you drop that tray, you’re dead,’” he laughs.

It’s a common-enough story that you’d hear from a chef working in Europe in the Michelin-star system in the early 2000s, and Chauvin sees it as just that – a formative experience that many chefs have to go through to reach the top of their game. “Experiences like this thicken your skin,” he says. “You learn from it.”

After a six-month stint, he returned to Lyon to refine his skills before re-entering the Michelin-star world, this time more prepared and working for Nicolas Le Bec in a two-star restaurant. A year later, Chauvin moved to London, joining Gordon Ramsay’s Michelin-starred Claridge’s in 2000, followed by another two-Michelin-star kitchen afterwards.

Seeking new experiences, his career – and a girl – led him to Sydney, where he worked at Restaurant Balzac under Matt Kemp, adjusting to Australia’s Chef-Hatted fine dining system. “Coming from Gordon Ramsay, where there is a level of luxury to get a Michelin star – waiters in suits, everything served on a tray – it was a culture shock,” he says. “This was more rustic and simplistic.”

Eventually, a wife and two children later, he found himself in Canberra and, realising there was nothing like his style of cooking in the city, he opened his own restaurant Les Bistronomes 11 years ago, and has since racked up an impressive list of accolades.

When news of Montrachet broke, Chauvin was already searching for his next challenge. He had his hands full and, with a new team to hire and train, a menu to craft, and a legacy to live up to, he reopened the restaurant in mid-2024. For patrons unaware of its history, the transition was seamless — Montrachet had successfully retained its reputation and soul under Chauvin’s tutelage. He reflects on this chapter with genuine gratitude for how this city has embraced him: “Dan Arnold, Thierry Galichet, Javier Codina, and so many more… they welcomed me with open arms. I was overwhelmed and so impressed,” he says.

True to form, Chauvin hasn’t slowed down. His latest project, Bistronomie, a French cookbook two and a half years in the making, has just been released. “The hardest part for a chef is transferring everything in your head onto paper in a way people can understand,” he says. The result is a carefully curated collection of recipes he’s honed over years, alongside tributes to the growers, makers, and producers who help make his restaurants possible, even including a special story on Thierry Galichet, Montrachet’s founding owner.

With Bistronomie, Chauvin demystifies French cuisine, simplifying classic techniques for the home cook, while bringing the flavours and finesse of Montrachet and Les Bistronomes directly into your home. Now splitting his time between Canberra and Brisbane, with Bistronomie officially on the shelves, his hope is simple: to share what keeps him falling in love with food and inspire you to do the same.

golden days

HOTA, HOME OF THE ARTS

Bold, bright, and unapologetically fun, QT Gold Coast continues to lead the charge for design-driven stays by the sea. The hotel’s signature blend of retro glamour, sleek modern comforts, and playful personality makes it a go-to for weekends that call for both relaxation and a little drama. Think sun-splashed poolside afternoons, groovy interiors, standout dining, and service that feels both cool and considered. Whether you’re checking in for a staycation or slipping away for a summer weekend, QT is the kind of place that feels like the main event.

A cultural hub with serious pull, HOTA is where art, architecture, performance, and community converge. Set on the edge of Evandale Lake, this striking precinct offers a full creative immersion — from blockbuster exhibitions inside the awardwinning gallery to outdoor cinema nights, live theatre, and sunset strolls through the Sculpture Walk. It’s the Gold Coast’s beating cultural heart, anchoring the city’s evolution into a design-focused, arthungry destination. If you want inspiration served with scenery, this is where to start.

Where summer lingers and the salt air always feels a little sweeter, the Gold Coast is entering its glow era. From sun-drenched stays to culture-rich days and long lunches by the water, this coastal playground is delivering the perfect mix of ease, energy, and effortless fun.

SURFERS PAVILION

A waterfront favourite with all the right summer energy, Surfers Pavilion is made for long lunches that turn into goldenhour cocktails. Its open-air design, breezy coastal palette, and riverfront views deliver peak holiday mode, while the menu leans into fresh seafood, ice-cold drinks, and share-friendly dishes that always hit. Arrive by foot, by car, or — if you want to enter like a local — via the venue’s famous jet ski and boat access. It’s casual, chic, and effortlessly social: everything a GC afternoon should be.

RIVER HOUSE 4215

Tucked along the Nerang River, River House 4215 brings a refined, modern coastal sensibility to Surfers Paradise. The interiors merge clean lines with warm textures, setting the tone for a dining experience that feels both elevated and grounded. Expect thoughtful dishes built around local produce, a considered wine list, and service that strikes that sweet spot between polished and welcoming. Settle in and watch the sun set over the river — it’s the kind of place that invites you to linger.

QT GOLD COAST

a taste of taipei

In October, I spent four days in Taipei with China Airlines and Taipei Tourism Bureau, discovering the vibrant city’s sights, sounds, and flavours.

WORDS + IMAGES NATALIE MCGOWAN

“I’m a firm believer that the best way to get to know a city is by eating your way through it, and in Taipei, that holds true. If you’re not hungry when you step out of your hotel, Taipei and all its glorious food will fix that quickly.”

STAY FOR THE DESIGN

JACKALOPE HOTELS, MORNINGTON PENINSULA

A destination in its own right, Jackalope is where art, architecture, and escape converge. It’s dramatic, but held with restraint — all blackened timber, sharp silhouettes, and unexpected installations set against vineyard views. Here, design becomes part of the landscape, with every space thoughtfully crafted, from the statement pool to the award-winning dining. Immersive and sensory, it’s a reminder that sometimes the hotel is the holiday.

A trio of stays where architecture, interiors, and atmosphere shape the entire experience.

MONDRIAN GOLD COAST, BURLEIGH HEADS

Mondrian introduces a refined architectural language to the Gold Coast — clean geometry, calm tonal palettes, and a contemporary interpretation of beachfront living. Suites are layered with tactile finishes and considered detailing, with light tracing sculptural forms throughout. A subtly Miami-leaning pool deck and polished dining spaces shape a stay defined by slow mornings, long lunches, and goldenhour swims.

The Eve Hotel is a layered study in urban quietness, tucked in Redfern. Rich timbers, soft curves, and a warm, muted palette define the interiors, with each space unfolding in a quiet architectural rhythm. Downstairs, the dining and bar feel like part of the neighbourhood; upstairs, rooms read like considered apartments designed by someone with impeccable taste.

WORDS KIRI JOHNSTON

THE EVE HOTEL, SYDNEY

Lands Of Resilience, Beauty, & Legacy

In a tale as true as time, uncover the stories that travelled generations across Asia. From forgotten dynasties to sacred temples, find wisdom in prevailing traditions. During Lunar New Year, the air fills with fireworks and red lanterns. Spring awakens the land in a blush of cherry blossoms, lining roads and rivers in delicate pink. Across the continent, myths of the ancient world dwell in groves and legends stir in hidden shrines. Stand among the stupas and look over the Andaman Sea in a floating village. Step into history and follow the thread that connects past to present.

Visit Silversea.com, call 1 300 306 872, or see your Travel Professional.

MOUNT FUJI, JAPAN