REAGAN HAMILTON
BACHELOR OF FINE ARTS IN INTERIOR DESIGN
UNIVERSITY OF NORTH TEXAS
HELLO -
My name is Reagan Hamilton. I am passionate about transforming spaces into captivating, functional, and harmonious environments that promote well-being. As an aspiring interior designer, I believe in the power of design to enhance lives.
ReaganHamilton
I am particularly interested in the psychological impact of design and how it can influence the well-being of individuals. By integrating principles of environmental psychology, I aim to create spaces that not only look beautiful but also support mental and emotional health. This includes considering factors such as natural light, color psychology, and spatial layout to create environments that reduce stress, enhance mood, and promote overall wellness.
My design philosophy centers on empathy, understanding, and universality—seeking to comprehend the unique needs and aspirations of the end user to create personalized, yet universally appealing, designs.
REAGAN HAMILTON
CONTACT
reaganhamilton56@gmail.com
469-226-3585
linkedin.com/in/reaganhamilton56
EDUCATION
University of North Texas
August 2021 - May 2025
B.F.A in Interior Design | Art History Minor
CIDA Accredited Program
MEMBERSHIP AFFILIATIONS
• Phi Kappa Phi Honor Society
• Alpha Lambda Delta Honor Society
• UNT Interior Design Student Alliance
• UNT University Program Council
• The Hospitality Industry Network
• International Interior Design Association
• Interior Design Society
ACTIVITY / WORK EXPERIENCE
Interior Design Intern | Stantec
• Supported team in the development of interior design documentation and presentation materials.
May 2024 - August 2024
HONORS & AWARDS
• Anita and Kevin Moran Scholarship
• President’s List | 2021 - 2025
• UPC Campus Engagement Member of the Year | 2022
• North Texas Excellence Scholarship | 2021 - 2025
• Selectively chosen to attend study abroad in Portugal
• Assisted in material and furniture selections, space planning and communication with product representatives.
President | UNT Interior Design Student Alliance
• Serving as the liaison between the organization and University community.
• Acting as the primary contact for IIDA & ASID, as well as other professional organizations.
Historian | UNT Interior Design Student Alliance
• Developed content for social media platforms, showcasing design events, workshops, and meetings. Collaborated with design students to highlight projects and achievements.
May 2024 - May 2025
May 2023 - May 2024
01
LEWISVILLE ISD ADMIN CENTER
TYPE: WORKPLACE DESIGN
LOCATION: COPPELL, TX
SOFTWARE: REVIT + TWINMOTION + PHOTOSHOP
WHAT’S
EDEN
TYPE: HOSPITALITY DESIGN
LOCATION: DALLAS, TX
SOFTWARE: REVIT + TWINMOTION + INDESIGN
I N SIDE 03
MAD-ERA
TYPE: STUDY ABROAD SUSTAINABILITY INITIATIVE
LOCATION: MADEIRA ISLAND, PORTUGAL
SOFTWARE: INDESIGN + HAND SKETCHES
OTHER ARTWORK
TYPE: HAND RENDERS + MODELS + PHOTOGRAPHY
LEWISVILLE INDEPENDENT
SCHOOL DISTRICT
ADMINISTRATIVE
CENTER
COPPELL, TX | WORKPLACE DESIGN | REVIT + TWINMOTION + PHOTOSHOP
The LISD Administrative office design aimed to seamlessly integrate the brand identity, enhance employee well-being, productivity, and collaboration through ergonomic solutions and an open work plan. Additionally, strong and necessary security measures were implemented to ensure a safe environment.
To achieve this, LISD branding was thoughtfully incorporated throughout the entire space using logos and color schemes. Darker shades of blue were chosen not only to enhance the brand identity but also to stimulate creativity and imagination among employees, leveraging color psychology to boost mental well-being.
Ergonomic furniture is provided to allow employees to adjust their workspace, promoting physical comfort and reducing strain, which in turn increases productivity. Flexible touchdown stations by windows offered employees the choice of their preferred work environment, enhancing both comfort and productivity by allowing access to natural light and views, which are known to reduce stress and improve mood.
