کاخ و کلبه

‫‪ 30‬ﻣــﻪ ‪2012‬‬

‫ﺩﺭ ﭼﺎﺭﭼﻮﺏ ﻗﻮﺍﻧﻴﻦ ﺁﻣﺮﻳﻜﺎ ﭘﻴﺮﺍﻣﻮﻥ ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ‪» ،‬ﺻﻠﻴﺐ ﺳﻮﺯﻯ« ﮔﺮﻭﻩ‬ ‫»ﻛﻮﻛﻠﻮﻛــﺲﻛﻼﻥ« ﺁﺯﺍﺩ ﺍﺳــﺖ‪ ،‬ﺩﺭ ﻧﺘﻴﺠﻪ »ﻗﺮﺁﻥ ﺳــﻮﺯﻯ« ﻫﻢ ﻣﻨﻄﻘﺎً‬ ‫ﻣﻰﺑﺎﻳﺪ ﺁﺯﺍﺩ ﺷﻤﺮﺩﻩ ﺷﻮﺩ‪ .‬ﺑﺮﺧﻼﻑ ﺗﺒﻠﻴﻐﺎﺕ ﺭﺍﺩﻳﻮﻓﺮﺩﺍ ﻛﻪ ﻃﺒﻖ ﻣﻌﻤﻮﻝ ﺍﺯ‬ ‫ﺯﺑﺎﻥ ﺍﻳﺮﺍﻧﻰﻧﻤﺎﻳﺎﻥ ﺧﻮﺩﻓﺮﻭﺧﺘﻪ ﭘﺨﺶ ﻣﻰﺷﻮﺩ‪ ،‬ﺯﻭﺯﺓ ﻣﻼﻳﺎﻥ ﺟﻤﻜﺮﺍﻥ ﺩﺭ‬ ‫ﺍﻋﺘﺮﺍﺽ ﺑﻪ ﺳــﻮﺯﺍﻧﺪﻥ ﻗﺮﺁﻥ ﻓﻘﻂ ﻧﺸﺎﻧﺪﻫﻨﺪﺓ ﺗﻮﺣﺶ ﺁﻥﻫﺎﺳﺖ؛ »ﺑﻮﻕ«‬ ‫ﺳــﺎﺯﻣﺎﻥ ﺳﻴﺎ ﻧﻤﻰﺗﻮﺍﻧﺪ ﺍﺯ ﺯﺑﺎﻥ ﭘﺎﻣﻨﺒﺮﻯﻫﺎﻯﺍﺵ ﺍﻳﻦ ﺗﻮﺣﺶ ﺭﺍ ﺑﻪ ﺣﺴﺎﺏ‬

‫»ﺍﻳﺮﺍﻥ« ﺑﮕﺬﺍﺭﺩ‪ .‬ﭼﺮﺍ ﻛﻪ ﺍﺯ ﻳﻚﺳﻮ‪ ،‬ﻣﻼﻳﺎﻥ ﻭ ﺑﻪ ﻃﻮﺭ ﻛﻠﻰ‬ ‫ﺍﺳﻼﻡﮔﺮﺍﻳﺎﻥ ﺩﺭ ﻫﺮ ﺣﺎﻝ ﻧﻤﺎﻳﻨﺪﺓ »ﺍﻳﺮﺍﻥ« ﻧﺒﻮﺩﻩ ﻭ ﻧﻴﺴﺘﻨﺪ‪.‬‬ ‫ﻭ ﺍﺯ ﺳــﻮﻯ ﺩﻳﮕــﺮ‪ ،‬ﻣﺨﺎﻟﻔــﺖ ﺑﺎ ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ ﺑــﻪ »ﻣﻼﻳﺎﻥ«‬ ‫ﻣﺤﺪﻭﺩ ﻧﻤﻰﺷــﻮﺩ‪ .‬ﺭﻳﺸــﺔ ﺍﻳﻦ ﺗﻮﺣﺶ ﺩﺭ »ﺑﺎﻭﺭﻣﺤﻮﺭﻯ«‬ ‫ﺍﺳــﺖ ﻛﻪ ﺑﺮ ﺗﻞ ﻣﻮﻫﻮﻣﻰ ﺑﻪ ﻧﺎﻡ »ﻣــﺮﺩﻡ« ﺗﻜﻴﻪ ﻛﺮﺩﻩ‪ .‬ﺑﻪ‬ ‫ﻋﺒﺎﺭﺕ ﺩﻳﮕﺮ‪ ،‬ﻫﻤﺔ ﻛﺴﺎﻧﻰ ﻛﻪ ﺩﺭ ﻛﻨﺎﺭ »ﻣﺮﺩﻡ« ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ‪،‬‬ ‫ﻭ ﺑﺮ ﻃﺒﻞ »ﻣﺮﺩﻡ« ﻭ ﺑﺎﻭﺭﻫﺎﻯﺷﺎﻥ ﻣﻰﻛﻮﺑﻨﺪ ﺩﺭ ﻭﺍﻗﻊ ﺗﻮﺣﺶ‬ ‫ﺧﻮﺩ ﺭﺍ ﺑﻪ ﺍﺛﺒﺎﺕ ﻣﻰﺭﺳــﺎﻧﻨﺪ‪ .‬ﭼﺮﺍ ﻛﻪ ﺍﻳﻨﺎﻥ ﺑﻪ ﻣﺨﺎﻟﻔﺖ ﺑﺎ‬ ‫»ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ« ﻣﺸــﻐﻮﻝﺍﻧﺪ‪» .‬ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ« ﻣﺮﺩﻣﻰ ﻧﻴﺴﺖ‪،‬‬

‫ﻫﻴﭻ ﺍﺭﺗﺒﺎﻃﻰ ﺑﺎ ﺍﺳﻄﻮﺭﻩ‪ ،‬ﺍﻋﺘﻘﺎﺩﺍﺕ ﻭ ﺑﺎﻭﺭﻫﺎﻯ ﺩﻳﺮﻳﻨﻪ‬ ‫ﻧﺪﺍﺭﺩ‪ ،‬ﺍﻣﺮﻯ ﺍﺳــﺖ »ﺣﻘﻮﻗــﻰ« ﻭ »ﻣﻌﺎﺻﺮ«‪ .‬ﺑﻪ ﺯﺑﺎﻥ‬ ‫ﺳﺎﺩﻩﺗﺮ‪ ،‬ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ ﻓﻘﻂ »ﺍﻧﺴﺎﻥﻣﺤﻮﺭ« ﺍﺳﺖ‪.‬‬ ‫ﺩﺭ ﻫﺮ ﺣﺎﻝ‪ ،‬ﻣﺨﺎﻟﻔﺖ ﺑﺎﻍ ﻭﺣﺶ ﺍﺳــﺘﻌﻤﺎﺭ ﺑﺎ »ﺁﺯﺍﺩﻯ‬ ‫ﺑﻴﺎﻥ« ﺑﻪ ﻫﻴﭻ ﻋﻨﻮﺍﻥ ﺑﺎ ﺳــﻮﺯﺍﻧﺪﻥ ﻗﺮﺁﻥ ﺗﻮﺳــﻂ ﺗﺮﻯ‬ ‫ﺟﻮﻧﺰ ﺁﻏﺎﺯ ﻧﺸﺪﻩ‪ .‬ﻟﻨﺪﻥ ﻭ ﻭﺍﺷﻨﮕﺘﻦ ﺑﺮﺍﻯ ﺍﻳﺠﺎﺩ ﺁﺷﻮﺏ‬ ‫ﻭ ﮔﺴﺘﺮﺵ ﺳﺮﻛﻮﺏ‪ ،‬ﺑﻪ »ﺩﻳﻦ«‪» ،‬ﺁﺧﻮﻧﺪ« ﻭ »ﺷﻬﻴﺪ«‬ ‫ﻧﻴــﺎﺯ ﺩﺍﺭﻧﺪ‪ .‬ﺁﺧﻮﻧﺪ‪ ،‬ﻳﻌﻨﻰ »ﻣﺪﺍﻓﻊ ﻣﻘﺪﺳــﺎﺕ!« ﻭ‬

‫ﺍﮔــﺮ ﻓﺠﺎﻳــﻊ ﺩﻭﺭﺍﻥ »ﺍﻣﻴﺮﻛﺒﻴﺮ«‪ ،‬ﺳــﺮﻛﻮﺏ ﺍﻳﺮﺍﻧﻴﺎﻥ ﺩﺭ ﺻﺪﺭ‬ ‫ﻣﺸــﺮﻭﻃﻪ‪ ،‬ﻭ ﻫﻤﭽﻨﻴﻦ ﺳﺮﻛﻮﺏﻫﺎﻯ ﮔﺴــﺘﺮﺩﺓ ﭘﻬﻠﻮﻯ ﺍﻭﻝ ﻭ‬ ‫ﺩﻭﻡ ﺭﺍ ﻧﺎﺩﻳﺪﻩ ﺑﮕﻴﺮﻳﻢ‪ ،‬ﺳﺮﻛﻮﺏ ﺳﺎﺯﻣﺎﻥ ﻳﺎﻓﺘﺔ ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ ﺩﺭ‬ ‫ﺍﻳﺮﺍﻥ ﺍﺯ ﻫﻤﺎﻥ ﺭﻭﺯﻫﺎﻯ ﻧﻜﺒﺖﺑﺎﺭﻯ ﺁﻏﺎﺯ ﺷﺪ ﻛﻪ »ﺑﻰﺑﻰﺳﻰ« ﻭ‬ ‫ﺩﻳﮕﺮ ﺑﻮﻕﻫﺎﻯ ﺍﺭﺗﺶ ﻧﺎﺗﻮ ﺑﺮﺍﻯ ﻓﺮﻭﺵ »ﺩﻳﻦ ﺿﺪﺍﺳﺘﺒﺪﺍﺩ«‪ ،‬ﺑﻪ‬ ‫ﺣﺎﺝ ﺭﻭﺡﺍﷲ ﻭ ﻫﻤﺮﺍﻫﺎﻥ ﺧﻮﺩﻓﺮﻭﺧﺘﻪﺍﺵ »ﺗﺮﻳﺒﻮﻥ« ﻣﻰﺩﺍﺩﻧﺪ‪.‬‬

