HSC Major Works Catalogue
Visual Arts Textiles & Design
Industrial Technology Design & Technology
“These works are a powerful reminder of the transformative power of education, where creativity and craftsmanship come together to shape the future.”
It is with immense pride that I introduce the 2024 HSC Major Works catalogue, a celebration of the creativity, dedication and technical expertise demonstrated by our Year 12 students. This collection is not just a showcase of their artistic talents, but also a reflection of the profound understanding and skill required to bring complex ideas to life through the Visual Arts, Textiles and Industrial Technology.
Creativity lies at the heart of these disciplines, driving innovation and enabling students to express their individuality and vision. As the esteemed educator and philosopher John Dewey once remarked, “Art is the most effective mode of communication that exists.” Dewey’s insight reminds us that creativity is not merely about producing beautiful objects, but about conveying ideas, emotions and experiences in a way that resonates with others and fosters a deeper understanding of the world around us.
The works within this catalogue also exemplify the critical importance of craftsmanship and attention to detail. As Maria Montessori, a pioneer in educational theory, wisely observed, “The hand is the instrument of intelligence. The child who does not use his hand is denied the opportunity to learn by doing.” Montessori’s words highlight the essential role that hands-on learning plays in developing not only technical skills but also cognitive abilities, as students engage deeply with their materials and processes to create works of art and innovation.
These projects are the result of countless hours of focused effort, perseverance and a commitment to excellence. They embody the rigorous process of refining ideas, mastering techniques and pushing the boundaries of what is possible. Our students have demonstrated remarkable resilience and determination in their pursuit of excellence and their Major Works are a testament to the enduring value of creativity, skill and hard work.
As you peruse this catalogue, I invite you to appreciate not only the finished pieces but also the journeys of exploration, experimentation and growth that each student undertook. These works are a powerful reminder of the transformative power of education, where creativity and craftsmanship come together to shape the future.
Dr Andrew Parry Principal
Visual Arts
Kate Adams
Stirling Baldwin
April Bragg
Luci Buckland
Annabelle Cooper
Matt Davis
Scarlett Gee
Ivy Hawker
Charlotte Ivey
Alice Keirle
Sarah Lawson
Molly McCarten
Hattie O’Dea
Lolli Pasquali
Matilda Quigley
Sass Reimers
Amanda Roach
Amaya Shipp
Maddie Sinclair
Elsie Sutherland
Ava Tucker
Phoebe Woodham
Georgia Williams
“I am always amazed at the eloquence of our students in articulating complex emotions and concepts with such a richness of material practice .”
The 2024 Visual Arts and Textiles HSC Showcase was a huge success in demonstrating the incredible talent, time and effort that has gone into these two complementary subjects. There was a huge turnout despite the chilly evening, and it proved to be a lively and enthusiastic audience. For everyone involved it is an incredibly rewarding experience to see the diverse, refined exhibition as a culmination of many months of effort and emotional commitment. Likewise, the stunning Textiles works engage with thought provoking themes outlined in their folios as well as beautifully crafted objects that come to life during the wildly popular fashion parade.
The themes for Visual Arts this year ranged from personal stories of homesickness and wellbeing journeys through more general themes of domestic violence, the fragility of marine environments, medical conditions, changes in hormones over time, travel photography, journeys of the imagination and even celebrations of childhood memories and the beautiful intricacies of bee behaviour. The concepts were widely supported by the material choices made in the artworks, and the methods augmented these links. For example, in Alice Keirle’s work “Still, Life” the ghostly impressions of fish were taken from real fish and an octopus using the traditional Japanese technique Gyotaku where the fish are painted with ink before rice paper is carefully pressed over the top. Ivy Hawker’s “Deadly Brews” will get you out of every tricky situation... from a selection of drinks, choose
between tetanus, bubonic plague or rabies for the perfect excuse to get out of any work. Matthew Davis’s “Moments of Stillness, Stillness of Time” displayed his extraordinary photographs taken in Cambodia and Vietnam using a variety of vintage cameras. The results focused on moments of peaceful stillness in the hustle and bustle of these communities, while also celebrating the history with monumental temples and fig trees as a backdrop to monks in meditative spaces.
I am always amazed at the eloquence of our students in articulating complex emotions and concepts with such a richness of material practice. I congratulate them all on completing successful bodies of work.
Andrew Orme Smith, Visual Arts Teacher
Perfectly Imperfect Kate Adams
In my body of work, “Perfectly Imperfect,” I delve into the innate beauty found in nature’s flaws, celebrating the imperfections that make the natural world exquisitely unique. Each piece in this collection captures the essence of imperfection, revealing how these deviations from the ideal are what truly define perfection in nature.
Through a variety of mediums, I highlight the subtle asymmetries, irregular patterns, and unexpected forms that are often overlooked. The delicate curve of a leaf and the rugged texture of bark all serve as reminders that perfection is not uniformity but a harmonious blend of diverse elements.
My work challenges our societal obsession with flawlessness, inviting viewers to embrace and find beauty in the imperfect. The intricate details and organic variations in my art reflect the resilience and adaptability inherent in nature, offering a fresh perspective on what it means to be perfect.
By presenting nature’s imperfections as its defining strengths, “Perfectly Imperfect” aims to inspire a deeper appreciation for the world around us and encourage a shift in how we perceive beauty—not as a pursuit of the unattainable ideal, but as a celebration of the authentic and the unique.
Precipice of a Dream Stirling Baldwin
My work is about how we think during school, and how school shapes the way we think. There is a struggle between the shaping of our minds through information, analysis and the formulation of ideas that is in contrast to the creative meanderings of a daydreaming mind. The daydreaming mind can bridge the gap between what the heart wants and what the head tells us we should be doing, the rational vs the whimsical. And yet not all daydreams are light-hearted; instead they can reveal deeper insecurities and desires, to seek the spotlight, to question who is pulling the strings, what happens if we let hands meddle and mess with our minds, and what is going on in this Surreal landscape of my eyes-open dream? I wanted to use a Manga aesthetic to communicate these ideas, and reference Gege Akutami as someone who has embellished the stark rawness of the style and inspired me to depart from Manga conventions to explore a more graphic, Pop approach in the hope that a wider audience might relate to some of the ambiguous questions in this rambling, chaotic narrative.
The more things change, the more they stay the same April Bragg
50 years ago, women were being told to stay in the home, look after the children and be a good, nurturing wife. Companies universally declaring that ‘Women don’t leave the kitchen’ - Hardees, or ‘It’s nice to have a girl around the house’ – Mr Legg’s.
It’s 2024, and what’s changed? Advertisement’s still focus more than ever on weight loss, complexion issues, and ticking biological clocks. My work explores these everpresent patriarchal beliefs through subverting sexist phrases onto traditional female art forms, exposing the absurdity of such ideas, and essentially highlighting the struggles women and girls still grapple with today.
Why are we as a society still holding onto these archaic beliefs of subjugating women to such inferiority? At the end of the day, are we not all human?
