DENIM REBORN
With bold silhouettes and pastel washes, Miss Sixty reinvents denim—embracing individuality, movement, and fearless personal style.
Sometimes the most profound things unfold without fanfare - through a carefully draped wedding dress, a memory that won’t let go, a thoughtfully designed space, or an artist’s quiet vision. This issue takes you through these layers, exploring those moments where presence, transformation, and the in-between spaces tell their own stories.
We start with Alamango Bridal, where family heritage and modern design come together to create those intimate, breathtaking moments every bride treasures. From there, we wander into the creative worlds featured at this year’s LIV Hospitality Design Awards, showcasing innovations that are completely changing how we experience the spaces around us.
“THE ONLY TRUE WISDOM IS IN KNOWING YOU KNOW NOTHING.” – SOCRATES
013. TRADITION, STYLE, AND THE MODERN BRIDE
Alamango Bridal blends heritage with fresh design to help modern brides discover the dress—and the experience—of a lifetime.
016.
LIV DESIGN AWARDS: A GLOBAL SHOWCASE OF INNOVATION
Celebrating bold architecture and interiors, this year’s awards honored standout hospitality projects from 58 countries, redefining global design.
024. CAPTURING ICONS
070. WELLBEING: INSIDE FLOW WITH DITYA SARI
Meet the Bali-born instructor redefining self-love and flow through a powerful blend of music, movement, and mindful expression.
074. SHOP, RELAX, REPEAT
We visit Sicilia Outlet Village where fashion, value, and experience come together with over 170 top brands, unbeatable discounts, and a relaxed open-air setting in the heart of Sicily.
078. SEASON SHIFT ’25
I’m thrilled I got to chat with photographer Lorenzo Agius, who has this incredible gift for capturing celebrities at their most human and vulnerable – not performing, just being. And speaking of expression, Miss Sixty’s comeback brings a perfect collision of Y2K nostalgia and feminine power that feels both familiar and completely fresh.
Not all art shouts for attention. In The Art of Bruce Riley, we discover how silence becomes its own language. His layered pigments and fluid movements create something that feels both cosmic and deeply personal – that rare sweet spot where digital precision meets human touch. La Villa Luce shows us a home shaped by nature and childhood memories. In our piece with Ditya Sari, movement transforms into meditation, with yoga becoming a path back to our essential selves. And Clarins’ new skincare reminds us that beauty isn’t some distant destination - it’s a becoming. Slow. Intentional. Radiant.
Every story in this issue invites you to just... pause. Listen. Step into the quiet art of right now.
Enjoy and take care,
Kay K x
Lorenzo Agius talks about the art of photographing icons, and what it takes to truly capture someone’s essence.
044. DENIM REBORN
With bold silhouettes and pastel washes, Miss Sixty reinvents denim—embracing individuality, movement, and fearless personal style.
056. ARCHITECTURE: SECLUDED IN THE SUN
Nestled in Cap-à-l’Aigle, this amazing retreat merges sunlit living, regional tradition, and a deep love of the river.
066.
UPDATE: A NIGHT AT THE THEATER
Xara Catering celebrate a new collaboration, recently hosting a captivating evening titled “A Night at the Theatre” in partnership with Teatru Salesjan and TunIn Entertainment.
Clarins unveils a radiant new line designed to protect, nourish, and empower your natural glow through seasonal change.
080.
THE ROYAL HUE
A fascinating exploration of the color that has transcended mere aesthetic appeal to become a powerful symbol of authority, spirituality, and social change.
Editor
Kay Psaila
Design / Art Direction Vocab®
Photographer
Matthew B Spiteri
Stylist
Robert Walker
Sales Director
Sam: [+356] 7788 0300
Contributors
Bruce Riley
Ditja Sari
Lorenzo Aguis
Lira Bekbolatova
LIV Design Awards
Armand Jenkins
MXMA Architecture
Nikita Alamango
Seye Isikalu
Samuel Black
Kate Sanders
Yaya Lopez
Xara Collection
TRADITION, STYLE, & THE MODERN BRIDE
Alamango Bridal has long been a staple in Malta’s bridal fashion scene. In this interview, the team shares how the brand continues to grow, balancing tradition with fresh perspectives and offering a deeply personal experience for every bride who walks through their doors. From behind-the-scenes realities to thoughts on evolving trends, they reflect on what it really means to help someone find the dress.
Since your last interview with Vamp, how has Alamango Bridal evolved? Have there been any exciting new additions to your collection or services?
Since our last conversation with VAMP, Alamango Bridal has continued to evolve, embracing both tradition and innovation. We’ve expanded our collection to include more diverse silhouettes and luxurious fabrics, ensuring that every bride can find something uniquely her own. We also launched our new collection this May, the “Orpheum Collection”. We’ve chosen nine immaculate gowns that don’t break the bank, but our focus remains on craftsmanship, quality, and a deep
understanding of what makes a bride feel truly special on her big day.
You work closely with brides during one of the most emotional moments of their lives. What’s the most touching or unexpected reaction you’ve seen when a bride finds her dress?
Every bride’s journey is deeply personal and unique, and we’re honoured to be part of every moment. One of the most touching experiences we’ve had was when a bride came in for her first dress trial with her grandparents. She wasn’t expecting to find her dress that day. After trying on several gowns she had selected, one of
our stylists brought out something she hadn’t considered. The moment she put it on, she was overwhelmed. Tears started streaming down her face as she whispered, “This is it.” Her grandparents had the same reaction. Her grandad then snuck out to reception and told us that she had decided and that he wanted to be the one to cover the costs. It was a powerful reminder that a wedding dress isn’t just a garment. It’s part of a memory in the making. We’re not perfect, but every day we show up for our brides, support each other as a team, and try to ease the pressure that comes with planning such a meaningful day. >>
Do you believe in following global bridal trends, or do you prefer to create a unique, timeless aesthetic that reflects Alamango’s brand?
While we stay in tune with global bridal trends, our approach is more about curation. We select gowns from a range of designers that speak to different brides — from traditional to bold and modern.
When we create bespoke gowns through our made-to-measure service, we work closely with the bride to bring her vision to life. We’re inspired by trends, but not limited by them. The goal is always to help the bride feel like the most authentic and confident version of herself.
A wedding dress is more than just fabric. What do you think a bride’s choice of dress says about her personality?