‫ﻣﻰﺑﺮﺩ‪ ،‬ﻭ ﻋﺮﺑﺪﻩﺟﻮﺋﻰ ﺳــﺎﺯﻣﺎﻥ ﻛﺬﺍ ﻫﻤﺰﻣﺎﻥ ﻣﻮﺭﺩ ﺍﺳﺘﻘﺒﺎﻝ‬ ‫»ﺑﻰﺑﻰﺳــﻰ«‪ ،‬ﻛﻴﻬﺎﻥ ﻭ ﺩﻳﮕﺮ ﺭﺳــﺎﻧﻪﻫﺎﻯ ﺟﻤﻜــﺮﺍﻥ ﻧﻴﺰ ﻗﺮﺍﺭ‬ ‫ﻣﻰﮔﻴﺮﺩ! ﻫﻤﻪ ﺳــﺮ ﺩﺭ ﺁﺧﻮﺭ ﺁﻧﮕﻠﻮﺳﺎﻛﺴﻮﻥﻫﺎ ﺩﺍﺭﻧﺪ‪ .‬ﻭ ﺍﻳﻦ‬ ‫ﺍﺳﺖ ﺩﻟﻴﻞ ﭘﺎﺭﺱ ﻛﺮﺩﻥ ﻣﻼﻳﺎﻥ ﻭ ﻭﺯﺍﺭﺕ ﺍﻣﻮﺭ ﺧﺎﺭﺟﺔ ﺟﻤﻜﺮﺍﻥ‬ ‫ﺑﻪ ﺟﻤﻬﻮﺭﻯ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ ﻭ ﻫﻤﻴﻦ ﺍﺳــﺖ ﺩﻟﻴﻞ »ﺗﻈﺎﻫﺮﺍﺕ ﻣﺮﺩﻡ‬ ‫ﻏﻴﻮﺭ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ« ﺑﺮ ﻋﻠﻴﻪ ﻣﺴﺎﺑﻘﺎﺕ »ﻳﻮﺭﻭﻭﻳﮋﻥ« ﺩﺭ ﺑﺎﻛﻮ‪.‬‬

‫»ﺟﻮﻧــﻢ ﺑﺮﺍﺗﻮﻥ ﺑﮕﻪ«‪ ،‬ﭘﺲ ﺍﺯ ﺍﻧﺘﺸــﺎﺭ »ﺧﺒﺮ ﻣﻮﺛﻖ« ﻣﺒﻨﻰ ﺑﺮ‬ ‫ﻛﺸﺘﻪ ﻭ ﻣﺠﺮﻭﺡ ﺷﺪﻥ ﻫﺰﺍﺭﺍﻥ ﺗﻦ ﺩﺭ ﺗﻈﺎﻫﺮﺍﺕ ﻏﻴﺮﻣﺠﺎﺯ ﻣﻴﺪﺍﻥ‬ ‫ژﺍﻟــﻪ‪ ،‬ﺑــﻪ ﮔﻔﺘﺔ ﻭﻳﻜﻰﭘﺪﻳﺎ‪» ،‬ﻣﻴﺸــﻞ ﻓﻮﻛﻮ« ﺳﺮﺁﺳــﻴﻤﻪ ﺍﺯ‬ ‫ﻟﺲﺁﻧﺠﻠﺲ ﺑﻪ ﺗﻬﺮﺍﻥ ﺗﺸﺮﻳﻒ ﺁﻭﺭﺩﻧﺪ ﻭ ‪ ...‬ﻭ »ﺍﻧﻘﻼﺏﺷﺎﻥ« ﻫﻢ‬ ‫ﭘﻴﺮﻭﺯ ﺷــﺪ‪ .‬ﻫﻤﭽﻨﺎﻧﻜﻪ ﭘﻴﺸــﺘﺮ ﻫﻢ ﺩﺭ ﻣﻮﺭﺩ ﺍﻳﺸﺎﻥ ﻭ »ﺑﺮﻧﺎﺭ‬ ‫ﻫﺎﻧــﺮﻯ ﻟﻮﻯ« ﮔﻔﺘﻴﻢ‪ ،‬ﻃﺮﻓﺪﺍﺭﺍﻥ »ﺗﺠﺎﻭﺯ«‪ ،‬ﺑﺪﻭﻥ ﺍﺳــﺘﺜﻨﺎء‬ ‫ﺍﺯ »ﺍﻧﻘﻼﺏ ﺍﺳــﻼﻣﻰ« ﺩﻓﺎﻉ ﻣﻰﻛﻨﻨﺪ‪ .‬ﺩﻟﻴﻞ ﻫﻢ ﺭﻭﺷﻦ ﺍﺳﺖ؛‬ ‫ﮔﺴــﺘﺮﺵ »ﻣﻘﺪﺳﺎﺕ«‪ ،‬ﻳﻌﻨﻰ ﺳﺮﻛﻮﺏ ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ‪ .‬ﺳﺮﻛﻮﺏ‬ ‫ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ ﻧﻴﺰ ﻣﻌﻨﺎﺋﻰ ﺟﺰ ﺳــﺮﻛﻮﺏ ﺍﻧﺴــﺎﻥ ﻧﺪﺍﺭﺩ‪ ،‬ﻭ ﺑﺪﻭﻥ‬ ‫ﺳﺮﻛﻮﺏ ﺍﻧﺴﺎﻥ‪ ،‬ﻣﻨﺎﻓﻊ ﺍﺳﺘﻌﻤﺎﺭ ﺗﺄﻣﻴﻦ ﻧﻤﻰﺷﻮﺩ‪ .‬ﺑﺮﺍﻯ ﺗﺄﻣﻴﻦ‬ ‫ﻫﻤﻴﻦ ﻣﻨﺎﻓﻊ ﻣﻘﺪﺱ ﺑﻮﺩ ﻛﻪ ﺍﻟﻴﺰﺍﺑﺖ ﺩﻭﻡ ﺑﺎ ﺧﺪﻡ ﻭ ﺣﺸــﻢ ﺑﻪ‬ ‫ﺗﺮﻛﻴﻪ ﺭﻓﺖ ﺗﺎ ﺍﺯ ﻧﻘﺾ ﺁﺷﻜﺎﺭ ﻗﺎﻧﻮﻥ ﺍﺳﺎﺳﻰ ﺍﻳﻦ ﻛﺸﻮﺭ‪ ،‬ﻳﻌﻨﻰ‬ ‫ﺍﺯ ﺗﺰﺭﻳﻖ ﻣﻘﺪﺳــﺎﺕ ﺩﻳﻦ ﺑﻪ ﻻﺋﻴﺴﻴﺘﻪ »ﻛﻤﺎﻟﻴﺴﺖﻫﺎ« ﺣﻤﺎﻳﺖ‬ ‫ﺑﻪ ﻋﻤﻞ ﺁﻭﺭﺩﻩ‪ ،‬ﺍﻳﻦ ﺗﺠﺎﻭﺯ ﺣﻘﻮﻗﻰ ﺭﺍ »ﻣﻘﺒﻮﻝ« ﺟﻠﻮﻩ ﺩﻫﺪ‪.‬‬

‫ﺑﻠﻪ‪ ،‬ﺟﻤﻬﻮﺭﻯ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ‪ ،‬ﻧﺨﺴــﺘﻴﻦ ﻛﺸــﻮﺭ ﻣﺴﻠﻤﺎﻥﻧﺸﻴﻦ‬ ‫»ﻻﺋﻴﻚ« ﺍﺳﺖ ﻭ ﺑﻪ ﻫﻤﻴﻦ ﺩﻟﻴﻞ ﺍﺯ ﺳﻮﻯ ﺍﻋﻀﺎﻯ ﺳﺎﺯﻣﺎﻥ ﻧﺎﺗﻮ‬ ‫ﻭ ﺟﻴﺮﻩﺧــﻮﺍﺭﺍﻥﺍﺵ ﺩﺭ ﺟﻤﻜﺮﺍﻥ ﻣﻮﺭﺩ ﺗﻬﺎﺟﻢ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ‪ .‬ﺍﮔﺮ‬ ‫ﺑﻪ ﻳﺎﺩ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻴﻢ ﺩﺭ ﺳﺎﻝ ‪ 2004‬ﻛﻪ ﻣﺴﺎﺑﻘﺎﺕ ﻳﻮﺭﻭﻭﻳﮋﻥ ﺩﺭ‬ ‫ﺗﺮﻛﻴﻪ ﺑﺮﮔﺰﺍﺭ ﺷــﺪ‪ ،‬ﻣﻼﻳﺎﻥ ﺟﻤﻜﺮﺍﻥ ﺻﺪﺍﻯﺷﺎﻥ ﺩﺭ ﻧﻤﻰﺁﻣﺪ‪.‬‬ ‫ﻣﺮﺩﻩﺷﻮﻳﺎﻥ ﺩﺭ ﺳــﻨﮕﺮ ﺧﻔﻘﺎﻥ ﻟﻨﮕﺮ ﺍﻧﺪﺍﺧﺘﻪ‪ ،‬ﺍﺳﻼﻡﺷﺎﻥ ﻫﻢ‬ ‫ﺧﺪﺷــﻪﺩﺍﺭ ﻧﻤﻰﺷــﺪ‪ ،‬ﭼﺮﺍ؟ ﭼﻮﻥ ﺩﻭﻟــﺖ ﺗﺮﻛﻴﻪ‪ ،‬ﺑﺎ ﺗﺤﻤﻴﻞ‬ ‫»ﺣﺠﺎﺏ« ﺑﺮ ﻓﻀﺎﻯ ﺭﺳﻤﻰ ﻭ ﻗﺎﻧﻮﻧﻰ‪ ،‬ﺣﺮﻳﻢ ﻗﺎﻧﻮﻥ ﺍﺳﺎﺳﻰ ﺍﻳﻦ‬ ‫ﻛﺸــﻮﺭ ﺭﺍ ﺩﺭ ﻫﻢ ﺷﻜﺴــﺘﻪ ﺑﻮﺩ‪ .‬ﻭ ﺍﻳﻦ ﻣﺮﺯﺷﻜﻨﻰ ﻫﻤﭽﻨﺎﻧﻜﻪ‬ ‫ﺑﺎﻻﺗﺮ ﮔﻔﺘﻴﻢ ﺑﺪﻭﻥ ﺣﻤﺎﻳﺖ ﺁﺷــﻜﺎﺭ ﻟﻨﺪﻥ ﻭ ﭘﺸــﺘﻴﺒﺎﻧﻰ ﭘﻨﻬﺎﻥ‬ ‫ﻭﺍﺷــﻨﮕﺘﻦ ﺍﺯ ﺗﺤﻤﻴــﻞ ﺍﺑﺘﺬﺍﻝ ﻭ ﺧﺸــﻮﻧﺖ ﺑﺎﻭﺭﻫــﺎﻯ ﺩﻳﻨﻰ ﺑﻪ‬ ‫ﻗﻮﺍﻧﻴﻦ ﺍﻣﻜﺎﻧﭙﺬﻳﺮ ﻧﻤﻰﺷﺪ‪ .‬ﺍﺗﺤﺎﺩ ﺻﻠﻴﺐ ﻭ ﻣﺴﺠﺪ ﻭ ﺷﺎﻣﭙﺎﻳﻦ‬ ‫ﻭ ﺭﻭﺳــﺮﻯ ﺭﺍ ﻓﺮﺍﻣﻮﺵ ﻧﻜﺮﺩﻩﺍﻳﻢ! ﺩﺭ ﺟﻤﻬﻮﺭﻯ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ ﺍﻳﻦ‬ ‫ﺷﺮﺍﻳﻂ ﺣﺎﻛﻢ ﻧﺸﺪﻩ؛ ﺟﻤﻬﻮﺭﻯ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ »ﻻﺋﻴﻚ« ﺍﺳﺖ‪ .‬ﺑﻪ‬ ‫ﻋﺒــﺎﺭﺕ ﺩﻳﮕﺮ ﺩﺭ »ﻓﻀﺎﻯ ﺭﺳــﻤﻰ« ﺁﻥ ﺗﻌﺪﺩ ﺯﻭﺟﺎﺕ‪ ،‬ﺣﺠﺎﺏ‬ ‫»ﺭﺳــﻤﻰ« ﻭ ﺩﻳﮕﺮ ﻧﻤﺎﺩﻫﺎﻯ ﺗﻮﺣﺶ ﭘﺪﺭﺳــﺎﻻﺭﺍﻧﻪ ﺑﻪ ﭼﺸــﻢ‬ ‫ﻧﻤﻰﺧﻮﺭﺩ‪.‬‬

