PEGGY HARTANTO
THE SISTERS BEHIND WOMEN-FIRST FASHION
EDITORIAL Editor
Laurie Melchionne
Copy Editor
Geraldine Melchionne
Editorial Consultant
Debra Hazel Associate Editor
Alex Baumbusch
Southeast Editor
Shanna Forrestall Director of Communications and Marketing
Penelope Herrera
Director of Newsletter Division
Cheri Phillips
PRESIDENT/CEO
Jeff Mann
ART
Art Director
Serena Bhullar
Graphic Designer
Madi McCreesh
Graphic Designer
Laura Chousa
COVER PHOTOGRAPHY
Ryan Tandya
CONTRIBUTORS
Ronald S. Friedman
Frank DeLucia
R. Couri Hay
Joseph Pastrana
Debra Hazel
Tali Shladov
Andrea Beach
BUSINESS
Technology Consultant
Joshua Fried Distribution
Mitchell’s Delivery Service
California Distribution
MD Service
West Coast Advisor
Ilse Metchek
DIGITAL MEDIA
Serena Bhullar
Madi McCreesh
Laura Chousa
Web Developer
CS Designworks
ONE MANN’S OPINION
As we enter March, the Fashion Mannuscript team and I have done a lot of reflecting on the latest industry developments. February was a busy month full of travel. From Las Vegas to Miami and New York, we covered extensive trade show happenings at MAGIC, PROJECT and COTERIE. When trade show season ended, our return to New York drove us full steam ahead to New York Fashion Week. This is always the hottest event of the season, and we made sure to include the best highlights in presentations of upcoming Fall/Winter 2024 collections.
March also turns a new page in our growing social calendars. Due to the success of our recent cover parties and our “fireside chat” with the National Realty Club Foundation, we expect to launch similar events for the apparel and consumer products industry in the coming months. Stay tuned for more! In addition to our New York Fashion Week coverage, this issue also honors Women’s History Month in March. Of course, we would be remiss not to mention the many trailblazing women in our industry, which is why we chose Peggy Hartanto for our cover story. Peggy Hartanto and her sisters are behind her brand of the same name, and empower women through embracing contemporary individualism and unapologetic expression. Our cover story takes readers on a deep dive behind-the-scenes of this brand that takes women’s fashion outside of the box, and cultivates an overall woman-centered environment of inclusion.
As always, you can follow us on Instagram at @fashion_mannuscript for updates in real time, and our ever-growing expansion of fashion weeks, trade shows, technology and so much more. I hope you enjoy the March issue, and we look forward to seeing you in April.
Everyone is trying to accomplish something big, not realizing that life is made up of little things.”
-Frank A. Clark
Happy Women’s History Month! March is an exciting time for two reasons: we get to celebrate fashion’s trailblazing women and New York Fashion Week at the same time. From Trish Peng Bridal and Veronica Beard handbags, to Alice & Olivia’s nostalgic presentation and Melke’s “The Heist” flaunted at New York Fashion Week, this issue blends female powerhouses during fashion’s trendiest season. While New York Fashion Week finished in February, we are still basking in the glow of all we discovered on the runway...and know you will, too.
All of this manifests in our cover story, which puts Peggy Hartanto in this month’s spotlight. Along with her sisters Petty and Lydia, Peggy Hartanto has brought whimsical haute couture from Indonesia to the industry at large. Distinct for her bold colors and eclectic aesthetic, Peggy Hartnato’s mission is driven by women, to empower women. With contemporary expressionism at the forefront, Hartanto caters to emboldening feminity with a truly unique business model, inclusive collaboration and unparalleled glamor.
With Women’s History Month, these kind of stories breathe naturally within Fashion Mannuscript’s pages. Here’s to looking ahead to spring, celebration the accomplishments of last season’s collections and, above all, remembering that it’s a woman’s world.
-Laurie MelchionneSIVAN
HITS THE SPOTLIGHT AT NYMD
New York Men’s Day (NYMD) presented eight emerging menswear and genderless categories on the 7th Floor at Location05, located at 450 West 31st Street, near 10th Avenue. Designers at the morning show were LANDEROS NEW YORK (genderless), Sivan (menswear), Terry Singh (menswear) and Y.Chroma (menswear). Designers presented in the afternoon were BULAN (unisex), Pas Une Marque (menswear), Tarpley (menswear and womenswear) and The Salting (genderless).
FASHION FAVORITES
Sivan (pictured here), the sustainable menswear brand highlighted at NYMD, cultivates timeless silhouettes guided by bespoke tailoring. Founded by Jack Sivan in 2020, Sivan is the result of a love affair with the historic tailoring found in the world’s most iconic menswear hubs. Saville Row, for example, has inspired many Sivan pieces, with traditional Neapolitan techniques woven through every style.
Despite tradition’s influence, Sivan tailors its own identity through its distinct sustainability ethos. With a BFA in Apparel Design and a minor in Sustainability Studies from the Rhode Island School of Design, Jack Sivan keeps each style sustainable through responsible production and manufacturing, as well as accessibility and inclusive sizing in each garment to ensure longevity and circular fashion. This contributes to maximizing the piece’s lifespan, and helps to reduce Sivan’s waste footprint while elevating its sophisticated, bespoke aesthetic in menswear.
KZ_K STUDIO HOSTS PANEL ON FASHION, JOURNALISM AND WOMEN EMPOWERMENT
KZ_K Studio, a luxury slow fashion ready-to-wear brand, made-in NYC, has joined forces with the Equal Rights Amendment Coalition to bring together powerful female leaders from the worlds of fashion, politics and the ERA Coalition for a panel discussion and fundraiser on February 7 at their studio on Great Jones Street in New York City. Panelists include the Honorable Carolyn Maloney, ERA Coalition board chair and former NY Congresswoman, Zakiya Thomas, president of the ERA Coalition, Karolina Zmarlak, creative director of KZ_K STUDIO, Maggie McGrath, editor of Forbes Women and “Know Your Value” team and Andrea Bossi, journalist at Fashionista and Forbes music contributor (moderator).
Proceeds from the event’s ticket sales were donated to the ERA Coalition, a movement that has unified a coalition of nearly 300 organizations who together represent over 80 million champions for sex equality. Composed of organizations fighting for everything from gender, racial, economic and reproductive justice, to labor and LGBTQ+ rights. ERA Coalition partners are united under one powerful banner; to advance equality for all, at all levels: local, state and federal. Attendees enjoyed bubbly and light bites, followed by the panel discussion. They also received $200 off any KZ_K Studio purchase that evening, with an additional 10% of sales being donated to the ERA.
Discussions centered around gender equality issues, how to close the pay gap and how fashion is an important element of women’s strength and power while also highlighting topics on women’s rights, female entrepreneurship and female empowerment. As a former NY Congresswoman, Maloney has been heavily involved in moving this amendment forward. Karolina Zmarlak, fashion designer and co-founder of KZ_K Studio, learned about the ERA Coalition through Maloney, a friend and client.
KZ_K Studio co-founder Jesse Keyes said, “I’ve been aware and supportive of the ERA, ever since it was passed by Congress, in 1972 (coming just after my birth), while my mother was involved in its initial awareness campaign and efforts to ratify. You could say, I have been aware and in support of its ratification my whole life.”
FASHION FAVORITES
Under the spotlight of New York Fashion Week, Bishme Cromartie’s Fall/Winter 2024 collection was presented on February 13 at The Ritz-Carlton New York, NoMad. With makeup by Augment, hair by Aveda and footwear by Katy Perry Collections, Bishme’s upcoming collection explored the designer’s passion for eclectic streetwear with “avant garde designs.” “Street Garde” became the show’s theme, with bold femininity in a range of coats, tops and dramatic gowns.
“I wanted the collection to feel strong, effortlessly sexy, masculine and feminine at the same time,” said Bishme Cromartie. “The collection showcases the Bishme Cromartie woman who is ready for change, constantly on the go and loves to stand out, no matter where she is. This season we are entering the Batrix.”
Bishme Cromartie gives a special thanks to important people in his journey, who helped breathe life into this latest Fall/Winter collection: “A heartfelt gratitude to those who have been the pillars of my journey. To my beloved Mom, Regina Didley and my sister Chimère Wall, your unwavering support has been my constant inspiration. To my Project Runway and Alfred Street Industries family, your collaboration and mentorship have shaped my path, and to my talented assistant stylists, London Carr and Kuron Madden, your dedication has elevated my work. Thank you all for believing in me.”
BISHME CROMARTIE PRESENTS FALL/WINTER 2024
We ’re Back!
Please join us for an exciting and informative program as we discuss consumer behavior and retail trends. Come network with retailers, manufacturers and service providers specializing in consumer products including: electronics, toys, accessories, food & beverage, apparel, e-commerce and more!
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MARSHAL COHEN
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We provide a wide range of financial reporting, tax and advisory services to make your business and finances stronger.
Marc Federbush, CPA, CGMA Partner and Fashion Industry Group Leader marc.federbush@anchin.comVF CORPORATION APPOINTS CAROLINE BROWN TO BOARD
VF Corporation, a global leader in branded lifestyle apparel, footwear and accessories, announced the appointment of Caroline Brown to the company’s Board of Directors. This appointment follows constructive engagement with VF’s shareholders, including Engaged Capital, LLC. VF also intends to appoint to the Board another independent director in the near term mutually agreed with Engaged Capital, and will give priority to considering the candidates who have been identified by Engaged Capital. VF expects Brown and the Additional Director will be nominated at VF’s 2024 Annual Meeting of Shareholders and at the conclusion of the Annual Meeting, VF’s board will comprise 13 directors, including no more than 11 of VF’s current directors.
Brown is an accomplished executive, director, investor and advisor with more than 30 years of experience at global companies in the apparel and fashion sector.
From 2019 to 2023, she was a managing director at Closed Loop Partners, a New York-based investment firm and innovation center focused on the development of the circular economy, where she led the firm’s fashion practice. Brown previously served as chief executive officer of Donna Karan International (DKI) and DKNY from 2015 to 2017. During that time, she led a transformation of DKI, elevating product design, modernizing brand identity, overseeing organizational structure realignments and supply chain consolidations. She led the company through the sale from LVMH to G-III Apparel Group. Prior to DKI, Brown was president of Carolina Herrera, a luxury fashion house owned by PUIG, where she led evolution in product development, brand architecture and international expansion. Prior to that, she served as the U.S. chief executive officer of Akris, Inc., a Swiss-based luxury fashion brand. Brown began her career at Giorgio Armani, where she spent over a decade in marketing and communications leadership roles.
Brown has served on numerous boards of innovative companies in the fashion industry including EILEEN FISHER, Browzwear, Dimpora, By Rotation, For Days and others. She is a member of the MIT Sloan Sustainability Initiative Advisory Board and is an Advisor to the Martin Trust Center for Entrepreneurship at the MIT Sloan School of Management.
This appointment is another step in VF’s continuous refreshment of the board. With this appointment, VF has added four new directors to its board within the past two years (five following the appointment of the Additional Director), expanding the Board’s experience in footwear and apparel, retail, design, technology and sustainability.
SAM EDELMAN ANNOUNCES NEW LICENSING PARTNERSHIPS
Sam Edelman, the contemporary lifestyle brand behind some of the world’s most iconic footwear and a lead brand in the Caleres portfolio, announced its partnership with four new licensees to expand all three of its brands— Sam Edelman, Circus NY by Sam Edelman and Sam & Libby—into new lifestyle categories. New licensing partners include HB Connections (handbags), Esquire Brands (kids’ shoes), Gina Group (hosiery) and My Step Global (slippers). These licensees will join the brand’s existing portfolio of partners, S. Rothschild (dresses and outerwear), One Jeanswear Group (denim and ready-towear) and Randa Apparel and Accessories (belts).
