May 2024 Digital Edition

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BEST SCRAN IN GLASGOW

Glasgow is any foodie’s dream - no matter your taste or budget, there’s something for everyone. With such an abundance of places to eat it can be overwhelming to make a choice, so here are my recommendations of where to find the best scran, from meals to sweet treats.

Right at the top, the first recommendation has to be the one and only, SCRAN. Located on London Road near the Barras, it is close to the city centre. SCRAN serves simple brunch dishes with their own twist and is proud to be the ‘home of the loaded brunch fries’. Menu recommendations include the scampi

SCOTTISH RUGBY: A REFLECTION ON THE SIX NATIONS

Victory in Cardiff, a Millar-Mills turnover to secure the Calcutta Cup, but heartbreak against France and Italy.

Scotland promised one of its strongest teams heading into this year’s six nations, but another fourth place finish has cast some doubt on their future in the 2027 World Cup.

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roll, chicken gyros wrap, and burger fries. True to their name, SCRAN’s scran is incredible and it is the perfect brunch spot.

Next up is BABS, found in the heart of the city centre. They offer a range of Mediterranean street-food style dishes including meat, vegetarian and vegan options. They are a feast for the eyes and full of flavour, and although it’s a bit pricy the quality is worth it. Plus, they offer a lunchtime deal that is kind to the budget.

For a Mexican feast (or just some small plates and cocktails) El Jefe’s is the place to go. They offer a range of deals throughout the week,

and a special mention goes to their Mexican Sunday roast. For perfectly cooked meats, flavourful dishes, and and a Mexican experience, it’s definitely worth checking out.

Located in Merchant City, Green Gates is a tapas-style Indian restaurant. They offer collection and delivery and also frequently have deals running. They serve some authentic Indian flavours as well as some familiar and unique dishes, including the Glasgow creation, chicken chasni. For accompaniments to your curry, or as a meal on their own,

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Image credit: Scran Glasgow
www.strathclydetelegraph.com May 2024 Strathclyde Telegraph @strathclydetelegraph @strathclydetelegraph Strathclyde Telegraph GRAD JOBS: EVERYTHING YOU NEED TO KNOW FULL STORY ON PAGE 6

Rhiannon McGovern FEATURES and Design Editor features@strathclydetelegraph.com

Lauren Hunter CULTURE Editor culture@strathclydetelegraph.com

Rachel Cronin LIFESTYLE Editor lifestyle@strathclydetelegraph.com

Jhanvi Vipin

Social Media Executive social@strathclydetelegraph.com

Rhianna McGhee MUSIC Editor music@strathclydetelegraph.com

Erin Howatson TRENDS Editor trends@strathclydetelegraph.com

Jack Rogerson SPORTS Editor sport@strathclydetelegraph.com

Danny Munro Editor-in-Chief editor@strathclydetelegraph.com

As we come to the end of the academic year, I’m so glad to be previewing this end of term digital version of the Strathclyde Telegraph, which marks our first double-edition year since before the pandemic.

In what has been one of our biggest years to date, we’ve had over 50 different students contribute – culminating in well over 25,000 views on our website as we continued to remind the wider Strathclyde community about the importance of student voice.

To name but a few of our achievements, we covered important stories such as the Israel-Palestine conflict, spoke to artists like The Last Dinner Party, attended the 20th year of the iconic Glasgow Film Festival, and introduced a new column with Strath Union President, Eva Curran.

We were also recognised for our work nationally, with our Lifestyle Editor Rachel Cronin receiving a well-deserved nod at the Student Publication Association Awards, and our incoming Editor-in-Chief Rhiannon McGovern being recognised for her feature writing talent at The Herald’s inaugural Student Press Awards alongside our valued contributor Omar Malik for his work in Strathclyde’s Blether Magazine.

Looking forward to next year, we have expanded our team with the introduction of a brand-new Creative section, as well as new Deputy and Multimedia positions. Spearheading the team is Rhiannon, who once again has single handedly put this edition of the paper together, leaving us forever indebted to her. Rhiannon is immensely talented and we’re all so excited to see what she does with the paper as it continues to grow.

I’ve been writing and editing at the Telegraph for three years now, but as a grey-haired 23-year-old veteran, it’s time for me to move on to pastures new. To keep it brief – I’d like to thank every single person I’ve met through the Telegraph over the years and apologise to anyone who’s had to read any of my poorly edited first drafts.

I’ll let the young team take it from here! Please enjoy the brand new Strathclyde Telegraph digital edition and have a great summer everyone.

Danny Munro

I have loved my time as Features Editor of the Strathclyde Telegraph, but I am incredibly excited to be taking over as the new Editor-in-Chief.

To echo what Danny has said, I am so proud of what has been a very successful year. So many new and old faces have found a home at the Telegraph for their brilliant work, and it has been a pleasure to see all the talent that the students of Strathclyde have to offer.

Since first joining the team with no experience in graphic design, this is the second edition of the Telegraph that I have put together. I am so grateful for the opportunity to teach myself a new skill and have had so much fun playing around to create the edition you're reading today

I am looking forward to all that the next academic year brings, and to working alongside our lovely new editors who you can meet on the back page. I encourage everyone to keep an eye on our website and social media for future updates and opportunities!

Have a wonderful summer and I look forward to welcoming everyone back to university in September!

Rhiannon McGovern

If you have a complaint against the Strathclyde Telegraph, please contact the Editor-in-Chief.

All photographs used with the owner’s consent, or used courtesy of fair use policies.

Strath Warriors Electrify Òran Mór in Their Annual Showcase DANIEL TIMONEY Strathletes Triumphant in 2024 Glasgow Taxi Cup JACK ROGERSON What is Korfball? A Look at Strath Union’s Most Intriguing Sport DANIEL TIMONEY Scottish Rugby: A Six Nations Retrospective SAM MIDDLEMISS 25 26 26 27 Student Encampment Protests: Amplifying Dissent, Demanding Change KULSUM SHABBIR Humza Yousaf Resigns as First Minister SOPHIE ADAMS What Next for the SNP? DANNY MUNRO Trump on Trial: Are Election Hopes Over or Will This Fuel Support? IAN HAMILTON 7 8 8 9

NEWS Zara Grew

I have absolutely loved being part of the Strathclyde Telegraph. It has been a pleasure to work with such an amazing and talented team of writers and editors. Good luck to everyone sitting exams, and I hope everyone has a great summer when it comes!

CALL IT RACISM: ANTI-RACISM CAMPAIGN LAUNCHED BY

UNIVERSITY OF STRATHCLYDE

An anti-racism campaign has recently been launched by the university.

Titled ‘Call it Racism,’ the campaign seeks to reaffirm the University’s stance on tackling all forms of racist behaviours.

Students received an email on 21 March announcing the launch, describing AdvanceHE’s declaration against racism as being fundamental to the campaign’s mission. In particular, the campaign specified microaggressions as one of the most prominent forms of racism on campus. But what exactly does the campaign – which will be displayed and promoted across the University’s campus and social media accounts – actually entail? We spoke to Jennifer Ba, Strathclyde’s Senior Race Equality Officer, to find out more about how the campaign will combat racism on campus.

On the University’s active role in tackling racist language and behaviours, Ba stated that the Race Equality Steering Group (RESG) was established in September last year “to advocate for and work to ensure an inclusive, welcoming and equitable working and learning environment for Black, Asian and minority (BAME) ethnicity students and staff.”

Key to RESG has been the pursuit “to challenge racism throughout the institution,” Ba continued. “We want to encourage all Strathclyders to personally commit to being an anti-racist ally, and to challenge, whether experiencing or witnessing unacceptable behaviours, to report concerns via Report & Support, Dignity & Respect Advisors or to their Department."

The Steering Group was founded as the natural successor to the Race Equality Working Group (REWG), which was established in June 2020 as a response to the discussions being provoked by the Black Lives Matter movement.

According to Ba, “the REWG published a report of its consultation work and findings, gathered over a two-year period, in October 2023 –along with a series of recommendations on what Strathclyde could do to advance race equality.”

The REWG report’s first recommendation was challenging racism, particularly by improving understanding of racial discrimination and harassment, and ensuring any incidents of these are recorded and investigated alongside improving anti-racism training.

Secondly, they suggested a focus on representation by improving data collection on BAME staff, increasing representation of BAME staff at leadership roles, and diversifying the curriculum.

Their third recommendation was concerned with belonging and visibility - promoting and celebrating the work of BAME staff and students, providing spaces to support networking, and recognising and rewarding staff and students who contribute to race equality initiatives.

On the university’s stance on targeting racist behaviours following the REWG report and campaign launch, Ba told us: “Unacceptable behaviour has no place at Strathclyde and we will not tolerate any form of discrimination, harassment, victimisation or bullying.”

Since September 2023, everyone joining the Strathclyde community as an undergraduate student must undertake the #StrathEqual training course before they can fully register.

According to Ba, the purpose of #StrathEqual is “to ensure everyone can recognise unacceptable behaviours and feel empowered to intervene or report if they see them. It is early days, but we have seen more Report & Support submissions this year, which would reflect students’ growing awareness and trust in this process.”

Such reports “help us to understand the types of behaviours staff and students are experiencing,” says Ba.

These proactive steps to directly tackle racism are somewhat influenced by last year’s report which revealed Strathclyde’s historical links to slavery.

“We intend to use this knowledge to inform our actions and tackle injustice today, and have set out several activities we intend to undertake in response," explained Ba.

Upcoming training programmes have been designed to further promote an inclusive, equal, and safe environment for all at Strathclyde. One such free course is 'Union Black: Britain’s Black cultures and steps to anti-racism', which seeks to boost cultural change within higher education.

The university’s Executive Team has recently launched a Reciprocal Mentoring for Inclusion pilot scheme. Ba explains that the scheme “will see staff members matched with a member of the Executive Team who they will meet with on a one-to-one basis every six weeks or so over a 12-month period to help the Executive Team member understand their lived experience and how our equality policies and practices impact on them.”

The mentoring scheme is aimed at staff from under-represented groups within the University – for example, those who hold recognised religious beliefs, are from minority ethnic bakgrounds, are care experienced, part of the LGBTQ+ community, women, and disabled people.

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As the new academic year approaches, a familiar frenzy grips the city of Glasgow. We are prompted to turn a new leaf, and, for many, this means finding a new place to call home. But what awaits those flat-hunting in Glasgow? Is there any cause for optimism amidst the perennial concerns of the housing crisis?

Glasgow, like many vibrant, urban cities, wrestles with the difficulty of providing adequate housing. The city’s distinctive fusion of historic architecture and bustling vitality has long made it a desirable place for education, residence and employment. However, this allure is accompanied by a host of challenges, chiefly the availability and affordability

UNLOCKING THE DOOR TO GLASGOW: NAVIGATING THE HOUSING HUSTLE

of housing, especially for students and young professionals.

Come September, there will be many who venture into the world of independent living for the first time. This shift can evoke both excitement and apprehension, but the appeal of autonomy and the freedom it offers is often tempered by the practical considerations of budgeting, living arrangements and location. In a city where demand frequently outstrips availability, securing the ideal apartment may feel like searching for a needle in a haystack.

Back to square one: what is the present condition of housing in Glasgow? The answer is nuanced. Despite the city’s efforts in recent years to address its housing challenges through ambitious development

schemes, projects, and initiatives to increase affordable housing stock, the city still grapples with the issues of accessibility and inequality.

For many students, affordability is the primary concern. With living expenses, tuition fees and other costs piling up, finding a flat that fits within their budget may feel like an insurmountable task. The bitter reality, however, is that rental prices are surging each year across all major cities in Scotland.

Yet, amidst all the challenges, there is cause for hope. With Glasgow’s reputation as a hub of innovation and culture, it has attracted attention from stakeholders. Initiatives such as a Glasgow City Deal, which aims to invest in infrastructure and regeneration projects across

the city, hold promise in addressing some of the long-standing issues in the housing landscape.

Even more crucial is the city’s spirit of community and solidarity. Glasgow is making grassroots efforts to tackle this housing inequality. From community-led housing projects and campaigns for tenants’ rights, there is a palpable sense of determination to foster a city where safe, secure, and affordable housing is available to all. The quest for a new flat in Glasgow is more than just a search for four walls and a roof. It is a vision for the future. While the challenges may be daunting, with collaboration, commitment and cooperation, we can unlock the door to a brighter future for those who call Glasgow home.

A TRIUMPH FOR PEOPLE OF COLOUR REPRESENTATION: NUS SCOTLAND’S NEXT PRESIDENT

For the first time, an international student has been elected as the President of the National Union of Students (NUS) Scotland. Sai Shraddha S. Viswanathan originates from the southern state of Kerala and grew up in Mumbai, making her the first President of NUS Scotland of Indian descent. Viswanathan will take office from July 2024 for a two-year term. She won the election based on her manifesto that laid down guidelines for her term: building a supportive and more inclusive student movement, aiding students with the cost-of-living crisis, devolving powers on International students, and finally increasing HE loans, college bursaries and living wage apprentices. Her campaign objectives tackle demands for education and support for the welfare of students. Viswanathan was previously the Aberdeen University Students’ Association (AUSA) Vice President

for Welfare and won the Young Scot Health and Wellbeing Award for directing campaigns to procure financial assistance for student support services, especially in the north and northeast of Scotland. She has notably campaigned to many government ministers, including the former First Minister Humza Yousaf. Representation matters. It helps form perceptions about our identity and self-worth, especially for those who feel muted in a different country or even in between cultures. And while diversity is being implemented, it often happens slower than we expect. That’s why seeing an international student work tirelessly for other students and be recognised for her work is incredibly inspiring. Viswanathan’s commitment to her work is undeniable and her upcoming position as NUS President will make many communities feel seen.

