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As we step into Fall, I’m reflecting on what an incredible year it has been for the Luxury Equestrian Network After four wonderful events in Southern California, we are thrilled to be expanding eastward with our very first East Coast gathering On October 18th, we’ll come together in Middleburg, Virginia a place that truly embodies classic hunt country at the historic Welbourne Inn, an estate dating back to 1775 with a legacy as rich as the community we are building.
And the expansion doesn’t stop there We’re also preparing for an event at the World Equestrian Center in Ocala, Florida, a venue that sets the standard for world-class equestrian experiences
Beyond events, the Network itself is evolving We are launching our Chapter Director program, empowering equestrian professionals across the country to cultivate their own regional circles of collaboration and connection under the Luxury Equestrian Network umbrella This new venture not only expands our reach but also deepens our mission: to bring together the very best of equestrian living, design, real estate, and culture
The momentum is undeniable, and this is just the beginning
With gratitude,
Lindsay Hunter, Founder & Editor
Lead the Luxury Equestrian Network in your region the only community of its kind connecting equestrian real estate, design, construction, lifestyle, and more.
✨ Exclusive territory
✨ Recurring revenue
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✨ Backed by a national luxury brand
BUILDERS
Joe Acevedo, Acevedo Construction
Joe@acevedoconstruction net
Acevedoconstruction net
Giffin & Crane
Geoff@giffinandcrane.com
Giffinandcrane com
ARCHITECTS
Chris Richards, Wade Weissmann Architecture crichards@wwa-design com
Wadeweissmannarchitecture.com
Keith Weibrecht
Keith@kw-architecture.com
Kw-architecture com
REALTORS
Lindsey Vorwith, Mane Real Estate lindsey@mane-realestate.com mane-realestate com
Sean Caddell, Pacific Sotheby's International Realty OceanRanches@gmail com
Seancaddell com
Peter Zimble, Carolwood Estates Pzimble@carolwoodre.com Carolwoodre com/agent/peter-zimble
HOME STAGERS
Kim Kelly, Everything Creative Designs
Kim@everythingcreativedesigns com
Everythingcreativedesigns.com
ONLINE MARKETING
Jessica DiCostanzo, Equivont
Jessica@equivont com
Equivont com
INTERIOR DESIGNERS
Lindsay Hunter, Hunter Design
Lindsay@lindsayhunterdesign com
Lindsayhunterdesign com
LANDSCAPE ARCHITECTS
Tim Smith, Wynn-Smith Landscape Architecture
Tim@wynn-smith com Wynn-smith com
EQUESTRIAN FACILITY DESIGNERS
Cindy Santa Cruz
Cindy@cscequinedesign.com
Cscequinedesign com
CUSTOM STALL FABRICATORS
Yash Balasaria, American Stalls
Yash@americanstalls.com Americanstalls com
TRAINERS
Ashley Donadt, Donadt Dressage Donadtdressage@gmail com Donadtdressage.com
EQUESTRIAN GIFTS
Modern Equestrian Shop
Lindsay@modernequestrianshop com
Modernequestrianshop.com
FINE ART
Art Photography, Advertising
Christina Ciaccio, Ciaccio Creative/Advertising
Info@ccsolvang com
Christinaciaccio.com
Sponsored by American Stalls
The Luxury Equestrian Network’s summer event brought members and friends together at the serene Folded Hills Winery in Santa Ynez Valley With sweeping views of the valley and the relaxed charm of the farm, the afternoon provided the perfect setting to reconnect with old friends and welcome new faces into the community Guests enjoyed Folded Hills wines while engaging in lively conversation against a backdrop that perfectly captured the laid-back elegance of California’s horse country
The event was made possible with the generous support of American Stalls, whose sponsorship continues to help us host meaningful gatherings that celebrate the best in equestrian lifestyle, design, and real estate
As our network continues to grow, events like this underscore the importance of community sharing ideas, experiences, and inspiration in settings that reflect the beauty of the equestrian world
Lindsay Hunter combines her enthusiasm for interior design with her passion for the equestrian lifestyle to create intentional, inspirational living spaces for people from all walks of life Past clients appreciate her attention to detail and her ability to bring the best out of any space, no matter how large or small Lindsay brings a wealth of knowledge, insightful understanding, and elevated scope to every project because she understands why a house should feel less like a building and more like an extension of your life, identity, and passions
Lindsay has made a name for herself by blending her passion for horses and the equestrian lifestyle with design to create a style she fondly calls ‘Modern Equestrian’ With her growing portfolio of nationwide clients, she established Hunter Design in November 2010 and bears the distinction of being certified by the National Council for Interior Design Qualification
Lindsay has been featured in renowned publications such as Equestrian Living, EqLuxe, Polo Lady, Horse & Style, and Horse Illustrated
Lindsay@lindsayhunterdesign com Lindsayhunterdesign com
Wade Weissmann is the energetic visionary behind his namesake company of twenty-five years A Milwaukee native, Wade’s design talent and gift for attracting and nurturing a highly skilled collaborative team has brought the firm recognition and clientele close to home and further afield Wade
Weissmann Architecture is currently engaged in working on bespoke estate projects across the country from Beverly Hills to Miami Beach Widely acknowledged for custom residential expertise, use of craft, and exquisite details, Wade added a corresponding master planning arm to the firm, which serves national and international brands seeking a fresh and unique design outlook for hotels, new communities, and wineries
Wade’s passion for his work is fueled by a long-held fascination with generational legacy and the passing down of traditions Romance, story-telling, utility, and beauty are at the core of the firm’s architectural designs and Wade firmly believes that a collaborative approach to design always yields the happiest outcomes To that end, WWA maintains fully staffed offices on the east and west coasts and a central administrative office/creative studio in
Wade Weissmann, Architect, AIA President
Milwaukee to provide the highest level of servicing commissions nationwide Wade and his firm are proud recipients of a 2017 Shutze Award for Excellence in the Classical Tradition and published their first book, Heirloom Houses (Gibbs Smith), in 2018; their second book, Homes of Quiet Elegance, was published in 2024 Wade holds an undergraduate degree in Architecture from the University of Wisconsin - Milwaukee and a Master’s of Science in Architecture from the University of Pennsylvania He is active with the Institute of Classical Architecture & Art and The Design Leadership Network and an enthusiastic supporter of many arts organizations and the Human Rights Campaign An inveterate traveler and enjoyer of life, Wade finds solace and inspiration in the company of his partner, family, and dogs
crichards@wwa-design com Wadeweissmannarchitecture com
F A S H I O N E D B Y T H E W E S T
From Paris Fashion Week to the American arena, Siegel is blending craft, culture, and community to redefine rodeo for a new generation.