In collaboration with fashion handbag company HB Connections, Sam Edelman and Sam & Libby will unveil handbags that speak directly to its sophisticated and modern consumer. This strategic partnership will deliver a collection that combines Sam Edelman’s timeless aesthetic with HB Connections’ deep expertise in designing handbags and small leather goods. Recognized not only as the industry leader in handbag craftsmanship, sourcing and wholesale distribution, HB Connections also offers a diverse portfolio tailored to various market verticals. Their influence extends across 110 countries, where they cultivate impactful strategic partnerships for private label distribution and branded wholesale.
Additionally, Sam Edelman will launch a new collection of kids’ footwear licensed by Esquire Brands, hosiery licensed by Gina Group, and slippers licensed by My Step Global. These collaborative partnerships mark a pivotal moment, as all three Sam Edelman brands continue to expand into new lifestyle offerings, ready to meet the varied fashion needs of their global audience.
COSMETICA LABS SHOWCASES BEAUTY INNOVATIONS AT MULA 2024
Cosmetica Laboratories Inc, a leading contract manufacturer in the cosmetics industry, unveiled a new showcase at MAKE UP in LA (MULA), a top beauty trade show. The showcase featured cutting-edge product development and a captivating marketing campaign featuring celebrity makeup artist and KJH.brand founder, Katie Jane Hughes.
The showcase was a bold standout at the event, leveraging Cosmetica’s classic red hue for set design, and incorporated the company’s signature digitalfirst approach. This activation offered guest access to a digital product showroom, a VR tour of their Canadian manufacturing facility and an interactive skincare texture bar.
Known for her exceptional talent and influence in the beauty world, Katie Jane Hughes (@katiejanehughes) brings a unique flair to the campaign, aligning seamlessly with Cosmetica’s commitment to beauty that transcends boundaries. The campaign reflects the company’s ongoing trajectory of disrupting the status quo in the industry by flipping the camera on one of the industry’s top behind-the-scenes talents.
“As a celebrity makeup artist, I’m usually behind-thescenes, whether that’s on-set or prepping my clients to step out on the red carpet,” said Katie Jane Hughes, celebrity makeup artist and KJH.brand founder. “It was really fun to work on this campaign with Cosmetica and get to be in front of the camera. Cosmetica is tremendously innovative in the beauty space, and I love working with a company that’s always pushing the boundaries and thinking outside the box. As a new brand founder, it’s been inspiring to see the cutting-edge product development that comes from their team and I’m excited to be a small part of it with this campaign.”
In addition to the above, the booth featured a section dedicated to the latest and greatest skincare innovations, featuring a full collection with clinical results and Cosmetica’s new jar filling technology.
Cosmetica Labs was joined by LA attendees, industry professionals and media partners to discover new capabilities, products and innovation.
DONNA KARAN LAUNCHES “IN WOMEN WE TRUST” CAMPAIGN FOR WOMEN’S HISTORY MONTH
In an iconic revival, Donna Karan New York unveils the Spring 2024 campaign—a resounding celebration of the brand’s iconic heritage that now marks a new chapter in both legacy and future. It is not merely a celebration of the past, but a visionary tribute to the enduring essence of the Donna Karan ethos of timeless elegance, empowered women and accessible luxury—tailored for today’s women.
As a testament to Donna Karan’s intuitive vision, Spring 2024 fosters a timely conversation that resonates more profoundly than ever before. “’In Women We Trust’ is such a powerful statement,” said Amber Valletta. “We need more women to lead us into the future because women think differently.” Symbolizing the brand’s epic return and relaunch, the “In Women We Trust” platform is not merely a fashion campaign—it’s a powerful depiction of eight iconic women who embody Donna Karan’s past, present and future.
Eight extraordinary women, each an icon in her own right—Cindy Crawford, Linda Evangelista, Amber Valletta, Shalom Harlow, Carolyn Murphy, Imaan Hammam, Karlie Kloss and Liya Kebede—all come together for the first time to share inspiring tributes of Donna Karan’s influence. Each with their connection to the brand over different eras, they epitomize the brand’s relentless celebration of empowered women.
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The Movement of Fashion
Photo courtesy of UnsplashTRAILBLAZING WOMEN: A CONVERSATION WITH TOUCHLAND FOUNDER ANDREA LISBONA
In the spirit of Women’s History Month, our friends at Anchin sat down with Andrea Lisbona, founder of Touchland hand sanitizer. These portable, moisturizing hand sanitizers come in a variety of delightful scents, and make cleansing germs convenient throughout the day. Anchin is a leading tax, accounting and advisory firm that serves privately-held businesses in beauty, fashion, consumer products, real estate and other industries, as well as investment funds and highnet-worth families.
Carolyn Cipolla from Anchin co-leads the firm’s Beauty, Health & Wellness group, and sat down with Lisbona for the interview.
C: Tell us a little bit about your company, and what inspired you to create Touchland?
A: Life is short, and I believe in leaving a lasting impact. Influenced by trailblazing entrepreneurs like Steve Jobs, Sir James Dyson and the transformative Nespresso story, I’m passionate about enhancing real-life experiences—making them better, easier and more enjoyable. Our mission was clear: to inspire self care and self-expression through innovative personal care products that people genuinely look forward to using.
C: How did you come up with the idea and approach for Touchland?
A: Creating Touchland was a big challenge that I was excited about: elevating personal care routines into rituals that spark joy. I knew that the personal care market, especially in the hand sanitizer category (although we have plans to diversify into other categories in the next 18 months), primarily relied on fear-driven marketing and also didn’t innovate or create products with people in mind. Many brands were instilling fear to drive sales—short-sighted, in my view. It’s unappealing to grow sales by scaring people about daily life items, like claiming, “Your phone has more germs than a public toilet seat.” Such approaches make people hesitant to interact with the world and yes, they may end up buying your product but you want to win people’s trust and heart, not scare them. Our strategy at Touchland was the complete opposite. We aimed to inspire excitement and joy in using personal care solutions through massive innovation, starting with hand sanitizer.
C: What is the hardest part of being an entrepreneur?
A: What is not hard about being an entrepreneur? The challenges of entrepreneurship are vast. Living outside the comfort zone is a constant, and for me, that’s the norm. Growing up in an entrepreneurial family, I witnessed the full picture, from success to failure and back to success. We went from building a significant business to losing everything in a crisis, then rebuilding from scratch. This cyclical nature of business, with its inherent risk and uncertainty, might seem daunting to those unfamiliar with it. Yet, it’s precisely within these pressures and cycles that the beauty of entrepreneurship emerges.
C: And being a woman, does that add on any extra layer of challenges?
A: Honestly, I firmly believe that being a woman shouldn’t entail extra challenges in the entrepreneurial landscape. Gender should never be a barrier to success. In today’s world, diversity is recognized as a strength, not a weakness. Female founders bring unique perspectives, innovative ideas and resilience to the table. Impartiality is fundamental to fostering a thriving business environment. If skepticism arises, I choose to dismiss it and focus on my capabilities. I enter any room with the understanding
that I possess the same rights and opportunities. The value I provide should be the primary focus, not my gender. It’s not about demanding special treatment; it’s about advocating for equal opportunities and ensuring that merit, not gender, dictates success. By dismantling stereotypes and challenging biases, we pave the way for a more inclusive and equitable future.
C: With inflation on the rise, what advice would you give to the entrepreneurs who are struggling to manage their finances?
A: In leading the business, I follow a philosophy of “hope for the best, but prepare for the worst.” We’ve maintained a highly conservative approach, constantly questioning if we could weather prolonged challenges independently. It’s scary to rely solely on external funding to run your business when external factors impact the business. We’ve been keen on avoiding a situation where failure to secure funding immediately leads to a cash crunch. We have always looked for partners to grow better and smarter, not to simply grow. Personally, I prefer channeling my focus and energy into aspects that enhance the business, rather than living from funding round to round to avoid running out of cash. Being scrappy is crucial for self-sufficiency. Over-reliance on external funding, especially for younger startups, can be risky. Delays in expected rounds can erode founder leverage, leading to regrettable deals. In the volatile landscape of business, a strong financial foundation is key to weathering external uncertainties without feeling adrift.
C: What’s been the most rewarding aspect of your journey so far?
A: There are many aspects, but the most gratifying for me is developing products that put a smile on people’s faces. Despite my long workdays, I always find time to check TikTok. I’ll be honest; it’s an emotional moment when I witness people unboxing Touchland, and their joy is palpable. They’ve eagerly awaited our product, and when they experience it, you can tell we’ve blown away all their expectations and over-delivered a product that they weren’t expecting to fall in love with. While there’s many rewards in my journey like building and growing an amazing brand and team, the ultimate reward is creating something that sparks joy,
makes people happy and contributes a bit of brightness to their day.
C: How do you manage to balance work life and personal life?
A: I’m not the best one to give advice on this matter. I’m not going to lie. My hobby is Touchland. I genuinely enjoy exploring new packaging and ideas—it’s where I find fulfillment. While I wish I had a hobby outside of Touchland, it hasn’t happened yet. I was quite active in sports during my childhood, and I practiced Judo for twelve years. But for the past 13 years, my focus has been solely on Touchland, and because I find joy in it, it doesn’t feel like work. However, given that my co-founder is also my husband, I’ve made a conscious effort to separate personal and business matters. Growing up in a family of entrepreneurs, I remember every dinner conversation revolving around business. Being aware of that, I’m disciplined about it. If I want to discuss something at 10 p.m., I tell myself, “tomorrow.” I send an email to myself and bring it up the next day. This discipline is crucial, especially when both co-founders are also family members.
C: What qualities do you value in your team?
A: During interviews, I prioritize attitude and principles over resumes. It’s about fostering an environment where individuals seek not just a job but a purpose, contributing to the broader vision. Bringing together people genuinely passionate about the product sparks innovative ideas—whether an intern or a C-suite executive, a great idea supported by reason is valued at Touchland. As one of the fastest-growing beauty brands, we maintain agility within our team, fostering a collaborative and forward-thinking atmosphere based on shared principles and overarching goals.
C: You hinted that there is some big news coming in the next 18 months; are you working on some new products?
A: We are growing fast, especially with great retailers like Sephora, Ulta and Target. We’re working to reinvent three new categories within personal care, aiming to revolutionize them through design, form factor, formulation, packaging, fragrances and more. Our mission is to elevate and infuse more enjoyment into personal care.
Find Touchland on Instagram and TikTok: @touchland.
To learn more about Touchland or Anchin, visit touchland.com and anchin.com.
PART 10
20th FashionCenturyHistory Los Angeles
BY RONALD S. FRIEDMAN, CPAHello Again! Here we are in March, and Spring is just around the corner. This month’s issue of the Fashion Mannuscript released during Women’s History Month. In the spirit of women in the fashion industry, I would like to take you back to the 1970s and 1980s.
Once upon a time in the bustling fashion district of Los Angeles, there lived a remarkable woman named Teddi Winograd. Teddi was not just any ordinary fashion enthusiast; she was the driving force behind the iconic brand known as Teddi of California. Her story is one of passion, innovation and a deep love for the vibrant world of apparel.
Teddi’s journey began in the golden age of Californian fashion when the sun-kissed streets of LA were brimming with the allure of new styles and endless possibilities. With an eye for design and a heart filled with entrepreneurial spirit, Teddi decided to leap into the fashion world. She wanted to create clothing that was not just beautiful but also accessible, embodying the laidback yet sophisticated vibe of California.
In the 1960s, Teddi brought her dream to life by establishing Teddi of California. It was a bold move, especially in an industry dominated by male entrepreneurs, but Teddi was not deterred. She believed in her vision and was determined to make it a reality. Her brand quickly gained recognition for its chic blouses, which became a staple in the wardrobes of women who desired a blend of comfort, style and affordability.
Teddi was known for her hands-on approach and could often be found on the factory floor, working closely with her team to ensure that every piece met her high standards. She led by example, never afraid to roll up her sleeves and dive into the nit-
ty-gritty of production. Her employees respected her deeply, not just as a boss but as a mentor and a friend.
