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S H ORT LI ST ED FO R THE G OL DSMITHS P R IZ E 201 6

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‘Propulsive, uncanny, dreamlike . . . A feverish coming-of-age novel’ DAILY TELEGRAPH

‘Today I dropped my laptop on the concrete floor of a bar built on the beach. My laptop has all my life in it and knows more about me than anyone else. So what I am saying is that if it is broken, so am I . . .’

‘Perfectly crafted. So mesmerizing that reading it is to be under a spell’ INDEPENDENT ON SUNDAY

‘Hot Milk is an extraordinary novel, beautifully rich, vividly atmospheric and psychologically complex . . . Every man and woman should read it’ B E R N A R D I NE EVA R I STO ‘The contemporary writer I admire most’ L I NDA G RA NT ‘Hypnotic . . . This novel has a transfixing gaze and a terrible sting that burns long after the final page is turned’ OBSERVER

‘Gorgeous. What makes the book so good is Levy’s great imagination, the poetry of her language, her way of finding the wonder in the everyday. It’s a pleasure’ THE NEW YORK TIMES I S B N 978-0-241-96803-1

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HOLLY KATE

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DEBORAH LEVY

‘Hot Milk treads a sweaty, sun-drenched path into the history books. A properly great novel’ R O MO L A GA RA I

HOT MILK

‘A triumph of storytelling’ LITERARY REVIEW

Format

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H OT M ILK ‘Levy has spun a web of violent beauty and poetical ennui . . . the book exerts a seductive, arcane power, rather like a deck of tarot cards, every page seething with lavish, cryptic innuendo’ The New York Times Book Review ‘Mesmerizing . . . evocative and complex’ Booklist ‘A bright broth of myth, psychology, Freudian symbolism and contemporary anxiety’ Guardian ‘Unmissable ’ New Statesman ‘A vivid novel of identity and truth, lingers in the mind.

Hypnotic. A powerful novel of the interior life, which Levy creates with a vividness that recalls Virginia Woolf. Burns long after the final page is turned’ Observer ‘A complicated, gorgeous work’ Marie Claire ‘Highbrow/Brilliant. [An] intensely interior but highly charged new novel about family, hypochondria, Spain, Greece, and all kinds of sex’ New York Magazine ‘Hypnotic’ Tatler ‘Dazzling and, at times, deeply disturbing, Hot Milk is a mystery meets introspective coming-of-age novel.

It’s unnerving – and that’s a good thing’ Refinery 29 ‘There’s no one touching the brilliance of Deborah Levy’s prose today’ Lee Rourke ‘A captivating demonstration of why Levy is one of the few necessary novelists writing in Britain today. This is the poetry and playfulness of her prose . . . More important, Levy grapples with and presents the complex psychology and multiple facets of her female characters like few others, which makes the recent reappraisal of her life’s work all the more welcome’ The Forward

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‘A terrific tale of mothers and daughters and fathers and daughters and confusion and old age, sickness, woe . . . and finding love tucked away in strange places’ R.A.L.P.H. ‘A fascinating book about sexuality, anger, medicine, and the drive to stay alive, Hot Milk is a unique novel that reads like a lucid dream’ Bustle ‘Brilliant and beautiful, soaring now on the wings of a dove, now on the wings of an eagle’ Nadeem Aslam ‘This novel, this tango, is as luscious and cruel and funny as it is revelatory’ Australian

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H OT M I L K Deborah Levy

P EN GU I N B O O K S

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PENGUIN BOOKS UK | USA | Canada | Ireland | Australia India | New Zealand | South Africa Penguin Books is part of the Penguin Random House group of companies whose addresses can be found at global.penguinrandomhouse.com

First published by Hamish Hamilton 2016 Published in Penguin Books 2017 001 Copyright © Deborah Levy, 2016 The moral right of the author has been asserted Set in 11.15/13.66 pt Fournier MT Std Typeset by Jouve (UK), Milton Keynes Printed in Great Britain by Clays Ltd, St Ives plc A CIP catalogue record for this book is available from the British Library isbn: 978–0–241–96803–1

www.greenpenguin.co.uk Penguin Random House is committed to a sustainable future for our business, our readers and our planet book is made from Forest Stewardship Council® certified paper.

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It’s up to you to break the old circuits.

– Hélène Cixous, ‘The Laugh of the Medusa’

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2015. Almería. Southern Spain. August.