Interview by Lindsay Hunter
Born in the Alps of Northern Italy, Stefan Siegel built his career in the heart of the fashion world, with Paris Fashion Week and global brand platforms shaping his professional life But it was during the pandemic, living in an Airstream and traveling across 30 states, that he stumbled into a different stage: the rodeo arena What struck him wasn’t spectacle, but substance craft, community, and culture that felt closer to couture ateliers than corporate entertainment That discovery set him on a mission to reimagine the future of rodeo: preserving its authenticity while underlining American craftsmanship, modern horsemanship, and storytelling
Can you tell us a little about your background and how you first became interested in rodeo?
I grew up in the Alps of Northern Italy, famous for horses, skiing and high-end fashion manufacturing, then spent my career building brands and platforms in fashion Years later, in the US, I found Rodeo not as a spectator sport, but as a working culture as the traditional meaning of the word “Rodeo” – a round-up: celebrating culture, discipline, utility, pride in the hand-made It felt closer to the studios and ateliers I knew than to “entertainment” That bridge craft to culture is what hooked me
What role did your travels across the country in your Airstream play in shaping your love and understanding of rodeo culture?
I lived a year on the road across 30 states County arenas, sale barns, small-town diners You learn quickly that rodeo isn’t a weekend costume; it’s its own economy Feed stores, farriers, motels, makers, the whole network Seeing that ecosystem up close convinced me this was a culture worth investing in and preserving it for the future in a way that it would underline these local ecosystems as opposed to corporate sponsors and Made in China
Were there particular moments or experiences on the road that made you realize you wanted to dedicate yourself to this world?
A few, the first one was when meeting a cowboy on the Circle Bar Ranch in West Texas, who was dedicated to all kinds of silversmithing, knife and spur-making Each item was a piece of art
But no customer base outside of the ranch, no social media, and nobody to pass his skills and knowledge on to one day
Then there were the kids hanging at the Rodeos across America, with a style I started calling ‘The Future West’ A mix of vintage, feed store chic and their raw faces, untouched by celebrity culture and European luxury brands Finally, the dozens of ranchers and their family members telling me they were looking for something Made in America but could no longer find it It was clear there was substance here, the industry just needed a better platform
PASSION & PERSPECTIVE
What do you love most about rodeo both as a sport and as a cultural tradition?
As a sport, for me it’s all about the horsemanship Last December I was in Vegas for the NFR, one afternoon at the South Point Hotel I counted over 200 horses in the same warm-up arena Not a single horse, not a single cowgirl or cowboy were anxious, it felt harmonious, and that’s how it should be As a culture, people still show up for each other in person, they shake hands, they all dress up it’s one of the last American rooms where generations sit together and speak the same language Rodeo has such deep roots in American history. How do you balance honoring tradition while bringing in fresh ideas?
The tradition of Rodeo is a showcase of disciplines, of culture, of art The traditional round-ups (“rodear” in Spanish) were families, ranches and haciendas coming together There were no energy drinks as sponsors, everything people wore was made within a few hundred miles from the arena and there was more socializing and less sitting in grand stands That’s exactly what our guests want: leave the phones at home, come out and spend the day with good people and animals, experience Made in America and have a great time
RESHAPING RODEO CULTURE
You’ve talked about wanting to revolutionize rodeo making it safer, more sustainable, and more community-focused What inspired that vision?
Frankly speaking: just seeing the empty grand stands at small-town Rodeos across America We need to keep the fundamentals but instead of a spectator sport, we modernize everything around them: better presentation, safety for horses and cattle, outstanding hospitality, independent musicians, how we tell the story about the hosting ranches and the riders who we invite in
How do you see USA-made products and healthier treatment of animals playing a role in that transformation?
They’re the baseline If rodeo celebrates skill, the gear should be American-made by people whose names we know And if we say we respect animals, that must show up as footing, shade, rest, vet oversight, and event formats that prioritize their welfare not just slogans
What changes do you think are most needed in the industry right now?
Over 80% of the kids that were in line for a pony ride at our last Rodeo had never touched a horse in their life If we want both the English and Western riding industries to stay relevant, we must open the doors and understand that kids grow up differently these days If we don’t adapt, innovate and implement modern horsemanship, someone else will attempt to curfew the industry as it is already happening
You’re very focused on supporting landowners can you explain how your events and philosophy help them?
Nine out of the last ten Rodeos were hosted by private ranches across California, and we enjoy telling their history, getting to know the families and pretty much turning the pre-Rodeo marketing into a beautifully shot documentary about our hosts Most of the ranches that have hosted us went on to book more events, weddings or increase their horse boarding capacity
What does community mean to you in the context of rodeo, and how do you create that sense of connection at your events?
For me community is engineered overlap I program demonstrations, workshops, panels, art, and music around the arena, so a family, a first-time visitor, and a pro all find their entry point You come for the horses, you stay for the conversations, and go home with something made by a person, not a factory
What’s your ultimate vision for the future of rodeo culture?
Make it a contemporary cultural platform on par with film, fashion, and music while staying honest to the work Arena in the center, craft, education, and hospitality around it Fewer barriers, higher standards
If you could reshape the way the public sees rodeo in the next 10 years, what would you want that image to be?
I want it to be less caricature, less deep-fried corn and less American flags that are made in China You should be able to bring someone from a major city, a local family, and a ranch kid and all three feel like it’s theirs Less sitting in grandstands, more experience, more conversation I don’t want Rodeo to be an insular event for people on vacation in Montana, but something that celebrates the local culture, and people across America will fight for it to stay around for centuries
PhotoCredits:Page13TrentSchlamp;Page14MikieEricson;Page15Clockwise fromtopleft:TessPrata,ToniStintzing,AudreyMay,MikieEricson,next4are ToniStintzing,MikieEricson;Page16ToptoBottom:StevenWood,RaulEsparza; Page17ToniStintzing;Page18MikieEricson
Do you see rodeo as having a place in the luxury and lifestyle space?
If so, what does that look like?
Yes, for me, luxury is craft plus scarcity plus story A hand-tooled saddle, an Escaramuza dress, a pair of boots made in a small shop that is luxury to me IRON will soon package that world with USbased production and retail so the value is obvious outside the arena What’s next for you any projects or events you’re especially excited about?
We’re in LA, and I’ve learned (the hard way) to never share my future ideas :)
Today, Siegel’s vision extends far beyond the arena By spotlighting American-made craftsmanship, elevating animal welfare, and creating events that bring landowners, families, and newcomers together, he is shaping rodeo into a cultural platform that thrives on community For him, rodeo is not just a sport it’s a shared experience, a network of people and stories that can stand alongside fashion, film, and music Rooted in tradition yet open to innovation, Siegel’s work is proof that when community comes first, heritage has a future
@iron usa
www iron-usa com
“You come for the horses, you stay for the conversations, and go home with something made by a person, not a factory.”