As the years went by, Teddi of California grew in popularity, and so did Teddi’s reputation as a pioneer among women in the apparel industry. She was celebrated for her innovative designs that fused elements of the burgeoning counterculture with classic elegance. Teddi’s ability to anticipate and set trends made her brand a favorite among fashion-conscious consumers.
The first time I met Teddi in the early 1970s, she gave me a tour of their facilities on Broadway in downtown Los Angeles. We came to a room that was a bank vault with a real lock on the door. Upon opening the door, I walked into a room that had a sample of every blouse Teddi ever manufactured.
There must have been thousands of one-ofa-kind pieces and I asked her why she saved them all. The answer was simple: blouses come into style and then they are gone for years, but they all come back into fashion and Teddi wanted to be ready to repeat her great styles.
But Teddi’s influence extended far beyond the realms of style. She was an advocate for women empowerment, often speaking at events and encouraging other women to pursue their entrepreneurial dreams. Her success story was an inspiration, showing that with tenacity and creativity, one could overcome any obstacle.
As Teddi’s brand flourished, she never lost sight of the core values that had guided her from the beginning—quality, integrity and a connection with her customers. She often said that each blouse was not just a piece of
clothing but a message of confidence from the woman who wore it.
Teddi Winograd’s legacy lives on. She remains a symbol of the innovative and free-spirited nature of LA’s fashion scene. Her story is not just about the clothes she created but about the lives she touched and the barriers she broke. Teddi of California was more than a brand; it was a testament to the indomitable spirit of a woman who dared to dream and, in doing so, clothed the dreams of many.
Teddi was a legend in the industry and many other great women followed in her footsteps. Nancy Johnson started a company called Sunglow, Carol Little started a company with her namesake brand and then there is Karen Kane, still going strong today.
Don’t forget!
The Marcum Retail Symposium is coming to Los Angeles on April 18, 2024, and I hope many of you can join us to hear from two experts in the industry, Marshal Cohen and Andrew Rotondi.
Until next time, remember what I always conclude with…if you are not having fun, then do something else!
Ronald S. Friedman, CPA, is an advisory and assurance partner in the Los Angeles office of Marcum LLP and a retail practice leader in the Firm’s Consumer & Industrial Products group. Contact him at Ronald. friedman@marcumllp.com.
FAIRY DUSTER DRY SHAMPOO
rom the world of clean, responsible hair care with a partiality for the sun, Dae Hair has released its latest innovation in poof-inducing, convenient hair solutions. This time, it comes in a small, unimposing pink bottle that houses the Fairy Duster Dry Shampoo.
Compact and lightweight, this dry shampoo is vegan, cruelty-free and lacks parabens, phthalates and synthetic colors of any kind. With a blend of ingredients sourced from the desert (Mojave Yucca, Moringa Leaf Extract, Prickly Pear Seed Oil and Cactus Flower Extract), this powdery spray cleanses and moisturizes your scalp for that needed volume boost on flat hair days. Perfect for all hair types, defeating bad hair blunders has never been easier. In just a few sprays, the Fairy Duster Dry Shampoo will leave you smelling like a sweet, citrusy summer night all day long.
How do we know? All you have to do is section your hair, hold the bottle four to six inches away and spray onto the roots. After waiting a magical 15 to 30 minutes of absorption, gently massage into the scalp with your fi ngertips and go about your “dae.”
Dae Hair is committed to its clean identity. Certified by Leaping Bunny, Dae’s consumers can rest assured knowing that the products’ cruelty-free labels are the real deal. Additionally, Dae is part of its Water Initiative, and donates a portion of all profit to charity: water. This non-profit provides clean water solutions to underdeveloped communities around the world. Thanks to this initiative, Dae has helped the Malawai Project launch 137 projects that delivered clean, drinkable water to 65,070 people in these communities. From this success, the Uganda Project is Dae’s latest collaboration that is currently in the works. Through these projects, Dae keeps a close eye on its water consumption during production and contributes to its overall eco-consciousness in a notoriously wasteful industry.
And it doesn’t end there. Bioresin AKA sugarcane from Dae’s bottles, with caps derived from 100% post-consumer recycled materials. This means that each product container is recyclable, and contributes to Dae’s overall mission of no-waste, from responsible consumption in water cycles to expanding a product’s lifespan through material reuse.
The very name “Dae” evokes the warmth of the sun’s cycle. Dawn, afternoon and evening (DAE) embody the simplicity and freshness of a new dawn, which you can incorporate into your daily hair care routine not just with the Fairy Duster Dry Shampoo, but with a range of even more luscious lock essentials: Prickly Pear Hair Oil, Agave Dry Heat and Hold Styling Mist, Cactus Flower Leave-In Conditioner, Hibiscus Wave Spray and so much more.
Frizzy ends, greasy roots, color-damaged tendrils and brassy fi nishes are now problems of hair past.
Dae allows you to Build Your Own Bundle, customizes your routine based on your own personal Hair Quiz and fi nd styling inspiration based on your wants, needs and preferences. Join the Dae community and take control of your hair care at
D WHAT A DIFFERENCE MAKES AE
BY LAURIE MELCHIONNEFEATURE
Model image courtesy of Anna Sokol Medium Diamond Taylor Necklace with Tanzanite and Diamond Lariat PendantSonya K. Jewelry is the latest brand to break into the luxury jewelry scene. While the highend jeweler deals in rare diamonds and gemstones, each product is the legacy of a long and nostalgic journey.
SONYA K
DETERMINED DIAMONDS
Sonya Konstantinovsky’s love of jewelry traces back to her childhood in Odessa, Ukraine when she would traipse along the streets with her mother and grandmother. It was here that she was exposed to handcrafted jewelry from local artists, where her mother bought her a heart-shaped moonstone pendant that she strung on a velvet choker. Pouring over the market’s beads and simple gems like cat’s eye quartz, her passion for stones was ignited.
In late 2018, after living in New York, she happened upon a vivid green gemstone called tsavorite garnet. It was a transformative moment that she likens to the instinctual attraction of, “meeting your soulmate.” She knew nothing about the gem, other than that she was inexplicably drawn to it. She began to research tsavorites and other gems—not only popular varieties like emerald and sapphire, but also lesser-known stones like spinel and tourmaline as she learned the vast language of the gem world.
“My eyes were always drawn to bright, clean, well-cut gems. I loved their beauty and also their investment value,” Konstantinvosky explained. She began to amass a small collection of the highest-quality, rare gemstones as she learned about manufacturing and toyed with the idea of starting the design career she had always wanted. It was only when COVID-19 gripped the world that she realized she couldn’t put off her artistic ambitions any longer.
“I made the decision that I have to take my chance and make my dream a reality because we don’t know how long we have here.”
The pandemic was far from Konstantinovsky’s greatest personal challenge as she developed her fine jewelry line. She finished her first collection in January 2022. A little over a month later, Russia invaded her native Ukraine, where most of
her family still lives. The war has been one more clarifying reminder for Konstantinovsky of life’s brevity and the importance of pursuing one’s aspirations. Amid this turbulent backdrop, in April 2022, she finally introduced Sonya K. to the world.
For a new brand, Sonya K. is strikingly sure of its identity, favoring clean lines and impactful color. “By nature, I am a minimalist,” said Konstantinovsky. “I like simplicity, quality and timelessness.”
Designs begin with sourcing the rarest gemstones of the highest quality and color from around the world. The gem selection process is innate for the designer. “Some stones speak to you, and some do not. I love gems that make my heart beat a little bit faster,” she added.
Konstantinovsky creates an elegant story around each colored gem by pairing them with bold diamonds in angular cuts. Despite the collection’s inherent glamour, Konstantinovsky has a down-to-earth approach to wearing her jewelry, insisting that pieces be versatile and easy to transition from day to night. The brand’s signature Taylor necklace, for example, is a luxurious diamond tennis necklace that is an everyday staple, which can also be worn with a removable gemstone pendant for an even more dramatic look.
Crafted in 18-karat gold, platinum, diamonds and colored gemstones, the collection is handcrafted by master jewelers in the diamond districts of New York City and Ramat Gan, Israel. Though Konstantinovsky can create different versions of her original works, many of her jewels are inherently one-of-a-kind. “Due to the rare nature of the stones I work with,” said Konstantinovsky, “it is nearly impossible to replicate them, so about 80 percent of my pieces are one-of-a-kind. I like stones that excite me, that generate a deep urge to possess them, and those stones don’t come often.”
Rarity in luxury jewels is at the heart of Sonya K. Jewelry’s offerings, with a dedication to elegance, sophistication and the drive to never give up.
ZENNI OPTICAL CELEBRATES YEAR OF THE DRAGON WITH LUNAR NEW YEAR COLLECTION
The year 2024 is the Year of the Dragon, which Zenni Optical celebrated with its latest eyewear collection, “Lunar New Year.” With a lineup of more than 20 frames, Zenni’s “Lunar New Year” collection blends traditional and modern influences. While the collection debuted in February, more releases will drop throughout the rest of the year and will ensure that the celebration of the Year of the Dragon continues all season!
Adorned with dragon engravings – a symbol of power, strength and good fortune – each pair delivers a touch of mythical elegance as they enhance vision and style.
Zenni’s Co-Founder and CEO, Julia Zhen, expressed the significance of Lunar New Year at Zenni. “As Lunar New Year holds immense importance for us, we sought to mark the occasion with an exclusive collection that extends our celebrations to the global community,” said Zhen. “This curated collection beautifully encapsulates the rich heritage of Lunar New Year, seamlessly blending modern motifs with vibrant traditions. Our aim is to bring a touch of style to all who embrace and wear this collection.”
Additionally, when customers purchase frames from the collection, they will receive a gift with purchase: a Year of the Dragon gift bag. The exclusive bundle includes a hard case to keep the frames safe and secure, two microfi ber drawstring pouches for added convenience and two microfi ber cleaning cloths to ensure your lenses stay crystal clear.
The “Lunar New Year” collection can be found exclusively on Zenni.com with prices starting at $39.95. All frames can be ordered as sunglasses, with prescription and/or Blokz® blue light-blocking glasses.
For more information and to explore the full range of styles, visit zenni.com and follow for updates on social media
Olivia Yao is the latest sensation in delicate, fi ne jewelry. Headquartered in Taiwan, Olivia Yao’s elegant jewelry is traveling the globe with a for-everyone attitude: fancy jewelry can accessorize any outfit, no matter how casual.
With pearl centerpieces, 18K gold and sophisticated fi ne diamonds ranging in emerald, sapphire and mother-of-pearl, Olivia Yao offers custom fi ne jewelry and even wedding ring customization. Delicate, slow craftsmanship is at the heart of the production process in the Taiwan workshop, with a range of styles in rings, earrings, necklaces and bracelets.
“I want to create daily jewelry in a sense of modern and simple style,” said Yao. “I use natural gemstones such as pearls, crystals and precious gems.”
Precious stones and metals were also featured in Olivia Yao’s previous collections, which accounted for 30% of the materials in each piece.
“Our jewelry features a versatile and adaptable design,” Yao explained. “For example, a bracelet can also be worn as a choker or a ring can be worn as an ear cuff. That allows our user to wear our pieces in multiple ways according to their preferences and styles.”
This ensures the longevity of each piece so that the jewelry has the chance to see the light of day rather than be forgotten about in someone’s accessories drawer, an all-too-common reality for the fashion industry at large.
Versatility and Olivia Yao’s designs solve this problem, and contribute to decreased waste in the accessories category, while simultaneously allowing the wearer to integrate more glamor into their daily lives. Olivia Yao herself has cultivated her jewelry aesthetic based on her experiences traveling the world of fi ne jewelry. She received her Master of the Arts in Jewellery Design in Birmingham, England, which led her to craft her early experience with jewelers on London’s High street. Recently, she featured her collections at Paris Fashion Week.
Today, Olivia Yao has a presence in the States thanks to her recent partnership with Taelor, the bespoke menswear fashion rental service that offers subscribers premium brands from around the world.