Bottled Up Luci Buckland
Growing up and navigating the tumultuous waters of adolescence, I found myself captured within the suffocating web of societal expectations dictating what I ‘should’ look like. From a sensitive age, I was bombarded with images of airbrushed perfection, with impossible standards etched into the very framework of my consciousness. These expectations weren’t merely external pressures, they burrowed deep within, becoming a relentless repetition of self-doubt and insecurity. I grappled with the conflicting messages hurled at me from every direction. The glossy magazines screamed that I needed to be flawless, a flawless façade masking any imperfections. Yet, reality painted a vastly different picture. My reflection in the mirror seemed to simulate these ideals, each flaw magnified, each imperfection a glaring testament to my inadequacy. As time goes on emotions start to grow and form, ultimately creating a timeline of challenges that one needs to overcome. Ultimately showcasing a venerable location that should be enjoyed for its natural beauty, but instead is a place where many can feel on edge and uncomfortable in their own body.
Shadows of the Past: Mental Health Through Time Annabelle Cooper
This work is a contemplative reflection on the intricate realm of mental health, portraying it as a sombre yet enduring aspect of the human experience. Throughout history, artists have endeavoured to articulate similar themes, albeit with varying degrees of recognition and resonance in contemporary society. It is my experience that individuals grappling with such challenges are often met with skepticism or undue dismissal, overshadowing the inherent vulnerability and commonplace nature of these struggles. Through my artistic expression, I seek to underscore the delicate nature of the human condition and the perpetual cyclical nature of mental well-being. It is my hope that this work will not only prompt viewers to reassess preconceived notions but also to acknowledge the universality of human suffering, encouraging empathy and introspection.
Moments of Stillness, Stillness in Time Matt Davis
During an opportunity to travel through Cambodia, Vietnam, and Thailand, I sought to capture the raw essence of these dynamic regions. My work explores the contrast between the bustling energy of modern life and the timeless sense of history present in these places, highlighting the interplay between constant movement and moments of serene stillness.
Using a 1970s 35mm film SLR with a 50mm lens, I aimed to capture scenes as my eyes saw them, unaltered by modern technology. The use of expired film added an element of unpredictability, enhancing the historical and aged atmosphere of the environment. Alongside this, a modern digital SLR allowed me to juxtapose the clarity of the present with the nostalgic texture of the past.
In Southeast Asia, I found a region teeming with activity yet imbued with a profound sense of peace and focus. My intention was to portray the everyday lives of people while emphasizing the deeper, more dominant sense of stillness and timelessness. By focusing on single focal points, texture, and colour, I aimed to freeze moments in time, allowing viewers to pause and appreciate the subtleties often overlooked in the fast pace of life.
Trapped Scarlett Gee
My artwork “Trapped” encapsulated the notion of feeling pressured. My idea originated from my own personal experience from feeling pressure in all aspects of my life including my social, personal and school experiences. My limited colour pallet was chosen to gain simplicity in an otherwise complicated piece. I have chosen to create a mixed media work that draws the audience in with its intricate mediums. Through the creation of my piece I had multiple set backs and re-imaginings of what I wanted my piece to look like. Overall my complex piece draws inspiration not from an artist but from the image that comes to mind when feeling as though you are trapped with no way out.
Deadly Brews Ivy Hawker
Do you ever feel like you just need a day off? Well, I have created “Deadly Brews” to help you out with just that. My body of work is a collection of drinks, infused with various viruses, and bacterial infections to get you out of all kinds of occasions.
Along with my screen prints of the original artworks, come the cans which give you all the nutritional information. Each drink is accompanied with a product which eases any discomfort or smell.
This has a special connection to me as I am always trying to get out of things
Flow of Memories Charlotte Ivey
“Water remembers everything, every touch, every tear, every moment” novelist Emma Donoghue, 1996
There are three bodies of water that hold special significance to me. I spent a lot of time in and around water growing up. The Macquarie River, on whose banks I live, with the lazy current marking the sluggish passing of time, or rushing past in flooded excitement. Lake Burrendong, with its surrounding blue hills and vast skies is, for me, hundreds of summer memories, reflected sunsets, citrus dawns and camping among the gum trees. The Port Stephens headland, where ancient rocks meet the deep, cool Pacific, a backdrop to many family holidays. Water holds memories. The alchemy of Cyanotype where sunlight and shadow work their magic and images emerge, and sometimes fade, with the rinsing of water. My connection with these places is shared through photographs, which, like memories, can fade. But time shapes the landscape more slowly, the water shaping the river bank, lapping the edges of the lake, or crashing against the rocks of the headland. My work, through its images and working methods, plays with these ideas through a physicality that combines the layers of time, identity, place and the value of childhood memories.
Still, Life Alice Keirle
I never wanted summer holiday trips to the beach to end. Heading home to the country I would sit in the car, slightly sandy and sunburned, missing the salty, intricate myriad of creatures, sensations and experiences of being in and around the sea. As I got older and learned about some of the human threats to ocean life, I was saddened that these problems of coral bleaching, ocean acidification and general pollution were problems and that could affect the long-term viability of something that I thought would be there forever.
I was drawn to the work of Sean de Caires Taylor whose underwater sculptures enthrall and educate viewers intrepid enough to swim down to them. My work is a reflection of human detritus in the sea, a memento mori, a still life. And yet still, life continues; barnacles on an old cigarette lighter washed up on the beach, a hermit crab using a small plastic container as its shell. A minute beacon of hope that life can still prevail. Still, Life references a time that was a genesis of current problems in the ocean, when globalization started, a time when the dark was illuminated by candles, trade routes spread knowledge, religion, commodification and hubris around the world, and art had its small voice in the wind reminding the viewer of their mortality.
Using the traditional Japanese printmaking technique of Gyotaku where delicate rice paper is pressed onto a real fish, I record the extraction of life from the sea. The blue and white China and its arrangement as a still life alludes to Western Art traditions as well as international trade. Both speak to the fact that there is no one nation or culture solely responsible for this global problem, and it is a global solution that is required to address it.
Beyond the Threshold Sarah Lawson
This work delves into the depths of Derealisation. This disorder is a persistent feeling of being detached from one’s body or mental processes. It can extend to an extreme feeling of separation from one’s surroundings. Using the incompatibility of ink and wax pastel, harsh lines and transient wash, dynamic gesture and considered etched line I explore these contrary sensations of dislocation, the disconnection from reality. And yet in my experience, there is a haunting beauty of decay, change and contrast in the psychological landscapes derealisation evokes. These feelings are of detachment from everyday spaces, the increasing angst as the disorder manifests itself, transformation from a mundane world to a haunting emptiness. The space is stripped of its former colour with an ink wash, serving as a poignant metaphor for the human experience of disconnection and alienation. By endeavouring to capture the vulnerable essence of these dislocated figures, I seek to reflect on the fragility of our connection to reality and the disjointed feeling suffered by those who experience derealisation.
In creating this series, I incorporated inspiration from expressionist works from northern Europe, incorporating the contorted nature of figures by Oskar Kokoschka and Eagon Schiele. The positioning of my figures creates a spatial disposition to emphasize the juxtaposition of reality and delusion. The textures and layers within each piece are crafted to evoke a sense of depth and emotion, inviting the viewer to contemplate the narratives embedded behind the imploring, hunted eyes. Plane and perspective clash, stitch and etch jar, oil repels water, narrative flits between ambiguous and explicit.
Chemically Bound Molly McCarten
My Body of Work examines the impact hormones have on women. Our moods, growth and wellbeing are all directly related to hormonal changes within our brains. Being a female with three older sisters, as well as living in a boarding house full of girls, I have noticed the different ways females can be affected due to their hormones.
