Lighting design Stg.2 proposal - Horton Community Art Centre

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Horton Chapel

Community Art Centre in Epsom, England

Lighting Design Proposal

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Lighting Design Proposal for Major Design Peoject Horton Chapel

Stage 0 - Strategic Definition

0.1

Design Principle and Basic information

0.1.1 Objective and Design Principle

The Horton Chapel Project assigned by Horton Chapel Arts & Heritage Society is to propose a lighting design project that can help bring back life of a valuable social and cultural asset to enrich the community and bring people together in the following three aspects:

• Inspiration through participation: Create atmosphere for dynamic programme of various activities and workshops run by professional artists, artisans and experts, hosted throughout the year for all age groups with inspiring audiences experience.

• Understanding through heritage: Highlight the value of the history of Horton Chapel as one building of the hospital cluster which was built by London County Council between 1890 to 1927.

• Sustainable operation schedule: Design in both functional and aesthetic way with both nature light and electric light that can reduce of energy consumption together with use of renewable resources.

0.1.2 Project Images

Activities include exhibition, events like performances, creative opportunities, courses, entertainments like cafe and bar.

0.2

Client Requirements

0.2.1 Vision & Values

The Horton are aimd to be an extraordinary arts and heritage destination created within an iconic and historically significant chapel space. It will use creativity and social activities to enrich the community and generate opportunities for everyone.

• Increase art centre's attractiveness

• Flexibility for events

• Easy control and maintenance

• Less interventions to buildings

0.2.2 Project Risks

The risks that need to be paid attention to in this project are in three aspects:

• Historical conservation of architecture

• Environmental protection of creatures

• Care of arworks

0.2.3 Project Budget

The whole refurbishment project of Horton Chapel, including both interior and exterior electirc lighting, is estimated at 200,000 pounds according to the requirement from clients.

20 century interior and exterior views https://thehortonepsom.org/heritage/

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Artist's impression by Steve Trimm
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Lighting Design Proposal for Major Design Peoject Horton Chapel

Stage 1 - Preparation & Briefing

Histroy & Context Analysis 1.1

1.1.1 History of Horton

The Horton Chapel is a disused former chapel standing in a semi-rural location in Surrey, which was the last surviving chapel of Epsom’s unique cluster of five pioneering psychiatric hospitals.

• Built at 1901 as part of the Epson hospital cluster

• Used as a music therapy centre since 1961

• Almost out of used after early 1990s

• Refurbish undertaken and expected open at 2021

This building is evaluated as a Grade II building, that is a heritage architecture which need to be well conservated. The lighting design is to keep and strengthen the looks and characters of the chapel for both interior and exterior with minimal intervention.

1.1.2 Context and Features of Horton

• Location & Climate conditions:

Locate at Surrey, around 50 km away from London, Horton Chapel has close and convenient geographical connections with cities, which creates the attraction to tourists from urban area to visit this rural church with historical characteristics.

Located in the temperate maritime climate type area, Horton Chapel is with an equable weather condition of South East England that the average daytime air temperature is 11°C, with 5.5°C in January and 18°C in July with changeable but relatively good daylight conditions.

• Regional architectural features:

From the horton chapel and three buildings in Epsom cluster, the architectural style of this area is Queen Anne, which has the following four characteristics:

1. Yellow/Red bricks finishes 2.Various decorating moldings

3. Gray sloping roof 4. Arches as structure and decoration

• Historical spatial axis:

The Horton Chapel plays an important role at the central axis of its town. As can be seen in the following evolution diagram, Blue represents buildings built at the same time as the church, which has been gradually replaced by the newer buildings represented by Pink with the urbanization developing. The chapel always stands at the end of the spatial axis. In this design, it should be highlighted as a representative of the town’s development of spatial layout in people's mind.