Today I dropped my laptop on the concrete floor of a bar built on the beach. It was tucked under my arm and slid out of its black rubber sheath (designed like an envelope), landing screen side down. The digital page is now shattered but at least it still works.

My laptop has all my life in it and knows more about me than anyone else.

So what I am saying is that if it is broken, so am I. My screen saver is an image of a purple night sky crowded with stars, and constellations and the Milky Way, which takes its name from the classical Latin lactea. My mother told me years ago that I must write Milky Way like this – g alaxi´aV kúkloV – and that Aristotle gazed up at the milky circle in Chalcidice, thirty-four miles east of modern-day Thessaloniki, where my father was born. The oldest star is about 13 billion years old but the stars on my screen saver are two years old and were made in China. All this universe is now shattered.

There is nothing I can do about it. Apparently, there is a cybercafé in the next flyblown town and the man who owns it sometimes mends minor computer faults, but he’d have to send for a new screen and it will take a month to arrive. Will I still be here in a month? I don’t know. It depends on my sick mother, who is sleeping under a mosquito net in the next room. She will wake up and shout, ‘Get me water, Sofia,’ and I will get her water and it will always be the wrong sort of

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water. I am not sure what water means any more but I will get her water as I understand it: from a bottle in the fridge, from a bottle that is not in the fridge, from the kettle in which the water has been boiled and left to cool. When I gaze at the star fields on my screen saver I often float out of time in the most peculiar way.

It’s only 11 p.m. and I could be floating on my back in the sea looking up at the real night sky and the real Milky Way but I am nervous about jellyfish. Yesterday afternoon I got stung and it left a fierce purple whiplash welt on my left upper arm. I had to run across the hot sand to the injury hut at the end of the beach to get some ointment from the male student (full beard) whose job it is to sit there all day attending to tourists with stings. He told me that in Spain jellyfish are called medusas. I thought the Medusa was a Greek goddess who became a monster after being cursed and that her powerful gaze turned anyone who looked into her eyes to stone. So why would a jellyfish be named after her? He said yes, but he was guessing that the tentacles of the jellyfish resemble the hair of the Medusa, which in pictures is always a tangled mess of writhing snakes.

I had seen the cartoon Medusa image printed on the yellow danger flag outside the injury hut. She has tusks for teeth and crazy eyes.

‘When the Medusa flag is flying it is best not to swim. Really it is at your own discretion.’

He dabbed the sting with cotton wool which he had soaked in heated-up seawater and then asked me to sign a form that looked like a petition. It was a list of all the people on the beach who had been stung that day. The form asked me for my name, age, occupation and country of origin. That’s a lot of information to think about when your arm is blistered and burning. He explained he was required to ask me to fill it in to keep the injury hut open in the Spanish recession.

If tourists did not have cause to use this service he would be out of a job, so he was obviously pleased about the medusas. They put bread in his mouth and petrol in his moped.

Peering at the form, I could see that the age of the people on the

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beach stung by medusas ranged from seven to seventy-four, and they mostly came from all over Spain but there were a few tourists from the UK and someone from Trieste. I have always wanted to go to Trieste because it sounds like tristesse, which is a light-hearted word, even though in French it means sadness. In Spanish it is tristeza, which is heavier than French sadness, more of a groan than a whisper.

I hadn’t seen any jellyfish while I was swimming but the student explained that their tentacles are very long so they can sting at a distance. His forefinger was sticky with the ointment he was now rubbing into my arm. He seemed well informed about jellyfish. The medusas are transparent because they are 95 per cent water, so they camouflage easily. Also, one of the reasons there are so many of them in the oceans of the world is because of over-fishing. The main thing was to make sure I didn’t rub or scratch the welts. There might still be jellyfish cells on my arm and rubbing the sting encourages them to release more venom, but his special ointment would deactivate the stinging cells. As he talked I could see his soft, pink lips pulsing like a medusa in the middle of his beard. He handed me a pencil stub and asked me to please fill in the form.

Name: Sofia Papastergiadis Age: 25 Country of origin: UK Occupation: The jellyfish don’t care about my occupation, so what is the point?

It is a sore point, more painful than my sting and more of a problem than my surname which no one can say or spell. I told him I have a degree in anthropology but for the time being I work in a café in West London – it’s called the Coffee House and it’s got free Wi-Fi and renovated church pews. We roast our own beans and make three types of artisan espresso . . . so I don’t know what to put under ‘Occupation’.