-Stefan Siegel
At American Stalls, we work instinctively and from the heart to serve our clients An American Stalls purchase is an investment in stabling products, but also a seed for a long-term relationship with our firm We deeply care for our people and make it our mission to build long-lasting, genuine relationships with our clients
We specialize within the equestrian industry by offering luxury stabling products and service of exceptional quality Our objective is to be recognized as the company that supplies the finest horse stalls and barn equipment in the world
We supply products that deliver long-term value using the finest raw materials, superior design and finishes, and support them with a deep drive for personalized service
Doing so allows American Stalls to satisfy the needs and tastes of our discerning clientele while maintaining our position as the trusted supplier of the best equine equipment
Yash@americanstalls com Americanstalls com
We believe the spaces you inhabit should support and accommodate what you do, should invite and inspire you, and should feel comforting and alive Designing a home (or barn, or guest house, or ) is a substantial undertaking We do everything we can to make that process fun, stimulating, and rewarding for our clients That means vibrant discussions about design and the client’s specific needs It usually also means managing permits and engineering consultants – the less exciting parts which we ’ re happy to handle behind-the-scenes on your behalf
KWA specializes in designing single family homes, additions, remodels, and complementary structures like barns, pool houses, and ADUs For new builds, we embrace a clean modern aesthetic For remodels and additions, we honor the original character and style We give careful consideration to the project’s site and context and aim to include sustainable elements wherever possible Great architecture starts with a conversation We will ask good questions and listen carefully Gaining a deep understanding of the unique circumstances, needs, and wants of each individual client is a critical part of how we create beautiful and functional spaces and buildings
Keith@kw-architecture com Kw-architecture com
Interview by Lindsay Hunter
Blending a love for horses with a passion for design and real estate, MANE is a boutique brokerage created by equestrians, for equestrians With a fresh, modern approach, the team goes beyond barns and acreage to capture the heart of what makes a property feel like home From lifelong riders to seasoned real estate experts, MANE is redefining the way equestrian clients buy and sell, creating a community where lifestyle, legacy, and land come together seamlessly
What does the name MANE represent to you and how does it reflect the spirit of your group?
MANE represents a heart lead boutique brokerage created by equestrians, for equestrians MANE embodies the modern equestrian way of life by creating a sense of unity between the equestrian lifestyle and homeownership We aren’t just a bunch of realtors who know absolutely nothing about horses representing equestrians We truly understand the complexity and value of horse properties because we live and breathe the equestrian lifestyle ourselves Moreover, not all equestrians want the responsibility of owning and maintaining a horse property, and that’s okay That’s why we started the MANE Equestrian Collective, a division dedicated exclusively to equestrian properties and the unique needs that come with them While the Collective focuses on buyers and sellers looking for arenas, barns, and acreage, MANE serves the entire equestrian community From riders who dream of living near top training facilities, to families who want the equestrian lifestyle without the upkeep of land, to investors seeking boutique ranches or luxury estates, MANE understands that every equestrian’s journey looks different Our mission is to meet you wherever you are and help you find a home that truly fits your lifestyle, horse property or not
MANE isn’t just a name; it’s a statement about blending passion for horses with a deep understanding of real estate
What kind of community do you hope to build through MANE, and how does it differ from other real estate teams?
Most equestrian real estate teams feel stuck in the past Their marketing, their approach, even how they connect with clients hasn’t evolved in years With MANE, we wanted to create something modern and fresh A community that feels like a family, not a transaction Our goal goes beyond selling properties; we ’ re building a network where equestrians can connect with each other including riders, trainers, and enthusiasts, while also finding homes that fit their unique lifestyles Because we live the equestrian life ourselves, we understand the dreams, the challenges, and the details that make a property truly work for horse people today
Can you share a bit about the members of your group what unique strengths or perspectives does each person bring?
Each member of the MANE team brings a unique set of strengths that create a well-rounded and deeply knowledgeable group Some of us are lifelong riders who truly understand the nuances of barn layouts, arena footing, and what makes an equestrian property functional and beautiful Others bring decades of experience in luxury real estate, including property flips, interior design expertise, and a keen eye for creating value through thoughtful renovations Our team also includes professionals with a construction and development background, as well as the perspective of owning and operating commercial horse properties firsthand, so we know the lifestyle from every angle Add to that over 15 years in the mortgage industry, and we offer clients the complete package: equestrian insight, real estate savvy, financial guidance, and development expertise, all working together to help clients find properties that truly fit their lifestyle and long-term goals
How do you and your team support one another and collaborate to better serve equestrian clients?
We operate collectively When you hire one of us you hire the entire team which creates a truly unique offering I personally look at it as a competitive advantage for our clients We collaborate with the best of the best in the industry We share insights, market data, and even personal experiences to ensure our clients get the best possible guidance Whether it’s walking the property to evaluate pasture potential or negotiating a complex deal, we collaborate closely to make sure no detail is overlooked
In your experience, what are equestrian buyers and sellers really looking for that goes beyond land and amenities?
Equestrian clients are looking for harmony Of course, the acreage, arenas, and barns matter but what really counts is how the property feels when you drive through the gate Is it a place where the horses can truly thrive, families can gather, and memories can be made? Buyers want that emotional connection to the land a sense of possibility and belonging that goes beyond square footage For sellers, it’s about having someone who truly understands the unique value of equestrian properties Someone who knows how to highlight not just the land and facilities but the lifestyle and potential the property offers They need a team with the knowledge and experience to market these properties to the right audience and communicate the details to potential buyers, ensuring their legacy and investment are represented with the care they deserve
What values guide MANE when it comes to helping clients find or sell equestrian properties?
Integrity, passion, and expertise guide everything we do We believe in honest communication, taking the time to understand our clients’ unique needs, and pairing that with deep market knowledge We also believe in stewardshiphelping clients not just buy or sell land, but preserve the lifestyle and legacy that equestrian properties represent
Looking ahead, what are your goals for MANE in its first year? Are there any projects or initiatives you’re especially excited about?
Our first-year goals center around growing our network and creating resources for equestrian clients that don’t currently exist in the marketplace From off-market representation, to curated property tours, to community events and unique marketing, we want MANE to be the go-to resource for equestrian real estate expertise in Southern CA
We do have a few very exciting projects in the works Unfortunately with equestrian comes discretion so we are unable to share more about those projects However, something I can share, which is a bit of a teaser, but we plan to launch something I am very excited about in Q1 of 2026
What’s the most rewarding part of blending your real estate expertise with your passion for the equestrian lifestyle?