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1945-12 2003-12 2006-09 2009-5 2020-4 1901 1997 2016 Now 1945-12 2003-12 2006-09 2009-5 2020-4 1901 1997 2016 Now
Horton Chapel exterior view https://thehortonepsom.org/heritage/
1945-12 2003-12 2006-09 2009-5 2020-4 1901 1997 2016 Now 1945-12 2003-12 2006-09 2009-5 2020-4 1901 1997 2016 Now County Scale Town Scale Street Scale London Horton Chapel 1 2 3 4 1 2 3 4
The Horton Chapel Horton Chapel's spatial relationship with the town in the Historical perspective
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Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 1 - Preparation & Briefing

Main accesses of vehicles and people with possible views based on Google Earth 2020

1.2.2 Main Entrance and Perspectives

The main entrance of the building is offset from the axis, and the lighting design needs to highlight both at the same time.

On the main road in front of the chapel, the view might be blocked by trees most of the time. And through gaps of trees, the bell tower can be seen.

People can get a relatively complete understanding of chapel along continuous path.

On the town scale, Horton Chapel is surrounded by relatively dense roads and residential areas. Through the roadway and sidewalk, town residents on the commute have abundant opportunities to see the facade of this chapel while moving. The red and yellow facades and bell tower of the chapel itself are a good reminder of its own existence, which are deserved to be enhanced when design the lighting of exterior space.

Through research of google earth street view, it can be seen that the current chapel does not have its own special lighting, and the brightness of the street lamp is not enough to cover the range of the building, so the presence of chapel is low for visitors. Therefore, the context-based lighting design has the following three goals:

· Strengthen the spatial position of the chapel

· Enhance the attraction from chapel

· Encourage people to participate in chapel indoor activities with encouraging lighting

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Primary Road Secondary Road End Road Residential Zone Residential Zone Residential Zone Town axis Pedestrian Access Possible Views viewA viewB viewC
Histrionic aerial view https://thehortonepsom.org/heritage/
Street views of Horton Chapel from Google Earth View A View B
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View C

Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 1 - Preparation & Briefing

1.3 Daylight and Sunlight Analysis

1.3.1 Daylight Analysis

To assess daylight availability of the chapel, the daylight

According to En 17037 p.13-15, the Median External Diffuse Illuminance (E, med) of one year which is used to calculate the median illuminance from daylight for this chapel is 14100 Lux referenced the data of London, which means to gain an illuminance by daylight at 100/300/500, the required DF is 0.71%, 2.13%, and 3.55%.

From the left Daylight Factor simulation results we can see, the assigned area has generally had daylight factor between 2.5%5.3%, which means the presence of natural light in the chapel is considered to fulfill the needs of daily tasks. So must of the area will be installed with daylight linking. However, in the diagram, we can see the deeper area such as where between the cafe and exhibition could not gain adequate daylight which means electric lighting needs to be on during the day in this area while a balance between daylight and artificial light needs to be kept when the weather changes dynamically.

Also in the theatre and teaching area, with only one-side windows, the uniformities need to be improved while the roof light imports the daylight in the room but also creates a reduction of uniformity.

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N Column - 0.7 Ground - 0.2 Wall - 0.5 Ceiling - 0.7 Wall - 0.35 Window (transparency) - 0.65 Frame to Opening Area Rate - 3:7 05 |AdvancedLightingDesign| MscLightandLighting

Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 1 - Preparation & Briefing

1.3 Daylight and Sunlight Analysis

1.3.2 Solar Analysis

Summer Solstice - June 21st

Winter Solstice - Dec. 21st Autumnal Equinox - Sept. 21st

Direct Sunlight Penetration (lux)

To evaluate how the direct sunlight works on the Horton Chapel, sunlight positions were illustrated during the opening, mid-day, and afternoon hour at summer solstice day, winter solstice day, and equinox day, and the direct sunlight penetration of these nine moments were calculated by Rhino Diva 4 with .epw data of London, From sun path diagrams, the daylight time of a day varies greatly in the four seasons with relatively low solar altitude which may cause glare during spring, autumn or winter. And with useful illuminance indicated in the above figures. With a thick roof, there are no significant thermal problems like overheating.

Direct sunlight penetration results show the possible place of unfavorable illuminance. In order to avoid the discomfort caused by sunlight entering from the southeast facade, partial shading devices can be used to avoid the strong brightness contrast in the room. Full shaded curtains need to be installed in the theater to ensure the performance experience. Diffusers can be set on the north side of the chapel to provide more uniform interior lighting. All three kinds of curtains should join the building control system.

