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Editor’s Note
Dear Reader,
As spring unfolds, many may feel the urge to refresh their wardrobe, home, or even perspective, and in this issue of Scan Magazine, you will find just the inspiration needed to get started.
For decades, Scandinavia has been renowned for its minimalist design ethos and global fashion brands. However, in recent years, sustainability has become another notable trademark of the region. This is evident both in this issue’s theme on Swedish fashion and in our special architecture feature, where one of the Nordic pioneers of sustainable architecture shares his visions.
In this month’s cover story, we meet someone who has been the source of inspiration for millions of readers for more than two decades: the beloved Swedish blogger and author Sandra Beijer. Here, she shares her thoughts on writing and her latest musical experiment with Scan Magazine
Meanwhile, art lovers will not want to miss our special theme on Norway’s art scene, which explores everything from a very special exhibition of Edvard Munch’s work in Rome to a number of exciting contemporary voices in the Norwegian art world.
As always, we also present a host of exciting places to visit, stay, and eat, as well as a range of unique Scandinavian designs and international favourites.
So, if you are looking for inspiration for your mind, home or wardrobe, just turn the page.
We hope you enjoy reading this issue as much as we enjoyed putting it together.
Signe Hansen, Editor
SCAN MAGAZINE
In this issue
COVER FEATURE
6 Sandra Beijer
– meet Sweden’s bold storyteller
From blogging to books and now the stage, Stockholm-based writer Sandra Beijer continues to captivate with her honest voice and creative flair. This autumn, her new play, Glow Up, premieres at Dramaten. We catch up with the multitalented blogger to talk about her latest project, last year’s musical venture, and how she keeps her creative spark alive.
DESIGN
12 Spring fashion, accessible Scandinavian design, and garden fun
In this month’s We Love This, we celebrate the new season by showcasing stylish – and some slightly lavish – Scandinavian must-haves for your garden. Meanwhile, our Fashion Diary brings tips on staying effortlessly chic as the days get warmer. And, in our special design feature, we spotlight Nørgaard Design, the Danish studio that reimagined the sofa from a prim setting for tea and conversation to a space for relaxation and, most recently, a functional hub for work.
ARCHITECTURE SPECIAL
20 Lendager – The Nordic pioneer of sustainable architecture
Creative director Anders Lendager and his interdisciplinary consultancy firm Lendager turn sustainability talk into action, with real buildings and bold innovations that reuse materials and cut carbon – far beyond the buzzwords of today’s trends. In this special feature, we explore his vision to let form follow availability.
LIFESTYLE
24 Seasonal cupcakes and a deserted island beer dilemma
Sofia Nordgren, Scan Magazine’s food columnist and award-winning cookbook author, welcomes spring with a fresh, lemony take on seasonal baking. Meanwhile, beer sommelier Malin Norman reflects on the ultimate deserted island dilemma: if you could bring just one beer, which would it be –and should you even care about moderation? 6
SPECIAL THEMES
30 Norway’s art scene
We begin this theme with a visit to Rome, where Edvard Munch’s iconic works take centre stage in Edvard Munch. The Inner Scream – the first major exhibition of his work in the city in decades. From there, we turn to bold contemporary voices: Dag Hol, who envisions launching his own National Gallery; Kjell Folkvord, whose paintings reflect a world in turmoil; and Gro Mukta Holter, whose deeply emotive art has resonated with therapists and their patients.
38 Swedish fashion brands to look for in 2025
From timeless jewellery to eco-conscious eyewear, Sweden’s fashion scene is redefining global style. Brands like EOE Eyewear prove that sustainability and innovation go hand in hand, while heritage labels like Engelbert shine with generations of craftsmanship. We take a look at some of the brands shaping the looks of 2025 and beyond.
CULTURE
82
The best new events and music in Scandinavia
Where to go? What to see? It’s all happening here in this month’s Culture Calendar of the best arts events in the Nordics. Meanwhile, our music columnist Karl Batterbee picks out the best new tunes in the region, our film and TV expert looks at the uncompromising quality of The Girl with the Needle, and Swedish illustrator Gabi Froden questions how come spring just feels better back home.
Sandra Beijer’s blog celebrates its 20th anniversary this year. One of Sweden’s biggest blogs, it has millions of views per month.
Sandra Beijer: Poised storyteller with an authentic voice
With a steady hand and a clear sense of direction, blogger and author Sandra Beijer guides readers through her everyday life in Stockholm, her travels abroad, new writing projects, heartbreaks, and the mixed emotions of becoming a parent. Regardless of format, her voice is always refreshingly authentic and yet graciously poised. This autumn, Beijer’s new play Glow Up premiers at Dramaten. We catch up with the ever-resourceful storyteller to discuss her latest project, last year’s musical experiment, and how she feeds her creativity.
By Malin Norman | Photos: Sandra Beijer
Sandra Beijer is a veteran in the blogging world. Impressively, her blog celebrates its 20th anniversary this year. One of the most established blogs in Sweden, this is also one of the country’s biggest with millions of views per month. “Still after so many years, it feels like a luxury to be able to write a diary as a living. It’s the best job imaginable – I’ll probably blog forever,” Beijer says with a broad smile. “The blog allows me to express myself. It’s a place where I’m in complete control.”
The success of Beijer’s blog is not surprising, considering her professional experience. Having worked as a copywriter for years, first in Stockholm and later in New York, she has developed a clear sense of direction and an authentic voice in her storytelling, which is complemented by stunning photography. It feels like reading a high-quality lifestyle magazine – a place for inspiration, with Beijer’s evident sense for fashion and interior design as a backdrop.
Reflecting on her previous advertising experience and tendency to work conceptually, Beijer admits: “The blog is shaped around a framework, with recurring themes such as interior tips and latest reads. What people might not know is that I spend a lot of time planning the content. And I always post once per day, regardless.” This commitment and regularity offer a safe place for the readers; you know there will always be something new to read, every day.
Broken hearts and coming of age
Whilst the blog remains Beijer’s main source of income, it has also allowed her to focus on other writing projects, including three published novels, a TV manuscript, a music poetry experiment, and an upcoming play. She has also translated Rupi Kaur’s poetry collection Milk and Honey, published a number of
Beijer’s music experiment Tjejdikter was released last year. Photo: Linn Wexell
short stories, participated in several anthologies, written columns for magazines and newspapers, been in charge of two podcasts, and collaborated with major brands for the blog.
Productive doesn’t even begin to describe her work ethos. “It has always been my dream to become an author and I’m so happy that I decided to follow my passion,” reflects Beijer. “However, working with the blog and writing books became quite lonely after a while, so I wanted to broaden my horizon with other types of projects. But regardless of format and channel, it’s ultimately all about telling a story.”
Beijer’s first novel, Det handlar om dig (It’s about you), was published in 2014. Her debut love story was widely praised as one of the best young adult books.
“This novel changed everything for me. When I landed the book contract, whilst working as a copywriter in New York, I finally gained the courage to quit my job and go all in with the writing.”
Her second novel, Allt som blir kvar (All that remains), was released two years later and also turned into a TV series for SVT, the Swedish public television broadcaster. Beijer wrote the script for the series and also featured as executive producer. The TV series is based on the book, which tells the story of young heartbreak. Matilda is dumped by her boyfriend in the middle of the summer and feels like she’s going to die. Together with best friend Miron, she rides out the sadness. “Working with the TV series was fantastic. First of all, I had the chance to once again work in a creative team, similarly to the advertising indus-
A creative and productive storyteller, Beijer has also published three novels, written a TV manuscript, and most recently the play Glow Up, which premieres at Dramaten in September.
Photo: Isabella Ståhl
try, but I could also see the characters come alive thanks to the director and the actors – a fascinating experience.”
Musical experiment and new play
In 2019, Beijer’s third novel Mellan oss (Between us) was published. This is a deep dive into the complications of enduring the roller-coaster high school years and becoming a teenager; dreams of popularity, the first kiss, and the entry into an adult world.
Following the birth of her son and maternity leave during the pandemic, Beijer regained her inspiration to write, but this time in a different form. Tjejdikter (Girl poems) is an album with lyrics written by Beijer and produced in collaboration with female Indie singers such as Dolce, Nadja Evelina and Manon Lamartine. Described as a collection of poetry set to music, the album was released at Bokmässan (Göteborg Book Fair) last year.
“This was such as random project but honestly so much fun!” she beams. “Music is a big part of my life, and I wanted to try my hand at writing lyrics. So, I got in touch with some record producers, and luckily it became reality. It was incredible
to meet and co-create with these female singers. Tjejdikter is like a mixed tape, every tune with my lyrics and performed by a different singer.”
Her latest project Glow Up is a play for young adults, directed by Carl Johan Karlson, which premieres at Dramaten (Royal Dramatic Theatre) in Stockholm this autumn. “With this play, I delve into female friendships and our ever changing bodies,” elaborates Beijer. “It’s a playful monologue about experiencing disgust for your own body and other people’s bodies, but it also explores the idea of ‘perfect’ influencers versus normal everyday lives.”
Writer with a room of her own
Somewhat of a rebel, Beijer might not be seen as highly controversial but she certainly doesn’t follow the norm. And she doesn’t need to find her voice, it’s there already – in all her work. “When I say something on the blog that might not fit the template of what’s socially acceptable, such as wanting to spend time alone or struggling with the idea of parenthood, it might inspire other people to also say and do things that are considered wrong or not desirable.”
Beijer comes across as grounded with a solid understanding of what she needs, and peace and quiet is key to achieving
her level of creativity. “As a writer, I have to make the time and I need to have my own room, my own place – I need a lot of time on my own. In creative work, it’s also important to constantly gather information and to research your own creativity. If I’m not feeling inspired, I realise that it’s better to just stop and go for a walk, or do something else for a while.”
What does the future have in store for this creative storyteller? Working on the TV series Allt som blir kvar left a mark and Beijer wants more, hopefully with similar projects in the pipeline; “Working on scripts for TV series is mind-blowing. The initial text is not the finished product; the director builds a whole world and the actors make the story come alive. It’s like working with a colouring book, adding different colours to the picture.”
Rest assured, Beijer has plenty in store and new inspirational content on her blog, every day.
Check out Sandra Beijer’s blog: sandrabeijer.elle.se
Follow Sandra on Instagram: @sandrabeijer
Glow Up will premiere at Dramaten on 11 September. Tickets will be available from 9 April.
An avid reader herself, Beijer shares three book recommendations with Scan Magazine:
Body High by Jon Lindsey
“American debut novel from 2020. A chaotic story that moves through the slums of Los Angeles. Body High is a beautiful novel where the main character seems so alive that I fell in love over the 150 pages.”
Supper Club by Lara Williams
“Published in 2019, this book is about two young women who start a lawless supper club. Kind of like a fight club, but only for women. In the club, they expand and reclaim space as a form of feminist action. It’s nicely orchestrated and well written.”
The Guest by Emma Cline
“Tells the story of a young woman who is dumped by her rich, older boyfriend. She is stranded outside a summer house in Long Island, but instead of going home she decides to stay on the island. To succeed, she must deceive the upper class that she belongs there. Stylish and cool page-turner.”
Beijer has a strong sense for fashion and interior design, which also provides inspiration for her blog readers.
Fashion Diary
Finally, we are on the cusp of spring! Swap those thick coats and sweaters for something lighter, and step into the glowing April sun with these incredible pieces.
By Celina Tran | Press photos
With the change of the seasons, it can be useful to have a solid underlayer that you can strip back to when it gets too warm. CDLP’s ribbed tank top is made from Tencel™ Lyocell and pima cotton blend, giving it a silk softness and breathability. The great thing is that it can be as formal or casual as you want, and you can wear it as an undershirt or just on its own. Pair with an unbuttoned shirt of your choice, and you will have a great, textured outfit. Rib tank top in off-black, 100 EUR cdlp.com
This leather bag from Kiko Kostadinov has a contemporary, urban look with buffed calfskin in black and beige. With an adjustable shoulder strap and silver tone trims, it gives a sprinkle of masculinity and fun to more plain outfits.
Kiko Kostadinov Deultum leather bag black/beige, 880 EUR tres-bien.com
No one does lyocell pants like Gothenburg-based Elvine. The Arnason pants feature a relaxed tapered leg, perfect for the warmer seasons. The sage offers a bit of soft colour, not too unlike the season, and can be dressed up and down as required.
Arnason twill in sage, 139 EUR elvineclothing.com
Even though the sun is out, we are not completely safe from the weather yet. Also available in aloe green, Stutterheim’s Bergamo jacket is water and weather resistant, yet the body has a matte finish. It is not only sturdy and practical, but also looks elegant with the two-texture design and relaxed shape.
Bergamo hooded jacket in black, 175 EUR stutterheim.com
Because of Munthe’s aim to reduce fabric at the landfills when producing its printed styles, every pattern is placed differently. With wide legs and adorable sequin flower patterns sprinkled all over the jeans, they are perfect for both spring and summer, adding a touch of colour and playfulness to any outfit.
Fadi pants in indigo, 439 EUR munthe.com
Want a fun, bold piece for your wardrobe that will never fail to impress? The asymmetrical skirt from BITE is bound to get people’s attention. While this is definitely a statement piece, it is also just as perfect for office work as for an evening in the cocktail bar.
Plisse wool skirt, 650 EUR bitestudios.com
One might argue that ballerina shoes should never have gone away to begin with, but at least they are having their resurgence! Designed in Copenhagen, these leathered ballerinas from Angulus are simple and elegant, yet fun with a little decorative bow detail. Ballerina with elasticated decorative bow detail in black, 175 EUR angulus.com
Norwegian luxury brand Atelier Hinoe is all about sustainable fashion and versatility. All its pieces are designed with adjustable elements, which essentially means you will have several different pieces when buying one. This feminine dress features a bell shape inspired by the flower, and is great for anything from a stroll along the pier to a summer wedding. Made from organic cotton, it is breathable and has a stunning back, as well as a tailored bust and adjustable straps. Think this is cool? Wait until you find out about the cherry on top – pockets!
Tulip maxi dress in cotton poplin in pale yellow, 2,450 NOK atelierhinode.com
From paper to production – making quality design accessible
With more than 30 years of experience, Nørgaard Design has developed an in-depth insight into the production of furniture. Alongside a portfolio of highly successful designs, this knowledge enables the company and its creator, Anders Nørgaard, to innovate and create designs that excel in functionality, beauty and accessibility.
By Signe Hansen
“Anyone can create a beautiful sofa with a price tag of 120,000 kroner. The real challenge is creating one for just 25,000. Achieving that requires a good grasp of production, especially fabric consumption,” stresses Nørgaard and goes on to specify how efficient and exact use of fabrics can significantly affect the production price of a sofa.
Graduated from The Royal Danish Academy of Fine Arts in 1989, Anders Nørgaard established Nørgaard Design
in 1994. Today, the company has grown into a recognised design studio, working with Danish and International clients in both the home and the contract markets. In the years in between, Nørgaard designed some of the best-selling sofas in Denmark, redefining what a sofa is meant for.
A pragmatic approach
As a young kid, Nørgaard got a prototype set of chairs in his room, designed by a friend of his parents, Ove Rix, owner, partner and head of furniture design at Friis & Moltke Design. Immediately fascinated by the process and potential of architectural work, Nørgaard soon started dreaming about turning drawings into reality. When he was 18, an introduction to a furniture producer intensified this ambition, and
FourPeople, produced by Ocee & Four Design, is one of the first green-labelled lounge series on the contract market.
Photo: Ocee & Four Design
Table SM140 - Skovby.
Nørgaard soon applied to The Royal Danish Academy of Fine Arts.
From the beginning, Nørgaard’s relationship to architecture and furniture design was defined by a pragmatic approach, an approach that focused on the practicalities necessary to turn an idea into reality. “When I graduated, my grandfather said to me; to succeed, you have to dress like the wolves in your pack, otherwise you’ll be eaten. Then he took me to a menswear specialist and bought me a suit, tie and shoes,” explains Nørgaard. “Wearing that, I went to furniture fairs in Copenhagen, Köln and Milano to create a network.”
The decision to found his own company also arose from practical considerations as unemployment amongst architects was, in Nørgaard’s own words, “rife at the time.” His practical approach turned out to be a distinct advantage in the furniture industry. “What I wanted to do was to create high-quality products that were accessible to people. A lot of things can be made at reasonable prices if you produce enough of them. One chair might be expensive to produce, but if you make 10,000 of them, it won’t be that costly anymore.”
It was, however, not just quantity that enabled Nørgaard Design to create
high-quality designs at accessible prices but also an extended insight into design production, ensuring smart constructions and highly functional solutions. “If you design things with a specific production in mind, you can actually produce a carpenter chair, made in Denmark, at affordable price,” says Nørgaard. “Designing in a dimension that requires discarding half of the wood does not work; you need to use standard dimensions. Moreover, you must consider labour costs, especially if you aim to produce in Denmark – machines should handle the majority of the work, with human hands involved only when essential.”
Following this ethos, the studio recently created the SM 842 dining chair (and table) for the Danish furniture producer Skovby. “Creating a chair like this with a Danish carpenter like Skovby is fantastic – we know the production so well that the design we started with is very much like the product we ended up with. We’ve not had to cut a heel and a toe, but still, we managed to create a chair in solid oak, in Denmark, selling at approximately 2,500 kroner, something people can hardly believe,” Nørgaard enthuses.
A sofa not for sitting but for lounging
But although Nørgaard loves chairs, a sofa first made his name. Early in his career, Nørgaard talked to a furniture
Dining chair SM 842 designed by Nørgaard Design and produced by Skovby. Photo: Skovby
producer who told him that a well-run furniture store got over 50 per cent of its revenue from upholstered furniture. “Then I thought – I need to make sofas,” says Nørgaard. “Back then, not a lot of Danish designers were making sofas. Now, many do, but not back then, so what I became known for were sofas and armchairs.”
One sofa in particular garnered attention in Nørgaard’s early days, the model 100. Unlike most other sofas at the time, this sofa was not designed for sitting neatly on but for lounging. “In reality, people only sat properly on their sofas about 10 per cent of the time, you know, when they were having coffee with their mother-in-law. The rest of the time – 90
The Indivi sofa has become one of BoConcept’s best-selling classics, originally designed in 1999. Photo: BoConcept
Model 100 designed in 1996.
per cent – they ate, watched TV, relaxed or slept in it. That was the theory. That’s why I made my sofas a bit deeper, not as comfortable for sitting, but better for reclining.”
The first to reflect this theory was the model 100, which was initially criticised for being too deep and too reclined but eventually took off. Soon after, Nørgaard met the owner and director of BoConcept, one of Denmark’s leading design store chains. For BoConcept, Nørgaard designed Indivi. Still in production, the sofa is one of BoConcept’s best-selling sofas, as relevant today as it was when it was launched in 1999. “It is a modular sofa, one of the first modular sofas in the world designed with that approach. That’s probably also why it has become a classic,” explains Nørgaard.