Reflecting on her win, Viswanathan told FE News: “I am extremely proud to be elected as NUS Scotland’s new president, particularly as the first-ever international student to take on the role. I am deeply grateful to all those who have put their trust in me to lead in this role... I want to thank Eliot Wooding-Sherwin who ran a great campaign as my opponent and who has worked really hard as part of our movement. Following on from Ellie, and all her predecessors, NUS Scotland President will be a challenge but one I am excited to take on. Our movement must be inclusive, representative, accessible, and student-led. These values will embody my approach as NUS Scotland continues to work for students, fighting for a better-funded education system and real support for students of all backgrounds.”

Eva Curran, the Strath Union President said upon the news:

credit: NUS Scotland

“I’m so delighted that Sai was elected as NUS President! After working with her for the past year, I know she’ll lead the student movement with empathy and passion. Sai is the first international student to be elected Scotland’s President. I know this means so much to her, as it will for all our international students.”

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GRAD JOBS: EVERYTHING YOU NEED TO KNOW

Chances are, ‘grad jobs’ will be a term you are all too familiar with. From conversations, lectures, and just engaging in the daily happenings of uni life - grad jobs have somehow found a way of sneaking into almost every student-related discussion.

This commonality with the term may not necessarily equate to knowledge, however. Grad jobs are widely perceived as a sort of obscure, unobtainable phenomenon, so we endeavoured to find out exactly what they entail and how they can be found. To help us, we reached out to an expert on the topic - Katrina Forbes, Head of Careers and Employability at the University.

What Exactly Are Grad Jobs?

Perhaps the most pressing question we had for Katrina was that of clarification – what do careers services, tutors, and peers mean when they talk about ‘grad jobs’?

“Graduate jobs are those that you would need a degree to qualify for. That is quite a broad definition, so I will break it down a little more,” Katrina explained. “Some jobs will ask for any degree but not specify a level, so they could be open to someone with a pass degree, Honours, Masters or PhD. Other jobs will be specific about the level of degree, and others the subject studied.”

Delving further into the grad job conundrum, Katrina detailed what these positions can look like:

“Some of the opportunities available to graduates come with a specific training programme which can last from six months to three years - these can be called graduate schemes, graduate programmes or graduate trainee roles. Others are jobs and don’t have a long training

period, but will have an induction like any job.”

While essays, examinations and part-time jobs can occupy so much of our time that even considering the post-study world can feel overwhelming, Katrina insists that taking small steps can achieve a lot: “There is a wide range of potential graduate jobs out there, so people often look at options open to them with their degree as a starting point.” Katrina highlighted the university’s Careers Service website as a great place to look for those beginning their job search.

Katrina also recommends attending one of the university’s events focused on career prospects, in addition to those run by organisations recruiting graduates. A full calendar can be found at online, and she suggests that those on the job hunt watch out for our soon-to-be-announced sessions. “Running on the week beginning 20 May, we will have lots of in-person and online sessions on all things careers,” Katrina says.

How To Find and Approach Grad Jobs

Now that general definitions and clarifications are out of the way, you may be wondering is how to navigate the intimidating world of grad jobs. Katrina understands the struggle of having so many graduate-focused websites out there, and how to determine which ones are the most useful. “The best place to start is our own vacancy system, MyCareerHub Strathclyde,” she tells us. “It’s free for organisations to advertise, so there are lots of them on there, and we quality check all the roles to make sure the company is advertising something that is relevant

and offers an appropriate salary.”

For recruiting organisations that don’t utilise the MyCareerHub platform, Katrina points to the career service once again, which has information on other places to look for vacancies and sector-specific resources.

The Hidden Graduate Job Market

A major concern among many students and recent graduates is that of the ‘hidden’ job market – graduate-focused employment opportunities that are not advertised as such. For this, Katrina recommends checking out the university’s guide on making speculative applications for top tips on navigating the hidden job market.

Networking is also essential when seeking out lucrative, yet concealed, grad opportunities, but Katrina claims that it doesn’t have to be so daunting: “It sounds like a formal process, and I always think this puts students off, but we all network. We all have family, friends, colleagues and uni staff we talk to all the time. That’s networking! Not as scary sounding when you look at it like that.” By utilising the University’s resources and tips for approaching networking, Katrina insists students and graduates can find out how to make these chats work and expand the number of people they talk to.

Not Quite Ready Yet?

Dedicating years of your life to seemingly endless studying can be a draining experience, no matter how rewarding it can feel at times. Therefore, whether you have a clear career goal in mind or you’re considering various options, Katrina wants everyone to know that the University’s careers service will still cater for your situation. “Sometimes people are not ready straight out of university or feel they require a bit more experience. In this case, I would suggest that they look at the resources we have on choosing a career, or look at the course we have created,” Katrina says.

Katrina also recommends the relaxed environment of appointments with the university’s career consultants if you want to discuss your career prospects and ambitions. If you still haven’t got everything figured out just yet, don’t worry – all of the university’s career services are available for up to five years after you graduate, so there’s no rush.

More information can be found at:

https://www.strath.ac.uk/professionalservices/careers

https://strathclyde.careercentre.me/ welcome/Strathclyde-University?

6 POLITICS P7-9 FEATURES MUSIC P10-12 P13-15 NEWS @strathclydecareers @strathcareers University of Strathclyde Careers Service

POLITICS Lewis Burns

It’s been great reading the engaging political stories and op-eds from Strathy students. Getting to know the amazing team of editors here at the Telegraph has been an amazing experience and I hope you all have a chill summer break!

STUDENT ENCAMPMENT PROTESTS: AMPLIFYING DISSENT, DEMANDING CHANGE

As exam season tension eases into early May, students around the world breathe a sigh of relief. However, for some, life on-campus has only just begun.

Around the world, students have gathered to protest on their campus grounds. Their objective: to urge their universities to divest from Israeli companies and stop funding weapons that are actively aiding the ongoing genocide in Palestine.

The student protests at New York University and Columbia University have drawn particular media attention over the past month, as protesters have set up a temporary encampment on campus to pressure their universities to meet their demands. In an admirable show of organisation and unity, students quickly allocated areas for various activities and seminars, as well as finding volunteers to provide food and drink for those in attendance. Shortly after the encampments were established, the protesters found themselves surrounded by the police, with over 100 students being arrested at NYU.

Never mind the unsettling threat of arrest hanging over their heads – for many students, there are still finals to study for. While the image of harrowed students hunched over a dim laptop screen is a nauseatingly familiar one, there is also something endearing about watching these same, familiar habits continue among a sea of tents surrounded by overly enthusiastic police force. If anyone can juggle the pressures of academic life, exams and assignments, and protesting against

genocide, it’s a stubborn twentysomething-year-old with a decade-old laptop and lukewarm coffee.

That being said, these encampment protests did not simply begin out of nowhere. Students across the world have been protesting against their universities since October last year, calling for an immediate ceasefire in Gaza, as well as urging them to stop funding companies that provide for the Israeli army. However, after months of seeing zero change, these student protesters decided to take more drastic action.

Encampment protests are not new: in the 70s, over 40,000 protestors camped out in Washington, D.C. in protest against the USA’s involvement in the Vietnam War. In the 80s, students at Cornell University created a temporary encampment to urge the university to divest from companies conducting business in apartheid South Africa.

What’s more, this method of protest has been proven to work. Most recently, Trinity College met with student protestors in the hopes of ending the encampment. The university said it has "initiated a process to divest from investments in companies that have activities in the Occupied Palestinian Territory and appear on the UN Blacklist". While the students protesting at Trinity College accept this as a partial win, they plan to continue their encampment until the university has fully divested from Israeli companies.

Student protests have quickly spread across Europe, from Denmark to Italy to France, and now, to Scotland. University of Aberdeen and

University of Edinburgh student protesters are getting involved by pitching their views, and their tents. While it’s still early days for these encampments, the students have quickly set up petitions and signs, exhibiting the same impressive organisation as their US counterparts.

Notably, the University of Edinburgh is the site where the Balfour Declaration, which unjustly signed away the land of Palestine, was first written in 1917. A group of students here have also begun a hunger strike, writing that they “refuse to uncritically benefit from education given to us by a university that has historically [and] so directly contributed to the colonisation of Palestine.” Their statement continues: “We refuse to be made complicit by our silence in the [face of the] economic and academic support that our university gives to the illegitimate and genocidal state of Israel.”

It’s important to note that while Strath Union has made its support for Palestine clear – an obvious reflection of the views of its students – the university has yet to divest from arms companies. Both the University of Strathclyde and the University of Glasgow still invest in BAE systems, which manufacture the weapons used by the Israeli army in its militarised attacks on Palestine. The University of Glasgow has already seen many protests, particularly from the group Glasgow Against Arms and Fossil Fuels, who have urged the university to “end its complicity in the ongoing genocide in Palestine” by divesting from all arms companies and prohibiting recruitment on campus.

It is unclear whether or not we will see student encampment protests set up at universities in Glasgow. To date, there has been no sign of any encampment protest plans.

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The University of Edinburgh encampment outside the Scottish Parliament building. Image credit: Kulsum Shabbir

HUMZA YOUSAF RESIGNS AS FIRST MINISTER

Humza Yousaf has resigned as First Minister and leader of the SNP after enduring a turbulent final few days at Holyrood.

Facing a vote of no confidence both in his leadership and his government Mr Yousaf said in his resignation speech at Bute House: “that repairing our relationships across the political divide can only be done with someone else at the helm”.

The pressure began to mount following the announcement that he would be ending the Bute House Agreement between the SNP and the Scottish Greens, which had been brokered by his predecessor Nicola Sturgeon following the 2021 Scottish Parliament elections.

The agreement, which introduced the first-ever Green ministers to the Scottish government, created a majority of pro-independence MSPs at Holyrood and focused on shared interests such as climate change, economic recovery, and the constitution.

Cracks began to appear in the agreement when it was announced that the Scottish government was abandoning its pledge to reduce greenhouse gas emissions by 75% by 2030. There was also tension between the Greens and the SNP over the decision to pause the prescription of puberty blockers for children following the publication of the Cass Review.

Patrick Harvie, co-leader of the Scottish Greens, and former government minister under the Bute House Agreement, confirmed that the Greens would be consulting their members to determine the future of the deal. Although, stressed in a statement on X that he believed the best course of action was to continue with the agreement.

However, it was then Humza Yousaf who announced that the Bute House Agreement would be coming to an end. In a press conference speech, Yousaf said that “the Bute House Agreement was intended

WHAT NEXT FOR THE SNP?

to provide stability to the Scottish Government, and it has made possible a number of achievements... but it is no longer guaranteeing a stable arrangement in Parliament… Therefore, after careful consideration, I believe that going forward, it is in the best interests of the people of Scotland to pursue a different arrangement.”

Following this announcement, the Conservatives were quick to table a vote of no confidence in Yousaf, which the Greens were set to support. Labour also called for a vote of no confidence in the government, however following the resignation of Yousaf, the Greens lent their support to the SNP to survive this vote.

At the time of writing, we are two weeks on from the collapse of the Bute House agreement. In what was intended to be an astute seizing of political capital at Holyrood, the call made by the now-former First Minister was ultimately a severely rash one – which left Humza Yousaf with no room to breathe, and the Scottish National Party at its lowest ebb in what feels like a lifetime.

Yet, just a fortnight later, it feels as though there may be space for some (exceedingly cautious) optimism on the SNP’s part. While the re-appointment of former party leader and First Minister John Swinney is hardly an inspiring one, the general consensus among columnists and commentators in the Holyrood bubble is that he is a ‘safe pair of hands', suggesting, perhaps, that he will be afforded at least some degree of leniency in their coverage,

Following this, the SNP have appointed their second party leader and first minister in less than 18 months. John Swinney, the former deputy first minister and former leader of the SNP, have taken up the office after Kate Forbes, who lost out to Yousaf in the last leadership contest, ruled herself out and endorsed Mr Swinney.

In a statement on X last week, Forbes said that “It is now clear from this morning’s statement that in @ JohnSwinney we have someone who not only understands that need for reform, but has now committed to delivering it. I look forward to playing my role in making that happen.

compared to the consistently maligned Yousaf – for whom it often felt as though his untimely exit was a foregone conclusion from the day he was sworn into Bute House.

In terms of polling, YouGov figures from late April suggest that it is not the end of days for the SNP just yet. For one, the party should count themselves lucky that the opposition leaders in Holyrood have generally failed to register much of an impact on the Scottish public. As such, the SNP are polling pretty tightly alongside Anas Sarwar’s Scottish Labour Party – which is clearly yet to make a full recovery from the decision to back the Union in 2014. And while the nationalists have been derided from all angles of late, Swinney can take solace from the fact that the Scottish Tories are projected to revert

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Image credit: @humzayousaf on Instagram Image credit: SNP

to third place in the parliamentary standings, with soon-to-be voters on both sides of the borders seemingly not enamoured by the leadership of either Rishi Sunak or Douglas Ross.