Shoppers can fi nd Olivia Yao at oliviayao.com.tw and taelor.style online.
Daily, Delicate Design
By Laurie MelchionneTHE WHIMSICAL WORLD OF
PEGGY HARTANTO
COVER FEATURE
Women-led. Women-inspired. Women-empowered. These are the three pillars that define Peggy Haranto, the ready-to-wear label based in Surabaya, Indonesia. Known for its sleek lines, bold colors and unique materials, a trio of sisters have spearheaded Peggy Hartanto since 2012: Peggy, Petty and Lydia. With training in fashion, graphic design and industrial engineering, respectively, the Hartanto sisters deliver a unique blend of design, creativity and efficiency for a truly eclectic, distinct line.
Peggy Hartanto, the label, got its start after Peggy Hartanto herself worked with Collette Dinnigan, one of Australia’s most iconic designers. Thoroughly steeped in Dinnigan’s world of production, manufacturing, design and global runways, Peggy gathered her experience and returned to her home city of Surbaya to launch her own brand. Peggy Hartanto first hit the world stage at Jakarta Fashion Week in 2012, and from there, the brand has soared to galactic heights.
Much of this success is thanks in part to Hartanto’s firm philosophy of team inclusivity, empowerment and open collaboration.
“Peggy Hartanto proudly embodies the spirit of empowerment by celebrating the diverse and dynamic roles of women,” explained Peggy Hartanto. “Our designs are crafted with the modern woman in mind, challenging traditional stereotypes and encouraging women to express their individuality and strength.”
Atlantis and Fantasia, the latest collections from last year, embody distinct elements of Peggy Hartanto’s aesthetic. Bold colors and patterns, whimsical silhouettes and flirtatious, versatile cuts are all informed by specific values that uplift women. Hartanto said, “We believe that
every woman, regardless of her background or role, deserves to feel confident and beautiful.”
The collections themselves breathe with inspiration from unexpected places: myths, fairy tales, nature and architecture are some of the elements you’ll find in a Peggy Hartanto outfit. But one major theme links each piece from top to bottom.
“Women and their seasons of life,” added Hartanto. “We aim to create unique pieces that reflect the diversity of the modern woman.”
Modernity is a major lens through which Peggy Hartanto envisions fashion, as each piece features contemporary silhouettes with distinct, sleek lines, sharp edges and unorthodox color pairings.
At Peggy Hartanto, design concepts are borderless. According to Hartanto, innovation is key. This value manifests for all to see; no aesthetic is shunned in Hartanto’s blatant embrace of eclecticism.
“Our design characteristics are organic and whimsical, with a dash of surrealism,” said Hartanto.
In addition to the fantasy elements that dance through each collection, the design team also devotes a significant amount of time to precision in fit and construction. “The fit of our garments is paramount,” explained Hartanto, “ensuring that each piece not only looks beautiful but also feels comfortable and flattering on the body.”
With comfort and whimsy in mind, each collection begins with a mood board, courtesy of Petty Hartanto’s graphic design expertise. Inspiration blossoms in many forms: anything from color swatches to pattern squares and motif sketches are all food for the imagination. With this model, a traditional style concept is seized, redefined and turned completely on its head. The mood board materializes into a series of sketches, which the Hartanto team refines over time. Fabrics are meticulously sourced, while patterns are brainstormed and eventually transformed into initial prototypes. After months of honing and refining each piece to perfection, the collection is ready to hit the runway.
The last time Peggy Hartanto hit the catwalk was during the presentation of her Spring/Summer 2024 collection, CHARM, spotlighted at the 2023 ELLE Fashion Show in Vietnam. A global brand with cross-culture appeal, Peggy Hartanto’s unique couture has been honored with global fashion recognitions such as the International Woolmark Prize 17/18 Asia Nominee (2017), Forbes Asia’s “30 Under 30 ‘The Arts’” (2016), Grazie Next Glam Award Finalist, Grazia International Network (2015) and many more.
Peggy Hartanto honors women’s contributions to the industry as a whole. Contemporary expressionism is at the heart of the Hartanto aesthetic, allowing the modern woman to define individual style as she sees fit. With the Hartanto sisters at the helm, and a design team of even more women bringing their female-first insights to material sourcing, prototype sketching and every other level on the production journey, Peggy Hartanto redefines collections and truly produces magic.
The brand as a whole is a labor of love, which stems from Hartanto’s elevation of open collaboration and teamwork. In the world of Peggy Hartanto, all perspectives are welcome and the contemporary woman takes a fearless step on center stage.
FEATURE
Photo courtesy of france.and.jesseCUPSHE
LAUNCHES SWIMWEAR COLLECTION ISKRA
WITH BODY POSITIVITY ADVOCATE
LAWRENCE
Self-empowerment and body positivity play major roles in Women’s History Month in the fashion industry at large. Just in time for this women-loving month, Cupshe has announced its latest partnership with model, mother and entrepreneur, Iskra Lawrence. As Cupshe’s latest ambassador, Lawrence boasts over six million followers across Instagram, TikTok and YouTube and is an influential advocate for self-love and body acceptance. Featuring swim styles for women, men and boys, the exclusive “Spring Glow” collection is now available on Cupshe.com.
Aligned with Cupshe’s core values, the collection’s unretouched imagery underscores Cupshe’s dedication of empowering its global community to embrace their beauty with confidence and celebrate the uniqueness of their bodies. As a passionate advocate for body-acceptance, Lawrence’s collaboration with Cupshe aims to inspire self-love with no bounds.
“I’m thrilled to collaborate with Cupshe on this swimwear collection,” said Lawrence. “From my personal favorite, the sleek black one-piece, to various bikinis and cover-ups, there’s something for every individual taste. It’s all about being true to yourself, and I’m excited to share that message with everyone!”
The 37-piece collection features one-piece swimsuits, bikinis and cover-ups with crochet, floral patterns and vibrant hues suitable for various body types and preferences. Matching boy’s swimsuits and a selection of men’s swim styles are also available.
“This collection stands as a bold testament to our commitment to versatility in the swimwear space,” said Lei Qi, senior marketing director at Cupshe. “Iskra’s dedication to authentic representation and impactful influence align deeply with Cupshe’s values. This launch goes beyond introducing new swimwear; we’re launching a celebration of confidence and individuality.”
The collection ships globally, with prices ranging between $19.99$45.99 USD. Women’s sizes range from XS to XXXL, with select styles available from 0X - 3X, men’s sizes range from S to XL, and youth boy’s sizes range between five to 12.
CAYUMAS CAYUMAS
Couture on the Gondola
By Laurie MelchionneFrom a Venetian gondola to a Madrid flagship, Cayumas is more than just a friulane shoe reminiscent of 19th century Italy. It is the culmination of a vision Borja and Ana Cerrato had back in 2010, when the husband-and-wife founders took a trip to Venice. As gondoliers sailed past them through the glittering canals, Ana and Borja were enchanted by the unexpected: their shoes.
“Ana and I fell in love with those Venetian slippers we saw in many small shops around every corner and between the canals,” said Borja Cerrato, Cayumas co-founder. “We decided to learn about the slippers and their rich history.”
Flash forward to 2019: Ana Cerrato decided to return to Venice and finally launch her own label of these beloved friulanes. She also visited the shoemakers in the nearby Friuli region and was paired with an expert artisan. From there, Cayumas was born (not even 2020’s pandemic delay could curtail the brand’s success).
The friulane shoe is a staple in Italian sustainable fashion, as it was (and still is) handcrafted with recycled materials—as far back as the early 1800s. Hailing from the Friuli-Venezia Giulia region in Italy, the friulane was first worn by impoverished, innovative women. Poverty darkened most of Italy during this time; only the lucky could afford new footwear. Friuli’s women improvised by stitching shoes out of old fabric scraps. They used anything they could find, such as old bed sheets, coffee filters and even old bicycle tires for the rubber soles.
And thus, the friulane shoe was born.
Eventually, these velvety flats caught the eye of gondoliers in nearby Venice. Yes, the shoes’ elegance masked the fact that they were economical improvisations from a dire time. But the soles made from discarded tires served a useful purpose for Venice’s canal sailors. Traditional wooden shoes scratched the boat’s varnish and lacked traction on rainy, slippery days sailing the lagoon. The friulane’s slip-resistant rubber sole solved this problem.
Cayumas honors the innovation of its original artisans by crafting each shoe with similar sustainability. Each shoe is entirely Made in Italy, with the decades-old practice of reusability and no-waste lovingly woven in every stitch. Organic velvets and threads shape each shoe, which lacks glue of any kind. In the strappy Boheme shoe, each buckle is nickel-free. Recycled bicycle tires still serve as the rubber soles. Authenticity is at the heart of each of the five styles: the Boheme, Aida, Norma, Pagliacci and Traviata.
And Cayumas provides shoe gurus a twist. Perfume.
When your Cayumas package arrives at your door, a subtle, unique fragrance floats in the air—and lets you know exactly what it feels like to step foot inside the Madrid boutique. Ana and Borja Cerrato
paired with legendary French perfumer Fabrice Pellegrin in Grasse, France, who cultivated four new scents exclusively for Cayumas: Famille Parfait, Famille Revee, Musc Peau and Musc Blanc. Diptyque’s 34 Boulevard Saint-Germain Paris 5e is Cayumas’ signature scent, which fragrances not just the shoes but the socks that accompany each footwear purchase.
While Cayumas prides itself on its Made in Italy authenticity, it also embodies a love of travel and European artisanship that practically spans the continent. “The new products such as the cashmere stoles are also Italian,” explained Borja, “[while our] hats are from Australia (selling the Lorna Murray brand) and balaclavas and gloves come from Germany.”
Cayumas is Made in Italy and at home in Spain. The store, socks and some packaging are Spanish, while the fragrances are, of course, distinctly French.
“In Cayumas, we would like to contribute to the modern aesthetic with some concepts that are important to us,” added Borja, “such as simplicity, simple designs and less is more quality. We have lost some big deals for not deciding to mass produce collections at low cost with some multibrand superstores.”
Tradition is at the top of Borja and Ana’s list; preserving the shoemaking artisanship of the past is what keeps the quality of the Cayumas friulane on par with its original wearers, and keeps the brand distinctly slow-fashion, sustainable and above all, historically one-of-a-kind.
GAÂLA UNVEILS ITS 2024 WEDDING BOUTIQUE
French, sustainable fashion brand Gaâla has launched the latest editions to its Wedding Boutique, where bridal elegance and wedding guest style effortlessly converge. Gaâla’s thoughtfully curated selection features bridal gowns that embody grace and sophistication, bridesmaid dresses that harmonize with the bridal vision and wedding guest outfits that strike the perfect balance between style and aesthetic. Each piece is chosen to ensure that you radiate beauty and confidence on the big day.
Embrace the timeless charm of bridal fashion and find the perfect ensemble to celebrate love and enjoy that special day in style. Whether you’re the bride, bridesmaid or a cherished guest, Gaâla’s Wedding Boutique offers a range of attire to suit every individual style, the wedding’s ambiance and elegant French sophistication.
VERONICA BEARD HANDBAGS CARRY THE WOMAN ON-THE-GO
Veronica Beard has announced the debut of its first collection of handbags. The handbag collection will be available at VeronicaBeard.com and Veronica Beard boutiques worldwide, as well as select retailers.
Following footwear and denim, handbags now mark the third product category expansion for Veronica Beard, furthering the brand ethos of wardrobing their customer’s layered life. The handbags speak to today’s multifaceted, multitasking woman and reflect her active lifestyle.
“The Veronica Beard uniform has always been the cool classics for the woman on-the-go: a tailored jacket, great jeans and chic boots,” said Veronica Swanson Beard. “Handbags are a natural extension of that. We are so excited to round out our lifestyle offering and give our customer everything she needs to complete her look.”
In keeping with the Veronica Beard aesthetic, the Spring 2024 handbag collection has been thoughtfully designed, bridging cool and classic, form and function. Crafted in collaboration with handbag partner Simone, the collection features seven key silhouettes in a range of sizes, colorways and luxury materials.