FourPeople – green and flexible
With three decades of experience crafting sofas, it is perhaps not surprising that Nørgaard’s most recent major creation also redefines what one can do with a sofa. Designed for the contract market, the modular sofa FourPeople is crafted as a complete system that enables effortless customisation to foster creativity and teamwork. “We’ve never spent so many hours on one product before. We spent the entire time working on this system during COVID lockdown, creating a host of technically complicated solutions,” says Nørgaard. “When you have to
be able to assemble and modulate something, everything has to be connectable and for that, we developed a special mount which you cannot see, but which is the key to the system’s stability and clean lines.”
Like everything we design at Nørgaard, the FourPeople system was a true team effort. “We rely on each other all the time,” Nørgaard explains. “I don’t do 3D drawings, but my colleagues do. When I sketch something the old-fashioned way — on paper, with a triangle, compass, and pencil — they bring it to life in 3D. That’s when the process really begins, with a shared discussion about where we want to take it.”
Another special feature of the FourPeople Modular is that it is EU ecolabel certified, something which requires all components and materials to be deconstructable. As such, it is one of the first green-labelled lounge series on the contract market.
Indeed, three decades in the industry seem to have only fuelled Nørgaard’s creativity rather than slowed him down. “Did I mention we also occasionally design single-family houses for special clients?” he asks toward the end of his conversation with Scan Magazine
Of course, they do – and naturally, one of those houses is currently featured on the website of the iconic Italian lighting
design company Flos. But while these homes are, Nørgaard admits, only accessible for the few, fortunately, his furniture remains accessible to everyday people who appreciate high-quality design.
www.noergaarddesign.dk
LinkedIn: nørgaard-design
Instagram: @noergaarddesign
The Nørgaard Design team.
Photo: Jacob Mark
Fourpeople Work Hut & Sofa Hut - Ocee & Four Design.
Private home Risskov. Photo: Jacob Mark
Private home Risskov. Photo: Jacob Mark
We Love This: Spring is here! Spruce up your garden the Scandi way
With their long, cold winters, the arrival of spring is truly a cause for celebration in the Nordic countries. And, naturally, that celebration manifests in the creation of a host of beautiful outdoor spaces; the Scandi love for design does not contain itself to the interior of our homes. We take a look at some of the most stylish Scandinavian must-haves for your gardens, patios and balconies.
By Signe Hansen | Press photos
Morsø, Forno Outdoor Oven
Danes love to cook outside, and this stylish outdoor oven from the traditional Danish foundry business
Morsø offers a characteristically stylish instrument for doing just that. Launched in 2021, the oven quickly became a favourite with the Danes and helped rebrand Morsø, previously best known as a wood burner manufacturer, as premium lifestyle brand. The oven comes with a host of accessories such as a pizza stone, smoking pipe and more. But even if your cooking skills are limited, you can still enjoy the warmth and beauty from this stylish “hygge” creator.
From 9,999 DKK www.morsoe.com
HAY, Palissade Cord Chaise Longue
With the Palissade Cord Chaise Longue from Copenhagen design brand Hay, you can enjoy your garden while both looking and feeling comfortable and stylish. Characterised by a striking symmetrical geometry, the chaise comes in a range of colours and fits into a wide range of spaces, from lush pool sides to modest balconies. What’s not to love?
From 7.599 DKK www.hay.com
Skargards, Regal Hot Tub
While the idea of a beautiful wood-fired hot tub in your garden might sound a bit like a delirious fantasy, this stunning hot tub from the Swedish company Skargards is actually reality. Founded in 2007, Skargards has spent almost two decades refining the traditional Swedish wood-fired hot tub, and with its elegant simplicity and spacious sitting area, this hot tup is truly the epitome of garden luxury. This might be the garden accessory you never knew you needed but, now, cannot live without.
From 3,590 GBP www.skargards.com
Ecofurn, EcoChair
In recent years, sustainable design has become a trademark for many Scandinavian brands, and fortunately this commendable quality has also made its way into the world of outdoor designs. Made of solid wood and rope only, the EcoFurn® EcoChair from Finland is a perfect example of this. The chair is completely without any plastic or metal parts, which not only makes it sustainable but also flexible and comfortable. Available in a range of colours, the chair’s rustic yet minimalistic design is sure to become the centre piece of any garden setup.
From 149 EUR www.ecofurn.eu
The Danish design duo Says Who is known for its clean, functional approach to furniture and lighting –always with a nod to Scandinavian tradition. With the beautiful, streamlined lamp Temple, they have reimagined the classic lantern to add a touch of style and warmth to any outdoor setting. Crafted in brass, it is tough enough to handle even Scandinavia’s shifting spring weather, and over time its form develops a rich patina that adds character and warmth. As an additional bonus the lamp is available in both solar-powered and rechargeable battery versions, offering a more sustainable way to light up your garden, terrace or balcony.
From: 99.95 GBP www.nordlux.com
Nordlux, Temple (brass)
A future where form follows availability
When architects discuss sustainability and circularity, they often do so primarily as a reflection of current trends. But not Anders Lendager, creative director of interdisciplinary consultancy firm Lendager. When he talks about sustainability, reusing materials, and decarbonising construction, he can refer to a wide range of realised buildings and innovations, not just intangible ideas and visions.
By Signe Hansen
Today, sustainability may be on everyone’s lips, but until very recently, it was nothing more than an experimental movement in the world of architecture. In 2011, out of frustration with the reluctance to implement sustainable solutions in the construction sector, Anders Lendager founded architecture and innovation company Lendager. The goal was for the company to become a global leader, actively driving the building industry toward a more circular direction.
“Every time I worked on a project with a vision of creating architecture that was as sustainable and true to its purpose as possible, I always lost the argument with clients. They would ask, ‘Does it cost more? ‘ If it did, they would question why they should pay for it or even consider it,” explains Anders.
A new aesthetic
When Anders founded Lendager, the ambition was clear – to remove the risk
from sustainable design choices by taking on the responsibility for creating the solutions. The first step was to invent products based on waste materials with almost zero CO2 emissions. “We decided that we needed to redefine what it means to be an architect. It’s not just drawing buildings, but also creating materials and reshaping what it means to build truly sustainably.”
Proving that these were not just idealistic visions, in 2013, Lendager designed Upcycle House, a single-family house made almost entirely out of materials with a prior life, such as shipping containers, Champagne corks and soda cans. Reusing materials enabled an 86 per cent CO2 reduction compared to a benchmark house, crucially without adding any extra cost.
TRÆ, Denmark’s tallest timber structure.
Photo: Anders Nymann Wejse, Velkendt
Upcycle House was followed by a string of extraordinary projects and remarkable material innovations, including wind turbine blades used as building components, waste wood used for floors, interiors, and facades, textile waste used for acoustic materials, and concrete with recycled aggregate recast on-site, among many others.
Today, the company has grown from a small, idealistic startup to a well-established, world-leading consultancy firm in sustainability within the built environment. With 35 employees based in Denmark and Iceland, Lendager enables the green transition in and around the built environment through architecture, urban planning, strategic consultancy and material innovation.
The projects have grown in size and complexity, and Lendager has gradually established a track record of implementing groundbreaking approaches and solutions across a diverse range of typologies. During this journey, market requirements and new laws that force clients to implement more circularity have developed rapidly, and Lendager’s projects have become international reference points, exemplifying a new direction. As a first mover, Lendager now has unparalleled experience across all disciplines of sustainable construction.
Nicholas Ransome, managing director of Lendager, comments: “When we started offering our clients pre-demolition resource mappings ten years ago, it was met with curiosity when we insisted
Lendager’s office in Copenhagen.
Photo: Giedre Skucaite
Upcycle House. The CO2 reductions achieved by upcycling materials were so massive, it led Lendager to question why this approach was not integrated into the building code. Photos: Realdania
on assessing the aesthetic, functional, monetary and carbon value of materials before they were discarded to enable circularity. A lot has changed since then, and this exact same methodology will become mandatory in Denmark this year. We are proud to have been pioneers in pushing this agenda.”
Rethinking biomaterials
In addition to recycling, upcycling, and reusing materials, Lendager is also passionate about the use of biomaterials, which can help buildings become carbon sinks. Situated in the heart of Aarhus, Denmark’s tallest timber structure, TRÆ, exemplifies how this, combined with reused materials, can massively reduce a building’s environmental impact.
One of the unique features of the newly completed project is the use of discarded wind turbine blades for solar shading. With a nomination at the MIPIM Awards, TRÆ stands out as one of the world’s most groundbreaking sustainability and innovation projects. “It challenges the idea that you cannot construct high-rise buildings in wood – but that’s not the most important part,” Anders stresses. “What truly matters is understanding how to minimise material use and utilise resources in the smartest way possible.”
A striking example of this is the use of wood: traditional timber high-rises typ-
ically require around ten hectares of forest for the raw materials. However, TRÆ has saved and reused materials in such a way that it has effectively saved 2.5 hectares of forest. “The key insight is that building in wood isn’t just about sustainability, it can be truly exceptional if we recognise that wood can have a continuous life cycle,” enthuses Anders.
Beyond that, the project also rethinks the use of other waste materials. The façade, for example, is made from discarded aluminium. Crucially, the building has been a massive commercial success, with units rented out faster than any of the developer’s past projects and at a higher-than-average rate.
The process of developing and building TRÆ has been documented in the hugely popular YouTube series Reconstructing the World.
The courage to change path Currently, the team at Lendager is working on a project that embodies the most sustainable construction of them all – the one that is not built. Cryptic, perhaps, but it is what 200 new housing units in the old town hall of Høje Taastrup will exemplify. Formerly scheduled for demolition, the town hall is set to become one of Denmark’s largest rehabilitation project of its kind.
“When you build something new, you consume resources. Even if you calculate the use of biogenic materials, there will always be an environmental footprint. The only way to build with almost zero impact is to repurpose existing structures, reconfiguring them with minimal materials,” stresses Anders.
The story behind the project is inspiring. As the building was set to be demolished, Lendager was invited by the client to see if they wanted to salvage any materials. But as Anders arrived, he said; “You can’t be serious about tearing this down.” The client replied, “We already have planning permission – take whatever you want.”
In response, Anders took the client inside and walked him through the space. “We moved from one facade to another – 11.5 meters, a perfect size for a house. The grid? Ideal for housing. The materials? Beautiful,” he says.
Anders Lendager, creative director at Lendager.
Photo: Maria Albrechtsen Mortensen
The former town hall of Høje Taastrup will be transformed into 200 housing units based on sustainable principles.
TRÆ’s façade is made from discarded aluminium. Photo: Anders Nymann Wejse, Velkendt
Photo: Anders Nymann Wejse, Velkendt
After the visit, he wrote the client a letter detailing the potential of the building and the waste that would be entailed in its demolition. The client called me two months later and said, “I agree.” That was such a ballsy move! Coming up with an idea is one thing, but the real hero is the one who has the courage to hit the stop button,” underlines Anders. “It takes guts to push forward with a vision that challenges the norm.”
A future where form follows availability
Challenging the norm and inspiring change on a broader level is at the very heart of Anders’ unique drive. This is why he talks with enthusiasm about a recent project to transform an old workshop into a circular annexe for the King and Queen of Denmark, reusing old building materials.
The vision was to create a small, sustainable annexe near the castle in Fredensborg – a beautiful, easily accessible retreat that is also used for meetings and representative purposes. “This process encapsulates more than just the building itself. It’s not only a bold project, it represents the acceptance and necessity of moving in this direction. It proves that sustainability can be beautiful, not just practical,” Anders adds.
Through projects like this, Anders Lendager hopes to show the way towards a new perception of architecture, an architecture where form follows availability. “As architects, we must embrace a deep understanding of what is available and approach design to create value from these resources. This is a different way of thinking – one that guides us toward the right answers rather than forcing predetermined solutions,” says Anders and rounds off: “By working this way, we are not just solving problems; we are lighting small beacons for future generations – showing that we didn’t just create challenges, but that we also forged solutions.”
www.lendager.com
Instagram: @wearelendager
YouTube: @ReconstructingTheWorld
The new royal annexe in Fredensborg, transformed from an old workshop. Photo: Birgitta Wolfgang Bjørnvad / BO BEDRE
What’s your desert island beer?
If you find yourself stranded on a deserted island with only one particular beer to enjoy, which one would you go for? Now think carefully, as you probably don’t want to get too tipsy in case you need to take care of practical tasks. But on the other hand, what the heck? You’re on an uninhabited island, all on your own as far as you know, with nothing much to do apart from watching the sun set over the ocean.
By Malin Norman
For me, this is an easy question to answer. My desert island beer, without a doubt, is Allagash White. I don’t usually rave about a particular beer, as there are so many good ones out there and my preferences vary, but I just love this one.
Allagash White is a Belgian Witbier from Allagash Brewing Company in the US. Deliciously lemony and refreshing, it’s highly drinkable and works a treat any time of year but particularly in summer. I can’t think of a better suited beer to take with me for an extended stay on a remote island.
A few other beers would do a neat job, of course. Presumably, this island is located in a sunny part of the world, with a warm
climate and a never-ending beach. So, to be sensible, I would stay with a sessionable and thirst-quenching beer. Brooklyn Brewery in New York is the very first brewery I visited, almost 20 years ago now, and well… Brooklyn Lager is my first love (in the beer world). So, this would be my reliable runner-up.
With this in mind, what’s your desert island beer? Perhaps you prefer something with a higher alcohol content, such as the classic Westmalle Dubbel, or maybe the hyped Pliny the Elder, a double dry-hopped Double IPA from Russian River in the US, or the excellent Export India Porter from London-based brewery The Kernel?
Whether going for an easily-accessible American lager, an elaborate hipster beer or an underdog, a tasty beer is sure to make your stay on the island so much better.
Malin Norman is a Certified Cicerone®, a certified beer sommelier, an international beer judge and a member of the British Guild of Beer Writers.
Photo: Unsplash/George Cox
Vanilla cupcakes with lemon frosting
Spring is around the corner, and, soon, we can start baking with seasonal produce. I look forward to swapping nuts and cocoa for rhubarb, fresh berries and fruit.
By Sofia Nordgren
It’s still a little early to enjoy the fresh produce from the garden. However, we can use all the pretty flowers to decorate our bakes. The pink cherry blossoms are probably my favourites, but almost any spring flower can bring magic to your creations. One of the best things to decorate is cupcakes. The frosting is beautiful on its own, but with a few spring flowers on top, your creation immediately reaches the next level. When it comes to flavour, I love to combine sweet and sour, so for this recipe I have made vanilla muffins and topped them with lemon frosting. And a few pretty spring flowers of course.
AMOUNT: 12 cupcakes
INGREDIENTS:
MUFFINS
1 dl | 100 ml aquafaba
3/4 dl | 70 g granulated sugar
75 g vegan margarine
1 dl | 100 ml plant milk
3 dl | 180 g all-purpose flour
2 tsp baking powder pinch of salt
1 tsp lemon zest (from an organic lemon)
FROSTING
100 g plant-based butter
1 dl | 100 ml powdered sugar
100 g plant-based cream cheese
1 tsp finely grated lemon zest (from an organic lemon)
INSTRUCTIONS:
1. Preheat the oven to 175°C.
2. In a baking bowl, combine aquafaba and granulated sugar. Use an electric hand mixer and beat until white and fluffy. This takes about 30 seconds.
3. Combine all the dry ingredients and the lemon zest and add to the aquafaba.
4. Melt the margarine and add the oat milk, then add it to the aquafaba batter. Stir together.
5. Pour the batter into 12 cupcake liners.
6. Bake in the middle of the oven for about 15 minutes. Let cool completely.
7. Combine the ingredients for the frosting. Stir until smooth and even. Use an electric hand mixer if you think that’s easier.
8. Pipe or spoon the frosting onto the muffins in any way that you like.
9. Decorate with flowers and serve!
Winner of the best Regional Cookbook at the Guild of Food Writers Awards 2022, Sofia Nordgren lives with her family in a small town in Sweden, working as a photographer, content creator and plant-based cookbook author. Cooking and baking have always been a hobby of hers and on top of that, she has a passion for nature, gardening and slow, seasonal living. Foggy mornings, cinnamon buns, and playing with her kids are among her favourite things in life. Sofia Nordgren also runs the successful blog, The Nordic Kitchen
Escape to the heart of the Norwegian wilderness with Hvilepust
For many, summer transforms the city into a sweltering concrete jungle filled with blaring noise, heat-induced headaches, and swarms of tourists. If, on the other hand, you want to escape the endless queues and crammed buses, Norway’s wilderness offers the perfect antidote to busy city life. Here, you’ll swap people for bird song and chlorinated swimming pools for freshwater lakes and rivers – the perfect opportunity to unplug from the hustle of the metropolis for a while.
By Celina Tran | Photos: Hvilepust
“Hvilepust offers a luxurious glamping experience in 360-degree transparent glass igloos among the natural gems of Eastern Norway,” says Rolf Arne Leer, founder of Hvilepust. “All our locations are off the beaten path, so you are completely on your own and can enjoy the company of your travel companions.”
Located in some of the most beautiful landscapes, the Hvilepust igloos offer the perfect opportunity to unwind and reconnect with nature, both from the inside and outside. With panoramic views, each igloo immerses you fully in the surroundings, from lush forests to tree-top retreats.
“For travellers making their way from Oslo to Norway’s mighty West Coast, two of our
igloos are situated on the way there and make a perfect pitstop, whether just for a night or for a few days away from the rest of the travelling population,” Leer says.
From the noise of the Big Apple to the peace of nature
Hvilepust’s story begins far away from the lakeshores and tranquillity of the Norwegian wilderness, in the busiest place of them all; New York City.
“After five years in New York, where I ran a magazine, organised events, and lived in the centre of the fast-paced rat race, the pandemic brought an involuntary pause. I temporarily returned to Norway from New York, thinking I was going to ride out Covid in my cabin,” explains Leer.
Suddenly thrown into some of the calmest and most peaceful surroundings in the world, Leer found himself finally able to sit back, breathe, and take a much-needed break. What had started out as a temporary return home to sit out the storm of the global pandemic turned into a permanent decision. Nature had done something good for him. “It was peace of mind in a chaotic world,” he says. “From there, I started Hvilepust as a chance to help others find the same solace that I experienced.”
Unwind, relax and reconnect
One of the best things about Hvilepust is that it serves as a reset button. Here, you can enjoy quality time with a partner, family, friends or yourself and an entirely private igloo and the forest at your fingertips.