Though a fifth successive term in government is not yet out of the question, there are some key issues Swinney and his new cabinet cannot afford to get wrong. The very presence of the Alba party shows that, firstly, Swinney et al must seek to establish how they want to handle the issue of the so-called old guard. While Alba failed to elect a single candidate at the 2021 Holyrood Election, the party possesses a total presence of three representatives across the London and Edinburgh houses, all of whom deflected from

the SNP. And though they don’t hold an overly significant weight in Parliament at present, there is a particularly sizeable, vocal core of SNP deserters who, if X is anything to go off, are increasingly swaying towards rejecting the notion of an independent Scotland.

Regarding such voters, Swinney has two options. He may choose to embrace these dejected nationalists, many of whom were likely at their most infatuated with the SNP back in 2014, and have since struggled to keep up with the evolving views of the party’s youth wings, by making pacts on issues like gender and reversing progressive policies promises made by Yousaf and his predecessor, Nicola Sturgeon.

Or, rather, Swinney may choose to ignore such voters and instead opt to double down on the more liberal ideas proposed by the SNP over the last few years. The Gender Recognition Reform Bill and the recently introduced Hate Crime and Public Order Act, for example, both of which seem to be real bugbears for Alba aficionados online, and the way Swinney acts on such matters will determine which flavour of independence young and first-time voters will be lending their support to, whenever the next election should fall.

Of course, perhaps most importantly, Swinney must look to provide a clear, structured map to independence. The absence of such has potentially been the party’s biggest

weakness over the last decade, and with all the political dismay of the post-COVID era, voters are in desperate need of a calculated plan which shows that Scotland would be better off, socially and financially, without its neighbours. Whether governing in a majority, minority, coalition or acting as an opposition party, whatever the SNP do from here on out will be futile if Swinney and those around him cannot convince the people of Scotland of a brighter future, free of the supposed shackles of Westminster. It appears this needs to be led by a new generation of nationalist politicians who can offer an alternative vision than that of the SNP faces present at the 2014 referendum.

TRUMP ON TRIAL: ARE ELECTION HOPES OVER OR WILL THIS FUEL SUPPORT?

Donald Trump’s first criminal trial is now well underway. Widely expected to last between six and eight weeks, the former President will be stuck in the courtroom as the US Presidential election looms closer. Charged with 34 counts of fraud, Trump has pleaded not guilty to allegations that he paid “hush money” to the adult-film actress, Stormy Daniels, only 11 days before the 2016 Presidential election.

References to the case as the “hush money trial” are, however, misleading. The act of paying $130,000 to another person for their silence isn’t the detail of the case that is under scrutiny. Rather, it is how Trump made them. The prosecution intends to prove that Trump falsified business records by having his attorney, Michael Cohen, pay the money, which he then paid back disguised as legal fees.

New York’s district attorney, Alvin Bragg, has argued that the payments are a form of campaign expenditure which were designed to influence the election as voters were denied information of Trump’s 2006 encounter with the actress.

Of the four criminal cases in which Trump is facing, the so-called

“hush money” trial is legally the weakest. Often, the misreporting of business records is classed as a misdemeanour under New York state law, which could leave the case branded a political 'witch-hunt' - a phrase often employed by Trump.

The first week delivered many interesting takeaways. After opening statements set the trial up as one questioning election interference vs nothing to see, the prosecutor, Matthew Colangelo, told the jury that Trump had attempted to interfere with the election while the defence lawyer, Todd Blanche, said there was nothing wrong with influencing an election - claiming that this was “democracy.”

The real damage to Trump’s case came when the prosecution called their first witness, the former National Enquirer publisher, David Pecker. Pecker told the jury that he performed “catch and kill” for Trump by purchasing stories and refusing to publish them in return for information about the celebrity world. Despite Pecker’s attempts, the jury heard how Trump was “upset” when the Wall Street Journal published a story regarding his affair with former Playboy model Karen McDougal,

a story Pecker told the court he had brought on Trump’s behalf.

The second week of the trial proved no better for the defence as Judge Merchan issued Trump with a $1000 fine for each of his nine separate violations of the gag order, threatening him with “incarceration punishment” if he continued “willful violations”. The week only got worse for Trump as his former aide, Hope Hicks, took the stand. Hick’s testimony discussed the effect the McDougal affair and the Access Hollywood tape, a recording of Trump discussing sexually assaulting women, had on the 2016 campaign. Ultimately, it was a damaging testimony as Hick's admitted that paying

off threats to Trump to protect him was not something fitting with Cohen’s character, suggesting that Trump would have been aware of the actions taken by his “fixer”. For a man so used to having his way, the trial will prove a test for Donald Trump who has already had to ask for permission to attend his son's high school graduation. Not to mention the inconvenience of spending the coming months in the courtroom while his political opponent takes to the campaign trail. Despite all facing him, Trump’s support remains strong, and if a jail term is imposed, it would set a precedent if he became the first president to be convicted following criminal charges.

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FEATURES Rhiannon McGovern

It's been such an amazing year at the Telegraph, I'm so proud of all of the incredible features we've published. I'm so excited to take over next year as Editor-in-Chief and to continue working with such a wonderful group of writers and editors!

AI IN JOURNALISM: A DANCE WITH PROMISE AND PERIL

As a nation, we are becoming less trusting of the journalists we once relied on. Once revered as the vanguards of truth and integrity, journalists were perceived as the public’s voice, the guardians of our right to know. They held our officials accountable and shed light on issues that would have gone unheard of. Fast forward to now, and the public envisions them as callous, caffeine-fuelled robots, seemingly preying upon the misfortune of others and desperate for words and actions they can twist into clickbait.

This caricature might not be too unrooted from the fact that most journalists I’ve had the fortune –or misfortune – to meet possess an unorthodox superpower, an eerie ability to remain unphased while facing inhumane and heartbreaking stories. Shrugging off a murder case like it were just another Monday, many journalists effortlessly integrate tragedy into their routine, treating it as nothing more than another item on their to-do list. So, if we’ve essentially got pseudo-robots disguised as journalists running the newsrooms, casually dissecting the devastating effects of poverty as they wait for their artisan coffee to brew, why not take the next logical step and let the real robots have a go?

AI has already infiltrated newsrooms worldwide. Whether it’s through automated content generation, data analysis, or a personalized new feed, its digital fingerprints have left their mark on the field. The development of AI has opened up a Pandora’s box, leaving journalists to pray that all hope is not lost.

“It’s quite scary,” Jane Barrie,

previous editor at the Sunday Mail, tells me. “There are so few staff as it is, even the best journalists are worrying about it.” Having worked in the field for over 25 years, emails were yet to be widespread and eyed with suspicion when Barrie started her career. It’s fair to say she’s not welcoming AI with open arms. “If you have an experienced journalist, who can secure interviews, make connections, or even just have some intuition, it makes no sense to me to get AI to produce an article.”

Following in journalists’ footsteps, these algorithms – instead fuelled by lines of code – can churn out article after article in what would take the most seasoned journalist hours or days. Good articles come to those who wait, but publishers are not in a patient phase. Major publishers such as The Mirror have already integrated AI tools to carry out editorial research, while Newsquest gets AI to produce entire articles. This leaves aspiring reporters with a dilemma: adapt to the new reality or risk obsolescence.

To see if AI’s news writing can hold a torch to the writing of real journalists, I got an AI tool and a journalism student to produce an article based on an identical fictional prompt, complete with the same set of facts and quotes. The final, unedited versions of both these articles were then handed to Barrie for her judgment. In her editorial depth, she highlighted the good and – more often – the bad of each article, and, when asked to declare a preference, chose the article produced by AI, believing it was made by the student. Her decision ultimately came down

to a stronger narrative and fewer 'human' errors. This should raise concerns among journalists as it underscores AI’s ability to imitate and improve upon human writing.

Beth Kerr, the writer behind the student article, expressed her disappointment upon hearing Barrie’s verdict: “It’s a bit disheartening. Writing has always been my passion, but now it feels like that door is closing.”

At 22, Kerr is in the fourth year of her journalism degree yet finds herself contemplating alternative career paths after graduation. AI is not the sole reason for this; the cutthroat and competitive nature of the field makes it increasingly harder for aspiring journalists to break through without the competition of generative technology. “If your work isn’t flawless and done in a short timeframe, it feels pointless to apply [to writing jobs],” she said. “Knowing that a machine can better

my work in half the time only adds to the challenge.” What was once her lifelong dream now feels like an unattainable pipedream, leaving Kerr grappling with uncertainty and disillusionment. Aspiring journalists may be witnessing the story of the century – their own downfall. Her sentiments are understood by Chris Rayner, a PhD student whose research focuses on the ethics of AI. “There’s a fine line between helping people and replacing them,” he told me. “When these tools are developed, it’s not done with the intention of making people redundant; they are made to be an assist tool. We wouldn’t ever make tools to replace people. It’s unethical.” Rayner, now 26, had always dreamed of following in his father’s footsteps and pursuing a career in finance. However, growing up alongside the rapid advancements in AI,

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he began to feel that his lifelong aspiration was gradually slipping out of reach. With a heavy heart, he decided to abandon his dreams and jump ship into AI development, joking: “It’s the one job they can’t replace [for now]. At the end of the day, when AI inevitably malfunctions, a human has to fix it.”

Rayner is sceptical regarding the public’s anxiety surrounding AI’s integration: “We’ve been seeing an increase in automation for years, which has been completely normalised. We have automated factory lines, self-checkouts, and AI assistants just to name a few. It’s only when people who are in more ‘sophisticated’ fields are under threat that this fearmongering has come about, and we have to now think about the ethics.”

Despite the looming threat of job replacement, Barrie’s main concern lies within the validity of the content produced by AI. “As a journalist, you have to nail your facts to the ground – you cannot, under any circumstances, publish information you are not one hundred per cent certain on.” Barrie, now a practising solicitor and member of the Law Society of Scotland, knows the risk of publishing unverified information. “Even if the least wee things are wrong, they can cause huge issues, with defamation or misinformation.”

AI models rely on data sourced online, but let’s face it: the internet can be a cesspool of bias, misinformation, and downright toxicity. Without proper filters, AI regurgitates this digital garbage to the masses. “By incorporating AI, there’s a real risk of running fake news and stakes creeping in,” Barrie tells me.

Rayner, who has a special interest in developing AI, explained that as companies churn more content online, it unintentionally becomes the foundation of knowledge for future AI models. However, experts have found that in these situations, large language models get confused, collapsing on themselves and malfunctioning. Perhaps this is an opportunity for baseless optimism to creep through – the proliferation

of AI-generated content could lead to its own demise.

Even with feigning promises of human editorial oversight, these articles often make room for some truly awful and dull reading, riddled with errors and failed attempts at wit. AI cannot attend the scene of a crime, look somebody in the eye and tell that they are lying, or garner a reputation that allures big names for interviews. It can only produce the bread and butter of articles and fails to infuse them with the depth, emotion, and critical analysis that comes like breathing to a seasoned writer.

So, if a plethora of issues arise with the use of these new technologies, why are companies set on circulating them within the newsroom? The easiest and simplest answer would simply boil down to corporate greed: fat cat editors filling the newsrooms with robots as human as they are. As technology ‘develops’, companies that don’t incorporate it risk appearing antiqued, making it a classic case of if you can’t beat ‘em, join ‘em.

Despite her obvious apprehension towards the integration of AI into journalism, Barrie understands why those at the top make a case for its use. “Newsrooms are so streamlined nowadays,” she explained. “If you have so few reporters and are trying to get so many hits because that is how your success is measured, it could be argued that AI is needed.”

While dwindling profits in traditional media are a concern for publishers, the answer is not to replace staff but to aid them. AI in the media doesn’t have to be bad news; we still have plenty of time to adjust and regulate its use. By utilising emerging technologies, news organisations can adapt to changing reader preferences and consumption habits. “Now we have access to these tools, like them or not, we can’t as a society just get rid of them. As much as many people would like to, we cannot undo their creation, so we need to learn how to utilise it to assist us rather than replace us,” asserts Rayner.

“The very tools designed to enhance reporting are rewriting the story of the profession itself. Instead of succumbing to alarmism, journalists and industry professionals must approach this transformation with a critical eye and a sense of responsibility.”

AI tools can act as crutches for reporters, who are already stretched thin, overworked, and underpaid. Stories, to journalists, are ripe fruit waiting to be plucked – leave them unreported for too long, however, and they’ll rot. To stop the birds and worms coming for them, AI can act as a preserver, covering stories that already stressed reporters cannot, stories where the facts cannot be misinterpreted or twisted. Time is then freed up for journalists to secure big interviews, pursue creative projects, and source new, verified information. If AI is utilised to enhance reporters’ efficiency and effectiveness, it could indeed lead to an improvement in the quality of articles. However, the decision to employ the technology for this purpose must be deliberate; it won’t occur automatically. It all comes down to how higher-ups in the field choose to navigate this new frontier, and whether they’ll steer towards profit-driven algorithms rather than principled reporting. The only certainty is that further integration is inevitable.

