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SALT + LIGHT SHAWNEE TRAIL CHURCH OF CHRIST YOUTH CENTER

PROJECT INFORMATION

THE MISSION OF SALT + LIGHT

NAME | Shawnee Trail Church Of Christ Youth Center

GUIDANCE TRUTH VISIBILITY

LOCATION | Frisco, TX INDUSTRY TYPE | Faith - Based Design OCCUPANCY CLASSIFICATION | Assembly Occupancy A SQUARE FOOTAGE | 8,800 sq ft

PRESERVATION VALUE IMPACT

Salt + Light Youth Center is a dynamic space designed to empower young people through faith, community, and personal growth.

SITE CONTEXT

INVESTIGATIVE FOCUS QUESTIONS LOCAL COMMUNITY

FELLOWSHIP FIELD

How can the design of the youth center encourage inclusivity, providing a safe space for diverse groups of young people? What design elements can reinforce a strong identity within the Frisco community?

LIGHTING

How can lighting be designed to adapt to multi-purpose spaces used for worship, socialization, and study? How does natural light influence the perception of sacredness in a worship or reflection space?

BASELINE STANDARDS 2021 International Building Code

REC SPACE

SUN PATH

YOUTH CENTER

EXISTING WORSHIP

WAYFINDING / SIGNAGE

2021 International Mechanical Code 2021 National Fire Protection Association (NFPA 101)

How can wayfinding be integrated in such a way that it aligns with the church’s style and identity, supporting the overall user experience? How can conceptual, liturgically inspired wayfinding elements be subtly placed through the space while reinforcing a sense of spiritual journey and belonging?

FORMGIVERS + AREAS OF FOCUS

2021 International Plumbing Code and the 2021 International Fuel Gas Code

LOCAL COMMUNITY

CONTEXTUAL

HUMAN - CENTERED DESIGN

2021 International Fire Code 2021 International Energy Conservation Code

HUMAN - CENTERED DESIGN

SENSE OF PLACE

WAYFINDING / SIGNAGE

LIGHTING

How can the design of a youth center create a visually appealing and inclusive space that supports the diverse needs, behaviors, and emotions of its users? How can human-centered design principles be applied to ensure the design is accessible to everyone, including those with disabilities?

2020 National Electrical Code 2012 Texas Accessibility Standards

SITE PLAN

"YOU ARE THE SALT OF THE EARTH... YOU ARE THE LIGHT OF THE WORLD." MATTHEW 5:13-16 DESIGN CONCEPT

DEFENSIBLE DESIGN THEORY Developed by Oscar Newman in 1972, this urban design and crime prevention theory suggests that the physical environment can help reduce crime and promote community safety by encouraging a sense of ownership and natural surveillance. SENSE OF OWNERSHIP & RESPONSIBILITY TERRITORIALITY

SPACE IS MAINTAINED & VISUALLY APPEALING

POSITIVE SOCIAL INTERACTION & ACTIVITIES

IMAGE MANAGEMENT

LEGITIMATE ACTIVITY SUPPORT

Salt + Light is a space where youth can grow, lead, and shine as positive forces within their community. Designed with a human-centered approach, it emphasizes accessibility, inclusivity, and flexibility, ensuring all individuals feel welcomed and valued. A strong sense of place creates a deep connection between the youth center and the local community, creating a true sense of belonging. Defensible Design Theory informs the layout, enhancing safety through strategic sightlines and spatial organization. Thoughtful lighting and intuitive wayfinding further enrich the experience, guiding youth through dynamic spaces designed for learning, social engagement, and both personal and spiritual growth.

EASILY SEE & BE SEEN

TARGET HARDENING

ACCESS CONTROL

Human-centered design is a holistic approach that prioritizes visually engaging spaces tailored to the diverse needs, preferences, and lifestyles of users by deeply understanding their behaviors, experiences, and emotions.