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Sunpath Diagram Sunpath Diagram
down beam beam up GROUND FLOOR MEZZANINE New lectern dais location New pulpit & dias loc P1 P8 P9 P3 P6 P6 P7 A New location for plaques P1 P2 P4 P5 Storage Space Main Entrance Gradual slope to match internal floor level ref 1778-WD-501M later revisions Gradual slope to match internal floor level ref 1778-WD-501M or later revisions slope ref 1778-WD-501M later revisions Flat roof rooflights The Rooflight Company Cafe/ Seating (by others) Reception Seat stacks 12.2m .6m Kitchen (by others) Exhibition & Meeting Space Bar (by others) Stairs footprint 1210x1410mm Top of storage with bracing beams Teaching Flat roof Flat roof full height toughened glass Theatre Office Water no.s 10 bicycle parking spaces Dis WC/ Change Male sink/ lobby Storage Stannah Midilift footprint 1210x1410mm Art sink Storage Existing Existing Existing 2740x480 seat Existing 2740x480 seat Gravel Gravel Gravel Cup DG.03 DG.01 DG.19 DG.23 DG.18 DG.11 DG.12 DG.21 DG.25 .11 W.12 W.13 .14 W.15 .16 W.09 .04 W.05 .10 W.19 .07 .02 W.03 .27 W.26 W.25 .24 .23 .22 .21 W.12 W.13 .14 W.15 .16 W.18 W.08 FD60s/V FD60s FD30s/V FD30s/V FD30s/V FD30s/V FD30s/V DF FD30S up ramp A B B A D D C C A B B A D D C C FOR WORKS THIS AREA REFER TO DRGS 1778-WD-147 TO 155 Access hatch to the roof Access hatch from below roof from AHU 2m above mezzanine FFL with 60 mins fire resistant boxing & access hatch (access hatch from below) window Rooflights Existing service void to basement New aluminium cowel around new ducts New aluminium roof/flashing to seal opening (ref Detail R1 of 1778-WD-200E or later revisions 60 mins fire resistant door mezzanine level Wind catcher above New gate to basement plant stage lighting/audio 300mm air distribution duct vertical within fake column Boxing up height Butlers sink KEY W.A wall types refer to drawing no 1778-WD-201 new ceiling required in this W FD30s/V fire door 30 minutes fire resistant with smoke seals the /V indicates vision panel
Sunpath Diagram Shadow Shadow Shadow
shading devices Overall Evaluation A -Full Light Shading (90%+) B - Half Light Shading (Around 60%) C- Light Diffuser A B C Direct Sunlight Penetration (lux) Direct Sunlight Penetration (lux) 06 |AdvancedLightingDesign| MscLightandLighting
Suggestions for

Lighting Design Proposal for Major Design Peoject Horton Chapel

Stage 1 - Preparation & Briefing

1.3 Daylight and Sunlight Analysis

1.3.3 Suggetion on Architectural Design

- Selection of building materials

Previous simulations proved that the daylight factor inside the building is not uniform, indicating that the daylight cannot uniformly illuminate the surfaces while going deeper. This advises to apply painting with high reflectance and diffusion on the roof, wall painting with higher relfectance (above 80%), and light-colored floors.

Also in the simulation, 0.65 was usedas the transparency of window, and at the same time it was multiplied by 0.7 as the rate of the frame area to opening area. Therefore, if glass with higher transparency is used in the real project, it will be able to improve the utilization of daylight comparing with the simulation results and save energy consumption.

- Sun tunnels as substitudes of roof windows

Existing design imports skylight by chiseling the roof, but from the figure below it can be seen that daylight factor provided by the roof windows work only for small range of indoor space, but with potential glare.

Therefore, it is recommended to use daylight tunnels instead of skylights, which could give a better spread of light throughout the room. Because the daylight tunnel has a milder intervention on the building structure, more of them could be used at the same time to make full use of skylight.

https://www.velux. co.uk/products/suntunnels#daylight

- Reducing the height of seat stacks

Original arrangement of seat stacks

After reducing the height with 0.7 meter

As can be seen from the figure below, by moving the space for storing folding chairs by 0.7 meters, the daylight utilization of the interior space can be improved.