A bride’s choice of dress says a lot about her. A sleek, minimalist gown often reflects someone modern and confident. A big ball gown suggests romance and a love for classic fairytales. Intricate lace and embellishments usually signal an eye for
detail. Some brides choose understated gowns that still feel like a statement on their own. Ultimately, a wedding dress is an expression of who the bride is. It tells a story before she even walks down the aisle.
If you had to describe the quintessential Alamango Bride in three words, what would they be and why?
Heartfelt, evolving, supported.
The Alamango Bride might walk in feeling unsure or overwhelmed, but she’s not just looking for a dress. She’s looking for guidance and a team she can trust. That’s where our experience as a familyrun business really shows. She wants a seamless process, from her gown to alterations, bridesmaids’ dresses, and even outfits for her mum. She wants to feel like she’s in good hands — and that she can enjoy this part of the journey.
What’s something about running a high-end bridal boutique that people wouldn’t expect? Any behind-the-scenes
challenges that come with making bridal dreams come true?
People often see the glamorous side — fashion shows, beautiful dresses, international designers. But behind the scenes, it’s a lot of decision-making. Every gown we choose, every designer we partner with, every direction we take is carefully considered. There’s always a balance between creative vision and what will truly connect with our brides. What many don’t realise is how emotional this work can be. Weddings bring out deep feelings — from the brides, but also from family and friends. We’re not just helping someone pick a dress. We’re holding space for their emotions, offering reassurance, and creating an atmosphere where they feel understood and at ease.
[ V ]
[“A WEDDING DRESS ISN’T JUST A GARMENT. IT’S PART OF A MEMORY IN THE MAKING.”]
ELEVATING EXPERIENCE
Exploring the Future of Hospitality Design
[“LIV
SHOWCASED BOLD CREATIVITY FROM BOTH SEASONED PROFESSIONALS & EMERGING TALENTS FROM 58 COUNTRIES”]
The LIV Hospitality Design Awards has wrapped its fifth and most successful edition to date, celebrating standout architectural and interior design projects that are redefining the global hospitality landscape. With over 550 submissions from 58 countries, the competition showcased bold creativity from both seasoned professionals and emerging talents.
A panel of esteemed jurors—comprising architects, designers, and developers in the hospitality sector—carefully evaluated entries ranging from Sri Lanka to Kazakhstan, Canada to Mexico. Winners were selected across categories including Architecture, Interior Design, and Emerging Talent, representing the innovation and diversity shaping the future of hospitality.
In architectural design, Canopy: A Treetop Dining Experience by Rock Venture Co. earned the title of Architectural Design of the Year – Eating Spaces. Suspended 52 meters high at Anantara Golden Triangle in Thailand, this bamboo-clad dining capsule offers panoramic views of the borders with Myanmar and Laos. Its beehive-inspired design immerses diners in the surrounding jungle canopy.>>
Minor hotels, Anantara Golden triangle elephant camp & resort
Jeffrey Beers International | Omni PGA Frisco Resort
[“LAYERED, ART-DRIVEN INTERIORS AND MULTI-THEMED DINING ZONES
Nanjing Back To Yaxi Manor Resort, YuQiang & Partners. Photo: Huang ZaoHui
Bajgle Etc. - Coffee & Bagel Venue, Poznan, Poland by mode:lina™️ Hotel Kapeller
Anantara Santorini Abu Dhabi Retreat
Frameweb | Miami Modern House
Selva Restaurant by EL EQUIPO CREATIVO
Dialogue with Nature—Commune STORE by Atelier Global Limited, led by Frankie Lui and Cai Chao, won Architectural Design of the Year – Living Spaces. Located in Houyuan Village, China, this project reimagines an abandoned school as a community center rooted in local rice-farming traditions. Sustainable design and integration with the landscape give it cultural and environmental depth.
For interior spaces, Uma Nota by The Odd Duck Design, led by Asmaa Said and Ellina Komarova, took Interior Design of the Year – Eating Spaces. Set in Manila, this Japanese-Brazilian restaurant captures the eclectic soul of São Paulo’s Liberdade district through layered, art-driven interiors and multi-themed dining zones.
In China, Nanjing Back To Yaxi Manor Resort by YuQiang & Partners won Interior Design of the Year – Living Spaces. The resort features rammed earth, bamboo, and natural finishes, creating tranquil interiors that flow seamlessly into their surroundings.
This year’s emerging talent category highlighted rising stars in design. Tasneem Hamza from Applied Science Private University was named Emerging Architect of the Year – Living Spaces for Bridging The Divide, a project that reconnects fragmented urban spaces in Irbid, Jordan, by revitalizing heritage buildings to foster community interaction.
From Art Center College of Design, Jihyeon Park was awarded Emerging Interior Designer of the Year – Eating Spaces for Limen, a nostalgic transformation of a historic train station in Pawtucket, Rhode Island. Fellow student Levi Luearned Emerging Interior Designer of the Year – Living Spaces for Lianin, a beachfront resort in Singapore that reinterprets Peranakan culture through a modern, design-forward lens.
“We’re thrilled by the success of this fifth edition,” said Astrid Hébert, Founder of the LIV Awards. “For the first time, we have celebrated our winners at a live ceremony in Shanghai back in April. It’s a milestone that
reflects how far we’ve come—and where we’re heading next.”
The LIV Hospitality Design Awards continue to offer international recognition to trailblazing designers who are elevating the guest experience and setting new standards for hospitality. Winners gain invaluable exposure and industry credibility—cementing their place among the global design elite.
[“IN CHINA, NANJING BACK TO YAXI MANOR RESORT BY YUQIANG & PARTNERS WON INTERIOR DESIGN OF THE YEAR”]
Dialogue with Nature—Commune STORE, Atelier Global Limited. Photo: ZHIYI
Nanjing Back To Yaxi Manor Resort, YuQiang & Partners. Photo credit: Huang ZaoHui
VAMP meets renowned photographer Lorenzo Agius ahead of his show in September titled “LOOK AT ME: Framing the Iconic” at Spazju Kreattiv, Valletta (12 Sept –2 Nov 2025). Curated by Professor Charlene Vella, the exhibition showcases Agius’s bold, cinematic portraits of some of pop culture’s most recognisable faces.