During a female’s life there are three main events that change our brain chemistry in relation to our hormonal production. These are adolescence, pregnancy and menopause. My work centres around these three times, depicting family members, including myself that could all currently be at this stage in life.
I wanted to use textiles in my work to reflect the traditional womans ‘craft’ of needlework. I did this by using machine embroidery to make the neurons in the brain, French knitting to make a brain, and old doilies to symbolise femininity and the role of woman’s brains. I look to artists Meredith Woolnough and Louise Saxton for inspiration of materials and the concept. Meredith uses machine embroidery to create works that explore beauty and its fragility, and Louise uses discarded needle work such as doilies created by women.
Silent Waters Hattie O’Dea
The ocean, vast and mysterious, has always been a source of inspiration and wonder. It is a realm teeming with life, intricate ecosystems, and delicate balances. However, beneath its tranquil surface lies a silent crisis—overfishing. My body of work is my attempt to shed light on this pressing issue and its profound impact on our planet.
Fish have always been a symbol of abundance carrying great meaning in many cultures and modern art. The harsh reality of today is human overconsumption, overpopulation and general lack of care which has led to many vital fish species being on the brink of extinction. In my art, I aim to evoke a sense of urgency and awareness about the fragility of marine life and the need for sustainable practices. Each piece in this collection represents a fragment of the ocean’s story, from the vibrant coral reefs to the endangered species that call the sea their home.
Overfishing is not just an environmental issue; it is a social, economic, and ethical challenge that affects us all. The depletion of fish stocks threatens the livelihoods of millions of people, disrupts food security, and destabilizes marine ecosystems.
Picture Perfect Lolli Pasquali
In creating “Picture Perfect” my aim was to bring visibility to invisible battles hidden under the surface of the everyday faces we see. Furthermore, it also hints at the perceived pressures to perfect, and the feelings of shame at not meeting these unrealistic benchmarks of perfection portrayed in society. Each piece is expressed through individual triggers and placement, using mixed media to suggest conditions of eating disorder, depression and anxiety. What is seen on the outside isn’t always a person’s whole, instead just a mask that could be hiding turmoil within.
Vista Matilda Quigley
Vista is the view of memories to come, a layered exploration of both memory and anticipation, capturing the essence of my personal journey through past experiences and future dreams. This body of work is composed of meticulously laser-cut wood pieces, each layer forming a puzzle-like assembly that evokes the intricate tapestry of nostalgia and the boundless wonder of what lies ahead. Drawing inspiration from the vibrant simplicity of 1960s travel posters, I have employed a limited colour palette to create a sense of timelessness and evoke the charm of European countries. The scenes depicted are framed as views through windows, offering glimpses into the enchanting landscapes of Greece, Italy, and Turkey—countries that embody my travel aspirations and hearing stories from my childhood. Through ‘Vista,’ I invite viewers to peer through these windows, to share in the romance of the past and the excitement of future adventures.
Voyages Sass Reimers
My work aims to express the notion that water has always been a part of my life and that memories and experiences combine with skills and responsibilities to make us who we are or want to be. Using photos that reference my childhood exploring the beach, the camaraderie and interdependence of crewing a large sailing vessel, the Young Endeavour, and finally the extraordinary sense of freedom sailing alone in a Laser. The nautical flags spell “strength”, “aeipathy” and “control” and are in bejewelled beading to represent the value I place in these sentiments and how they interlink between experience and identity. The materials I have chosen suggest the timeless nature of these ideas and how they can apply to many people over generations, while the stitching on the tulle gives a nod to the contemporaneous application of this work to me, now.
Found in Familiarity Amanda Roach
For six years I have lived away from home, away from where I truly belong. During this time, my memories have faded, and the once-familiar scenery has become distorted. My self-portrait, titled “Found in Familiarity,” reflects how living in a place where I feel I don’t belong has profoundly affected me.
In this piece, I explore the complexity of my emotions. My imagination and memory intertwine, with actual events and moments blending seamlessly with anticipation and plans for my return home. This work provides an insight into my individual idiosyncrasies, combining a self-portrait where expression is limited to facial features with a celebration of the characteristic colours of place and memory.
I have incorporated sand from my property into the artwork, creating a familiar texture that grounds the piece in my personal history. This tactile element serves as a tangible connection to my home, evoking a sense of belonging and comfort amidst the unfamiliar.
Through “Found in Familiarity,” I invite viewers to experience the nuanced dance between memory and imagination, and to contemplate the powerful impact of place on our sense of self.
‘Attunga’ – House on the hill
Amaya Shipp
This work delves into the significance and value of strong family connection. Family bond is extremely important to me. I am a boarder who struggles from homesickness due to being a ‘home-body person’ and I frequently imagine the familiar routines and rituals that I am missing out on. My work attempts to capture the core memories and moments from home through vignettes drawn with graphite pencils in reverent, mindful focus. Each drawing in this series represents a different aspect of my connection to home, from the cups of tea to the front door of the house, I aim to depict the emotional landscape that defines what home and family bond is to me. These are the elements of homesickness, the things I miss most when away from home. They are also the images I run through in my mind, like well-worn snapshots, with nostalgic excitement on my journey home to the house on the hill.
The depth of my connection to home is enhanced through the framework of the piece. I handcrafted the frames from an old wooden gate found upon my property with the assistance from my grandfather, helping join the component of home to the Body of Work.
Ripple Effects Maddie Sinclair
My work explores the fragility of coral reefs. It reflects the consequences of societies activities, and the impact this has on the underwater ecosystems.
The ‘ripple effects’ of what appear to be such small actions, led to detrimental, irreversible damage, threatening the future of coastal environments.
Due to the fragility of the coral reefs, I decided to reflect this in the medium and techniques I used in my work, utilising porcelain dipped paper to portray coral and its fragile nature. Incorporating plastic as though it is at one with the coral and mirrors the prevalence of plastic in our oceans, and the inimical impact it’s beginning to have on the health of our reefs.
Society’s Finest Treatment!
Elsie
Sutherland
My collection of works ‘Society’s Finest Treatment’ utilizes drawing and crochet. In the portraits of my younger sister I wanted to capture the emotionally taxing experience of being bullied. I wanted to examine the implications that bulling has on the individual and the loss of emotional identity that can ensue.
The order of the portraits showcase a progression of emotional and physical stripping away of one’s self. The hollowness and blackness of the sculpture is used to show darkness and emptiness that is left, a shell that is numb and emotionless. In contrast to this emptiness, the hand stitched crochet blanket covering the negative space represents the absence of my sister while surrounded by an object representative of the compassion and love given by those who feel powerless to help.
Silent Remnants Ava Tucker
My work portrays the layers of unanswered questions and unresolved endings of cold cases. In particular, the hidden and revealed nature of evidence and context, especially in cases of domestic violence. More than anything, though, in each case there is a story, a place, a time, events leading up to, and following. This is not a case file. Instead, I aim to depict this concept through the layering of weathered fabrics, partially hiding what lies beneath. Through my work, I aim to delve into these narratives, to unearth the forgotten details, and to breathe life into the silent echoes of the past. By taking visual inspiration from artists such as Luc Tuymans and Cindy Steiler I hope to provoke thought, spark conversation, and perhaps even contribute to the ongoing quest for truth and closure.