The most rewarding part is seeing everything come full circle Using our real estate expertise, equestrian knowledge, and years of experience to help clients find a place that truly fits their lifestyle There’s nothing like watching clients light up when they get the keys to their place The one where horses can roam, families can gather, and dreams for the future start to take shape It’s more than just a transaction for us; it’s about creating a lifestyle that celebrates the equestrian way of life we ’ re all so passionate about Every transaction feels personal because we truly get it
At MANE, our clients become family, and we love sharing the memories, the legacy, and the lifestyle they hold with each and every one of them
By Lindsay Hunter
For American Stalls, every project begins with a vision In Tennessee, that vision came from Julie Davis an interior designer, lifelong equestrian, and avid fox hunter After decades of boarding horses, Julie and her family purchased land and set out to create their dream
barn With American Stalls as her partner, the result is a space that captures the rustic charm of Tennessee countryside while elevating it with refined craftsmanship and thoughtful design
Julie’s love of horses runs deep “Lessons began on a tiny Shetland pony when I was five years old Many fun years were spent on a darling Welsh pony named Silver Heels, that my pony club DC let me borrow,” she recalls Over the years she competed in three-day eventing, jumpers, and fox hunting, but the dream of one day having her own barn never faded
“As a build phase residential interior designer, it was not hard for me to start dreaming and drawing the barn that I would like to have It was a very fun project,” Julie says Her vision was clear: a simple, inviting barn with charm, character, and a dual purpose as functional for horses as it was for hosting friends
From the first sketches, American Stalls recognized Julie’s rare combination of passion and precision “Julie’s vision immediately stood out for its clarity and balance She wanted a barn that felt at home, but also carried the elegance of her design background,” the team notes
To honor that vision, American Stalls supplied European stall fronts made from heavy-gauge steel, with concealed welds and powder-coated finishes that combined durability with beauty
“The board-and-batten exterior paired with large sliding doors kept the barn grounded in tradition Inside, the European-style stall fronts and stained finishes elevated the space, striking the balance between rustic and elegance ”
Working with a client who is also a designer presented unique opportunities “Working with Julie was truly collaborative As a designer, she understood proportions, finishes, and flow, which made communication smooth and inspiring,” says American Stalls
Julie admits the challenge of designing for herself: “The hardest thing for a designer to do is to design their own home or project! I literally kept acting like I was doing this for a client so that I would make decisions like I would for a client and not cheap it out for myself!”
Her non-negotiables were clear: “I knew for sure I wanted two things for the barn: one was the European stall fronts from American Stalls, and the second was for the main center aisle to be brick I really wanted that look, so I stuck to my guns and did it ”
Even logistical challenges, like transporting and installing custom stall fronts in the Tennessee countryside, were met with coordination and care between American Stalls and Julie’s local craftsmen
The finished barn is more than a place to house horses it’s a lifestyle space Expanded 12-foot sliding doors, stained interiors, and custom lighting give it warmth and elegance For Julie, the space has become a hub for community: “The final result is perfect for us and the horses It functions great as a horse barn and most of all, it allows for some amazing barn dinner parties! We love to host hunt teas and throw a dinner party in the barn for friends all throughout the year ”
For American Stalls, this project reflects a broader movement “What stands out most is how seamlessly the barn blends utility with hospitality While the stalls are safe and built for horses, the barn doubles as a gathering space, complete with a kitchen, chandeliers, and thoughtful design touches It’s a barn where horses and people feel at home ”
Looking out her window to see her horses grazing at home for the first time, Julie says she cried tears of joy “I will never forget looking out the window and for the first time ever, seeing my horses on my property right there! I cried tears of joy in disbelief that this dream had come true ”
For American Stalls, her story is exactly what they strive for: creating barns that are not only functional but also transformative for the lives of their clients “This farm reflects a growing trend of barns that are more than stables; they are lifestyle spaces In Tennessee and across the country, equestrians are creating barns that combine daily functionality with beauty, making them places to gather, celebrate, and live the equestrian life fully ”
Together, Julie Davis and American Stalls built more than a barn they built a place where heritage, design, and equestrian lifestyle come together under one roof
INTERESTED IN BUILDING YOUR OWN DREAM BARN? CONNECT WITH OUR TEAM TO EXPLORE FULLY CUSTOM STALL FRONTS, BARN DOORS, WINDOWS, AND EQUESTRIAN FLOORING BUILT FOR YOUR LIFESTYLE
(855) 957-5571
Sales@Americanstalls com www.Americanstalls.com
“This farm reflects a growing trend of barns that are more than stables; they are lifestyle spaces. In Tennessee and across the country, equestrians are creating barns that combine daily functionality with beauty, making them places to gather, celebrate, and live the equestrian life fully.”
-American Stalls
Stepping away from cliché, Lindsey Vorwith is an esteemed negotiation prowess with an eye for artistic sophistication Representing buyers and sellers across the San Diego region, Lindsey’s depth of realty expertise spans from representing multi-million dollar equestrian luxury properties to first-time home buyers looking to purchase their forever family home
A tireless champion for every client she represents, Lindsey takes the time to not only understand her clients needs, but walks each and everyone through the process from start to finish For every client represented, Lindsey brings to the table a tailored list of vendors to ensure a stress-free home buying or selling experience Whether it’s finding the perfect stager or filming a top-tier property video, Lindsey’s expansive network and expertise of prestigious vendors will be sure to meet the needs of any client
A born and raised San Diego native, Lindsey resides in the rural Vista area She holds a business degree in Management and Entrepreneurship When she’s not representing client transactions, she enjoys spending time with her husband and four dogs, riding horses and spending time at the lake with her family Lindsey’s an avid animal lover and volunteers with The Animal Pad to help shelter dogs find their forever homes
Lindsey@mane-realestate com
www mane-realestate com
Driven by her passion and a true joy for horses and teaching, Ashley moved to California from WA state in 2012 to follow her dressage dreams She worked as a groom and assistant trainer for many top barns and trainers in San Diego before starting her own training business, Donadt Dressage, in 2017
As a Grand Prix rider with high ambitions of her own, she is always seeking further learning opportunities, and enjoys sharing those experiences with her students She continues her own training regularly with local 3x Olympic Medalist, Guenter Seidel, in her aspiring efforts to advance her riding to the elite levels of Dressage
Ashley offers full service training and care out of her home base, Highpoint Rancho LLC, located in the heart of Rancho Santa Fe She is also available for private training sessions or clinics at your own home Equestrian facility
Donadtdressage@gmail com
Donadtdressage com
ArchitectKeithWeibrechton
Equestrian architecture has long been defined by tradition classic ranch silhouettes, hacienda influences, and timeless wood structures But architect Keith Weibrecht is bringing a fresh, modern lens to the landscape With a minimalist sensibility grounded in practicality, Keith approaches design through collaboration, listening closely to clients while leaning on trusted partners like builders and suppliers to bring each project to life
His work balances durability, fire safety, and horse-centered function with clean lines and contemporary materials, creating barns that are as refined as they are resilient In this conversation, Keith shares his philosophy on blending modern aesthetics with equestrian utility, his process of design development, and where he sees the future of equestrian architecture heading
What inspired you to bring a more modern approach into equestrian architecture, and how do you see that style fitting into California’s equestrian landscape?