The hero style—the Veronica Beard Goody Bag—is crafted from can-
vas and supple leather and is distinguished by its mixed-media look and crest-engraved gold button. Spacious yet compact, its design is made for storing the everyday essentials that every woman needs—her goodies—and can be worn as a crossbody, top handle or shoulder bag. It retails for $448.00 / £448.
The assortment also includes luxurious carryall totes, bucket bags and camera bags in leather and raffia, each enhanced with sleek hardware that nods to the Veronica Beard crest, logo and brand iconography. The full collection, which retails from $398-$698 / £398-698 will be available at Veronica Beard boutiques across the country—including the brand’s New York, Miami, Beverly Hills and London flagships—and Veronicabeard.com.
The Spring 2024 campaign featuring handbags, lensed by Claiborne Swanson Frank and shot on the streets of Beverly Hills, has a distinctly West Coast feel. Fittingly, the brand has invited their Los Angeles-based friends to toast the Goody Bag and collection launch with a private lunch at Chateau Marmont.
THE FASHION MANNUSCRIPT PRESENTS: TECHWEAR
Bringing you the latest breakthroughs in software, I.T. and fashion technology. From creative solutions to insights from experts, we are the source for all things fashion tech.
HILOS BRINGS 3D TECH TO ANCUTA SARCA FOOTWEAR
For Autumn Winter 2024, Ancuta Sarca, recipient of the FNAA Emerging Talent Award, reimagines her distinctive design aesthetic with a darker twist. Drawing inspiration from cult cinematic works such as American Psycho and Fight Club, the collection embraces deeper tones while capturing the unsettling ambiance of an empty airport lounge. Picture this: You enter a softly illuminated room, its blue carpeting stretching beneath raised platforms within the historic Old Selfridges Hotel venue. Spotlights cast a glow upon figures seated, eagerly anticipating the unfolding events, yearning for liberation. Each person is clad in the latest creations from Ancuta Sarca. Among them stand bold minimalist sandals in vibrant red and blue, featuring 3D printed wedge soles— crafted from a groundbreaking fusion of durable nylons and flexible TPU in a single assembly—creating an aerodynamic form and tactile texture. These innovations stem from a collaboration with HILOS, recognized for bridging advanced technology with eco-conscious craftsmanship. In alignment with the brand’s dedication to environmental responsibility, footwear pieces are imbued with sustainable practices. Statement knee-high boots feature deadstock leathers and faux furs, while surplus fabrics from past seasons are transformed into ankle boots with wing details, ankle-strap kitten heels, and slouchy boots with striking airbrush effects. Utilizing teddy fleece jumpers and recycled car seat leathers, boots of various lengths are crafted, seamlessly embodying the brand’s recognizable silhouettes. This season introduces the Hoodie Bag, featuring a sturdy foam construction for a resilient 3D form and accented with deadstock velour and drawstring elements reminiscent of a tracksuit, evoking the mood of an airport lounge. Elsewhere, a deadstock teddy fleece, complemented by contrast stitching reminiscent of a tracksuit jacket, is transformed into a waist-cinching skirt suit, while another deadstock tracksuit is repurposed into an elegant evening dress.
VERSACE
LA GRECA AND GODS THE TIME FOR
The Versace La Greca timepiece collection emerges from the ruins of the Parthenon in Athens or Poseidon’s Temple on Cape Sounion. With this collection, this timeless Italian brand has blended with its Greek neighbors, honoring the Grecian aesthetic that Romans emulated in the ancient world.
In time for SS24, La Greca exemplifies the essence of elegance and sophistication. This petite jewelry watch is set to redefi ne fashion and timekeeping, capturing the essence of modern femininity. The timepiece boasts a dainty 28mm case, perfectly tailored for the contemporary woman who appreciates both style and precision, expressing a distinctive and refi ned charm. Featuring the same iconic Greca motif on its jewelry bracelet and its top ring, it creates a harmonious and stylish connection between form and function, embracing the spirit of luxury and craftsmanship.
Nostalgia is the beating heart of this collection. The Greca pattern harkens back to a time of beyond, while its sleek bracelet embraces the slim, delicate silhouettes that now dominate current jewelry trends. Understated elegance elevates this piece beyond a watch, but a staple in your accessories cabinet that can accompany any style, occasion or aesthetic, day or night.
The Versace La Greca will be available at Versace.com, $1,350. Photos courtesy of Versace.comIn the ever-evolving tapestry of global manufacturing, 2023 emerged as a landmark year for fashion executives. It was a year of bold strides in branding, a dance of agility in production and a leap into the future with new technologies. But beneath this surface of innovation and strategy, the real magic unfolded – the human touch. Embracing practical skills with open arms, fostering visionary leadership and nurturing soft skills became the secret ingredients for U.S. brands to construct a robust and intelligent global manufacturing presence. This journey, weaving together the threads of human connection and ingenuity, highlights a vibrant path forward in the fashion industry.
Embracing Tailored Solutions: The Key to Diverse Success
In the vibrant world of global fashion and manufacturing, the concept of “one size fits all” has become a relic of the past. As we step into a future marked by diversity and customization, it’s essential to recognize that each project is unique, with its own set of challenges and opportunities. The art of delivering excellence lies not in offering a generic product, but in our ability to listen, understand and tailor solutions that resonate with the specific needs and aspirations of each project.
Weaving Global Partnerships: A World of Opportunities
Today’s world is interconnected and the old model of products being confined to geographical markets is changing. Instead, we are weaving a new tapestry of global partnerships, which is essential for businesses aiming to enhance their global presence. These partnerships offer many advantages, including the absence of Additional Duty (ADD) restrictions on imports, competitive pricing and reliable, customer-centric services. By bringing together global resources at a strategic level, companies are expanding their reach and crafting
MASTERING THE ART OF BUILDING A GLOBAL MANUFACTURING BASE FOR U.S. BRANDS
By Tali Shladov, CEO, Cherryfielda diverse and robust network that delivers unparalleled value to their offerings.This global strategy often involves following the thread through a multifaceted manufacturing journey. Initially, a project might take shape in one country, leveraging speed and efficiency. As the timeline extends, the production can shift to another factory in a different country, connecting the benefits of lower costs and other location-specific advantages. This approach allows businesses to blend agility with cost-effectiveness, ensuring the final product is not just of high quality but is also strategically positioned in the market.
The Impact of 3D Sampling and Virtual Modeling on the Industry
Embracing new technology in the fashion industry is a transformative movement reshaping the very fabric of how we design, produce and interact with fashion. The advent of 3D sampling and virtual modeling is a striking example of this evolution. The impact on sustainability is significant, as 3D sampling reduces waste by enabling designers to perfect their creations digitally before any physical prototype is produced. This shift not only conserves resources but also opens up new avenues for creativity and experimentation, allowing designers to explore and refine their ideas without the constraints of traditional material limitations.
The integration of virtual modeling into the fashion workflow has drastically improved turnaround and reaction times. In a world where market trends shift rapidly, the ability to quickly adapt and respond is crucial. Virtual modeling facilitates this agility, enabling brands to swiftly bring new designs to the market and stay ahead of consumer demands. This technology also enhances the customer experience, offering a more interactive and personalized approach to fashion. Customers can now see and interact with virtual prototypes, providing immediate feedback and tailor-made adjustments.
Cultivating Growth: The Power of Positive Work Environments
The core of a manufacturer’s ethos is increasingly recognized as a crucial factor in determining longterm success. Central to this is the understanding that a company’s prosperity is deeply intertwined
with the well-being of its employees. This is a strategic approach that recognizes employees as the bedrock of any organization. By fostering a positive and fair work environment, companies are enhancing their commercial benefits and cultivating a culture of mutual respect and support. Such environments are characterized by open communication, recognition of individual contributions and a commitment to fair practices, laying the foundation for a thriving workplace where every team member feels valued and motivated.
Embracing Emotion and Tactility in a Digital Age
Fashion, at its very core, is a form of art. It transcends the mere concept of clothing as a necessity and enters the realm of expression and emotion. This understanding brings us back to the importance of soft skills in the fashion industry, a domain where the tactile and emotional aspects are as vital as the visual. What we choose to wear is a reflection of who we are and what we wish to convey to the world. It’s a dance between the fabric and the soul, a dialogue between the creator and the wearer.
In this artistic journey, the paths we tread play a significant role. The streets we walk on, the tradeshows we attend, the people we meet and the relationships we forge with our customers; all these elements weave into the narrative of fashion. In the industry’s bustling ecosystem, relationships matter profoundly. They are the lifelines that connect designers, brands and consumers. Co-creation becomes a powerful tool in this context, a collaborative process that enriches the fashion experience. By engaging with customers, understanding their desires and incorporating their feedback, fashion becomes not just a product but a shared experience, a co-authored story.
Tali Shladov is CEO and owner at CherryField where she leads the company’s vision for global manufacturing to the world’s leading fashion brands and global retailers. Offering full service from concept to shelf, CherryField has dressed more than 42 million people worldwide in men, women or children, formal, casual and safety apparel.Formoreinformation,visitcherryfield.com.
Independent market studies confirm that beauty and wellness are finding common ground especially after the pandemic gave everyone time to appreciate the importance of self-care. Growing statistics show that close to 80% in the U.S. are recognizing the importance of wellness in their lives. NCEA and Oncology-certified master esthetician Caroline Dorick is among the pioneering beauty industry leaders blazing a trail in this market with the opening of her Whole Beauty Bar holistic spa and wellness studio.
Ideally located in Bayville, New Jersey, the 2,500-square-foot spa features treatment rooms themed around the four cardinal elements. The facial room features the rejuvenating effects of water. The waxing room is the energizing space of fire. Earth is represented in a grounding space. And air presides over the calming VIP suite. The entire spa is handsomely appointed with modern equipment and interior décor of natural wood, matte black and brushed gold details, while clustered Murano-blown glass chandeliers tie together the brand’s concept of beauty, health and wellness.
The extensive range of services includes guidance and counsel on nutritional requirements, neurolinguistic programming, meditation practices and skin treatment options. True to the spa’s dedication
WHOLE BEAUTY BAR DEFINES HOLISTIC BEAUTY AND WELLNESS
By Joseph Pastranato health and wellness, all treatment products are vegan, natural, organic, hypoallergenic and cruelty-, gluten- and fragrance-free. Skincare services cover customizable facials to address all skin types and concerns, sugaring, massage, makeup, organic spray tanning and even dealing with the side effects of chemo or cancer-related issues.
Driven by her journey, Dorick recounted the origins of Whole Beauty Bar. “I had a thriving career as a freelance makeup artist working with brands like Smashbox and L’Oreal when I was in a nearfatal car accident that completely changed my life,” she explained. Not only did she suffer from a traumatic brain injury, but she had to undergo cervical spine surgery. She added, “All the doctors told me I would no longer be able to do many of the things I used to do.” The experience gave her a new sense of purpose: fighting to physically recover and striving to understand beauty on a deeper level.
She earned her esthetician certifications and opened her first one-room business, meticulously growing it from a storefront spa in downtown Forked River, NJ and a website and finally to this lavish showplace. “I was determined,” she said, “for people to truly understand how everything - from our physical and mental health to our emotional states - affects our beauty.”
Dorick continued, “I approach my clients from the perspective of a caring skincare professional. I am here to listen and understand and find solutions to their skin issues.”
To that end, she discussed what products they use, their lifestyles and even the harsh chemicals
present in many beauty and household products, all of which can impact their skin. Then, there’s the way stress and daily worries can trigger hormonal imbalances. She is an advocate for adding meditation and the simple act of daily affirmations to support their overall well-being. “I believe we all have enough to deal with that we don’t need to add self-inflicted wounds to the mix.” When people come in for a consultation, she goes all the way in helping them figure out the root causes of their skin issues to come up with custom treatments. And abiding by her philosophy, she only utilizes products with natural, plant-based or medically graded ingredients.