The Last Dance Phoebe Woodham
The intricate and systematic dynamics explored within the unique ecosystems of bees contributes to the collective health and ultimate balance of the environments in which we inhabit. Through my artistic expression, I endeavour to deepen our understanding and provoke reflection on our role as custodians of the Earth. By exploring the nuanced relationships between bees and their habitat, I invite viewers to contemplate the profound interconnectedness of all life forms and the consequences of our actions on the delicate web of nature.
The sophisticated social structures and hive intelligence of bees are encompassed through braille to represent the bonds and techniques of communication between the species mentioning words such as pheromones and vibration. The use of genuine bee hives forever encompassed in a layer of fired porcelain imitates the negative space which is intended to be forgotten.
Inspired by the creative approaches of artists such as Rachel Whiteread, Sally Hirst, Gabzdil Libertíny, and Julia McKenzie, my work celebrates the harmonious coexistence of all organisms within Earth’s ecosystems. It advocates for a future where humanity embraces sustainable practices that honour and preserve the delicate balance of nature. By honouring the wisdom and intricate societal structures of bees, we can aspire towards a future where our interactions with the natural world foster mutual thriving and ecological stewardship.
Wasteland of Earthly Vices Georgia Williams
Imperialism and colonialism have left a devastating legacy on our world. The notion of living in tandem with nature has been completely obliterated. The world is dying, and humanity must realise that there will be no divine intervention or salvation. There is no final judgement, just the gradual growth of human depravity and the slow, whimpering death of the natural world.
We are bringing the apocalypse upon ourselves, and only we can stop it.
My work depicts the wasteland and what is left to wander the desolate world. These decrepit creatures remain as a gruesome reminder of the destructive and selfish nature of humans.
My work takes inspiration from a medieval artist Hieronymus Bosch, who also offered great commentary on the human condition.
Textiles & Design
Maggie Anderson
Tessa Lawson
Scarlett MacKenzie
Georgia McIntosh
Elke Sweetapple
Prudence Whitaker
2024 marks my tenth consecutive year of teaching HSC Textiles and Design at Kinross Wolaroi School. Despite supporting multiple students through their Major Projects, I am still inspired and challenged each year by their creativity and concepts. This is one aspect of what maintains my passion and energy for the subject. The other component is harder to articulate. Spending many hours with students, facilitating them to bring their vision to fruition creates a special relationship that I will treasure forever. We have been through a lot together: time, tears, laughter, learning and stories. To share this chapter with them before they go off into the world is such a great privilege for me. This catalogue provides a lovely reminder of our shared experience and their great achievements.
Mrs Penny Chandler Textiles & Design Teacher
“I am still inspired and challenged each year by their creativity and concepts.”
Azulejos Scarlett MacKenzie
Materials: linen, paj silk, acetate, piping cord
Techniques: screen printing, reverse applique, dyeing, Baltic inkle weaving, piping, top stitching
Linen wide legged pants with piped patch pockets and reverse applique wave embellishment. Hand-dyed fitted bodice with reverse applique wave embellishment. Screen printed silk pajent scarf. Woven ‘baltic pattern’ belt.
Inspired by European Summers of the Fifties and Sixties along the Amalfi Coast. The colours and patterns are those of the ocean, beach umbrellas and Azulejos, traditional Portuguese tiles. The garments and their embellishments reflect the fluid nature of the ocean through the use of line, shape and direction.
When Wishing Was Effective Maggie Anderson
Materials: cotton poplin, cotton velvet, silk dupion, assorted yarns
Techniques: patchwork, screen printing, hand dyeing, laser cutting, hand applique, machine applique, quilting, hand embroidery, machine embroidery, CNC embroidery, beading Art quilt utilizing multiple traditional and contemporary patchwork, quilting and embellishment techniques.
‘When Wishing Was Effective’ draws on themes from the ‘Brother’s Grimm Fairytales’. Like a storybook, the Textile Art quilt represents a blank canvas upon which a tale can be told through stitches and decoration. The quilt’s story has been developed through the symbolic motifs and embellishments such as the queen and the roses. The quotes and images have been drawn from ‘Snow White’, ‘The Twelve Dancing Princesses’, ‘The Twelve Huntsmen’, ‘The Golden Goose’ and ‘Cinderella’.
Fleur Jardin
Elke Sweetapple
Materials: cotton batiste, cotton velvet, silk dupion, silk organza, beads, fishing line
Techniques: laser cutting, hand painting, beading, block printing, CNC embroidery
White cotton batiste dress with boned bodice and skirt of layered flounces with red fluted edging. Embellished with hundreds of hand-crafted flowers.
The inspiration for my project came from my desire to create a sustainable and environmentally conscious design. I have drawn inspiration from blossoming gardens in spring, drawing attention to and appreciation of the vibrant colours the flowers express when in bloom. The inclusion of a block printed bee amongst the flowers is not obvious initially, this reflects how the importance of bees is often overlooked when discussing sustainability.
Wabi-Sabi Tessa Lawson
Materials: worsted wool gabardine suiting, polyester spandex charmeuse, rayon polyester faille
Techniques: piping, foiling, CNC embroidery, hand embroidery, machine embroidery
Cream wool gaberdine coat dress embellished with gold darning, piping, foiling and embroidery.
Inspiration has been drawn from the Japanese philosophy of Wabi-Sabi, relating to the concept of finding beauty in the imperfect and impermanent nature of life. It is concerned with the beauty found in the damaged or worn. Wabi-Sabi directs that instead of attempting to disguise the marks of wear, it should instead be celebrated, and suggests, that objects and people alike gain a certain beauty in age. One manifestation of this philosophy is the art of kintsugi, which describes the fixing of cracked pottery with gold lacquer, illuminating the “damage” as a beautiful expression of imperfection.
Woodland Wonders Georgia McIntosh
Materials: cotton poplin, cotton velvet, calico, merino fibres, assorted yarns, assorted leaves and flowers
Techniques: wet felting, needle felting, natural dyeing, flower hammering, screen printing, block printing, hand embroidery, machine embroidery
A triptych of hand-felted Celtic birds on backgrounds of naturally dyed and printed fabrics, embellished with hand and machine-embroidery.
Woodland Wonders is a Textile Art piece inspired by the classic woodland birds of Celtic mythology. The chosen birds: Sparrow, Robin and Chaffinch, all have their own unique meanings and stories. Each piece of fabric has been dyed and printed naturally using foraged materials to imbue the art works with the Celtic meanings. The Robin tells of rebirth. The Chaffinch signifies good luck. The Sparrow relates to communication, thoughts and messages.
Fée Prudence Whitaker
Materials: polyester organza, silk dupion, acetate
Techniques: scrunch tie dye, sublimation printing, fine crush heat set pleating, sunray heat set pleating, beading
Delphinium blue ombre dress embellished with individually pleated petals and a beaded bodice stamen.
My project is inspired by the anatomy of a flower, specifically a delphinium, and Cecily Mary Barker’s Flower Fairies. Each petal of the garment has been handcrafted to create realism. The intention is that the wearer becomes part of the flower.