With Norwegian summers bringing warm temperatures, it is convenient that most locations are situated near a refreshing body of water. On top of that, the terrains are peaceful and the trees plentiful. Take some time to birdwatch,
listen to the trees, or watch the stars from inside the igloo at night, and do so in the most comfortable way. Hvilepust offers more than just a place to sleep, with each igloo designed as a multi-functional space and plenty of room to relax and lounge.
“We’ve chosen not to make the bed the focal point. Instead, the igloos are designed as cosy lounges with several chill-out zones, so guests can enjoy a meal or a glass of wine before unwinding for the night,” says Leer. “You’ll have no neighbours, no noise, and you can do with the day as you want. Whether you want to cook up a meal in the woodstove outside the igloo, hike, go for a dip in the nearby water, or just dance around in your birthday suit, you can do that.”
More than anything, Leer hopes that Hvilepust can provide a chance for people to reconnect with their surroundings and people, as well as the natural world.
“When I’m in the city nowadays, I often find that people are glued to their screens and thus very disconnected from the real world. I’m hoping that a stay at one of our igloos will give people a chance to get away from that,” he says. “Our igloos have phone boxes that can be locked, question cards for those who want to get to know each other better, and guests can capture their memories with polaroid cameras.”
Should you miss the buzz of the city, however, most of the igloos are not too far away, with some locations easily accessible by public transport. Further, Leer explains that the hosts at each lo-
cation have put their unique touch on the experience, offering everything from alpaca walks to canoe rentals, fishing equipment, breakfast in bed, and glamping.
So, if you yearn to rediscover life’s simple pleasures, why not dip your toes into Hvilepust’s serene igloos this summer? With nature as your only neighbour, you can kick back, relax, and breathe out.
www.hvilepust.com
Instagram: @hvilepust_ Facebook: HvilePust
Use code EXHALE10 for 10 per cent off all stays throughout 2025 when booking on Hvilepust’s website.
Edvard Munch embraced by the Italian audience
On display from 11 February to 2 June 2025, the exhibition Edvard Munch. The Inner Scream is the first Edvard Munch exhibition in Rome in decades. Before coming to Rome, it broke records in Milan.
By Eva-Kristin U. Pedersen | Photos: Lucky’s Production for Arthemisia
Palazzo Bonaparte is situated in the very centre of Rome, at Piazza Venezia, right at the corner of Via del Corso, one of the main shopping streets of the Italian capital. It is one of the most noisy and chaotic settings you can imagine, yet once you enter Palazzo Bonaparte, the traffic and fuss slowly fade away until it becomes little else than a distant hum that conduces the visitors to silence and make them feel like they’ve entered a space the outside world cannot reach.
As an art venue, it could hardly be more perfect.
Perhaps that is why Palazzo Bonaparte was chosen to host the exhibition Edvard Munch. The Inner Scream, on
display from 11 February to 2 June 2025. The setting, the chaos outside and the silence inside, offers a perfect prelude to
Munch’s art and invites visitors not only to look at but to really reflect on his work.
Edvard Munch. The Inner Scream is the first Munch exhibition in Rome for decades – and the most complete; it comprises more than 100 original works, including some of Munch’s absolute masterpieces, such as The Death of Marat (1907), The Girls on the Bridge (1927), Melancholy (1900–1901) and lithographic versions of The Scream (1895). The exhibition is produced and organised by Arthemisia and supported by the Munch Museum in Oslo as well as the Royal Norwegian Embassy in Rome. It was officially opened by Queen Sonja of Norway and Italian President Sergio Mattarella.
Before coming to Rome, Edvard Munch. The Inner Scream was at Palazzo Reale in Milan, where it attracted a record-breaking 275 thousand visitors. While no numbers are available for the Rome exhibition
The exhibition includes an interactive room where you can really emerge yourself in Munch’s art.
yet, the overwhelming response to the Milan exhibition was a clear demonstration that Edvard Munch’s art resonates with a modern and international audience, more than 100 years after most of it was created.
It is in fact, difficult to imagine how Edvard Munch. The Inner Scream can disappoint anyone. More than a display of his paintings, the exhibition offers intriguing insights into Munch’s mind and intellect as much as his emotions. The curator Patricia Bergman, one of the world’s foremost experts on Edvard Munch, has placed much emphasis on how Munch dwelled on certain topics and how he let them mature on his canvasses; on several occasions, Munch made new versions of the same
painting, partly for financial reasons but also because he was striving for a more accurate, better expression.
The exhibition is also, in many ways, a journey through Munch’s life, portraying it almost as a journey “towards the light”, to paraphrase one of Munch’s most powerful works. His exploration of death and loss, his reflections on love and his piercing depiction of jealousy are juxtaposed with paintings that reveal more serene chapters in the painter’s life. For the audience to be able to see this evolution is an extraordinarily thought-provoking experience and one that makes the exhibition worthwhile also to people who are well familiar with Munch’s work.
“A new vision of the artist can give us a new vision of ourselves,” Bergman said at the press conference prior to the opening of the Rome exhibition. Indeed she really has done a remarkable job in living up to that and in forging a new vision of Edvard Munch. In her exploration of Munch’s emotions, visitors are forced to reconsider their own.
So, if you are in Rome, as you stroll up the Via del Corso towards piazza Venezia, where all the turmoil and frenzy seem to accumulate before giving way to the eternal beauty of ancient Rome, hidden just behind Capitol Hill, allow yourself to stop at Palazzo Bonaparte.
As you walk in, the thick walls will shelter you from the chaos and heat outside. By the time you reach the first floor, where the Munch exhibition starts, you will be ready to take in, reflect on and enjoy a magnificent display of some of the most intriguing art of the 20th Century.
www.mostrepalazzobonaparte.it/ mostra-munch.php
Exhibition: Edvard Munch. The Inner Scream
Location: Palazzo Bonaparte, Rome, Italy
Dates: 11 February – 2 June 2025
The exhibition includes an interactive room where you can really emerge yourself in Munch’s art.
Edvard Munch still comunicates with his audience. Here a self-portrait from 1926
The Scream is one of the most iconic paintings of all time.
Two different versions of Madonna
Forging a path through art
As a child, Gro Mukta Holter wanted to cure her mother’s illness by painting. That proved impossible, but it gave her art a distinctive edge from an early age.
By Eva-Kristin U. Pedersen | Photos: Gro Mukta Holter
“I guess I just never stopped painting,” Holter says of her childhood passion. At six, she realised that painting helped her cope with her mother’s serious illness, and aged 15 she exhibited her art at a gallery at Ormelet, Tjøme – selling out the entire exhibition.
Holter’s professional path was clear early on. At 17, she moved from Nøtterøy to Oslo to study art, even turning down an offer to study with the renowned Norwegian painter Odd Nerdrum.
“It was a huge decision, but I wanted to forge my own path. I knew I had to deepen my academic knowledge to build a
lasting foundation for my career, which meant doing things the hard way and learning everything I could,” she explains. “I was so young when I first realised I could make money from my art.”
Conceptual experimentation
Determined to enter Kunsthøgskolen in Oslo (Norwegian College of Arts), she completed three years’ worth of studies in twelve months, earning her an Upper Secondary School Certificate. “I wanted to be the first in my family to finish higher education,” she notes, completing her Master’s Degree just weeks before her mother passed away in 2003.
As a student, Holter explored conceptual art and identity – she was adopted as an infant from Dhaka, Bangladesh, to Norway. “It was interesting, but eventually I felt more like a researcher. Af-
Holter’s art is expressive and thoughtful.
Gro Mukta Holter. Photo: Gry Traaen
ter having my own child, I realised that I needed to do what I genuinely wanted. It was liberating.”
Holter also challenges the patriarchal structures within the art world. “I breastfed through the nights before my first major solo show and earn more than most male colleagues. I’ve tripled my turnover, and that financial freedom lets me keep working – while also creating jobs.”
Solid craftsmanship
Themes such as existentialism and the exploration of a deeper understanding of psychological mechanisms from birth to death are central to Holter’s work. And while aesthetics is at the heart of her art, the mastery of craftsmanship is equally important.
Since 2019, Holter has divided her time between Norway and Tuscany, where she and her partner bought a house that also serves as a workspace. There, she refines old graphic techniques. “In an age flooded with AI-generated posters, it’s wonderful to work by hand. We use no screens, everything centres on the craft,” she says.
Holter believes that serious artistry requires structure and hard work. “Portraying artists as bohemians discredits all the effort I put in. I typically start at 6am and rarely take breaks – it’s all part of my large body of work.”
Her dedication has brought her art to dozens of galleries and exhibitions across Norway. She collaborates with around 45 galleries nationwide and regularly exhibits elsewhere, also hosting events at her studios. Holter is also not afraid of
challenges; her current exhibition features paintings nearly twice her own size.
“I just finished installing 14 two-meterhigh shelves in my 100 square metre Oslo studio, lifting hundreds of kilos in a week. Physical strain helps me release grief –and proves that stereotypes about petite women are wrong. When the process is so physically demanding, the art emanates even more energy,” she smiles.
Coping with sorrow and loss
Holter’s art strikes a chord with audiences. One of her early solo exhibitions, Everything that was, still is (2011) at Oslo City Museum, was later invited to a MoMA project in New York aimed at people with dementia. Some visitors who hadn’t spoken in years began talking again as they viewed her work. “I was taken aback; I didn’t know my art could have that effect,” she says.
Since launching her website in 2006, Holter has built a national and international following. After the pandemic, she received a surge of inquiries – notably from doctors, neuroscientists, and psychologists whose patients discovered her art. “Their patients use my work as therapy, to cope with sorrow and loss. I recently lost my father, so I’m back to where I started – an orphan – and I truly appreciate hearing that.”
Her art, it seems, has never lost the boldness it gained from the beginning.
Holter’s art explores deeper psychological mechanisms from birth to death.
Existentialism is a recurrent theme in Holter’s art.
Holter started painting as a young child.
Vision, tradition and controversy
Dag Hol plans to open his own National Gallery. In an interview with Scan Magazine, the artist discusses his controversial ideas and lifelong dedication to art.
By Eva-Kristin U. Pedersen | Photos: Dag Hol
“Others can do what they want to; I’ll do what I want to do.” Dag Hol does not mince his words. The Norwegian painter is as criticised by the art establishment as he is loved by his sizeable audience. But at age 73 and after more than 50 years of painting, he has no plans to change course.
“I don’t say something about time, as most critics expects you to, I say something to time,” Hol declares as he describes his artistic mission. “I have a
message, something I want to tell people, and I do that through my painting,” he stresses.
Hol’s paintings do indeed resemble art from a different era. He is unaffected by shifting artistic trends because he aspires to express something that goes beyond contemporary requirements of what art should be.
Philosophical approaches
In his youth, Hol considered studying theology like his father, a pastor, and his art has many religious traits. But despite his origins, he is not confined to Christianity. On the contrary, Hol is significantly inspired by the philosophical approaches
The light guides you home through stormy seas.
Dag Hols work is traditional but his search for light is the carrying element.
of Asian religions, something that is particularly visible in the overarching theme of his art, namely the search for light and – therein – harmony.
“In Chinese philosophy., there is this concept of supreme harmony that we live to approach. That harmony has to do with light, a light that some call God while others use different words to describe,” Hol explains, revealing that one of his dreams is to paint The Hall of Supreme Harmony, the largest hall of the Forbidden City in Beijing – and a symbol of supreme harmony as a state of mind.
Of all light, moonlight is particularly important to Hol, and the veneration of the moon as female, as opposed to the male sun, is visible in most of his work. “The moon is a symbol of the spiritual and something that I almost always include in my work – even when painting daylight,” he says.
Norwegian nature
It is not only religion and philosophy that affect Hol’s work; so does Norwegian nature, though not quite in the way you might think. “I live and work in Norway, and I’m lucky because this is such a beautiful country, and nature is easy to get to,” says Hol, explaining that he frequently
takes his car to drive out of Oslo in search of inspiration.
However, because the search for light is Hol’s purpose, Norwegian mountains and fjords are extras more than protagonists, subjects more than objects. “In a way, it’s a matter of convenience. I could paint Monument’s Valley in Arizona, but it would be a lot harder to get to than Dovre,” he says, smiling.
Although Hol paints mostly landscapes, he is not a painter that takes his canvas with him to make accurate recreations of what is in front of him. That is partly because of his technique, which requires several layers of thin paint to achieve a transparent feel, but also because of what he adds to his paintings. “I dramatise and change what I see. My paintings often reflect my own life, a journey through stormy seas guided by the light towards calmer waters,” he says.
Unachievable perfection
More recently, Hol has started doing portraits – his depiction of famous Norwegian actor Espen Skjønberg, is an example. But whatever he paints, perfection remains unattainable. “We never reach perfection, there is always something missing, but it is the search for
The moon is often present in Hol’s art.
perfection that matters,” he says, referring to the Flemish 15th Century master Jan van Eyck’s famous inscription on his own painting, “Als Ich Can.”
“We have to do the best we can,” he stresses. Doing the best he can also means having an impeccable technique and mastery of the craft of painting. Hol underlines that quality is as fundamental to him as the underlying message of his art. “To many contemporary artists, the concept is more important than the technique. I don’t believe that is true, to me solid craftmanship is a prerequisite.”
Hols unapologetic approach has, he admits, excluded him from many artistic arenas, but to compensate he continues
to create his own. His last solo exhibition in Oslo was a considerable success, with more than 22,000 visitors stopping by the Municipal Gallery, and Hol now concentrates on his own gallery. He recently bought a farm at Sognsvann on the outskirts of Oslo and sometime in the autumn, he looks forward to welcoming visitors to the Dag Hol National Gallery.
“You will not find my paintings in the Norwegian National Museum, so I decided to set up my own – after all most of my paintings are from Norway. Besides, the title National Gallery was free,” he says and smiles, knowing that his words will spark as much controversy as his art always has.
Instagram: @dag.hol
Seemingly transparent light is achieved by many layers of paint.
Dag Hol’s portrait of Norwegian actor Espen Skjønberg.
Vulnerable to impressions
Norwegian painter Kjell Folkvord reflects on how the ongoing wars and volatile world situation have found their way onto some of his canvasses.
By Eva-Kristin U. Pedersen | Photos: Kjell Folkvord
“As an artist, you are vulnerable to all sorts of impressions,” Kjell Folkvord explains. Folkvord, who lives and works in London, says that in particular the wars in Ukraine and Gaza have affected his work, though he stresses that might not be immediately visible to the audience. “I’m an expressionist. There are no corpses lying around, only perhaps more tension in the colour and more intensity in the shapes,” he explains.
It’s not primarily politics that influences his art, so does nature and above all, music. “Music is abstract, so for an abstract painter, it’s a perfect source of inspiration,” Folkvord stresses. Not surprisingly, given the importance of music to his work, one of Folkvord’s paintings was recently chosen for an online exhibition organised by Rise Art; The Sound of Form.
Even though Folkvord is firmly established in London, where he lives with his
wife Ruth, he maintains close ties to Norway. Before the pandemic, he had a solo exhibition at Bryne. “I moved to London as an adult, so the Norwegian identity was already firmly established. Living and working in London means exposure to and confrontation with a much larger world,” he explains.
Important to be true to himself
While living in London might be inspiring, being an abstract painter is not easy. Folkvord explains that people are often reluctant to engage with abstract art, possibly thinking they might not understand it.
“To me, the title is the part of a painting’s identity. It ties the painting to my original idea. But to my clients, it may not be important and they can give the painting their own title if they want to,” Folkvord says, smiling. What is important to him is to be true to himself. “When I stand in front of the canvas, I don’t consider what the audience will say but only try to be true to own my feelings,” he stresses.
www.kjellfolkvordartist.com
Facebook: kjell.folkvord
LinkedIn: kjell-folkvord
“It’s not about understanding the original idea; it’s about adding your own meaning to what you see,” he explains. And, meaning isn’t necessary. It is enough to enjoy the colours, shapes and textures. “To know that I was painting my impressions of a piece of music, for example, isn’t necessary to enjoy the painting,” he states. A Final Movement - 2020 - 76 x 76 x 4 cm.
Death of Isolde - 2019 - 90 x 120 x 4 cm.
1st Movement Op 127 2016 Beethoven String Quartet. 90 x 100 x 4 cm
Every Picture Tells a Story - 2023 - 70 x 100 x 4 cm. Inspired by the artist’s concerns about the current world situation.
Redefining your golfing experience – a unique Finnish fairway adventure
It all started with a dream – to build the world’s best par 3 golf course. That vision is now becoming a reality with Rock Golf, which opens on 17 June. Surrounded by Finland’s pristine wilderness, Rock challenges players with its rugged beauty, offering a golfing experience unlike any other.
By Ndéla Faye | Photos: Lassi Pekka Tilander
Located in Siuntio, just a 30-minute drive from Helsinki, The Rock offers both accessibility and a secluded escape into nature. Ancient pines and junipers, moss-covered rocks, and water areas bordered by steep cliffs create a strikingly atmospheric setting. “Forget everything you’ve thought about par 3-golf courses. We’re breaking the mould,” says Andrea Nyman, Rock Golf’s CEO.
The nine-hole course is designed to push the boundaries of what a par 3 course can be. The terrain creates an experience that is not only visually striking but also challenges players to adapt their game to the surroundings. Unlike traditional courses, where predictability is key, Rock Golf demands creative play and strategic thinking.
A clubhouse that elevates the experience The clubhouse offers players a space to
unwind after a challenging round. It features a high-end restaurant, The Rock Restaurant, which serves high-quality food with a Nordic twist, sourcing ingredients from local producers whenever possible. The pro shop showcases Finnish design and carefully selected items, adding to the premium experience.
Rock Golf is also setting a new standard for golf club services. Visitors will have access to comfortable saunas and dressing rooms, parking with electric vehicle charging stations, and modern rental golf carts. In addition to offering world-class golf, The Rock hosts innovative and experiential corporate events centred around the sport.
“Another major advantage of playing in Finland is the long summer days,” says Nyman. Summer brings the phenomenon of the midnight sun, where daylight
stretches late into the night. This means that golf enthusiasts can tee off in the evening and play well past what would normally be closing time elsewhere.
“For those seeking a unique golfing adventure, Rock Golf provides an experience that is both challenging and rewarding. Whether you’re a dedicated golfer or simply curious about trying something different, Finland’s take on the sport is well worth exploring,” the CEO concludes.
www.rockgolf.fi
Facebook: Rock Golf
Instagram: @rockgolfofficial
Photo: Rock Golf
Vikings in Västerås
The Viking age
Frösåkers Brygga is a genuine attraction for the entire family that takes you back in time.
Anundshög – a forgotten time!