Her interest in also helping cancer survivors prompted her to establish oncology certification. “During my car accident, my mother was diagnosed with breast cancer,” Dorick said. “Sadly, after a ten-year battle, she succumbed to it. My main goal is to honor my mother and create a legacy that would have made her proud, because life is a blessing. If you want to see change you must be the change. You never know how quickly it can all be taken away. I’m dedicated to making the years count and not just for myself but for everyone who comes to the spa.”
As a result, she has set up a special memorial space for her mother Carolyn Grace Hester which also pays tribute to everyone who’s ever lost a loved one to devastating disease. According to Dorick, “We’re committed to providing our clients bespoke services with a 360-degree, from the inside-out approach to achieve life-changing results.”
With Whole Beauty Bar, a new era in beauty in wellness has arrived.
In the ever-shifting kaleidoscope of fashion, trends are not merely fabrics sewn together; they are living expressions of societal attitudes and values. Fashion serves as a dynamic canvas, reflecting the zeitgeist of an era and encapsulating the spirit and aspirations of a collective consciousness. As we navigate the intricate tapestry of cultural trends in fashion, we unveil the hidden narratives that echo the pulse of our time.
From corsets to crop tops, bell-bottoms to power suits, the evolution of fashion mirrors the ebb and flow of societal norms and values. The ever-changing silhouettes on the runway don’t just signify a shift in hemlines; they signify a metamorphosis of ideologies. This Is not frivolous; it is a cultural barometer, signaling the winds of change. Consider the Roaring ‘20s, an era that embraced the flapper dress and liberated silhouettes. This was not merely a sartorial revolution; it was a rebellion against the constricting norms of the past. The fashion of the ‘20s mirrored the societal shift toward women’s emancipation and a desire for freedom and individuality.
Fast forward to the rebellious ‘60s, when tie-dye, miniskirts and psychedelic prints weren’t just fabrics; they were an artistic rebellion against the status quo. The counterculture movement, fueled by anti-establishment sentiments and a longing for peace during the Vietnam War, found expression in the riotous colors and free-flowing fabrics of the fashion of that time. The power suits of the ‘80s weren’t just about padded shoulders in bold prints; they were an emblem of women’s strides in the corporate world, a visual manifesto of their determination to break glass ceilings. Shoulder pads became symbols of empowerment, underscoring the evolving role of women in
DECODING THE THREADS: UNRAVELING CULTURAL TRENDS IN FASHION
by Andrea Beachsociety. In recent years, the rise of sustainable and ethical fashion isn’t merely a trend; it’s a response to an era grappling with environmental concerns and a growing consciousness about the impact of consumerism. As consumers, we are becoming more mindful of the stories woven into the garments we wear—stories of ethical sourcing, fair labor and ecological responsibility. Fashion in the 21st century is a playground where technology meets tradition. The embrace of digital fashion and virtual couture is not just a nod to innovation; it’s a reflection of our interconnected, digitalized society. As we redefine our relationships with reality, fashion becomes a medium to explore the boundaries of imagination and possibility.
When we feel good about how we are dressed, it impacts our behavior in profound ways, shaping not only our self-perception but also how we interact with the world around us. The notion of dressing to impress isn’t merely superficial; it holds significant psychological implications. Studies have shown that individuals who are satisfied with their attire tend to exude confidence, leading to heightened levels of self-assurance and assertiveness in social situations.
Moreover, the way others address and perceive us when we are dressed impressively cannot be understated. Dressing well often garners respect and admiration from peers and colleagues, leading to more favorable treatment and opportunities. Whether it’s the crisp lines of a tailored suit signaling professionalism and authority in a corporate setting or the effortless elegance of a designer ensemble commanding attention at a social gathering, our clothing serves as a visual cue that influences how others perceive our status, competence and level of success.
Conversely, the absence of designer logos or the presence of well-worn, utilitarian clothing may suggest a different narrative – one of modesty, practicality or perhaps even rebellion against conventional norms of consumerism and materialism. In a society where image is often equated with success, individuals may use their clothing choices strategically to project a desired identity or convey a specific message to the world. Unfortunately, the reality is that people often make
snap judgments based on outward appearances, including clothing. Research has shown that individuals are quick to assess someone’s intelligence, level of education and importance based on their attire. Consciously or unconsciously, we tend to attribute certain characteristics and stereotypes to individuals based on their clothing choices, perpetuating biases and reinforcing social hierarchies. For example, a person wearing a well-tailored suit may be automatically perceived as competent, educated and capable, while someone dressed in casual attire or streetwear may be unfairly dismissed or underestimated. These preconceived notions can have real-world consequences, influencing hiring decisions, social interactions and opportunities for advancement.
The fashion choices we make today are not just about aesthetics; they are declarations of identity and statements of intent. Athleisure isn’t merely about comfort; it’s about a lifestyle that values health and well-being. As we decode the threads of cultural trends and fashion, let us not merely see garments but stories waiting to be unfolded. Recognize that the ephemerality of fashion conceals a permanence – a mirror reflecting our collective desires, challenges and triumphs. Fashion is an art form, an agent of change and a testament to our evolving values. Our fashion choices are not just about following trends; they are about shaping them and becoming architects of a cultural narrative that reflects the better, more conscious selves we aspire to be. In the journey through the myriad fabrics and styles that graced the runway, let us be inspired not just by the aesthetics but by the profound messages woven into every stitch.
Andrea Beach is an entrepreneur, investor, humanitarian and a highly acclaimed life and business coach. Having owned several successful companies across multiple industries, she is considered a leading authority on business, technology and consumer behavior. Beach combines the best techniques from NLP and relational psychology with her self-made success strategiesasabusinessleaderandentrepreneurto deliver incredible results for both companies and individuals alike.
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Winter is almost over, but the past couple of months have seen some spectacular new stores, and promises of more to come.
All About Apparel and Accessories
Valentino has returned to Soho with a new boutique at 98 Prince St. Its previous outpost in the area, 135 Spring St., closed last summer. Also back in the neighborhood is H&M, with a women’s-only store at 591 Broadway. Paris Saint-Germain, the French professional football club, has opened its store at 535 Fifth Ave.
Just Gems
Chanel launched its flagship, 3,300-square-foot watch and jewelry store at 730 Fifth Avenue, designed by Peter Marino and inspired by its location at the 18 Place Vendôme in Paris. The twolevel store features sculpture and objets d’art and separate salons for timepieces and jewelry.
Home Sweet Home
Ikea U.S. announced four more Plan & Order Points with Pick-up locations across the country in 2024. Two stores have been announced for greater Los Angeles, with Austin, Texas and metropolitan Atlanta units also to open this year.
Wining and Dining
The Granola Bar will open its newest New York City location at 330 Madison Ave. With six existing
DEB’S RETAIL DISH AND DEALS: A SPRING IN OUR STEPS
By Debra Hazel, president and CEO, Debra Hazel Communicationslocations in the suburbs of both Connecticut and New York and a new seventh location in New York City on the Upper West Side, The Granola Bar continues to expand its Manhattan footprint expected to open in the first quarter of 2025. The restaurant will be open for breakfast, lunch and dinner equipped with a full bar, and will offer a catering kitchen to service guests with The Granola Bar’s signature breakfast, lunch and dinner offerings off-site. Pollo Campero, a Guatemalan chain, has come to Penn 1. Samanea New York has signed two new restaurant tenants to join its expanding Restaurant Row at 1500 Old Country Rd. in Westbury, New York.
The two new restaurants, which are expected to open in the first half of 2025, are Tous Les Jours, an artisan bakery specializing in French-Asian inspired baked goods, and YiFang Taiwan Fruit Tea, offering authentic Taiwanese teas using organic and freshly sourced ingredients. This will be YiFang Taiwan Fruit Tea’s first location on Long Island.
Fast casual restaurant Shake Shack recently marked the opening of its first Garden State drivethru location at 240 Grand Ave. in North Brunswick, New Jersey, also known as Main Street NB. The 3,500-square-foot Shake Shack features a double drive-thru, only the 32nd out of Shake Shack’s 500-plus locations to have the experience. Patrons can dine-in or take out; pickup and delivery are available from the brand’s Shack App or website.
To Your Health and Beauty
Upscale sports facility Pickleball Kingdom is in the midst of a major expansion in Florida, opening 20 new clubs around the state. Locations and grand openings will be announced soon. Pickleball Kingdom’s new clubs in Florida will feature state-
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MARCH PICKS
By Serena BhullarMarch is here and we are more than ready to embrace spring! The upcoming season has us looking at all things colorful, lightweight and fresh. As winter layers return to the closet, nothing beats the pop of color spring fashion brings.
Here are our top March picks ahead of the new season!
1. Medium Western Belt in Natural Calfskin Tan: A good belt never goes out of style and we love this one from Celine. $590 | www.celine.com
2. Tory Burch Charm Hoop Earrings: Flash a little bling in your spring ensembles.
$168 | www.toryburch.com
3. Ellison Dress Lemon Drop: With a flattering fit and color, this dress is the ultimate spring staple. $295| https://staud.clothing
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$115 | www.lelandfrancis.com
4. Alaia Strass Lambskin Ballet Flats: Comfort meets flair with these ballet flats that bring the sparkle to your fit. $ 1,250 | www.maison-alaia.com
$46 | www.lionpose.com
$1,250 | www.jwanderson.com
5. Leland Francis Pomelo Sensual Eau De Parfum: An enchanting scent inspired by the beauty of Mediterranean groves and the romantic allure of dawn.
6. Ghost-Buster 100% Mineral Sunscreen SPF 42: This is one of the best sunscreens on the market. With easy glide-on and no white cast leftover, your skin will glow all day long.
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7. Jwa Corner Bag: Green is the New Black. A stunning bag that’s great for those who don’t like labels or logos, yet want elegant sophistication.
8. Archive by Sofia Coppola: An art book edited and annotated by Coppola where she docoments her work, methods and experiences. A great book to add to your collection this Women’s History Month. $65 | www.mackbooks.us
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THE MELKESEIZESHEIST
NYFWAT
Melke brings British childhood nostalgia to New York Fashion Week with “The Heist”
Presented by Emma Gage at Gary’s Loft, and part of the Council of Fashion Designers of America (CFDA), Melke’s Fall/Winter 2024 collection, “The Heist,” was spotlighted at New York Fashion Week. The collection catapults the wearer back to old-school nostalgia, as it draws inspiration from Gage’s favorite childhood movie series, “Wallace and Gromit.” With an interactive maze complete with a map, scavenger hunt and vignettes that allowed them to interact with the models, guests became part of the Wallace and Gromit world and participated in “The Heist.”
With notes of carefree joy and childlike wonder, “The Heist” leans into Wallace and Gromit’s misadventures of flying to the moon for cheese, stealing a diamond and battling an enormous wererabbit. Not only does the collection give a nod to old British cartoons, but it also respects the environment with sustainable materials. Eighty percent of the collection was derived from deadstock materials, where no leftover materials are abandoned to rot in landfi lls. Custom prints in the collection come from organic materials with responsible water consumption, and also includes handwoven cotton khadi from a fair-trade supplier. To wrap it all up on a note as joyful as childhood nostalgia, The Heist sources all its trims right here in New York to support local small businesses.
Florsheim and The Salting hit New York
Men’s Day
By LAURIE MELCHIONNEFlorsheim was spotlighted during The Salting’s New York Men’s Day (NYMD) show. Head-turning items from the Fall/Winter 2024 collection strutted down the runway, such as the RUCCI Plain Toe Gore Boot, the WHITMORE Lace Up Cap Toe Boot and the WHITMORE Lace Up Cap Toe Boot. Presented by Hilldun and spearheaded by Creative Directors Michael Ward and Manel Garcia Espejo, Florsheim’s footwear completed the looks cultivated by a variety of brands. Behind-the-scenes contributors included gloves by Amato New York, boutonnieres by Megan Guip for Wilhem-NYC, props by Lumber + Salt and set design by Brandon Matthews.