Following a preview at The Phoenicia Malta in June, this full-scale show explores themes of fame and identity through Agius’s signature style. We spoke to him about his creative process and the stories behind his iconic images.
CAPTURING ICONS
Renowned for his cinematic portraits and disarming ability to capture celebrities at their most human, this photographer has worked with some of the biggest names in Hollywood and fashion. From Brad Pitt to Jude Law, his portraits go beyond surface beauty, often becoming the defining images of these public figures. In this exclusive interview, he shares his creative process, the unpredictability of photoshoots, and the unexpected magic that happens when a subject truly lets their guard down.
Your celebrity portraits feel really natural and authentic. How do you get famous people to let their guard down when they’re so used to being photographed?
Generally, there’s a lot of conversation prior to the shoot. It’s important to get an understanding of the person in a subtle way and try to make a connection—either personally or by discussing the concept for the shoot. I try to get them on board with my vision. Most of the time, they’re into it. Then during the shoot, I work on going deeper.
What draws you to black and white for some of your portraits? They have this amazing cinematic feel to them.
I love black and white. I’ve always shot it alongside color. These days, it’s easy to convert color into beautiful B&W, but the decision is usually made beforehand. You need to know how you see the final image before you shoot. I used to print black and white photos myself in a darkroom when I was younger—so it’s always been a passion. Most of my favourite images are in black and white.>>
You’ve worked with magazines like GQ and Vogue for years now. Has your approach changed much over time?
Absolutely. I think all artists evolve as they gain experience and grow older. It’s important to keep learning and pushing yourself.
Some of your photos have become really iconic—like the ones with Ewan McGregor or Jude Law. Do you know when you’re shooting something that might become that memorable?
I usually know when a shoot is going to be special—mainly because of the subject. It’s about recognising the opportunity and doing something beyond just another portrait. It’s like pulling a rabbit out of a hat—surprising people with something unexpected.
I noticed you’ve photographed Brad Pitt several times. What was it like working with him?
I’ve worked with him a few times over the years. He’s such a lovely person really down to earth which makes the shoot more fun. He’s also enthusiastic and creative himself, so he understands the process. Most actors do; they know it takes work to get to something good.
[“IT’S LIKE PULLING A RABBIT OUT OF A HAT— SURPRISING PEOPLE WITH SOMETHING UNEXPECTED.””]
Do you prefer working in a controlled studio environment or capturing more spontaneous moments?
I love both. On-location shoots come with the uncertainty and beauty of natural light, which can be magical. But a studio offers control and precision. The key is to adapt and make either setting work in your favour.
How do you balance having a vision for a shoot while still letting your subject’s personality shine through?
The goal is always to let their personality come through. It’s more of a collaboration a conversation through images. Sometimes I say something that sparks an idea in the subject, and then we take it in a new direction together. That connection is what I’m looking for.
Was there ever a photoshoot that was particularly challenging to pull off? What happened?
Every shoot has its challenges, so it’s essential to align on the idea beforehand. With the Ewan and Jude shoot—in bed, wearing pajamas—I didn’t actually have the concept until an hour before. It went against what the magazine expected. We had to rush to get the wardrobe and then pitch the idea to them. At first, they weren’t sold, but I convinced them it would be funny and unique not just another portrait. They ended up loving it and really got into character.
Another time, I had a shoot with Matt Groening, the creator of The Simpsons. (pg XX.) He was sick and didn’t want to do it. I knew I had to get creative fast, so I stopped at a hardware store and bought paint—specifically Bart Simpson Yellow. I suggested we keep him anonymous by covering his face with his hands, but showing his glasses. His arms were painted yellow as a playful nod. He loved it. It’s about making the experience enjoyable even for those who hate being photographed. I aim to make shoots witty, fun, and playful. That’s when people let go.
[“EXPERIENCE
IS EVERYTHING + EVERYTHNG IS EXPERIECE”]
Your work has a distinct look to it. How would you describe your style, and how did you find your photographic voice?
I never really believed I had a particular style. I just try to entertain the viewer or create something iconic and emotionally resonant. I want people to see something in the photo that helps them understand the subject—or even recognise something of themselves.
How has the shift to digital changed the way you work compared to your earlier photography days?
Digital has definitely freed me up—it’s faster and more flexible. But having that foundation in film photography helps. It’s about applying that discipline and knowledge to how I shoot now. Experience is everything. And everything is experience. [ V ]
THE ART OF
BRUCE RILEY
Silence, Cities, and the Cosmic Canvas...
How have your experiences in both urban and rural environments influenced your artistic perspective and creative methodology?
Both environments have had their own unique influence on my art. Early in my career I was focused on the outdoors. The wilderness taught me the power of silence. It would take a couple of days of solitary hiking before all the noise would leave me with just seeing and quiet contemplation. My oil paintings were narratives that took place in nature. But I’ve been most artistically productive while living in cities. I think both environments come together to give
me visions of being human on a planet in a universe that is comfortable in its unfolding in Deep time.
Your work has traditionally been rooted in physical painting, but you’ve begun exploring digital art. How does your approach to layering and fluidity translate into the digital medium? Do you find it offers new possibilities or challenges compared to your mixed media paintings?
The only difference between creating paintings and creating digital art are the tools. Painting is more tactile. I am constantly moving and thinking in terms of the limitations of my media. The specific properties
and uses of my materials determines how they are applied. My constant experimenting expands what is possible. Things get messy both inside and out.
In creating digital art, I sit. There is hardly any physical movement. It still gets messy though. There are multiple layers and versions. The complexity of my considerations pushes me to the edge of comprehesion and beyond. It is that beyond where the two approaches meet. In both approaches my media considerations occupy most of my thought process. That is the engagement that is most exciting. It releases me from time and keeps me in the moment. >>
In what ways has your working-class background informed your artistic practice, particularly regarding material selection, thematic focus, and creative approach?
My artistic practice is centered around work. My play as a child was physical. My play as an adult has been physical. Work created free time to explore my art. When I’m in the studio I’m empty until I start
working with my media. That first step starts the process.
My thematic focus is Nothingness. I do not make art with a message. Creating is a continual searching and questioning. With my art, I try to stay outside the expanding bubble of knowledge. That state of being is what I mean by Nothingness.
Would you outline your creative process, specifically addressing how you develop your distinctive organic forms from initial concept through to completion?
