Issuu on Google+

Joby Talbot

ALICE’S ADVENTURES IN WONDERLAND

FULL SCORE

October 2012

CHESTER MUSIC


Alice’s Adventures in Wonderland was commissioned and first performed by the Royal Ballet. The world premiere took place at the Royal Opera House, Covent Garden, London, on 28th February 2011, choreographed by Christopher Wheeldon, with the Orchestra of the Royal Opera House, conducted by Barry Wordsworth.


INSTRUMENTATION Flute 1 Flute 2 (dbl. Piccolo) Flute 3 (dbl. Piccolo) Oboe 1 Oboe 2 (dbl. Oboe d’amore, Cor anglais) Clarinet 1 in Bb/A Clarinet 2 in Bb/A (dbl. in Eb) Clarinet 3 in Bb/A (dbl. Bass Clarinet in Bb) Bassoon 1 Bassoon 2 (dbl. Contrabassoon) st 4 Horns in F (1 dbl. Ram’s Horn) 3 Trumpets in Bb (1st dbl. Piccolo Trumpet in Bb) 2 Tenor Trombones Bass Trombone Tuba Timpani (dbl. Percussion*) *shared with Percussion section: Finger Cymbals, China Cymbal, Sizzle Cymbal, small Triangle, small Suspended Cymbal, Whip

Percussion (5 players): Xylophone, Marimba, Vibraphone, Crotales (+ bow, plastic beaters), Glockenspiel, Keyed Glockenspiel, Handbells (2-octave range from Bb below middle C + high C), Tubular Bells, Church Bell in G, 3 Tam-Tams (S/M/L), Bass Drum (gran cassa), Cymbal and Pedal Bass Drum set, Side Drum with snares, Kick Drum, 2 Tom Toms (M/L), Rototom (L), Trash (pots & pans, etc.), Triangles (S/L), Finger Cymbals, 2 China Cymbals (M/L) (+ bow), Sizzle Cymbal, Clashed Cymbals, 3 Suspended Cymbals (S/M/L), Hi-hat, Bell Tree, Mark Tree, Sleigh Bells, Cowbell, Whip, 2 Tambourines (1 on a stand), Lion’s Roar (string drum), Wind Machine, Thunder Sheet, Ratchet, Football Rattle, Castanets, Claves, 2 Woodblocks (high-low), 3 Temple Blocks (S/M/L), Frog Guiro, Shaker, Dumbek, Riq 2 Harps Piano, dbl. MIDI keyboard (“inside piano”) Celesta Female Voices (amplified, minimum of 4 singers) Strings (10 [1 dbl. scordatura Vln].10.8.8.6) All instruments in the score are written at sounding pitch, with the usual octave transpositions for piccolo, contrabassoon, tuned percussion, celesta and double basses. Double bass harmonics are written as normal notes, i.e. an octave above actual pitch.

PERFORMANCE NOTES Muting requirements: Horns – straight, bass trombone Harmon mutes with stems removed, to create wa-wa effects. Trumpets – straight, Harmon, cup, plunger; Trombones – straight, Harmon, cup, plunger; Tuba – straight. All strings except basses require practice (preferably Tonwolf) mutes. Ossia lines are provided - for Cor anglais if Oboe d’amore is unavailable and for separate Clashed Cymbals / Pedal Bass Drum if a set is unavailable. When performing in a pit, the entire orchestra should be amplified, with particular attention given to the strings, piano, harp, ram’s horn and voices. Since 6 April 2008, Control of Noise at Work Regulations (2005) have applied to the music and entertainment industry in the UK. Similar laws may apply in other territories. To comply with these regulations, passages marked ‘optional tacet’ may be omitted if noise levels within a confined performance area are deemed too high. See the HSE leaflet Sound Advice (ISBN 978 0 7176 6307 1) or visit http://www.soundadvice.info for more details.


CONTENTS

Act I c.45’

1. Prologue ................................................................. 1 2. Down the Rabbit Hole ......................................... 57 3. The Hallway/Growing and Shrinking.................... 69 4. The Pool of Tears .................................................. 99 5. The Caucus Race ................................................ 109 6. The Paper Boat .................................................... 121 7. Fish and Frog Footmen ....................................... 129 8. Pig and Pepper .................................................... 135 9. The Knave .......................................................... 158

Act II c.26’

1. The Cheshire Cat ................................................ 187 2. The Mad Hatter’s Tea-Party ................................ 193 3. Alice Alone......................................................... 210 4. The Caterpillar.................................................... 222 5. Back in the Hallway ........................................... 232 6. The Flower Garden............................................. 237

Act III c.43’

1. The Gardeners .................................................... 286 2. Enter the King and Queen .................................. 298 3. The Queen’s Adagio........................................... 303 4. The Croquet Match............................................. 313 5. Playing Card Dance ............................................ 331 6. Setting Up the Courtroom................................... 343 7. The Queen’s Tango ............................................ 351 8. The Trial ............................................................. 356 9. The Chase ........................................................... 398 10. Epilogue............................................................. 412

Total duration c.1 hour 55 minutes


ALICE’S ADVENTURES IN WONDERLAND

Joby Talbot orch. Christopher Austin and Joby Talbot

ACT I

1. Prologue Flute 1

Inquieto (q = 116)    

Flute 2 (dbl. Picc.)

 

Flute 3 (dbl. Picc.)

 

Oboe 1

 

Oboe 2 (dbl. C.A./ Ob. d’A.)

 

Clarinet 1 in Bb & A

2 

3 



solo

4 

 



5  

3





 

3

p marcato





6 

3

   

 

3

7  

    3





 

3





8 

3

3

Oboe d’Amore

 

in Bb

 

in Bb

Clarinet 2 in Bb & A (dbl. Eb Cl.)