Industrial Technology
Tom Agostino
Rhys Bonnington
Robert Burke
Oscar Cheney
Hugh Chudleigh
George Conin
Megan Cox
Blake Dwyer
Angus Ervin
Sam Fabar
Digby Gulliver
Sam Hannaford
Harry Hazelton
Cameron Hoskin
Fletcher Kelly
Jack Lane
Clancy Lawler
Henry McColl
Ollie Mendham
Nico Nash
Gus ONeill
Jack Pursell
Harry Shea
Charlie Stephenson
Will Steventon
Shep Taylor
HSC Major Projects are a year-long journey for Industrial Technology students. Each project begins with identifying a unique need - whether it’s a product for camping, an innovation to enhance future career tasks, a solution for farm productivity, or even a system designed to improve someone else’s life. Regardless of the need, students engage in a process of research, analysis, design development and testing. This leads to the construction and final realisation of their projects, with the outcomes proudly showcased in this publication. Kinross Wolaroi School students have a strong tradition of producing exceptional HSC Major projects. It is incredibly rewarding to see that this year’s cohort has continued to demonstrate the ambition, drive, and work ethic we’ve come to expect. The range of industrially oriented projects has been impressive, with many showcasing remarkable design and innovation. The focus has often been on refining existing designs to enhance both aesthetics and functionality, with some students introducing new products to meet emerging market needs or address their own unique challenges.
“The range of industrially oriented projects has been impressive, with many showcasing remarkable design and innovation.”
My heartfelt congratulations to all Design & Technology and Industrial Technology students for their outstanding accomplishments in these courses.
Mr Simon Lun Head of Technological
& Applied Studies Faculty
Ute Tray Tom Agostino
My project is a ute tray, designed to go on the back of a Landcruiser ute. I was initially inspired to make this project as I was receiving an old 1979 series landcruiser as a first ute, and intended to make an aesthetically pleasing ute tray for the purpose of transporting heavy items, such as a motorbike and farm equipment to do jobs for my dad and make his life a little bit easier. During this project, I learned and sharpened my skills on a variety of metalworking techniques, such as cutting, welding, and measuring, which are skills I have valued refining as I will certainly be using them later in life. Overall, I’m very happy with the result I achieved and I am very proud of the current state of the project, as I feel it was a huge step forward considering I only commenced industrial technology in Year 11, and had never done any form of metalwork before.
Ute Tray Rhys Bonnington
For my Year 12 Industrial Technology project, I constructed a ute tray for my 1975 series Landcruiser ute. It provides a good upgrade to an older ute and makes it more useful. It can be used for carrying tools, motorbikes and camping equipment.
I was inspired by numerous people online with unique tray designs to have a tray that was unique from other common designs.
This project has given me fabrication and design skills, such as welding, cutting, computer aided design (CAD) and CNC plasma cutter. These skills are applicable to many careers in the future such as farming and machinery operation. Overall, I am very happy with the project, especially considering it is the largest and most detailed project I have completed to date. I enjoyed the design and manufacturing process and I look forward to putting the tray to use in the future.
Chemical Trailer Robert Burke
For my 2024 IT Major Work I have built a dual axle table top trailer with a hydraulic drop down component on the back third of the trailer. This trailer was inspired by the need for a chemical trailer to suit my farm in Walgett NSW. While brainstorming the design for this trailer I worked closely with my father who would be the main user of this project. The dimensions of my trailer are 3.6 metres in length by 2.2 metres in width, and a five tonnes load capacity. My trailer’s primary purpose will be to cart IBC chemical shuttles and a water tanker into the paddock with a mixing vat on the back third of the trailer so it will be able to be lowered to almost ground level and be able to have the water and chemicals gravity fed into it, all this will mean my family can save time while spraying because we will be able to fill the sprayer in the paddock instead of making the 30 minute round trip back to the tank five times a day. The back third will be lowered by a hydraulic ram and eight arms, with the trailer having its own hydraulic motor and battery in the tool box so it is completely independent. The trailer will also be used for carting hay bales, bikes, fencing and building equipment.
I am extremely happy with the trailer. Overall the machining and aligning of the trailer turned out perfectly and I am very pleased with the overall look.
Motorbike Trailer Oscar Cheney
For my year 12 Industrial Technology project, I designed and built a motorbike trailer to fit three bikes, a toolbox and a spare tyre.
It uses three wheel chocks and tie down points I attached to all angles of my chassis to securely hold down three motorbikes and transport them as desired.
I was inspired to build the trailer due to the need for my father, brother and I to have a practical trailer designed to tow our bikes.
It will affect my life positively for when I want to go away somewhere with my bike as it can be registered and driven on public roads.
I learned how to design and construct a metal project, and will use these skills later in life with personal projects and possible future occupations.
Camper Trailer Hugh Chudleigh
For my major work in Industrial Technology, I built a square drop single axle camper trailer.
The camper trailer can be used for camping and will sleep up to two people with a queen-sized bed. It can also be used for transporting small boxes or equipment.
I enjoy camping and wanted to build something that I could take out and can carry everything I need. I also wanted to make something that I could easily sell or rent.
During the project I learnt how to build a trailer along with improving my welding and other skills in the workshop.
I was very happy with how my camper trailer turned out as it looks nice and has a comfortable interior.
Mini Bar George Conin
For my major project in Industrial Technology I made a mini bar. The materials used include steel rhs, mini orb corrugated iron, spotted gum wood slabs.
I was inspired by some of the mini bars made by other Year 12 students over the past few years. It would also provide a good look to a house.
It will be useful for occasions where I’ll have people over or if I just want a space to store items and drinks.
During the stages of this project I learned how to weld, use machinery and problem solve through a variety of different processes. These skills will help me with any practical task later on in life.
The project is neat and tidy, as well a quite sturdy. It is also the largest project I have completed and turned out well in the end.
Automatic Cattle
Drencher
Megan Cox
My 2024 IT Major Project is a portable automatic cattle drencher. My main objective behind the design of my project was to improve the efficiency of cattle drenching. Studies have shown that it can take up to two weeks for cattle to recover from being yarded, so with my project the cattle will now be drenched in the paddock, a place where they feel more comfortable. I decided to make something new and innovative, as I want to go into the Agricultural Engineering industry after school.
My project sits in a gateway between two paddocks and works when the cow goes to walk through the device, with their NLIS tag getting scanned and when their head exits, a sensor is activated, and the cow is backlined with drench. The project includes large tandem jockey wheels, which can be propped up or down depending on whether the project is being towed around or in a stationary position. There is also a detachable drawbar, making the project easily towed behind a side-by-side or ute. It is 2 metres tall by 2 metres long and 800mm wide, large enough to comfortably fit a cow. The size of the drench tank in the device is designed to drench roughly 550 cattle each time it is filled.
To build my project, I had to undertake lots of research so I knew the project would be fit for purpose. Although there is nothing quite like it in the market, I conducted research using surveys, magazines and articles, field days, talking to people in the agricultural industry and exploring similar designs like the Opti weigh. I also had to research what metal sizes and materials I would use in my project, whilst also making it safe for cattle to use, meaning no sharp edges that could hurt cattle. I chose to powdercoat my project bright orange as it would stand out and be appealing to look at in the paddock.
Now I have completed my major project, I am hoping to use it for my cattle, where it will be able to improve the efficiency on my farm. Accomplishing my major project taught me many valuable skills and life lessons, which I will have with me for the rest of my life. I am very proud of the outcome of my final project and grateful to everyone that helped to make my ideas into reality.