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The student tugged at his beard. ‘So do you anthropologists study primitive people?’

‘Yes, but the only primitive person I have ever studied is myself.’

I suddenly felt homesick for Britain’s gentle, damp parks. I wanted to stretch my primitive body flat out on green grass where there were no jellyfish floating between the blades. There is no green grass in Almería except on the golf courses. The dusty, barren hills are so parched they used to film Spaghetti Westerns here – one even starred Clint Eastwood. Real cowboys must have had cracked lips all the time because my lips have started to split from the sun and I put lipsalve on them every day. Perhaps the cowboys used animal fat? Did they gaze out at the infinite sky and miss the absence of kisses and caresses? And did their own troubles disappear in the mystery of space like they sometimes do when I gaze at the galaxies on my shattered screen saver?

The student seemed quite knowledgeable about anthropology as well as jellyfish. He wants to give me an idea for ‘an original field study’ while I am in Spain. ‘Have you seen the white plastic structures that cover all the land in Almería?’

I had seen the ghostly white plastic. It stretches as far as the eye can see across the plains and valleys.

‘They are greenhouses,’ he said. ‘The temperature inside these farms in the desert can rise to forty-five degrees. They employ illegal immigrants to pick the tomatoes and peppers for the supermarkets, but it’s more or less slavery.’

I thought so. Anything covered is always interesting. There is never nothing beneath something that is covered. As a child, I used to cover my face with my hands so that no one would know I was there. And then I discovered that covering my face made me more visible because everyone was curious to see what it was I wanted to hide in the first place.

He looked at my surname on the form and then at the thumb on his left hand, which he started to bend, as if he were checking the joint was still working.

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‘You are Greek, aren’t you?’

His attention is so unfocused it’s unsettling. He never actually looks at me directly. I recite the usual: my father is Greek, my mother is English, I was born in Britain.

‘Greece is a smaller country than Spain, but it can’t pay its bills.

The dream is over.’

I asked him if he was referring to the economy. He said yes, he was studying for a master’s degree at the School of Philosophy at Granada University but he considered himself lucky to have a summer job on the beach at the injury hut. If the Coffee House was still hiring when he graduated, he would head for London. He didn’t know why he had said the dream was over because he didn’t believe it. He had probably read it somewhere and it stuck with him. But it wasn’t his own opinion, a phrase like ‘the dream is over.’ For a start, who is the dreamer? The only other public dream he could remember was from Martin Luther King’s speech ‘I had a dream . . .’, but the phrase about the dream being over implied that something had started and had now ended. It was up to the dreamer to say it was over, no one else could say it on their behalf.

And then he spoke a whole sentence to me in Greek and seemed surprised when I told him that I do not speak Greek.

It is a constant embarrassment to have a surname like Papastergiadis and not speak the language of my father.

‘My mother is English.’

‘Yes,’ he said in his perfect English. ‘I have only been to Skiathos in Greece once but I managed to pick up a few phrases.’

It was as if he was mildly insulting me for not being Greek enough.

My father left my mother when I was five and she is English and mostly speaks to me in English. What did it have to do with him?

And anyway the jellyfish sting was what he was supposed to be concerned about.

‘I have seen you in the plaza with your mother.’

‘Yes.’

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‘She has difficulty walking?’

‘Sometimes Rose can walk, sometimes she can’t.’

‘Your mother’s name is Rose?’

‘Yes.’ ‘You call her by her name?’

‘Yes.’ ‘You don’t say Mama?’

‘No.’ The hum of the little fridge standing in the corner of the injury hut was like something dead and cold but with a pulse. I wondered if there were bottles of water inside it. Agua con gas, agua sin gas. I am always thinking of ways to make water more right than wrong for my mother.

The student looked at his watch. ‘The rule for anyone who has been stung is they have to stay here for five minutes. It’s so I can check you don’t have a heart attack or another reaction.’

He pointed again to ‘Occupation’ on the form, which I had left blank.

It might have been the pain of the sting, but I found myself telling him about my pathetic miniature life. ‘I don’t so much have an occupation as a preoccupation, which is my mother, Rose.’

He trailed his fingers down his shins while I spoke.

‘We are here in Spain to visit the Gómez Clinic to find out what is actually wrong with her legs. Our first appointment is in three days’ time.’