 

Bass Clarinet

Clarinet 3 in Bb (dbl. B.Cl.)

Bassoon 1

 

Bassoon 2 (dbl. Contra)

  

Horn 1/2 in F 1 dbl. Ram’s Horn

Piccolo

Contrabassoon

  1. Horn in F 

Horn 3/4 in F

 

Trumpet 1 in Bb (dbl. Picc. Tpt. in Bb)

 

Trumpet 2 in Bb

 

Trumpet 3 in Bb

 

Trombone 1,2

 

Bass Trombone

 

Tuba

  

Timpani (dbl. Perc.)

Trumpet in Bb

   



Finger Cymbals

p



   

          

       

       

       

       

       

       

       

Percussion 2

          

       

       

       

       

       

       

       

Percussion 3

 

Marimba

 

Cabasa

Percussion 4

Percussion 5

  

p marc

 

solo

p



  

Harp 1

Bb Db

 

 

Harp 2

Bb Db

 

Piano

1/2 Female Voices 3/4

Violin I

 





 

  







div.





 

div.

  



 



  

   

 

 

 

 









 

 

 





 

 





 

 

 



 

 

 



 

 

 



 

 

 

 







 

 

 

 



 

 

 



 

 

 



 

















 

p



  

 



 

p







 



pp

  

  

  

p

 

div.



 

 



pp

 



 

 



I

  p flautando

  

(non div.)

pp

  Double Bass



div.

  Violoncello

    Inquieto (q = 116)    

  Viola

   Violin II

  

mf l.v. sempre

  

mf

 

sempre con ped.



  

solo

 

Inside Piano *

 



 

 

 

  



 

 

Celesta

p.d.l.t.

mf p.d.l.t.

 

mf

Bell Tree Large Triangle



p marc



Xylophone

Percussion 1

 

III

pp



  

 

    

  mp flautando

   

p

 

   







  

   

 

  mp

 

   

p

 

   

p







  

   

 

  mp

 





  

p

  

 

   



 

  

  mp

p

* MIDI Keyboard, sampled sounds

© 2011 Chester Music Limited

rev. Nov. 2011/ 3 October 2012


I-1 Prologue

2  Fl. 1 

1

9 



solo

Fl. 2

Fl. 3

Ob. 1

Ob. 2

Cl. 1

Cl. 2

 



10   

3

p marcato



 



3





11 

3

 

 





  

3

 

3

12  



 

3

solo

solo

solo

  

mp

 

 

   

mp

 

mp

 

3



  

p

 

3

 



3

Oboe d'Amore







13   

 

  

  



  

p

 

 

   

mf

mp





 

  

  

   

 

mp

 

p

  

  

  

   

mp

 



   

  

 





p

mp

mp

 

p

 

mp





  

Piccolo

mf

14   

  



15 

16 

  

 

Hn. 3/4

straight mute

Tpt. 1

straight mute

B. Cl.

Bsn. 1

Hn. 1/2

Tpt. 2

   

 

   p

 

 

p

  

     mf

    

 

mf

p

mf espress.

p

mf espress.

Tbn. 1/2

B. Tbn.

Timp.

Perc. 1

 (F.Cym.)    (Xylo.)   (Mar.)

Perc. 2

 

Perc. 3

Perc. 4

 

 

    

 

       

     

 

       

       

  

    

       

     



    

 

       

     

 

       

       

  

    

       

(Bell Tree/L.Tgl.)

 

Vln. I

solo

3

   







  

 





     

     

 

 

 







3

 



 

 





 



     

     

 

 

  



Glockenspiel



3

 

  

 

3

 

 

  

  

 

  

 

  







p marc.

  

 



 



 

 





3

 



 

 

  







    

 

  

 



 



 

 















 

 



   

 

  





 





 

  

   

  

 

 





 

 

 



 



pp

















 















Vln. II

  

      

D.B.



   

  Vc.



sempre con ped.

1

mf playfully 3

  

Vla.

  

 

Pno.



 



     

Cel.

 



 

Hp. 2

     

 

Hp. 1

(Cabasa)

Perc. 5





Tba.



Tpt 3.



   



 p

   

  

   

 

 

   

 

  

 

mp







p

   

  

  

   

 

 

   

 

  

 

mp







p

   

  

  

   

 

 

   

 

mp

  

  

 



p

   

  

   

 

 

mp

3

3


I-1 Prologue

 Fl. 1 

17  

Fl. 2

18 

19 

20 

Ob. 1

Ob. d'A.

Cl. 2

      

 

Bsn. 1

Bsn. 2

Hn. 1/2

3

mf 

        

           

mf  

3

3              

           3

3

     

mf

3

  

 

mp

p

 

mp

mp

  

p

 

(straight mute)

B. Tbn.

Timp.

Perc. 1

 (F.Cym.)   

Perc. 4

 

  

 



Cel.

  





 

 

 

Vln. I

  Vln. II

mf espress.

 

 

p

3





 

pp

 

pp

 

3

pp

 

mf

mf

mf

mf

 

pp

mf

mf

 

  

mf

        

    

 

              

     

  

 

 

 

       

       





 





  

 



 

 



  





p

      

   

 

3



 

3

   





3 3



 

 



 





 

 

 





 

      

 







  

 

p

    

mf

    

 

 







  















3

3

3

       3                         3   3  

 

 





 

 

 





 





  

 





  



 



 









 

 

 

 



   

                             



 





      







 

 

        

 

mf

 

  

 mf





























  

  

  

  

  

         









         



        







  

  

  

  

mf

p

IV gliss.

       

mf





 

p

    

mf

  

div.



p

       

 

 

D.B.



 

  

Vc.



mf



 Vla.

 



  

 

 

 

  

 

mf espress.

     



 

Pno.

 

p

 



              

   

 

 

3

 

   

Hp. 2

mf espress.