Tandem Axle Motorbike Trailer
Blake Dwyer
For my HSC major project, I made the decision to design and build an enclosed tandem axle motorbike trailer, a project that allowed me to blend functionality, creativity, and technical skill. From the outset, my primary objective was to create a versatile trailer that not only served the purpose of transporting motorbikes but could also be adapted as a storage unit or even a small caravan if needed. This flexibility was crucial, as I wanted the trailer to be multipurpose and meet a variety of needs. With dimensions of 5.6 meters in length and 2.1 meters in width, it is spacious enough to transport not just motorbikes, but also buggies, machinery, and other items. Its primary function, however, is to make the transportation of motorbikes between locations more efficient and secure.
The design phase was particularly exciting, as it involved a lot of careful planning and research. I drew inspiration from existing trailers and worked to incorporate features that I found innovative and practical. I wanted to ensure that the trailer was not only functional but also visually appealing, with clean lines and a modern aesthetic. Every decision, from the choice of materials to the trailer’s structural integrity, was made with precision to achieve the best possible outcome.
Unfortunately, the project faced some delays due to factors beyond my control, including supply issues with materials,
which meant the trailer could not be fully completed by the deadline. However, despite these setbacks, I am extremely proud of the progress I made and the final product. The trailer’s appearance is sleek and professional, closely aligning with my original vision. It’s a project that not only meets the functional requirements I set out to achieve but also stands out for its attention to detail and craftsmanship. One of the most fulfilling parts of this project was the personal growth I experienced throughout the process. From sourcing materials and troubleshooting design challenges to actually constructing the trailer, I gained invaluable hands-on experience. The sense of accomplishment I felt when seeing the trailer come together - piece by piece - was incredible. Watching the transformation from an idea on paper to a tangible product was a rewarding experience and knowing that I built it entirely by myself only added to that sense of pride. This project taught me perseverance, problem-solving, and the importance of meticulous planning, and it was truly a defining experience in my HSC journey.
6 Point Roll Cage Angus Ervin
For my major work project, I set out to construct a 6-point roll cage that would be suited for amateur/historical rallying. It is designed to add rigidity to the car and protect me if/when a crash occurs. I wanted to do something car based for my major work from as early as Year 8 and this was a way that I was able to incorporate this with the fabrication aspect of Industrial Technology. Having the roll cage done by me allows me to save money compared buying a pre-built cage or getting one custom made. Throughout the project I learnt the importance of planning ahead and adapting plans to better fit a situation. In a less philosophical sense, I also learnt the skills of pipe bending and TIG welding, though not used in the final product, which are skills I can apply throughout my later life. The final product wasn’t entirely what I had envisioned, but will still fit its intended purpose and can be modified later on.
Hydraulic Tipping Car Trailer Sam Fabar
For my 2024 HSC Major Work I built a hydraulic tipping car trailer, which I designed to make it very easy to load cars on and off. The car trailer is capable of carrying a car to and from events. I made this project because at the time my family didn’t have a flatbed car trailer that was small and easy to transport. Building the car trailer gave me the opportunity to develop and enhance my welding and fabrication skills. Although we have a car trailer, we wanted to have one that was convenient to use, we added a tipping mechanism and tie down points.
Building and designing the trailer taught me how to design and build a project from start to finish, how to manage time and how to use different tools and techniques. Learning these skills will help me during my carpentry apprenticeship that I will be completing after school. Overall I’m extremely happy with how the car trailer turned out.
Billiard Table Digby Gulliver
My project is a billiard table, fabricated for an eight by fourfoot slate top. Inspiration for the project occurred through my interest in pool and past desire for such a building project. Throughout the fabrication of my project, I faced many struggles regarding the measurements and angles of the frame. These problems took time to solve and required high levels of research and referencing to achieve efficient leveling and length. Skills I have gained from the fabrication of this project range from welding technique all the way to measuring and cutting perfection. While producing this project I have come to realise that there is no room for error when it comes to pool tables as they are typically used as an aesthetic piece. In finalising the project, I have produced a well designed and structured billiard table.
Pizza Oven/Grill Sam Hannaford
For my IT Major Project, I decided to make a unique pizza oven/grill. The project is made up of a cooking bench with fireproof bricks, and a separate box pizza oven that can be removed from the bricks for the pulley system grill to lower and cook on the already hot coals. My family will put this to good use.
I learnt many things along the way about fabrication, how you’ve got to pace and not rush if you want to make a quality project, and how to manage setbacks, that you must plan ahead and need to structure what you are doing for extra efficiency and organisation. In the future this will help me because it taught me to stay positive and have a well structured plan.
Tandem Axle Flat Bed Trailer Harry Hazelton
For my year 12 Major Work I designed and constructed a tandem axle flat bed trailer with the use of carting hay and equipment around our family farm located in Cudal. The trailer is 3.6m long and 2.1m wide and is designed for durability and reliability while also having an aesthetically pleasing look. The trailer is rated to a load of 3 tonnes and has both front and back removable headboards, allowing it to be used for a wide range of purposes.
I was inspired to make this trailer to move heavy loads on the farm and on the road. I intend to use the trailer for selling and carting hay.
Overall I thoroughly enjoyed designing and constructing this project as it challenged me to problem solve and it was a very rewarding and honest experience as the trailer slowly came together. I am extremely happy with the finished project, especially the white wheels and matching toolboxes that are highlighted by the blue powder coat of the trailer. This project has taught me valuable lessons that will be used throughout my life.
Adventure Trailer Cameron Hoskin
For my year 12 Major Project, I have designed and constructed a multi-purpose adventure trailer. The Trailer is 1.8m wide and 2m long which has considerable storage and can also get through tight places. The trailer consists of a single axle chassis, which can take up to 2 tonnes of weight which is enough for all my needs.
A multi-purpose adventure trailer is different to a regular trailer because of its robust build specifications and suspension required to go off road. This is very important so it can handle all types of terrain.
As the name suggests, my intention is to have a trailer that I can use for a camping application, trade application and general applications. This off-road trailer was inspired by my desire to travel around Australia. This trailer will be perfect for travelling and will help me follow my passion for fishing. When I finish my trip around Australia, I want to start a building trade and this trailer would also be perfect for a trade application.
During this project I broadened my skills in welding and fabrication, gaining an understanding of all the tools and processes required. Having a time limit allowed me to gain further planning skills in terms of organisation and time management. The project often required problem solving skills and has also provided me with lifelong skills which will be applied through my future in the workforce.
Overall, I am extremely pleased with the outcome. The best of part of constructing my multi-purpose adventure trailer was the immense satisfaction and sense of achievement it gave me.
Mobile Cool Room Jack Lane
My Year 12 Industrial Technology project is to build a mobile cool room trailer that is reliable and easily transported by most vehicles to various locations where onsite refrigeration is required. The purpose of the cool room is to provide portable refrigeration for fresh food and products in need of cooling. I was considering building a permanent cool room for home but making it mobile offers flexibility and a source of income by renting it out to people who need reliable mobile cooling facilities.
Main function requirements are: Build a Coolroom to conceal and hold a temperature to keep contents cold; Build a trailer that complied with VSB 1 small trailer building rules and regulations; Towable; Easily movable by pushing; Fit in a shed.
Dual Axle Box Trailer Clancy Lawler
My project is a dual axle box trailer with a front and rear tailgate. The trailer is powder coated In Aztec silver. Both the front and rear tailgate fold down to allow for the transport of extra-long materials. I made the box 1700mm x 2995mm to make it the widest it could legally be. It is fitted with an automatic break away system for if the trailer comes off the tow ball while driving, which is used to prevent any extra damage to the trailer or other objects nearby. This trailer is going to help with little jobs around the house and will be shared with friends.