I start with a blank surface. That is my initial concept. Working on 30 to 40 paintings at any given time creates containers of leftover mixtures. Those mixtures are used to cover the whole surface of a blank panel. My memory, physical and thought based, kicks in and starts manipulating the paint until it is too setup to work with. My distinctive organic forms become more pronounced as a painting progresses. The forms pile up and interact. They combine into new forms. They become richer and more detailed until one day I realize the painting is done.
But nothing is set in stone. The media I’ve been using that allows me to work with pigments that I float on top of clear and translucent binder are no longer available. I’m developing a new approach that has no idea of where it might be going. The look is still organic.
Your 2018 mixed media on panel works feature mesmerizing layers of color, organic forms, and a sense of fluid movement. Can you share insights into your process for creating these pieces? How do you balance control and spontaneity when working with such dynamic materials?
The paintings start without preliminary drawings or concepts. I start exploring and experimenting to see what will happen. Out of this exploration shapes start appearing. It is like putting together a puzzle whose pieces I make up as I work. In 2018 I kept my self-leveling binders as flat as possible. When they started to develop a topography, I poured a layer of resin to flatten the surface out essentially creating a clear “gesso”. When the resin dried, I started a new paint layer. This process was repeated until the painting was done.
Exploring spontaneity creates a sense of mystery that swings between elation and disappointment as I work. My experimentation would often fail leading to mistakes. These mistakes were later transformed into luminous beauty that I could not have foreseen or done on purpose. I’ve learned that elation and disappointment are both engagement that I let happen in the space I’ve created.
What role do spontaneity and intuition play in your creative process, and how do you balance these elements with deliberate artistic decisions?
My deliberate artistic decision is to specifically let spontaneity, intuition and experimentation guide my art. There is no balance needed. They are one and the same.
As you look ahead to 2025, what new directions or projects do you envision for your work? Are there any themes or mediums you’re particularly excited to explore?
My heavily layered paintings are coming to an end. They coincidentally are ending at a time when the materials needed to make
them are no longer available. This body of work featured a flat highly reflective surface without any other texture. They have a depth that holds light and reflects it back through glazes to the viewer’s eye. These paintings made use of unconventional color palettes based on emotion and intuition. My new paintings use a combination of flat and reflective surfaces with textures. I am layering but not with resin. I’m transitioning from the resin paintings in a direction that is unknown to me. I find that exciting.
Which professional achievements or challenges have most significantly influenced your development as a full-time artist?
Painting without Knowing is my biggest and most inspiring achievement and challenge. It keeps me addicted to the solitude of my
studio. The biggest influence in being a full-time artist is funding. Either through grants, sales or image use, funding creates time. Grants, sales and image use contracts only come about if you are known. Being known is a challenge. In 2014 a five-minute documentary was made about my art. With an original music score and extraordinary camera work the film went viral. The film was a Vimeo Staff Pick. My art career got bigger. I picked up international collectors and galleries. Image use contracts started coming in.
This is probably the biggest development to becoming a full-time artist. It really wasn’t an achievement I made. The work was the same before and after the film. >>
[
...“The wilderness taught me the power of silence...
but I’ve been most productive while living in cities.”... ]
[ ...“Painting without knowing is my biggest and most inspiring achievement and challenge.”...]
What established studio protocols and professional practices have proven most effective in sustaining your artistic productivity and growth?
For 44 years I’ve maintained a studio space. That safe space allows me to go places that
would be impossible to maintain without a studio. With its rhythm of evolving routines my studios have morphed to the needs of the direction of my painting. That space is as essential as my binders and pigments. I consider professional practices as keeping a website running, applying for grants and
exhibition opportunities, posting images to social media, going to openings and making contacts. [ V ]
For the full scoop on Bruce Riley’s works www.bruce-riley.com
DENIM REBORN
Photography - Matthew B Spiteri
Hair - Annie Morelli + Kain Galea from Galea Salon
Make up - Nicola Powell Model - Saskia
Bold, feminine, and always effortlessly cool — Miss Sixty returns this spring with a fresh take on iconic denim. This season’s collection brings together Italian flair and Y2K nostalgia with updated silhouettes, elevated details, and a renewed love for personal style. From statement flares and sculpted jackets to laid-back ripped styles and soft pastel washes, each piece is made to move with you — from city streets to seaside escapes. Miss Sixty continues to champion confidence, individuality, and the kind of fashion that doesn’t follow trends — it makes them.
La Villa Luce
Cap-à-l’Aigle, Canada
MXMA Architecture & Design Montreal, Canada, 2025-02-21 -
Nestled in a green setting, Villa Luce embodies a lifestyle in constant harmony with the sun, the St. Lawrence River, and the Charlevoix mountains. With its materials and morphology inspired by the region’s typical houses, it represents modernity in harmony with tradition and the surrounding nature.
This residence, designed by MXMA Architecture & Design, was built on the heights of La Malbaie for a family wishing to escape the hustle and bustle of the city to live in total immersion with nature. The owner dreamed of a warm refuge where she could rediscover the open horizons over the water that marked her childhood in Baie-des-Chaleurs, Gaspésie, Canada.
This love of the river led her to the village of Cap-à-l’Aigle, a few kilometers from La Malbaie. There, she discovered a promising piece of land on the mountainside within the Teracera real estate development. This entirely wooded plot offered the seclusion she was looking for, as well as optimum sunshine and an uninterrupted view of the St. Lawrence River. >>
[“CONCEIVED AS AN EXTENSION OF THE LANDSCAPE, THE HOUSE PRES-
ERVES THE TREES, FOLLOWS THE SLOPE, AND LISTENS TO THE WIND.”]
Another important advantage was that the existing access road limited the environmental impact often associated with building in remote areas. As a result, very little clearing was required to integrate the house into the natural environment.
This concern to preserve as much of the existing vegetation as possible, to protect the integrity of the landscape, and to use natural materials has been a constant preoccupation of clients and architects from the outset. That’s why, for example, they’ve made it their business to limit deforestation to five meters around the house. The aim? To preserve the soothing canopy of the trees at all costs, so as to benefit from their coolness in summer and protection from the wind in winter. The canopy also creates a natural transition between the architecture and its surroundings.
Villa Luce is invisible from the road, as it has been located towards the rear of the site to distance it from the road and preserve its privacy.
