ORCHESTRA CHAIR
Dedicated performer chairs
Since 1986
Blends seamlessly with the performance space
FC-701N
Upholstery: faux leather (MV-31)
Performer chairs
released to coincide with the opening of Suntory Hall.
The Orchestra Chair series was created in 1986 to coincide with the opening of Suntory Hall, the first dedicated concert hall in Tokyo. The Orchestra Chair series was designed to suit the needs of performers, with input from practicing performers.
In the nearly 40 years since, the Orchestra Chair has consistently been the popular choice of performers seeking a more comfortable performance environment.
Prior to the opening of Suntory Hall in 1986, there was no such thing as an orchestra chair, and performers were generally obliged to sit on ordinary stackable pipe frame chairs. As part of a campaign to position Suntory Hall as a world-renowned concert hall, Kotobuki Seating was asked to produce four prototypes of chairs specifically designed for orchestral performers. Performers from each section of the orchestra then tested the chairs out and provided feedback that was used to inform the current designs. Today, the Orchestra Chair is the popular choice of performers everywhere, with Suntory Hall constantly fielding inquiries from concert halls all around the world.
Performer chairs should be designed for maximum comfort and minimum fatigue. Given that Suntory Hall hosts over 350 performances every year, it is important for the chairs to be lightweight and easily transportable, while also durable.
A chair that's both comfortable for performers and durable enough to last ten years or more is not something that can be created overnight!
Shoji Uehara
Suntory Hall, stage manager (2001)
Photo courtesy of Suntory Hall and NHK Symphony Orchestra
ORCHESTRA CHAIR
Dolly
FE-702N Body
Max Capacity W625 D1015 H1045
Stable and durable
Designed for maximum stability, with a sturdy loop-shaped frame that prevents unwanted distractions such as creaking and swaying to provide performers with a secure base from which to deliver their best performance.
The Orchestra Chair has won
Instrumentalist chair
FC-701N
Faux leather (MV-31, Neo Black) Standard fabric (KF)
W485 D510 SH445 H790
Upholstery
Backrest Seat Leg Weight
Faux leather (MV) / Standard fabric (KF)
Molded plywood, polyurethane foam
Plywood, polyurethane foam
Steel, painted finish (black), stackable
6.5 kg
Steel, paint finish (black), with casters, horizontal stackable 15 chairs
Comfortable
The flat seat base accommodates a range of different seating postures to suit personal preferences as well as instrument and performance type. This helps to keep performers relaxed and comfortable, to minimize upper body fatigue during long performances.
Stylish Functional
A small gap has been provided at the top of the chair for holding and lifting. There is also a small gap beneath the seat base to prevent distracting noises caused by contact between the seat and frame. The gap also allows the hem of garments such as long dress coats to hang down neatly at the back.
The simple yet stylish designs blend in seamlessly with the performance stage setting. The unobtrusive matt finish is designed to blend seamlessly with performer clothing, and is also the perfect complement to a grand piano.
Choose from faux leather or standard fabric coverings. Other colors available on request. Contact us for details.
MV-31 (Neo Black) KF-36 (Neo Black)
Faux leather Standard fabric
Contrabassist chair (backless)
Seat height is easily adjusted using the side knobs. The seat front is rounded where it contacts the back of the knee to support a forward leaning posture.
Contrabassist chair (with backrest)
Acoustic Re f lectors
(KF)
SH720 825 H980 1085
Faux leather (MV) / Standard fabric (KF)
Molded plywood, polyurethane foam Plywood, polyurethane foam, swivel,
The rotating seat base allows the performer to change posture as often as required. Available with or without backrest. This compact, portable acoustic reflector is ideal for concert halls with occasional performances as well as
Folds f lat for horizontal stacking.
CASE STUDIES
Main Hall, FENICE SACAY
Great care has been taken in the acoustic design, treating the performance space itself as an instrument.
Sakai, Osaka Installed 2019
Toho Gakuen Munetsugu Hall, Toho Gakuen School of Music Sengawa Campus Created for an institutional leader in musical education.
Chofu, Tokyo Installed 2021
Providing the optimum performance environment for performers at concert halls both large and small, as well as halls and studios at educational facilities.
Designed for powerful performances and a full, rich sound.
TCM Hall, Tokyo College of Music, Naka-Meguro・Daikan-Yama Campus
Meguro, Tokyo Installed 2019
SHOWROOM
About the showroom
The Kotobuki Seating showroom has a range of products on display for you to view designs and test out comfort levels. In addition to the Orchestra Chair series, there are many other chairs and furniture items to view.
Entry is by appointment only. Our knowledgeable staff will be on hand to help with product information and suggestions. Use the link below or scan the QR code to book an appointment.
https://www.kotobuki-seating.co.jp/showroom/
Tokyo head of f ice and showroom
1-2-1 Kanda Surugadai, Chiyoda-ku, Tokyo, Japan
Hours: 10:00 am - 5:00 pm weekdays
Closed weekends and public holidays, including summer and New Year holiday periods
https://www.kotobuki-seating.co.jp/en/