Pascua Florida Presentation - Lucy Hegarty Capstone

Page 1

AGENDA 01 02 03 04
PROGRAMMING
THE PUBLIC EXPERIENCE THE PRIVATE EXPERIENCE
for project and conceptual ideas. Incorporation of evidence based design and the WELL Strategy.
plans and renders of the public spaces of the third floor.
plan and renders of the luxurious honeymoon suite. Brief overview of clientele and location.
THE CLIENT
AND DESIGN
Basis
Floor
Floor

CLIENTELE

MARRIOT AUTOGRAPH COLLECTION

• Vision, soul, story

• GOAL = heartfelt design

• No two are the same

• Rich with History

ST. AUGUSTINE, FL

• 5 Prawn St

• Demographic = older population, tourists (St. Johns TDC 2020)

• Founded in 1565

• Streets and architectural ambiance reflects Spanish origins (King St. 2019)

• Abundance of history and tradition (Historic Preservation in St. Augustine).

CONCEPT AND DESIGN DRIVERS

PASSION CULTURE PEACE

Flooding through the architecture, the color and symbolism of the natural and native florals aid to the passionate affair.

The physical architecture modernizes features seen throughout 16th century Spain. Cultural celebrations and traditions occur daily.

Amenities and packages allow the visitors to customize their experience allowing them to create the best and most relaxing time.

PROGRAM AND DESIGN

VERTICAL MOVEMENT THE CARNATION

FLOOR 1 FLOOR 2 FLOOR 3 FLOOR 4 N PUBLIC SEMI - PRIVATE STAFF
ROSE
BLUEBELL POPPY RED

PROGRAM AND DESIGN CONTINUED

FLOOR 3 FLOOR 4 N

ROOM TYPES

POPPY SUITE (ADA) THE CARNATION

ROOM TYPES

BLUEBELL SUITE

RED ROSE (STANDARD)

AMENITIES

BACK AND SIDE WALL

FRONT WALL

WEST FACADE
3FORM RESIN DEAD FLOWER PETALS LAYER VISUAL BRONZE PANELED DOOR STONE FLOOR ELEVATOR SIGNAGE (WITH EMERGENCY SIGNAGE)

RECEPTION

Incorporating plants into design can lower stress (Beukeboom, Langeveld, & Tanja-Dijkstra, 2012), improve short-term wellbeing and positive interactions (Gray & Birrell, 2014), and influence how people view the space (Campbell, 1979).

THIRD FLOOR PLANS

THE LEGEND

1 GUEST ELEVATORS 2 RECEPTION 3 CONCIERGE 4 FLOWER WALL 5 FAMILY ROOM / LOBBY 6 STATUE WALL 7 BAR 1 2 3 4 5 6 7 THE FLOOR PLAN RECEPTION AND LOBBY EXIT SIGN RECESSED CAN SCONCE PENDANT THE CEILING PLAN RECEPTION AND LOBBY SPECIALTY TILE - TERRACOTTA ALL MODERN RUGS LIGHT ART - COIL D2 KOHLER - PURIST SCONCE 9’6” 9’0” N

BERNHARDT DESIGN RAVEL LOUNGE

BERNHARDT DESIGN BECCA SOFA

BROWN LEATHER MDC INTERIOR SOLUTIONS - ZINTRA DARK SCOTCH PINE

YELLOW LEATHER ALL MODERN RUGS

FAMILY ROOM (LOBBY)

FAMILY ROOM AND STATUE WALL ELEVATION

THIRD FLOOR PLANS

THE LEGEND 1 HOST 2 FAMILY STYLE DINING 3 BOOTH DINING 4 STATUE 5 KITCHEN 1 2 3 4 5 THE FLOOR PLAN LA PATRIA - RESTAURANT THE LEGEND PENDANT RECESSED CAN SCONCE THE CEILING PLAN LA PATRIA - RESTAURANT SPECIALTY TILE - CREAM ALL MODERN RUGS KOHLER - OCCASION SCONCE 3 9’6” 9’0” 8’ 0” 8’ 0” 8’ 0” 8’ 0” 8’ 0” 8’ 0” N

LA PATRIA (RESTAURANT) BOOTH ELEVATION

LA PATRIA (RESTAURANT)

ENTRANCE

INDOOR/ OUTDOOR BAR

It was found that warmer colors tend to be remembered and the correlation of color temperature left a positive perception rather than spaces with highlow temperatures Hidayetoglu, M. L., Yildirim, K., & Akalin, A. (2012).