I’m a modern minimalist at heart but I’m also really interested in what my clients want In this case, those two things aligned really well One of the first things the client brought up was concern for fire – a very valid concern in this part of the country – and in their mind that meant no wood Another big concern was ventilation, and that meant a shed row barn Instead of traditional wood paneling for stall fronts and partitions, we used modern materials like 4x16 CMU block and board form concrete
And stacking two opposing shed roofs with a clerestory in between worked really well for the shed row style barn So, the initial design inspiration came from the needs and desires of the client – which I think is a great place to start for good architecture
Horses and people have very different needs in a property. How do you balance the practical requirements of a working barn with your clean, modern aesthetic?
Function always comes first Horses need safety, airflow, and durability Once those fundamentals are locked in, that’s when we can refine the details – how light moves through the space, how materials feel underhand, how the design reduces clutter We think of it as layering sophistication on top of practicality
It’s also great to work with a client who has been around lots of other barns and horses They know what works and what doesn’t – for the humans and the horses That knowledge is very valuable when getting into the specific details
Can you walk us through how you develop a design concept for an equestrian property from the first client conversations to refining details with builders and suppliers?
We had a great client on this project There was remarkable consistency from the very beginning in terms of what they wanted, down to some pretty specific details That’s a great place to start a design because you have a clear path forward First, we settled the basics like stall quantity, stall size, paddock size, and other requirements like cross ties, farrier station, tack room Then we moved on to organizing all these spaces Space adjacencies are important, as are site lines to the arenas The horse stalls get a lot of attention because of their important function and because they are a prominent part of the architecture But there are also a lot of behind-thescenes spaces that accommodate less glamourous functions like laundry, meal prep, and hay storage
Listening and collaborating are a key part of the design process Our experience and expertise can take us a certain distance, but the really excellent architecture happens when we combine that with the knowledge and expertise of our clients, builders, and component suppliers
You’re working alongside the builder of Arroyo Del Mar and American Stalls How does collaboration with trusted partners shape your process and elevate the final design?
Those partnerships add tremendous value And having the builder and product suppliers on board at the start is simply the best way to design a building These folks know their crafts – whether that’s horses or construction That means that design ideas – especially the unconventional ones – can be properly deliberated with a confidence that together we will find the right balance between function, aesthetics, and cost
Another key element of collaboration is the alignment of priorities Each of us cares deeply about the work we do respectively – our own portfolios and legacies – but we all prioritize the client above that Each client has specific and unique needs, and good design happens when everyone on the team makes that their #1 priority
California is known for its traditional ranch and hacienda-style barns What excites you about introducing something more contemporary and unexpected into that landscape?
We have great respect for all architectural styles, especially when a certain place maintains an established historic precedent And when we observe the context in which this barn will exist, we think it will fit right in Sure, we ’ re avoiding traditional elements like clay tile roofs and arched colonnades, but the long and low massing of our buildings nods towards the traditional ranch style The mid-century influence in our design also has its place in the precedents of Southern California architecture
What kinds of equestrian projects would you love to take on in the future, and how do you hope to shape the evolution of equestrian design? For us, the client drives everything We’ve had a really great time working on this horse barn and we’d love to do more like it But we always want our next project to be exactly what the next client wants and needs Our experience and expertise hovers in the realm of high-end homes and private equestrian facilities We are excited to do more projects like that throughout the country
Regarding the future and the evolution of equestrian design, I feel compelled to bring this conversation back to the concept of collaboration That’s how things get better – people who care about what they do, with different backgrounds and knowledge, coming together with new ideas and refinements to old ideas
From your perspective, where do you see equestrian architecture heading in the next decade, and how do you want to be part of that movement? We would like to see continued advances in sustainability and fire safety, of course Design and aesthetics can be subjective, but our constant goal is to make buildings that look better because they function better This comes from listening to what individual clients need as well as the accumulation of all we ’ ve learned from past clients We believe there is beauty in function
Keith Weibrecht can be reached at hello@kw-architecture com
RIDE INTO SPRING, SUMMER & FALL WITH HITS - Del Mar Horsepark in Del Mar, California, brings the premier HITS experience to the West Coast, with an iconic venue, elite competition opportunities, generous prize money offerings, and unique hospitality. From the dazzling hunters and incredible jumpers to the captivating dressage movements, HITS Del Mar hosts several weeks of dressage and hunter/jumper competitions throughout the year
Hunter/Jumper
April 29 - May 4 | Premier, Jumper 6, USHJA International Hunter Derby
DEL MAR SUNSHINE CLASSIC
July 9-13 | National, Jumper 5
HITS DEL MAR DRESSAGE OPENER
February 13-16 | FEI CDI-W, USEF Level 5
HITS DEL MAR DRESSAGE AFFAIRE
March 20-23 | FEI CDI3*, USEF Level 5
Dressage
April 17-20 | FEI CDI3*, USEF Level 5
CDS ROAD TO CHAMPIONSHIPS, RAAC & JUNIOR CHAMPIONSHIPS
July 17-19 | USEF Level 3
HITS DEL MAR DRESSAGE FALL I
September 6-7 | USEF Level 2
HITS DEL MAR DRESSAGE FALL II
October 17-19 | USEF Level 3
ADEQUAN/USEF JUNIOR HUNTER NATIONAL CHAMPIONSHIP – WEST & THE USHJA GLADSTONE CUP EQUITATION CLASSIC – WEST
July 24-27
DEL MAR SUMMER FESTIVAL I
July 30 - August 3 | Premier, WCHR, Jumper 5
ClipMyHorse.tv Qualifier, toward the $200,000 ClipMyHorse.tv Hunter Classic Final at HITS Hudson Valley in September USHJA International Hunter Derby
DEL MAR SUMMER FESTIVAL II
August 5-10 | National, Jumper 5
DEL MAR SUMMER CLASSIC I
August 20-24 | Premier, WCHR, Jumper 5, FEI CSI2* USHJA International Hunter Derby
DEL MAR SUMMER CLASSIC II
August 27-31 | National, Jumper 5, FEI CSI2*
Born and raised in California on the back of a horse, Jessica had the opportunity to move across the country As a working amateur, she began researching options for bringing her horse along with her Where to board? Who to train with? What farrier options were there? Who transports horses across the country?
After spending hours searching on the web, she became frustrated with the outdated, irrelevant information available Existing directories provided a name and a phone number at best, and there was no way of telling if this professional was even in business anymore After leaving countless voicemails that went unreturned and thumbing through archaic websites, it was obvious there is a huge disconnect between riders and the professionals
In any other service-related industry consumers search online to find out what their options are Whether it be a restaurant, a plumber, or buying a car Why wouldn’t horse people adopt a similar approach?