From the parking area near the road, access to the house is via a boardwalk that weaves its way through the curtain of trees. This architectural pontoon distills a sense of calm as visitors arrive, and then of delight as they enter the clearing.
The house rises here over two floors, blending natural materials with a contemporary aesthetic. On the ground floor, two large stone walls, arranged longitudinally, appear to emerge from the earth, symbolizing a strong connection to the landscape. Wooden platforms interlock between the stone walls, forming the floors and terraces.
Above this solid mineral base, a glazed storey adds lightness and transparency, maximizing views and light. A black roof, appearing to float, crowns the structure with elegance.
It is no coincidence that this architectural creation immediately evokes a sense of well-being and comfort, much like our ancestral homes. With its gabled roof, expansive balconies, and walls of stone and wood, it seamlessly aligns with the architectural heritage of Charlevoix.
Light plays a central role at Villa Luce, named in tribute to the owner’s Italian heritage. In the language of Leonardo da Vinci, the word Luce means “light.”
Even before sketching the first lines of the project, the architect and the couple spent entire days studying the movement >> of
light across the site. They even set up a platform to find the best vantage points, envision the placement of the rooms, and position the openings in a way that would create the most beautiful connection with the landscape.
The house, oriented along an east-west axis, was designed to follow the path of the sun. The shared living spaces were placed on the upper floor to fully embrace the panoramic views throughout the day. Bathed in natural light, these spaces feature expansive windows optimized to maximize passive solar gains in winter, reducing heating needs. In summer, wide roof overhangs limit solar exposure.
Right in the center of the floor is an object
dear to the family: a billiard table. Much more than a leisure object, this piece of furniture acts as a pivot around which the social life of the household revolves, in a playful and contemplative atmosphere. It also serves as a link between the kitchen and dining room and, on the other side, the living room and the wood-burning fireplace.
This symmetrical organization of living spaces reinforces the balance and coherence of the space. Each of these rooms offers a different light show. While the kitchen and dining room are draped each morning in the sun rising above the river mist, the living room and foyer are bathed in the last rays of sunlight of the day, filtered through the treetops.
On either side of the house, two large terraces naturally extend the interior spaces. Thanks to two French doors, and an attention to architectural detail - such as integrating the rails into the floor and harmonizing the level of the terrace with that of the house - the transition between inside and outside becomes fluid and natural.
The glass railings, whose structure is subtly concealed in the terrace floor, blur the boundaries between the built environment and nature. This design allows occupants to take full advantage of the open air and views, in perfect harmony with the warm atmosphere of the house.>>
with Mindful 365
Designed for the harmony of body, mind and soul. Discover the new Mindful 365 and the Comfortness philosophy by Natuzzi Italia. Form, Valley Road, Msida
“LIGHT ISN’T JUST AN ELEMENT OF DESIGN HERE—IT’S THE SOUL OF THE HOME, GUIDING EVERY LINE, EVERY OPENING, EVERY MOMENT OF WARMTH.”
The bedrooms, on the other hand, are located at ground level, so that their occupants can enjoy the softness of the night and the tranquility of the nearby forest.
The spacious first floor entrance opens onto a corridor serving two bedrooms, a versatile living room, and, finally, the master suite, allowing the house to comfortably accommodate eight people.
As on the first floor, the bedrooms follow one another from east to west to take advantage of the river view and continuous light throughout the day. Each has its own terrace, offering space for quiet moments in the middle of the forest.
In the parents’ suite, the couple dreamed of a large bath to enjoy quiet moments overlooking the forest. The bath was cleverly recessed into the floor and surrounded by full-height glazing to reinforce the connection with nature.
At the heart of Villa Luce is an architectural module: a central volume crosses it from east to west, linking the two side elevations and the two levels. Painted forest green, it acts as the backbone that structures the spaces while evoking a soothing link with the forest.
This module also cleverly conceals the technical areas and service rooms: laundry room, mechanical room, and bathrooms. It also separates the circulation area to the north, freeing up all the space behind the main façade to the south.
On the first floor, this layout gives the three bedrooms and living room the best possible orientation, facing due south. This optimizes natural light, warmth, and energy efficiency, while enhancing occupant
comfort and well-being.
From the vestibule, the green module leads visitors up the staircase to spacious living areas. As on the first floor, all equipment and services are cleverly grouped and concealed in this module: kitchen appliances, living room fireplace, pool table storage, powder room, and office space.
In addition to its formality, the house’s architectural language is expressed through a carefully chosen materiality: the stone and wood used on the exterior extend into the interior, blurring the boundaries between spaces.
Stone on the first floor evokes a sense of groundedness, while wood on the ceiling and floor adds the warmth typical of a chalet. The reminder of forest textures between interior and exterior accentuates the sense of immersion in nature.
One of the major design elements is the green module. With its size and soothing shade, as well as its niches and elaborate lighting, it resembles a majestic sculpture. It evokes an allegory of nature, flowing elegantly through the entire house, reinforcing the connection with the surrounding landscape. This connection is reinforced by extreme attention to acoustics. Every detail has been designed to amplify calm, allowing the tranquility of
the forest to permeate the interior.
Carefully designed openings let you enjoy the ballet of natural light, which changes with the seasons. The trees and their foliage also filter the sun’s rays, casting shifting shadows on the facades and floors, like a natural painting that changes with the wind.
The treatment of artificial light is equally well thought-out. It enhances volumes, pathways, and works of art with refinement, and creates an intimate, comfortable atmosphere as night falls.
Every step in the planning, design, and construction of Villa Luce was marked by a concern for the environment. It was conceived as a natural extension of its environment, respecting the surrounding landscape.
Firstly, deforestation was carried out in a controlled manner to preserve the habitat of local biodiversity. The use of a slab-ongrade and insulated formwork, instead of traditional foundations, then made it possible to limit excavation and preserve the integrity of the soil and vegetation, while reducing the artificialization of the land. Native species were also planted around the building to regenerate the soil and promote biodiversity.
Stone masonry is designed to age beautifully. It contributes to the longevity of the home by actively participating in its life cycle. It reduces maintenance costs, thanks to its durability, and improves thermal comfort, thus generating energy savings. This success is the fruit of the expertise of a local mason, who masters traditional techniques to guarantee meticulous Vimplementation and perfect integration of materials. >>
[...“OVER THE RIVER THE GOLDEN DUSK FILTERS THROUGH TREES, VIL
Furthermore, due to its orientation, the house benefits from the sun’s natural warmth in winter, thanks to its large south-facing glazed façade. Its need for air-conditioning in summer is also greatly reduced by the continuous natural
requirements of the Novoclimat program, recognized as a standard for new energyefficient construction.