Anundshög is a real treasure for everyone, regardless of how interested in history you are. Anundshög is Sweden’s largest burial mound and is said to be the resting place of King Bröt-Anund although the grave has never been excavated. Alongside the burial mound there are five stone ships from the first millennium AD as well as other graves and a stately rune stone. Anundshög and the surrounding area of Badelunda are full of prehistoric finds and are believed to have been an important centre of power.
Seven places to check out in Västerås:
• Västerås Domkyrka: cathedral and resting place of King Erik XIV
• Västmanland Läns Museum: tells the story of the city’s cultural heritage
Kokpunkten Actionbad: Sweden’s first action-filled water park
Anundshög: Sweden’s largest burial mound with rune stones
Skultuna Messingsbruk: producing brass products for over 400 years
Vallby Friluftsmuseum: one of Sweden’s largest open-air museums
Västerås Konstmuseum: a meeting place for art lovers of all ages
Check out visitvasteras.se for more inspiration on what to see and do.
This little piece of paradise is set in the middle of Frösåker’s beautiful countryside and gives you the opportunity to try out some historic activities like sailing and rowing longboats, play tournament games and learn more about the Viking Age. You can also enjoy refreshments and spend the night in a boathouse or your own boat in the guest harbour. Frösåkers brygga is home to Sweden’s largest floating boat museum with over 20 Viking ships, 2 cogs and a number of traditional boats. An educational Viking adventure for people of all ages is waiting for you at Frösåkers brygga!
Check out visitvasteras.se for more inspiration on what to see and do.
GUIDED TOURS of Anundshög during the summer months.
Swedish Fashion Council – growing the second-hand market, a circular ecosystem, and diversity in fashion
With a robust creative sector, a strong focus on innovation, and close proximity between policymakers and industry leaders, Sweden is well-positioned to lead the fashion transformation.
By Malin Norman | Photos: Swedish
Fashion
Spearheading this fashion transformation is the Swedish Fashion Council (SFC). By promoting, innovating, and educating the industry, the organisation is accelerating the transformation and actively shaping the future of fashion.
Council
“At SFC our aim is to promote, educate and innovate the Swedish fashion industry to become globally leading,” says Jennie Rosén, CEO. “I truly believe we have been able to see the bigger picture, showing a new era of Swedish fashion
that has impacted the industry both nationally and globally.”
Diversity in the fashion industry
In 2023, SFC presented the second edition of the Fashion Transformation Report at [Fashion X] Stockholm. Topics include the economics of fashion, a circular fashion industry, the technological acceleration of fashion, and political initiatives. The Swedish Fashion Council and the British Fashion Council are the first
HODAKOVA, LVMH 2024.
FOR EVERY TRAVEL MOMENT
players to launch reports showcasing quantitative data on diversity. This latest edition of the Fashion Transformation Report is the first quantitative report to measure diversity in the fashion industry, highlighting an industry struggling with unequal access to opportunities, a lack of leadership representation and anxiety around discussing issues related to diversity and inclusion.
This edition also shows how the acceleration of the second-hand market is still increasing. Together with Swedish Commerce (Svensk Handel), SFC has developed a KPI to measure the growth of the second-hand market. According to Swedish Commerce’s own report, Pre Loved, the total second-hand market for 2024 had a revenue of SEK 16.8 billion, of which 4.7 billion was within the fashion sector.
Achieving a circular ecosystem
“Sweden is at the forefront of design, sustainability, and innovation in the fashion and textiles industries,” says Rosén. “Collaboration is more important than
ever, not only within the industry but also across industries.”
HODAKOVA is one example of a brand demonstrating the value of collaboration in achieving a circular ecosystem. It is part of the SFC [INCUBATOR] and winner of the LVMH PRIZE 2024.
The brand was launched in 2020 and aims to convert old materials into luxurious goods. Its founder, Ellen Hodakova Larsson, is an alumna of the Swedish School of Textiles, one of the world’s top universities for fashion and textile design.
HODAKOVA’s collections are locally produced at XV Production, a micro-factory in Borås. This is a growing trend, according to Rosén: “We see a lot of micro-factories popping up, especially in the west coast of Sweden, making it easier for Swedish brands to produce locally.”
Fashion [X] Showroom in Paris
In March, SFC saw the return of Fashion [X] Showroom 2025 in Paris, which
showcased the lineup of HODAKOVA as well as LVHM semi-finalist ALL-IN STUDIO, the third brand represented by SFC to reach the LVMH top 20, plus 2025 CSM graduate and L’Oreal Professional Creatives Award Winner Petra Fagerstrom.
www.swedishfashioncouncil.se
Facebook: SwedishFashionCouncil
Instagram: @swedishfashioncouncil
Jennie Rosén, CEO Swedish Fashion Council.
Petra Fagerström.
Fashion [X] Showroom.
Fashion [X] Showroom.
ALL-IN STUDIO, LVMH 2025.
Hand-crafted jewellery made for a lifetime
A true family affair, Swedish jewellery business Engelbert is sustained by four generations and is one of the most prominent jewellery houses in Scandinavia. The brand epitomises tradition, craftsmanship and quality, treating its customers to timeless pieces that are made with care, showcasing effortless elegance and world-class design.
By Emma Rodin | Photos: Engelbert
Engelbert is an expert maker of fine jewellery, using only 18k gold and natural diamonds of the highest standard. The latter means sourcing diamonds from professional traders in line with the Kimberly Process, the global certification system that exists to protect and regulate the diamond trade. ‘’Natural diamonds are rare and need to be handled with care and
respect before they can be turned into wearable jewellery to be loved for generations,” explains CEO Johanna Pietsch.
A trip down memory lane
To understand the story of Engelbert, we must travel all the way back to 1878 when Heribert Engelbert was born. With an early interest in the goldsmith trade,
he established his own jewellery company, AB Heribert Engelbert, in 1920. In the decades to follow, the Engelbert business grew steadily under the watchful eyes of the founding family. Its jewellery gained recognition not only for the skilled handicraft, but also for the way it introduced and utilised the Scandinavian design language.
Fast-forward to the 1970s when Engelbert started making wedding and engagement jewellery using diamonds and other gemstones. “This made us quite the pioneers in Sweden as wedding bands were traditionally limited to plain gold,” tells Pietsch. In the following years, the com-
pany concentrated on exclusive wedding and engagement rings, as well as jewels with a distinct Swedish design. These efforts turned out to be a big success, and the company soon gained a unique market position in Sweden, setting the grounds for what the brand represents today.
Love and legacy
Indeed, Engelbert still offers a dedicated engagement and wedding ring service for those planning to say “I do.” All of these rings are made in the brand’s own Stockholm workshop in line with Engelbert’s outstanding standards. However, Engelbert offers much more in terms of fine jewellery. For one, the iconic and bestselling Legacy Knot selection of rings, bangles and necklaces, which celebrated its 10-year anniversary last year. These pieces are recognised for their distinctive twisted silhouette which represents love and continuity. And with plenty more striking collections to choose from, such as the innovative Loop collection, there is something for every occasion, whether as a gift for a loved one or a keepsake for yourself.
The Engelbert DNA
Engelbert’s distinct design exists largely thanks to designer Thomas Carlsson. Appointed in 1985, Carlsson has over 40 years of experience creating magic for Engelbert and is known for his one-of-akind and organic designs. He works with
a design team to bring ideas from initial inspiration to the finished product, which can be a slow and challenging process, to say the least.
“Fine jewellery simply can’t be rushed,” stresses Pietsch. “The Engelbert DNA is for our pieces to be recognisable through organic shapes and a somewhat bold minimalism.” Something which is mirrored in the new Aurea collection of bracelets, rings and earrings. These pieces are inspired by the Möbius twist – a phenomenon known as an artist’s reverie and a mathematician’s feat. Defined by lines that appear infinite,
the collection is a seamless addition to Engelbert’s roster of widely adored jewellery. In fact, Engelbert recently became a proud purveyor to the Royal Court of Sweden – a mark of excellence which can’t be ignored.
www.engelbert1920.com
Instagram: @engelbert1920
Engelbert recently became a proud purveyor to the Royal Court of Sweden.
The stunning new Aurea collection launched last autumn.
You will find Engelbert jewellery in the Stockholm flagship store, at Harrods in London, and at the reputable Bergdorf Goodman in New York. See all retailers online.
See the world through a different lens
EOE Eyewear does not believe that premium eyewear should come at an ecological cost; au contraire. This pioneering sunglasses and optical brand has imprinted a sustainable approach from day one and is on track to create fundamental change in the industry through innovative materials and a belief that business can be a force for good.
By Nina Bressler | Photos: EOE Eyewear
Emilia and Erik Lindmark grew up surrounded by the majestic nature of the Swedish north, and while they have been able to savour the beauty of every season, they have also seen the impact of climate change hit close to home. EOE Eyewear was created to be the change it is desperate to see, and the pioneering spirit is embedded in the company DNA.
”We’re transparent about our production and communicating how we minimise our carbon footprint is a fundamental part of the company. Our aim is to give the costumer a feeling of making a difference by investing in a pair of sustainable specs, to inspire both corporations and individuals to take responsibility and make sustainable, well-informed choices,” says Emilia Lindmark, CEO and co-founder.
As if the use of eco-friendly acetate, made out of a mix of wood and cotton pulp, recy-
cled steel and the incorporation of natural materials into the frame were not enough, they have also decided to shake up the industry by the introduction of Regrind™ – a patented process that regrinds disposed eyewear to create acetate sheets for new glasses, resulting in approximately 98 per cent of an old frame being recycled. The technique is already making waves on the European market and the notable collaboration with luxury brand Balenciaga is a strong indication that sustainable alternatives are becoming integrated in the global fashion industry.
The plan remains as steadfast as ever: sustainable growth with a long-term perspective, defined by quality, craftsmanship and industry leading design. While expansion is focus, from strategic hiring to exciting collaborations, the collections are forever imprinted by the Swedish north. Lindmark concludes; ”The Antler
Collection, made with details from ethically sourced reindeer horns, and the Midnight Sun Collection, inspired by the spectacular Swedish midnight sun, are firmly rooted in our home. Our craft is defined by purpose and passion – it’s a reminder of the infinite beauty of nature and how we intend turning local ingenuity into a global force.”
www.eoe-eyewear.com Instagram: @eoeeyewear
GÁJNAJ from the Midnight Sun Collection. SAADEK HORN from the Antler Collection.
RÖNNSKÄR Iron from the Midnight Sun Collection.
KLÖVER BARE from the Midnight Sun Collection.
Celebration of nature’s beauty and life’s adventures
Ewa i Walla draws inspiration from old crafts and fabrics, garments found at flea markets, and vintage boutiques. This Swedish brand is all about slow fashion, and the clothes have to last over time. With floral, striped and checked patterns, the new spring/summer collection brings joy and a sense of freedom.
By Malin Norman | Photos: Ewa i Walla
Artist and designer Ewa Iwalla set up her fashion brand in the village of Walla outside Söderhamn back in 2002. Working with natural materials, she makes clothes that are inspired by how people would dress in the old days in Hälsingland, where Walla is located, but with an updated look and unexpected combinations.
Ewa finds inspiration in old crafts and fabrics in the attic of the house in Walla,
which has been in the family for many generations, at flea markets and in vintage boutiques, and by watching people on the street.
“Seasonal trends are not our focus, we care more about fashion that will look as fashionable today as in ten years,” says the designer. “Many customers still have clothes from our first collection. You can easily build your own dream wardrobe, adding new pieces little by little.”
Authenticity and slow fashion
In her designs, Ewa works according to a classic design process by sketching all garments on paper, adding details and measurements, and creating prints with
colours. Everything is made in the studio, not far from where it all started in Walla. There is a certain sense of authenticity, and the garments feel already lived-in, as they are made with pre-washed, natural materials.
“Our hallmark is the quality,” underlines Ewa. “We use natural materials such as
linen, silk, wool and cotton, and strive for a soft flow in the garments. When we have found the right cut, we add small details such as buttons and embroidery. The designs are timeless, yet with personality.”
New collection and summer specials
This year’s spring/summer collection promises new favourites in floral,
striped and checked patterns, decorated with embroidered flowers and details that make each garment look and feel like a work of art. “The collection is designed to inspire joy and a sense of freedom,” reflects Ewa. “It’s a celebration of nature’s beauty, the sea, and life’s little adventures.”
The spring/summer collection also introduces an updated men’s range in a relaxed and sophisticated style. Timeless garments in blue and sand-coloured twill and linen shirts in harmonious tones capture the feeling of summer days by the sea.
In June, the brand launches its Summer Specials – echoing the lightness and beauty of summer meadows. This limited edition includes three garments with a summery feel, with beautiful flowers in soft shades of light blue and pink.
www.ewaiwalla.se
Facebook: ewaiwalla
Instagram: @ewaiwallaartdesign
The designs are available in Ewa i Walla’s own boutique in Gamla Stan, Stockholm, and world-wide via the online shop.
Sustainable garment care
MADE IN SWEDEN
Tights as the ultimate fashion accessory
Often regarded as an undergarment, tights are actually the ultimate fashion accessory. Through its timeless and stylish designs, Swedish Stockings is a leader transforming tights and socks into versatile pieces that can elevate any outfit.
By Malin Norman | Photos: Swedish Stockings
Swedish Stockings has won numerous awards for its tights, which have been featured in publications from Harper’s Bazaar to Vogue, making them a popular choice for editors and stylists. Most notably, the bestseller Olivia has been named The World’s Greatest Tights by The New York Times’ product recommendation service Wirecutter. This prestigious recognition highlights Swedish Stockings’ commitment to creating high-quality hosiery designed to be a fashion accessory rather than a disposable item. You don’t throw away a pair of sunglasses after one use, so why throw away a pair of tights?
Every year, eight billion pairs of tights are produced, worn once, and discarded, making hosiery the plastic straw of fashion. Swedish Stockings, the first sustainable hosiery brand, has been on a mission to change this since its start in 2014 by proving that quality, design, and sustainability can go hand in hand.
“Our commitment to sustainability extends beyond just production. Still there is no way to fully recycle old tights into new ones. That’s why we started a recycling program, inviting customers to send in their old tights, regardless of brand, to combat the growing amount of hosiery thrown into landfills,” says founder and CEO Linn Frisinger. “This year, we´re raising the bar with a bold goal: to collect more tights than we produce.”
When the recycling program was first launched, old pantyhose were collected and ground to be used as filler material in industrial fiberglass tanks. Now, aiming to be at the forefront of innovation, Swedish Stockings’ Recycling Club takes another leap toward the arts in 2025, announcing a new collaboration with American visual artist Sienna Martz.
This new artist collaboration, which will reimagine tights waste into one-of-a-kind
textile art, highlights the company’s core value of thinking differently about sustainability and its wear-and-tear product. Swedish Stockings expands outside of its own industry by tapping into the arts to transform recycled waste into alternative long-life items, until a circular solution for making tights from nylon waste becomes possible.
www.swedishstockings.com
Facebook: swedishstockings
Instagram: @swedishstockings
TikTok: @swedishstockings
Hendug Bygg –quality builds with professional pride
Focused on unique building projects in the beautiful region of Hallingdal, Hendug Bygg is driven by a simple philosophy that permeates every aspect of the business: a job worth doing is worth doing well.
By Maria Sødal Vole
Building cabins and houses, mainly with high-quality, sustainably sourced wood, Hendug’s primary focus is delivering quality work. The company has a fitting name – hendug is a local word meaning handy, practical, to be good with one’s hands. Benefitting from a diverse network of skilled architects and interior designers, Hendug has become the go-to building company for complex and unique projects across the Hallingdal region.
“We don’t have a specific concept that we deliver to every customer, we adapt to each project according to the relevant needs, wishes, and requirements,” says Hendug Bygg’s manager, Morten
Gjeldokk. “Our goal is to ensure that our customers have a good experience with us, both during the construction process and in the operation, maintenance, and use of the building.”
With the main office and production hall located in the mountain village of Ål in the traditional district of Hallingdal, Hendug benefits from many years of local experience. The team has valuable insight on topography, climate, and building traditions in the area, and this local expertise is key when it comes to building quality cabins that are durable and can withstand adverse weather.
“Having a deep knowledge and understanding of Hallingdal, the climate, and weather conditions is crucial,” Gjeldokk explains. “When building in a particular area, it’s important to consider the solutions and the type of architecture that will suit the climate best and ensure that the build will last.”
Hendug has achieved central approval in the Building Application Regulations, a quality scheme certifying the profes-
Cabin in the stavlaft tradition, Geilo. Architect: Støre Arkitekter.
Photo: Terje Bjørnsen
Modern cabin at Ål. Architect: div.A.
Photo: Terje Bjørnsen
sionalism and expertise of building companies. “Our builds should be functional, aesthetic, and well-suited to the customer’s individual situation and wishes. We enjoy making people’s dreams come true,” Gjeldokk says. “Most of our work comes from word of mouth or recommendations from architects and customers we’ve worked with. Consistently delivering quality and maintaining a good reputation is key in terms of landing exciting new projects.”
Socially responsible
The tight-knit team consists of 25 skilled builders and craftspeople from the local area with a genuine passion for their work. “Our people are the best at doing what we do – building well and building for the future,” says Gjeldokk. “They’re solid professionals who take a lot of pride in the work they do. Part of the reason why we specialise in unique and unusual projects is the fact that our team enjoys being challenged – they don’t want to do the same thing every day.”
Hendug values investing in local talent and is a government-approved training company, meaning it takes on apprentices to give them a chance to develop their knowledge and skills in a practical setting. From a local high school, the company recruits trainees hoping for a future in building and construction. For these young people, learning on the job and gaining industry-specific skills is invaluable, and for Hendug, finding local tradespeople with potential is key to its success. “Over the course of the ten years I’ve worked at Hendug, we’ve had about 20 apprentices,” Gjeldokk says. “Cultivating a work environment that makes people want to stay with Hendug as well as attracting talented new recruits is important to us.”
Eco-conscious
Hendug is a certified Eco-Lighthouse company, and sustainability is among its core values. “We work systematically to ensure our activity carries as little environmental impact as possible, both in terms of the building process and the projects we work on. While certain aspects depend on the customer’s wishes, we find that our recommendations on things like material selection are welcomed,” Gjeldokk underlines. “We source most of our wood from the local area, and our workforce is local, meaning fewer costs and less environmental impact from travelling.”
Alongside new building projects, Hendug is committed to the careful restoration of laft and stavlaft – old log buildings built in a traditional technique that has been commonly used in Europe since the 13th century. The buildings are constructed by stacking horizontal logs that interlock at the corners that cross each other at the
corners, and this technique is typical of Norwegian cabins.
Armed with specialised knowledge and experience necessary to successfully restore these buildings, Hendug has restored several protected and listed buildings in collaboration with Riksantikvaren, which is the Norwegian authority on buildings and sites that carry historic and cultural importance.