I feel that it is important to

make explicit that this article has been written by a human, without the help of AI. While almost all articles today are the work of experienced journalists, there is a silent infiltration of AI working in the background. To the naked eye, the differences in journalism are minuscule; the media are publishing biased, nuanced trash now as they have been doing for decades, just at a slightly upgraded clock speed. That being said, the very tools designed to enhance reporting are rewriting the story of the profession itself. Instead of succumbing to alarmism, journalists and industry professionals must approach this transformation with a critical eye and a sense of responsibility.

We have failed in the past by allowing people to be replaced by machines, but we must not cave to the allure of automation in the future. Journalists deserve a shield from the encroachment of AI and we, as their readers, deserve strong, sustainable media that can hold those in power accountable and speak for the voiceless.

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RETINOL IN THE AGE OF BARBIE: WHY ARE EIGHT-YEAROLDS GETTING INTO SKINCARE?

As screen times skyrocket and scrolling past real life becomes the norm, there’s a silent resignation we all seem to have arrived at: the virtual world dictates how we live. As more and more people lead increasingly online lives, this age of Instagram Reels and TikTok trends has beckoned new pressures in how we view ourselves — looking flawless has become the ultimate goal.

But while this (albeit disappointing) fact is widely accepted among adults, of late, a worrying new trend has emerged — one that’s not just affecting adults, but also pre-teen girls. Employees of beauty retailers have been lamenting the onslaught of young shoppers storming stores like Sephora and Ulta Beauty. No more finger-painting and playground fun, today’s kids – taking inspiration from their favourite social media influencers – have begun lathering up with lotions and potions that aren’t meant for their tender skin.

From acne creams to anti-ageing serums, these pint-sized consumers are plunging headfirst into a world of potent chemicals and harsh ingredients, with very serious consequences. Posts have been flooding social feeds under hashtags like #sephorakids, revealing a landscape of chaos: stores in disarray, products strewn about, and accounts of disrespectful encounters between young shoppers, customers, and employees.

Teen and adult beauty experts have taken to social media to voice their frustration, detailing encounters with little girls who exhibit aggressive behaviour in their quest for beauty products. These viral posts highlight a concerning fact: Gen Alpha, the latest generation of consumers, is diving headfirst into the world of skincare and cosmetics, often purchasing products designed for older demographics. Retinol-infused creams, potent exfoliating acids, and high-end moisturisers are finding their way into the hands of children, thanks in part to marketing campaigns and beauty influencers who tout these products as essential for achieving flawless skin.

But what’s the big deal? Haven’t kids always tried to play at being adults? Don’t you remember being seven and sneaking into your mum’s room and raiding her makeup closet? Turns out, it’s not that simple.

For starters, children’s skin is more sensitive, more prone to irritation, and less equipped to handle the harsh onslaught of chemicals found in many adult skincare products. Ingredients like retinoids, benzoyl peroxide, and alpha hydroxy acids – which may be fine for grown-up skin – can wreak havoc on the delicate epidermis of a child, leading to rashes, allergic reactions, and even long-term damage.

Enter the influencers, those social media mavens with more followers than the populations of some countries. By shilling skincare products meant for grown-ups to their army of impressionable fans, influencers are essentially inadvertently acting as modern-day Pied Pipers, leading hordes of young followers down a dangerous path. Sure, they might swear up and down that they’re just sharing stuff they believe in, but let’s be real here: when your fanbase consists of kids who’re barely out of nursery, you’ve got to be more careful.

Brands themselves cannot escape scrutiny in this unfolding saga. Capitalising on their newfound popularity among the younger demographic, many skincare brands have eagerly jumped on the bandwagon, tailoring their packaging and marketing strategies to appeal directly to kids. Take Drunk Elephant, for example. Once a cult favourite among millennials, this skincare brand has now set its sights on capturing the attention of a whole new audience. Reports have emerged of children under the age of ten experimenting with skincare products in a rather unconventional manner, mixing various Drunk Elephant products to concoct what online communities are playfully calling ‘smoothies’. While this may seem like innocent fun, the trend has prompted some Sephora stores to take swift action by removing or emptying the testers altogether.

Parents might also share some of the blame here, but with beauty standards morphing faster than you can double-tap, many are stuck between a rock and a hard place: indulging their kids’ desires while safeguarding their well-being. It’s easy to succumb to the pressure to keep up with the latest trends, especially when everyone else seems to be doing it. This is why parents need to exercise caution and take a closer

look at the products they’re buying for their children. Reading labels, researching ingredients, and consulting with healthcare professionals are essential steps in ensuring that kids are using products that are safe and suitable for their age.

At the same time, we also need stricter regulations and oversight in the skincare industry to protect children from harm. Government agencies and regulatory bodies must crack down on companies and social media websites that target children with inappropriate skincare products, imposing age restrictions and mandating clearer labelling of ingredients and potential risks.

It’s a sobering reflection of the world we inhabit, one where capitalism knows no bounds, not even sparing our children. The skincare industry’s relentless pursuit of profit, coupled with its eagerness to prey on the vulnerabilities of young consumers, paints a grim picture of our priorities as a society.

In the end, it’s going to take a concerted effort from influencers, parents, and regulators to put an end to this dangerous trend. Only by working together can we ensure that children are protected from the pitfalls of the beauty industry and empowered to embrace their natural beauty, flaws and all.

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MUSIC Rhianna McGhee

I’ve absolutely loved arranging gig passes for people, reading all about their experiences and being able to share them with readers. It’s been such a pleasure to read the album reviews and unique musical articles. What a team I’ve been a part of, surrounded by excellent writers. I wish everyone the best of luck moving forward.

SOLAR

POWER: LORDE'S MISUNDERSTOOD ALBUM OF SELF-REFLECTION AND SATIRE

Four years after her sophomore album, Melodrama, and nearly a decade after her original debut, Pure Heroine, New Zealand born singer-songwriter Lorde returned with her 2021 album Solar Power, a beachy record filled with introspection and light. On the surface, this album holds no similarities to the two that came before it and although some of the same themes are present – fear of the future and heartbreak–Lorde approaches them through a much more optimistic lens this time around, creating the perfect introspective record fit for springtime.

Lorde opens the album with ‘The Path’, a sunny, satirical track that details her experience with teenage fame. The singer criticises the modern obsession with idolising celebrities and calls out their bizarre nature. The chorus continues to poke fun at celebrity culture, as she sings

“Now if you’re looking for a saviour, that’s not me / You need someone to take your pain for you? / Well, that’s not me”, she makes fun of the language used by young people on social media and the obsession with treating stars as God-like figures. Lorde satirises this obsession further in the title track in which she playfully states “I’m kinda like a prettier Jesus” and continues to point out the absurdity of celebrity culture throughout the record.

The album also has plenty of moments of self-reflection and growth, found most abundantly in ‘Stoned at the Nail Salon', the most introspective track on the record, which is perfectly summarised in its opening line, “Got a wishbone drying on the windowsill in my kitchen / Just in case I wake up and realise I’ve chosen wrong”. The track perfectly encapsulates being in your early

twenties, it is filled with longing for the past and hope for the future. As the song wraps up, Lorde advises her listeners to “Spend all the evenings you can with the people who raised you”, tugging on the heartstrings of everyone who hears it. This song feels exactly like springtime, it is a time of change and while things get lighter, nothing remains the same – it is the standout track on Solar Power.

Another fan favourite on the record is the nostalgic ‘Secrets from a Girl (Who’s Seen it All)’, during which, Lorde advises her younger self and her listeners as she talks through first heartbreaks and dealing with growing up, repeating “Everybody wants the best for you / But you gotta want it for yourself”. It is a bright track and is a response to her much loved 2013 track ‘Ribs’ which detailed her teenage fears of getting older. Lorde told Spotify that

in making the track she “took two of the chords from [Ribs] and reversed them”. The outro is spoken by Swedish popstar Robyn, an artist Lorde admires, and is the perfect ending to the track, as she tells listeners “You’ll be fine”, something all of us need to hear at some point, it is a track that is once again only made better in times of change and sounds best in the sunshine.

Solar Power is a wildly misunderstood record, one that received an unnecessarily harsh critical reception despite being, in my opinion, the singer’s most personal one yet. Lorde opens up to listeners on her experiences with celebrity and tells them stories of her loves, while still being a guiding voice in times of struggle. If you haven’t yet listened to the album, now is the perfect time… let Solar Power change your life this springtime!

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Image credit: Lorde on YouTube

THE REVIVAL OF THE CLASSIC ROM-COM SOUNDTRACK

In the age of romanticizing the everyday, the soundtrack holds greater power than ever. We become main characters by popping on headphones on aesthetic public transport (aka the Glasgow Subway) and become part of a bigger narrative.

As a generation who are longing for meaning, there is a certain reassurance that comes from dipping into a soundtrack. A playlist which reminds us that we are right in the middle of our story and right where we need to be. Becoming your best self can be achieved by living vicariously through the go-getting girls of the classic ‘chick -flick’. The most memorable plot points of our favourite female-focused films are underscored by carefully chosen tracks, whether this is an upbeat power anthem or a despairing ballad. It is no wonder that when we are feeling stuck, we look for the same soundtracks to give us clarity.

To see the truth in this you

only have to look to the ‘Vienna’ TikTok trend which has seen young women unite over their love for Billy Joel’s melancholic ‘Vienna’. I myself have a core memory of re-watching 13 Going on 30 in my late teens and crying my eyes out at the line “you can get what you want or you can just get old”. Clearly this is not a singular experience, as we are now seeing the social media phenomenon of someone playing ‘Vienna’ on the piano and packs of young women joining in, singing all of the words. ‘Vienna’ underpinned a key moment in 13 Going on 30 and we can see it’s message about living life at your own pace continue to resonate.

We can also see music permeate into the micro trends which continue to dominate our screens such as the Frazzled English Women or Nora Ephron Autumn. This is a modern revival of the soundtracks from classic love stories from the 90s and early 2000s.

Nora Ephron is a well- known filmmaker who wrote classics such as When Harry Met Sally and Sleepless in Seattle. These film soundtracks feature big band and jazz music by artists such as Nat King Cole and Louis Armstrong; heartfelt and uplifting tracks which are reminiscent of old Hollywood Americana. These films, often set in New York, have a hopelessly romantic and sentimental tone. The music inspires idealism, and there is usually a strong aesthetic to match such as the hustle and bustle of city life, autumnal colours and effortlessly decorated flats.

At the centre of these narratives is the optimistic female lead navigating life in this rich and complex world. We are forever inspired by the passionate, funny, independent characters who codified womanhood, and all of these ‘girls on the go’ have their own soundtrack. We relive the stolen glances, emotional embraces and heart-breaking goodbyes through these soundtracks. The rom-com genre is defined by music, and through echoing the soundtracks of our most coveted heroines we are manifesting that same magic in our own lives.

THE HIVES AT THE BARROWLANDS: A NIGHT OF ENERGY, SWAGGER AND ENTERTAINMENT

The Swedish garage-rock icons continued a tour promoting their most recent album The Death of Randy Fitzimmons at the Barras on 1 April.

According to band legend, Randy Fitzimmons is the mysterious (fictional) leader of The Hives. He founded the group in rural Sweden and has since written all of their songs, while providing them with spiritual guidance. Randy disappeared in 2023, and the band set off on their UK tour with the hope of finding him – believing reports of his death to be greatly exaggerated.

Appropriately, the band strode out on stage to the menacing horns of Chopin’s ‘Funeral March 3rd Movement’ in matching black-and-white lightning bolt suits.

Instead of facing their adoring fans, however, they turned their backs and looked to the drummer, who launched into 'Bogus Operandi' as neon lights flashed: HIVES. This is the opening track from Fitzimmons and, while the album is considerably more varied than many of their previous efforts, the song is classic Hives - simple and ferocious. The crowd chanted the infectious pre-chorus ‘Like I said, Like I said, Like I said!’ as their enigmatic frontman – Howlin’ Pelle Almqvist – grabbed the mic and told ‘anyone who considers themselves a part of everyone’ to scream. They launched straight into 'Main Offender' without taking a breath.

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Image credit: 20th Century Fox Image credit: The Hives on YouTube

After a few songs, Almqvist introduced himself to the audience. He recently found fame after his onstage antics and loveable vanity were brought to the masses when The Hives supported Arctic Monkeys on their 2023 UK tour. Famous for his dedication to performance, Spin Magazine named him as one of their top 50 greatest frontmen of all time, and it is easy to see why. His screaming vocals are accompanied by a manic stage persona. Where Liam Gallagher hides his hands, Almqvist swings them wildly – beckoning the crowd to come closer. He apologised on behalf of his Swedish ancestors for 'plundering your coastline

in the early 900s’ and declared his love for all ‘Scotsmen and Scotswomen’, winning over new fans.

With a hint of impatience, the band’s two guitarists, Nicholaus Aurson and Vigilante Carlstroem, then faced each other and combined brilliantly for the jumpy opening riff of ‘Two Kinds of Trouble’. This was followed by 'Rigor Mortis Radio' and the Van Halen-esque ‘Walk Idiot Walk’ – from 2004’s Tyrannosaurus Hives. They continued leading the band through a setlist of new and old hits, to the constant approval of the ballroom audience.