‫ﺧﻼﺻﻪ ﺣﻀﻮﺭ ﺍﻟﻴﺰﺍﺑﺖ ﺩﻭﻡ ﺩﺭ ﻣﺴــﺠﺪ‪ ،‬ﻭ ﻧﻮﺷﻴﺪﻥ ﺷﺎﻣﭙﺎﻳﻦ‬ ‫ﺑﺎ ﺭﻭﺳــﺮﻯ ﺗﻮﺳﻂ ﻋﻴﺎﻝ ﻋﺒﺪﺍﷲ ﮔﻞ ﺍﺑﺘﺬﺍﻝ ﻭ ﺗﻮﺣﺶ ﺭﺍ ﺑﻪ ﺍﻭﺝ‬ ‫ﺭﺳــﺎﻧﺪ‪ .‬ﻣﺴــﺎﻓﺮﺕ ﺍﻟﻴﺰﺍﺑﺖ ﺩﻭﻡ ﺑﻪ ﺗﺮﻛﻴﻪ‪ ،‬ﺩﺭ ﻋﻤﻞ ﺣﻤﺎﻳﺖ‬ ‫ﺍﺯ »ﺳــﺮﻛﻮﺏ ﺍﻧﺴﺎﻥ«‪ ،‬ﻭ ﺑﻪ ﻭﻳﮋﻩ ﭘﺸﺘﻴﺒﺎﻧﻰ ﺁﺷﻜﺎﺭ ﺍﺯ ﺳﺮﻛﻮﺏ‬ ‫ﺯﻧﺎﻥ ﺩﺭ ﺗﺮﻛﻴﻪ ﺑﻮﺩ‪ .‬ﺭﻭﺷﻦﺗﺮ ﺑﮕﻮﺋﻴﻢ‪ ،‬ﺍﻳﻦ ﻣﺴﺎﻓﺮﺕ ﺑﺎ ﻫﺪﻑ‬ ‫»ﺭﺳــﻤﻰﺍﺕ ﺯﺩﺍﺋﻰ« ﻫﻤﺰﻣﺎﻥ ﺍﺯ ﺩﻭﻟﺖ ﻭ ﺣﺮﻳﻢ ﻋﻤﻮﻣﻰ‪ ،‬ﻭ ﺩﺭ‬ ‫ﺭﺍﺳﺘﺎﻯ ﺳــﺮﻛﻮﺏ »ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ« ﺻﻮﺭﺕ ﭘﺬﻳﺮﻓﺖ‪ .‬ﻭ ﺍﺑﺘﺬﺍﻝ ﻭ‬ ‫ﺗﻮﺣﺶ »ﺑﻬﺎﺭ ﻋﺮﺏ« ﻧﻴﺰ ﺍﺯ ﻫﻤﻴﻦ ﺭﻭﻧﺪ »ﺗﺰﺭﻳﻖ ﻣﻘﺪﺳﺎﺕ« ﺑﻪ‬ ‫ﺳﺎﺧﺘﺎﺭ ﺩﻭﻟﺖ ﻭ ﺭﺳﻤﻰﺍﺕ ﺯﺩﺍﺋﻰ ﺍﺯ ﺣﺮﻳﻢ ﺍﺟﺘﻤﺎﻋﻰ ﺳﺮﭼﺸﻤﻪ‬ ‫ﻣﻰﮔﻴﺮﺩ‪ .‬ﻫﻤﻴﻦ ﺭﻭﻧﺪ ﮔﺴــﺘﺮﺵ ﺗﻮﺣﺶ ﻭ ﺍﺑﺘﺬﺍﻝ ﺍﺳﺖ ﻛﻪ ﺑﻪ‬ ‫ﺩﻟﻴﻞ ﻣﺨﺎﻟﻔﺖ ﺭﻭﺳــﻴﻪ ﺑﺎ ﻛﻮﺩﺗﺎ ﺩﺭ ﻛﺸــﻮﺭ ﺳــﻮﺭﻳﻪ‪ ،‬ﺑﻪ ﻣﺎﻧﻊ‬ ‫ﺑﺮﺧﻮﺭﺩ ﻛﺮﺩﻩ‪.‬‬ ‫ﺑﻰﺩﻟﻴﻞ ﻧﻴﺴــﺖ ﻛﻪ ﺳﺎﺯﻣﺎﻥ ﻋﻔﻮ ﺑﻴﻦﺍﻟﻤﻠﻞ ﻣﺸﺮﻭﻋﻴﺖ ﺷﻮﺭﺍﻯ‬ ‫ﺍﻣﻨﻴﺖ ﺳــﺎﺯﻣﺎﻥ ﻣﻠــﻞ ﺭﺍ ﺑﺎ »ﺻــﺪﻭﺭ ﻓﺘﻮﻯ« ﺑﻪ ﺯﻳﺮ ﺳــﺌﻮﺍﻝ‬

‫ﺑــﻪ ﻫﻤﻴﻦ ﺩﻟﻴﻞ ﺑﻮﻕﻫﺎﻯ ﺍﺭﺗﺶ ﻧﺎﺗﻮ ﺍﺯ »ﺧﻮﻳﺸﺎﻭﻧﺪﺳــﺎﻻﺭﻯ«‬ ‫ﻭ »ﺍﺳــﺘﺒﺪﺍﺩ« ﺣﺎﻛــﻢ ﺑﺮ ﺁﺫﺭﺑﺎﻳﺠــﺎﻥ ﺑﻪ ﻓﻐــﺎﻥ ﺁﻣﺪﻩﺍﻧﺪ‪ .‬ﺍﻣﺎ‬ ‫ﻭﻗﺘــﻰ ﭘﺴــﺮ ﺟﺮﺝ ﺑﻮﺵ ﺑﺎ ﺗﻘﻠــﺐ ﻭ ﺍﻓﺘﻀــﺎﺡ ﻭ ﺯﺩ ﻭ ﺑﻨﺪ ﻭﺍﺭﺩ‬ ‫ﻛﺎﺥ ﺭﻳﺎﺳﺖ ﺟﻤﻬﻮﺭﻯ ﻣﻰﺷــﻮﺩ ﻭ ﺑﺮﺍﻯ ﺩﻭﺍﻡ ﻭ ﺑﻘﺎﻯ ﺳﻠﻄﻨﺖ‬ ‫ﺍﺑﺪﻣــﺪﺕ ﺗﻔﻨﮓﻓﺮﻭﺵﻫــﺎ ﺑﻪ ﺑﻬﺎﻧﺔ ﻣﺒــﺎﺭﺯﻩ ﺑﺎ ﺗﺮﻭﺭﻳﺴــﻢ ﺑﻪ‬ ‫ﺍﻓﻐﺎﻧﺴــﺘﺎﻥ ﻭ ﻋﺮﺍﻕ ﻟﺸﻜﺮﻛﺸــﻰ ﻣﻰﻛﻨﺪ‪ ،‬ﻭﻕﻭﻕﺻﺎﺣﺎﺏﻫﺎﻯ‬ ‫ﻧﺎﺗــﻮ ﺍﺯ ﺧﻮﻳﺸﺎﻭﻧﺪﺳــﺎﻻﺭﻯ ﻫﻴــﭻ ﻧﻤﻰﮔﻮﻳﻨﺪ‪ ،‬ﭼــﺮﺍ؟ ﭼﻮﻥ‬ ‫ﺁﻣﺮﻳﻜﺎ ﺩﺭ »ﺳﻨﮕﺮ ﺣﻖ« ﻧﺸﺴﺘﻪ ﻭ ﻫﻤﺔ ﺟﻨﺎﻳﺎﺕﺍﺵ »ﺑﺮﺣﻖ«‬ ‫ﺍﺳــﺖ‪ .‬ﻭ ﻣﺴــﺘﺮ ﺟﺮﺝ ﺑﻮﺵ )ﭘﺴــﺮ( ﺑﻪ ﺣﻜﻢ ﻣﻴﻠﻴﺎﺭﺩﻫﺎ ﺩﻻﺭ‬ ‫ﺛــﺮﻭﺕ ﺧﺎﻧﻮﺍﺩﮔﻰ »ﺣﻖ« ﺩﺍﺭﻧﺪ ﺭﺋﻴﺲ ﺟﻤﻬﻮﺭ ﺷــﻮﻧﺪ‪ .‬ﺩﺭ ﻫﺮ‬ ‫ﺣﺎﻝ ﺑــﺪﻭﻥ ﺍﻳﻦ ﺟﻨﺎﻳﺎﺕ‪ ،‬ﭘﺮﺩﺍﺧﺖ ﺣﻖ ﻭ ﺣﺴــﺎﺏ ﺑﻮﻕﻫﺎﻯ‬