“This type of architecture has a long-standing tradition in Hallingdal,” adds Gjeldokk. “There’s a lot of local knowledge related to the technique and its practical application that few people are still aware of, and it’s important to rely on that expertise to maintain the cultural heritage of these buildings.”
Modern mountain cabin at Kvitfjell. Architect: Lund Hagem. Photo: Morten Gjeldokk
Wooden cabin in the laft tradition at Ål. Architect: Ingar Dalen. Photo: André Kongevold
Jan Egil Ruud working on a laft restoration project. Photo: Signe Fuglesteg Luksengard
Redefining boating through a commitment to technological excellence
Boating in Finland and Sweden is entering a new era – one where luxury, innovation, and top-tier service set the standard. With a carefully curated selection of worldclass motorboats and yachts, Boat Store Finland and Dreamline Yachts Sweden are redefining what it means to take to the water.
By Ndéla Faye | Photos: Boat Store Finland and Dreamline Yachts Sweden
With more luxury brands and innovative boat models available than ever before, the boating market is expanding to meet the evolving demands of both seasoned sailors and new enthusiasts. At the forefront of this change are Boat Store Finland and Dreamline Yachts Sweden, located in Turku and Helsinki in Finland and Stockholm in Sweden.
“When boating is your passion, it’s only natural to want the best,” says Tomi Varjonen, CEO of Boat Store Finland and Dreamline Yachts Sweden. “That’s why we have carefully curated a selection of world-class motorboats and luxury yachts – some of them exclusively available through us.”
Luxury, comfort and efficiency
Boat Store Finland and Dreamline Yachts Sweden are the exclusive distributors for Pershing, Riva and Ferretti yachts in Finland and Sweden, bringing world-
class luxury to local waters. Known for their pioneering technology and bold, internationally acclaimed designs, these brands set the standard for innovation and elegance.
“Technological innovation and striking design define all of our boat models. This dedication to cutting-edge technology ensures that customers are not only investing in high-performance boats but also in vessels built for comfort, efficiency, and longevity,” Varjonen explains.
Beyond their wide selection of yachts and motorboats, Boat Store Finland and Dreamline Yachts Sweden are also a full-service provider, offering installation, maintenance, repair, and storage services for all the brands they represent. Professional service staff in Finland and Sweden ensure that customers receive ongoing support long after their initial purchase.
With the extensive product range, industry expertise, and dedication to high-quality service, Boat Store Finland and Dreamline Yachts Sweden have anchored themselves as trusted names in Finland’s and Sweden’s evolving boating landscape. “Whether you’re in the market for the ultimate luxury yacht or a sport fisherman’s ideal vessel, our models are designed for optimal performance and reliability,” Varjonen concludes.
www.boatstore.fi
Instagram: @boatstorefinland
Facebook: Boat Store Finland
www.dreamlineyachts.se
Instagram: @dreamlineyachtssweden
Facebook: Dreamline Yachts Sweden
The companies’ commitment to advanced technology guarantees that customers receive boats designed for high performance, comfort, efficiency, and lasting durability.
Experience Hardanger in bloom from the historic Utne Hotel
Utne Hotel is a charming, lovingly preserved hotel dating back to the early 18th century. Located in the heart of Hardanger, the quaint hotel is the perfect base for exploring one of Norway’s most beautiful areas.
Utne Hotel offers unique hotel and travel experiences in stunning scenery. With a fascinating history stretching back to 1722, this is Norway’s oldest protected wooden hotel that has been in continual operation for over 300 years.
The Hardanger region is known for its fjords and apple trees, and the blooming trees are a sight to behold in spring. Delicious cider and apple juice have been made in the area since the 13th century, and a visit to Hardanger is not complete without sampling the cider and local food. Utne Hotel works closely with local cider producers, organising tastings, cider farm visits, and more.
“Every spring brings the most beautiful adventure – the sight of apple trees in full bloom around the blue-green
fjord surrounded by steep mountains is unlike anything else,” says Margaret Hystad, owner of Utne Hotel. “Hardanger in spring is truly unique!”
With 17 comfortable, historical rooms of varying sizes and a renowned restaurant focused on utilising the best of local ingredients and cider, the hotel is a popular destination. The entire hotel can be
By Maria Sødal Vole | Photos: Shot by Skeie
rented for special events such as weddings and conferences.
There are vast opportunities for exploring the nature and rich cultural history of the area. “We’re right in the heart of Hardanger, with Hardanger Folk Museum as our closest neighbour and some of Norway’s most beloved natural destinations nearby,” Hystad says.
www.utnehotel.no
Facebook: Utne Hotel
Instagram: @utnehotel
Unforgettable adventures in Western Norway
Viking Adventure aims to show travellers the many highlights between Stavanger and Bergen with a range of exciting activities, experiences, and tours. With a new all-inclusive, self-drive package, visitors can discover Western Norway’s best-kept secrets in one trip.
By Maria Sødal Vole | Photos: Kai Roger Melkevik
With hundreds of satisfied customers, Viking Adventure is a well-known provider of tours and activities in the Haugesund region and beyond. Built on the idea that locals with a deep knowledge of the history, culture, and nature of the area are best suited to present its hidden gems to visitors, Viking Adventure offers a range of tours and experiences alongside tailored private tours and group activities.
The Eco-lighthouse certified company gives travellers a chance to explore fascinating Viking history, gain insight into Norway’s unique coastal culture, sample tasty local food and drinks, and take in the breathtaking scenery. With guided
hikes, RIB safaris, fjord cruises, bus tours, e-bike tours, city walks, and more on offer, there is something for everyone.
A new adventure
The dedicated team behind Viking Adventure has put together a new tour package with experiences and activities curated to bring all the highlights of Western Norway together. The all-inclusive, self-guided tour is flexible and will allow travellers to discover the best of what the region has to offer.
Experience magnificent fjords and waterfalls, explore a quaint island community, see Norway’s most iconic landmark,
Pulpit Rock, from the vantage point of the water, discover rich Viking history, and enjoy hotel stays and delicious local cui-
sine and cider, and much more. This unforgettable tour is not one to miss!
www.gofjordviking.com www.govikingadventure.com
Hardanger is home to Norwegian cider, which is known as one of the best in the world.
At Kvalsvik Sculpture Park, visitors can experience the art exhibition The Rising Tide by awardwinning British sculptor Jason deCaires Taylor.
Precision, innovation, and sustainability in manufacturing
With over 30 years of experience, Joldija Group has positioned itself as a trusted name in the industry, delivering precision-engineered components and turnkey solutions to clients worldwide.
By Ndéla Faye | Photos: Augis Narmontas
Operating across three manufacturing sites in Lithuania, Poland, and China, Joldija Group offers a seamless production process – from initial design and engineering to manufacturing and final delivery. The company’s diverse product range includes plasterboard profiles, metal connectors, and assembly components, serving industries such as construction, furniture, and renewable energy.
From furniture fittings to solar components, Joldija Group’s expertise spans multiple industries, but what truly sets it apart is its ability to adapt, innovate, and maintain a strong commitment to quality. Rather than offering off-the-shelf solutions, the company takes a collaborative approach, working closely with clients to develop custom components that meet specific needs.
“Our dedication to quality assurance is reflected in our certifications and rigorous quality control processes, ensuring that every product meets international stand-
ards,” explains Paulius Paškevičius, the company’s CEO.
Innovation and sustainable practices in action
A prime example of Joldija Group’s impact is its work on precision-engineered metal connectors for industrial manufacturing. These components have improved efficiency in both the construction and renewable energy sectors, demonstrating the company’s ability to blend engineering expertise with sustainability.
Another successful collaboration saw Joldija Group partnering with a leading office-furniture manufacturer. By applying deep knowledge of contract manufacturing, the team developed high-quality components that seamlessly combined durability, aesthetics, and functionality. “These projects highlight our adaptability and commitment to delivering long-lasting end-to-end solutions across different industries,” says Paškevičius.
The company prioritises sustainable practices across its operations, from using responsibly sourced materials – such as FSC-certified wood and recyclable metals – to investing in renewable energy. Its solar power plant helps reduce the environmental footprint of the manufacturing sites, while optimised logistics ensure efficient transportation with minimal waste. Additionally, a focus on eco-friendly packaging and partnerships with environmentally responsible suppliers further reinforces the commitment to greener production methods.
In an increasingly competitive global market, businesses are constantly seeking reliable partners who can provide high-quality, innovative, and sustainable manufacturing solutions. With a global presence and a dedicated team of experts, Joldija Group continues to meet the evolving needs of industries worldwide. “Whether you need co-development, contract manufacturing, or a reliable supply partner, Joldija Group is ready to bring your vision to life,” the CEO concludes.
www.joldijagroup.com
LinkedIn: Joldija
Facebook: Joldija
Instagram: @joldija.lt
Photo: Joldija Group
Timeless craftsmanship for modern interiors
When it comes to furnishing a home, quality and craftsmanship make all the difference. Bygma is redefining the way we think about furniture by offering highquality, beautifully crafted pieces that seamlessly blend durability with elegance.
By Ndéla Faye | Photos: Bygma/Cuboid Studio
At the heart of Lithuania-based Bygma’s work is an unwavering commitment to excellence. The company makes furniture from the finest materials, with a focus on stone, ceramic and natural stone tiles sourced from some of the best European factories. This dedication to quality ensures that each piece is not only visually striking but also built to last – a timeless addition to any home.
Versatility and adaptability are key aspects of Bygma’s designs. The company makes custom-made pieces and with no minimum order amount, customers have the freedom to choose exactly what they need without restrictions. Fast delivery and Europe-wide shipping further enhance the experience, making high-end design more accessible than ever.
“Our extensive range of stone patterns allows clients to create a cohesive interior, selecting surfaces that complement
their existing décor. Whether it’s a sleek dining table for a contemporary space or a statement coffee table with intricate stone detailing, there are options to suit a variety of tastes and styles,” says Vainius Četrauskas, CEO.
Premium quality and stylish designs
Bygma has also expanded its offerings beyond furniture, helping homeowners
integrate high-quality stone and ceramic elements throughout their interiors. From kitchen and bathroom countertops to feature walls, its expertise allows for a seamless blend of function and aesthetics.
Each one of Bygma’s pieces is meticulously handcrafted, merging the premium quality of porcelain tiles with stylish design. “Porcelain ceramic products are durable and, unlike natural stone, do not require any special care. Tabletops can withstand heat, sharp cuts and other environmental influences, and they are designed to last for many years,” Četrauskas says.
For those on the lookout for furniture that combines artistry, durability and a personalised touch, Bygma’s furniture pieces stand as a testament of its expertise – and an eye for exceptional design. In a world of fleeting trends, investing in quality ensures that style remains timeless.
www.bygma.lt
Instagram: @uab.bygma
www.cuboid.studio
Instagram: @cuboid.studio
Each one of Bygma’s pieces merges the premium quality of porcelain tiles with stylish design.
Koknese: a charming town nestled on the shores of rivers Daugava and Pērse
Koknese is a small yet charismatic destination in Latvia. In summer, its picturesque surroundings invite leisurely strolls and boat rides along the rivers, while a romantic atmosphere saturates its major tourist attractions. With this enchanting combination, you could not imagine a more delightful place.
By Malin Norman | Photos: Koknese Tourism Centre
Once upon a time, Koknese Castle stood proudly on the top of a hill where rivers Pērse and Daugava meet. The castle was destroyed at the beginning of the 18th century and these days, after the construction of a hydroelectric power plant, the ruins stand partially embraced by the water.
To revive its former glory, the castle ruins are now used for theatre performances, concerts, and wedding ceremonies. A special tradition also takes place here, which opens the tourism season – the popular Catfish Awakening Festival.
The historical exhibition in the castle ruins pavilion offers a glimpse into a landscape long lost to time. Visitors can enjoy a digital journey through centuries, browse souvenirs, and step into the eerie torture chamber. An audio guide is available for a deeper dive into the site’s history.
If seeking an adventure on the water, visitors can embark on boat tours or rent boats, SUP boards and catamarans to explore the scenic waterways.
Koknese Park and Garden of Destiny
Another highlight is Koknese Park, home to several historical artifacts, including cast-iron cannons, ringed crosses from the Swedish era, and the stone sculpture Pērse Girl, which honours the memory of the lost Pērse waterfall. A recreated waterfall graces the park, offering a glimpse into the past.
Enjoy a romantic stroll through the park and pay a visit at the charming tea house –a picturesque gazebo offering stunning views. As night falls, the park glows with lights, creating a magical ambiance. For an extended walk, follow the scenic trail along river Daugava, leading to the serene and inspiring Garden of Destiny.
This garden is a symbol created in nature. It indicates continuous recovery and growth of the nation — this is where present and future meet. Garden of Destiny blends stunning environmental architecture with the natural beauty of the Koknese peninsula and river Daugava.
It features an alley of apple trees, a cobblestone path leading to an amphitheatre. Visitors can enjoy breathtaking views from the terrace or roof of the Assembly House, explore the digital exhibition and admire other landmarks. A popular spot for tourists, families, and weddings, Garden of Destiny also hosts cultural and leisure events.
www.visitkoknese.lv
Facebook: visitkoknese
Instagram: @visitkoknese
A city that tells a thousand stories
When thinking of Lithuania, what comes to mind? Kaunas, tucked away in the heart of the Baltics, is ready to surprise, delight, and enchant visitors. With a packed year ahead, it has never been a better time to discover this charming city.
Kaunas has a knack for blending eras, offering visitors the chance to travel through time in a single day. Begin at Kaunas Castle, a 14th century fortress that whispers medieval tales. Afterwards, continue to Santaka Park, where rivers Nemunas and Neris meet. Nearby, the renovated Kaunas City Hall – nicknamed The White Swan – dazzles visitors with its history and newly curated exhibits.
But the past does not stop there. Modernist architecture, which has earned UNESCO World Heritage recognition, defines much of Kaunas. Wander through Laisvės Alėja, one of Europe’s longest pedestrian streets, and marvel at interwar buildings that make the city feel like an open-air museum of 1930s design.
Step inside the Art Deco Museum, a fascinating showcase of the city’s ele -
gant past, featuring beautifully restored interiors and period furnishings. Go for a ride on a historic funicular for panoramic cityscapes from Aleksotas Hill or the Basilica of Christ’s Resurrection.
The future of Kaunas looks just as exciting as its past. This year, the city honours the 150th anniversary of Lithuania’s beloved composer and artist Mikalojus Konstantinas Čiurlionis, with festivals, exhibitions, and cultural events. Music
By Malin Norman | Photos: Kaunas IN
lovers are in for a treat, as Darius and Girėnas Stadium will also host global superstars, including Justin Timberlake, Guns N’ Roses, Robbie Williams, and Post Malone.
If looking to travel into the future, the newly opened Science Island Museum on Nemunas Island offers interactive exhibits and a cutting-edge planetarium, making innovation and discovery an adventure for all ages.
www.visit.kaunas.lt/en
Facebook: Kaunas IN Instagram: @kaunas_in
Journey into Estonia’s medieval past
From 27 to 29 June, the Estonian town of Pärnu transforms into a medieval wonderland for the annual Pärnu Hanseatic Days. Now in its 24th year, this festival revives the spirit of the Hanseatic League with music, crafts, and historical traditions.
Pärnu’s rich history and stunning seaside location have made it a renowned summer destination. Situated between the sea and the Pärnu River, the town’s shallow sandy beach, welcoming atmosphere and charming urban environment have long shaped its identity.
Pärnu, first mentioned in historical records in 1251, was once a key city in the Hanseatic League, a medieval trading network that spanned Central and Northern Europe. Today, the town remains a proud member of the League, alongside hundreds of other European cities, continuing to honour its rich history.
Each year, the festival draws tens of thousands of visitors from around the world – and this year is no exception. Over 80 free open-air concerts showcase medieval music, theatre, and dance, offer-
ing a vibrant celebration of Pärnu’s past and present. Highlights include Daridel, an Italian pagan-folk ensemble blending Celtic and Northern European sounds, and the Bachus Ensemble from the Czech Republic, bringing the energy of medieval troubadours, jugglers and other performers. In addition, The Pipers of Transylvania add to the mix with a multilingual repertoire spanning ancient and medieval European traditions.
Beyond the music, visitors can experience thrilling knight tournaments featuring sword-fighting foot soldiers. Visitors can also explore more than 350 vendors selling handcrafted goods, and over 25 food stalls serving modern takes on historical dishes. Meanwhile, younger visitors can enjoy an animal village filled with farmyard favourites.
By Ndéla Faye
Ain Saare
“Fire shows, historical dance performances, and immersive theatrical acts complete the experience. Pärnu Hanseatic Days blends history with entertainment, offering a unique glimpse into the past,” says Aet Parve, with the title of market lady at Pärnu Hanseatic Days.
www.parnuhansa.ee
Facebook: Pärnu Hansapäevad/ Pärnu Hanseatic Days
Photo:
Kaunas Old Town. Science Island.
From architecture to (another type of) art Artist of the Month, Norway
Jorunn Westad, a former architect, has become a full-time painter. Scan Magazine talks to the artist about the shift and her work and inspiration.
By Eva-Kristin U. Pedersen | Photos: Jorunn Westad
“The dimensions of forms and shapes, how to make them balanced is something deeply embedded in me, so yes, being an architect does contribute to my painting,” says Jorunn Westad.
An educated and formerly practicing architect, Westad explains that the shift from the project drawing board to becoming a painter, was gradual.
“I’ve been drawing and painting since I was a student, but in 2000 I was admitted to Buskerud Bildende Kunstnere and for years, I worked as an architect during the day and went home to paint in the evening. Some 10 years ago, I decided to do this full time,” she says smilingly, clearly happy about her choice.
While both architecture and paintings are artistic expressions, Westad explains that even though a myriad of different people have a say in any architectural project, the painting is just hers. That it seems, is a relief.
“Nobody can take the brush away from me,” she says, while also admitting that being a painter can be a bit of a roller-coaster, where the excitement of feeling inspired intertwines with long periods where nothing seems to move very much.
“The important thing is to keep working through those periods,” Westad underlines, adding that she doesn’t necessarily know where her inspiration comes from.
A universal language
“I work with my intuition. Inspiration just comes and manifests itself on the canvas and the brush often appears to control me more than the other way around. But it’s all about energy – spiritual and physical energy – that’s what my painting is about,” she says.
And the audience’s response? They often remain awestruck. “I sometimes feel that I communicate with their souls in a universal language,” she says.
Her endeavours have gained Westad permanent status at galleries in both Norway and Denmark, and she says that the Danish audience is attracted by the Norwegian nature that inevitably finds its way onto her canvas. “Norwegian art has something that Danish art does not have – and vice versa,” she points out.