A moment of brilliance occurred when Almqvist instructed the

In 2021, mid-pandemic, Luke Hemmings found himself in a state of unfamiliar stillness. Having spent the last decade releasing four studio albums and touring the world as frontman of Australian pop-rock band 5 Seconds of Summer, spending an extended period at home was a foreign concept. Left to his own devices, Hemmings turned to one constant in his life: music.

This gave birth to his debut solo album When Facing the Things We Turn Away From, a vulnerable and emotionally mature record where he finally confronts all that he has repressed, attempting to make sense of a youth spent in the limelight.

Nearly three years later, we meet boy, a dreamy, intimate EP where he strikes the perfect balance between staying true to his roots and experimenting with his craft.

crowd to hum the bassline of ‘Hate to Say I Told You So’. One-by-one, each band member joined the crowd and rose into a clamorous chorus.

Still without respite, the band proceeded into 'Trapdoor Solution', another fast track from Fitzimmons, before playing ‘I’m Alive’, which overflows with the heavy blues influences of Muddy Waters and Elmore James.

After 16 songs, Almqvist gave an unconvincing retirement speech and claimed that this was his final show with The Hives. They played the emphatic ‘Countdown to Shutdown’, before thanking the audience and exiting. The crowd

waited patiently for the inevitable encore. This came in a three-song medley of ‘Come On!’, ‘Smoke and Mirrors’, and ‘Tick Tick Boom’. After that, the band said their real goodbyes and exited with Carly Simon’s ‘Nobody Does it Better’ booming out of the speakers. It felt like a particularly good night for a famously energetic band. Between their powerful playing, Almqvist’s hilarious crowd interaction, and their visual swagger, the Barras crowd was spoiled for entertainment. After an uninspiring decade, this concert proved that The Hives still have an untameable creative energy.

LUKE HEMMINGS RETURNS WITH NEW EP 'BOY'

Australia, whilst in tender and introspective ‘Close Enough to Feel You’ he struggles to find peace and belonging: “I just wanna be close enough to feel you / but the pain is so familiar”.

Despite the world having opened back up and Hemmings insisting that “there’s lots of life living in between the songs”, one thing is clear: his childlike wonder and quest to find meaning amidst the turbulence lives on.

The record opens with ‘I’m Still Your Boy’, an acoustic ballad that builds to a soulful, atmospheric chorus. Hemmings reminisces on the beauty of all he has experienced, and the growing pains along the way. “Take it all apart and it's not so bad / And I don't know what's worse, but I can't go back,” he so wistfully sings, years of pressure evident in his voice.

Whether singing of grief, love, sadness or hope, Hemmings’ longing for human connection shines through. “I’d set myself on fire to keep you warm,” he declares in ‘Benny’, an ode to his brother back home in

A love letter to the people and places that make us feel most at home, ‘Garden Life’ is nostalgic in its chorus as Hemmings reflects on the moments he holds dearest. “The older I’ve gotten, the more I’ve realised that sometimes the most beautiful and visceral memories in life are not the most grand and obvious ones, they can be simple and powerful,” he said of the track, a concept that is evidently reflected in its minimalist yet impactful production.

Lead single ‘Shakes’ is a stand-out. Equally as grandiose as ‘Starting Line’, the song that kicked off his solo career, it has a hazy, ethereal quality that is simply gorgeous. Cranking up the reverb and synths, Hemmings’ sweet voice floats above the instrumental as he once again seeks comfort amidst the chaos, yearning for his lover.

Although best known among fans for his hard-hitting lyricism, the instrumentals in boy are equally impressive. ‘Close My Eyes’ is a much-needed adrenaline kick

among an EP filled with melancholic slow-burners, as the drums are brought to the forefront. Hemmings admitted that he was caught up in the what-ifs: “I found myself unable to sleep because every time I tried; it was as if a film of my life was projected onto the back of my eyelids. The mistakes, successes, everything that could have been and everything that was.” The result is a stunning indie-rock anthem that shows just how versatile he truly is.

Hemmings finds closure in ‘Promises’, a delicate track about seeing the world in colour after falling in love. “I wasn't always a cynic / It's just I've been bought and sold / But you saw the beauty inside it / At twenty-seven years old,” he confesses, seeing refuge in the compassion shown by his loved ones. A fitting end to the EP, the song is a testament to the power of hope.

With so much musical experience under his belt, it’s only natural that Hemmings' sophomore project holds so much wisdom and heart. Despite any assumptions that he must be accustomed to life in the public eye, Luke Hemmings insists that he is still a boy learning to navigate the world.

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CULTURE Lauren Hunter

Summer's the perfect time to catch up with the best food, books, and movies - hopefully these articles give you a taste of that! Being on the Telegraph has been the highlight of my year and I'm so sad to leave it behind. Big love to all involved!

2024 AWARDS: WHERE THE ‘SAME OLD’ REIGNED SUPREME

Awards season has come to an end with Oppenheimer landing on top, closely followed by Poor Things Barbie has been put back in the box, as the highest-grossing film of 2023 came away with the least awards, despite its many nominations.

The Winners

A standout moment came with Lily Gladstone becoming the first Indigenous actress to be nominated for an Oscar and to win a Golden Globe for her role in Killers of the Flower Moon. She began her acceptance speech by speaking Blackfeet and concluded it by proclaiming: “This is for every little res kid, every little urban kid, every little native kid out there who has a dream.” This moment was even more significant given the Golden Globes’ reputation for excluding films by and featuring people of colour.

However, Oppenheimer undoubtedly reigned supreme. Christopher Nolan’s three-hour drama stole all the awards, winning seven Oscars, seven Baftas and five Golden Globes. It was certainly one of the most talked about films of 2023 and definitely among the most popular, grossing third highest overall. The Zone of Interest and Anatomy of a Fall also performed well, with Sandra Hüller at the helm in both. Her role in The Zone of Interest was unsettling, leaving a lasting effect on viewers, for which she deserves more recognition – but we can all agree there was tough competition. The film did take home the Oscar for Best Sound, however, which it was

a worthy winner for, as the amazing effects were one of its strongest assets.

The Holdovers picked up awards across the board, with Da’Vine Joy Randolph scooping a host of prizes including the Oscar, Bafta, and Golden Globe, and Dominic Sessa winning the Critics’ Choice for Best Young Actor in his debut role.

But it was Poor Things that received the most attention, particularly for its production design as well as costumes, hair, and makeup. Emma Stone was the best part of the film and rightfully earned a Bafta, Oscar, Golden Globe and Critics’ Choice Award. As much as it would have been an exciting historic moment for Lily Gladstone to win the Oscar, Emma Stone also deserved it. Her character, Bella Baxter, goes on an important parallel journey of discovering the world around her while also realising she’s bisexual – proving that LGBTQ+ stories deserve a place at the table.

The Losers

Barbie is the third film directed by Greta Gerwig - and also her third award season snub. This suggests the lack of recognition for female-centred stories and female directors. The Academy has proved this by awarding Best Director to only three women in its 96-year history, with a Black woman yet to win the award.

Clearly, women in film are still a contested issue, as between Greta Gerwig, Celine Strong, and Sofia Coppola, there was little recognition. Coppola’s Priscilla performed poorly overall despite Baz Luhrmann's

Elvis receiving nominations in 2022. Although audiences favoured Priscilla, their vastly different portrayals of the King of Rock n’ Roll suggest once again that women’s stories have been put on the back burner.

Perhaps two of the biggest snubs were Past Lives and All of Us Strangers, which received none of the major gongs despite being fan favourites. Arguably Andrew Scott didn’t receive enough recognition for his performance in the latter, but it’s sadly unsurprising as LGBTQ+ stories are often ignored. It wasn’t until 2017 that the best picture Oscar was won by such a film.

What’s next?

As the 2024 awards season reaches its wrap party, it’s clear there were lots of incredible film offerings. However, the results have shown once again that the film industry needs to improve its inclusivity in recognising cast, crew, and their productions. Many diverse films are falling under the radar, which sets a poor example to younger generations, and, although some progress has been made in recognising people of colour, there is still a long way to go on all counts. Hopefully, next year brings the Kenergy…

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Amber Gallacher (she/her)

Glasgow is any foodie’s dream - no matter your taste or budget, there’s something for everyone. With such an abundance of places to eat it can be overwhelming to make a choice, so here are my recommendations of where to find the best scran, from meals to sweet treats.

Right at the top, the first recommendation has to be the one and only, SCRAN. Located on London Road near the Barras, it is close to the city centre. SCRAN serves simple brunch dishes with their own twist and is proud to be the ‘home of the loaded brunch fries’. Menu recommendations include the scampi

roll, chicken gyros wrap, and burger fries. True to their name, SCRAN’s scran is incredible and it is the perfect brunch spot.

Next up is BABS, found in the heart of the city centre. They offer a range of Mediterranean street-food style dishes including meat, vegetarian and vegan options. They are a feast for the eyes and full of flavour, and although it’s a bit pricy the quality is worth it. Plus, they offer a lunchtime deal that is kind to the budget.

For a Mexican feast (or just some small plates and cocktails) El Jefe’s is the place to go. They offer a range of deals throughout the week,

BEST SCRAN IN GLASGOW

and a special mention goes to their Mexican Sunday roast. For perfectly cooked meats, flavourful dishes, and and a Mexican experience, it’s definitely worth checking out.

Located in Merchant City, Green Gates is a tapas-style Indian restaurant. They offer collection and delivery and also frequently have deals running. They serve some authentic Indian flavours as well as some familiar and unique dishes, including the Glasgow creation, chicken chasni. For accompaniments to your curry, or as a meal on their own, I recommend their poppadoms, veg pakora, and Peshwari naan.

If you’re in the mood for pizza, Paesano is the best. Their menu is simple with a pizza that everyone can enjoy. One thing you won’t find, however, is pineapple! My personal favourite is number 1 with additional chillies. Due to their popularity, there can be a queue, but the service is fast and friendly. There is always the option to take away, which on sunnier days can make a fantastic picnic.

Speaking of lighter nights and warmer weather, nothing beats ice cream. A small business worth mentioning is Nowita, which opened in 2022 and is located in Partick. They offer unique flavoured, small-batch, handcrafted ice creams, as well as specials including ice cream macarons, and brioche buns. You can even get a toasted meringue as a topping. My personal favourite flavours include pistachio, cherry and mascarpone, and lemon and blueberry. If you’re an ice cream fan, this is the place to go.

A final mention goes to Bertos Brownies. Being one of my first small business discoveries in Glasgow, their brownies remain the best I have ever had. They come in a range of flavours and are rich and indulgent. They last well in the fridge or freezer - but after you have taken a bite, they won’t last long, and you’ll soon be back for more. With a permanent stand in the St Enoch Centre and a stall in the Barras, they are a must-try! My recommendation is their raspberry white chocolate.

BOOKS TO READ BEFORE YOU LEAVE UNIVERSITY

‘Why are they qualified to write this piece?’, we hear you ask. Well, as English students, reading is one of our favourite things to do. During university, sometimes you need that little bit of escapism, but for those of you who prefer visual content, most of these have adaptations that are almost as good as the books.

So, what should you be reading other than textbooks and literature reviews? Here we offer you ten recommendations to inspire and help you survive some of the most stressful but rewarding years of your life.

Firstly, we suggest Conversations with Friends by Sally Rooney. This has become a comfort read. It’s a story about friendship, love, and struggling to understand life and the world around you.

The Book Thief by Markus Zusak is a beautifully written story about life, death, and love - and a great story about how WW2 impacted the lives of ordinary citizens. If you’re into narrative twists and turns, this is for you.

Sylvia Plath’s The Bell Jar is all about identity, discovering who you are and what your place in the world is. It challenges gender norms and societal conventions while learning to grow in a big city.

Set deep in the Italian summer, Call Me by Your Name by André Aciman is a tender portrait of sexuality, beauty, and self-reckoning. You probably already know the film version starring Timothée Chalamet, but it’s a great holiday read and well worth your time.

Mayfliesby Andrew O’Hagan

is a beautiful showcase from a Strathclyde alumnus. This book explores life’s fragility and is really all about the friendships you keep with you. It feels like a soundtrack to youth.

A classic that everyone should read is PrideandPrejudice by Jane Austen. Overcoming their own pride and prejudices about one another, Mr Darcy and Elizabeth combat social interactions as best they can before they fall ardently in love.

Honestly, we recommend anything by Taylor Jenkins Reid. Her books are favourites on TikTok, but it’s for good reason because they are such page-tuners. Malibu Rising charts the repercussions of an unexpected fire at a Hollywood house party, and it’s perfect if you’re a lover of celebrity culture and mysteries...

Girl Interrupted by Susanna Kaysen is an exploration of reasoning behind women’s experiences and how these form the people they become, and a great pick for anyone looking for their next read.

Okay, maybe not exactly a beach read, but Shuggie Bain by Douglas Stuart is so unmissable that we couldn’t resist. This is a comingof-age story in 1980s working-class Glasgow, and it’s equal parts heartbreaking and beautiful. A great one if you’re keen to learn a bit more about the cultural history of the city! Finally, Love Alone: 18 Elegies for Rog by Paul Monette is collection of poetry exploring the lost love of a man who loses his partner to HIV/Aids. It is a touching portrait of life after love and loss.