Florsheim seamlessly blends sophistication contemporary fashion with its historical aesthetic. Founded in 1892 by Milton Florsheim, the brand started as a low-key factory based in Chicago. Over the course of 50 years, Florsheim and his father, Sigmund, dedicated their brand to quality craftsmanship, comfort and unparalleled style. Today, Florsheim honors its roots with Milton Florsheim’s great-grandsons, Tom and John Florsheim, at the helm.
Sleek, masculine aesthetic, devoted operations and sophisticated craftsmanship breathe within the Florsheim identity on today’s runways. With offerings for upscale dress and casual footwear, Florsheim delivers the ultimate wardrobe for every modern man.
Alice + Olivia by Stacey Bendet showcased its Fall 2024 Collection, which revisited various significant visual art movements, serving as a reminder that fashion is truly an art form. The presentation featured a live DJ set by Maddi Waterhouse, and was located at Highline Stages, 441 West 14th Street.
“People are influenced by daily social-media trends, which can be so transient. I want to create more awareness for the time, detail and creativity that designers put into each piece of clothing we make,” said Stacey Bendet. “I hope our Alice + Olivia community collects pieces from this collection like pieces of art. Yes, we have casual jeans and beautiful tailored trousers, but the idea is that they can all be styled uniquely and that they’re shown alongside elaborate statement pieces. I am continuously inspired by the convergence of fashion and art.”
The show this season is an homage to the arts, with vignettes representing different genres of art through the ages—’60s Pop-Art, ’70s abstract murals, ’80s graffiti art, ’90s photography, a cloud room representing AI, an old master surrealist moss sculpture garden and a bow moment symbolic of timeless fashion as its own art. These intricate sets create the very creative backdrops for what Bendet describes as modern mod looks, ladylike and timeless with an artistic twist.
A collaboration with 1960s artist Tom Wesselmann, based on his three paintings “Limitless,” “Still Life” and “Natural Beauty,” are the basis for the pieces featured throughout the collection. Wesselmann is an iconic artist heavily associated with the pop-art movement of the ‘60s. His work includes collages and abstract assemblages of everyday objects.
To coincide with a life retrospective of his work later this year, the collection, shown against Alice + Olivia’s printed and 3D versions of his paintings, brings his art to life in the form
of engineered print and knit dresses, incredibly embellished skirts, as well as stand out illustrated figurines from his paintings in pop-art colors.
Throughout the collection, we fi nd styling inspiration rooted in the iconic moments of the ’60s pop era. From impeccably tailored tweed suits that pay homage to old-world glamor of days gone by, to standout crystal and pearl-covered capes paired effortlessly with modern wide-leg pleated pants, the styling of the collection seamlessly merges past and present. Shimmering sequined suits, skirts and swing coats feel fresh and cool and the must-have baggy jeans of the season are juxtaposed with exquisite bouclé jackets.
Sensual and striking jersey dresses are featured for evening wear, which Bendet explores with her trademark vibrant and imaginative flair. From the retro ‘60s feeling of sequin and tweed jackets to metallic jacquard gowns, the pieces exude opulence and refi nement with a creative twist. Boucle color block jackets and skirts offer a contemporary take on classic elegance, while bow-front capes and wide-leg pants evoke a sense of timeless charm. A “stace face” embellished brocade skirt is truly art unto itself!
Alice + Olivia worked with Too Faced to create the perfect makeup inspired by the art fi lled collection, the PopArtEye and PopArtLip, with elements like a bold red lip and 1960s blue studio eye and luscious lashes by Pro Lash. The hair looks, created by Aveda, continued the ‘60s theme with side part ponytails with high volume and high buns.
Art and fashion are continuously evolving into the future and revisiting the past. Both require time and attention, possessing the power to delight and inspire. The Alice + Olivia Fall24 collection reminds us that fashion is a thoughtful, creative, inspiring art form.
BE MORE ON TREND
The Las Vegas destination for top young contemporary brands and unmatched hospitality returns in 2024 with more resources than ever before. Starting this February, buyers can source from even more top lines and categories with the co-location of Womenswear In Nevada (WWIN) alongside Las Vegas Apparel at The Expo at World Market Center. Plus, gift and lifestyle crossover brands will be on display in the permanent showrooms that make this market unique among Las Vegas Fashion Week offerings. Together, the collaboration will create a new and exciting destination, filled with resources and amenities for buyers to enjoy. Don’t miss it!
Vegas
February 13–15, 2024
August 18–21, 2024
@apparelmarkets | LasVegas-Apparel.com
CURVE AND THE WORLD OF LINGERIE FALL/WINTER 2024 COLLECTIONS
Photos courtesy of Curve New York
For three days, Curve New York, the leading trade show for intimate apparel and swimwear in North America, held its bi-annual show at New York’s Javits Center February 4-6. The show welcomed retail buyers and industry tastemakers with opportunities to create new business, discover upcoming designers, network and attend exclusive events.
In addition, Curve has expanded its reach to the West Coast and Canada with Curve Los Angeles taking place on February 18-19. Curve’s Canadian, regional summer show, Curve Montreal, will take place later this year, on August 11-12.
Over 150 international lingerie brands exhibited at Curve NY over three days. Attendees had the opportunity to attend Trend Seminars, Bra-fitting workshops, fashion shows, shop a curated beauty lounge and so much more.
“According to Circana, sports bras and nightwear are strong categories in women’s intimate apparel,” said Raphael Camp, CEO of Comexposium US, Curve’s umbrella company. “The lingerie sector is evolving. Shapewear has gone from being a fashion phenomenon to a social phenomenon. Over the last 20 years, it’s grown into its own category, with sales soaring all over the world.”
As key examples, Camp cites beloved shapewear brands Anita, Leonisa, Wacoal and Aubade—which has just launched a new range of body-sculpting lingerie. He added, “We also welcome for the fi rst time Julia Haart, the reality TV star of the show ‘My Unorthodox Life.’ Julia launched +Body by Julia Haart at Curve New York, celebrating its affordable collection for women of all shapes and sizes. It was great to have her join the show.”
In addition, Curve New York hosted a VIP Cocktail Party and Fashion Show at The Venue at Hard Rock Hotel New York on Sunday, February 4.
The “by-invitation-only” event featured 15 brands such as Anita, Aubade, Chantelle & Chantelle X, Elomi, Leonisa, Natori, Nette Rose, Noblesse Oblige, Panache, Skarlett Blue, Sculptresse, Simone Pérèle, Rosa Faia and Wacoal.
With an emphasis on celebrating the latest trends in lingerie and body positivity, each label highlighted pieces from their Fall 2024 collections before buyers, press, influencers, stylists and other top tastemakers. Spotted trends included strappy bodysuits, metallic details, bright and subdued colors, nude basics for every skin tone and shapewear—along with intricately detailed, hand-made lace pieces that stunned everyone in the audience. The show was fi lled to capacity with the industry’s top lingerie buyers, writers and other fashion enthusiasts who came out to celebrate the February edition of Curve New York.
Anniversaries at Curve
Special accolades go to two of Curve’s loyal exhibitors: Simone Perele & Anita. Celebrating their 75th anniversary, Simone Perele, a French brand, continues to be a trailblazer in the world of lingerie. From Germany, Anita marks its 125th year in business by continually diversifying its range of merchandise from intimates to athleisure.
New Brands at Curve
A wave of upcoming brands and under-the-radar designers are hitting the industry market with 30 brands exhibiting at Curve NY for the fi rst time. Fashion Executive and star of Netfl ix’s “My Unorthodox Life,” Julia Haart will join Curve with her namesake brand of shapewear, +Body by Julia Haart while Chloé Rogers, founder of the brand, Scarlett Gasque, will bring a retro flare with vintage glamor.
Other brands to discover at Curve NY this season are: (EX) TEASY, BOGLIETTI, By Catalfo, Clientbook, Cosmogonie, Creaciones Selene, Effeto, Half Asleep, Homespun Heart, Ivy Swimwear, JIV Athletics, LA NOUVELLE, Like a Kitten, Lindenbridge Inc., Lollipetals, Love and Bra, Love Nood, Luna B, M.Rena, MeUndies, Petite Plume, Sheerly Touch-Ya, Sunrise Swim, Stripe & Stare VAMP, Flor de Liz Guio and Commonwealth Packaging Company.
Lingerie Briefs Salon
In its third year, the Lingerie Briefs Salon celebrates the artistry and innovation of 11 brands in a special immersive section of the show floor.
EVENT
EVAN DOLGOW SYDNIE SPECTOR JENNIFER WINICK
COMMITTEE MEMBERS
RAPHAEL FEIGENBAUM ARI KARESH AUSTIN LEIST
MARC NECHMAD BEN PLOTKIN BAILEY SOUAID
STEP INTO SPRING
Look ahead to bright days and sunny styles as you source Spring/Summer ’24 and more at Atlanta Apparel this October. See full collections for the next season as well as top brands for Resort, Accessories, and Shoes. Don’t miss the one market where you can find everything you need in one place, with affordable hotels and plenty of award-winning dining and entertainment options nearby, trend presentations to inspire you, and fun activations to make your trip memorable.
FUTURE MARKET DATES
October 10–14, 2023
February 6–9, 2024
April 9–12, 2024
June 4–7, 2024
July 30–August 2, 2024
October 15–18, 2024
Atlanta-Apparel.com
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SPRING INTO SLEEPWEAR
Japanese retailer GU has taken its theme “Tokyo to Soho” to the next level. As March transitions us into the new season, the brand has collaborated with The New York Botanical Garden (NYBG) to sprinkle spring into your sleepwear.
Themed “Dream in the Garden,” the collection blossoms with whimsical, floral prints that transport the wearer to the blooms at NYBG. Inspired by the NYBG’s vast archive of art dating back to the 12th century, the collection includes pajamas, lounge sets and socks, all with motifs of colorful plants and trees found at the NYBG in spring. A portion of the proceeds from GU’s collaboration with NYBG supports the Garden’s work in plant research and conservation, horticulture and education.
To celebrate the collection launch, the first ten customers who purchase more than $75 in-store, including at least one piece from the botanical-inspired collection, will receive a free one-year, dual membership to The New York Botanical Garden. Membership includes entrance into the famous Holiday Train Show® and The Orchid Show, discounts on premium events and concerts, and members-only exhibition previews, events and trips.
A deeper dig into the collection includes:
Cotton Blend Pajamas $49.90
These pajamas are made of a smooth cotton-blend material, with a gorgeous pattern that looks like it was lifted directly from a botanical encyclopedia.
Colors: 2 colors (off-white, navy)
Sizes: S-XL
Lounge Set $39.90
These lounge sets feature large prints of flowers that bloom vividly in spring. The set comprises a tunic-length top and leggings with a relaxed fit, perfect for lounging.
Colors: 2 colors (beige, light blue)
Sizes: S-XL
Socks $3.90
The floral motifs are expressed with delicate knitting. The prominent large flower on a crew-length sock adds splendor to your feet.
Colors: three colors (off-white, black, light blue)
Size: One Size
The collection is available at GU’s Soho store.
Palm Beach Police & Fire Rescue Ball
SOCIAL SAFARI:
Honorary Chairs Jeff and Nicola Marcus, Event Chairs John and Amy Phelan and this year’s Palm Tree Award recipients Linda Gary and Michael Bellisle led the perfumed pack at the 18th Annual Palm Beach Police & Fire Rescue Ball at Mar-a-Lago. Suzanne and Woody Johnson, the ever glamorous Kimberly Paige Bluhm and her real estate and casino magnate husband Neil Bluhm, Bill and Marianne Powers, Jean and Martin Shafi roff and the Foundation’s CEO John Scarpa were all on the dance floor at the black tie dinner, which was themed was “La Dolce Vita.” The evening began with guests gathering poolside for cocktails, while a DJ and saxophonist entertained and performers encased in clear plastic spheres created an aquatic spectacle in the pool. The club’s ballroom evoked the coastal glamor of Capri with elaborate arrangements of lemons, lush greens, crisp blue and white linens and a faux cobblestone dance floor. Over 700 guests were treated to a dinner of arugula salad, lasagna and tiramisu. The ball raised over $3.3 million. pbpf.us
The Winter Show: Opening Night
show’s 70th edition featured 76 exhibitors from around the Opening Night Party and all show provide unrestricta community-based more than 14,000 families in the ern Manhattan show was sponAmerica.