From left to right:

Daylight factor provided by roof window only

Daylight factor of present design

Daylight factor with 1.6m (reducing 0.7 meter height) seat stacks

Seat stacks

Combination of diffusing material with high reflectance (85%) and arches in Qingfen Canteen, Tsinghua University, China https://mp.weixin.qq.com/s/ly8Qe13KqkH11brvIKzjrw

Original roof window position and possible layout of installation of sun tunnels based on the given technical drawings

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Roof window Recommended sun tunnels Optional sun tunnels
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Lighting Design Proposal for Major Design Peoject Horton Chapel

Stage 2 - Concept Design

2.1 Overall Design Concept

2.1.1 Design Target

- Desige Concept

Users surrounding residence; visitors; working staff etc.

Inviting people into the chapel; Creating memory highlights; Exhibition; performance; courses; enjoy and relax in bar & cafe, normal works (daytime/night time)

- Space Managing Types and Overall Control Strategy

Guiding concept

Create a sense of the historical imprint and a modern refreshing atmosphere at the same time

Environmental & Sustainability

Protect the bats

Lighting Efficiency Utilization of natural daylight &sunlight

Maintenance friendly

Architecure

Enhance the moldings and decorations which representing the area; Strengthen the feeling of space; Standing the chapel out of surroundings

Perservation on Grade II buildings

- Reference Codes & standards

SLL (2012) Code for Lighting

SLL (2018) Lighting Handbook

SLL LG6 (2016) The exterior environment

SLL LG8 (2015) Lighting for museums and art galleries

SLL LG13 (2019) lighting for place with worship

The lighting control method depends on the manageming types of the space. In this building, facade lighting, most of the ambient light and vertical accent light will be unified on/off controlled by the central control system. The focused and display light will be controlled by the temporary manager of the space (curator, furniture layouter). The task and feature light are jointly controlled by visitors and workers.

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Four Interior layers: Ambient/ Vertical/ Focused/ Task Exterior & Facades: Rational brightness/ Adequate illuminance/ Aesthetic
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Horton Chapel 02

Parking lots: - Type: Median traffic, average illuminance of 10 lx

- Type: Pedestrian walkway, average illuminance of 10 lx

- Type: Pedestrian walkway, average illuminance of 5 lx

External façade:

- Type: Building facades, a minimum maintained average illuminance of 5 lx

Parking lots

Pedestrian Southeast facade
16 cd/m2 28 cd/m2 8 cd/m2 4 cd/m2 09 |AdvancedLightingDesign| MscLightandLighting
Southeast Elevation

Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 2 - Concept Design

2.2 Exterior Lighting

2.2.2 Southeast Facade

Southeast facade: 10 cd/m2 as vaerage

Northeast facade: 7.5 cd/m2 as average

Southwest facade: 5 cd/m2 as average

Northwest facade: 7.5 cd/m2 as average

- Lighting for special events:

To match light with various activities in chapel, RGBW LED are used to lit upt the main facade. During normal days, the facades are illuminated by 2500k amber light. This color temperature and the 3000k interior light of can form a spatial contrast for people.

During special event, the LED control of RGBW will be conducted by staff using sample App, designing the facade effect by selecting the color of each luminaire.

- Main Facade:

The function of the main facade is to attract people's attention, so it is important to use the structures of chapel itself to create changes in light. For example, for both of the overhang of entrance or the pillars, appropriate lighting angle is used to make the facade appear softly gradual.

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Southeast Elevation Christmas Eve
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Pride Day

Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 2 - Concept Design

2.2 Exterior Lighting

2.2.3 Northeast Facade

Southeast facade: 10 cd/m2 as vaerage

Northeast facade: 7.5 cd/m2 as average

Southwest facade: 7.5 cd/m2 as average

Northwest facade: 5 cd/m2 as average

- Illuminate the garden:

The garden is a place where residents gather, and a good lighting design of garden at night can encourage people relaxw hen people are walking in this lovely garden. Although the pathway in the garden is not in the scope of the design, we still hope to be able to light up the trees and grass with this kind of lamps. Here,a light CCT of 4700k were chosen which is close to the moonlight to echo the environment.