‫ﺍﺳــﺘﻌﻤﺎﺭ‪ ،‬ﺑﻪ ﻭﻳﮋﻩ ﻣﺴﺘﻤﺮﻯ ﺑﻨﮕﺎﻩ ﺳﻤﭙﺎﺷﻰ »ﺑﻰﺑﻰﺳﻰ« ﺑﺎ‬ ‫ﺍﺷﻜﺎﻝ ﺭﻭﺑﺮﻭ ﺧﻮﺍﻫﺪ ﺷﺪ‪.‬‬ ‫ﺣﺎﻝ ﻛــﻪ ﺑﻪ »ﺑﻰﺑﻰﺳــﻰ« ﺭﺳــﻴﺪﻳﻢ ﻳﻚ ﻣﻴﻨــﻰ ﭘﺮﺍﻧﺘﺰ ﺑﺎﺯ‬ ‫ﻣﻰﻛﻨﻴﻢ ﺗﺎ ﺩﺭ ﻣﻮﺭﺩ ﺩﻻﺋﻞ ﺭﺳــﻮﺍﺋﻰ ﺍﺧﻴــﺮ ﺑﻮﻕ ﻭﺯﺍﺭﺕ ﺍﻣﻮﺭ‬ ‫ﺧﺎﺭﺟﺔ ﺑﺮﻳﺘﺎﻧﻴﺎ ﻭ ﺟﺎ ﺯﺩﻥ ﻋﺮﺍﻕ ﺑﺠﺎﻯ ﺳــﻮﺭﻳﻪ ﺗﻮﺿﻴﺢ ﺩﻫﻴﻢ‪.‬‬ ‫ﺍﻳﻦ ﺻﺤﻨﻪﺳــﺎﺯﻯﻫﺎ ﺍﺯ ﻗﺪﻳﻢ ﺭﺍﻳــﺞ ﺑﻮﺩﻩ؛ ﺁﻧﭽﻪ ﺍﻫﻤﻴﺖ ﺩﺍﺭﺩ‬ ‫ﺑﻰﺍﻋﺘﺒﺎﺭ ﺷــﺪﻥ ﺑــﻮﻕ ﺑﺎﻛﻴﻨﮕﻬﺎﻡ ﭘﺎﻻﺱ ﺍﺳــﺖ ﺩﺭ ﺍﺭﺗﺒﺎﻁ ﺑﺎ‬ ‫ﺭﺧﺪﺍﺩﻫﺎﻯ ﺳﻮﺭﻳﻪ‪ .‬ﺍﻳﻦ ﺭﺳﻮﺍﺋﻰ ﭘﻴﺎﻣﺪ ﻣﺴﺘﻘﻴﻢ »ﻟﮕﺪ ﺍﻟﻬﻰ«‬ ‫ﺍﺳﺖ ﻛﻪ ﺩﺭ ﻣﺬﺍﻛﺮﺍﺕ ﺑﻐﺪﺍﺩ ﺑﺮ ﭘﻮﺯﺓ ﻣﻘﺪﺱ ﺁﻧﮕﻠﻮﺳﺎﻛﺴﻮﻥﻫﺎ‬ ‫ﻓﺮﻭﺩ ﺁﻣﺪ ﻭ ﺑﺎﻋﺚ ﺷــﺪ »ﻟﺌﻮﻥ ﭘﺎﻧﻪﺗﺎ«‪ ،‬ﺑﺮﺍﻯ ﺗﻘﻮﻳﺖ ﺣﻜﻮﻣﺖ‬ ‫ﺟﻤﻜﺮﺍﻥ‪ ،‬ﺑﺮﻧﺎﻣﺔ ﻧﻔﺲﻛﺶﻃﻠﺒﻰ ﻭ ﻋﺮﺑﺪﻩﺟﻮﺋﻰ ﺍﺯ ﺳﺮ ﮔﻴﺮﺩ‬ ‫ﺗﺎ ﺣﻜﻮﻣﺖ ﻟﺮﺯﺍﻥ ﻣﺮﺩﻩﺷــﻮﻳﺎﻥ ﺗﻜﻴﻪﮔﺎﻩ »ﺩﺷﻤﻦ« ﺭﺍ ﺍﺯ ﺩﺳﺖ‬ ‫ﻧﺪﻫــﺪ‪ .‬ﻟﻮﻃﻰ ﻭ ﻋﻨﺘﺮﻫﺎﻯ ﺳــﻴﺮﻙ ﻋﻤﻮﺳــﺎﻡ ﻧﻴﺰ ﻭﺍﺭﺩ ﺍﻳﻦ‬ ‫ﺻﺤﻨﻪ ﺷﺪﻩ‪ ،‬ﻫﺮ ﻳﻚ ﺑﻪ ﻧﻮﺑﺔ ﺧﻮﺩ ﺑﺎ ﺻﺪﻭﺭ ﻓﺘﻮﻯ ﺩﻡ ﻣﻔﺼﻠﻰ‬ ‫ﺑﺮﺍﻯ ﺍﺭﺑﺎﺏ ﺟﻨﺒﺎﻧﺪﻧﺪ‪.‬‬ ‫ﻳﻜﻰ ﻓﺘﻮﻯ ﺻﺎﺩﺭ ﻛﺮﺩ ﻛﻪ »ﺑﻴﮕﺎﻧﻪ ﻫﻴﭻ ﻧﻘﺸــﻰ ﺩﺭ ﻓﺮﻭﭘﺎﺷــﻰ‬ ‫ﻃﺒﻘﺔ ﻣﺘﻮﺳــﻂ ﺍﻳﺮﺍﻥ ﻧﺪﺍﺷــﺘﻪ!« ﺩﻳﮕﺮﻯ ﺑﺎ ﺭﺟﻮﻉ ﺑﻪ ﺭﺳﻮﻡ‬ ‫ﺻﺤﺮﺍﻧﺸــﻴﻨﺎﻥ ﺻــﺪﺭ ﺍﺳــﻼﻡ‪ ،‬ﭼﺎﺭﭼــﻮﺏ »ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ« ﻭ‬ ‫»ﺩﻣﻜﺮﺍﺳــﻰ« ﺭﺍ ﺑﺮﺍﻯﻣﺎﻥ »ﻣﺸــﺨﺺ« ﻛﺮﺩ ﻭ ‪ ...‬ﻭ ﻧﻴﺎﺯﻯ ﺑﻪ‬ ‫ﺗﻮﺿﻴﺢ ﻧﻴﺴــﺖ ﻛﻪ ﺑﮕﻮﺋﻴﻢ ﺍﻳﻦ ﻣﺤﺸﺮ ﺧﺮ ﺭﺍ ﺳﺎﻳﺖ ﺭﺍﺩﻳﻮﻓﺮﺩﺍ‬ ‫ﺑــﻪ ﺭﺍﻩ ﺍﻧﺪﺍﺧﺘﻪ ﺗــﺎ ﭘﺎﻣﻨﺒﺮﻯﻫﺎﻯ ﺍﺳــﻼﻡﻓﺮﻭﺵﺍﺵ ﺭﺍ ﺑﺠﺎﻯ‬ ‫ﻃﺮﻓﺪﺍﺭﺍﻥ ﺍﺳــﺘﻘﺮﺍﺭ ﺩﻣﻜﺮﺍﺳــﻰ ﺑــﻪ ﻣﻠﺖ ﺍﻳــﺮﺍﻥ ﺣﻘﻨﻪ ﻛﻨﺪ‪.‬‬ ‫ﻫﻤﺎﻥ ﻛﺎﺭﻯ ﻛﻪ ‪ 33‬ﺳــﺎﻝ ﭘﻴﺶ ﺑﺎ ﻣﻮﻓﻘﻴﺖ ﺗﻤﺎﻡ ﺍﻧﺠﺎﻡ ﺩﺍﺩﻧﺪ‪.‬‬ ‫ﺩﺭ ﺁﻥ ﺳــﺎﻝﻫﺎ ﺳﺎﺯﻣﺎﻥ ﺳﻴﺎ ﺗﻮﺍﻧﺴﺖ ﺑﺎ ﺗﻮﺳﻞ ﺑﻪ ﺷﻌﺎﺭ ﺣﻘﻮﻕ‬ ‫ﺑﺸــﺮ‪ ،‬ﻣﻮﺵﻫﺎﻯ ﻧﺎﻗﻞ ﻃﺎﻋــﻮﻥ‪ ،‬ﻳﻌﻨﻰ ﺟﺒﻬﺔ ﻣﻠﻰ ﻭ ﻧﻬﻀﺖ‬ ‫ﻋﺎﻇــﺎﺩﻯ ﺭﺍ ﺑﻪ ﺁﻟﺘﺮﻧﺎﺗﻴﻮ ﭘﻬﻠــﻮﻯ ﺩﻭﻡ ﺗﺒﺪﻳﻞ ﻛﻨﺪ‪ ،‬ﻭ ﭘﺲ ﺍﺯ‬ ‫‪ 8‬ﻣﺎﻩ‪ ،‬ﻫﻤﻴﻦ ﻣﻮﺵﻫﺎ‪ ،‬ﻳﻌﻨﻰ ﺍﻋﻀﺎﻯ ﺩﻭﻟﺖ ﻣﻮﻗﺖ ﺭﺍ ﺑﺠﺎﻯ‬ ‫ﻣﺨﺎﻟﻔﺎﻥ ﺗﻮﺣﺶ ﺍﺳﻼﻡ ﺑﻨﺸﺎﻧﺪ‪.‬‬ ‫ﺭﻭﻧﺪ ﻫﻤﺎﻥ ﺍﺳــﺖ ﻛﻪ ﺍﻳﻨﻚ ﺩﺭ ﻛﺸﻮﺭﻫﺎﻯ ﺑﻬﺎﺭﺯﺩﻩ ﺷﺎﻫﺪﻳﻢ‪.‬‬ ‫ﻳﻌﻨﻰ »ﺍﺳــﺘﻌﻔﺎﻯ ﻣﻮﺵﻫﺎﻯ ﻧﺎﻗﻞ ﻃﺎﻋــﻮﻥ«‪ ،‬ﺩﺭ ﺍﻋﺘﺮﺍﺽ ﺑﻪ‬ ‫ﺗﻨﺪﺭﻭﻯﻫﺎ ﺁﻧﻬﻢ ﺩﺭ ﺳﺎﻳﺔ ﺧﻔﻘﺎﻥ ﺭﺳﺎﻧﻪﺍﻯ ﺣﺎﻛﻢ ﺑﺮ ﻛﺸﻮﺭﻫﺎﻯ‬ ‫»ﺑﻬﺎﺭﺯﺩﻩ!« ﺩﺭ ﻣﻮﺭﺩ ﺷﺮﺍﻳﻂ ﺯﻧﺎﻥ ﻛﻪ ﺑﻮﻕﻫﺎ ﻫﻴﭻ ﻧﻤﻰﺩﺍﻧﻨﺪ؛‬ ‫ﺩﺭ ﻣــﻮﺭﺩ ﺍﻭﺿــﺎﻉ ﺍﺟﺘﻤﺎﻋــﻰ ﻭ ﺑﻪ ﻭﻳﮋﻩ ﻋﻤﻠﻜــﺮﺩ ﺩﻭﻟﺖ ﻫﺎﻯ‬ ‫»ﻣﺤﺒﻮﺏ« ﻭ »ﻣﺮﺩﻣﻰ« ﻫﻢ ﺑﻬﺘﺮ ﺍﺳﺖ ﺧﻔﻘﺎﻥ ﺭﺍ ﺍﺩﺍﻣﻪ ﺩﻫﻨﺪ‪،‬‬