Prince Dimitri of Yugoslavia, Nicky Hilton Rothschild, Michael Bloomberg, Martha Stewart, Jamee and Peter Gregory, Laine Siklos, Peter Thomas Roth and Michael Bloomberg and his decorator Jamie Drake were among the cognoscenti at The Winter Show’s Opening Night to benefit the East Side Settlement House (ESH) at the Park Avenue Armory. The glamorous evening featured elaborate hors d’oeuvres by Canard and provided an opportunity for guests to preview the fair’s esteemed exhibits before they opened to the public. One of New York’s most highly anticipated social events, the evening was attended by more than 1,000 guests, including Bunny Williams, Alexa Hampton, Wendy Goodman, Billy Cotton, Arie and Coco Kopelman, and ESH’s Daniel Diaz and Thaddeus Gray, from the worlds of art, antiques, design, business and philanthropy. The globe. Proceeds from the net proceeds from the ed funding to ESH, organization serving individuals and Bronx and northannually. The sored by Bank of intershow.org.
Miami Symphony Orchestra Opening Night
Composer Karen LeFrak premiered her piece “Miami Concerto for Guitar and Orchestra” at the Miami Symphony Orchestra (MSO) to critical acclaim. The glamorous night attracted a stellar crowd including Blaine Trump and Steve Simon, Hilary and Wilbur Ross, Kimberly and Neil Bluhm, Laura and Lloyd Blankfein, Meryl and Jimmy Tisch, Donna and William Acquavella, John Hess and Ann and Andrew Tisch. The concert, under the brilliant baton of Maestro Eduardo Marturet and featuring multi-Grammy-winning guitarist Sharon Isbin, received a standing ovation. A gala post-concert dinner was given by LeFrak’s husband, real estate mogul Richard LeFrak, at Contessa. In addition, the MSO enchanted audiences with a piece dubbed “Glimpses of a Living Culture,” also conducted by Maestro Marturet. Marturet is renowned for his visionary approach delving into the richness and diversity of cultural expressions. His leadership added profound depth and insight, creating an unforgettable experience for all attendees. themiso.org.
The Dog
Store & Shiba & CO
A new trend on the Upper East Side is that attractive, wealthy women have given up on fi nding suitable men to date and have switched their affections to their dogs. Their pooches give them unconditional love and non problematic attention, and, of course, their four-legged friends don’t cheat. This trend has created new businesses and better sales at high-end pooch establishments, including an increase in business at The Dog Store on East 61st St, where pampered pooches can get everything from acupuncture, blowouts, massages and personalized jet and yacht training. Their celebrity clients include Beyonce, Blake Lively and Ryan Reynolds and Simon Cowell. Shiba owners in New York, of which there are over 30k including Richard Gere, now have their very own designers at the online store Shiba & CO. The company’s designers, Nico Di Stefano and Jiatai Qi, have created colorful hoodies, dog collars, leashes and silk bandanas, which also come in sizes suitable for their owners so they can match their pets when they strut their designer duds on 5th Ave. shibandco.com.
William Hearst Harris
Christie Brinkley, Baroness Milly de Cabrol, Paula Peck and Nicole Miller were among the friends and family at the christening of Paula and Randy Hearst Harris’s son William Hearst Harris at St. John’s Episcopal Church in Southampton, which was opened for the special occasion. The festivities that followed also served as the opening of their mansion after the scary fi re that almost burned the place to the ground with them in it in 2019. The extensive renovations were overseen by top interior designer and architect Robert Couturier, and now includes an over-the-top Greek-tiled spa and bath with antique lanterns lighting up the blue and gold tiles, inspired by the one at Hearst’s grandfather’s William Randolph Hearst’s Castle in San Simeon, Cal- ifornia. Hearst inspired the Orson Wells classic “Citizen Kane.”
DOLCE D’ORO BY LE VIAN
A JOURNEY THROUGH THE CENTURIES
Le Vian is a behemoth in the world of fine jewelry. Each time you walk into Jared and stare down into a glittering Le Vian display, you stare at a piece of history that traces back to the 15th century, spiritual gems drenched in Indian folklore and the legacy of global British imperialism now reflected in the British Crown Jewels at the Tower of London.
Just in time for its 25th anniversary of its partnership with Jared, Le Vian has released the Dolce D’Oro collection, manifesting the family’s centuries-old role in historical jewelry. The collection itself is inspired by the oldest gem in the Le Vian family vault, a 16th century jade surrounded by gold beading. Challenged by Jared to create an exclusive collection to commemorate this anniversary, Le Vian decided to draw inspiration from its rich archives. Capturing the essence of the 16th century gem and a piece from the 20th century, both incorporating intricate gold beadwork, Le Vian has created the Dolce D’Oro bangle in a fresh, modern reimagining as the centerpiece of the collection. The Dolce D’Oro bangle has stormed the scene, captivating hearts and becoming an instant sellout within its maiden month, while perfectly realizing Le Vian’s forecasted 2024 Bangle Party trend, which foresaw a predilection for iconic bangles, designed for ubiquitous glamor every time of the day.
“Behold the unveiling of the complete opulent Dolce D’Oro collection—an ode to the intoxicating allure of sweet scoops of yellow gold. Picture it: delicate lines of Honey Gold beads, echoing a centuries-old concept dating back to my family’s ancestors, Le Vian’s inaugural masterpiece in the early 1500s,” said Eddie LeVian, Le Vian CEO. “This lineage resurfaces in the chic echoes of the 1950s and the eternal glamor of the 1990s, merging past grandeur with modern panache. “
Dolce D’Oro is a symphony of dramatic elegance, where the heart-throbbing Chocolate Diamonds and mouth-watering Blueberry Sapphires dance
along a centerline, capturing the essence of timeless beauty. In the Italian tradition of Dolce D’Oro, meaning “sweet gold,” Le Vian reimagines its oldest concepts with a daring flourish.”
Since the 15th century, the Le Vians have been vendors of fine jewelry in Persia. Descendants of the ancient Levi tribe, one of the 12 tribes of Israel, the Le Vians trace their ancestry as far back as 2,500 years. Throughout the ages, the Le Vian family catapulted to prestige in the world of fine jewels. This was reflected in 1746, when Persian Emperor Nadir Shah plundered Delhi, India, in search of the infamous Kooh-i-Noor Diamond. According to Indian legend, this 186-carat diamond hung from the neck of the sun god, and was first documented in 1304 by the Rajah of Malwa. But the Le Vians did not possess the Kooh-i-Noor for long. Just a year later in 1747, Nadir Shah was assassinated and the jewel found itself in Lahore, India. This was at the height of British imperialism, which found Lahore annexed and the jewel confiscated by the East India Company. In 1850, the company gifted the jewel to Queen Victoria. By 1911, the Kooh-i-Noor diamond was the center stone of Queen Mary’s new crown, before it became part of Queen Elizabeth’s Crown, and eventually the Queen Mother’s crown. Eventually, the Kooh-i-Noor made its way to the Tower of London, where it is displayed among the British Crown Jewels to this day.
“The Dolce D’Oro Collection is not merely jewelry; it’s an epic narrative of history, innovation and the irresistible sweetness of bygone eras,” added Eddie LeVian. Le Vian is at the forefront of creating the most exquisite natural fancy color diamond jewels in a kaleidoscope of colors including pink, yellow and the exclusive Le Vian Chocolate Diamonds®, which have in the last 20 years attracted over five million collectors. Le Vian submits its manufacturing process to independent audit and verification as a certified member of the Responsible Jewellery Council. Le Vian’s mission is to make the world’s most desirable jewelry accessible to every household. Today’s generation of the Le Vian dynasty is fully committed to realizing this goal.
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TRISH PENG COUTURE: THE DREAM BRIDE EXPERIENCE
By LAURIE MELCHIONNETrish Peng Couture is the bespoke bridal service that brings specialized services to every bride’s special day. Based in Auckland, New Zealand, Founder and Creative Director Trish Peng delivers a heightened luxury to bridal couture, not only with readyto-wear collections that drop each season, but with a dedicated custom service to tailored gowns. Trish Peng is selective; only 20 lucky brides per year receive the Trish Peng Couture Experience, and in this story, Trish Peng herself takes us behind-thescenes on what it’s like to be a Trish Peng bride.
You have a background in fashion; what drew you to the bridal category specifically?
Creating one-off and custom evening wear was where it all started for me. Designing dresses that make the wearer feel beautiful and working closely with each client to design something that truly complements them is my passion. From there, I started designing custom wedding dresses for a few clients and the rest is history.
Your wedding lookbook is on your website; what role did your brand play in your own special day?
One thing I have made sure throughout my 10 years in business is maintaining the integrity of my designs and staying true to my style and brand aesthetic. For example, my signature 3D florals can be seen in the very first wedding dress I designed right down to current collection dresses including my very own ceremony dress. With this, my brand style was definitely incorporated into our overall wedding decor, which was floral, modern, romantic, yet timeless, mirroring the essence of our dresses.
What is the Trish Peng Couture Experience? What makes these bespoke design services unique?
The Trish Peng Couture Experience is a unique and personalized journey. It entails working collaboratively with each bride to bring their dream dress to life. Anything is possible including designing your very own fabric. All of our bespoke dresses are meticulously handcrafted in our Auckland atelier, with each bespoke design requiring at least 100 hours or more of craftsmanship. It is the best experience for anyone seeking a one-of-a-kind gown.
How long is a bespoke dress’ journey?
The process of creating a bespoke dress is usually eight to 12 months. It is a unique journey we embark on with each bride, working closely to exceed dreams and expectations while also ensuring the perfect fit.
Can a client customize existing pieces from current collections?
Absolutely! Custom is central to our philosophy at Trish Peng, so we extend and offer this service on all of our collection dresses for both our local and international brides.
Is it difficult juggling 20 bespoke projects per year? How do you manage this large bulk of specific clientele while running the rest of the brand?
Managing 20 bespoke designs each year can be challenging. However, it’s a balancing act that we have mastered over time. We have recently limited our bespoke dresses to 20 each year to ensure we continue to deliver the high level of service Trish Peng is known for.
What is the distinct Trish Peng aesthetic?
Trish Peng dresses are renowned for being feminine and elegant yet modern and timeless. Our brand’s distinctive aesthetic is evident in all of our creations, with our stockists often noting that they can identify a Trish Peng dress at a glance.
What inspires your collections?
Our collections are inspired by a variety of sources, with key inspiration coming from whispers from brides as well as runway trends. We listen closely to feedback from brides to understand their desires and preferences, incorporating these insights into our designs. Additionally, we draw inspiration from runway trends outside of bridal to offer modern and unique dresses for our brides.
How long does it take to curate a collection? What is the process from design sketch to ready-to-wear?
Curating a collection is a meticulous process that takes several months to complete. It begins with gathering inspiration and analyzing trend forecasts, which then inform the design sketches. From there we layer and source fabrics ready for the production phase. We then make adjustments along the way to ensure the desired look and fit.
How often are collections launched?
Our collections are launched once a year due to the extensive process involved in curating each collection. This timeline allows us to perfect each piece to ensure that it meets our high standards of quality and craftsmanship.
Any exciting news or developments you can tease for the upcoming year?
We have so much excitement in store for the upcoming year! We recently launched our new brand, T.Begg Tailoring, specializing in men’s custom suits, which has been incredibly well-received. We are also currently working on a new collection, which we can’t wait to unveil!
There is so much more, which we can’t wait to share.
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