From the artists’ collective in Tønsberg, where she works together with more than 20 other artists, including photographers, writers and artists working with textile, Westad says that she has no other immediate plans for the future, other than to just keep painting. It would appear, in other words, that she has found her calling.
www.jorunnwestad.no
Instagram: @jorunnwestad
Jorunn Westad.
Photo: Cedric Archer
Stairway to heaven, 150 x 150 cm.
Løse forbindelser, acryl og kull 2020.
Experience of the Month, Denmark
Concerto Copenhagen - bringing 300 years of the human experience to life
For over three decades, Concerto Copenhagen has been redefining classical music, blending historical authenticity with artistic innovation. Captivating audiences worldwide, the ensemble brings to life not just the music from the Baroque, Viennese Classical, and Early Romantic periods but also the human experience hidden at its core. This spring, the orchestra can be experienced at a string of venues in Denmark and abroad.
By Signe Hansen
Concerto Copenhagen was founded in 1991 after Danish recorder player Nikolaj de Fine Licht and Swedish oboist Lars Henriksson developed an interest in Baroque music. Nikolaj de Fine Licht, today the managing director of the orchestra, explains; “We travelled to the Netherlands to study as that was where everything was happening at the time. Returning to Denmark, we realised that the kind of musical environment we had experienced in the Netherlands simply didn’t exist here. There was no orchestral scene like the one we had known – so we decided to create it ourselves.”
Since then, Concerto Copenhagen has graced international stages, released critically acclaimed albums, and collaborated on opera productions, soundtracks, and multimedia projects.
Under the musical direction of the renowned, award-winning artistic director Lars Ulrik Mortensen, the orchestra approaches historical compositions with meticulous research and a fresh perspective, breathing new life into centuries-old music. “From the very beginning, our focus has been on the fact that, yes, this is classical music – 300 years old – but it only makes sense to perform if it speaks directly to a modern audience. Our method has always been to search for the essence, the human experience at the core of this historic music and communicate it in a way that feels immediate and relevant,” explains de Fine Licht.
To this end, the ensemble has also been at the forefront of digital content from the very beginning, with de Fine Licht, a past web designer, ensuring that the orchestra
became one of the first to stream concerts via its website. However, while recordings can provide an entry to the world of Baroque music, it is in live performance that the music comes alive, and this spring you have plenty of opportunities to experience just that.
www.coco.dk
Facebook: concertocopenhagen
Vimeo: concertocopenhagen
YouTube: @ConcertoCopenhagen
Instagram: @concertocopenhagen
Performances in May:
GRISELDA – Opera
Location: Det kgl. Theater, Copenhagen
Dates: 4, 6, 8, 10, 13 May
VIVALDI – AT FULL BLAST
Location: The Royal Danish Academy of Music's Concert Hall
Date: 11 May
1774 – The Year of the Symphony
Location: The Queen's Hall, The Black Diamond, Copenhagen
Date: 24 May
Messias. Photo: Mathias Lovgreen
Photo: Ditte Valente
Weyse Concert. Photo: Niclas Andreasen
Hotel of the Month, Norway
Hotel 1904 – Ålesund’s historic destination for modern travellers
Located in the small, beautiful city of Ålesund, Hotel 1904 is a historic time capsule set to impress even the most blasé of travellers. Perhaps best known for hosting guests and festivities of a recent royal wedding, it sets the standard for elegance and quality in the Norwegian hospitality industry.
By Celina Tran | Photos: @johan_holmquist
Nestled along the rugged coastline of Norway’s west coast, Ålesund seems to rise straight out of the sea, framed by lush mountains and sparkling fjords. Its story began anew in 1904, when a catastrophic fire ravaged the city, leaving behind little more than ashes. From those ashes, however, extraordinary architecture emerged. Rebuilt in the aftermath, Ålesund was transformed into
a city unlike any other, its streets and buildings taking on a distinct Art Nouveau character.
As the oldest hotel in Ålesund, Hotel 1904’s unique architectural style is a direct reflection of the city’s post-fire reconstruction, with its stunning Jugendstil elements drawing admiration from both locals and visitors. “Being the oldest hotel
around, Hotel 1904 has a very special and old soul that we strive to take care of as we move into the future. A stay here fuses history and modernity, making it truly unique,” says hotel director and architect André Klevberg.
A blend of old and new
Both Klevberg and his partner have extensive experience as architects in Ålesund and had previously worked with the hotel before taking over. “When we took over the hotel seven years ago, it had undergone extensive renovations several times but was still worn out. Despite being hesitant at first, it was a passion project that really paid off,” he says.
With only 71 rooms, each boasts a unique layout that blends the building’s historic charm with contemporary comforts. The hotel is a seamless mix of old and new –Art Nouveau combined with modern design elements, creating an inviting and luxurious atmosphere for all who step through the doors.
“We’ve watched the hotel grow in many ways over the years, not just in terms of guests but where they’re from too. When we initially took over, there was a lot of bus tourism, but now we see more and more individual travellers, not just from Norway but from the continent and beyond too,” says Klevberg.
Situated in the vibrant heart of Ålesund, guests are just a stone’s throw from the city’s most iconic landmarks and attractions. The nearby Ålesund Museum, the Art Nouveau Centre, and the scenic viewpoints of the city are all within walking distance, making it an ideal base for exploring Ålesund’s architecture and breathtaking natural beauty. With this location and its eye-catching façade, it is truly no wonder that plenty of people look to Hotel 1904 for their stay along the west coast.
Local luxury fit for a princess
The hotel’s legacy is rich, having welcomed luminaries like King Håkon and
Kaiser Wilhelm over the years. As recently as the summer of 2024, it hosted a royal celebration, with Princess Märtha Louise of Norway choosing the hotel as the venue for an intimate part of her wedding festivities.
Of course, events at the hotel are not simply limited to royal weddings. During the summer months, Ålesund is a bustling destination and Hotel 1904 plays an active role in the city’s cultural scene. “We frequently host events, concerts, and other activities, often in collaboration with nearby theatres and cultural venues,” says Klevberg.
The hotel staff are deeply committed to the city’s development, both through their work at the hotel and their community involvement. The ongoing engagement with the local arts and cultural scenes allows them to remain at the heart of the community, offering guests not just a place to stay, but a rich and memorable experience.
“For our café and restaurant, Green Garden, we also work closely with local suppliers. Whether using locally picked berries or fish pulled from local fjords, we do our utmost to take advantage of the incredible resources that Ålesund has to offer,” Klevberg says.
Green Garden is not just a place to eat but also a social hub for guests and locals alike. The space features a beautiful, living plant wall, adding to the atmosphere and connection with nature. In summer, the sunny courtyard is the perfect spot to sip on a rich espresso or indulge in a leisurely lunch.
All this aside, what sets Hotel 1904 apart is its commitment to offering a personalised experience, which is possible thanks to the small number of rooms. Whether you’re visiting Ålesund for business, leisure, or a special occasion, coming to Hotel 1904 will feel just as welcoming as coming home.
www.1904.no
Facebook: Hotel 1904
Instagram: @hotel.1904
Visit Hotel 1904
Løvenvoldgata 8
6002 Ålesund Norway
Hotel of the Month, Estonia
Saka Manor – the pearl of Estonia’s coastal cliffs
Perched on the edge of the North Estonian coastal cliffs, the historic Saka Manor offers stunning landscapes, cascading waterfalls, and the rare luxury of absolute peace. With its own mini spa, event facilities and several types of accommodation, the manor provides everything needed for a restoring getaway.
By Signe Hansen | Photos: Saka Manor
More than 400 years have passed since Saka Manor was first mentioned. The current manor building, constructed 160 years ago and restored 15 years ago, is one few in Estonia that has been fully restored. Its owner, once Estonia’s Minister of the Environment, first encountered this place as an 18-year-old student. While researching local waterfalls, he was caught by the Russian military and held in the manor – then a crumbling ruin – for three days. Even in captivity, one thought lingered: this place deserves better. Decades later, at 60, fate brought him back. The manor was for sale, and without hesitation, he bought it.
Today, approximately 20 years later, Saka Manor welcomes visitors with 12 luxurious guest rooms in the original manor house, a new 29-room hotel complex, a striking restored guard tower with meeting facilities and additional guest rooms, and a new winter garden ideal for events, weddings, corporate parties, and con-
certs for up to 150 people. Finally, the manor also includes its own campsite with caravan and tent sites as well as additional seasonal rooms.
On top of the broad choice of accommodation, all guests can enjoy the manor’s popular restaurant as well as its private mini-spa, which features saunas, a small pool, and a variety of body treatments.
The biggest attraction, however, is the atmosphere and stunning surroundings. “We are perched on the edge of the coastal cliffs, and one of the things people love is that you can go down the cliffs to your own private stone beach. With nothing in sight but high cliffs and forest,
you get the feeling that you are on a deserted island,” says owner Tõnis Kaasik. “When we made a questionnaire asking why people love us, the answer was the feeling of serenity. It feels like you’re in another world.”
For celebrations like weddings or company getaways, it is possible to book the entire manor with accommodation for up to 100 people.
Despite the feeling of seclusion and tranquillity, Saka Manor is within easy distance of many popular sites, located just 2 kilometres from the Tallinn-St. Petersburg highway, 10 kilometres from the centre of Kohtla-Järve, and 15 kilometres from Toila Beach, a treasure trove for fossil hunters.
www.saka.ee
Facebook: sakamois
Instagram: @sakamois
Distillery of the Month, Norway
Join Kringler Farm Distillery –from
farm to flask
At Kringler Farm Distillery, every bottle tells a story – one of craftsmanship, sustainability, and a deep connection to the land. This Norwegian family-owned distillery blends time-honoured distillation methods with the region’s rich natural resources, creating spirits as unique as the farm itself.
By Celina Tran | Photos: Michell Langerhorst
Located a stone’s throw away from Oslo Airport, alongside the serene Leira River, is a place that feels far removed from the bustling world. Here, amidst rolling hills and lush fields, Kringler Gjestegård has become more than just a farm; it is a destination for relaxation, events, and, of course, fine spirits.
At the helm of Kringler Farm Distillery are brothers-in-law, distillery manager Hans Kringler Opsahl, and general manager, Eirik Opsahl Størdal. “We wanted to bring something new to the farm,” says Størdal. “We knew that we had the resources and the knowledge to create something special, and that’s how the distillery came to life.”
After Oppsahl set off on his own Scottish adventure of learning, experimenting, and refining recipes, Kringler Farm Distillery launched its first product in Sep-
tember 2024: a meticulously crafted gin that would mark the beginning of a new chapter.
“The plan for 2025 is to launch two new aquavits, one for summer and one caskaged Christmas aquavit,” says Oppsahl. “In addition to this, we will be putting up to 10,000 litres of whisky in casks for aging, which will be ready when it has achieved the flavour profile we want. We’ll also offer casks for people to buy and taste while it’s aging, and they can purchase bottles once the whisky is ready.”
A homegrown taste
At Kringler Farm Distillery, the philosophy is simple: quality comes first. From the start, the team invested in premium distillery equipment to ensure that every batch is distilled to perfection. The copper stills from Forsyths are an integral
part of the process, as copper naturally helps eliminate sulphur compounds, resulting in a smoother, cleaner spirit.
But not just the equipment sets Kringler Farm Distillery apart, so do the ingredients. Much of the barley used for the gin’s base spirit is grown right on the farm, while the botanicals are sourced from the surrounding landscape. Opsahl’s mother, Hilde Olstad, is a keen botanist and grows the herbs used in the gin, which allows for an entirely homegrown, local approach.
“Our philosophy is all about short travel,’” says Opsahl. “Most of our ingredients come from right here. We even source the water from our own well.”
For Kringler Farm Distillery, every bottle represents a commitment to quality, sustainability, and the land that has been in the family for generations. With each sip, you taste a drink but also a piece of Norway’s rich history and the future of local craftsmanship.
World Aquavit Day – honouring Nordic traditions and creating new rituals
April 13 marks the first-ever World Aquavit Day, a global celebration of the iconic Nordic spirit with a history dating back to the 16th century.
By Malin Norman | Photos: Anora Group
For generations, Aquavit has been a cherished part of Nordic holidays like Christmas, Easter, and Midsummer. Now, its role is being reimagined. World Aquavit Day invites people world-wide to discover the versatility of this spirit and make it their own.
The launch of World Aquavit Day is kickstarted by the How Do You Aqua? campaign, encouraging personal expression and celebration in whichever way feels right – perhaps in an innovative cocktail, served neat, or paired with food. There are no rules, just endless opportunities to explore and enjoy Aquavit.
April 13 was chosen to commemorate the first documented reference to Aquavit,
found in a letter from 1531. This letter, from the Danish Lord of Bergenhus fortress, Eske Bille, to Olav Engelbrektsson, the last Roman Catholic Archbishop of Norway, contains the earliest known reference to "aquavit."
Botanicals and cask maturation
Aquavit is made from distilled grain or potatoes and flavoured with botanical distillates and spices. There is even a law stating that aquavit must contain a minimum of 37.5 per cent alcohol, and that the main spices should be caraway seeds or dill seeds. You will also find aquavit flavoured with anise, cardamom, cumin, fennel, coriander, cloves, citrus peel and grains of paradise. The specific herbs and spices used are determined by local preference and cuisine.
In Sweden, aquavit tends to be elegant and fresh, often with more pronounced anise and fennel flavours, served ice cold
and accompanied by a beer. In Denmark, it is often more expressive with spices and a higher ABV. Also served chilled, Danish aquavit is often enjoyed with smørrebrød. Both Swedish and Danish aquavit are usually distilled from grain and is a clear spirit.
In Norway, on the other hand, aquavit is traditionally made from potatoes and matured on sherry casks, which gives a golden colour and fuller body. “Maturing on sherry casks gives rounder flavours, with notes of vanilla and dried fruits, and a smoother finish.,” says Atle Minothi, aquavit ambassador at Anora Group. “Norwegian aquavit is meant to be sipped more slowly, at room temperature, to truly experience the cask matured quality.”
Two beloved Norwegian brands Aquavit is an important part of Norwegian food and drink culture, with Løiten and Opland being the most popular brands. Løiten Brænderi began as a farmers' cooperative in 1855. Løiten LINIE, which is matured in old sherry casks, has been one of Norway's best-selling aquavits for years. Today, Løiten has a range of aquavits, all based on the original recipe from Løiten Brænderi.
Similarly, the history of Opland began when farmers from the villages around Gjøvik joined forces to create their own distillery to ensure the sale of potatoes. Made using the original recipe from 1872, Opland is matured in seasoned sherry oak casks for 24 months and carries notes of citrus, anise and caraway, as well as vanilla and oak aromas.
“These two brands have a long heritage, connected to the overall history of Norwegian aquavit,” says Minothi. “Opland can be described as rounded and Løiten is somewhat more forward. Historically, there was a constant battle between the two distilleries, which are located on opposite sides of lake Mjøsa, regarding many things but also their preference of aquavit.”
Outside of Norway, LINIE aquavit is the best known. After distillation, the aquavit
is matured in Oloroso sherry casks and takes a long sea journey, crossing the equator twice. As a result, it acquires a remarkably smooth and well-rounded taste with prominent notes of caraway and star anise, along with delicate hints of vanilla and sherry. The constant rolling and fluctuating temperatures during the crossing of the equator are responsible for the unique and well-balanced taste of LINIE.
Tasty cocktails with aquavit
Even though aquavit has a long history and strong local traditions, the spirit is also highly suitable for modern occasions. “Aquavit is versatile, with both botanical flavours and cask expression,” adds Minothi. “You can use a clear aquavit as a Nordic substitute to gin. Or you can substitute vodka and for instance make Bloody Mary with aquavit. You can also mix a cask matured aquavit with ginger ale, or use it instead of rum or whisky in classic cocktails. There’s an aquavit for every cocktail.”
www.anora.com
Anora Group is the world’s largest aquavit producer and has also been awarded Aquavit Producer of the Year by International Spirits Challenge for several years running.
LINIE Grapefruit
- 4 cl LINIE Aquavit
- 10 cl high-quality grapefruit soda
- A splash of freshly squeezed lime juice
- Optional: 1 cl elderflower syrup or concentrate (undiluted) for extra sweetness
Add aquavit into a hi-ball glass filled with ice. Then top with high quality grape soda and a squeeze of lime. Garnish with half a slice of grapefruit.
A gem for Danish art in the heart of Copenhagen Attraction of the Month, Denmark
Nestled in the picturesque Østre Anlæg in Copenhagen, the Hirschsprung Collection is a bit of a hidden treasure for art lovers and history enthusiasts alike. This intimate museum, housed in a historic building, offers an extraordinary art collection spanning from the Danish Golden Age, the Skagen Painters, and the Symbolists.
By Heidi Kokborg | Photos: PR
Tucked away in the charming Østre Anlæg on Stockholmsgade in Copenhagen, you will find the Hirschsprung Collection. The museum opened its doors in 1911 and was founded by art collectors Pauline (1845-1912) and Heinrich Hirschsprung (1836-1908).
The museum houses the couple’s remarkable donation of Danish masterpieces by renowned artists such as C. W.Eckersberg, Christen Købke, J. Th. Lundbye, Anna Ancher, P.S. Krøyer, Bertha Wegmann, and Vilhelm Hammershøi; from the Danish Golden Age to the Skagen Painters and the Symbolists.
Designed by prominent architect H. B. Storck, the museum itself is also a piece of art. “The museum blends Italian Renaissance influences with a warm, home-like atmosphere. It’s a place where visitors can take their time and truly engage with the art. It’s small enough to feel personal, yet the building still holds a grandeur that reflects the significance of the collection,” says Camilla Klitgaard Laursen, curator at the Hirschsprung Collection.
Inside the halls of the museum, you will find intricate mosaic floors, stunning skylights, and a richly decorated foyer, all contributing to the sense of timeless
beauty. The museum shop offers carefully curated ceramics, jewellery, and prints by local artists. While there is no café on site, there are plenty of nearby coffee shops and eateries, some of which offer a discount when showing your museum ticket.
My World – The Skagen Painter Viggo Johansen
Until 25 May, you can experience the exhibition My World - The Skagen Painter Viggo Johansen at the Hirschsprung Collection. This special exhibition is dedicated to Danish artist Viggo Johansen, a once celebrated artist who has since faded into the background of art history. While Viggo Johansen was part of the famous Skagen artist colony in the late 19th century, he stood apart from his contemporaries.
“Unlike other Skagen painters who often depicted dramatic seascapes, Viggo Jo-
hansen turned his gaze inward, painting the intimacy of family life. He became known as Painter of the Home, capturing everyday moments in a way that was both deeply personal and rather radical for the time,” explains Klitgaard Laursen.
