Presbyterian Ladies' College and Scotch College Present
Book By
Based on the Woolley/Karlsen/Number 9 Motion Picture
Licensed exclusively by Music Theatre International (Australasia).
APRIL 3 / 4 / 5
We want to acknowledge the Whadjuk Noongar people, the traditional custodians of the land on which we gather today. We pay our respects to their Elders' past, present and emerging.
We extend that respect to all Aboriginal and Torres Strait Islander peoples gathered with us here today.
Welcome to the factory floor, where laughter, determination, and resilience drive the gears of change in Made in Dagenham. This musical is more than just a fight for better pay—it’s a celebration of courage, unity, and the power of collective voices demanding change.
Set in 1968, the Ford sewing machinists’ strike was a landmark moment in the fight for equal pay. These women—ordinary workers doing extraordinary things—challenged a system that had long undervalued their skills and contributions. Their bravery didn’t just shift the workplace; it sent ripples across the world. Yet, as we reflect on their triumphs, we must also acknowledge how far we still have to go. The issues they fought against— inequality, undervaluation, and barriers to opportunity—remain deeply relevant today.
In keeping with the raw authenticity of this story, we have embraced a Brechtian theatrical approach. You will see every element of the production exposed—scene changes, stage mechanics, and the very process of theatre itself laid bare. The performers may break the fourth wall through song, directly addressing you, the audience, as active participants in this story. Placards will reinforce key ideas, echoing the protest signs that once filled the streets, while projections provide images and quotes that deepen our engagement with the fight for equality, past and present. At times, performers will turn their backs to the audience, shifting the power dynamic and inviting you to consider what it means to be silenced, overlooked, or ignored.
By stripping away spectacle, we shift the focus to the heart of the story: the message. This is not just entertainment; it is a reminder, a provocation, and a call to consider the world we live in.
Directing this production has been an absolute privilege. The cast has poured their passion and talent into bringing these inspiring characters to life, and the crew has worked tirelessly to create a production that honours the fight, the joy, and the humour within this story. Together, we have built a show that is both a tribute to history and a conversation with the present.
So tonight, we invite you to engage with this story, not just as an audience but as active participants in its message. Laugh, cheer, perhaps even shed a tear—but as you leave the theatre, ask yourself: What inequalities remain hidden in plain sight? What voices are still waiting to be heard?
Enjoy the show—and remember, the fight for equality isn’t over. It’s a journey we’re all still on.
OLIVER CRAZE - DIRECTOR
We are thrilled to present ‘Made In Dagenham,’ a production made in PLC and Scotch College by some wonderful students. The journey began with a highly competitive audition process in Term 4 last year, where we saw an incredible array of talent. Reconvening after the Christmas holidays at the beginning of this term, the cast dedicated themselves to learning all the songs, and it has been a privilege to witness their growth. Each member has embraced their role, not just in singing, but in singing in character with an accent, which is no small feat. The transformation has been remarkable, and seeing the cast come together as a cohesive team has been immensely rewarding.
Our orchestra, featuring 10 talented students from Years 10 and 11, has also flourished through this experience. They have had the unique opportunity to rehearse and perform alongside professional musicians, tackling an uncompromising score. Composer David Arnold, known for his versatility beyond a couple of James Bond film scores, has crafted some truly memorable songs for this show. While these tunes may be new to many, they have an unmistakable familiarity that will resonate with audiences. The genius of master orchestrator Steve Sidwell, famed for his work on Robbie Williams' ‘Swing When You're Winning’ album, adds an extra layer of brilliance to the soundtrack.
Y N C H R O
As our lead character, Rita so aptly puts it, "It's not just about standing up; it's about standing together." This production is a testament to the power of collaboration and the magic that happens when we come together to create something special.
CHRIS GOFF & SOFIE KROS - MUSICAL DIRECTORS
As choreographers, our vision was to bring the energy and resilience of 1960s workingclass Britain to life through movement. Drawing inspiration from the era’s vibrant social dances—such as the twist and jitterbug—we infused the choreography with dynamic jazz influences to reflect the spirit of the time. In the factory scenes, precise, gestural movements mirror the rhythm of factory work and the individuality of each character.
As the story unfolds, the choreography evolves. Strike and solidarity moments transition into bold, expressive movements, embodying the power and defiance of collective action. The final number is a triumphant celebration of unity, capturing the strength and determination of the women who stood together to change history. Through dance, we honour their fight and the enduring impact of their courage.