BROWN LEATHER MEDIUM SCOTCH PINE COPPER BEDROSIAN CLOE TILE ANDREU WORLD - ORU CHAIR

OUTDOOR DINING

ELEVATOR LOBBY AND CORRIDOR

CORRIDOR

ELEVATOR LOBBY

GREEN VELVET ANDREU WORLD - BELMONT CHAIR DARK SCOTCH PINE FAUX CLAY PAINT
CORRIDOR

THE CARNATION

FOURTH FLOOR PLANS

THE LEGEND 6 2 1 5 THE FLOOR PLAN THE CARNATION (HONEYMOON SUITE) PENDANT (LIVING) THE CEILING PLAN THE CARNATION (HONEYMOON SUITE) SPECIALTY TILE - CREAM ALL MODERN RUGS LOUIS POULSEN - YUH WALL 3 12’ 6” 9’0” 8’ 0” 8’ 0” 1 ENTRY 2 KITCHENETTE 3 WINE BAR 4 WORK AREA 5 LIVING ROOM 6 BEDROOM 7 WARDROBE 8 WET ROOM 9 TOILET 4 7 8 9 12’ 0” 11’ 3” BATHROOM SCONCE LIVING ROOM SCONCE PENDANT (KITCHENETTE AND BEDROOM) WALL WASHER RECESSED CAN N

THE CARNATION

FULL SUITE SECTION PERSPECTIVE

N
ISOMETRIC VIEW

ENTRANCE

ENTRANCE SECTION

KITCHENETTE WINE BAR

LIVING ROOM

The floral language can gravitate toward feminizing the space. Warmer light tends to appeal to the male audience (Hidayetoglu, M. L., Yildirim, K., & Akalin, A. (2012), so marrying the two details allows for a cohesive and inclusive environment.

BROWN LEATHER ARCHITEX CREAM DARK CONCRETE TILEBAR SPANISH HORM ELLINGTON SOFA CUMBERLAND - DOCK LOUNGE

LIVING ROOM AND WORK AREA

WORK AREA ELEVATION

BEDROOM

Having adjustable blinds/curtains is an influential factor in interior environments while aiding to visitor control. However, once adjusted, shades don’t typically move (Sanati, L., & Utzinger, M. (2013). Solution is to have circadian rhythm shades that also are sensitive to motion. Visitors would be able to set preferred shade setting through the technology of the room, and once motion is not detected because of absence, the shades will adjust to an energy efficient setting.

THE BATHROOM

SECTION
SECTION
NORTH
SOUTH
N
ISOMETRIC VIEW

REFERENCES

Beukeboom, C. J., Langeveld, D., & Tanja-Dijkstra, K. (2012). Stress-reducing effects of real and artificial na ture in a hospital waiting room. The Journal of Alternative and Complementary Medicine, 18(4), 329–333. https://doi.org/10.1089/acm.2011.0488

Campbell, D. E. (1979). Interior office design and visitor response. Journal of Applied Psychology, 64(6), 648–653.

Godoy, S. (2021, July 12). Everything you need to know about Spanish architecture. Homeschool Spanish Academy. Retrieved January 23, 2023, from https://www.spanish.academy/blog/everything-you-needto-know-about-spanish-architecture/

Gray, T., & Birrell, C. (2014). Are biophilic-designed site office buildings linked to health benefits and high performing occupants? International Journal of Environmental Research and Public Health, 11(12), 12204–12222. https://doi.org/10.3390/ijerph111212204

Hidayetoglu, M. L., Yildirim, K., & Akalin, A. (2012). The effects of color and light on indoor wayfinding and the evaluation of the perceived environment. Journal of Environmental Psychology, 32(1), 50–58. https://doi.org/10.1016/j.jenvp.2011.09.001

Historic Preservation in St. Augustine (October 2018). City of St. Augustine Preservation Plan. King Street (2019). Design Standards for Entry Corridors.

Kozlowski, L. (2020, October 26). How the Victorians shaped the “Language of flowers”. Floracracy. Ret rieved January 23, 2023, from https://floracracy.com/blogs/history/how-the-victorians-shaped-the-lan guage-of-flowers

Our history. Our History | St. Augustine, FL. (n.d.). Retrieved January 23, 2023, from https://www.citystaug. com/693/Our-History#:~:text=Founded%20in%201565%2C%20St.,the%20Spanish%20established%20at%20 St. Sanati, L., & Utzinger, M. (2013). The effect of window shading design on occupant use of blinds and elect ric lighting. Building and Environment, 64, 67–76. https://doi.org/10.1016/j.buildenv.2013.02.013

Planning and Building Division of St. Augustine, FL (October 2011). Architecutral Guidelines of Historic Preser vation.

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