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Image credit: Nowita Glasgow By Molly Biggar (she/her) and Lauren Hunter (she/her)

PANDA-MONIUM! AS KUNG FU PANDA RETURNS TO THE BIG SCREEN

As a long-awaited return to the Kung Fu Panda series, there has been a weight of expectations and hype surrounding the return to one of Dreamworks’ most beloved series.

Jack Black’s Po has become his seminal role and one of the most beloved characters of the Dreamworks’ franchise. His character continues to be as charming and hilarious as ever, and he approaches every scene with his infectious enthusiasm. But for as much as he is the Kung-Fu Panda, the emotional weight largely comes from the villain. Whether it was Tai Lung’s studentship under and betrayal of Master Shifu, Lord Shen’s attempted genocide of the Pandas, or Kai’s ancient war with Master Oogwey, each villain poses a real threat to the Valley of Peace.

Despite Viola Davies’ legendary acting pedigree, her performance as The Chameleon is unmemorable. Motivated by the physical attributes she feels hold her back, her backstory is unrealistic in a world of insects and chicken kung-fu masters. Lord Shen’s brutal murder of the Pandas allowed him to push Po and the young audience to their mental limits; here, the villain lost with a hearty Skadoosh and the day was saved. Each of the prior villains defeated the Furious Five – without them, the threat of overwhelming power did not land.

Zhen, played by the distinctive Awkwafina, and Po’s dads, played by James Hong and Bryan Cranston, are the stand-in characters for the Furious Five in this film. The double dads provide an endearing

representation for both adoptive parents and a pseudo-gay couple. Awkwafina’s character suffers more from the shadow of her predecessors, however, as she is an inoffensive hero living up to Tigress' character.

The animation of the series has always been a considerable strength, blending different artistic styles with Dreamworks’ trademark smooth, fast action. As the first film really pushed boundaries, much of the audience expected this film to do the same, such as dropping the frames like the acclaimed Puss in Boots: The Last Wish. Like the writing, the animation does everything you expect from an children’s movie, but it does not take the extra steps to push the medium’s capabilities.

Scored by Hans Zimmer,

BOOK REVIEW: GLASGOW BOYS

People make Glasgow. But those people are complex, tender, ready for a square-go yet yearning to be loved, making mistakes whilst coming of age, and grappling with the past. This emotional current makes Margaret McDonald’s debut novel, Glasgow Boys, so visceral but also deeply human.

Finlay is struggling as a firstyear nurse at Glasgow Uni, while Banjo is fighting through his final year of high school. Both are care-experienced; their lives connect,

exposing their traumas and vulnerabilities as they enter new chapters without reconciling their pasts.

For McDonald, a Strathclyde English alumna, the story is heavily influenced by her experiences of the Glaswegian working classes. The novel is laced aspects of student life, both very personal to the author while familiar to readers. This is one of its greatest strengths; even though at times the subject matter is dark, the narrative exudes comfort. It makes turning the pages so easy.

one of the greatest of his craft, the music is beautifully executed and a highlight as always. His work gives music fans a lot to smile about. Alongside this score, Tenacious D – Jack Black’s band – deliver an excellent cover of Britney Spears’ ‘…Baby One More Time’, which proves incredibly catchy and a guilty pleasure on many playlists. Unlike Po, this film is not black and white – whilst enjoyable, it ultimately suffers from its predecessor’s ambition and execution. It is not egregious by any means, and the lead performances and scores were as good as ever, but it lacks the witty writing, emotional weight, and the Furious Five that would make Kung Fu Panda 4 endlessly rewatchable like the original.

Some aspects come across more American high school than Glasgow city – the side characters can feel a little cheesy. Heavy lifting is needed for the novel to return to its heart, but when it does, it’s simply brilliant.

Finlay and Banjo are intricate and nuanced depictions of young men marred by traumas. Their care experience is insightful – ultimately it’s up to those who’ve been through the care system to decide how accurate this portrayal is, but it’s a starting point for deeper conversations.

Margaret McDonald has exploded into Scottish contemporary fiction. Glasgow Boys is heartbreaking, but tingled with so much hope. It envelops you for the length of time you hold it in your hands and leaves you pining for more. The characters are fictional, but there’s something so real at their heart. These boys are our friends, old school acquaintances, the ones that strike you walking down the street. Bright and beautiful boys, underdog boys, enigmatic boys. Glasgow boys.

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Image credit: Dreamworks

TRENDS Erin Howatson

I’m Erin and I’ve been the Trends Editor for the Strathclyde Telegraph this year. I’ve had the best time being apart of the team and I can’t wait to see what next year brings! Roll on September!

DEBATING THE TIKTOK-IFICATION OF THE MUSIC INDUSTRY: FOR YOU OR AGAINST YOU?

The insane popularity of social media platform TikTok is forcing the music industry to change. It’s not enough to rely on your loyal fanbase anymore. Nowadays, a new release must have potential for virality to propel the artist into the charts. It’s obvious that TikTok has become the dominant music promotion outlet in the industry, but is it a double-edged sword?

The holographic, cowboy hat-wearing elephant in the room is, of course, Beyoncé’s new country anthem, ‘Texas Hold ‘Em’. At the time of writing, Queen Bey’s tune is sitting at number 6 on the Billboard Hot 100 and has 848.3k videos under the official sound on TikTok, with millions of views across the board. The common theme amongst these ‘Texas Hold ‘Em’ backed videos is the viral dance that has become synonymous with the song itself. TikTok dances act as a self-sufficient promotional tool, allowing for floods of user-generated content, where payday can be had by all.

Beyoncé’s success with ‘Texas Hold ‘Em’ comes at the perfect time, in the wake of the Universal Music Group (UMG) and TikTok drama. The two giants couldn’t come to an agreement over music licensing and so, UMG made the risky decision of pulling all its owned songs from the platform, eliminating titans of the industry like Taylor Swift and K-pop sensation BTS. Especially during this

era of oversaturation due to social media, wiping out strong competitors is definitely beneficial for the likes of Beyoncé whose new single was released with Columbia Records.

Although money does make the world go round, TikTok’s algorithmic music market can also be used for good. Cat Janice rose to critical acclaim through her upbeat TikTok hit, ‘Dance You Outta My Head’, the singer’s final release which she dedicated to her son before she sadly passed away after battling sarcoma cancer. Cat created a call-to-action TikTok (now at 12.3 million views) explaining that she was leaving all of the rights to her songs to her son so that he could have any profits Cat’s music makes. Users quickly rallied to push the track to maximise its reach and therefore, monetary value.

‘Dance You Outta My Head’ has garnered over 20.2 million streams on Spotify and peaked at no. 1 on Billboard’s TikTok Top 50 in February.

TikTok hype leads to guaranteed success, however it’s not always the more hype the better. The user engagement economy is constantly changing, so it’s crucial for artists to find the sweet spot between scarcity value and leaving listeners waiting too long on a new release.

Singer Lola Young is the epitome of the latter. Ahead of the release of her debut album, MyMind Wanders and Sometimes Leaves

Completely, Young found TikTok stardom as a snippet of her song ‘Don’t Hate Me’ gained traction on the platform last year. But, after using the same snippet over and over with no sign of a release, her followers got tired quickly. Naturally, the comment section expressed their frustration, with one user saying “unfortunately I’m bored now too.”

My advice to any upcoming TikTok artists that want to get the most out of the hype is Carpe Diem baby.

It’s not just new music that can find its feet on TikTok; older songs can circle back into popularity via TikTok trends. Originally released in 2007, dance classic ‘Perfect’ by Mason and Princess Superstar unexpectedly re-entered into the Official Singles chart peaking at 26 thanks to the release of Saltburn, TikTok, and 2000s nostalgia. The same treatment fell to Sophie Ellis-Bextor’s ‘Murder on the Dancefloor’, which entered ‘TikTok’s viral 50’ twenty-three years after its original release in 2001.

The issue with TikTok fame isn’t only that it’s typically shortlived, but that most ‘mainstream’ artists don’t seem to be onboard with

promoting their music on the app. Charli XCX and Halsey have expressed their distain that music labels expect them to promote their music on TikTok. Artistic freedom is incredibly important in producing music, to capture the artist’s authentic voice however, TikTok users never rest! Leaking unreleased tracks without the artist’s permission is a sure-fire way to take the art away from the artist. Ariana Granda suffered the ‘leak’ phenomenon after her unreleased 90s-inspired track ‘Fantasize’ went totally viral on TikTok. Ariana called out the theft of her song in an interview with Zach Sang saying, “Thieves! Pirates! Crooks! Illegal. I’ll pay you more to put it away, like, to get it back.”

TikTok has its advantages when it comes to sales and virality, but are they worth putting artist autonomy at risk? It seems that the positives outweigh the negatives. TikTok brings success in the music industry slightly closer to the hands of independent artists and maybe its not a bad thing to shake up music marketing! I’d like to see the return of MTV Music as promotion outlet king, but for now, TikTok will have to do.

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19

SCRIPTED DRAMA, AUTHENTIC THRILLS: REALITY TV

Whether watching or partaking, there is no questioning the allure of Reality TV. According to statistics, about 40% of people watch reality TV of some form. Whether your poison is the hot, steamy drama of Love Island, the competitive rivalry of Big Brother, or the shocking twists of The Ultimatum, there can be no denying the influence of reality TV on today’s culture.

Reality TV became an officially recognised genre of television at the end of the 20th century, but traces of the genre have existed, in some form, since the late 1940s with Queen For a Day. Nowadays, reality TV encompasses a wide range of types of shows – Queer Eye, Keeping Up With The Kardashians, and The Traitors, to name a few.

Despite the popularity of the genre, it is not without its limitations and flaws. On many occasions, reality TV is the furthest thing from 'real'. Shows like Love Island and RuPaul’s Drag Race have recently received backlash due to being “rigged” by producers, whilst the drama-filled Real Housewives of Beverly Hills and Keeping

Up With the Kardashians are known to be staged in some way. So, why do we continue to watch them knowing they are, by nature, an oxymoron?

There are many reasons why reality TV is so enjoyable – the Social Comparison Theory indicates that these shows make viewers feel better about their own lives, in comparison. The audience gets to laugh at romantic failings whilst watching dating shows like The Bachelor or Love Is Blind, and have the chance to act like secondary judges by voting on competition shows like Strictly Come Dancing and The X Factor.

In disability theory, there is something known as ‘Body Genres’. This is the experience of having bodily reactions while watching a movie, and many genres have specific body genres, such as horror movies encouraging the viewer to be scared. Reality TV also has its own body genres, as it creates a space for people to observe and “experience” different types of lives and people. While watching these shows, viewers are allowed – and encouraged – to be nosy, picking apart the contestants’ lives and decisions.

Contrary to the Social Comparison Theory, it’s not hard to see how the comparison between viewers’ lived experiences and watching the “reality” in these shows has instead negatively impacted viewers' lives. The popularity of TikTok and the growing number of influencers and GetReady-With-Me (GRWM) videos also, I think, contribute to this new comparison.

Watching “normal” people become famous almost overnight on social media is similar to watching someone unknown rise to stardom as a result of a reality show. What both scenarios have in common is that what goes on behind the scenes

is often very different to what we, as viewers, get to see. The oversaturated, fake realness present has begun to overtake lived experience, making reality begin to appear boring. There are so many over-dramatised moments in these shows that hail their “realness”, and when this same quality is not reflected in our own lives, we feel as though we’re not doing things “right”. This is not to say that reality TV cannot still be enjoyable, in fact, it very much is. There wouldn’t be a new season of Love Island or Big Brother every year if there weren’t people to watch it. Like everything, in moderation, it’s not all bad.

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We’re used to news outlets from all corners of the globe covering the Royal Family’s every move, from charity engagements to spotting them down at the local shop. This is why the Princess of Wales’ sudden disappearance from royal duties and the public eye, briefly turned internet users into detectives.

Before the disappearance of the Princess, Catherine had multiple engagements per week as-well as state banquets and her yearly holiday carol service at Westminster Abbey. However, after the annual Sandringham Church Christmas service, the Princess seemed to have vanished.

Speculation then began after Kensington Palace announced a statement regarding the Princess of Wales’ health: “Her Royal Highness The Princess of Wales was admitted to hospital yesterday for planned abdominal surgery. The surgery was successful, and it is expected that she will remain in hospital for ten to fourteen days, before returning home to continue her recovery. She is unlikely to return to public duties until after Easter.”

At the time of the announcement, palace sources claimed that Kate’s condition was non-cancerous.

However, on March 22 Catherine, The Princess of Wales’ released an unprecedented announcement regarding her health, revealing her cancer diagnosis to the public, ultimately putting an end to the disrespectful rumours circulating the internet regarding her disappearance.

Instead of allowing the Royals’ to handle the Princess of Wales'

health privately, the internet took matters into their own hands. Soon, Middleton became the subject of widespread conspiracy theories, with many speculating the condition of her health and her whereabouts.

Comical theories included: BBL gone wrong, haircut disaster, the Princess secretly performing as ‘the unknown’ at the Willy Wonka Experience in Glasgow. However, there was more sinister conspiracies which included: William, the Prince of Wales cheating with Rose Hanbury, Kate Middleton pregnant with Thomas Kingston’s child, or the Princess of Wales being secretly in a coma or dead.