This combination of elements created a cohesive, efficient, and secure work environment that aligned with LISD’s goals and values, while also prioritizing the psychological and physical well-being of its employees.
COMPANY VISION
All students are confident, equipped with knowledge and skills to thrive and adapt for their future .
COMPANY BELIEFS
• Student’s needs are the center of our learning community.
• Education is the shared responsibility of students, staff, & community.
• High quality staff are the heart of a culture of learning.
• A safe and nurturing environment is essential for a sense of well being
• Continuous improvement informs and inspires future growth.
• Students are more than a test score.
FOUR CORNERSTONES
RESOURCE STEWARDSHIP STUDENT EXPERIENCE
MATERIAL IDEATION
Material ideation focused on incorporating blue and yellow to reinforce branding and promote employee well-being.
Blue was used extensively for its calming and stabilizing effects, which can help reduce stress and increase a sense of tranquility in the workplace. This color choice also stimulates creativity and imagination, making it ideal for an environment where innovation is encouraged.
Yellow, on the other hand, was strategically integrated to boost energy and positivity. Yellow can enhance mood and promote a sense of optimism and happiness among employees.
STUDENT LEARNING
COMMUNITY ENGAGEMENT
CITATIONS
SJOHSS. (n.d.). Research on office furniture design based on color psychology. South Journal of Humanities and Social Sciences.
Elliot, A. J. (2015). Color and psychological functioning: A review of theoretical and empirical work. Frontiers in Psychology, 6, Article 368.
CONCEPT APPLICATION
TEACHERS’ LOUNGE
TOUCHDOWN AREAS
THINK TANK
HOMEROOM
WELCOME HUB
BOOK NOOKS
SPIRIT SUITE
PRINCIPALS’ OFFICES
• Enhanced flexibility and comfort
• Opportunities for employees to enjoy a change of scenery
• Promotes social interaction and collaboration
COLLABORATION
• Provides spaces for informal meetings and social interactions
• Features design elements inspired by educational environments
• Includes open, modular, and comfortable seating arrangements
FLEXIBILITY / ERGONOMICS
• Private and semi-private areas for focused work
• Height-adjustable desks to accommodate personal preferences
• Perimeter workstations providing access to natural light and scenic
Various collaborative spaces offering tailored privacy levels to meet user needs.
Prioritizes departmental focus by creating intentional spaces that support workflow and enhance overall productivity.
THINK TANK BOARDROOM
ALFA ACOUSTIC WOOD PANEL
SHERWIN WILLIAMS LEMON TWIST
SHERWIN WILLIAMS IN THE NAVY
HIGH PRESSURE LAMINATE BEIGEWOOD
JJ FLOORING DIGITAL COMPASS
INTERFACE LVT NORTHERN GRAIN 3.0
HIVE ACOUSTIC WALL TILE
FEATURE WALL ELEVATION: NTS
WILSONART
TURF
EDEN
DALLAS, TX | HOSPITALITY | REVIT + TWINMOTION + INDESIGN
GROUP PROJECT
CONTRIBUTIONS: RESEARCH, FLOOR PLAN, MATERIAL SELECTION, RENDERS
Eden’s Mission is to create an environment of Mediterranean luxury where Lebanese culture is embraced in the design, cuisine, and scenery. The design aims to immerse guests in an authentic Lebanese experience, blending traditional elements with modern luxury. By incorporating Prospect and Refuge Theory, the space offers a balance between open, inviting areas (prospect) and more secluded, intimate spaces (refuge), ensuring guests feel both inspired and comfortable.
Wellness design principles are integral to the project, focusing on the psychological and physical well-being of guests. Biophilia is a significant aspect of the design, with natural elements seamlessly integrated throughout the environment. This includes the use of lush greenery, natural light, and materials that evoke the textures and colors of the Mediterranean landscape. These biophilic elements not only enhance the aesthetic appeal but also promote a sense of well-being and connection to nature.
Through thoughtful design, guests are invited to explore and engage with the rich cultural heritage, from the intricate patterns and motifs in the decor to the authentic flavors in the cuisine.