EMBRACE USER DIVERSITY

COMMUNAL AREA

RESTROOMS STORAGE WORSHIP SPACE

SURVEILLANCE DEFENSIBLE SPACE

HUMAN - CENTERED DESIGN

MANAGING ENTRY & MOVEMENT

LEARN

LOUNGE / SOCIAL HUB

DISTILL

Research User Needs Define Key Problems

PHYSICAL SECURITY MEASURES

BASIC NEEDS

TEST

REFINE

Ideate Solutions Prototyping

Enhance Iterate Design

Collect Feedback Measure Performance

SENSE OF PLACE THEORY A sense of place can be created by the pattern of reactions a setting evokes in a person. The specific experience someone has in a particular environment — and how that environment makes them feel — shapes and defines their individual sense of place. Personal beliefs and perceptions tied to a setting. (Kyle et al. (2010)

SELF - ACTUALIZATION ESTEEM LOVE & BELONGING SAFETY NEEDS PHYSIOLOGICAL NEEDS

MAKE

Analyze Data Identify Key Goals

Maslow (1943, 1954) proposed a hierarchy of human needs, beginning with basic survival needs at the base and progressing toward more creative and intellectual needs at the top. According to this theory, foundational needs must be met before individuals can pursue higher-level fulfillment.

PSYCHOLOGICAL NEEDS

PRIORITIZE COMFORT & WELLBEING

STORAGE

MASLOW’S HIERARCHY OF NEEDS

SELF - FULFILLMENT

DESIGN FLEXIBLE & ADAPTABLE PLACES

ENCOURAGE SOCIAL INTERACTION

The perceived bond between person and place (Stokols & Shumaker, 1981).

LEGEND PATH OF TRAVEL TO EXIT SPACE

ENTRANCE AREA

LEADERSHIP OFFICES

CAFE & CAFE SEATING

EDUCATION / CLASSROOM AREA

Meaningful bonds with physical environments (Cross, 2001; Ellery & Ellery, 2019; Ruddick, 2014).

PLACE IDENTITY

Comfort and security through place (Hidalgo and Hernandez, 2001) and (Low, 1992)

SENSE OF PLACE PLACE DEPENDENCE

PLACE ATTACHMENT

RESEARCH APPLICATION COMMUNITY connection is supported by offering a shared area for youth to gather and play. INCLUSIVITY is promoted by its open design, inviting a variety of age groups and backgrounds

LED CYLINDER PENDANT PATIO UMBRELLA WITH PUSH TILT

CONNECTION is created through seasonal landscaping and a layout that feels rooted in the local environment.. LOCAL IDENTITY is embraced through outdoor views and natural landscaping that celebrate the area's suburban setting. YOUTH-CENTERED DESIGN is prioritized by blending active zones with quiet seating, offering spaces for both play and relaxation. COMFORT & FLEXIBILITY are achieved through shaded seating, visual openness for safety, and adaptable layouts.

WOOD AND STEEL OUTDOOR FURNITURE SET

Psalm 19:1 – "The heavens declare the glory of God; the skies proclaim the work of his hands."

KEY PLAN

ENTRANCE

RESEARCH APPLICATION

J+J FLOORING LVT IN BENCHMARK

JARO TERRAZZO FLOORING

CLARITY is enhanced through bold signage like “WORSHIP” and “YOUTH BELONG HERE,” guiding users through the space. LEGIBILITY is used through contrasting colors, large typefaces, and strategic placement that aid navigation. LOCAL ROOTS are reflected in the custom Frisco map wall, grounding the youth center in its geographical context. BELONGING is visually reinforced through messaging like “THERE IS NO PLACE LIKE HOME,” creating emotional connection. WELCOMING SPACES are created through messaging and visible transparency into worship, helping youth feel seen and safe. SOCIAL COMFORT is supported with seating nooks and soft finishes, encouraging conversation, rest, and connection. BLUE BARCODE CARPET

MULTI-COLORED GLASS

3FORM ACOUSTIC SOLA FELT IN DUSK

Psalm 100:2 – "Worship the Lord with gladness; come before him with joyful songs."

KEY PLAN

RESEARCH APPLICATION

MOOOI KNITTY LOUNGE CHAIR

PERSONAL AGENCY is prioritized by offering various seating types and interactive elements that empower youth to choose, EMOTIONAL WELL-BEING is supported through comforting colors, soft lighting, and flexible layouts that adapt to different needs. SENSE OF PLACE is created through layered design details that mix cozy furniture, playful games, and spaces for conversation. AUTHENTICITY is reflected in the warm material palette and approachable layout that makes the space feel like home.

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CLEAR ORIENTATION is supported by visible, welcoming signage like “WELCOME YOUTH!” and “PRAYERS & PRAISES” to guide intent. ENGAGEMENT is encouraged through purpose-driven walls that not only direct users, but invite interaction and reflection. VICCARBE PENTA CHAIR

ESTABLISHED & SONS MOLLO CHAIR

Proverbs 27:17 – "As iron sharpens iron, so one person sharpens another."