Viggo Johansen’s greatest muse was his wife, Martha Johansen. Together, they had six children in just seven years – a demanding reality that shaped his art. Instead of focusing on grand portraits or romanticising family life, he painted scenes of real, intimate family life, offering a rare and rather unfiltered look at motherhood, childhood, and the quiet struggles of everyday life.
“One of the most striking pieces is a painting of Martha Johansen shortly after giving birth to their third child. She is lying in bed, exhausted from childbirth. It was unheard of at the time to depict a woman in such an unguarded, vulnerable state. Today, it’s not exactly shocking, but at the time, it was groundbreaking,” tells Klitgaard Laursen.
An unusual artist in every way
Like other Skagen painters, Viggo Johansen also painted nature. However, his landscapes stood apart from those of his peers. While P.S. Krøyer and Michael Ancher painted the beautiful beaches, Viggo Johansen painted a starkly different Skagen. “His landscapes are almost empty, stripped of people, offering quiet,
melancholic moments of solitude. Instead of painting the sea, he often turned to the hinterland – capturing the quiet backyards, the edges of town, the barren dunes where life seemed to stand still,” says Klitgaard Laursen.
Beyond his artistic style, Viggo Johansen was a progressive figure in other ways. He was an unusually involved father for his time, often staying home to care for the children instead of travelling to Skagen. He read bedtime stories, bathed
them, and painted them in everyday moments of play and rest – yet he never included himself in these family portraits, in contrast to other male artists who often painted themselves into the role of the patriarch. "Johansen’s paintings highlight the invisible labour of women, something that is still relevant today," says Klitgaard Laursen. "He gives dignity and artistic weight to the often-overlooked realities of domestic life."
Martha Johansen was not only his muse but also his business partner, handling negotiations, setting prices, and ensuring that his art was sold. "She wasn’t just the subject of his paintings, she was instrumental in his career," adds Klitgaard Laursen.
Visitors to the Hirschsprung Collection will also find works by Krøyer, Ancher, and other renowned Skagen painters in the museum’s collection. For those who can’t travel to Skagen, the museum and this exhibition offers a rare chance to experience the world of the Skagen Painters in the heart of Copenhagen.
www.hirschsprung.dk
Facebook: Den Hirschsprungske Samling Instagram: @hirschsprungskesamling
My World – The Skagen Painter Viggo Johansen exhibition.
Restaurant of the Month, Norway
Björn Svensson’s Restaurant FAN: here he goes again!
Should you ring the buzzer at Bydgøy allé 9 in Oslo, you might expect to enter someone’s home. Instead, you will be enveloped by a feast of flavours at star chef Björn Svensson’s latest – “and hopefully last” – restaurant, FAN.
By Celina Tran | Photos: Restaurant FAN
At Restaurant FAN in Oslo, there is always plenty to do, though perhaps this is expected from the restaurant of a chef like Björn Svensson. One of Scandinavia’s most prominent chefs, he has experience from establishments such as Bagatelle, Eli Bulli, and Gordon Ramsay in London. In 2000, Svensson was nominated for Young Chef of the Year, and five years later, he opened the doors to his very first restaurant, Oscarsgate. This would not be his last, with Faun, Galt, and Schlägergården opening over the next 17 years.
“Some of the restaurants were too small for me, some too big, and Schlägergården was simply too far from central Oslo,” Svensson Explains. And of course, after two decades and four restaurants, a break was surely the only thing on the horizon, right? Wrong. Svensson and his team closed down Schlägergården in 2023, but soon after returned to the food scene again, echoing the famous words of another iconic Swedish group: here we go again.
“The name FAN comes from the Swedish curse word, and because this is my fifth restaurant, the name essentially means not another freaking restaurant, so I’m hoping it’s the last one,” Svensson chuckles.
With a lasting impact on Norway’s culinary scene — and a Michelin star from each of his restaurants — both longtime devotees and new admirers flock to the restaurant at Bygdøy allé 9 in Oslo, eager for a feast of exclusive flavours.
Home, sweet home
Located in a classic Frogner apartment, guests have to ring the bell to enter. Once inside, guests are welcomed into what might as well be someone’s home. In addition to the typically clean and minimalistic Scandinavian interior, the lights are dimmed and the atmosphere warm. There is a buzz in the air – an intimacy and chatter similarly experienced over someone’s dinner table, perhaps. “It’s a small restaurant. We only seat 30 to 40 guests, so we can focus on making their experience the best it can be,” says Svensson.
In addition to bringing successful recipes from his last restaurants, Svensson and his team focus on the best flavours and textures. High-quality raw produce play in important part in the FAN kitch-
en, so guests can expect nothing less than excellent. The seafood is sourced from Norway and Sweden, and with the coming of spring and summer, Svensson explains that we are entering a particularly flavourful season.
“We work with seasonal ingredients, so coming up we can expect crayfish, scallops, and caviar, as well as asparagus, truffles, and more! Here at FAN, we also often go into nature to harvest what we can ourselves,” he says. “There’s also plenty of pickling and fermenting in our kitchen, which adds to the many flavours.”
Whether it is the service and guest experience or the quality of the meal, FAN really does put the cherry on top. Diners can expect a welcoming, carefully curated dining experience when entering Svensson’s apartment restaurant.
FAN has a set six-course menu, but guests can supplement their meals with exciting extras such as poached king crab or Löyrom, Västerbotten pie with sour cream. In addition, there are brilliant drink pairing options for everyone –a non-alcoholic juice menu, and of course a wonderfully thought-through wine selection. Whether a business din-
ner, date night, or a nice family outing, there is something for everyone!
The most fun thing about FAN, however, is the evident passion and enjoyment that saturates the place both out front and behind the curtains. When talking to Svensson, there is a clear background of culinary ruckus and fun, embraces, chuckles and lively chatter, as well as a kitchen in full swing preparing for the evening’s service long before it starts. “This is what I love doing the most in the world, and I love doing it with my staff.
In addition to giving our guests a good time, the most important thing for me is
creating a good work environment for the team,” says Svensson.
Whether you are new to the world of Björn Svensson or have followed him through his four separate Michelin stars (an achievement no one else in Norway has managed before), Restaurant FAN is bound to leave an impression.
www.restaurantfan.no
Instagram: @restaurantfan.no
Visit Restaurant Fan
Bygdøy Allé 9, 0257 Oslo, Norway
Björn Svensson.
Restaurant of the Month, Estonia
Culinary adventures at awarded street food restaurant
The gastronomic scene in Tallinn is buzzing, with a vibrant street food restaurant at the forefront of fusion cuisine. Award-winning Restaurant Salt is making waves with its irresistible culinary action, visiting top chefs, and friendly atmosphere.
By Malin Norman | Photos: Restaurant Salt
Opened in Estonia’s capital Tallinn in 2012, Restaurant Salt is a small street food restaurant with a cosy and friendly atmosphere. “The idea was to offer a social venue, like a living room in someone’s home, where guests can share dishes and start chatting to people at the next table,” says Tiina Kõresoo, restaurateur and owner of Salt.
Here, guests can immerse themselves in culinary action, sitting next to the open kitchen and watching the talented chefs hard at work. Under the direction of head chef Marko Kaljend, the young and dynamic team serves up a combination of Asian street food, Latin American favourites, and classic Estonian ingredients.
The innovative menu is inspired by Kõresoo’s extensive travels and her love for street food. Amongst highlights on the menu are slow-cooked beef cheek with caramelised lemongrass sauce and baozi, Thai style spicy mussels with tomato and coconut sauce, ginger, chilli and coriander, and of course the popular grilled octopus with crispy potato, roman salad and basil persillade.
Visiting chefs and prestigious awards
Successful restaurateur Kõresoo lives and breathes flavour, and her passion is contagious. Considered one of the best
restaurants in Estonia, Salt is included in Nordic White Guide and has received several prestigious awards including the prominent Silverspoon Award for Best Street Food Restaurant.
At the forefront of fusion cuisine, the restaurant attracts visiting top chefs such as Pablo Lagrange. The Argentine chef has worked in some of the best restaurants in the world, including Noma, Mugaritz and Pakta. On 24-25 April, Lagrange will offer two spectacular six-course dinners in collaboration with the team at Salt. “This is bound to be a colourful show, with Pablo telling stories whilst cooking,” smiles Kõresoo. “Our mission is to offer the best of fusion, to challenge and enrich with new and exciting culinary experiences, for all your senses.”
Salt is open for lunch and dinner six days a week. From 1 May, the restaurant will be open daily and its popular terrace reopens – you can expect an urban vibe and culinary delights cooked on the open fire.
www.saltrestoran.ee
Facebook: Saltrestoran
Instagram: @saltrestoran
Tiina Kõresoo, owner of Salt.
International Experience of the Month, Latvia
Padure Manor
–a taste of Latvia’s aristocratic heritage
Nestled in the serene countryside of western Latvia, just seven kilometres from the UNESCO-listed town of Kuldīga, Padure Manor stands as a testament to history, elegance, and meticulous restoration. Built in the early 19th century, the neoclassical estate remains one of the best-preserved manor houses in the country. For guests, it provides enchanting settings for everything from weddings to romantic and historic getaways.
By Signe Hansen
Built by James Louis Balfour, a member of the distinguished Balfour clan, the architectural splendour of Padure Manor is matched only by its rich interior details. From original wooden floors, doors, and grand staircases to magnificent ceramic stoves and ornate ceiling decorations, every element tells a story of craftsmanship and refinement. The estate’s two-hectare park, adorned with century-old linden avenues, offers a peaceful retreat into nature, where history whispers through the trees.
\Since taking over the manor in 2015, its renovation has been a personal mission for owner and manager Jānis Lazdāns. When he opened the manor up to visitors, it was with the clear aim of giving guests a
taste of manor life. “When people come to stay in the manor house, we try to make it so that they can feel like the owners of the manor would have felt – we can help with everything from food, serving and cleaning. But guests can also choose to just get the keys and then they can have it all to themselves.”
Indeed, more than a historic monument, Padure Manor is a living experience. Visitors are invited to step back in time and indulge in culinary traditions from past centuries, savouring historical dishes once served in noble households across Europe. Whether through guided tours, grand wedding celebrations, intimate birthday gatherings, or exclusive retreats, the manor provides an
enchanting backdrop for unforgettable moments.
Restoration efforts are actively underway, ensuring that this architectural treasure is preserved for future generations. By visiting Padure Manor, guests thus not only immerse themselves in a world of bygone aristocracy but also contribute to the revival of Latvia’s cultural heritage.
For those seeking an alternative escape, where history, nature, and gastronomy converge, Padure Manor is the perfect destination.
www.paduremanor.com
Facebook: PaduresMuiza
Instagram: @paduresmuiza
Photo: Jānis Lazdāns
Photo: Edgars Pohevičs
Photo: Inese Kreigere
Built in the early 19th century, Padure Manor provides enchanting settings for weddings and historic getaways.
Photo: Inese Kreigere
Gallery of the Month,
Lithuania
Explore the world of amber, with all your senses
At Mizgiris Amber Museum in Nida, Lithuania, visitors can explore the captivating world of amber. This immersive experience brings together history, nature and beauty – a must for anyone interested in the natural wonders of amber.
By Malin Norman | Photos: Mizgiris Amber Museum
Opened in 2021, Mizgiris Amber Museum in the seaside town of Nida is unlike any other museum. It offers an experimental journey in the world of amber, presented in a creative way that is designed to awaken curiosity and the desire to explore. The interactive and immersive experience guides visitors with sound, vision, and other sensations.
Founded by collectors Virginija and Kazimieras Mizgiris, who have dedicated their lives to amber, the modern museum is one of a kind in the Baltic region and cherished by Lithuanians as well as visitors from abroad.
The museum is located in the old German Youth Hostel, built in 1928. On the first floor, you will find the main exhibition with displays featuring the latest technology, while the second floor houses an art gallery with around 350 stunning
works by 50 Lithuanian and international artists, and finally a fascinating, secretive amber room that is controlled by motion.
Amber forest and flowing river
Amber is a part of Lithuanian culture. It has been collected near the Baltic Sea since ancient times, as evidenced by the amulets in the Juodkrantė treasure, which dates back to the Early Stone Age –it was found while digging for amber near Juodkrantė by the Curonian Lagoon. Visitors can learn more about the treasure and the meanings of the amulets at the museum, where they can view all 434 amulets. The largest marine amber on display in Lithuania, the Thunder Stone, weighs 3.820 kilos and can also be seen at Mizgiris Amber Museum.
The museum highlights the beauty of amber but also explores the historical
significance and the processes involved in its formation and extraction. The main concept of the museum is an extraordinary forest of amber trees and a flowing river, representing the road of amber from nature to being a part of culture. Guided along the river by lights and a voice, visitors walk through the mysterious forest whilst listening to the stories and secrets of amber.
Alluding to power and status, amber has long captivated humanity and is also believed to have healing properties, often used as a decorative element. In the museum’s interactive displays, visitors can learn about the physical and therapeutic properties of amber through artistic expressions.
Nature’s own time capsule
Not a gemstone in the traditional sense, amber is fossilised pine tree resin, hardened and weathered for around 40-50 million years. In the museum, special screens show a 3D film about the various processes that lead to amber formation. An animation also presents a mythical legend of the origin of amber, featuring the sea goddess Jūratė and the mortal fisherman Kastytis, well-known in Lithuanian folklore.
Did you know that the rock-like amber can be found in many different colours?
Often, amber has a warm and golden orange hue but there are in fact some three
hundred different shades, from milky yellow to cognac and cherry red, and even rare green and blue amber.
The different colours depend on what happened to the resin before it hardened, what processes affected it and what impurities fell into it. For example, resin exposed to volatile elements appear dreggy and shades can change from yellow to completely white. Various impurities that made their way into resin may result in blue, green, black, and brown hues. And oxidation may have darkened the resin and given it a red, black, or rich yellow colour. Amber can also have air bubbles trapped inside and contain leaves, pieces of wood, and insects – like nature’s own time capsule.
International amber ambassadors
The museum’s founders Virginija and Kazimieras Mizgiris have been exploring amber for more than thirty years. In their efforts to introduce amber to a broader audience and to Lithuanian and international art, the couple first set up the Am-
ber Gallery in Nida and later the museum, as well as the Art Centre of Baltic Amber in Vilnius. They also represent Lithuania in the World Amber Council.
Further promoting amber as a phenomenon, the couple created the exhibition Baltic Amber: History and Design, which has been touring around the world including Iceland, Canada and the US, and featured at the Festival of Contemporary Art as organised by the European Culture Foundation at Vittoriano Museum in Rome.
Mizgiris Amber Museum is open daily from 10am to 7pm. With its picturesque setting in Nida, welcoming atmosphere and knowledgeable staff, it is an ideal place for families and amber enthusiasts to explore and learn more about this wonder of nature.
www.ambergallery.lt
Facebook: Mizgirių Gintaro Muziejus / Mizgiris Amber Museum
Instagram: @mizgirisambermuseum
Virginija and Kazimieras Mizgiris, founders of Mizgiris Amber Museum.
Amulet from the Juodkrantė treasure.
The largest marine amber in Lithuania, the Thunder Stone, which weighs 3,820 kg.
Beyond the blueprint: the reinvention of urban space International Architect Profile of the Month, Estonia
Pluss Arhitektid does not simply design buildings – its architects challenge the very foundation of urban development, questioning norms and pushing the boundaries of what cities can be. Through bold, sustainable, and human-centred solutions, they are redefining the future of urban spaces, one visionary project at a time.
By Ndéla Faye
Since its founding in 2002, Estonia-based Pluss Arhitektid has designed over one million square metres of public spaces, office buildings, apartment complexes, and private homes. But rather than simply following briefs, its questions, pushes, and expands the limits of what urban development can be. The innovative approach has earned the firm numerous awards both in Estonia and abroad, and exporting architecture has become a key part of the daily work, with several projects internationally.
A visionary approach to urban development
For Pluss Arhitektid, architecture is not a fleeting trend but a lasting contribution that leaves a meaningful mark for future generations. This philosophy has driven some of its most ambitious projects – none more so than the Hundipea development.
Situated around the Paljassaare Harbour in Tallinn, Hundipea is not just about revitalising an underutilised space – it’s about rethinking how urban areas function at their core. By bringing together fragmented landowners from across different countries, Pluss Arhitektid has crafted a cohesive and forward-thinking vision for a climate-neutral urban district, one that challenges conventional approaches to city planning.
The Noblessner Quarter is one of Tallinn’s most celebrated urban renewal projects.
Photo: Tõnu Tunnel
Situated around the Paljassaare Harbour in Tallinn, Hundipea is a vibrant, sustainable, and self-sufficient development that integrates innovative urban solutions with a keen focus on environmental consciousness.Photo: Pluss Arhitektid
“The area is 15 minutes from Tallinn city centre, but it was abandoned and completely under-utilised. Instead of seeing it as an obstacle, we saw an opportunity,” says Indrek Allmann, chartered architect and partner at Pluss Arhitektid. Taking a proactive approach, the architects united disparate parties under a single, cohesive vision – one that would not only transform the space, but redefine the cityscape of Tallinn.
The vision has now become reality: a vibrant, sustainable, and self-sufficient development that integrates innovative urban solutions with a keen focus on environmental consciousness. The design incorporates mixed-use spaces, efficient energy solutions, and a smart approach to infrastructure that prioritises both liveability and biodiversity. One of the most innovative aspects of the development has been the application of environmental climate modelling, allowing the firm to make informed design decisions that enhance the comfort and usability of public spaces.
“Tree planting was prioritised to ensure that by the time construction is complete, the trees would already be established. Their locations were strategically chosen so that, once fully grown, they would provide the ideal density and shape for natural shade and wind protection,” Allmann explains.
This kind of boundary-pushing, holistic vision is not a one-off for Pluss Arhitektid. Its work on the Noblessner Quarter – one of Tallinn’s most celebrated urban renewal projects – showcases a similar sensitiv-
ity to history and context. Transforming a once-industrial waterfront into a thriving cultural and residential hub, the firm successfully balanced preservation with modernity, creating a dynamic new district that has set a benchmark for future developments.
Sustainability and innovation at the core Beyond Estonia, its expertise has also been recognised internationally. The Elemental Business Centre in Riga, stands as a testament to its commitment to both function and aesthetic innovation. The project prioritises energy efficiency and well-being, demonstrating that high-performing office spaces can also be human-centred and environmentally responsible.
Perhaps one of the most striking examples of the commitment to sustainability and human well-being is the Alma Tomingas Building, where the team tackled a unique
challenge of indoor climates in Northern latitudes: dry air in winter. The solution? An indoor jungle, full of plants that naturally regulate humidity levels, improving air quality and overall health for those using the space. It is a small but meaningful example of how Pluss Arhitektid continually integrates scientific understanding with architectural ingenuity.