‫ﭼﺮﺍ ﻛﻪ ﺍﮔﺮ ﺑﺸــﻨﻮﻳﻢ ﻭﺯﺍﺭﺕ ﺩﻓﺎﻉ ﻟﻴﺒﻰ ﮔﻠﻮﻟﻪ ﺑﺎﺭﺍﻥ ﺷﺪﻩ ﭼﻮﻥ‬ ‫ﺩﻭﻟﺖ »ﻣﺮﺩﻣﻰ« ﺍﺯ ﭘﺮﺩﺍﺧﺖ ﺣﻘﻮﻕ ﺍﺭﺗﺸــﻰﻫﺎ ﺳﺮ ﺑﺎﺯ ﻣﻰﺯﻧﺪ‪،‬‬ ‫ﭘﺮﺳﺘﻴﮋ »ﺑﻬﺎﺭ ﻋﺮﺏ« ﺧﺪﺷــﻪ ﺩﺍﺭ ﺧﻮﺍﻫﺪ ﺷﺪ‪ .‬ﻫﻤﭽﻨﻴﻦ ﺍﮔﺮ‬ ‫ﺑﺸــﻨﻮﻳﻢ ﺩﺭ ﻛﺸــﻮﺭ ﺷــﻴﻠﻰ‪» ،‬ﻣﺮﺩﻩﻫﺎ« ﺩﺭ ﺍﻧﺘﺨﺎﺑﺎﺕ ﺷﺮﻛﺖ‬ ‫ﻓﻌﺎﻝ ﺩﺍﺷﺘﻪ ﻭ »ﺭﺃﻯ« ﻣﻰﺩﻫﻨﺪ‪ ،‬ﺑﺮﺍﻯ ﺩﻣﻜﺮﺍﺳﻰﻫﺎﻯ ﻏﺮﺏ ﻭ‬ ‫ﻫﻤﭽﻨﻴﻦ ﺑﺮﺍﻯ ﺑﺮﻟﻦ ﺧﻴﻠﻰ ﺩﺭﺩﺳﺮﺳــﺎﺯ ﺧﻮﺍﻫﺪ ﺷﺪ‪ .‬ﭼﺮﺍ ﻛﻪ‬ ‫ﺁﻟﻤﺎﻥ ﺑﺎ ﺷــﻴﻠﻰ ﺭﻭﺍﺑﻂ ﻭﻳﮋﻩ ﺩﺍﺭﺩ! ﻭ ﻫﻤﻴﻦ ﺁﻟﻤﺎﻥ ﺍﺳﺖ ﻛﻪ ﺍﺯ‬ ‫ﺯﺑــﺎﻥ ﻭﺯﻳﺮ ﺍﻣﻮﺭ ﺧﺎﺭﺟﻪﺍﺵ ﺑﺮﺍﻯ ﺗﺤﻤﻴﻞ ﺍﻟﮕﻮﻯ »ﻣﻮﻓﻖ« ﻳﻤﻦ‬ ‫ﺑﺮ ﻛﺸﻮﺭ ﺳﻮﺭﻳﻪ ﭘﺎﻓﺸﺎﺭﻯ ﻣﻰﻛﻨﺪ‪.‬‬ ‫ﻳﺎﺩﺁﻭﺭ ﺷﻮﻳﻢ ﺍﻳﻦ ﺍﻟﮕﻮﻯ ﺗﻮﺣﺶ‪ ،‬ﺑﺎ ﺳﻔﺮ ﺳﻨﺎﺗﻮﺭﻫﺎ‪ ،‬ﻣﻚ ﻛﻴﻦ‬ ‫ﻭ ﻟﻴﺒﺮﻣﻦ ﺑﻪ ﻛﺸﻮﺭ ﻳﻤﻦ ﺍﺟﺮﺍﺋﻰ ﺷﺪ‪ .‬ﻫﻤﺎﻥ ﺭﻭﺯﻫﺎ‪ ،‬ﺩﺭ ﻭﺑﻼگ‬ ‫»ﺯﺭﺷــﻚ ﺳﺒﺰ« ﺑﻪ ﺍﻳﻦ ﻣﺴــﺎﻓﺮﺕ ﭘﺮﺩﺍﺧﺘﻴﻢ‪ .‬ﺷﺮﺍﻳﻂ ﻛﻨﻮﻧﻰ‬ ‫ﻳﻤــﻦ ﻧﻴﺰ ﺩﺭ ﺑﺮﺍﺑﺮﻣﺎﻥ ﻗــﺮﺍﺭ ﺩﺍﺭﺩ‪ :‬ﺟﻨﮓ ﺩﺍﺧﻠﻰ‪ ،‬ﺍﻫﺪﺍء ﻧﻮﺑﻞ‬ ‫ﺻﻠﺢ ﺑﻪ ﻳﻚ ﺁﺧﻮﻧﺪ ﻣﻮﻧﺚ ﻭ ‪ ...‬ﻭ ﺑﺮﮔﺰﺍﺭﻯ ﻧﺸﺴــﺖ »ﺩﻭﺳــﺘﺎﻥ‬ ‫ﻳﻤــﻦ« ﺩﺭ ﺣﻜﻮﻣﺖ »ﻣﺮﺩﻣﻰ« ﻋﺮﺑﺴــﺘﺎﻥ ﺳــﻌﻮﺩﻯ! ﺍﻳﻨﻬﻤﻪ‬ ‫ﺑــﺎ ﻫﺪﻑ ﺗﺒﺪﻳﻞ ﻛﺸــﻮﺭ ﻳﻤﻦ ﺑــﻪ »ﻃﻮﻳﻠﺔ ﺍﺳــﻼﻡ«‪ ،‬ﻳﺎ ﺑﻬﺘﺮ‬ ‫ﺑﮕﻮﺋﻴﻢ‪ ،‬ﺑﺎ ﻫﺪﻑ ﮔﺴﺘﺮﺵ ﺍﻟﮕﻮﻫﺎﻯ ﺗﻮﺣﺶ ﻭ ﻻﺕﺑﺎﺯﻯ‪ ،‬ﻳﻌﻨﻰ‬ ‫ﻋﺮﺑﺴﺘﺎﻥ ﻭ ﺟﻤﻜﺮﺍﻥ ﺟﻬﺖ ﺗﺄﻣﻴﻦ ﺣﺎﺷﻴﺔ ﺍﻣﻦ ﺑﺮﺍﻯ ﺍﺳﺮﺍﺋﻴﻞ‪.‬‬ ‫ﺟﻨــﮓ ‪ 33‬ﺭﻭﺯﻩ ﺑــﻪ ﺍﻳﻦ ﺭﻭﻧﺪ ﺩﺭ ﻟﺒﻨﺎﻥ ﭘﺎﻳــﺎﻥ ﺩﺍﺩ‪ ،‬ﻭ ﺍﻳﻨﻚ‬ ‫ﺯﻣﺎﻥ ﺳــﺮﻛﻮﺏ ﺍﻳﻦ ﺭﻭﻧﺪ ﺩﺭ ﺳــﻮﺭﻳﻪ ﻓﺮﺍ ﺭﺳﻴﺪﻩ‪ .‬ﻭﻟﻰ ﺍﺭﺗﺶ‬ ‫ﻧﺎﺗﻮ ﻣﻰﺧﻮﺍﻫﺪ ﻛﺎﺭ ﺭﺍ ﺑﺎ ﻛﻮﺩﺗﺎ ﻭ ﺳــﺮﻧﮕﻮﻧﻰ ﺩﻭﻟﺖ ﺑﺸــﺎﺭ ﺍﺳــﺪ‬ ‫ﻓﻴﺼﻠﻪ ﺩﻫﺪ ﻭ ﺑﺎ ﻧﺸــﺎﻧﺪﻥ ﺳــﮓ ﺑﺠــﺎﻯ ﻛﻠﻪﭘــﺰ‪ ،‬ﺑﻨﻴﺎﺩﻫﺎﻯ‬ ‫»ﻧﻈﺎﻣــﻰ ـ ﺍﻣﻨﻴﺘــﻰ« ﺩﺳﺖﻧﺸــﺎﻧﺪﺓ ﺧﻮﺩ ﺭﺍ ﺩﺳــﺖﻧﺨﻮﺭﺩﻩ‬ ‫ﺩﺭ ﺍﺧﺘﻴﺎﺭﻣــﺰﺩﻭﺭﺍﻥﺍﺵ ﺑﮕﺬﺍﺭﺩ‪ .‬ﺭﻭﺷــﻦ ﺍﺳــﺖ ﻛﻪ ﺩﺭ ﭼﻨﻴﻦ‬ ‫ﭼﺸﻢﺍﻧﺪﺍﺯﻯ ﺑﺮﻧﺎﻣﺔ ﭼﭙﺎﻭﻝ ﻫﻤﭽﻨﺎﻥ ﺍﺩﺍﻣﻪ ﺧﻮﺍﻫﺪ ﻳﺎﻓﺖ‪.‬‬ ‫ﻭﻟﻰ ﺣﻀﻮﺭﺷــﺎﻥ ﺑﮕﻮﺋﻴﻢ‪ ،‬ﺳﺨﺖ ﻛﻮﺭ ﺧﻮﺍﻧﺪﻩﺍﻧﺪ! ﭼﺮﺍ ﻛﻪ ﺩﺭ‬ ‫ﻟﺒﻨــﺎﻥ ﻭ ﺟﻤﻜﺮﺍﻥ ﻫﻮﺍ »ﺗﻮﻓﺎﻧﻰ« ﺍﺳــﺖ! ﺟﺎﻳﮕﺎﻩ »ﻣﻴﻘﺎﺗﻰ«‪،‬‬ ‫ﻧﺨﺴــﺖ ﻭﺯﻳﺮ ﻟﺒﻨﺎﻥ ﻣﺘﺰﻟﺰﻝ ﺷﺪﻩ‪ ،‬ﻭ ﻣﺤﻔﻞ ﻋﻠﻰﺧﺎﻣﻨﻪﺍﻯ ﺑﻪ‬ ‫ﻟﺮﺯﻩ ﺩﺭﺁﻣﺪﻩ‪ .‬ﺩﺭ ﭘﻰ ﻣﺬﺍﻛﺮﺍﺕ ﺑﻐﺪﺍﺩ‪ ،‬ﺟﻤﻜﺮﺍﻧﻰﻫﺎ ﻧﺎﭼﺎﺭ ﺷﺪﻧﺪ‬ ‫ﻋﻠﻰ ﻻﺭﻳﺠﺎﻧﻰ ﺭﺍ ﻛﻪ ﺻﻮﺭﺗﻚ »ﻣﺮﺩﻗﺪﺭﺗﻤﻨﺪ« ﺭﺍ ﺍﺯ ﺩﺳﺖ ﺩﺍﺩﻩ‬ ‫ﻭ ﺑﻪ ﻣﻨﺘﻘﺪ ﺗﺮﻛﻴﻪ ﺗﺒﺪﻳﻞ ﺷﺪﻩ‪ ،‬ﺩﺭ ﺑﺮﺍﺑﺮ ﺣﺪﺍﺩﻋﺎﺩﻝ ﺑﻪ ﭘﻴﺮﻭﺯﻯ‬ ‫ﺑﺮﺳﺎﻧﻨﺪ‪ .‬ﺷﺎﻳﺪ ﺩﺭ ﺁﻳﻨﺪﻩ ﺍﻳﺸﺎﻥ ﺭﺍ ﺑﻪ ﻭﺯﺍﺭﺕ ﺍﻣﻮﺭ ﺧﺎﺭﺟﻪ ﭘﺮﺗﺎﺏ‬ ‫ﻛﻨﻨﺪ‪ .‬ﺍﺯ ﺳــﻮﻯ ﺩﻳﮕﺮ‪ ،‬ﺩﺭ ﭘــﻰ ﻋﺮﺑﺪﻩﺟﻮﺋﻰ ﻣﻼﻳﺎﻥ ﺟﻤﻜﺮﺍﻥ‬ ‫ﻭ ﻭﺯﻳﺮ ﺍﻣﻮﺭ ﺧﺎﺭﺟﻪﺷــﺎﻥ‪ ،‬ﺟﻤﻬﻮﺭﻯ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ ﺍﺑﺘﺪﺍ ﺧﻮﺍﻫﺎﻥ‬