‘Your mother has limb paralysis?’

‘We don’t know. It’s a mystery. It’s been going on for a while.’

He started to unwrap a lump of white bread covered in cling film.

I thought it might be part two of the jellyfish-sting cure but it turned out to be a peanut-butter sandwich, which he said was his favourite lunch. He took a small bite and his black, glossy beard moved around while he chewed. Apparently, he knows about the Gómez Clinic. It is highly thought of and he also knows the woman who has rented us the small, rectangular apartment on the beach. We chose it because it has no stairs. Everything is on one floor, the two bedrooms are next

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to each other, just off the kitchen, and it is near the main square and all the cafés and the local Spar. It is also next door to the diving school, Escuela de Buceo y Náutica, a white cube on two floors with windows in the shape of portholes. The reception area is being painted at the moment. Two Mexican men set to work every morning with giant tins of white paint. A howling, lean Alsatian dog is chained all day to an iron bar on the diving-school roof terrace. He belongs to Pablo who is the director of the diving school, but Pablo is on his computer all the time playing a game called Infinite Scuba. The crazed dog pulls at its chains and regularly tries to leap off the roof.

‘No one likes Pablo,’ the student agreed. ‘He’s the sort of man who would pluck a chicken while it’s still alive.’

‘That’s a good subject for an anthropological field study,’ I said.

‘What is?’

‘Why no one likes Pablo.’

The student held up three fingers. I assumed that meant I had to stay in the injury hut for three more minutes.

In the morning, the male staff at the diving school give a tutorial to student divers about how to put on their diving suits. They are uneasy about the dog being chained up all the time, but they get on with the things they have to do. Their second task is to pour petrol through a funnel into plastic tanks and wheel them out on an electric device across the sand to load on to the boat. This is quite complicated technology compared to the Swedish masseur, Ingmar, who usually sets up his tent at the same time. Ingmar transports his massage bed on to the beach by attaching ping-pong balls to its legs and sliding it across the sand. He has complained to me personally about Pablo’s dog, as if the accident of my living next door to the diving school means that I somehow co-own the miserable Alsatian. Ingmar’s clients can never relax because the dog whines, howls, barks and tries to kill itself all through their aromatherapy massage.

The student in the injury hut asked me if I was still breathing.

I’m starting to think he wants to keep me here.

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He held up a finger. ‘You have to stay with me for one more minute, and then I will have to ask again how are you feeling.’

I want a bigger life.

What I feel most is that I am a failure but I would rather work in the Coffee House than be hired to conduct research into why customers prefer one washing machine to another. Most of the students I studied with ended up becoming corporate ethnographers. If ethnography means the writing of culture, market research is a sort of culture (where people live, the kind of environment they inhabit, how the task of washing clothes is divided between members of the community . . .) but in the end, it is about selling washing machines. I’m not sure I even want to do original fieldwork that involves lying in a hammock watching sacred buffalo grazing in the shade.

I was not joking when I said the subject of Why Everyone Hates Pablo would be a good field study.

The dream is over for me. It began when I left my lame mother alone to pick the pears from the tree in our East London garden that autumn I packed my bags for university. I won a first-class degree. It continued while I studied for my master’s. It ended when she became ill and I abandoned my Ph.D. The unfinished thesis I wrote for my doctorate still lurks in a digital file behind my shattered screen saver like an unclaimed suicide.

Yes, some things are getting bigger (the lack of direction in my life), but not the right things. Biscuits in the Coffee House are getting bigger (the size of my head), receipts are getting bigger (there is so much information on a receipt, it is almost a field study in itself), also my thighs (a diet of sandwiches, pastries . . .). My bank balance is getting smaller and so are passion fruit (though pomegranates are getting bigger and so is air pollution, as is my shame at sleeping five nights of the week in the storeroom above the Coffee House). Most nights in London I collapse on the childish single bed in a stupor. I never have an excuse for being late for work. The worst part of my job is the customers who ask me to sort out their traveller’s wireless

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mice and charging devices. They are on their way to somewhere else while I collect their cups and write labels for the cheesecake.

I stamped my feet to distract myself from the throbbing pain in my arm. And then I noticed that the halter-neck strap of my bikini top had broken and my bare breasts were juddering up and down as I stamped about. The string must have snapped when I was swimming, which means that when I ran across the beach and into the injury hut I was topless. Perhaps that is why the student did not know where to rest his eyes through our conversation. I turned my back on him while I fiddled with the straps.