Garden layout

https://thehortonepsom.org/gardenproject/ https://www.pinterest.co.uk

Ratio:

On the main road, the brightness changes of the main and side facades are hoped to be perceived by people. with the ratio of 3-4 of average luminance, while the main facade is highlighted, people would feel more tranquil in the garden.

Bell tower:

As a core visual elements, bell tower will be lit carefully without spilling the light.

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Northeast Elevation
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Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 2 - Concept Design

2.2 Exterior Lighting

2.2.4 Southwest Facade

Eaves as the boundary of light:

From the perspective of the parking lot, tthe overhanging eaves of the building can be seen. And through the suitable wall washer, the lines of the building can be outlined as shown section illumination in the up-right corner.

Southeast facade: 10 cd/m2 as vaerage

Northeast facade: 7.5 cd/m2 as average

Southwest facade: 7.5 cd/m2 as average

Northwest facade: 5 cd/m2 as average

- Time-changing Luminance: From 23:00pm-1:00am - Section

In order to match people's circadian time and save energy at the same time, from late hour as 23:301:00, the wall washer lights on the facade will be dimmed, and the spotlights that outline the details will be turned off. After that the lighting will be all switched off.

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Southwest Elevation
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Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 2 - Concept Design

2.2 Exterior Lighting

2.2.5 Southeast Facade

Specifically the entire exterior lighting will use lighting barriers to create dark corridors for bats on the following five layers:

- Higher street light

- Sidewalk lights about 1m high

- Linear light to strengthen the edges of the sideway

- All the luminaires to lit up facades

Also the roof are designed to be completed dark for bats' foraging at night

Southeast facade: 10 cd/m2 as vaerage

Northeast facade: 7.5 cd/m2 as average

Southwest facade: 7.5 cd/m2 as average

Northwest facade: 5 cd/m2 as average

- Bat Mitigation Strategies*:

No light during late hour (12:30-5:30)

Variable lighting regimes (VLR)

Habitat creation

- Light barriers

- Dark corridor

Spacing and height of unit

Reducing intensity

Changing the light type

- Avoid short wavelength lights

- Avoid lights with high UV content

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Northwest Elevation
*
current
mitigation,L. Stone 013 |AdvancedLightingDesign| MscLightandLighting
Entrances of bats
from Bats and Lighting - Overview of
evidence and

Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 2 - Concept Design

2.2 Exterior Lighting

2.2.5 View from Main Road

Layers metioned before in Page13

http://www. ateljelyktan.se/ en/discover/ outdoor

https://flos. com/stories

http://www. iguzzini.it/ Progetti#./

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Layer 1 Layer 2
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Layer 3
02 Theatre 300 lux Stage 500 lux Meeting Space 300 lux Bar 200 lux Worktop 300 lux Meeting Space 300 lux Reception 200 lux Exhibiton Space 500 lux Cafe 300 lux Teaching Area 500lux Corridor 150 lux Main Entrance 100 lux (second floor) 015 |AdvancedLightingDesign| MscLightandLighting

Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 2 - Concept Design

2.3 Interior Lighting

2.3.2 Lighting design for each zone - Entrance and Reception

As the first space of architectural sequence, lighting of entrance needs to help the excessive indoor and outdoor. The upward wallwashers illuminate the ceiling while reflecting light downward, ensuring the brightness of the space and the softness of the light.

Through the control of the brightness of the downlight, sensor realizes the help of people's spatial cognition at night and day 14100 lx - 1000 lx - 500 lx 20 lx - 150 lx - 300 lx

https://www.lampenwelt.at/led-wandfluterbowl-mit-schalter.