    



straight mute

(Glock.)

straight mutes

Perc. 3

(Cabasa)

(Mar.)

(Bell-Tree/L.Tgl.)

        

Hp. 1

straight mute

 (Xylo.)         

(straight mute)

Perc. 2

Perc. 5



Tbn. 1/2

p



p

pp

Tpt 3.

Tba.

mf espress.



pp Tpt. 2



p

mf

mp

mf espress.



24



p

3

   

23 

                      

          

      3      

mp Tpt. 1

         

3

a2

 

mf

3

3

pp

  

3

  22               

 a2  

Hn. 3/4

   

21           

mf

mf

mf

Cl. 1

  

Picc. 3

3



2

    

IV gliss.

mf

6

6

   

  p

  

 p

    





  mf    

   

IV gliss.

5

   

  mf

(non div.)

  

  

 

 

 





p

  

mf



mf

    

mf



mf

 


4

I-1 Prologue

3 CURTAIN   Fl. 1 

25

 

Fl. 2

 

Picc. 3

26 

   

27 

   

       

   

   

p marc.

   

Cl. 2

Bsn. 1

Hn. 1/2

 

   

Hn. 3/4

 

Tpt 3.

  

p

p

 

Tbn. 1/2

p

 

B. Tbn.

p

Timp.

Perc. 1

 

Perc. 3

Perc. 5



Hp. 1

Hp. 2

Cel.

(F. Cym.)





 

 

 

Voices 3/4

  

    3

        

   

   





3

  

 

solo

  

 



 p

  











31       

     

p

p

p

    



p

    

     

 

32       

    

p

p

p

    

 

mf

      

   

  

                

   

mf

4.

pp

   

           

   

2.

  

               

pp

  

  



  



   

 

     p



     p

  p



     p

     

Harmon mute

  

l.v.

with bow, l.v. sempre

    



        

 

pp

  

mp



l.v.

l.v.

Crotales

 



p







 



p



 

p



p



 

p

    

p



    

p



p

 

 

 

 



  Vla.

 

 

 

 

 



   

unis.







 

 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

pp molto espress. 3 soli

 pp molto espress.



  

  



                  



           

p legato sempre

 

uh...*

  Vln. II

To Piano



* as in ‘but’

        

pp molto espress.

3 soli

pp molto espress.

pp molto espress.

3 sole

pp molto espress.

 

3

 



  



     p



    

(straight mute)



3

mf

   

            

p



Vln. I

D.B.

   



  

Vc.

   

1/2

   

30 

 

Pno.



   

  

Small Susp. Cymbal

(Glock.)

   

Harmon mute

Perc. 4

 (Xylo.)         

Perc. 2

p

Tpt. 2

29 

                p

p

   

     

   

  

p

 

Tpt. 1

Tba.

   

  

   



28

   

solo

Cl. 1

B. Cl.

p marc.

 

Ob. d'A.

Ob. 1

   

   

p


I-1 Prologue

 Fl. 1 



Fl. 2

Picc. 3

Ob. 1

Ob. d'A.

Cl. 1

 

Cl. 2

B. Cl.





  33      

    

p

p

      

    

p

p



 

  34     

p

      

    

p

    

   

  

    

Hn. 2

Hn. 3

Hn. 4

 

Tpt 3.

            p

           

p

         p

         

        





      

p

       p

    

p

     p

 



   

     

p

      p

p cantabile

    

 

p

     p

 

(F. Cym.)

(Xylo.)

(Mar.)

 



 

 

(Glock.)

p



To Timp.

mf p

(straight mutes)

p

(straight mute)

         p marc.  

                   



p

 Db C§ Bb Eb F§ G# A§

 

    1/2 

Timpani

               



    mp

Vla.

sul tasto

Vc.

unis. sul tasto

D.B.

l.a.



ppp



ppp

 

sul tasto div. ppp



   





3

3



3

3

 

     

3

3

3

3





  

3

 





3

3

 

3





3

 



 



 

3

3

 



3

3

3

 



     

 

3

 

3



 





   



3

3 3

 





 

  

3



 p cantabile



  

  

tutti div. a3

 tutte div.



  



  

pp

 

pp

p

   

  



 

 

  

 

   

p cantabile

  

   



 

  



 

 



 

 



 

 

 



   

 



pizz.

p marc.

 



 

mf

Vibraphone









 





  



Piano Keyboard

mf



 

3





3

3

 

3

 

 3

 3



 



     

7

mf

 

div. a4

     mf







3



 

mf

 

3

 3

 

 3

  3

  



 

 





  



 

3



3

  





  

 

   

3

 

3







 

3

  

   





 



 

3

3

 

3

3

3

3

3

3







 







 

 

 

3

3

 



3   



 

 

3

   



 

3  3



3



   



   



    

3

                

   

  

   

  

   

     

  

  

  

  

3

                                  

  

   

  

   

  

  

  

  

  

     

        

arco unis.



    

  



 3



  

3





 

3

3

 

3

 

3

 

 

3

3

mf

 

 



3

3





mf

3



 



mf

    



         



mf

3



 

    

mf

7

3

 



      

         



  

         

3

9

div.

       

    

3

        



mf



     

        

     

 

3

  

   



 

   

 



 

 



p

mf

tutti div. a2







     

     

3

 

      

 



3

p

    3            



3



 

3

3



3

3



 

3

3

      

 

3



3



3



3



   

 

  



3

   



3

3

 



  



3

3



3

 



 

mf marc.



  3



ppp

3 sole

div. a 3



  



  

 

sim.

3

    

solo

ppp

3

solo





3

mf

g.a.

3

   

3 soli

  

p

mf

Vln. II

3

   

       

  

mf

g.a.





risoluto



mf marc.