This experience powered the concept of Equivont Jessica teamed up with Jacki to bring this word-ofmouth industry up to the digital era
Equivont partners with reputable and relevant businesses and professionals who WANT TO BE FOUND by the equestrians who are searching for them
Jessica@equivont com Equivont com
Set against the rolling hills of Middle Tennessee, Gray Ridge Farm is a story of vision, tradition, and modern craftsmanship Jocelyn McDonald, a lifelong equestrian with roots in both Virginia hunt country and Nashville, has brought her passion for horses and her natural eye for detail into every corner of the property Together with her husband, Brandon, she imagined a space that would not only serve the daily needs of farm life but also reflect a lifetime of inspiration
The barn quickly became the centerpiece a structure that anchors the land while offering a glimpse into Jocelyn’s personal history Inspired by the Breyer horse barn she played with as a child, the design balances functionality with a touch of whimsy, translating childhood dreams into real-world form Inside, the tack room serves as the soul of the space: layered with family heirlooms, antiques collected over the years, and bold design choices that give it a distinctly personal character The black-stained walls set an elegant stage for hunt prints, vintage finds, and the antique mantle inherited from her grandparents, making it a room that is as much about memory and heritage as it is about horses
Gray Ridge Farm is more than a working property; it is a reflection of a lifestyle deeply rooted in tradition yet open to creativity In every detail from the layout of the pastures to the textures in the tack room Jocelyn and Brandon have created a farm that feels both timeless and alive, a place where equestrian living is celebrated daily
We sat down with Jocelyn to hear more about the inspiration behind Gray Ridge Farm, her memories growing up in Virginia, and what it has been like building a dream property in Tennessee
Tell me about the name of your farm
We call our property “Gray Ridge Farm ” We are located in the rolling hills of middle Tennessee where the terrain varies from wide open green spaces to hills to rocky limestone ridges and deep forests We have a little bit of everything here, and wanted to keep the name of our farm simple and descriptive of the actual earth and rocks, but also with a little nod to a gray fox family that lives in our woods You grew up riding horses in a seaside town in Virginia What was it like growing up there, and how did that coastal upbringing shape who you are today?
Although I was born in Nashville, I mostly grew up in a tiny waterfront town on the Northern Neck Peninsula in Virginia called Irvington The waterways there are part of the Chesapeake Bay watershed, and create many beautiful coves and inlets off of the Rappahannock River My dad also grew up there, and our family used to own The Tides Inn resort on Carter’s Creek I would absolutely call it a “charmed” childhood My two younger brothers and I were lucky enough to walk the line between elegant events and amenities of a country inn, and the rural Virginia lifestyle of boating, fishing, gardening, raising ducks and chickens and playing out in the woods for hours on end And of course, just like my mother, I was always a horse girl We had a few horses at home with a little three-stall shed row barn We took lessons together, did a little showing, a lot of trail riding, and eventually my mom met a guest at the Inn who introduced her to fox hunting She capped once and was hooked, so naturally when I was about nine-years-old, she brought me along (once I swapped out my pony for one who did not like to buck me off) and I grew to love it too!
You spent a lot of time in Middleburg and grew up fox hunting What drew you to that tradition, and what memories from those years still inspire you now?
In Virginia, I was so fortunate to ride with several different hunts, and even was a junior whip for a while We were a far cry from Northern Virginia, but as soon as I discovered Middleburg via some other hunting friends, I could not keep myself away! In the early 2000 ’ s my family sold the Tides Inn, and we moved to Brentwood, TN so my mom could be near her family while she attended Vanderbilt Nursing School I started high school there and got my drivers license before we moved back to Virginia in 2005- I was hauling horses as soon as possible and driving back up to Middleburg as soon as I figured out how to map it! I eventually got into lower level eventing, and prioritized horse trials in that vicinity when I could I was in love with the design, style, shops and layout of the town before I could even articulate what drew me there Yes, it is horses, but I think the energy goes beyond that too There is an old English style of organization and elegance that emulates from every town corner and back road It’s pleasant and calming and inspiring all at once- I’d like to bottle it right up!
When you and your husband found this land in 2020, what made you feel, this is the place for your dream property?
I moved back to Nashville in 2011 after college, and eventually met my now husband, Brandon He is a real estate investor and contractor and had recently purchased 25+ acres in Nashville just north of the city with a little farm house he was rehabbing Originally from Colorado, Brandon is an avid outdoorsman and bow hunter, and was also interested in setting that property up for
horses I was sold! We lived at that farm together for about 8 years, building on it slowly, adding a small 2 stall barn and a little arena as well as cutting trails It was quite the oasis in the city, and a truly special home set back in the woods, but the topography limited the number of animals we could easily keep as well as improvements we could make to the property Additionally, as Nashville grew, the traffic did too, and we became increasingly curious about areas farther outside of the city I had gotten back into fox hunting here in Tennessee, and was driving south to Lynnville once or twice a week, so land in that direction that would also have me closer to my family in Brentwood and Franklin became appealing Brandon’s interest in archery and bow hunting was growing as well, and he loved the idea of a bigger, flatter property with a mix of fields and trees I had gotten my real estate license some years earlier, and set us up on some searches within our parameters and acreage requirements We were willing to rehab an existing house and/or barn if the farm fit the bill, but we both agreed that starting from scratch with a blank slate would be ideal In the summer of 2020, thirty-five acres in an area we loved came on the market, and we drove down to see it that day It was very wooded, and pretty overgrown, but we were both immediately struck by the beauty of the land, the variation of the meadows and the forest, the wildlife and the natural springs in some parts The mostly flat parcel was perfect for laying out pasture and barn plans, but right about at the center, a slightly increased grade to the land presented the perfect future homesite overlooking the farm We were both equally excited, put in an offer and closed on the land that fall
You and your husband designed and built the barn yourselves how did your combined skills as a realtor and contractor influence the way you approached both the function and beauty of the barn?
When we were beginning the planning and design of the barn, we knew it would be the heart and soul of the property, and we did not take the task lightly As a Realtor and a life-long equestrian, I had culminated some ideas from the many barns and farms I had toured, lived on and used over the years, and I knew we needed a facility that, while beautiful, was absolutely functional We intended to include a living space in the barn as well, giving us the opportunity to move to the property and really get to know it before ultimately building a house Brandon being a builder and contractor is extremely experienced with designing layouts, planning for proper drainage and has a wealth of structural knowledge that really came in handy Sun tracking and weather apps helped us learn about the way sunrises and sunsets, wind and weather would move in during different times of the day and throughout the year That was very helpful in planning the orientation of the entire structure We would have still hired out the build to an actual barn building company, but in 2021-2022, the farm and land market was booming here, and we struggled to find a builder that didn’t have a wait list many months to over a year out from being able to start Ultimately we decided to take on the build ourselves, and use Brandon’s team of subcontractors and contacts for materials
You’ve said that the barn was inspired by a Breyer horse barn you had as a child can you tell me about that memory and how it shaped the vision for your dream property?