However, conspiracies continued to escalate on March 10 when Kensington Palace released a photograph of the Wales family for Mother’s Day- one that was later retracted by the Associated Press and other media organisations as it became clear it had been manipulated. Of course- this photograph just added fuel to fire, leaving many to wonder what is actually going on in the House of Windsor.

The following day, Middleton issued a statement apologising for altering the photograph stating: “Like many amateur photographers, I do occasionally experiment with editing. I wanted to express my apologises for any confusion with the family photograph we shared yesterday caused. I hope everyone celebrating had a very happy Mother’s Day. C”.

A question you have to ask yourself is why did the palace approve the photograph? Perhaps they

KATE MIDDLETON: INTERNET SPECULATION, TROLLS, AND THE TRUTH

were trying to distract the public from the truth, showing the Princess’ happy and ‘healthy’ with her children, when in reality she has been undergoing cancer treatment.

The PR nightmare only left many to speculate where the Princess of Wales is. However, March 16, The Sun reported that William and Kate were spotted looking “happy, relaxed and healthy” whilst visiting a farm shop in Windsor, with TMZ releasing video footage taken by a member of the public at the farm shop. Of course, in true detective fashion, the internet detectives begun to speculate that the footage released was old, as Christmas lights were still displayed, until Good Morning Britain reporter Jonathan Swain visited the location, to prove the decorations were still there.

Despite being proven wrong by British Journalists, internet ‘detectives’ were adamant that the royals’ are hiding the truth, with many suggesting they hired a Kate Middleton look-alike, Heidi Agan.

The secrecy of Middleton’s health and whereabouts’ was the hot topic across all platforms, and all ages. Everyone was eager to find out the truth from Kensington Palace, with some individuals using extreme tactics, to find out the exact truth of the Princess’ condition.

March 20, The London Clinic, where the Princess had her surgery and was receiving treatment, officially launches an investigation after a member of staff tried to access the Princess’ private medical files.

With the endless speculations’ and conspiracy theories surrounding the Princess of Wales’ health condition, she was ultimately forced to reveal the heart-breaking reality of her dissapearance, to protect the Royal Family's reputation.

March 22, Catherine released an unprecedented announcement regarding her disappearance, revealing to the public that she has been diagnosed with cancer and is currently undergoing chemotherapy: “In January, I underwent major abdominal surgery in London, and at the time, it was thought that my condition was non-cancerous”… “The surgery was successful. However, tests after the operation found that cancer had been present. My medical team therefore advised that I should undergo a course of preventative chemotherapy, and I am now in the early stages of that treatment.”

Further, the Princess explained that she and William “have been doing everything we can to process and manage this privately for the sake of our young family. As you can imagine, this has taken time. It has taken me time to recover from major surgery in order to start my treatment”.

The Princess of Wales’ announcement regarding her cancer diagnosis had sent shockwaves across the world, but the announcement was a huge shock for celebrities and social media commentators who have made memes and jokes about the Princess of Wales’ health. The announcement has sparked an overwhelming outpour of support for the Princess, with many internet users and celebrities feeling the need to apologise for contributing towards the negative and harmful speculation surrounding the Princess.

It’s strange how quick people are to jump to conclusions without thinking of the consequences. Regardless of her title, Kate Middleton should be allowed to recover in private, out of the public eye without individuals spreading false information that could cause serious harm.

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LIFESTYLE Rachel Cronin

Hiya! I'm Rachel, this year's Lifestyle Editor. I've loved being a part of the Strathclyde Telegraph team for the past few years and cannot wait to see what our amazing new Editor-in-Chief Rhiannon will cook up next year! Happy summer!

FESTIVAL FEVER: YOUR ESSENTIAL GUIDE TO SCOTLAND'S

2024 EVENTS

As the 2024 festival season approaches anticipation is mounting for the dynamic array of music festivals across the Scottish landscape, promising a sonic experience for every music lover. This year's lineups boast a thrilling mix of legendary headliners, groundbreaking emerging acts, and traditional Celtic sounds. These events are quickly selling out, so if you don’t want to miss out, be sure to grab your tickets fast!

Riverside Festival: 25th-26th May

Electronic music lovers, this one's for you. Riverside Festival descends upon Glasgow's iconic Riverside Museum, transforming it into a haven for cutting-edge DJs, producers, and live acts. With underground stars and internationally renowned names on the lineup, expect days filled with pulsating beats and unforgettable nights on the river. This year's line-up includes Mella Dee, Slam, and Céleste.

Melting Pot: 4th-5th May

For those seeking something on the edgier side, Melting Pot brings a dose of urban cool to Glasgow. Expect a vibrant atmosphere fuelled by legendary DJs, up-and-coming acts, and the energy of a crowd ready to groove. Alongside the music, delicious street food and quirky surprises make Melting Pot the ideal summer party for anyone who loves to dance and celebrate under the open sky.

This one's line-up includes The Blessed Madonna, Todd Terje, and Optimo, and will be held at Queens Park, Glasgow.

Tenement Trail: 12th October

Glasgow's iconic Tenement Trail returns for 2024! Prepare for a day of musical exploration like no other, as this unique festival transforms the city's East End into a treasure trove of live performances. From buzzing pubs to quirky venues, discover hidden gems and established indie favourites across dozens of stages. With

an electrifying atmosphere and the chance to stumble upon your next musical obsession, Tenement Trail 2024 is the ultimate celebration of Glasgow's independent music scene. Keep an eye out for lineup reveals and snag your tickets quickly – this is an experience you won't want to miss!

Eden Festival: 13th-16th June

A vibrant blend of music, art, performance, and workshops set in a stunning location. Eden Festival offers an eclectic mix of international and homegrown talent, with a focus on sustainability and community spirit. Think quirky and colourful with a welcoming vibe.

The line-up features Amadou & Miriam, Mr Scruff, and The Zombie, and will be held at Raehill's Estate, Dumfries and Galloway.

Kelburn Garden Party: 4th-8th July

The Kelburn Garden Party beckons with its enchanting blend of music, art, and nature. Set against the

stunning backdrop of Kelburn Castle grounds in Scotland, this immersive event offers a diverse lineup of musical acts and captivating art installations. With its commitment to sustainability and community, it promises an unforgettable experience for all who attend. Line-up highlights are Erol Alkan, HAAi, and Dj Storm, and you can find this one at Kelburn Castle, Fairlie.

Belladrum Tartan Heart Festival: 25th-27th July

Belladrum Tartan Heart Festival is a celebration of music, community, and the magic of the Scottish Highlands. This family-friendly festival invites you to revel in a diverse lineup of established acts and rising stars, explore captivating activities, and soak up the welcoming atmosphere that makes Belladrum so special. If you attend this one at Belladrum Estate, Inverness, you can see Deacon Blue, Sophie Ellis-Bextor, and the Sugababes among other.

HebCelt: 17th-20th July

Escape to the stunning landscapes of the Outer Hebrides and discover HebCelt, a vibrant celebration of Celtic music and island life. Set against the backdrop of the historic Lews Castle, Stornoway, this festival invites you to immerse yourself in the sounds of world-class traditional musicians and connect with the warm, welcoming spirit of the Hebrides. HebCelt is a truly unique experience, blending music, culture, and breathtaking scenery. Sharon Shannon, Elephant Sessions, and Del Amitri will be performing this year.

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Image credit: Kelburn Garden Party Image credit: Eden Festival

Welcome to Campus Compass –your friendly neighbourhood guide to tackling the rollercoaster ride that is uni life! Whether you're dealing with a roommate from hell, juggling a chaotic class schedule, or simply trying to figure out where to get the best snacks on campus, we've got your back! Think of us as your go-to gurus for all things college-related. From decoding cryptic texts from your situationship to mastering the art of pulling an all-nighter before a test, no topic is off-limits here.

DILEMMA: My boyfriend says I’m not spending enough time with him. For context, I’m in my final year at Strath and have exams all of April and into May. I’m trying to balance work, uni, my social life, and seeing my family and my boyfriend. I feel like I’m stretching myself too thin. My boyfriend is really mad and says he feels I’m not trying hard enough to make time for him. I appreciate that he feels that way but I literally can’t fit anything else on my plate right now and feel like I can’t even deal with him being mad at the moment. I don’t want us to break up, what should I do?

ADVICE: Listen, it’s your final year, the stakes are high, and the pressures palpable. Exams clouds are on the horizon, demanding your unwavering focus. It’s no wonder you feel stretched thin, and you’re under no obligation to stretch yourself some

STRATH CAMPUS COMPASS: YOUR TRUSTY NORTH STAR IN THE CHAOS OF UNI LIFE

more. You’re a human being, not a scrunchy, and this is something your boyfriend needs to understand. It may be time to have a sit-down conversation. But I understand that it isn’t going to be an easy one. Here’s some tips on how to go about it:

Plan a relaxed moment where you and your boyfriend can sit down together, maybe over a cup of coffee or during a quiet evening at home. Take the opportunity to open up and give him a detailed picture of what your final year at Strath is like. Tell him about the sheer busyness you're juggling – from lectures to assignments to extracurricular commitments. Make it clear that this isn't just a typical busy period – it's a crucial time that will shape your academic future and career prospects. Encourage him to ask questions and engage in the conversation so he can truly grasp the magnitude of what you're dealing with. Ultimately, the goal is to ensure he not only hears about your schedule but truly comprehends the significance of your commitments and the impact they have on your time and energy. If he’s a good boyfriend, he’s going to understand and even try to support you more.

At the same time, make sure you also validate your boyfriend's feelings. Assure him that his emotions are understood and respected, but emphasise that your current circumstances necessitate a temporary

adjustment in your relationship. Reassure him that you're fully committed to your relationship, even though things are a bit hectic right now. Let him know you're determined to work through his concerns and find solutions that work for both of you. Maybe even plan something together for the future (a special date, a trip, or something else — only once you’re a little less swamped, of course). That way, you’ll both have something to look forward to after this difficult period!

DILEMMA: I’m convinced my flatmate stole my favourite top and is lying about it.

We went on a night out a few weeks ago and she asked to borrow my favourite top — she’s always loved it and talked about stealing it as a joke etc. I was planning on wearing it that night so politely said she could borrow it next time. But when we started getting ready I couldn’t find it… I’m so sure she had it last when she was asking for it, but she’s saying she saw ME with it that day. I’m convinced she’sgaslightingme—howdoIconfront her?

ADVICE: Roommate woes are almost a rite of passage in uni life, aren’t they? I’m not going to lie, I’ve been in this exact situation with a friend. And I understand how frustrating and annoying it can be. It’s quite possible that this roommate is gaslighting you but, just to be doubly sure — it might be worth taking a step back and recalling any other instances where you might have worn or misplaced the top. Memories can be tricky, especially after a night out. Is it possible that you wore it earlier and forgot about it? If you're still certain that your flatmate had it last (my bets are on that too, if I’m honest), approach

the topic gently, expressing your concern and confusion about the missing top. Avoid accusing her outright, as this might just cause her to double down on her lie. Tell her how much you loved that top and how sad you are that it’s gone missing. Give her a chance to pretend like it was a mistake that the top ended up with her. However, if she continues to deny it and you still believe she took it, you’ll have to be more assertive and just tell her about your suspicions. This is risky because she’s your roommate and you’re going to have to continue living with this person, which could make things more uncomfortable. If she continues to deny deny deny, then unfortunately, there’s nothing more you can do short of looking through your roommate’s things to find the top yourself — but that may be crossing a moral boundary. If nothing works, your final option may just be to let that top go and hope that karma gets her in the future.

DILEMMA: I’m having a crisis about graduating.

I feel like I have nothing ahead of me after graduating and absolutely no cluewhatIwanttodo.Allmyfriends whodidengineeringandSTEMsubjects have internships or jobs lined up but I feel like with my humanities degree I’m so lost with what I want todo.I’mbadwithchangeingeneral and a lot of my friends are moving away for new jobs or going back to their hometowns and I’m worried about losing them, any advice?

ADVICE: The end of uni life is a difficult time. The change can feel overwhelming, especially if you feel confused about what's ahead. But trust me, it’s not the end of the world, just MORE ON PAGE 24

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the end of uni. While it may feel like time is running out, that you have your whole life ahead of you.

Take a deep breath and remind yourself that it's okay not to have everything figured out right away. Many people, regardless of their field of study, go through periods of uncertainty after graduation. Your humanities degree has equipped you with valuable skills such as critical thinking, communication, and problem-solving, which are highly sought after. You can take this time to reflect and find out what you truly want. Explore different career paths that align with your interests, values, and strengths. Don't hesitate to reach out to career counsellors, alumni networks, or professionals in your field for guidance.

As for your friends moving away or returning to their hometowns, it's natural to feel a sense of loss. But remember that true friendships can withstand distance and

change. Especially with today’s technology, it’s easy to stay connected. Speaking of social media, that may be another reason you’re feeling this way. Everyone seems like they already have everything figured out, but truly, no one does — it just seems like that from what they share on socials. Remember, comparison is the thief of joy. Your journey after graduation is unique to you. Embrace the uncertainty, and don't be afraid to take risks and try new things. The most important thing is to stay true to yourself and keep moving forward, one step at a time. You'll find your path eventually.