 G# F# Eb



 solo

 



3



3



mp





                   



Vln. I



         p marc.  

To Finger Cymbals

3 soli

 

3

mf

3





3/4

3

 mp 3



 p

Pno.

3

 

p

(Crot.)

Cel.

3

mf

 

  mp

   

B. Tbn.

mf





3

   

Contrabassoon

p

Hp. 2

  mp



         

mf

Hp. 1







3

 



mf



Perc. 5

    

Perc.4





Perc. 3

        

      

 

 

5

40    



    



 



 



Perc. 2

       

3

mf

p

mf espress.



p



 

p

 Perc. 1 



     



 

3

 

mf



Timp.





mf

3

mf

              



 



      

 



p

        

Tbn. 1/2

Tba.

 

  

p

                               



   

   



      

p

               

  

mf

 

39      

   

               

  

 

Tpt. 2

mf cantabile

38 

 

   

37 



                           

p

36 

Tpt. 1

35 

 

Hn. 1

    

p



Bsn. 1

Bsn. 2



4



  

 3




Fl. 1

  

Fl. 2

Picc. 3

Ob. 1

Ob. d'A.



 

3

f

 

f dolce

  f

 f

Cbsn.

Hn. 1





 

 

 



 





 

 

 

 









 

 



 

  

 

Hn. 3

  

Hn. 4

 

3

 





 



3

 

Tpt 3.

 3



 

3

3

 



3



 Timp. 

3



 

Cel.

 

Pno.

Vln. I

  Vln. II

f dolce

 

mf dolce

 

(Glock.)

  

 

 

 

 



 









 

 



 



 

 

 

 





 







 

 





















   

 

 





 



 

 

 







 







 

 













 

 



 3

 

3

3

  3



  3

 

3

3

 



   

3

 

3

3

3



 



 

3

f



 

 

 3

f

 



 

 

 

 

 

  



3

3

 

 

3

 

 

3



 



 





  







 

  

  

 

 

 

  







3

 







 

 3

3

3

 

3

3

3

3

3

3

 



 

 3

  







3







3

 





3

 





3

3

3

3







  



 

 

















3

3

                   3

3

3

 





3



poco

 

 

 

 

 

 

 

poco

senza sord.

senza sord.

            mf

3

3

senza sord.

3

         3

3

3

mf

poco

3

3

3

        

mf

poco

poco

poco

poco

To F. Cym.

poco

 

 

 







mf

 Bell Tree Large Triangle

 

 

mp

poco

 

poco

 

 

poco



 

 

 

 

 

poco

poco

poco

3



 

 

 

poco

 

poco



3





 

3

 

 

 



3

3

poco

p

3



3

 

  

 

   







3

3

3





3

 







3

poco

  

p



3

 





 

p

3

            

mf

poco

 



poco



3

 



3

poco



 

 

 



3

            

mf

poco

 

 



poco

 

poco

 

 

poco

3











f dolce











 



 

f dolce



 

f dolce

  

f dolce div. a 2

     

  

       

     

  

       

     

  

       

  

 

      

 

       



    



  

     

  

       

     

  

       

     

  



 



 







   



unis.

  

  

  

    

     

    

  

    

 

    

  

    

 

    

  

    

    

 

    

  

    

 

    

   

    

 

    

  

    

 

  

poco

poco

poco

    

 

poco

  

   

a tempo 

  

  



poco

 



 

  

 

      

  





  

 



 



f dolce







    D.B.  

 

3



div. a 3

 

3



f

f dolce



3



3



   

 

3



 









   







   



 



f dolce



 

 

   

 

 

poco



 

   

3

            

mf

poco

 



3

pp



 

 





 



3



 



 

 

poco

  pp

 



 

poco

to Oboe 2

pp





poco

 

pp



mf

 

 

pp



 

poco



pp

f

      

Vc.

 





 

f dolce

Vla. (div. a 4)







 

 

 

 







 

 

f

Hp. 2

 

a tempo 46              

poco

mf

 

pp



f dolce

 





 





 

 



45 

 

f (Vibr.)

Hp. 1





 







 

 

44  



f





 



(Mar.)

Perc. 5

 

 

  Perc. 1 

Perc. 3.

 



  

(Xylo.)

Perc. 2

 



f dolce





3



    

Tba.

 



f dolce





 

I-1 Prologue

mf

  

B. Tbn.

 





3



3

3

3

Tpt. 2

3

 3



 

43  



  

3

 

 



 



 

  

f dolce

Tbn. 1/2





Hn. 2

3



 



 

3

f

   

Tpt. 1

 



3

 









f dolce

Bsn. 1

 



f

B. Cl.



 

42 

3



3

f

 

 3

 



  

Cl. 1/2

41    



6

  

poco

   

 

poco

poco

 

 

pizz.

mf


I-1 Prologue

5

Fl. 1/2

Giocoso (q = 116)  47        

48 

f

  

Picc. 3

f

 1.   

Ob. 1/2

f

f

  

Cl. 2

f

  

soli

solo

       mf

f

 

 

 

 

 

mf

f

mf

solo

  

  

 

51    

  

 

     



 

 

     



     



mf

3

        

mf

3

    mf

 

  

 

 

 

 

   

  

    

   

mf

  

mf

Bsn. 1

Hn. 1/2

    

 

 

 



 



 



 

 

p sub.

  

  

                

f

Tpt 3.

 



 







 

             





   

 





      

      



 



 





 

 

 

mf



 



 

 

  

 

 

 

               

mf 3

 

 

 



 



 



 

 

 



       

      

                        

 



Finger Cymbals









                        

p marc.

 



                 

1. senza sord.



  

f marc.

   

1.2.

                 

                

 



a2

mf dolce

              





 

B. Tbn.



To Timp.

mf

       (Xylo.)