The use of sustainable materials also contributes to the house’s durability in
Weather-resistant metal roofs, stone, and minimize operating and maintenance costs.
contributes to the durability of the home, as
fusion between architectural design and the natural environment, where the abundance of natural light becomes a central design element. With a defined construction budget, the designers, in collaboration with the contractor from the
LA LUCE IS A HOUSE IN CONSTANT CONVERSATION WITH THE LIGHT”...]
earliest stages of the project, were able to meet the owners’ aspirations, creating a residence where architecture blends in perfectly with its surroundings.
About MXMA Architecture & Design
MXMA believes that architecture has the unique power to improve our lives. It’s a way of inspiring, connecting and designing unique living experiences. By designing buildings and living spaces, the firm aims to reinvent everyday life, promote wellbeing, strengthen ties with
the environment, and contribute to a sustainable future.
Based in Montreal, Quebec, Canada, the firm of architects and designers places active listening and a keen understanding of their clients’ needs at the heart of every project. They cultivate sensitivity, creativity, and a spirit of collaboration. What motivates them is to make their customers’ dreams come true by innovating, exploring new ideas, and striving for excellence. For MXMA, each project is a unique adventure, an opportunity to tell a story, to create living spaces that are inspiring, enduring, and capable of enriching the daily lives of those who inhabit them.
MXMA imagines architectural projects that transcend borders, flourishing throughout
Quebec, across Canada, and in the United States. Their work has also won the Grands Prix du Design, and has been exhibited at the Canadian Centre for Architecture in Montreal and the Maison de l’architecture in Grenoble. They are also featured in numerous publications and programs aimed at raising awareness of architectural quality among citizens of all ages. [ V ]
For more information www.mxma.ca/Media contact
“A NIGHT AT THE THEATRE”
Xara Catering, one of Malta’s most versatile and distinguished outside catering company, has announced the latest addition to its growing list of exclusive event venues: Teatru Salesjan. This strategic expansion marks a significant milestone for the brand, strengthening its presence in the heart of Sliema while continuing its mission to deliver exceptional culinary experiences in unique and iconic settings.
To celebrate this new collaboration, Xara Catering recently hosted a captivating evening titled “A Night at the Theatre” in partnership with Teatru Salesjan and TunIn Entertainment. The event welcomed esteemed clients from the Xara Collection and immersed them in an elegant atmosphere inspired by the golden age of theatre.Guests arrived at the historic venue, they were welcomed by the captivating live entertainment of Simon Vella and Philip Zammit, setting the tone for an unforgettable evening. Guided upstairs by the charismatic compère Jeremy Grech, they were treated to a powerful performance by renowned Maltese rock band Airport Impressions.
The night then flowed seamlessly into a sophisticated reception, featuring
theatrically themed cocktails, meticulously crafted canapés, and live music by Angela Vella Zarb and Kris Spiteri. The evening offered not only a feast for the senses but also a perfect setting for networking and socialising among industry professionals and clients.
This event is yet another example of how Xara Catering continues to push the boundaries of event hospitality. Known for its exceptional adaptability and culinary finesse, the team at Xara Catering delivers excellent service across a wide assortment of events—from high-end conferences, gala dinners and receptions for corporate companies to wedding celebrations alike, where Xara’s commitment to quality and detail remains unmatched.
“Our expansion into Teatru Salesjan is a testament to our ongoing pursuit of excellence and innovation,” said Justin Zammit Tabona, Managing Director for the Xara Collection.
“It allows us to offer even more unique event experiences, combining theatre, history, culture, and gastronomy under one roof.”
With a growing portfolio of prestigious venues and an unwavering commitment to culinary artistry, Xara Catering continues to set new standards in the local catering scene—delivering moments that are as memorable as they are delicious.
W: xaracatering.xaracollection.com
E: events@xaracollection.com
DITYA
Words: Lira Bekbolatova
Yoga has been a part of my life for nearly ten years: from Hatha to Ashtanga, Sivananda to Rocket. What I’ve come to love most about exploring various practices is how each one unlocks a new version of me, waiting for the right moment to be revealed. This year, I found Inside Flow. And through it, I found Ditya. Little by little, lesson by lesson, Ditya has been transforming megently inviting my true self to show up. And then one day, it just clicked: I felt my real, vulnerable essence flowing freely through my body.
Ditya, whose name in Sanskrit means “warrior of the sun,” radiates the light of her name in everything she does. Originally from Bali, she moved to Rome with nothing but a vision - to build a new life for herself, from scratch. But what she truly created was more than just a life; she became a warrior, fighting for the inner light of each of her students. And by grace, I am one of them.
I had the privilege of sitting down with Ditya Sari to explore what Inside Flow truly is, and to understand how she brings to life the profound transformations we’ve all experienced in her classes, including myself. We also dived into the mysterious concept of self-love.
Can you tell us a bit about yourself and your journey with yoga? How did you discover Inside Flow?
D.S.: I’ve been teaching yoga since 2012. I’m a certified Vinyasa, Chromatic Yoga and also Stand-Up Paddle Yoga instructor. I discovered Inside Flow in 2018 - it was the first time Inside Flow arrived at the Bali Spirit Festival, and since then it changed my practice and my >>
SARI_
[...“LITTLE BY LITTLE, LESSON BY LESSON, DITYA HAS BEEN TRANSFORMING ME — GENTLY INVITING MY TRUE SELF TO SHOW UP.”...]
teaching forever. I love teaching Inside Flow, because it allows me to guide from the heart. We connect music, breath, and movement into a powerful story. Where every asana has a purpose and every transition is infused with intentions. The more I share this practice the more I find myself. Inside Flow brings the best in me. The flow state keeps me in the present moment and allows me to connect deeply with myself.
Inside Flow is often described as a moving meditation. How does surrendering to the flow help to connect with your inner self?
D.S.: In Inside Flow, we’re not just about nailing postures. It’s all about enjoying the ride from one pose to the next. This journey lets us get lost in the Flow State - a zone where the past and future disappear, leaving us in the present. Being in the NOW is what meditation is all about, and to really connect with yourself, you’ve got to stay in the moment.