‫ﻋﺬﺭﺧﻮﺍﻫﻰ ﺭﺳــﻤﻰ ﺟﻤﻜﺮﺍﻥ ﺷﺪ‪ ،‬ﻭ ﺍﻣﺮﻭﺯ ﻫﻢ ﻧﻤﺎﻳﻨﺪﺓ ﻣﻘﺎﻡ‬ ‫ﻣﻌﻈﻢ ﺭﺍ ﺑﻪ ﺑﺎﻛﻮ ﺭﺍﻩ ﻧﺪﺍﺩ‪ .‬ﺑﻪ ﺍﻳﻦ ﺗﺮﺗﻴﺐ ﺟﻤﻬﻮﺭﻯ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ‬ ‫ﭘﻴﺎﻡ ﺭﻭﺷــﻨﻰ ﺑــﻪ ﺣﻜﻮﻣﺖ ﻣﻼﻳﺎﻥ ﻓﺮﺳــﺘﺎﺩ‪ :‬ﺭﻋﺎﻳﺖ ﻧﺰﺍﻛﺖ‬ ‫ﺩﻳﭙﻠﻤﺎﺗﻴﻚ ﺍﻟﺰﺍﻣﻰ ﺍﺳﺖ‪ .‬ﺟﺎﻟﺐ ﺍﻳﻨﻜﻪ ﺭﻭﺯ ﮔﺬﺷﺘﻪ ﻧﻴﺰ ﻣﺴﻜﻮ‬ ‫ﺑﻪ ﺧﺮﻭﺝ »ﻣﻚﻓﺎﻝ«‪ ،‬ﺳــﻔﻴﺮ ﻳﺎﻧﻜﻰﻫﺎ ﺍﺯ ﺟﺎﻳﮕﺎﻩ ﺭﺳﻤﻰﺍﺵ‬ ‫ﺍﻋﺘﺮﺍﺽ ﻛﺮﺩﻩ ﺑﻮﺩ‪.‬‬ ‫ﺑﻠــﻪ »ﻓﻀﻮﻟــﻰ ﺑﻪ ﺍﻣــﻮﺭ ﺩﻳﮕــﺮﺍﻥ« ﻭ »ﺗﻌﻴﻴــﻦ ﺗﻜﻠﻴﻒ ﺑﺮﺍﻯ‬ ‫ﺩﻭﻟﺖﻫــﺎ« ﺩﺭ ﻭﺍﻗــﻊ ﺑﺎﺯﺗﻮﻟﻴﺪ ﺍﻟﮕﻮﻯ »ﻣﺘــﻮﻥ ﻣﻘﺪﺱ« ﺍﺩﻳﺎﻥ‬ ‫ﺍﺑﺮﺍﻫﻴﻤﻰ‪ ،‬ﻳﻌﻨﻰ ﺍﺩﻋﺎﻯ ﺑﺮﺗﺮﻯ ﻭ ﭘﻴﺎﻣﺒﺮﻯ ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﻋﻠﻮﻓﺔ‬ ‫ﻣﻘﺪﺱ ﺍﺯ ﺗﻮﻟﻴﺪﺍﺕ ﻣﻮﻓﻖ ﻃﻮﻳﻠﺔ ﻣﻚﻛﺎﺭﺗﻰ ﺑﻪ ﺷﻤﺎﺭ ﻣﻰﺭﻭﺩ؛‬ ‫ﺁﻣﺮﻳﻜﺎ ﻭ ﻛﺸــﻮﺭﻫﺎﻯ ﺍﺭﻭﭘﺎﻯ ﻏﺮﺑﻰ ﺍﺯ »ﺟﺎﻳــﮕﺎﻩ ﺑﺮﺗﺮ« ﺍﺯ ﺍﻳﻦ‬ ‫ﻋﻠﻮﻓﻪ ﺗﻐﺬﻳﻪ ﻣﻰﻛﻨﻨﺪ‪ ،‬ﻧﻮﻛﺮﺍﻥﺷﺎﻥ ﻫﻢ ﺩﺭ ﺟﺎﻳﮕﺎﻩ »ﺑﺮﺣﻖ«‪،‬‬ ‫»ﻣﺴــﺘﻘﻞ«‪» ،‬ﻣﺴﻠﻤﺎﻥ« ﻭ »ﺿﺪﺍﺳﺘﻜﺒﺎﺭ« ﺍﻳﻦ ﻋﻠﻮﻓﺔ ﻣﻘﺪﺱ‬ ‫ﺭﺍ ﻣﻰﺟﻮﻧﺪ‪ .‬ﺧﻼﺻﻪ ﺑﺮﺍﻯ ﺳــﺮﻛﻮﺏ ﺍﻧﺴــﺎﻥ ﻭ ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ‪،‬‬ ‫ﭘﻮﺯ ﺯﺩﻥ ﺑﻪ ﺍﻳﻦ ﻋﻠﻮﻓﻪ ﺍﻟﺰﺍﻣﻰ ﺍﺳﺖ‪ .‬ﺑﻪ ﻫﻤﻴﻦ ﺩﻟﻴﻞ ﺍﺳﺖ ﻛﻪ‬ ‫ﺣﻜﻮﻣﺖ ﻣﻔﻠﻮﻙ ﺟﻤﻜﺮﺍﻥ ﺑﻪ ﺧﻮﺩ ﺍﺟﺎﺯﻩ ﻣﻰﺩﻫﺪ ﺩﺭ ﺍﻋﺘﺮﺍﺽ‬ ‫ﺑــﻪ »ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ« ﺩﺭ ﺟﻤﻬــﻮﺭﻯ ﺁﺫﺭﺑﺎﻳﺠﺎﻥ‪ ،‬ﻳﻌﻨﻰ ﺑﺮﮔﺰﺍﺭﻯ‬ ‫ﻣﺴــﺎﺑﻘﺎﺕ ﻳﻮﺭﻭﻭﻳﮋﻥ‪ ،‬ﻟﺸــﻜﺮ ﺍﻭﺑﺎﺵ ﺭﺍ ﺗﺤــﺖ ﻋﻨﻮﺍﻥ »ﻣﺮﺩﻡ‬ ‫ﺁﺫﺭﺑﺎﻳﺠﺎﻥ« ﺩﺭ ﺑﺮﺍﺑﺮ ﻛﻨﺴــﻮﻟﮕﺮﻯ ﺍﻳﻦ ﻛﺸﻮﺭ ﺑﺴﻴﺞ ﻛﻨﺪ‪ .‬ﺩﺭ‬ ‫ﺍﻳﻦ ﺭﺍﺑﻄﻪ‪ ،‬ﻳﻜﻰ ﺍﺯ ﺧﻮﺍﻧﻨﺪﮔﺎﻥ ﮔﺮﺍﻣﻰ ﭘﻴﺎﻣﻰ ﺍﺭﺳﺎﻝ ﻛﺮﺩﻩﺍﻧﺪ‬ ‫ﻛﻪ ﺩﺭ ﻭﺑﻼگ ﺑﻌﺪﻯ ﺑﻪ ﺁﻥ ﭘﺎﺳﺦ ﺧﻮﺍﻫﻴﻢ ﺩﺍﺩ‪ .‬ﺣﺎﻝ ﺑﭙﺮﺩﺍﺯﻳﻢ‬ ‫ﺑﻪ ﺍﺻﻞ ﻣﻄﻠﺐ‪ ،‬ﻳﻌﻨﻰ ﺑﺮﮔﺰﺍﺭﻯ ﻣﺴــﺎﺑﻘﺎﺕ ﻳﻮﺭﻭﻭﻳﮋﻥ ﺩﺭ ﺑﺎﻛﻮ‬ ‫ﻭ ﺧﺼﻮﺻﺎً ﺑﺮﻧﺪﮔﺎﻥ ﺁﻥ‪.‬‬ ‫ﺩﺭ ﺍﻳــﻦ ﻣﺴــﺎﺑﻘﺎﺕ‪ ،‬ﺟﺎﻳــﮕﺎﻩ ﺍﻭﻝ ﻭ ﺩﻭﻡ ﺑــﻪ ﺩﻭ ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ‬ ‫»ﻣﺪﺭﻥ« ﻭ »ﻓﻮﻟﻜﻠﻮﺭﻳﻚ ﻣﺪﺭﻥ« ﺗﻌﻠﻖ ﮔﺮﻓﺖ‪ .‬ﺑﺎﺑﻮﺷــﻜﺎﻫﺎﻯ‬ ‫ﺭﻭﺳــﺘﺎﻯ »ﺑﻮﺭﺍﻧﻮﻭ« ﺭﻭﺳــﻴﻪ‪ ،‬ﺑﺎ ﺍﺟﺮﺍﻯ ﺗﺮﺍﻧﺔ »ﻣﻬﻤﺎﻧﻰ ﺑﺮﺍﻯ‬ ‫ﻫﻤــﻪ« ﺑﻪ ﺯﺑــﺎﻥ ﻣﺤﻠﻰ »ﺍﻭﺩﻣــﻮﺭﺕ« ﻭ ﺍﻧﮕﻠﻴﺴــﻰ‪ ،‬ﺑﻪ ﻫﻨﺮ‬ ‫ﺭﻭﺳﺘﺎﻯﺷــﺎﻥ‪ ،‬ﺯﺑﺎﻥ ﺍﻧﮕﻠﻴﺴــﻰ ﺭﺍ ﺍﻓﺰﻭﺩﻧﺪ‪ .‬ﺳــﭙﺲ ﻟﻮﺭﻥ‪،‬‬ ‫ﺗﺮﺍﻧﺔ »ﺋﻮﻓﻮﺭﻳﺎ« ﺭﺍ ﺑﻪ ﺍﺟﺮﺍ ﺩﺭ ﺁﻭﺭﺩ‪ .‬ﺣﺎﻝ ﻧﮕﺎﻫﻰ ﺩﺍﺷﺘﻪ ﺑﺎﺷﻴﻢ‬ ‫ﺑﻪ ﻣﺠﺮﻳﺎﻥ ﻭ »ﺻﺤﻨﺔ« ﺍﺟﺮﺍﻯ ﺗﺮﺍﻧﻪﻫﺎ‪.‬‬ ‫ﺑﺎﺑﻮﺷــﻜﺎﻫﺎﻯ ﺑﻮﺭﺍﻧﻮﻭ‪ ،‬ﺑﻴﻦ ‪ 44‬ﺗﺎ ‪ 75‬ﺳــﺎﻟﻪ ﺑﻮﺩﻧﺪ‪ ،‬ﭘﻴﺮﺍﻫﻦ‬ ‫ﻣﺤﻠــﻰ ﺑــﻪ ﺭﻧــﮓ ﺷــﺎﺩ ﺑﺮﺗــﻦ ﺩﺍﺷــﺘﻨﺪ ﻭ ﻓﻘﻂ ﺻــﻮﺭﺕ ﻭ‬