Perc. 1

 

mf

f

mf

  

Tbn. 1/2

Timp.



p marc.

p sub.

Tba.

 

 

                    

Tpt. 2

 



Tpt. 1

1. solo

a2

mf dolce

Hn. 3/4





3



3

   

52



1.2.

mf

f

mf

B. Cl.

50 

mf

49 

mf

   

Cl. 1

7

3

     

3

mf brillante

   

 

  

 

 

  

 

 

 

 

 

    

f

3

(Mar.)

Perc. 3

  

Perc.4

(Bell Tree / L.Tgl.)

Hp. 1

Hp. 2

Cel.

3

  

3

mf brillante

    

    

l.v. sempre

 

 

 

 

 

 

 

 

 

    

f

3





 

 

      3

    

 

3

  

 

  

 

 



 











p



p

D§ C# E§

    

3

f brillante

       3

    3

 



                           

                



                           

  

  

  

f

Vln. I III

   f

pizz.

       f

  

  

  

    pizz.

f

  

pizz.

mf

  

  

  

  

  

  

  

  

  

  

  

  

  

  

 

 

mf

  

Giocoso (q = 116)  II                   

D.B.

 

    

Vc.



Vla.

Vln. II

Pno.

      Perc. 5   (Glock.)



f



Perc. 2

  

  

  

  

  

  

  

  

  

  

 

                                                    

 

 

 



 



     3

                                     

                                   

                                     

                                   

                                  

  

 

 

  

  

  

  

 

 

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

 

 

  

  

  

  

  

  

  

  

  

  

 

  

  

  

  

    

  

  

  

  

    

  

  

  

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

mf

f

mf

  


I-1 Prologue

8

Fl. 1

  

Fl. 2

Picc. 3

Ob. 1

Ob. 2

Cl. 1

Hn. 1/2

 

 

non cresc. 6

                                 

non cresc. 6

non cresc. 6

  

   

      

  

                                        

   





    

non cresc. 6

      

 

 

  

  

  

Tpt. 1

 

 

 



 



   

Tpt 3.

 

 



Tbn. 1/2

Timp.

Perc. 1

                                  p leggiero

            

Perc. 5



   

p leggiero

(Bell Tree / L.Tgl.)

Cel.

Pno.

Vln. I

(Glock.)

   

   

  

  

  

    

  

  

  

  

  

 

6

mf

f

      

 

  

 

6

      

mf

        

     p

mf

    p

        mf

  

mf

f

mf

  

  

                                 mp

                                 mp

               

  

               

  

   

  

               

 

  

  

 

  

    

    

   

   

   

  

  

 

  

 

  

a2

p

 

 

  

 

 

 

 

  

  

  

  

Eb

  

 

  

 

  

 

 

 

 

 

   

      

  

unis.

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

 

 

       

 

  

   

  

         

Vc.

   

                                             

Vla.

   

                                       

mf

p

       

Vln. II

D.B.

 

   

senza sord.

 

   

mf

Hp. 2

Perc.4

Hp. 1

 (Xylo.) 



p leggiero

non cresc.

Perc. 3

p

    

 



mf



mf

a2

    

mf    

senza sord.

Perc. 2

p leggiero

p

  



Tba.

  

p marc.

B. Tbn.

  

6

1.             ���                 

  

                                     

  

6

 

  

        

mf

 



  

  

    

mfp



               

non cresc.

  

   

p

                    p marc.

Tpt. 2

  

 

               



  

mf

leggiero

3.4.

Hn. 3/4

 

               

leggiero

     

   

                                 

non cresc. 6

leggiero

     

   

a2    

               

p

leggiero

non cresc. 6

 58               

leggiero

                                        



57                

leggiero

     



55 56                                         

54



6



 

   

B. Cl.

Bsn. 1

 

  

Cl. 2

53

  

 

  

  

  

  

  

  

  

  







  

  

  

  

 

  

  



 

 



arco

arco

mf espress.

  p



 



mf espress.

p espress.

mf

 

 mf

   

 

mf 4

   

         



 

fp





 



arco

mf

p

 

                         

 espress.

  

  

 fp


I-1 Prologue

Fl. 1/2

 

            

Cl. 1

            

Cl. 2

B. Cl.

Bsn. 1

Hn. 1/2

            

Ob. 2

   

   

 

60 

 

 

 

  

 

 

 



 

Tbn. 1/2

B. Tbn.

Tba.

     

    Timp. 

 

   

   

    

 (Xylo.) Perc. 1 

 

 

Perc. 3

Perc.4

Perc. 5



 



mf



 

  

Cel.

1/2 Voices 3/4

Solo Vln. I



  



 



3

3

 

    

    

 



f

 



 







3

    

a2

  a2

 







 

 

 

mf







D§ C§ Bb Eb F§ G§ A§







 E§

 



 

 



3

 

  

  

 

  

     

  

     

 

 

f

  

 

f

f

 

 

 

   

 

1. (senza sord.)

  

mf espress.

mf

mf

  

    

  

 

    

fp

    

 

     

 







p



p molto marc.













p molto marc. with fingers pp

 

(struck)

mf

f

 

  

  

 





  

  

  

 

  

 



 

a2

mf marcato



a2

uh mf marcato

9

             

Vln. I g.a.

9

                  6

                   6

Vln. II

                  6

f

 

f

  f

 

f

 

 

 

 

 

     

 

 

 

f

     

 

 

     

 

 

     

 

 

 

 

 

  f espress.

 

rall.









f espress.

 









f espress.

 

 

 









 

           

f

 

 

  

 

  

 

div.

              



 







 

 

ffp

 





f espress.





p

  

p

ffp

 

ffp

 

 

fp

   

uh

 

  

mf

 

uh





mf

pp flautando

mf

pp flautando

mf

pp flautando







                    

gliss.

sul pont.

o

pp legato



                  

o

pp legato

7

7

                    

sul pont. gliss.



mf

o

7

7

pp legato

mf

o

                   7

pp legato

 

  

fp

o

gliss.