‘How are you feeling?’

‘I’m okay.’

‘You are free to leave.’

When I turned round, his eyes flickered across my newly covered breasts.

‘You haven’t filled in “Occupation”.’

I took the pencil and wrote WAITRESS. My mother had instructed me to wash her yellow dress with the sunflower print on it because she will wear it to her first appointment at the Gómez Clinic. That is fine by me. I like washing clothes by hand and hanging them out to dry in the sun. The burn of the sting started to throb again, despite the ointment the student had smeared all over it. My face was burning up but I think it was because of the difficulty I’d had filling in ‘Occupation’ on the form. It was as if the poison from the medusa sting had in turn released some venom that was lurking inside me. On Monday, my mother will display her various symptoms to the consultant like an assortment of mysterious canapés.

I will be holding the tray.

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There she goes. The beautiful Greek girl is walking across the beach in her bikini. There is a shadow between her body and my own.

Sometimes she drags her feet in the sand. She has no one to rub suncream on her back and say here yes no yes there.

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Dr Gómez We had begun the long journey to find a healer. The taxi driver hired to take us to the Gómez Clinic had no reason to understand how nervous we were or what was at stake.

We had begun a new chapter in the history of my mother’s legs and it had taken us to the semi-desert of southern Spain.

It is not a small matter. We had to remortgage Rose’s house to pay for her treatment at the Gómez Clinic. The total cost was twenty-five thousand euro, which is a substantial sum to lose, considering I have been sleuthing my mother’s symptoms for as long as I can remember.

My own investigation has been in progress for about twenty of my twenty-five years. Perhaps longer. When I was four I asked her what a headache meant. She told me it was like a door slamming in her head. I have become a good mind reader, which means her head is my head. There are plenty of doors slamming all the time and I am the main witness.

If I see myself as an unwilling detective with a desire for justice, does that make her illness an unsolved crime? If so, who is the villain and who is the victim? Attempting to decipher her aches and pains, their triggers and motivations, is a good training for an anthropologist. There have been times when I thought I was on the verge of a major revelation and knew where the corpses were buried, only to be thwarted once again. Rose merely presents a new and entirely

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mysterious symptom for which she is prescribed new and entirely mysterious medication. The UK doctors recently prescribed antidepressants for her feet. That’s what she told me – they are for the nerve endings in her feet.

The clinic was near the town of Carboneras, which is famous for its cement factory. It would be a thirty-minute ride. My mother and I sat shivering in the back of the taxi because the air conditioner had transformed the desert heat into something more like a Russian winter. The driver told us that carboneras means coal bunkers, and the mountains had once been covered in a forest, which had been cut down for charcoal. Everything had been stripped for ‘the furnace’.

I asked him if he’d mind turning down the air conditioner.

He insisted the AC was automatic and out of his control, but he could advise us on where to find beaches with clear, clean water.

‘The best beach is Playa de los Muertos, which means “Beach of the Dead”. It is only five kilometres south of town. You will have walk down the mountain for twenty minutes. There is no access by road.’

Rose leaned forward and tapped his shoulder. ‘We are here because I have a bone disease and can’t walk.’ She frowned at the plastic rosary hanging from his mirror. Rose is a committed atheist, all the more so since my father had a religious conversion.

Her lips had turned blue due to the extreme weather inside the car.

‘As for the “Beach of the Dead” ’ – she shivered as she spoke – ‘I’m not quite there yet, though I can see it would be more appealing to swim in clear water than to burn in the furnace of hell, for which all the trees in the world will have to be felled and every mountain stripped for coal.’ Her Yorkshire accent had suddenly become fierce, which it always does when she’s enjoying an argument.

The driver’s attention was on a fly that had landed on his steering wheel. ‘Perhaps you will need to book my taxi for your return journey?’

‘It depends on the temperature in your automobile.’ Her thin, blue

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lips stretched into something resembling a smile as the taxi became warmer.

We were no longer stranded in a Russian winter so much as a Swedish one.

I opened the window. The valley was covered in white plastic, just as the student in the injury hut had described. The desert farms were devouring the land like a dull, sickly skin. The hot wind blew my hair across my eyes while Rose rested her head on my shoulder, which was still smarting from the jellyfish sting. I dared not move to a less painful position because I knew she was scared and that I had to pretend not to be. She had no God to plead to for mercy or luck. It would be true to say she depended instead on human kindness and painkillers.