During the production of my project, I really improved my welding skills and my practical thinking. I learned how to use fusion 360 (3D rendering program) to help find the sizes of what my trailer would be.
In the end I am very happy with my trailer. The powder coating gives it a sleek and stylish finish. It will get plenty of use around the house and will hopefully last a lifetime.
Grouper & Feed Out Wagon Ollie Mendham
For my Year 12 Major Work I built a grouper/ feed out wagon which is a split bin design with a total capacity of 4 tonnes. I built this grouper to upgrade our old truck mounted grouper and now we can take a ute sowing, making transport and cartage so much easier. I was inspired to build a grouper from attending the Henty Field Days.
My plan for this grouper is that is will be used all year round. At the start of the year it will be the combine holding seed and fertilizer. After this it will be used for feeding weaners and other cattle in pastures, as well as being used with the with the spreader trucks.
From this process I learnt new tricks to improve my welding along with how much heat sheet metal can withstand before warping. These skills will help me in the future with any welding projects I need to complete along with finding angles and problem solving.
Tandem Axle Flat Top Trailer Henry McColl
For my Year 12 IT Major Work I made a tandem axle flat top trailer with undertray toolboxes. It will be used on the farm as a service truck to carry toolboxes and supplies. I was inspired to make this trailer because we needed a farm trailer to carry toolboxes with us when we travel for work. I will be able to use this trailer for a long time and I am glad that it is staying in our business so I can continue to use it for many years. It will help us significantly as it is a custommade trailer which is designed to our needs. I learned many different skills while building this trailer, including how to manage heat warping, welding sheet metal, improving my welding skills, trailer safety requirements and time management. I will be able to use these skills later in life when manufacturing and welding things. I was very happy with how the project turned out and I am very excited to be able to use it.
Tandem Axle Flat Top Trailer Nico Nash
For my Year 12 Major Project I built a tandem axle 3.2 x 2.2 metre flat top trailer with detachable sides. The trailer boasts many multi-functional aspects and can be used to complete tasks that most conventional flat top trailers can’t accommodate. The inspiration for the design was a previously made project within Kinross Wolaroi School, it needed to be durable and accommodate removable cage like sides. The main use for the trailer is to cart heavy objects from farm to farm, carry machinery, parts and livestock.
I learnt many things from the process, both physical and mental: it taught me patience and the understanding that things don’t always go to plan; physically I learnt time management and the dedication of time to certain tasks to ensure completion at the correct time. The most valuable thing I can take away from this project is problem solving on the spot using minimal materials I had available.
Dual Axle Flat Trailer Gus ONeill
For my Year 12 Major Project I have designed and built a dual axle flat trailer. The trailer is made to hold up to 4 tonnes, allowing it to carry hay, chemical shuttles, wool bales, stock crate, tool slides, ATVs and utes.
The trailer will primarily be used for agricultural purposes at home on our farm. It will contribute to making the farm a more efficient enterprise. The trailer is 6m x 2.1m with a 400ml high headboard which is removable. After I finish school, I would like to add a stock crate to make it even more useful.
The complexity of the project was a test of my fabrication and design skills. I researched different design aspects to incorporate them into my project. Key design features were the construction of the mud guards, removable headboard, and the slots in the side of the trailer for a removable stock crate in the future.
I was also lucky to learn from the skills that my fellow students used on their projects. In conclusion I really enjoyed building this trailer.
Tandem Axle Hydraulic Tipper Trailer Jack Pursell
For my 2024 Major Project I built a tandem axle hydraulic tipper trailer. This trailer can tip backwards to allow for easy unloading. The trailer also has ram attachments to use to unload bikes and side by sides. I have made this project for my family farm to make it easier to collect wood or other materials and transport vehicles from farm to farm. I have also made this trailer to develop my welding and trailer fabricating skills. This project will affect mine and my families lives as we will no longer have to hire or borrow trailers to carry materials and it will be able to be used for years, this trailer will also be used to advertise our family business which the trailer has been branded with.
From building this project I have learnt how to construct a trailer from scratch and how to use a whole manner of tools and techniques and to plan and design trailers. I will be using these skills later in life as a I plan to make and sell some trailers in the next few years. I am really happy with how this project turned out as it met my plans and visions almost perfectly.
Tabletop Tipper Trailer Harry Shea
For my Year 12 Major Project I designed, engineered and constructed a tandem axle tabletop tipper trailer. The trailer has a tray that is 3.6 x 2.0 metres and can tip to an angle of 60 degrees. The tipping of the trailer will help to facilitate the removal of products (such as gravel, grain, fertilizer, hay bales and wool bales) and the easy sliding on and off of things such as tool slides and stock crates. We plan to use the trailer in many roles around the farm and it will be used for contracting later on.
I was inspired to make the trailer by watching the versatility and use cases of small tipper trucks. When watching these works, I found that they could be used for any job both on farm and off it. I believe my trailer is better for a farm as it’s not got an engine that’ll need servicing and maintenance. When I set out to build my trailer, I wanted to make a trailer that looked professionally built and was a completely functional. I am satisfied that I achieved this goal.
Motorbike Trailer Charlie Stephenson
For my Year 12 Major Project, I designed and fabricated a motorbike trailer. This motorbike trailer is single-axle and capable of holding three bikes. The trailer was intended for transporting motorbikes to farms and motocross tracks. Previously, I transported bikes using my father’s ute, which often caused issues when the ute’s bed was already loaded with other items, leaving no space for motorbikes. The trailer will make transporting motorbikes much easier.
Work health and safety considerations were an important part of this project. Safety measures implemented during the trailer’s fabrication included checking for and removing sharp edges, ensuring the trailer was square, straight, roadworthy, and free of significant imperfections, following safety procedures, and carefully selecting materials with consideration for loads and forces.
The motivation behind fabricating this project was the convenience it provided in transporting my motorbikes and my friends’ bikes. I have enjoyed the process of making the trailer and have learnt how to manage large tasks and to meet the standards necessary for registration.
Tandem Axle Motorbike & Camper Trailer Will Steventon
For my Major HSC Project I built a tandem axle motorbike/ camper trailer. The trailer holds three motorbikes and also has a substantial sized box on the front for storing tools, swags and other camping and motorbike equipment. I choose to make this trailer because my family like to go camping and motorbike riding but often don’t have room for all our bikes and gear.
Throughout the creation of my project I have learned many valuable skills in building the trailer such as welding, technical design and formal documents. I will use these skills later in life to help manage potential project in the construction industry. Over all I am happy with how my trailer turned out and it will be used for many years.
Ute Tray Shep Taylor
For my HSC Major Work, I constructed a steel ute tray for my FJ45 series Land Cruiser. I decided to build my ute tray while rebuilding my FJ45 Land Cruiser in the aim that it would immensely improve the overall aesthetic and practical nature of the vehicle. I plan on taking my project back to my dad’s farm in Wellington where it will be used for various jobs.
Over the duration of my project I have learned lessons that I will apply to life after school including patience, attention to detail, and the value of collaborating with peers. Overall, I have thoroughly enjoyed the process of building my ute tray and appreciated the assistance and knowledge I have acquired from my teachers.