7

7

o

sul pont. gliss.

 

uh

pp flautando loco

mf

 

 

sul pont.

  

mf



Meccanico q = 92

mf

div.

f sonore



pp

ffp

ff

f espress.

9

 



f espress.

9

Vc.

 

ff

f espress.

Vla.

                   6

ffp

f espress.

 

ffp

     

ppp leggierissimo

f



ppp leggierissimo

 

 

 

 

   



 

p

 

 

Crotales      

 

Mark Tree

 E§ Db

         

mf

 

 to scordatura Violin 

Vibraphone



  

 

 

espress.

 

 

fp

64 







            

D.B.

     

f

mf

3

3

 

3

mf

f

3

3

  

  

                   3

3

 

Meccanico q = 92

    

fp

3

3

3



     

                   

 (Glock.)



 

 

f

fp



3





mf

3

     

f

3

 

3

 

mf

3

 

    

 

3

       



                    3

3

mp

mf

f

f

3

3

3

 



f

Finger Cymbals



f

                  

mp 3 optional tacet

 

  



mp optional tacet

mf

3

 

mp

  

3

3

3



3

3



3



                  3

3



 



3

3

3

mf

mf



3

 

mf

mf

3

3

3

 

 

                 

  

 

 

mp



f

 

 

 

 



mp

 

 

 



3

mf

    

3

mf

 



3

 

Hp. 2

 

 

mf

Hp. 1





3

Perc. 2



 

mf

 

(Mar.)



mp

a2    





3





mf

 



 

mf

 

3

 

9

7

63

     

a2

                     

mf

62

rall.

61                             

mf

 



mf

mp Tpt 3.



mf

                          

Tpt. 1/2



                           

Hn. 3/4



            

Ob. 1



Picc. 3

Cbsn.

59              

7

o

o

         7

        7

                    7

7

                  7

7


I-1 Prologue

10

Fl. 1/2

 

65 

66 

67 

68 

69  rapido

        

     

     

70 

71 



72 



 fltr.       

 

 

Ob. 1





Cl. 1





Cl. 2













 





Hn. 3/4





Tpt. 1









 





Picc. 3

B. Cl.

Bsn. 1

Hn. 1/2

Tbn. 1

Timp.

(Xylo.)

 Perc. 1 



(Mar.) Perc. 2



Perc. 5





 

     

               

 

  

  

       

               







 

     

               

 

  

  

       

             

  

Cel.

1/2 Voices 3/4

To Bass Drum



 

Large Triangle

 



mf

    

Guiro

uh

 

 

uh

 Solo Vln. I 

uh

 

uh

scordatura - tuned semitone higher actual pitch in score

    

uh

   

uh

uh

  

uh

 

 









Large Triangle



mf

 



To Whip





  

   





 



 

  



sf

Hp. 2

 



Hp. 1

f

   

f 3



(Crot.)

Perc. 4

(Vibr.)

Perc. 3

   

uh

   

uh

 3                  

        

  

uh

  

uh

 

   

uh

   

uh

  

uh

  

uh

    uh

  

uh

 

uh

   

            

  

uh



   

    

   

uh

   

uh

  

uh

  

uh

 

   

Db Cb Bb Eb Fb G§ Ab





Db Cb Bb Eb Fb G§ Ab











uh

    

uh

uh

uh

uh

uh

   

           

    

       

IV

 

 

   

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

















  

 

ff impetuous

Vln. I

Vln. II

Vla.

   

             7

  

 o

                    7

7

                  

unis. Vc.

o

  D.B.   

7

7

o

 o

        

   

  

   

  

   

  

nat.



pp

7

                  7

  

7

   

  

   

  

   

  



      

  

  



   



     

           







p







   







 p







   



  

  

  

  

  

  

4 players only nat.

pp

  

   

 

 


I-1 Prologue

Fl. 1/2

Picc. 3

  

73  

    mf f

 



 



 

   





rall.

74 

1. fltr

    

Ob. 1

 

Cl. 1

 

Cl. 2

 

B. Cl.

Bsn. 1

  

 







mf espress.

mf espress.

  

11

75

8

76

 

 

 

  

 



77  







 

 



 

 

  

 



 

 





 

 

 

 

 

 





 

 

  





 

 

Hn. 3/4

 





 

 

Tpt. 1

 





 

 

Tbn. 1

 





 

 

Tbn. 2

 





 

 

B. Tbn.

 

 

 

  





 

 

 

 

 

 

   

  



 





 

 

(Mar.)









 





 

 

 

 

 

 

  

      

p.d.l.t. mf con bravura

 

     

   

      

p

sff

 







 

 

To Suspended Cymbals / L. Tgl.





 

 

To Glockenspiel

 





 

p dolce

     

 

   



 

   

 F§

  

 

 

   

 

  



   

 





 







 mf l.v.



 



 

 

 

 

 



 

 

 

   

 

p

 

 

 

 

 





 

 

 





 

 

 





 

 

 

 

  

  

Vln. I

         

D.B.

  

Whip



 

Vc.

 



 



Vla.

Bass Drum

  

pp

  Solo Vln. I  

Vln. II div. a 2

 

mf p.d.l.t.

 

3/4

    

pp

sf





 

Voices

sf

Perc. 4

1/2



Pno.

(Vibr.)

Cel.

p



 

Hp. 2

  

mp

Perc. 3

 

muffled, with hard sticks

  





 

Hp. 1

pp



(Xylo.)

Perc. 2

Perc. 5





Perc. 1



Timp.

 

 

78 



Tba.