Inside Flow sequences are choreographed to specific songs. How does the choice of music influence the emotional and energetic impact of the practice? And how do you choose songs?
Music is the heart of our journey, flowing through our practice like a gentle stream. When words just aren’t enough, it’s the music that touches our hearts. We pick songs that appeal to many, making sure
everyone can connect with the song’s story. Each song has its own tale, some are uplifting and empowering, others stir emotions or simply bring joy and fun. As you can see, we embrace a whole spectrum of emotions through different music styles. This helps us accept every part of ourselves and the feelings we carry, celebrating our unique beauty.
Many people struggle with self-worth due to negative patterns they’ve learned in the past. How can movement, specifically Inside Flow, help in unlearning these patterns?
Inside Flow invites you on a wonderful journey of self-discovery and connection. Movement itself is a powerful healing tool. In Inside Flow, we use music to embody our movements, helping us connect more deeply with our senses and strengthen the mind-heart-body bond. We weave storytelling into the mix to inspire and empower, creating a safe space where you can let go of your emotions. And the best part? You’re not in this alone. These elements are key to healing and setting the stage for transformation. Joining an Inside Flow session means letting go of what you know about a traditional yoga class - this is nothing like your usual yoga experience. It’s the start of breaking free from those old habits holding you back.
In your experience, have you seen transformations in people who consis-
tently practice Inside Flow? Can you share a moment that deeply moved you?
D.S.: A true story from a Japanese fellow Flow mate who was diagnosed with a chronic mental health condition has successfully overcome her illness through regular practice of Inside Flow. Their doctor noted that her body began producing high levels of oxytocin, which alleviated depressive symptoms. Having relied on medication for most of her life, she discovered Inside Flow and is now able to live without those medicines. There’s a power in connecting your breath, your movement at the exact same speed supported by the rhythm of the music. It creates a deep sense of awareness, Inside Flow definitely helps our body to produce that oxytocin level when you’re practicing.
Self-love is often confused with selfindulgence or external validation. From a yogic perspective, what does self-love truly mean?
D.S.: To me, self-love is all about acknowledging and appreciating both your strengths and your quirks. It’s about giving yourself room to grow while also taking care of your inner self. Embracing who you are and aiming for personal growth are key aspects of this self-love journey. [ V ]
SHOP, RELAX, REPEAT.
Just a short trip from Malta, Sicilia Outlet Village is where fashion, value, and experience come together. With over 170 top brands, unbeatable discounts, and a relaxed open-air setting, it’s the ultimate shopping getaway in the heart of Sicily.
Welcome to Sicilia Outlet Village—a shopping haven that seamlessly blends luxury, convenience, and exceptional value. Recently expanded with the addition of 30 new stores, the Village has firmly established itself as one of Italy’s largest outlet destinations and the premier retail experience in Central-Southern Italy. A magnet for locals, international travellers, and especially Maltese visitors, it offers more than just shopping—it offers an experience.
Sicilia Outlet Village isn’t your typical outlet—it’s a lifestyle destination. With over 170 prestigious boutiques, visitors can browse a vast selection of the finest Italian and international brands. From iconic fashion houses like Gucci, Armani, Dolce & Gabbana, Michael Kors, Alberta Ferretti, and Coach to family favourites like Tommy Hilfiger Kids and Adidas, the choices are endless. Home and lifestyle brands such as CoinCasa, Frette, Bialetti, Thun, and La Casa Italia add even more variety, while jewellery, beauty, and accessories ensure every shopper finds their perfect piece. And with discounts of up to 70%, luxury becomes refreshingly accessible.
Set against a serene and picturesque backdrop, the Village offers an inviting atmosphere perfect for a full day out. Whether you’re indulging in retail therapy solo, spending quality time with friends, or creating special moments with family, the setting is both elegant and relaxing. From start to finish, every detail is thoughtfully curated to deliver an unmatched shopping experience.
What truly elevates a visit to Sicilia Outlet Village is its suite of exclusive services designed to make each trip seamless. The all-year-round shuttle bus service from Palermo and Messina, along with seasonal routes from Cefalù and Taormina, makes getting there easy. Once on site, guests enjoy complimentary Wi-Fi, hands-free shopping assistance, and the guidance of expert personal shoppers. For international
[...“WITH OVER 170 DESIGNER BRANDS, EXCLUSIVE SERVICES, AND A SERENE SETTING, IT’S A SHOPPING EXPERIENCE LIKE NO OTHER IN ITALY.”...]
visitors, the instant tax refund kiosk is a welcome convenience, while luxury concierge services add a touch of VIP treatment.
The Village also ensures total ease and accessibility, with ample free parking— including designated spaces for expectant mothers and families—along with electric car charging stations, wheelchair loans, and family-friendly amenities like a dedicated kids’ area. Even your furry friends are welcome, with dog-friendly
features including water fountains. Need a quick charge or caught in the rain? Phone charging stations and umbrella hire are just some of the thoughtful extras you’ll find.
Far more than a shopping centre, Sicilia Outlet Village is a destination that offers entertainment and cultural enrichment for all ages. Live performances, music shows, and acrobatic acts frequently grace the Village, making every visit memorable. Whether you’re strolling through elegant
boutiques or enjoying one of the many events, there’s always something happening to surprise and delight.
For loyal shoppers, the VIP Club offers exclusive privileges, from additional discounts to access to partner benefits— perfect for those who return time and again to indulge in the Village’s unique atmosphere.
And for the perfect gift? The Sicilia Outlet Village Gift Card is the ideal solution. >>
[...“WITH OVER 170 DESIGNER BRANDS, EXCLUSIVE SERVICES, AND A SERENE SETTING, IT’S A SHOPPING EXPERIENCE LIKE NO OTHER IN ITALY 170 DESIGNER BRANDS, EXCLUSIVE SERVICES, AND A SERENE SETTING, IT’S A SHOPPING EXPERIENCE LIKE NO OTHER IN ITALY 170 DESIGNER BRANDS, EXCLUSIVE SERVICES, AND A SERENE SETTING, IT’S A SHOPPING EXPERIENCE LIKE NO OTHER IN ITALY.”...]