Design & Technology
Nick Collins
William Knight
Liam McKenzie
Lars Nolles
Sandy Robb
In the Design and Technology course, the students embarked on a journey of creativity and problem-solving to produce their Major Work projects. Over the past 12 months, the class engaged deeply with the subject’s core principles: innovation, functionality, and market gap design. The Major Work is a pivotal component of the course, allowing students to apply their knowledge and skills to a self-identified challenge.
The process begins with identifying a problem or opportunity for improvement within a specific context. The students were encouraged to explore various design possibilities, culminating in the development of a prototype and a high quality design solution. The journey involved extensive research, ideation, sketching, prototyping, and testing, with the students continually refining their ideas based on feedback and practical considerations.
Key to this process is the integration of both theoretical knowledge and practical skills. The students have applied principles from engineering, ergonomics, material research, and aesthetics. The iterative nature of the
“The Major Work project fosters essential skills such as project management, critical thinking, and effective communication and collaboration.”
project - where prototypes are tested, evaluated, and redesigned - mirrors real-world design and engineering processes, preparing students for potential careers in the design and technology field.
Moreover, the Major Work project fosters essential skills such as project management, critical thinking, and effective communication and collaboration. Students must document their progress thoroughly, producing their portfolio which presents and articulates their design process and final outcome.
I’ve thoroughly enjoyed assisting the Design and Technology class of 2024 in achieving their goals and am very impressed with their projects. I wish them all the best for the future.
Mr
Angus Brotherton Design & Technology Teacher
Content Creation Station
Nick Collins
My Content Creation Station, is a meticulously designed workstation aimed at solving the growing need for a versatile, organized, and aesthetically pleasing setup for content creators. With the increasing popularity of video streaming, podcasting, and digital art, there is a demand for specialised furniture that optimises productivity while maintaining an attractive and professional look. This project addresses the problem of limited workspace, lack of customisability, and poor ergonomics in standard desks available on the market.
The design incorporates two high-resolution monitors, a stream deck for seamless content control, integrated LED lighting for customizable ambiance, and ample desk space for additional equipment. The station is constructed using high-quality birch ply wood, with a honey stain and two coats of clear gloss, enhancing its durability and visual appeal. I aimed for a design that meets both functional and aesthetic needs, suitable for the niche market of professional creators.
One of the key technical skills I developed was mastering the use of different timber joinery techniques, such as splines, rebate and housing joints. These methods ensured the table’s structural integrity while maintaining a clean and refined look. Splines provided added strength to mitre joints, while the housing joints allowed for precise and seamless assembly of different parts of the desk.
The journey of creating this project was incredibly rewarding, as it allowed me to refine my problem-solving skills and think creatively. What I love most about this project is how it merges modern design with practicality, creating a beautiful and highly functional workspace.
Versi-Hold: Adjustable and Multipurpose Bike Holder William Knight
Versi-Hold is an adjustable, multipurpose bike holder designed to transport various types of bikes, including mountain bikes, dirt bikes, and combinations of both. The product addresses the challenge of safely and efficiently transporting bikes, as well as associated gear. By providing tie-down points (which my ute previously lacked), VersiHold allows secure transportation of gear bags, swags, eskies, and other items needed for outdoor trips.
Throughout the development of my project, I gained valuable practical skills, such as spray painting, welding, grinding, and general metalworking. Additionally, I enhanced my proficiency with digital tools, including Word, Excel, and CAD software, which were essential for formatting and designing the product.
The process of creating this major work was challenging but immensely rewarding. I am proud to have developed a functional product that I will use for years to come. The versatility of Versi-Hold is what excites me the most. It can carry not only any of my bikes but also gear like swags, tents, and ramps, making it a truly practical solution for my needs. I look forward to using it on future adventures.
Sun Tracking Solar Panel Liam McKenzie
My Major Work Project is a sun-tracking solar panel designed to increase the efficiency of power produced. My main focus was on camping however I realised my project can be applied to a variety of large or small scale situations. The core problem it aimed to solve was optimising solar energy collection by ensuring the panel always faces the sun, maximising energy output. This project required me to overcome many challenges, such as 3D printing components, researching and applying skills related to solar panels, batteries, wiring, and Arduinos, as well as metal fabrication.
At the start, I had little experience in metalworking, so I had to learn welding, cutting, and bending with my teacher’s help. I also had limited knowledge about electrical systems, so I watched videos and did extensive research to figure out how to wire circuits correctly, especially using the Arduino, which was a tricky part of the project that I had to relearn how to operate. I used innovative software ChatGPT to help write me a basic template and thanks to my previous exposure with coding, I was able to develop and improve the template for my project.
I encountered several other challenges, such as researching servo motors and adapting existing products like a TV mount to fit my needs. This project was a major learning experience, from studying different materials to learning how batteries and solar panels work together. Although demanding, it provided me with a wealth of new skills, including 3D printing and coding.
The journey was full of ups and downs, but it taught me a lot about myself and my work habits. I realised that I’m highly persistent, solving issues as they arose, like when the servo motor broke just days before the deadline and collaborating with my teacher Mr Brotherton to solve problems. I also learned that I tend to be a perfectionist, often hesitating to move forward unless I am absolutely sure something is right. This slowed my progress at times but also helped me ensure high-quality work.
What I love most about my project is how it pushed me to explore so many areas, from solar energy systems to metal fabrication and coding. The satisfaction of seeing all these different elements come together in one functional product has made the entire process worthwhile.
3D Printed Circuit Boards
Lars Nolles
A circuit board is an electronic component that acts as the bridge between other components, it consists of two parts being the traces (the parts which let electricity flow between other components) and the base (the plastic which holds everything in between). Circuit boards are stored in what are called “Gerber files” which are a set of instructions which tell the manufacturer what to make. My major project allows the Gerber files to be turned into a standard 3D model file so that the end user can make a circuit board with a 3D printer. The 3D printer uses a conductive filament to make the traces and normal 3D printer plastic to make the base. Coding and designing this system helped me learn many organisational skills relating to programming and general system design, I have rarely ever made flowcharts or other tools for organising my ideas in programming but found that I needed of them for this project. As well as learning about coding I also learned a great deal more about 3D printers and current 3D printing technology which is helpful as I can do more technical projects on my 3D printer. The journey to complete even the first circuit board was excruciating just from the scale and scope of my project which included too many things (3D printing, coding, high level maths to decipher the Gerber files and graphic design in the form of a user interface) but also has been very rewarding as completing small parts of my system felt like huge achievements and has helped me learn many of the skills I will need at university. It was most rewarding when I printed the first working circuit board, and I have really loved seeing my project actually evolve and run, and seeing something that I created work as this was a system which did not currently exist.
UpSkill Sandy Robb
My design and technology project is a home hobby training app called UpSkill, aimed at helping users easily learn new everyday skills through centralized courses. The app solves the problem of scattered, inaccessible hobby resources by offering a simple, aesthetic interface with two lists for users to select and access hobbies efficiently. Throughout the project, I learned how to refine a product’s design to be both user-friendly and visually appealing, while also gaining deeper insights into app development and market needs. The Major Work journey was an engaging experience, as I navigated challenges like coding obstacles, user feedback integration, and refining the interface design to make it both intuitive and functional. I loved the creative freedom it provided, allowing me to merge my passion for technology with real-world solutions, especially the satisfaction of seeing my idea evolve into something practical that could enhance people’s everyday lives.