Allegro energico q. = 144  

Hn. 1/2

B.Setting Up The Garden Party

 

  

   

  

 

uh

 



uh

 

  

  

 

 

 

uh

 

uh

  



 





 

















 

 





 

Allegro energico q. = 144  



 

   







 

   





 

 

  







 

   





                  

 



  

 

    

  















  

  

  

 

 



sff

 



rall. take normal violin

          

loco nat.







pp

 

 

nat.

pp

 

 

 



 

pp

 





 

 

 

pp

 

 

  

 

  

 

  

 

 

 

pp

 

 



 

tutti div. a 2

 

pp marc.

  



     

pp marc.

 



unis.

  

pp marc.

 

 

   

p stacc.

p stacc.

p stacc.

  



mp



mp

  

  

p stacc.



mp

 mp

 

   

   

   

























 

 

 

 

 





 











 






























I-1 Prologue

12   Fl. 1    

Fl. 2

79 

      

p

 

p

80



81 

82 

83 

84 



mf

         



     

mf

Ob. 1

Cl. 1

Cl. 2

 

Hn. 3/4

Tpt. 1

Tbn. 1/2

B. Tbn.

B. Cl.

Bsn. 1

Hn. 1/2

      



      



 

Tpt. 2

Tpt 3.

Tba.

Timp.

Perc. 1

 

(Xylo.)

straight mute

mf

straight mute mf

           p

Perc. 3

Cel.

Pno.

Vln. I

               

mf





p



Large Triangle

  









p delicato

                     (div.)

                   

Vc.

mf

Vla.



 

D§ C§ Bb Eb F§ G§ Ab

Vln. II

D.B.



Hp. 2



mf

 

Hp. 1



           

Perc. 4

Perc. 5

(Vibr.)

               

p

(Mar.)

Perc. 2



      



  

                                                                                                                         



               

                 

                 

 

 

                 

tutti unis.

 





 

mf eroico



 

                 

 



sul tasto



ppp


I-1 Prologue

Fl. 1/2

 

85 

 

Picc. 3



86  

 

mf eroico



87  

 a 2 soli

  

13

 



88 





 

 

90 

  

 

9

89 

  



             1.

B. Cl.

Bsn. 1

Ob. 1/2

Cl. 1

Cl. 2

Hn. 1/2

mf eroico

mf

              mf

  



1.

 





mf eroico

 

 





3.



Tpt. 1

Tpt. 2

Tpt 3.

Tbn. 1/2

B. Tbn.

 

 (Xylo.) 

Timp.

Perc. 1

Tba.

mf

Hn. 3/4



1.            

mf

p

 

 

   

 

 

 

 

   

 

 

mp marc.

Perc. 2

(Mar.)

mp marc.

Perc. 3

Perc. 4

Perc. 5

(Vibr.)

To Susp. Cyms / L. Tgl.

Hp. 2

Cel.

Pno.



D.B.

mf

             

f marc.

 

p

  

 

 



mp marc.

p.d.l.t.

 



            

Db C§ F§ Gb

mf marc.

p.d.l.t.

           

  

mf marc.

  

   

 

                                                        



                 

                 

  

 

 

 







   

p cantabile

 

 

mf

 

                 

     





 

    

 

 

   

 

9

  

   

                 

  

 

  



 

mfp

                        

                                     

 

  

mp marc.

   

 

Glockenspiel

Vc.

Vla.



mp

mf

Vln. II

  

Large Susp. Cymbal

 

Db Gb

Vln. I

Small Susp. Cymbal

pp

 

Hp. 1

  

mfp

div.

mfp

 



    


I-1 Prologue

14 92

93

94





 

95 



96

 

91 

            

Fl. 2

Picc. 3

Ob. 1

            

Fl. 1

mf

mfp

Ob. 2

mfp

mf

Bsn. 1

Hn. 1/2

Cl. 2

              

              mfp

 

Hn. 3/4

mf





 



 

 mf

mf

      

               mf







mf







 



p cantabile



 



p cantabile



 

 



 





mf

 



mf

cantabile

 



3.





 



 







 



 

mf

  mf

(straight mute)



mf



 

 mf



1.

 



p cantabile





cantabile



Tpt. 2

Tpt 3.

Tbn. 1/2

B. Tbn.

 

Tpt. 1

Tba.

Timp.

Perc. 1

 (Xylo.)     

 

    

 

 

 

   

 

 

(Mar.)

    

Perc. 2

Perc. 3

Perc. 4

Perc. 5



Hp. 1

 

 

 

   

 

 

 

    

 

 

 

 

   

 

 

   

(Glock.)

             

             

             

  

 

  



 

  



 

  



 

  



Large Triangle

 

  



 

              

           

           



 

  



 

 

    

 

 



 

  



 

 

     

 

   

 

    

      

 

 



 

  

 

   

 

 

      

 



 

     

 

   

 

 

    

             

  

   

  

  

  

  

  

                 

                 

                 

    

  

  

 

  

 

                 

                 

                 

Vla.

mf

Vc.

p

mf

mf

   

p

p

  

     

Vln. II

  

  

 

  

     



p

             

 

 



            

 



            

  

  

mf

p cantabile

 

  

    

D.B.

 

  

Vln. I

    

mf

Pno.

 

      

Cel.

 

Hp. 2

mf

            

     

 

p cantabile

mf

mf

 

       



p cantabile



             

              

Cl. 1

            

    mfp

mfp

mfp

                                                         p

p

p


 Fl. 1  Fl. 2

 

Picc. 3

Ob. 1

 

 



      

 



mf

    

 

   





mf

Cl. 2

B. Cl.

Bsn. 1

   

Hn. 2

mfp

  

Hn. 3

Hn. 4

 

mfp

 

Tpt. 1

   

 

 

 





 































mfp

Tpt 3.

Tbn. 1/2

Perc. 1

 

Perc. 4

    

Perc. 5



(Glock.)