‫ﺩﺳﺖﻫﺎﻯﺷﺎﻥ ﭘﻮﺷﻴﺪﻩ ﻧﺒﻮﺩ‪ .‬ﻫﻴﭻ ﻧﺸﺎﻧﻰ ﺍﺯ ﺗﻌﻠﻘﺎﺕ ﻣﺬﻫﺒﻰ‬ ‫ﺩﺭ ﭘﻮﺷــﺶ ﺑﺎﺑﻮﺷــﻜﺎﻫﺎ ﺑﻪ ﭼﺸــﻢ ﻧﻤﻰﺧﻮﺭﺩ‪ .‬ﺑﺎﺑﻮﺷــﻜﺎﻫﺎﻯ‬ ‫ﺑﻮﺭﺍﻧﻮﻭ ﺩﺭ ﻓﻀﺎﻯ ﺑﺴــﺘﺔ »ﺧﺎﻧﻪ«‪ ،‬ﺩﺭ ﻛﻨﺎﺭ ﺗﻨﻮﺭ ﺟﻤﻊ ﺷــﺪﻩ‪،‬‬ ‫ﺷــﻴﺮﻳﻨﻰ ﻣﻰﭘﺨﺘﻨــﺪ ﻭ ﺁﻭﺍﺯ ﻣﻰﺧﻮﺍﻧﺪﻧﺪ‪ .‬ﻳﻜﻰ ﺍﺯ ﺑﺎﺑﻮﺷــﻜﺎﻫﺎ‬ ‫ﺳــﻴﻨﻰ ﺷــﻴﺮﻳﻨﻰ ﺭﺍ ﺩﺭ ﺗﻨﻮﺭ ﮔﺬﺍﺷﺖ ﻭ ‪...‬ﻭ ﺧﻼﺻﻪ ﺍﻳﻦ ﺻﺤﻨﻪ‬ ‫ﺑﺨﺸــﻰ ﺍﺯ ﺯﻧﺪﮔﻰ ﺍﺟﺘﻤﺎﻋﻰ ﺯﻧﺎﻥ ﺭﻭﺳﺘﺎﺋﻰ ﺭﺍ ﺩﺭ »ﺧﺎﻧﻪ«‪ ،‬ﺩﺭ‬ ‫ﻛﻨﺎﺭ »ﺁﺗﺶ« ﻭ ﺩﺭ ﺭﺍﺑﻄﻪ ﺑﺎ »ﺷــﻴﺮﻳﻨﻰ« ﻭ »ﻣﻬﻤﺎﻧﻰ« ﻧﻤﺎﻳﺶ‬ ‫ﻣﻰﺩﺍﺩ‪ .‬ﻳﺎﺩﺁﻭﺭ ﺷــﻮﻳﻢ ﺑﺮﺧﻼﻑ ﺩﻳﮕﺮ ﻫﻨﺮﻣﻨﺪﺍﻥ ﻛﻪ ﺩﺭ ﻫﺘﻞ‬ ‫ﺍﻗﺎﻣﺖ ﺩﺍﺷــﺘﻨﺪ‪ ،‬ﺑﺎﺑﻮﺷــﻜﺎﻫﺎ ﺩﺭ ﻳﻚ ﺧﺎﻧﺔ ﺳﻨﺘﻰ ﺑﻪ ﻧﺎﻧﻮﺍﺋﻰ ﻭ‬ ‫ﺁﺷــﭙﺰﻯ ﻭ ﺗﻤﺮﻳﻦ ﺑﺮﻧﺎﻣﻪﺷﺎﻥ ﻣﺸــﻐﻮﻝ ﺑﻮﺩﻧﺪ‪ .‬ﻣﻰﮔﻮﻳﻨﺪ ﻫﻤﺔ‬ ‫ﺧﺒﺮﻧﮕﺎﺭﺍﻥ ﻣﻰﺧﻮﺍﺳــﺘﻨﺪ ﺍﺯ ﻣﺎﺩﺭﺑﺰﺭگﻫﺎﻯ ﺭﻭﺳــﺘﺎﻯ ﺑﻮﺭﺍﻧﻮﻭ‬ ‫ﮔﺰﺍﺭﺵ ﺗﻬﻴﻪ ﻛﻨﻨﺪ ﻭﻟﻰ ﻓﻘﻂ ﻳﻮﺭﻭﻧﻴﻮﺯ ﺩﺭ ﺍﻳﻦ ﺍﻣﺮ ﻣﻮﻓﻖ ﺷــﺪ‪.‬‬ ‫ﺣﺎﻝ ﻧﮕﺎﻫﻰ ﺩﺍﺷــﺘﻪ ﺑﺎﺷــﻴﻢ ﺑﻪ ﻟﻮﺭﻥ‪ ،‬ﺑﺮﻧﺪﺓ ﻳﻮﺭﻭﻧﻴﻮﺯ ﺑﺎﻛﻮ ﻭ‬ ‫ﺻﺤﻨﺔ ﻧﻤﺎﻳﺶ ﻭﻯ‪.‬‬ ‫ﺑﺮﺧﻼﻑ ﺑﺎﺑﻮﺷــﻜﺎﻫﺎ‪ ،‬ﻟﻮﺭﻥ ﻳﻚ ﺯﻥ ﺟﻮﺍﻥ ﺍﺳــﺖ‪ ،‬ﺑﺎ ﻣﻮﻫﺎﻯ‬ ‫ﺑﻠﻨﺪ ﺗﻴﺮﻩ‪ ،‬ﺻﻮﺭﺕ ﺑﺪﻭﻥ ﺁﺭﺍﻳﺶ ﻛﻪ ﻟﺒﺎﺱ ﺗﻴﺮﺓ ﻳﻘﻪ ﺑﺎﺯ ﻭ ﺑﺪﻭﻥ‬ ‫ﺁﺳــﺘﻴﻦ ﺑﺮ ﺗﻦ ﺩﺍﺭﺩ‪ ،‬ﭘﺎﻫﺎﻯﺍﺵ ﺑﺮﻫﻨﻪ ﺍﺳــﺖ ﻭ ﺩﺭ ﻓﻀﺎﻯ ﺑﺎﺯ‬ ‫ﻭ ﺯﻳــﺮ ﺑﺮﻑ‪ ،‬ﻣﻰﺭﻗﺼﺪ ﻭ ﺁﻫﻨﮓ »ﺋﻮﻓﻮﺭﻳﺎ« ﺭﺍ ﻣﻰﺧﻮﺍﻧﺪ‪ .‬ﻳﻚ‬ ‫ﻣﺮﺩ ﺟﻮﺍﻥ ﺳــﻴﺎﻩ ﭘﻮﺳــﺖ ﻛﻪ ﻣﻮﻫﺎﻯ ﻛﻮﺗﺎﻩ ﺩﺍﺭﺩ ﻭ ﺷﻠﻮﺍﺭ ﺟﻴﻦ‬ ‫ﻭ ﺗﻰﺷــﺮﺕ ﭘﻮﺷــﻴﺪﻩ‪ ،‬ﺑﺎ ﺣﺮﻛﺎﺕﺍﺵ ﺍﻳﻦ ﻧﻤﺎﻳــﺶ ﺭﺍ ﺗﻜﻤﻴﻞ‬ ‫ﻣﻰﻛﻨﺪ‪ .‬ﺑﻪ ﻋﺒﺎﺭﺕ ﺩﻳﮕﺮ »ﺋﻮﻓﻮﺭﻳﺎ«‪ ،‬ﺗﻮﺳــﻂ ﻳﻚ ﺯﻥ ﺟﻮﺍﻥ‪،‬‬ ‫ﺩﺭ ﻓﻀﺎﻯ ﺑﺎﺯ‪ ،‬ﻣﺪﺭﻥ ﻭ ﻣﺨﺘﻠﻂ ﺍﺯ ﻣﻨﻈﺮ »ﺟﻨﺴــﻴﺖ« ﻭ »ﻧﮋﺍﺩ«‬ ‫ﺍﺟﺮﺍ ﻣﻰﺷﻮﺩ‪ .‬ﺑﺎ ﺍﻳﻨﻬﻤﻪ ﺯﻧﺎﻥ ﻣﺠﺮﻯ ﺩﻭ ﺗﺮﺍﻧﺔ ﻳﻮﺭﻭﻭﻳﮋﻥ ﻧﻘﺎﻁ‬ ‫ﻣﺸﺘﺮﻛﻰ ﻫﻢ ﺩﺍﺭﻧﺪ‪.‬‬ ‫ﻣﻬﻢﺗﺮﻳﻦ ﻭﺟﻪ ﻣﺸــﺘﺮﻙ ﺍﻳﻨﺪﻭ ﮔﺮﻭﻩ ﺻﻮﺭﺕ‪ ،‬ﺳﺮ ﻭ ﺩﺳﺖﻫﺎﻯ‬ ‫ﺑﺪﻭﻥ ﺁﺭﺍﻳﺶ ﺍﺳــﺖ! ﺯﻧﺎﻥ ﺭﻭﺳﺘﺎﺋﻰ ﻣﻮﻫﺎﻯﺷﺎﻥ ﺭﺍ ﺑﺎ ﺭﻭﺳﺮﻯ‬ ‫ﻣﻰﭘﻮﺷــﺎﻧﻨﺪ‪ ،‬ﺻﻮﺭﺕﻫــﺎﻯ ﺷــﺎﻥ ﺁﺭﺍﻳــﺶ ﻧﺸــﺪﻩ ﺍﺳــﺖ‪،‬‬ ‫ﻧﺎﺧﻦﻫﺎﻯﺷﺎﻥ ﺭﺍ ﺑﻠﻨﺪ ﻧﻤﻰﻛﻨﻨﺪ‪ ،‬ﻻﻙ ﻫﻢ ﻧﻤﻰﺯﻧﻨﺪ‪ .‬ﺍﺯ ﺍﻳﻦ‬ ‫ﮔﺬﺷــﺘﻪ ﺑﺎﺑﻮﺷﻜﺎﻫﺎ ﺟﻮﺍﻥ ﻫﻢ ﻧﻴﺴــﺘﻨﺪ‪ .‬ﻭﻟﻰ ﺩﺳﺖ ﻭ ﺻﻮﺭﺕ‬ ‫ﺧﻮﺍﻧﻨﺪﺓ ﺟﻮﺍﻥ ﺳــﻮﺋﺪﻯ ﻫﻢ ﺁﺭﺍﻳﺶ ﻧﺸــﺪﻩ‪ ،‬ﻣﻮﻫﺎﻯ ﺑﻠﻨﺪﺍﺵ‬ ‫ﺑﻪ ﺻﻮﺭﺕ ﻃﺒﻴﻌﻰ‪ ،‬ﺍﻓﺸــﺎﻥ ﺍﺳﺖ‪ .‬ﻣﻰﺗﻮﺍﻥ ﮔﻔﺖ ﻛﻪ ﺧﻮﺍﻧﻨﺪﺓ‬ ‫ﺳــﻮﺋﺪﻯ‪ ،‬ﺗﺪﺍﻭﻡ ﻣﻨﻄﻘﻰ ﺑﺎﺑﻮﺷﻜﺎﻫﺎﺳــﺖ ﺩﺭ ﻓﻀﺎﻯ ﻣﺪﺭﻥ ﻭ‬ ‫ﻣﺨﺘﻠﻂ ﺍﺯ ﻣﻨﻈﺮ ﻧﮋﺍﺩ ﻭ ﺟﻨﺴﻰﺍﺕ‪.‬‬