Though we handled the build ourselves, we did have the blue prints drawn up with a local barn builder called Summertown Metals They did a fantastic job of bringing my design idea to life, which is so special to me as I based the overall look on a monitor-style Breyer barn I had as a little girl I had quite the collection of model horses, fences, and equipment, and had set up an entire farm-scape in my bedroom I supposed that’s where I first started dreaming up my ideal equestrian property, like so many little horse girls do I even had doll house furniture arranged in the toy barn loft to create an apartment for my Breyer people Getting to create that in real life has been nothing short of a dream come true, and I am grateful every day for the opportunity to build upon it
The tack room started with an antique mantle you’d been holding onto for years Can you share the story of how you acquired it and why it’s so meaningful to you?
Just as the barn is the heart of the farm, to me the tack room is that epicenter of the barn itself I knew I wanted the space to be very usable, but also cozy and easy to spend time relaxing in after a ride or having a drink with friends I had recently inherited an antique fireplace mantle from my grandparents in Virginia and felt strongly that I wanted to incorporate that into the room somehow This piece is especially precious to me because I found it with my grandparents while visiting them in the Bahamas when I was a junior in college It had been sitting on a trash pile outside of a house being renovated on the island, and I spotted it on a golf cart ride It was strikingly intricate, but a beautifully simple light wood I thought was too pretty to see burned up, so I immediately went to tell my grandmother about it She was just as excited as I was, and my grandfather drove us back
in the get-a-way-golf-cart to “heist” it! (Don’t worry- we did ask the owners for permission, and they told us to pick our hearts out, because anything on that pile was going to be burned!) That mantle sat in their Bahamas house for a few more years until they sold it, and then it moved into their Virginia home where it remained until they had both passed away At that point, it came to live with me, and instantly became the perfect focal point for the tack room Not only does it evoke that perfect cozy, homey experience I was hoping for, but it represents a cherished memory of my grandparents And even though they are gone, and I won’t get to show them what we have built, I feel like I have a little piece of them here with me I treasure that right down to the ring stains from their drinks that once rested on the mantle top
You’ve collected pieces for years family heirlooms, gifts from friends, antiques What was the process like bringing all these elements together “like a puzzle” to create this space?
I have been collecting equestrian art and decor for many years, which actually began when my family sold the hotel There were so many beautiful old hunt prints that had hung there, and with the new owners changing the decor, my mom and I picked through a lot of it and kept those pieces in our home for years Some of them hang in my tack room now, while other pieces I found at antique stores, estate sales and on eBay, Etsy and bespoke shops like Hart Equestrian It’s a big mix of antiques, originals and reproductions, and I have so enjoyed adding to and moving the “puzzle pieces” around to enhance the mood
Some of the other most special pieces include a set of hunt prints and a matching card table my mother-in-law gifted me, a vintage fox candle stick that came from my maternal grandparents’ home in Brentwood, TN, and the gorgeous old wardrobe where I keep my tweeds and hunt jackets that a fox hunting friend gave me when she moved home to Kentucky The two leather chairs in the center of the room are Ralph Lauren, sourced on Craigslist, believe it or not, and my dad found the zebra hyde pillows at a taxidermy shop in Texas It’s quite special that the way the whole collection has grown, and I really take joy in building on it
One of the boldest design choices you made was the black-stained plywood walls How did you land on that decision, and what made it work so well for your space?
The decision to paint the walls black actually came to me in the early stages of planning while I was scrolling through equestrian design ideas on Pinterest I saw a picture of someone ’ s bit collection hanging in a case against a black wall with a lighter wood trim that was very similar to the wood on my mantle I found it to be so interesting and elegant, with just a hint of some gothic drama that I love Additionally, my dad had given us the brilliant suggestion to use a high quality plywood on all of the walls so that we could hang saddles, tack, and virtually anything we wanted anywhere at any time With the wood grain and the trim-work that Brandon added, the black paint we chose (Farrow and Ball “Off-Black”) absolutely ignited the textures, while still keeping the colors simple enough to design around It’s funny that a black room feels so cozy and peaceful, but the art and warm elements like the brass saddle racks and the hunt scene wall paper in the half bath really seem to help lighten things up
“Farmland
and greenspace are disappearing at an alarming rate,
and I really
think that any passion that allows us to exist with animals and experience the outdoors mitigates that.”
-Jocelyn McDonald
You’ve included a little western corner and an antique wardrobe for your hunt coat collection what inspired those details, and do they connect to different parts of your equestrian life?
Because I really can’t help but want it all, I dedicated a corner of the room to my western tack and cowboy decor I’ve been primarily an English rider all of my life, but do dabble in the western world on occasion, and have learned a great deal from the horsemanship community in our area One day, I hope to be much more proficient as a cowgirl (especially now that I have some pet cows), but until then I want to keep my gear safe, even when I’m not using it as much as the rest Brandon and I each have a western saddle, and I have a few different headstalls for my horses, along with the proper boots and chaps I hung two prints from my favorite western artist, Mark Maggiori, above the saddles, and also added an intricately carved cow skull I tried to blend all of these elements over from the armoire that holds my hunting clothes so that it flowed from one thing to the next without being an abrupt change The door to the outside of the barn then provides a natural divide between the western saddles and my more frequently used English tack
What is daily life like here raising your family above the barn, caring for the horses, the land, even the chickens?
Life on the farm is a lot of hard work, but it’s the best kind I feel very satisfied at the end of most days after caring for the animals and compounding on whatever project Brandon and I have going It’s become even more fulfilling now that we have a toddler we get to see grow up here He’s a farm boy through and through, and loves to help feed the horses and cows, wrangle the chickens and walk the dogs in the woods with me I can’t wait for the day we can ride together, and I’m sure there will be some other tack room updates at that point with some tiny boots and saddles Until then, we continue to enjoy daily life above the barn where we can look out at all we have built so far The next big ticket item in the works is building our forever house on the hill, which we are thrilled to have coming down the pipeline soon
You’ve said you want to inspire people to care for their land and create their own special equestrian spaces What does that lifestyle mean to you, and how do you hope to pass it on to your children?