Hp. 1

Hp. 2

Cel.

Pno.

1 solo Vln. I

 

g.a. unis.

               

 











 









 



 



 



 



 



 



 



 



 

mf



mf

 

 

 

 

 

 

 

   

   

 

  

   



 

 



 

 

 

 

 

 

  

 

 

   

 

                                         





 



 

  

 

 

 

 

 

 

   

   

 

  

   

  

   



 

 

 

 

 

 

      

 





 





 

 

 

      

 

 

  

 

 



 

   

 

 

 

   

   

 

  

 





 



Gb



 



 

 

 

 

 

 

  

 

 

 

 

  





 

 

 





 



 



 

  



  





 

 

 

mf

 

     

     

     

     

     

 

  

 

 

 

  

 

      

   

  

 

           

      

   

    

             

 



 

          

        

         

 



 



                    

 



     

   

  

 

           

 

      

   

    

             

Vc.

D.B.

  

   

                  

 

p





   

 

 

 

 

 



p

p

 

 

 





 





p









   p

p

 

 





 





 Large Triangle

 



  

mf

���





   

           

      

   

          

   

      p

       p        

               



f appassionato

p

mf dolce

p

             



        

                      





          

          

                            

                   

              

                  

                  

   

p

              

              



                  

                  

p



mf

  

p

               

                  

 

 

   

   

 

  

        

              

 





  

p

        

                  



p

        

   

 

p

f appassionato

        



  

  

                    

        

 

 

                    

        

p



         

p

 

mf

     

     

  

           



      

  

 

      

 



mf

     

 







      

  



mf





  

     

 

 

 

 

 

 

 

  

                  

  

     

mf

  

  



 



      

               

p

     



 

      

  

  

 

 

p

 

 

 



 

     

 

   

 

 

 

 

 

 

         

p

      



  

p

      

 

 

 

    

 

 

    



 

  

 

  

   

 

p

mp

  



 

 

 





  

mf

 

 

  

Vla.



 

p

l.a.

 

  

p

(senza sord.)



 

 

(senza sord.)

 

p

2 sole

   

mf marc.

Vln. II

g.a.

 



p

                    

2 soli

 



  







     







      







         f





 

mf marc.

                

 



p



 

mf





 



 

p





 





 

Large Susp. Cymbal

           

 



 

 



mf





 

pp



 

mf

Medium Susp. Cymbal







 



(Vibr.)

Perc. 3







 

mf

(Mar.)

Perc. 2

 



 

            

 

 

 

 

 





 



   

 





 

102            

 



  



 

 



 (Xylo.)

 

 



 

p

 

15

 



  

mfp

B. Tbn.

Tba.

straight mute

 

101   

           





mf

 







mfp

Tpt. 2





mf

(str. mute)













 





 

mf









 









 









 

 







 





  





 





p

 

 







100 



 



   

 

 





 



99 

mf dolce

mf

   











          

Cl. 1



 

 

98 





mf

Ob. 2

Hn. 1

 97   

 

I-1 Prologue

10

 

 

   

 

   

 

         

mf dolce

 

 

  

   

                                   mf dolce

        

p

p

f appassionato

              

                  

   

 



                    p

 

p

p


I-1 Prologue

16  Fl. 1  

Fl. 2

Ob. 1

Ob. 2

Cl. 1

Cl. 2

            

 

 

 



    

 

  

Perc. 2

Perc. 3

Perc. 4

Perc. 5



  

   



 





 

 

 

 

 

 

   

       

    

 

105   



 

 

 

 

 

 

       

11  

 

 

 

 

 

 

 

 



 

 



 

 

 

 

 

 

    









 

 

 

 

  

 

 

 

 

mf

p

mf

p

mf



 

       







 

       







 

       







 

       



p

p



mf

mf



p



 

mf

 



p



 



mf





       

p











  p

mfp



 

 



p

  

mfp

 

mfp

 

108 

       



       

 



mfp

 





107 



 

 



106 

 

 



  

mfp





























 

       







 

       



p

p

mf

mf

To L. Tgl.

(Mar.)



            mfp

           

           fp

            fp



           fp

(Vibr.)

(Glock.)





 

p

  

 

p

 unis.  

 





 

 



 

mfp



mf

 

p

p



mf

 

   

 

  

 

 

 

 



   fp

 

            

   

   div.    

 mfp

mf

   

pp

  

  

  

 

fp

  

 

   

   

  

  

  

 

fp

  

 

   

   

mfp

   

mf

   

mfp

   

  

 

 

 

IV   

III   

 





                                           



 

tutte div. a 2

 

 

           

                   

 





 

div. a 2

D.B.





 

 



Vc.





mfp



Vla.







 







 





Vln. II





104 





Tbn. 1/2

B. Tbn.



 

Vln. I





Tpt 3.

Pno.

 

Tpt. 1

Cel.

 

                  

 

Hp. 2



 

Hp. 1

 

  

Tpt. 2



                

Hn. 4

Perc. 1

  

Hn. 3

Timp.



   

Hn. 2

Tba.

 

 

B. Cl.

Hn. 1



 

Picc. 3

Bsn. 1

103            

pp

unis.

mf

pp

 

flautando III

mf II

p

   

mf

   

mf

  

  

  



  

 


I-1 Prologue

17

12

 

109 

110 

111 

112 

113 

Fl. 2

Picc. 3

Ob. 1

���

Cl. 1

Cl. 2

Fl. 1

B. Cl.

Bsn. 1

Hn. 1

  

  

p





   



mfp

Hn. 4



Tpt. 1/2

Tpt 3.





  





p





  









mfp



 



     



      



     



mfp

mfp





mfp

 



















  

mf

mfp

mf

 

(straight mute)



mf

mfp



mf