RICH CULTURAL LANDSCAPE
Biophilic design is achieved and implemented through the use of capitals with foliage designs that are implemented culturally through the use of archways and biomorphic forms throughout the restaurant. (Browning, W.D., Ryan, C.O., Clancy, J.O. 2014), (Ragette, F. 1980) Materiality particularly relates to the specific use of stone, through its texture and tonality, tied in with attention to detail in regards to forms such as geometric forms strictly used within Lebanese architecture. (Schröpfer T, 2011) (Ragette, F. 1980).
PROSPECT & REFUGE THEORY
Biophilic design is implemented through Prospect and Refuge Theory through the creation of spaces defined by foliage, creating both separation and insight into the surrounding area (Browning, W.D., Ryan, C.O., Clancy, J.O. 2014) Space planning is key in regards to creating both prospects to navigate a space and refuge within a space, utilizing both types of space such as alcoves vs. open layouts are defined loosely within Eden, overlapping through the use of materiality and context (Ian Higgins, 2015).
COLOR THEORY
The strategic use of color can evoke feelings of tranquility and freshness, enhancing the dining experience by promoting relaxation and a connection to nature. Green , symbolizing growth and harmony, reinforces the biophilic elements and supports a sense of well-being and vitality. Color, when combined with natural materials and thoughtful spatial design, contribute to a holistic environment that nurtures both the physical and psychological well-being of guests (Browning, W.D., Ryan, C.O., Clancy, J.O. 2014; Wasserstrom, 2022).
CITATIONS
Browning, W. D., Ryan, C. O., & Clancy, J. O. (2014). 14 Patterns of Biophilic Design. New York: Terrapin Bright Green LLC. Ragette, F. (1980). Traditional Domestic Architecture of the Arab Region. Beirut: American University of Beirut.
Schröpfer, T. (2011). Material Design: Informing Architecture by Materiality. Basel: Birkhäuser. Higgins, I. (2015). Spatial Strategies for Interior Design. London: Laurence King Publishing.
PLAN: NTS
ENTRANCE / WAITING AREA
MAIN DINING
BOOTH SEATING
BAR SEATING
PARTY SEATING
FLOOR
AXONOMETRIC VIEW SEATING TYPES
BARSEATING
BOOTHS&DINING MAINDINING
ENTRANCE
BOOTH&BAR SEATING
MAD- ERA
FUNCHAL, PORTUGAL | SUSTAINABILITY INITIATIVE PROJECT | INDESIGN
GROUP PROJECT
CONTRIBUTIONS: RESEARCH, INSPIRATION BOARD, WEBSITE DESIGN
How can we positively impact Madeira’s ecosystem and promote interconnections between tourists and locals?
Mad-ERA’s goal is to create sustainable tourism by integrating tourists and locals in a volunteering program aimed at restoring and preserving the island’s natural beauty. Volunteers play a crucial role in maintaining the levadas’ structural integrity, removing invasive plant species, and conducting clean-ups along the most popular levada walks.
By working together, participants not only significantly enhance the island’s ecosystem but also contribute to building a community dedicated to sustainable environmental management and the cultural preservation of Madeira. This initiative promotes a deeper connection between tourists and locals , fostering a shared commitment to the island’s ecological and cultural sustainability.
GROUP PROCESS SKETCHES
PROCESS SKETCHES
PHOTOGRAPHY
INSPIRATION BOARD
FINAL WEBSITE OUTPUT
OTHER ARTWORK
HAND RENDERING + 3D MODELING + PHOTOGRAPHY
In addition to interior design, my artistic practice extends to hand rendering, photography, and 3D modeling, each enriching my creative approach. Hand rendering allows me to translate ideas with precision and expression, capturing form, light, and texture in a tangible way. Photography sharpens my eye for composition, contrast, and perspective, informing how I frame and conceptualize spaces. Working with 3D modeling enhances my spatial understanding, bringing depth and materiality to my designs. These artistic pursuits refine my design sensibilities.
3D MODELING WITH BASSWOOD
HAND RENDERINGS
“TO BUILD IS NOT MERELY TO WEAVE THE INVISIBLE MEANING
MERELY TO PLACE STONE UPON STONE, BUT INVISIBLE THREADS OF TIME, MEMORY, AND INTO THE FABRIC OF THE SPACE”
- CARLO SCARPA