As the driver steered his cab into the palm-fringed grounds of the Gómez Clinic, we glimpsed the gardens that had been described in the brochure as ‘a mini-oasis of great ecological importance’. Two wild pigeons lay tucked into each other under the mimosa trees.

The clinic itself was carved into the scorched mountains. Built from cream-coloured marble in the shape of a dome, it resembled a massive, upside-down cup. I had studied it on Google many times, but the digital page did not convey how calming and comforting it felt to stand next to it in real time. The entrance, in contrast, was entirely made from glass. Thorny bushes with flowering purple blooms and low, tangled, silver cacti were planted abundantly around the curve of the dome, leaving the gravel entrance clear for the taxi to park next to a small, stationary shuttle bus.

It took fourteen minutes to walk with Rose from the car to the glass doors. They seemed to anticipate our arrival, opening silently for us, as if gratifying our wish to enter without either of us having to make the request.

I gazed at the deep blue Mediterranean below the mountain and felt at peace.

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When the receptionist called out for Señora Papastergiadis, I took Rose’s arm and we limped together across the marble floor towards the desk. Yes, we are limping together. I am twenty-five and I am limping with my mother to keep in step with her. My legs are her legs.

That is how we find a convivial pace to move forwards. It is how adults walk with young children who have graduated from crawling and how adult children walk with their parents when they need an arm to lean on. Earlier that morning, my mother had walked on her own to the local Spar to buy herself some hairpins. She had not even taken a walking stick to lean on. I no longer wanted to think about that.

The receptionist directed me to a nurse who was waiting with a wheelchair. It was a relief to pass Rose over to someone else, to walk behind the nurse as she pushed the chair and admire the way she swayed her hips as she walked at a pace, her long, shining hair tied with a white, satin ribbon. This was another style of walking, entirely free of pain, of attachment to kin, of compromise. The heels of the nurse’s grey suede shoes sounded like an egg cracking as she made her way down the marble corridors. Stopping outside a door with the words Mr Gómez written in gold letters across a panel of polished wood, she knocked and waited.

Her nails were painted a deep glossy red.

We had travelled a long way from home. To be here at last in this curved corridor with its amber veins threading through the walls felt like a pilgrimage of sorts, a last chance. For years, an increasing number of medical professionals in the UK had been groping in the dark for a diagnosis, puzzled, lost, humbled, resigned. This had to be the final journey and I think my mother knew that, too. A male voice shouted something in Spanish. The nurse pushed the heavy door open and then beckoned to me to wheel Rose into the room, as if to say, She is all yours.

Dr Gómez. The orthopaedic consultant I had researched so thoroughly for months on end. He looked like he was in his early sixties,

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his hair was mostly silver but with a startling pure white streak running across the left side of his head. He wore a pinstripe suit, his hands were tanned, his eyes blue and alert.

‘Thank you, Nurse Sunshine,’ he said to the nurse, as if it were normal for an eminent doctor who specialized in musculoskeletal conditions to name his staff after the weather. She was still holding the door open, as if her thoughts had wandered off to roam on the Sierra Nevada.

He raised his voice and repeated in Spanish, ‘Gracias, Enfermera Luz del Sol.’ This time she shut the door. I could hear the cracking sound of her heels on the floor, first at an even pace and then suddenly faster. She had started to run. The echo of her heels remained in my mind long after she had left the room.

Dr Gómez spoke English with an American accent.

‘Please. How can I help you?’

Rose looked baffled. ‘Well, that is exactly what I want you to tell me.’

When Dr Gómez smiled, his two front teeth were entirely covered with gold. They reminded me of the teeth on a human male skull we studied in the first year of my anthropology degree, the task being to guess his diet. The teeth were full of cavities so it was likely he had chewed on tough grain. On further scrutiny of the skull, I discovered that a small square of linen had been stuffed into the larger cavity. It had been soaked in cedar oil to ease the pain and stop infection.

Dr Gómez’s tone was vaguely friendly and vaguely formal. ‘I have been looking at your notes, Mrs Papastergiadis. You were a librarian for some years?’

‘Yes. I retired early because of my health.’

‘Did you want to stop working?’

‘Yes.’ ‘So you did not retire because of your health?’

‘It was a combination of circumstances.’

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