At the entrance, the designed lamp is composed of multiple LED beads, which emphasizes the existence of arch inside. At the same time, the lightness indicates that the inner space shrinks as rises. Extremely thin led linear lights are used to illuminate beams enhancing structures with minium intervention without increasing the complexity of the space.

https://trendland.com/the-gate-to-moderncatalonia-with-darial-concept-storebarcelona/

https://www.pinterest.co.uk/ pin/400538960617002643/

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Entrance Reception 2400
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Construction details

Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 2 - Concept Design

2.3 Interior Lighting

2.3.2 Lighting design for each zone - Exhibition and Meeting Space

The specially customized retro chandelier on the top of the building makes people feel the old style of the building. The chandeliers on both sides of the meeting area can change the color temperature, creating a different atmosphere when space is exhibiting/meeting/discussing.

At the center of the exhibition hall, it needs to be equipped with ground sockets to ensure that there can be floor-standing lamps in the middle of the exhibition.

UV filtering Plexiglas UF-5 and Acrylite OP-3 are used to protect artworks on the linear LED.

The combination of the chandelier and the rail allows the height of the chandelier to be adjusted at will according to the temporary arrangement. Spotlights can provide lighting for display panels to meet the needs of flexible space layout.

https://thehortonepsom.org/about/

https://www.pinterest.co.uk/ pin/400538960616440546

https://www.dwell.com/article/this-chapelturned-office-in-belgium-is-unbelievablycool-e6ecfa4d

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Exhibition
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Meeting Space
Construction details

Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 2 - Concept Design

2.3 Interior Lighting

2.3.2 Lighting design for each zone - Theatre and Teaching Room

On the two short façades, there are deep arch interior frames that can be lit by lights as a distinctive stage background. At the same time, this lighting can also enrich the exterior facade. Projections to the walls on both sides can be installed with the stage lamps' brackets.

Upward wall washers are used on the ground to illuminate the columns, giving the space more diversity.

The modes here can be controlled by local control system and center console at the same time, which are entry, performance, rest, exit, and service modes.

The arches as beams are illuminated by wall lamps. The CCT colour in the teaching room is 4100k, which can distinguish this space from the different vibes of the theater.

This space is controlled by the user to turn on/off, and it will be equipped with an absent sensor.

Construction details

http://www.simes.it/lightblogazine/en/19/ miniround-inground-walk-over

https://www.pinterest.co.uk/ pin/400538960616252135/

http://www.architonic.com/pmsht/midaformfjord/1151632

https://www.pinterest.co.uk/ pin/400538960616252141/

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Theatre Teaching Room
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Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 2 - Concept Design

2.3 Interior Lighting

2.3.2 Lighting design for each zone - Bar and Cafe

RGBW panel LEDs are used in the bar's ceiling, which can be adjusted from white light to suitable colored lights at night. The same RGBW linear LED has also been used for decorative molding.

The lighting of the bar's working area also has recessed background linear LED for the wine cabinet, table lamps, and recessed spotlight for general lighting.

Construction details

http://www.viabizzuno.com/index.php?page=p rogetti&idProgetto=341

In the coffee shop, this suspended luminaire is also used. The advantage is that the output and height of each luminaire can be adjusted individually, and the lighting designer can refine the lighting according to the site layout.

https://www.designboom.com/technology/ philips-onespace-luminous-ceilinglighting-04-01-2014/

https://www.gessato.com/string-lights-bymichael-anastassiades/

http://en.emac.es/ver/2270/novorodapieeclipse.html

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Bar Cafe
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Between floor and ceiling