I am so honored to have the opportunity to share about our farm and the place we are creating I do hope it inspires others to create their own equestrian dream spaces, whether that is on a big or little farm, or simply a spot in their home, because I really believe an interest in this sport and this lifestyle is what will keep it alive for future generations Farmland and greenspace is disappearing at an alarming rate, and I really think that any passion that allows us to exist with animals and experience the outdoors mitigates that So to anyone who has this on his or her heart, or dreams of building a barn or just a special equestrian room- jump in and do it! Gather items that make you happy, pictures or pieces of tack from beloved horses, family heirlooms or childhood toys; because even if you decide to hire a professional designer to help you hone your vision, all of that can play a huge part in bringing your happy place to life
Gray Ridge Farm is more than a property it’s a reflection of heritage, family, and a lifelong love of horses Jocelyn’s vision reminds us that even the smallest inspirations, like a childhood toy barn, can grow into spaces that embody both beauty and purpose
Connect with Jocelyn McDonald on Instagram at @jocmaguire or by email at Jocsellsnashville@gmail com
Photography by Silviusjames com
D E S I G N
It's 2020 and I m standing in the middle of a sea of dust, cattle, horses, cowboys, ropes flying past my head, and searing smoke from branding irons filling my nose
I had been transported somehow to what seemed like the Wild West and I instantly fell in love Five years later Cowboy Republic was born
When you purchase one of my prints, it s more than just a piece of art It's a story in a frame that transports you into the world of the Cowboy A piece of history, tradition, and the feeling of a life with no walls
-Christina Ciaccio
Originally from Orange County, Christina Ciaccio grew up riding hunter/jumpers and has carried that love of horses throughout her life
She now lives in the Santa Ynez Valley on a cattle ranch, where the western lifestyle is part of her everyday With a background in brand photography and creative direction, she brings a unique eye to capturing the beauty and spirit of the equestrian world
www thecowboyrepublic com
For Virginia-born artist Sally Moren, horses have been her subject since grade school Over the decades, that early fascination has grown into a nationally collected body of work that captures not only the beauty of the horse but the spirit of the sporting traditions that surround them Today, her canvases are steeped in the atmosphere of foxhunting an arena where horses, hounds, nature, and light converge in moments both timeless and fleeting
Moren is no stranger to the equestrian life she paints
She grew up in Virginia, riding and owning horses throughout her life until the passing of her beloved mare, Barry Naughty, five years ago They were together for 28 years That deep, personal connection with horses remains at the heart of her work: each brushstroke carries the memory of a lifetime spent in the saddle
While foxhunting remains her central muse, Moren’s eye is not drawn to the predictable image of riders galloping across fields or soaring over stone walls Instead, she seeks the unscripted the charged pauses and fleeting moments that carry unexpected beauty “I am always attracted to the unexpected,” she says One such painting was inspired by members of the first flight lined up like dominoes in a coastal field, waiting for the huntsman to find a fox Against the backdrop of ancient oaks and a spent cornfield, she found drama in the stillness, anticipation, and atmosphere
Mood and emotion play a central role in her compositions Rather than bright, sunny landscapes, Moren gravitates toward mists, dusk, and clouded skies
These settings, she explains, offer saturated light, soft colors, and a sense of déjà vu of vintage times outdoors in the landscape Through these choices, her work often pays homage to the timeless appeal of these sporting traditions
Light, however, is perhaps her truest subject Collectors often cite her treatment of light as what draws them in, and for Moren, it is the guiding force of every canvas
She experiments endlessly with the way light casts drama across trees, riders, and hounds, often using shadow and illumination as the backbone of her compositions In one painting, the fossil-like shadows of old oaks are contrasted with the glinting highlights of riders, giving the entire moment a sense of heightened drama
“I
AM PAINTING A SPORT AND A LANDSCAPE, OFTEN THAT IS MORE THAN 100 YEARS OLD, BUT I PAINT IT WITH A SENSIBILITY FROM TODAY. THE MYSTIQUE LIVES, BUT THE FILTER IS DIFFERENT.” -SALLY MOREN
Increasingly, her paintings are less about recording what she sees and more about inventing narratives that reflect how a moment feels Rarely does she paint directly from a photograph anymore Instead, she begins with a fragment a glint of inspiration from her resource photos and expands it into a fully realized scene A huntsman tacking up beside a trailer became the seed for an award-winning painting, where she added architectural details and engineered lighting for weight and drama A blurry snapshot of a mare in the rain, destined for her “loser” pile, evolved into a richly imagined autumn day filled with companionship, color, and atmosphere
“I like to hope that this is what sets my work apart,” Moren reflects “I am painting a sport and a landscape, often that is more than 100 years old, but I paint it with a sensibility from today The mystique lives, but the filter is different ”
Her art conveys both the ephemeral nature of a single moment and the enduring traditions of horse and hound
Looking forward, Moren continues to expand her focus
Alongside equestrian scenes, she is delving into pure landscapes and wildlife, including works inspired by the still but vibrant world of Canadian geese Yet her artistic mission remains unchanged: to tell stories in paint that honor the energy, light, and fleeting essence of the sporting life
For Sally Moren, each canvas is not just an image but a narrative a bridge between memory and tradition, between the timelessness of the land and the impermanence of a single glance In her work, the foxhunting field is not just captured; it is reimagined, illuminated, and brought to life for a new generation of viewers
Founded in 1775, Welbourne has been home to eight generations of the Dulany family and stands as one of the most storied estates in Virginia hunt country Its history is woven into the fabric of American equestrian culture ancestors include the founder of the Piedmont Fox Hounds, and the house itself has welcomed celebrated guests such as F Scott Fitzgerald and Thomas Wolfe Steeped in tradition yet alive with the spirit of the equestrian lifestyle, Welbourne is the perfect backdrop for our October event Its centuries-old architecture, rolling grounds, and deep connection to foxhunting and conservation create an atmosphere that captures the very essence of what the Network celebrates: heritage, community, and the enduring bond between land, horses, and people
It feels only fitting to begin our East Coast chapter in the heart of Virginia hunt country a place where equestrian tradition is not just preserved, but lived Here’s a glimpse into the history of the property a story that spans centuries, generations, and the traditions that define Virginia’s hunt country
Written by Innkeeper Rebecca Morison Schaefer
The main house began as a simple farmhouse in 1775 When our family purchased the property in 1833, we added the Colonial front and wings The house is furnished with family pieces that have been collected over the years, and an abundance of family portraits adorns the walls There are numerous outbuildings – a greenhouse, billiard house, carriage house, and farm office are now residences The Old Dwelling, a circa-1750 log cabin, pre-dates the main house A smokehouse, springhouse, and icehouse also dot the grounds The old schoolhouse still stands in the garden
Welbourne was the home of Col Richard Henry Dulany, the greatgreat-great-grandfather of the current innkeepers Col Dulany founded the nation’s oldest foxhunting club, The Piedmont Fox Hounds, in 1840, and the oldest horse show, the Upperville Colt & Horse Show, in 1853
In the 1930s, writers F Scott Fitzgerald and Thomas Wolfe stayed at Welbourne Fitzgerald wrote “Her Last Case,” a short story that used Welbourne as its setting: “The house floated up suddenly through the
twilight the
tall
the
the intimate gardens only half seen from the front, the hint of other more secret verandas ”
Soldiers camped on the lawn during the Civil War, bullets ticked off the roof during the Battle of Unison, and JEB Stuart, John S Mosby and John Pelham visited the house
Welbourne is our home, not a museum, although it is full of family heirlooms and antiques It has been described as "a step back in time" and as having an air of “faded elegance" Welbourne has been run continuously as a bed-and-breakfast since the 1930s The farm has been a retired horse boarding operation since the 1970s The house is a Virginia Historic Landmark and is on the National Register of Historic Places
For more information, visit Welbournefarm com
22314 Welbourne Farm Lane
Middleburg, VA 20117
Contact: Rebecca Morison Schaefer at Welbourneinn@gmailcom
Photography courtesy of Welbourne Inn