KEY PLAN

CAFE

LANDMARK CERAMICS GREY TILE

RESEARCH APPLICATION

NASCO STONE + TILE AGED MARBLE

LBI BOYD FRAMEWORK IN OAK

ATMOSPHERE is set with pendant and wall lights that provide a calm, welcoming environment for youth to gather and recharge. VISUAL INTEREST is enhanced through playful overhead lighting and glowing accents that define zones without physical barriers. SPIRITUAL SYMBOLISM is integrated through glowing neon signs like the fish and loaves and "Jesus Died for You", acting as visual anchors rooted in biblical narrative. DIRECTIONAL CUES are reinforced through meaningful signage and material transitions that naturally guide youth. ACCESSIBILITY is prioritized with a lowered counter for wheelchair users and a variety of seating heights for all body types. CHOICE is supported by cozy inset seating nooks and casual table arrangements.

TILEBAR MOSAIC TILE

MOMENTUM PINDROP ACOUSTICAL TILE

John 6:35 – "I am the bread of life. Whoever comes to me will never go hungry, and whoever believes in me will never be thirsty.'"

JARO TERRAZZO FLOORING

KEY PLAN

SPECIAL THANKS TO... Emily Mendez | Associate + Interior Design Leader @ GFF Design Bevin Douglas | Project Professional @ Parkhill Johnnie Stark | Associate Professor of Interior Design Mom, Dad, Morgan, Jello, & Emmie | Thank You For Always Supporting Me! UNT Interior Design Class of 2025 | We Did It!

REFERENCES

An Analysis of Metropolitan Youth Center Services: A Review of the Euralille Youth Centre. Njoku, F. C., & Daminabo, F. (n.d.). Department of Architecture, Rivers State University, Nigeria. Clements, E. (2003). Amazing grace. Engineered Systems, 20(10), 74. Eastman, F. (1936). Better lighting for churches. The Christian Century, 53(1), 12–13. Félix-Jäger, S. (2022, July 20). How to design a youth room that forms character. Fuller Youth Institute. https://fulleryouthinstitute.org/blog/how-to-design-a-youth-room Gabrielson, S. R. (1996). A light motif. Your Church, 42(6), 36. Gawlak, A., Jagiełło-Kowalczyk, M., Żabicka, A., & Gil-Mastalerczyk, J. (2024). Human-centered systems thinking in technology-enhanced sustainable and inclusive architectural design. Sustainability (2071-1050), 16(22), 9802.

HUD User. (n.d.). Defensible space: Crime prevention through urban design. U.S. Department of Housing and Urban Development. https://www.huduser.gov/periodicals/cityscpe/spissue/ch2.pdf Kayhan, A. M., Şahin, A., & Erkan, İ. (2021). The effect of types of light on people’s mood using a church as an example in virtual reality. Mental Health, Religion & Culture, 24(5), 504–518. https://doiorg.libproxy.library.unt.edu/10.1080/13674676.2020.1850665 Kindermann, K., & Riegel, U. (2018). Experiencing churches as spiritual and religious places: A study on children’s emotions in church buildings during scholastic field trips. British Journal of Religious Education, 40(2), 136–147. Maslow, A. H. (n.d.). Maslow’s hierarchy of needs. Simply Psychology. https://www.simplypsychology.org/maslow.html

Payette. (n.d.). Spatial equity & human-centered design. Retrieved from https://payette.com/design-ideas/spatial-equityhuman-centered-design/ Placeness. (n.d.). Diagrams of sense of place. Placeness. https://www.placeness.com/diagrams-of-sense-of-place/ Rohani, M., Parsaee, M., & Moradi, A. (n.d.). Sense of place, place identity, place attachment, and place dependence among university students. HRMARS. https://hrmars.com/papers_submitted/18945/sense-of-place-place-identity-place-attachmentand-place-dependence-among-university-students.pdf Stafford, T. (1998). God is in the blueprints. Christianity Today, 42(10), 76. Timmermans, H. (n.d.). Defensible space and the open society. Aggregate. https://www.we-aggregate.org/piece/defensiblespace-and-the-open-society Wing, S. (2016). Designing sacred spaces. Routledge.


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