Usable in over 170 boutiques, it offers the freedom to shop across categories—be it fashion, footwear, accessories, or home décor—with the added bonus of outlet pricing. It can also be purchased online, making it a convenient and thoughtful choice for any occasion.
Located along the A19 Palermo-Catania Highway, Sicilia Outlet Village is easy to reach from all over Sicily. Just a short 25-minute drive from Catania Airport and
90 minutes from Pozzallo (accessible by Virtu Ferries), it’s also only 30 minutes away via KM Malta Airlines or Ryanair flights. With efficient public transport links and spacious parking, getting there is part of the ease.
Whether you’re a style enthusiast, a savvy bargain hunter, or simply looking for a wonderful day out, Sicilia Outlet Villageoffers something for everyone. With its exceptional range of brands, world-
class services, and welcoming atmosphere, it promises a shopping experience unlike any other.
Start planning your visit today and discover why Sicilia Outlet Village is Sicily’s ultimate destination for style, savings, and so much more.
Explore more at: www.siciliaoutletvillage.com
[SEASON SHIFT ‘25]
CLARINS ANSWERS THE SEASON’S SHIFT WITH A COLLECTION DESIGNED TO NOURISH, PROTECT, AND ENHANCE YOUR NATURAL GLOW.
Skin Illusion Tinted Moisturiser SPF25
Clarins’ Skin Illusion Tinted Moisturiser delivers instant glow, hydration, and age-defying skincare in one step. Enriched with organic kiwi extract, oat sugars, and hyaluronic acid, it evens out skin tone, smooths fine lines, and boosts radiance with a light, dewy finish. Plus, it protects with SPF25.
Lip Comfort Oil
Lip care meets colour with Clarins’ Lip Comfort Oil. Powered by Organic Sweetbriar Rose, Jojoba, and Hazelnut oils, this 93% natural formula nourishes, plumps, and protects lips while delivering mirror-like shine. The lightweight, non-sticky texture cushions lips for allday comfort and hydration.
Extra-Firming Day and Night Creams
Firm and lift your skin in just seven days with Clarins’ Extra-Firming creams, powered by [COLLAGEN]³ TECHNOLOGY. A trio of plant extracts and niacinamide boost collagen production, smooth wrinkles, and redefine contours. The rich yet lightweight texture comforts skin without greasiness. Now available in sustainable, refillable jars.
Double Serum Light Texture
Clarins Double Serum Light Texture offers powerful anti-ageing results with
a barely-there feel. Infused with 27 plant extracts and Lightweight Tri-Oil Technology, it deeply hydrates and smooths skin without leaving residue. Ideal for sensitive, combination, and oily skin types, it absorbs instantly for a radiant, youthful finish.
One-Step Gentle Exfoliating Cleanser
Cleanse, exfoliate, and remove makeup in one refreshing step. Clarins’ One-Step Gentle Exfoliating Cleanser, enriched with Alpine herbs and plant-based microbeads, leaves skin clean, soft, and radiant. Its creamy foam respects the skin’s natural balance while offering an eco-friendly packaging design for a gentler environmental footprint. Available at all leading pharmacies and perfumeries.
Tonic Sugar Polisher
Clarins’ Tonic Sugar Polisher instantly renews skin with organic sugar crystals and hazelnut oil. This rich, aromatic body scrub sloughs away dead cells, smooths texture, and invigorates with the uplifting scent of essential oils. 99% natural, it nourishes while energizing both body and mind.
Available at all leading pharmacies & perfumeries.
[...“AS THE DAYS STRETCH LONGER AND THE LIGHT GROWS BRIGHTER, OUR SKIN CALLS FOR A FRESH APPROACH — ONE THAT’S LIGHTER, BRIGHTER, AND UTTERLY EFFORTLESS.”...]
he story of purple is a fascinating exploration of a color that has transcended mere aesthetic appeal to become a powerful symbol of authority, spirituality, and social change. This narrative traces the remarkable evolution of purple from an exclusive privilege of the elite to a widely recognised emblem of creativity and empowerment.
In ancient civilizations, purple was far more than just a color—it was a statement of immense wealth and power. The process of creating purple dye was extraordinarily complex and labor-intensive.
Craftsmen would laboriously extract tiny amounts of dye from the mucus of Murex snails found in the Mediterranean, requiring thousands of these marine creatures to produce even a small quantity of fabric. This scarcity made purple garments prohibitively expensive, effectively reserving them for society’s most powerful members.
The Roman Empire epitomised purple’s significance, with imperial law strictly controlling its use. Emperors donned purple togas as a clear demonstration of their supreme authority, and anyone else attempting to wear fully purple clothing risked severe punishment, including potential execution. This underscores how deeply purple was intertwined with concepts of power and social hierarchy.
Religious traditions also embraced purple’s profound symbolism. In Christianity, the color became associated with penance, humility, and spiritual preparation. Clergy members wore purple vestments during significant liturgical seasons, while in Judaism, purple was used in constructing sacred spaces like the Tabernacle. These spiritual connections elevated purple beyond mere decoration, imbuing it with a sense of divine significance.
Throughout the Middle Ages and Renaissance, purple continued to represent nobility and elevated social status. Byzantine emperors adorned themselves in lavish purple attire, with some garments reportedly worth their weight in gold. Artists and Renaissance nobility similarly used purple to communicate their refined taste and social standing.
A pivotal moment in purple’s history came in 1856 with British chemist William Henry Perkin’s accidental discovery of synthetic mauveine dye. This breakthrough democratized the color, making it accessible to the middle class for the first time. Queen Victoria’s embrace of synthetic purple further accelerated its popularity and cultural significance.
The 20th century saw purple transform into a powerful symbol of social movement and individual expression. During the women’s suffrage movement, suffragettes in the United Kingdom and the United States adopted purple as a color representing dignity and the fight for equality. This marked a profound shift from purple’s historical association with elite power to a symbol of grassroots social change.
In contemporary culture, purple continues to captivate. It represents creativity, spirituality, and originality. Artists, designers, and musicians frequently employ purple to evoke mystery, depth, and innovative thinking. Some spiritual traditions even connect the color with higher
From the royal robes of ancient emperors to the banners of social movements, purple has consistently represented something extraordinary. Its journey reflects broader human narratives of power, spirituality, creativity, and social progress. As a color, purple remains a testament to transformation—adapting yet retaining its core essence of distinction and depth. [ V ]