‫ﺑﺎﺑﻮﺷــﻜﺎﻫﺎ ﺩﺭ ﻓﻀﺎﻯ ﺑﺴﺘﺔ ﺧﺎﻧﻪ‪ ،‬ﺩﺭ ﺍﺭﺗﺒﺎﻁ ﺑﺎ ﻳﻜﺪﻳﮕﺮ ﻭ ﺩﺭ‬ ‫ﻛﻨــﺎﺭ ﺁﺗــﺶ ﺁﻭﺍﺯ ﻣﻰﺧﻮﺍﻧﻨﺪ ﻭ ﺷــﻴﺮﻳﻨﻰ ﻣﻰﭘﺰﻧﺪ‪ ،‬ﺣﺎﻝ ﺁﻧﻜﻪ‬ ‫ﻟــﻮﺭﻥ ﺯﻳــﺮ ﺑﺮﻑ‪ ،‬ﺑﺎ ﭘﺎﻯ ﺑﺮﻫﻨﻪ‪ ،‬ﺑﻪ ﻫﻤﺮﺍﻩ ﻳﻚ ﺟﻮﺍﻥ ﺳــﻴﺎﻩ‬ ‫ﭘﻮﺳــﺖ ﺍﺯ »ﺳﺮﻣﺴﺘﻰ« ﻣﻰﮔﻮﻳﺪ‪ .‬ﺯﻥ ﺩﺭ ﻓﻀﺎﻯ ﻣﺪﺭﻥ‪ ،‬ﻫﻢ‬ ‫ﺍﺯ ﭘﻮﺷــﺶ ﺳــﻨﺘﻰ ﻭ ﺑﻮﻣﻰ ﻓﺎﺻﻠﻪ ﮔﺮﻓﺘﻪ‪ ،‬ﻫﻢ ﺍﺯ ﻓﻀﺎﻯ ﺧﺎﻧﻪ‪.‬‬ ‫ﺩﺭ ﺍﻳﻦ ﻓﻀﺎﻯ ﻧﻮﻳﻦ‪ ،‬ﺍﺭﺗﺒﺎﻁ ﺍﺟﺘﻤﺎﻋﻰ‪ ،‬ﻣﺮﺯﻫﺎﻯ ﺟﻨﺴــﻰﺍﺕ‬ ‫ﻭ ﻧﮋﺍﺩ ﺭﺍ ﻓﺮﻭ ﻣﻰﭘﺎﺷــﺎﻧﺪ‪ .‬ﻭﻟﻰ ﭘﻴﻮﻧﺪ ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ ﺑﺎ ﻣﺎﺩﻯﺍﺕ‪،‬‬ ‫ﺍﺯ ﻃﺮﻳﻖ ﺍﺭﺗﺒﺎﻁ ﺑﻰﻭﺍﺳﻄﺔ ﻫﻨﺮﻣﻨﺪ ﺑﺎ ﺯﻣﻴﻦ ﻭ ﻃﺒﻴﻌﺖ ﺍﻓﺰﺍﻳﺶ‬ ‫ﻣﻰﻳﺎﺑــﺪ‪ .‬ﻟﻮﺭﻥ ﺑﺎ ﭘــﺎﻯ ﺑﺮﻫﻨﻪ‪ ،‬ﺯﻳﺮ ﺑــﺮﻑ ﻣﻰﺭﻗﺼﺪ ﻭ ﺁﻭﺍﺯ‬ ‫ﻣﻰﺧﻮﺍﻧﺪ‪ .‬ﺩﺭ ﺍﻳﻦ ﺻﺤﻨﻪ ﻫﻴﭻ ﻧﺸــﺎﻧﻰ ﺍﺯ ﻣﻘﺪﺳــﺎﺕ ﺩﻳﻨﻰ ﻭ‬ ‫ﺑﻮﻣﻰ ﺑﻪ ﭼﺸﻢ ﻧﻤﻰﺧﻮﺭﺩ‪ .‬ﺑﺎﺑﻮﺷﻜﺎﻫﺎ ﺭﻭﺳﺘﺎﺋﻴﺎﻧﻰ ﻫﺴﺘﻨﺪ ﻛﻪ‬ ‫ﺑﺎ ﺍﻓﺰﻭﺩﻥ ﺯﺑﺎﻥ ﺍﻧﮕﻠﻴﺴﻰ ﺑﻪ ﺗﺮﺍﻧﻪﺷﺎﻥ ﻣﺮﺯﻫﺎﻯ »ﺯﺑﺎﻥ ﻣﺤﻠﻰ«‬ ‫ﺭﺍ ﺩﺭ ﻫﻢ ﻣﻰﺷــﻜﻨﻨﺪ‪ .‬ﻟﻮﺭﻥ ﻳﻚ ﺯﻥ ﻣﺮﺍﻛﺸــﻰ ﺍﺳﺖ ﻛﻪ ﺩﺭ‬ ‫ﻣﺴﺎﺑﻘﺎﺕ ﻳﻮﺭﻭﻳﮋﻥ‪ ،‬ﻛﺸﻮﺭ ﺳﻮﺋﺪ ﺭﺍ ﻣﻌﺮﻓﻰ ﻣﻰﻛﻨﺪ‪ .‬ﺧﻼﺻﻪ‬ ‫ﺑﮕﻮﺋﻴﻢ ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺗﻌﻠﻘﺎﺕ ﻣﺬﻫﺒﻰ ﻣﺮﺍﻛﺶ ﻭ ﺳــﻮﺋﺪ ﺑﻪ ﺍﺳﻼﻡ‬ ‫ﻭ ﻣﺴــﻴﺤﻴﺖ‪ ،‬ﻟﻮﺭﻥ ﻧﻤﺎﺩ ﻓﺮﻭﭘﺎﺷــﻰ ﻣﺮﺯﻫــﺎﻯ ﺍﻳﻦ ﺗﻌﻠﻘﺎﺕ‬ ‫ﻣﻰﺷﻮﺩ‪.‬‬ ‫ﺑﻪ ﺻﺮﺍﺣﺖ ﻣﻰﺑﻴﻨﻴﻢ ﻛﻪ »ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ« ﺑﺎ ﻫﺮﮔﻮﻧﻪ »ﺗﻌﻠﻘﺎﺕ«‪،‬‬ ‫ﺍﺯ ﺟﻤﻠﻪ ﺑﺎ ﻣﻘﺪﺳــﺎﺕ ﺩﻳﻨــﻰ ﺩﺭ ﺗﻀﺎﺩ ﻗــﺮﺍﺭ ﻣﻰﮔﻴﺮﺩ‪ .‬ﭼﺮﺍ‬ ‫ﻛﻪ »ﻣﻘﺪﺳــﺎﺕ« ﺑﻨﺎﺑﺮﺗﻌﺮﻳﻒ‪ ،‬ﻣﺒﻬﻢ ﻭ »ﻏﻴﺮﺭﺳﻤﻰ«‪ ،‬ﻳﺎ ﺑﻬﺘﺮ‬ ‫ﺑﮕﻮﺋﻴﻢ ﻓﺎﻗﺪ ﻣﺒﻨﺎﻯ ﺣﻘﻮﻗﻰ ﺍﺳــﺖ! ﺩﺭ ﺍﻳﻦ ﺭﺍﺳﺘﺎ ﺍﺑﺮﺍﺯ ﺗﺄﺳﻒ‬

‫ﻛﺎﺥ ﺳــﻔﻴﺪ ﺍﺯ ﺳﻮﺯﺍﻧﺪﻥ ﻗﺮﺁﻥ ﺗﻮﺳــﻂ »ﺗﺮﻯ ﺟﻮﻧﺰ« ﺩﺭ ﻭﺍﻗﻊ‬ ‫ﻧﺸﺎﻥ ﺁﺷــﻜﺎﺭ ﺟﺎﻧﺒﺪﺍﺭﻯ ﺭﻳﺎﺳــﺖ ﺟﻤﻬﻮﺭ ﺁﻣﺮﻳﻜﺎ ﺍﺯ ﻣﺨﺎﻟﻔﺎﻥ‬ ‫ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ ﺑﻪ ﺷــﻤﺎﺭ ﻣﻰﺁﻳﺪ‪ .‬ﺟﺎﻟﺐ ﺍﻳﻨﺠﺎﺳــﺖ ﻛﻪ ﻫﻤﻴﻦ‬ ‫ﻛﺎﺥ ﺳــﻔﻴﺪ ﻛــﻪ ﺍﺯ ﻣﺨﺎﻟﻔﺖ ﺑــﺎ ﺁﺯﺍﺩﻯ ﺑﻴﺎﻥ ﺩﺭ ﻛﺸــﻮﺭﻫﺎﻯ‬ ‫ﻣﺴﻠﻤﺎﻥﻧﺸﻴﻦ ﺣﻤﺎﻳﺖ ﻣﻰﻛﻨﺪ‪ ،‬ﺍﻣﺮﻭﺯ ﺑﺎﻻﺗﺮﻳﻦ ﻧﺸﺎﻥ ﺍﻓﺘﺨﺎﺭ‬ ‫ﺁﻣﺮﻳﻜﺎ ﺭﺍ ﺑﻪ »ﺑﺎﺏ ﺩﻳﻼﻥ«‪ ،‬ﻣﻮﺳــﻴﻘﻰﺩﺍﻥ ﻭ ﺧﻮﺍﻧﻨﺪﺓ ﻣﻌﺘﺮﺽ‬ ‫ﻭ ﺳﺮﺷــﻨﺎﺱ ﺁﻣﺮﻳﻜﺎ ﺍﻫﺪﺍء ﻛﺮﺩﻩ! ﺑﻠﻪ! ﻭﻗﺘﻰ ﻋﻤﻮﺳﺎﻡ‪ ،‬ﻛﺎﺥ‬ ‫ﺳﻔﻴﺪ ﺭﺍ ﺑﻪ »ﻛﻠﺒﺔ ﻋﻤﻮ ﺗﻮﻡ« ﺗﺒﺪﻳﻞ ﻣﻰﻛﻨﺪ‪ ،‬ﻧﺘﻴﺠﻪ ﺟﺰ ﺍﻳﻦ‬ ‫»ﻳﻚ ﺑﺎﻡ ﻭ ﺩﻭ ﻫﻮﺍ« ﻧﺨﻮﺍﻫﺪ ﺑﻮﺩ‪.‬‬