N I C I T Y
BUSY WOMAN MADE IN DAGENHAM
THIS IS WHAT WE WANT WOSSNAME
ALWAYS A PROBLEM PAY DAY
I’M SORRY I LOVE YOU SAME OLD STORY SKILLED WORK EVERYBODY OUT
Stage Manager
Assistant Stage Manager
Sound/Projection Operator
DIRECTOR
MUSICAL DIRECTORS
CHOREOGRAPHERS
STAGE MANAGER
ASSISTANT STAGE MANAGER
SET DESIGN
PRODUCTION MANAGER
LIGHTING DESIGNER
SCENIC ART
SET CONSTRUCTION
SOUND DESIGN
FRONT OF HOUSE SOUND ENGINEER
SFX & DIGITAL CONTENT OPERATOR
DIGITAL CONTENT CREATOR
COSTUME, HAIR & MAKE-UP
PROPS TEAM
HEAD MECHANIST
MECHANIST
PROGRAM DESIGN
FRONT OF HOUSE MANAGER
FRONT OF HOUSE
PLC PROMOTIONS TEAM
PHOTOGRAPHY & EDITING
OLIVER CRAZE
CHRIS GOFF & SOFIE KROS
PATRICE SMITH & JACINTA EAVES
RIE KOJIMA
SAMARA SUDWELL
OLIVER CRAZE & JEREMY TURNER
JEREMY TURNER
BLAKE GRANSTON
JÖRDI ANDREWS & JEREMY TURNER
STATEWIDE STAGING & JEREMY TURNER
OLIVER CRAZE & JEREMY TURNER
JEREMY TURNER
NALINI D’SILVA (STUDENT)
OLIVER CRAZE
KATE NIGHTINGALE
OLIVER CRAZE, KATE NIGHTINGALE, CARLI EDWARDS & JEREMY TURNER
RIE KOJIMA
MAYA D’SILVA
OLIVER CRAZE
PATRICE SMITH
ANNI PATEL, ERICA VAN NIEKERK, AVA
FALCONER, ROSIE CANARIS, CHARLOTTE
HENDRY, SELMA ARGYLE, MADDY
WEAVER, RACHEL CHEVRALLS, ELOSIE
CROSSLEY, PAIGE DYSON, AMY LEITCH, JOSEPHINE LOVE, AZURA KOREN, EVA
BRUNA LALIC & ELLA O’CALLAGHAN
JULIA DOBSON, JASMINE KIMLIN & TIFFANY GOSSAGE
JASMINE KIMLIN, TIFFANY GOSSAGE & OLIVER CRAZE
KEYBOARD
GUITAR
DRUM KIT
PERCUSSION
REED 1
REED 2
TRUMPET
BRONWYN GIBSON
RICK WEBSTER
GAVIN KERR
CARISSA SOARES
BRAD SWOPE
ALEX BOYD
ADRIAN KELLY
We extend our heartfelt gratitude to Blake and his team at Granston Productions for their exceptional lighting design, which transforms our stage with stunning visual storytelling, adding depth, atmosphere, and a truly magical touch to our productions.
A special thank you also to The Bayswater Hotel for their generosity in providing bar props, the Flemming Family for the loan of their beautiful 1960s Holden, and Barry Elswood from the Ford Rally Sport Club WA for the loan of an original Ford Cortina MK1, which graced our stage beautifully.
Their incredible support enriches our performances, bringing authenticity and charm to our theatrical world.
As we bring Made in Dagenham to life, I am overwhelmed with gratitude for the dedicated and talented individuals who have made this production possible. This show has been a journey of collaboration, creativity, and a shared belief in the importance of telling this story of courage and unity.
A heartfelt thank you to Sarah Combes and her Performing Arts team at Scotch College for their invaluable support throughout this process. Their generosity and expertise have made a meaningful impact, and we are truly grateful for their collaboration.
To Jeremy, Chris, Sofie, Patrice, Jacinta, Carli, Kate, and Blake and his team—you have been the backbone of this production. Your expertise, passion, and unwavering commitment have elevated every aspect of this show. From the music to the set design, every detail reflects your hard work and dedication.
To our incredible students, your talent, energy, and passion inspire us all. The time and effort you’ve poured into this production shine brightly on stage, and we couldn’t be prouder of what you’ve accomplished.
To the parents, thank you for your guidance and support and for allowing your children to be part of something truly special. Productions like this thrive on your involvement, and we deeply appreciate the role you play in making these experiences possible.
Finally, to you, our audience—thank you for joining us on this journey. Your support and enthusiasm mean the world to us. Theatre is a shared experience, and it’s your presence that makes all our hard work worthwhile.
I am immensely proud of what we have created together—a true celebration of resilience, solidarity, and the fight for equality.
DANCE SHOWCASE 12, 13 & 14 June
YEAR 11
CURRICULUM PRODUCTION 24 & 25 June
| TER M 3 | | TER M 2 |
ALICE IN WONDERLAND (STUDENT LED PRODUCTION) 7, 8 & 9 August
ARTS DAY 21 August
IGSSA DANCE FESTIVAL 29 August
SHOWCASE CONCERT 30 August
SPRING CONCERT 1 September | TER M 4 |
SPEECH NIGHT 11 December