DILEMMA: I'm an international student and I’ve been feeling really stressed about finances. I'm finding it increasingly difficult to make ends meet. Between tuition, rent, groceries, and other expenses, it all feels like too much. I’ve been working a part-time job but what I

SCAVENGER HUNT: CHEAPEST STUDENT PINT IN GLASGOW

Get out your light hoodies and denim jackets, it’s beer garden season! There are plenty spots for a low-priced pint in Glasgow (if you know where to look), but we sifted through the cheapest - I said ‘cheapest’, not ‘best’ - bars and pubs in the city for a pint of Tennent’s that costs as few pennies as possible. Here are the results!

If you know of a cheaper pint in the city, get in touch and we can add it to our list!

Third Place - Hengler’s Circus: £4

Regardless of your stance on Wetherspoons, it can’t be denied that they pour a cheap pint. Sauchiehall Street’s Spoons boasts a cheaper pint than its town centre counterparts. You’ll pay £4.70 for a Tennent’s in the Counting house and £4.56 (oddly specific) at Crystal Palace.

make never feels like enough. I’m here on a scholarship from another country and I can’t exactly ask my parents for help either. I'm constantly worried about running out of money before the end of the month and not being able to afford the essentials. It's affecting my ability to focus on my studies.

ADVICE: I totally understand how incredibly tough it must be dealing with all this financial stress as an international student. It's like navigating a maze blindfolded sometimes, isn't it? The pressure of juggling studies, and trying to make ends meet in a foreign country can really take its toll. But hang in there, because there are definitely some things you can do to lighten the load.

First off, have you checked out if there are any extra scholarships, grants, or other financial aid options available for international students like you? It's worth looking into – sometimes there are funds

specifically set aside to help students in situations like yours. Next up, taking a good look at your spending habits can make a big difference. Try making a detailed budget to see where your money's going and where you might be able to cut back a bit. But I know how much costs have risen so don't beat yourself up if you can't seem to cut back, it's not your fault— instead, you can also try and get help from your university's student services department. They can be a real lifesaver in times like these. They've got all sorts of resources and support available, from financial counselling to help with budgeting, and they might even be able to hook you up with emergency aid if you're really struggling.

Remember, you're not alone in this. There are people and resources out there to help you through –there's no shame in reaching out and asking for financial help when you really need it.

Second Place - The Three Judges, Partick: £2.50

It just might be worth that treacherous subway journey into University of Glasgow territory for this price. Valid with a student card from Monday to Thursday. You’ll probably be standing at the bar with your drink (there are very few seats that aren’t taken up by Three Judges regulars from midday) but for that price, it’s worth it!

First Place - Strath Union: £2 (a can)

Okay! Maybe it’s cheating to say our own union has the cheapest Tennent’s, but there’s absolutely nowhere you could drink a pint for cheaper than 2 quid in Glasgow. Might be a tinnie, but pour it in a glass, have a couple, and trust you won’t be able to tell the difference.

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Jack Rogerson

What a year it has been for sport! We are lucky to have such an incredible variety of sports hosted at the university - each and every club deserves immense credit for their hard work over the year. It’s been a privilege to serve as Sports Editor during a really successful and exciting period, which I hope continues long into the future.

STRATH WARRIORS ELECTRIFY ÒRAN MÓR IN THEIR ANNUAL SHOWCASE

Flyers, flips and pyramids; the Strathclyde Warriors’ Cheer Showcase of 2024 was an extravaganza. All whilst raising money for a fantastic cause in Homeless Project Scotland.

Warriors President Sara St. George highlighted the significance of their showcase in the Sports Union calendar.

“This is one of the only times where we get the whole club together under one roof supporting each other’s hard work.

“Last year’s showcase was rewarded when we won Event of the Year at the STAR awards! So, while the showcase is obviously a really fun event, it’s also so worthwhile.”

Kaylee Brown, Strathclyde Warriors’ treasurer, echoed what the President said, adding; “As one

of the biggest sports clubs at Strathclyde our annual showcase allows our club’s seven teams to show off their routines to friends, family, other students and club members.”

As the spotlights unmasked the beauty of the breathtaking Òran Mór venue, we seen performances from a plethora of our award-winning cheer teams – including the current national champions Strathclyde Pom. Dazzling alongside them were Competitive Cheer, Hip Hop, Varsity, Captains and the showstopping Stunt teams, also.

Only a week prior, the teams were in Dundee for ScotCheer where they all scored magnificently.

Girl power was an emphatic focal point in each performance, and the aura in the room as the groups

performed made evident the remarkable bond they all have with one and other.

Varsity captain Seana Scott discussed her relationships with her teammates, and the warm surroundings the group hold: “To any students looking to join Warriors in the future, I can’t recommend it enough! Especially if you are moving away from home for the first time; university can be very lonely.”

The captain continued; “Going to practice each week allows you to establish strong female friendships in a welcoming environment. I met my flatmates through cheer & many others do too!”

As well as celebrating the countless hours of dedication from Strathclyde’s empowering cheer

groups, the Showcase also raised funds in aid of charity Homeless Project Scotland. A large portion of money made from tickets and the evening’s hamper raffle sales were donated to this incredible cause.

Founded by Colin McInnes in 2019, HPS has since served hundreds of thousands of meals to vulnerable individuals who are without a roof over their head.

The night, as a whole, was a spectacle – finished off by a performance from our very own Strathosaurus.

You can find the Strathclyde Warriors Cheerleading team on Facebook under the name Strathclyde Warriors or @strathwarriors over on Instagram.

SPORT
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By Daniel Timoney (he/him)

STRATHLETES TRIUMPHANT IN 2024 GLASGOW TAXI CUP

WHAT IS KORFBALL? A LOOK AT STRATH UNION’S MOST INTRIGUING SPORT

Interested in trying the only mixed-gender sport in the world?

Our Korfball team is on the lookout for new members!

The frantic but fabulous sport of Korfball, which holds similarities to netball and basketball, is a mixed-gender team sport played all over the globe. Here at the University of Strathclyde, we have two teams currently competing in tournaments across the United Kingdom.

The sport is played with two teams comprised of four male and four female competitors aiming to shoot the ball, by hand, into the korf.

What is a korf, you ask? The word comes from the Dutch word for ‘basket’, and it is similar to your average basketball hoop except there is no net and a much more elongated rim.

Unlike the majority of team sports there are no set positions, and

Three universities, eight hundred students and seventeen sports. There could only be one winner of the Glasgow Taxis Cup – and it was Strathclyde who came out on top.

Competing against University of Glasgow and Glasgow Caledonian University, the 21st edition of the annual multi-sport competition was won by our Strathletes in convincing fashion. Points were won in sports such as football, badminton, tennis and mountaineering – just to name a few.

The victory sees Strathclyde snatch the coveted prize from storied rivals Glasgow, who came out as winners in last year’s event. The last time the Cup was in the grasp of those in maroon was five years ago. It was fair to say Scotstoun erupted when the half-a-decade wait came to an end and Strathclyde were announced as winners.

The Glasgow Taxis Cup success is yet another piece of silverware in a year littered with trophies for our Strathclyde Sports Union teams. League wins in eight BUCS leagues over seven various sports, alongside two separate knockout cup wins for our netball and women’s water polo teams goes to show the incredible ability and sporting talent we host right here at Strathclyde.

After competing in more than six hundred fixtures across all forty-eight of our fantastic clubs, the victory over our two local competitors was a more than fitting way to culminate what has been a fantastic campaign from all sportspeople here at Strathclyde. The effort from all has been second to none, and all signs point to even more victory medals and celebrations in 24/25.

anyone can shoot or defend. Players are unable to dribble with the ball –meaning the sport is heavily reliant on build-up play and team cohesion.

Strathclyde’s Korfball Club is currently made up of two teams and are actively seeking to welcome new members of all abilities.

The club’s Secretary Ellise explained, “New members can expect a laid-back environment with a competitive edge in games and tournaments. Everyone in the club understands what it’s like to be new – that was all of us at one point!”

Recently finishing sixth in the second round of BUCS Korfball Programme – and qualifying for the BUCS trophy – new members could be enticed by the chance to push for some silverware. With an upcoming summer tournament in The Netherlands planned, the club have the

opportunity to go head-to-head with teams from around the continent!

Any Strathclyde students looking to get involved with our multi award-winning Strath Sports Union teams should seriously consider Korfball. An incredibly fulfilling sport that we are lucky to host at our university, and ran by a hard-working

and hospitable committee, too.

You can find the Strathclyde Korfball team on Facebook under the name University of Strathclyde Korfball Club or @StrathUniKorf over on X. Alternatively, you can email the committee using the address strathunikorf@gmail.com.

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@strathsports

SCOTTISH RUGBY: A SIX NATIONS RETROSPECTIVE

Victory in Cardiff, a Millar-Mills turnover to secure the Calcutta Cup, but heartbreak against France and Italy.

Scotland promised one of its strongest teams heading into this year’s six nations, but another fourth place finish has cast some doubt on their future in the 2027 World Cup cycle.

Boasting an electric backline, a deadly kicking game, and one of the best 10s in world rugby - there is a lot to be excited about in this Scotland team. But for all the highlight reel tries and victories over England, this is a side with impressive potential that has, so far, failed to capture any silverware.

Scotland’s ‘underdog’ mindset is often highlighted as a weakness, placing such an emphasis on the few fixtures that hurt their consistency and overall performance against top sides like Ireland and South Africa.

This is similar to their Premiership counterparts, Northampton, who would string together brilliant attacks through a ‘you score, we score higher’ approach, but sacrifice consistency. However, Northampton’s rise to the top of the Premiership table and European success exposes the current problems within Scottish Rugby.

Northampton’s exceptionally

physical defence - especially around the five-meter line - has become one of their main strengths.

This is a recent change which followed on from Lee Radford’s appointment as defence coach in 2023. The employment created a hugely physical defence tasked with scoring turnovers and allowed opportunities for their deadly attack to excel in open play.

For Scotland to perform consistently against top sides, the defence coach, Steve Tandy, must create a heavier back row capable of dominating defensively. The ‘7’ shirt is held by captain, Rory Darge, but ‘8’ is unsettled and Scotland is lacking the ‘big 6’ (like Shannon Frizell of New Zealand or Courtney Lawes of England and Northampton) that are so popular amongst the strongest modern back rows.

This may be the simplest fix, bringing in the likes of Matt Fagerson or Ben Muncaster onto the blindside to bulk up the defence.

Scotland Rugby’s largest issue, however, is its academy system. Coming last in the U20s Six Nations and with only two top-flight clubs, they have arguably the weakest academy system of the tier one nations. This heavily impacts the developmental pathway of young players, creating a dependence on older, international talent.

Teams with recent success like Ireland, France, and New Zealand have all pumped massive resources into academy systems and young talents. This is a trend Scotland has been late to as, all too often, the results in the U20s reflect the results of the first XV.

It is not all bleak in Scotland, however, as there are some exciting names who may break through into the first team. Ben Muncaster is a powerful ball-carrier but is currently held out of the Edinburgh squad by Fijian powerhouse Vilaime Mata. Should Mata move on, he may develop into the physical presence Scotland misses on the Blindside.

Also, in the u20s Scotland v England fixture, Amena Caqusau

looked deadly when given the ball. With three years more experience, he may even be challenging Van der Merwe for the ‘11’ shirt.

Moreover, 24-year-old Fergus Burke is another international talent that has recently signed for Premiership club Saracens next season. The fly-half also qualifies for Scotland.

The media attention before the Six Nations predominantly surrounded dual-captaincy and potential, but unfortunately it has since become soured with disillusionment. This may change, however, as Scotland have many winnable fixtures in the Summer Series. This leads on to a promising match-up against Australia in the Autumn Internationals.

Complete beginner, experienced player, or just fancy a game? Come along to Strathclyde Pool and Snooker’s Monday night tournaments!

All are welcome at our weekly casual tournaments, held at Strath Union at 7pm on Mondays, with £4 entry and cash prizes!

We run social nights out every month, including themed pub crawls. We have a great competitive history, winning BUCS a few years back and placing third overall at the most recent event. We consistently compete for first place in the Scottish University Pool Championship as well.

All these events are great fun, and some involve going away for a few nights with the team. Competition weekends are some of the best memories you can make at university, and we guarantee you will enjoy what we have to offer!

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@strathpool 27

Rhiannon McGovern Editor-in-Chief editor@strathclydetelegraph.com

Kate Connor Deputy Editor-in-Chief editor@strathclydetelegraph.com

Matthew Borrie FEATURES Editor features@strathclydetelegraph.com

Kulsum Shabbir CREATIVE Editor creative@strathclydetelegraph.com

Natalie Smith Multimedia Executive multimedia@strathclydetelegraph.com

Evie Shields MUSIC Editor music@strathclydetelegraph.com

Judy Jakubowicz-Klein CREATIVE Editor creative@strathclydetelegraph.com

Nathan Lawie NEWS Editor news@strathclydetelegraph.com

Jhanvi Vipin CULTURE Editor culture@strathclydetelegraph.com

Sam Middlemiss SPORT Editor sport@strathclydetelegraph.com

Ian Hamilton POLITICS Editor politics@strathclydetelegraph.com

Holly Haldane LIFESTYLE Editor lifestyle@strathclydetelegraph.com

Jack Rogerson SPORT Editor sport@strathclydetelegraph.com

#StrathAlumniFund @strathclydealumnicommunity @strathclydealumni MEET THE 2024-2025 TEAM

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