Cable from the ceiling

Cable from the ground

W1 W1 W2 W2 W2 W2 W2 W2 W1 W1 W1 W1 W1 W2 W2 W2 W2 P1 P2 P2 P2 P2 P3 P3 P3 P3 P3 P3 P3 P3 P3 P3 P3 P3 P3 P3 W1 W1 P3 P3 P3 P3 P3 P3 P3 P3 P3 P4 P4 P4 P4 P4 P4 P4 P4 P4 P4 L1 L1 L1 D1 D1 D2 D2 T1 PN-RGB L-RGB L2 L2 L2 L2 L2 L2 L2 L2 L2 L2 L2 L2 L2 L3 L3 L3 L3 L3 L3 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 L4 PN1 PN1 PN1 PN1 WW1 WW1 WW1 WW1 WW1 WW1 WW1 WW1 WW1 WW2 WW1 WW1 WW1 WW1 WW1 WW2 WW2 WW2 WW2 WW2 WW2 WW2 WW1 WW1 WW2 WW2 WW2 WW2 WW2 WW2 WW2 WW2 WW2 WW2 WW2 TR1 TR2 TR2 TR2 TR2 TR2 TR2 TR3 TR3 ER 001 ER 002 ER 003 ER 021 ER 004 ER 005 ER 006 ER 022 TTA ER 007 ER 008 ER 009 ER 016 ER 017 018 ER 010 ER 011 ER 012 ER 023 ER 024 025 ER ER 013 ER 014 ER 015 ER 019 ER 020 ER TTA 001 TTA 007 All WW2: TTA 002 TTA 003 004 TTA 006 007 TTA 008 TTA 008 TTA 009 TTA 010 All WW1: CB 001 All P3: CB 016 All SP3: CB 002 CB 004 CB 005 CB 003 P3 CB 006 CB 007 CB 009 CB 010 CB 011 CB 012 CB 008 CB 013 CB 014 CB 015 CB 017 CB 018 CB 020 CB 019 CB 021 CB 022 L1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP1 SP2 SP2 SP2 SP2 SP2 SP2 SP2 SP2 SP2 SP2 SP2 SP2 SP2 SP2 SP2 SP2 W3
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With

With DMX protocol, need to be convert

F1 F1 F1 F1 F1 F1 F1 F1 F1 F1 F1 F1 F1 F1 F1 RGB1 RGB1 RGB1 RGB1 RGB1 RGB1 RGB1 RGB1 RGB1 RGB1 RGB1 RL1 RL1 RL1 RL1 RL1 RL1 RL1 RL2 RL1 RL1 RL1 RL1 RL1 RL1 RL1 RL1 RL1 RL1 RL1 RL1 RL1 RL1 RL1 RL1 RL1 RL1 RL2 RL2 RL2 RL2 RL2 RL2 RL2 RL2 RL2 RL2 RL2 RL2 RL2 RL2 RL2 F2 F2 F2 F2 F2*3 F2*3 F2*3 F2*3 F2*3 F2*3 F2*3 F2*3 F2*4 RGB2 RGB2*3 RGB2*3 RGB2*3 RGB2*3 RGB2*3 RGB2*3 RGB2*3 RGB2 F2*7 F2*11 F2*4 001 007 EF 006 RL2 RL2 RL2 RL2 RL2 RL2 RL2 RL2 RL2 RL2 RL2 RL2 RL2 002 EF 004 003 F1 F1 EF 005 008 009 010 EF 011 EF EF EF EF EF EF EF
DALI protocol
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Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 3 - Spatial Coordination & Technical Design

3.2 Luminaires Layout - Results

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Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 3 - Spatial Coordination & Technical Design

3.3 Luminaire Schedule

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Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 3 - Spatial Coordination & Technical Design

3.3 Luminaire Schedule

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Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 3 - Spatial Coordination & Technical Design

3.3 Luminaire Schedule

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Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 3 - Spatial Coordination & Technical Design

3.5 Scene Setting

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026 |AdvancedLightingDesign| MscLightandLighting

Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 3 - Spatial Coordination & Technical Design

controlled by Absence ditector

Luminaires controlled by PIR with both motions sensor and daylight photocell, during daytime the target illuminance of this room will be 300 lux, below this the light will be turn on automatically

Controller Driver DMX-dali convertor

L Local control panel for each table’s user for P4

Luminaires controlled by Absence ditector

L Local control panel for each table’s user for P4

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Panel for staff A Panel for staff B Panel for staff C Panel for user A
PIR
Luminaires
L L L L L L L L
027 |AdvancedLightingDesign| MscLightandLighting

Horton Chapel

Lighting Design Proposal for Major Design Peoject

Stage 3 - Spatial Coordination & Technical Design

3.7 Emergency Lighting

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supplementary battery light Maintianed lighting 028 |AdvancedLightingDesign| MscLightandLighting

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