Pluss Arhitektid’s work offers a compelling blueprint for the future. By refusing to accept conventional limitations, it is shaping spaces that are not only functional but visionary – proving that architecture, when approached with curiosity and courage, can do more than just build cities; it can transform the way we live in them. “Our approach is not just about meeting the client’s brief,” adds Allmann. “We question the brief, stretch it forward, assess the social and environmental impact, and then work with the client to find the best possible solution. Staying in the comfort zone isn’t an option – we want to push further.”
As cities grapple with the challenges of climate change, urban density, and social sustainability, Pluss Arhitektid’s work stands as a testament to the power of innovative, forward-thinking design. Its projects do not just change cityscapes; they redefine the possibilities of urban living.
www.pluss.ee
Instagram: @plussarhitektid
Facebook: Pluss Arhitektid
Rail Baltic Pärnu Terminal.
Photo: Pluss Arhitektid
Left: The Alma Tomingas Building. The building’s indoor jungle naturally regulates humidity levels. Photo: Indrek Suigusaar. Right: The Elemental Business Centre in Riga prioritises energy efficiency and well-being. Photo: Lisanna Remmelkoor
of the Month,
Beautiful aesthetics embedded in everyday life International Architect Profile
Based in Kaunas, Righetto Architects is a modern architecture and interior design studio. Its founder, architect and painter Edita Stankevičiūtė-Righetto, has more than a decade’s worth of experience both in Lithuania and in other European countries. Her broad knowledge allows for effortless and professional control of space, colour, and texture.
By Malin Norman | Photos: Righetto Architects
“Righetto Architects was born from a dream – to create a world where beauty is not a luxury, but a natural and essential part of life,” says Stankevičiūtė-Righetto, founder and director. “It was a personal vision, driven by the belief that architecture and design have the power to shape not only spaces but also people’s states of mind, thoughts, and relationships with their surroundings.”
This vision emerged from the founder’s personal experience. Her path to architecture was shaped not only through professional practice but also through a decade spent in Italy – a country where aesthetics are deeply embedded in
Lithuania
everyday life. “In Italy, I learned how architecture can be not only functional but also emotional,” she says. Her studies in painting and textiles have also left a strong imprint on Righetto’s philosophy –the subtlety of colour, harmony of materials, and sensitivity to light have become an inseparable part of the projects.
Longevity, craftsmanship and architectural logic
In every project, Righetto aims to unite architecture, interior and furniture design into one seamless, harmonious whole. Not following trends, the firm’s projects are instead born from deeply rooted values; longevity, craftsmanship, architectural logic, and respect for the human being are the cornerstones of its creative principles.
“We work with high-quality materials, often handmade or sustainably sourced, that speak through their texture, weight, and the way they reflect light,” explains
Righetto’s studio in the former Evangelical Lutheran church in Kaunas is not just a workplace, it reflects the team’s courage to transform.
Stankevičiūtė-Righetto. “Our work process is a dialogue with the client, where every detail and every sensation matters.”
One of the director’s dearest projects is a house on the Baltic Sea coast in Nida, Latvia; “It’s a minimalist house that blends into nature, surrounded by dunes and pines. The façades are of natural wood, and the interior opens up to the sea through large windows. Sensitivity to nature became the main architectural tool here.”
An apartment in the centre of Vilnius is another example of how contemporary interiors can be subtly combined with classical elements. The main highlight
here is the Boffi kitchen – a sculptural object in the living space.
Stankevičiūtė-Righetto is also proud of the firm’s own studio, located in the former Evangelical Lutheran church in Kaunas. “It’s not just our workplace – it’s a space where exhibitions take place, new projects are born, and where architecture meets art and community,” she says. “This space symbolically reflects our thinking: respect for history, courage to transform, and creativity born from silence.”
Regenerative architecture and a period of growth
This spring and summer marks a period of growth for Righetto, the director
shares: “We’re beginning the development of a large spa complex by a lake, with a luxury hotel designed according to the principles of regenerative architecture – a project where human well-being, natural cycles, and sustainability will come together in a unified whole.”
At the end of April, Righetto is organising a lecture for real estate developers and contractors titled The Expiry Date of Contemporary Architecture: Trends or Values? “It will be an open discussion about how to create architecture that remains relevant, where values form the foundation for long-term aesthetics and function,” Stankevičiūtė-Righetto adds.
Righetto is also participating in an international regenerative architecture competition in Dubai, where the team is designing a 300 square metre single-family home adapted to extreme climates – with passive cooling, natural solutions, and an open relationship with the environment. And this autumn, a new project begins in Italy – the conversion of a historic villa into a contemporary living space, where the original architecture will merge with modern functions, preserving its cultural identity.
www.righetto.lt
Facebook: RighettoStudija
Instagram: @righettostudio
The minimalist house on the Baltic Sea coast in Nida, Latvia, blends into nature, surrounded by dunes and pines.
The apartment in the centre of Vilnius shows how contemporary interiors can be subtly combined with classic elements.
International Culture Profile of the Month, Latvia
From musicals to post drama at Daugavpils Theatre
Sitting on the eastern border of the European Union, Daugavpils Theatre maintains the area’s multicultural traditions with performances in four languages. Its productions range from musicals to dance and post drama, spanning traditional and avant-garde.
By Malin Norman | Photos: Dzeina Saulite
Established in 1857, Daugavpils Theatre is one of the oldest professional theatres in Latvia, as well as the only permanent professional theatre in the Latgale region. The theatre was founded and maintained by the chief engineer of Daugavpils Fortress, Nikolay Hagelstrom, an avid theatre lover.
Daugavpils, originally called Dinaburg, is located 220 kilometres from Latvia’s capital Riga and only a few kilometres from Lithuania, Belarus and Russia, in a region called Latgale. Operating on the eastern border of the European Union, the theatre maintains the area’s multicultural traditions and stages plays in Latvian, Russian, English and Latgalian, the local language.
Amongst Daugavpils Theatre’s celebrated performances is Macbeth, the tragedy by William Shakespeare, in collaboration with British actor, director
and Shakespeare scholar Paul Goodwin. Another stand-out production is Two in the Kitchen, not Counting the Corpse, an almost criminal comedy based on Mothers and Daughters by Ukrainian playwright Aleksander Mardan.
Dance performance They Shoot Horses, based on motives of Horace McCoy’s novel and inspired by Sydney Pollack’s movie They Shoot Horses, Don’t They?, was nominated for Latvia’s Dance Award 2023-2024. And contemporary performance Someone Is Going to Come by John Fosse received the Latgalian culture award Bonuks. This was a co-operation with the Royal Norwegian Embassy in Riga and the Nordic Council of Ministers’ Office in Latvia.
Theatre festival celebrating Latgale
From 3-7 June, Theatre Festival #4 will take place in Daugavpils. The organisers share the belief that during times
of societal division caused by economic and political upheavals, theatre is the perfect place for people to meet, listen to diverse voices, and imagine a better future together.
“The festival’s focus is change, both internal and external,” says Oleg Shaposhnikov, artistic director at Daugavpils Theatre. “This year’s slogan, Latgale is Close, symbolises a call to shift the perception of this region. It’s a reminder to both visitors and locals that Latgale is neither unreachable nor foreign in the context of Latvia and Europe.”
www.daugavpilsteatris.lv
Facebook: Daugavpils teātris Instagram: @daugavpils_teatris
Macbeth.
Macbeth.
Someone is Going to Come.
By Ndéla Faye | Photos: Oscar’s Fish
Premium sustainable seafood for the catering industry
Oscar’s Fish products are caught in the unpolluted waters surrounding Iceland, ensuring the highest quality and freshness. The North Atlantic saithe, haddock or cod is sourced primarily from smallscale fishing boats using sustainable fishing methods.
The company takes pride in delivering fish that meets premium standards. The fish is filleted, packed and frozen fresh using a specialised quick-freezing method. “The result is a product that, once defrosted, retains the same succulence as fresh fish, offering unparalleled quality with the convenience of frozen storage,” says owner Mārīte Tīruma-Karlsone.
designed for easy portioning into precise 120-gram servings,” she says. The range includes freshly frozen North Atlantic saithe, haddock, and cod, all sourced from Icelandic waters and produced in Latvia.
The COOK FROZEN range is particularly well-suited for large-scale catering, ensuring consistent portion sizes and allowing restaurants, hotels, and catering companies to serve high-quality seafood to a large number of diners simultaneously, without compromising on taste or texture. “Cooking straight from frozen to fresh, it’s a hassle-free and time-saving solution for efficient meal preparation,” Tīruma-Karlsone adds.
With over 16 years of expertise in the industry, the company has built a reputa-
“Our standout product, COOK FROZEN, is ideal for the catering industry. It’s Oscar’s Fish’s frozen fish block, In the catering industry, quality, consistency, and sustainability are paramount. Oscar’s Fish, named after its founder and Icelandic seafood industry veteran Oskar Thor Karlsson, has established itself as a trusted supplier of premium frozen fish products.
www.cosytimesceramics.dk
tion for excellence in retail and hospitality, restaurant and catering industries.
The combination of sustainable fishing practices and advanced freezing technology ensures that Oscar’s Fish products not only meet the highest industry standards but also align with the growing demand for eco-conscious food sourcing.
www.oscarsfish.lv
Music to align with your mood
Whether it’s wallowing in blues or revelling in beats you’re after, there’s a new discovery to soundtrack your mood today.
By Karl Batterbee
Norway’s Julie Bergan has gathered together all five banging Eurodance tunes that she’s released as singles over the past 12 months into a hit-play and don’t-stop EP. Topped off and powered up even further by a brand-new track – and it’s one of her very best! Dance All Night serves as the Euronites EP’s opening track – and its manifesto.
Two Danish musicians – producer HEDEGAARD and singer Bjørnskov – have gotten together to make a special kind of dance track; one that merges torch song with strobe-light tune. It’s a level of luminosity that should see you through until the summer months. If you’ve been holding out for a Hometown Hero, this one’s for you.
A Swedish stalwart of the EPA-dunk genre has taken something of a left turn
Monthly Illustration
(in his EPA-tractor, no doubt) and come out with an absolute stunner of a schlager ballad. We don’t need to ask why, we’re just going to appreciate that it’s happened and that it exists. Put your lighters up for Nära Dig by Neonberger, featuring vocals by Vanadis.
Swedish artist joel has served up lemons – a refreshing break-up anthem that skips forward to the post-healed stage, when feelings start to creep in again but are mercifully much easier to bat away this time around. This serving of lemons is paired particularly well with his previous single 10/10, another positive spin on the break-up ballad genre.
Another lyrically astute love song comes from Norwegian artist Laurent and
When is spring coming?
When is spring coming? I don’t know. All I know is that when I still lived in Sweden, I would see the signs more clearly. It might be because I live in the inner city now, and less time is spent wandering the outskirts of the small town where I grew up. I used to walk from our house into the field, look at newborn lambs and sit in meadows of white flowers. Yep, that cliché, that was me.
I don’t really walk into any fields now, and I don’t hang out with any sheep at all, despite living in Scotland where they exist in abundance. But I look for those signs of spring where I can in a dirty, built-up city. A tree tentatively turning green, a rare flower fighting the cold.
The older I get, the more I miss being in Sweden at the turn of the seasons. I like it when it gets colder, warmer, lighter, and darker. The change is perhaps a little more
his latest single Roof On Fire. This song doesn’t stop at merely tugging on the heart strings, but is seemingly not happy until it has ripped them out and tossed them on the titular blaze. Unrequited longing has never sounded so good.
www.scandipop.co.uk
By Gabi Froden
obvious in the north, and I love it. It keeps my body in check. I feel odd living in a climate that is more or less always 13 degrees. I miss really cold days – and really warm ones too. The in-between is oddly discomforting. A whole lot of grey nothing. I can still love living here, and I do. But I want my spring to look like a field of frolicking lambs, not a tiny flower in a small square. Long live the explosion of life!
Gabi Froden is a Swedish illustrator and writer, living in Glasgow with her husband and two children. Her children’s and YA books are published in Sweden by Bonnier Carlsen and Natur&Kultur. www.gabifroden.com
Even without an Oscar, The Girl with the Needle is a winner
Following the last two columns, I had my hopes set at celebrating Scandinavian success at the Academy Awards this month; it was just that there wasn’t anything to celebrate. That is, if you measure purely on wins.
Perhaps the usually down-to-earth Scandis, including myself, have gotten a bit carried away with success in recent years, and with the fact that the region continues to punch above its weight. In truth, bringing ourselves down to earth, in a good-old Janteloven (Law of Jante) fashion may be in order.
Still, Danes – and other Scandinavians –have every reason to pat themselves on the back: securing a spot on the top-five shortlist is a remarkable achievement in what is arguably the most prestigious award in the film industry.
The feat is all the more impressive given the category’s recent shift from Best Foreign Language Film to Best International Feature, reflecting broader, more competitive global representation. This means contenders are competing with
any film not produced in the US, in other words foreign language films as well as non-US English-speaking films.
While The Girl with the Needle, directed by Swedish-Polish director Magnus van Horn, did not win an Oscar, it is worth noting that the collaborative relationships between Scandinavian filmmakers are as strong as ever. Additionally, the film is yet another testament to the DNA of Scandinavian filmmaking – a tradition of boundary-pushing driven by a commitment to bold, original storytelling, rather than a desire for critical or public recognition.
When the stylistic film aired at the Cannes Film Festival last year, where it was also nominated, critics described it as “grippingly acted” and “a sombre, commercially uncompromising work.”
By Anders Lorenzen
In addition to the Cannes and Academy Award nominations, The Girl with the Needle continues to gain traction, having received 22 wins and 39 nominations in film festivals around the world.
It is available for streaming on the MUBI, Apple TV and Amazon Video platforms.
Anders Lorenzen is a Danish blogger and film and TV enthusiast living in London.
Whether you’re into books, films or extreme metal music, there’s a festival to suit you across the Nordics in April. You can also dip into either modern fashion or retro style, and over in Norway they’re doing stand-up comedy about their nation in English and a first-time production of a global hit musical in Norwegian!
By Karl Batterbee
Wicked. Photo: Fredrik Arff, Scenekvelder
WICKED (until 20 May)
It’s the very first Nordic production of the musical WICKED, and it’s arrived in Oslo! Starring Alexandra Rotan (of pop band KEiiNO) as Glinda and Sanne Kvitnes as Elphaba, Folketeateret promises a spectacular staging of the world-famous musical that will enchant Norwegian audiences. The show premiered in March and will run until May, with every performance being delivered in the Norwegian language. It’s arrived at the perfect time, too; a stopgap for fans of the musical in between the release of the two Hollywood film adaptations starring Ariana Grande and Cynthia Erivo.
Folketeateret, Oslo www.folketeateret.no
DesignMarch (2-6 April)
Reykjavík is about to become even more in-fashion than ever before! DesignMarch is all set to showcase the finest creations from the Icelandic design scene, with some truly fresh, exciting, exotic and under-the-radar treasures to be unearthed. From fashion to furniture, and from architecture to food design, this festival presents the best domestic talent alongside some exciting international names. For four days, the world’s most
northerly capital will be transformed into a mega venue hosting hundreds of openings, events, exhibitions and parties.
Various venues, Reykjavík www.honnunarmidstod.is/en
Stockholm International Film Festival Junior (7-13 April)
Stockholm International Film Festival Junior has been introducing quality films to Swedish youth for over 20 years now. The festival for children and young people
aged between 6 and 19 treats audiences to exceptional films from around the world, many of which rarely reach a wider audience. By now, it’s earned its reputation as being a space that inspires future filmmakers, actors and film enthusiasts to explore and deepen their connection to the world of cinema. The festival week takes place every spring and all screenings are completely free for children, young people, teachers and members.
Bio Skandia, Stockholm www.stockholmfilmfestival.se/junior
Wicked. Photo: Fredrik Arff, Scenekvelder
DesignMarch.
Photo: Aldís Pálsdóttir
The Legend of Ochi.
Photo: Stockholm Film Festival Jr
Kayara: På äventyr i Inkariket. Photo: Stockholm Film Festival Jr
DesignMarch. Photo: Aldís Pálsdóttir
DesignMarch. Photo: Aldís Pálsdóttir
Norway For Beginners (9
April)
An English-language comedy show that lets the audience have a good laugh at Norway… And hopefully finds the Norwegians enjoying a little chuckle at themselves, too! Comedians Pernille Haaland and Cécile Moroni invite you to what they promise is a hilarious interactive comedy show that allows you to dive into the quirky traditions and absurdities of Norway. This ‘Norway 1.0’ crash course is made for expats, internationals and newcomers alike, to help attendees figure out the whole Lutefisk, cross-country skiing and Akevitt thing once and for all. As the Norwegians would say: “Ut på tur, aldri sur!”
Uhørt, Oslo www.uhortistroget.no
Inferno Metal Festival (17-20
April)
The Inferno Metal Festival has enticed metal fans from all over the world since 2001. The annual gathering of gothic-style music consists of about 50 concerts spread out over four days, and all are within the extreme metal genres, such as black metal, death metal, thrash metal, doom metal and more. Inferno also offers side activities for festival-goers, so attendees can look forward to film screenings, tattooing, art exhibitions, beer tastings, saunas, autograph signings and even guided walks around Oslo. That’s a lot of memories to take back with you from the Norwegian capital!
Various venues, Oslo www.infernofestival.net/no
Norway For Beginners host Pernille Haaland. Photo: Press Image
Norway For Beginners host Cécile Moroni. Photo: Siri Øverland Eriksen
Retro & Vintage Design Expo (18-20 April)
The Merikaapelihalli of the Helsinki Cable Factory is going to be filled with the most charming vintage, the most striking retro and the absolute best Nordic design from the golden era that was the 20th century. The event has more than 100 exhibitors signed up, offering a vast selection of stylish items for lovers of fashion and design. Most traders will hail from Finland, Sweden and Estonia, and all will have a clear focus on the iconic visuals that we all know and love from the 1920s to the 1980s.
Helsinki Cable Factory, Helsinki www.keräilykuume.fi
Reykjavík International Literary Festival (23-27 April)
This biannual festival has been going on since 1985 and has been hailed as one of the most important literary festivals in Europe. Anyone going along to it can expect to meet authors, attend readings and seminars, or even dance with their favourite writer at the Literary Ball! Set in cosy venues in downtown Reykjavík, the festival has thus far welcomed Nobel-prize winners, novelists, historians, political activists, philosophers, cartoonists and more to take part in lively programmes. For its 17th edition, the wallets of literature enthusiasts can once again benefit from there being no admission fee to the events. All programmes are conducted in English.
Various venues, Reykjavík www.bokmenntahatid.is/en
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