HSC Major Works 2023

HSC Major Works Catalogue

2023

Visual Arts

Textiles & Design

Industrial Technology

Design & Technology

Software Design & Development

“These projects serve as a powerful reminder of the essential role creativity, attention to detail, commitment and perseverance play in the attainment of excellence.”

I am delighted to present to you this collection of works from our 2023 HSC students. These captivating creations eloquently demonstrate our students’ exceptional abilities and unwavering dedication, painting a vivid picture of their outstanding record of achievement.

These projects serve as a powerful reminder of the essential role creativity, attention to detail, commitment and perseverance play in the attainment of excellence.

At the heart of this collection lies the profound importance of creativity. Sir Ken Robinson, an eminent scholar in the field of education writes that ‘creativity is as important in education as literacy.’ This statement holds true, for it is creativity that empowers students to think beyond the confines of the ordinary and challenge the status quo, leading to discoveries that shape our world.

Attention to detail is a hallmark of excellence. Every stitch, brushstroke, weld, and design element has been meticulously crafted. Commitment and perseverance are the silent virtues that underpin every significant accomplishment. The dedication of our Year 12

students is exemplified by the hours of effort poured into these projects. As Angela Duckworth, the world renowned Psychologist, known for her work on grit and perseverance wisely noted ‘effort counts twice.’ In these words, we see effort magnified, and it is a testimony to the fact that true dedication not only leads to personal growth but also sets the stage for remarkable achievements.

In conclusion, the pages that follow invite you to embark on a journey through the remarkable creations of our Year 12 students – a journey where creativity knows no boundaries, commitment no obstacles and craftsmanship no compromise. These Major Works not only exemplify the abilities and dedication of our students but also shine a brilliant light on the enduring value of the creative and industrial arts in education and their invaluable contribution to the tapestry of society.

Dr Andrew Parry Principal

Visual Arts Grace Adams Belinda Campbell Annie Dedman Lucy Earl Farrah Gaff Daisy Jones Ned Jones Airlie Mason Jade McLean James Noble Henny O’Brien Guy Ross Ella Rutherford Hattie Usher Charlize Watson

“While some of the works are deeply personal stories, celebrating a particular lifestyle or revealing emotions, others can pay homage to a place or event.”

The Visual Arts HSC students this year can be proud of their efforts in bringing together a diverse and exciting array of artmaking for their Bodies of Work. For each student there was a steep learning curve, challenges to overcome and many, many hours of artmaking. What was most evident was the huge range of techniques that they employed. This is where the talent and dedication of Mrs Bilton as Visual Arts teacher for Year 12 and Matthew Thomas, our Technical Assistant came in, supporting the students in their use of screen printing, laser cutting, sublimation printing, cyanotype, hand weaving, felting and the list goes on.

The broad range of artmaking techniques made possible the effective elaboration of some complex and unusual ideas; cultural identity conveyed through the sublimation printing of fabrics to adorn drawn portraits, or to provide an aerial backdrop of a town map for the skin of a Dreamtime snake. The laser cutter employed to precision cut mother of pearl to inlay a postmodern interpretation of Biblical references, or to burn away the outline of flannel flowers to reveal the cyanotype hints of bushfires gone.

Indeed, conceiving a suitable theme for a Body of Work is an achievement. While some of the works are deeply personal stories, celebrating a particular lifestyle or revealing emotions, others can pay homage to a place or event. Whatever the underlying concept, the strength of the idea and artwork is often amplified by the personal connection that the student has with the concept.

Perhaps the most valuable aspect of the Visual Art experience for our students is that it is a celebration of the shared experience of the process. Tears and laughter, the connections forged through sharing and elaborating on ideas, the support and supporting of friends, and of course, the joy of seeing friends making real progress towards this successful end point. As is so often the case, the creative process can be a punishing one, but that is what makes it so rewarding too. Similar is the satisfaction that comes from the critical thinking process, approaching something from different angles until a solution is reached.

Not all these students will go on to pursue a Visual Arts related career, but for those that do, this past year has been an excellent foundation and start to that journey.

For those set on a different path, the critical thinking and creative process developed over this time will set them in good stead. Furthermore, there can be few places where the spirit of co-operation and good nature is more tested than in a shared studio, and I have no doubt that these skills will come in handy in future success.

Mr Andrew Orme-Smith Head of Department Visual Arts

Grace Adams Chromatic Solace: A Journey Through Shadows My artwork delves into the intricate depths of human emotions, specifically exploring the shadows of depression and anxiety. Through a multi-dimensional approach that encompasses colour symbolism, fragmented faces and embroidery, I have created a visual narrative that illuminates the complexities of these inner struggles.

Fragmented faces serve as a powerful visual metaphor within my work, embodying the fragmented nature of the self when confronted with the relentless grip of depression and anxiety. These fractured visages capture the internal battles and conflicting thoughts that shape one’s emotional landscape. As viewers engage with these fragmented faces, they are invited to reflect upon their own experiences and embrace the inherent imperfections and complexities of the human condition.

My work serves as a testament to the resilience and strength of individuals navigating the shadows of depression and anxiety. It is my hope that by exposing these emotional landscapes, viewers may find solace, connection, and a renewed sense of empathy for the silent struggles that so many individuals face.

Belinda Campbell The Dry One major challenge faced by the farming industry is the ability for people to be able to adapt to the variable weather conditions, mental health issues often caused by challenging economic situations and the physical isolation.

Through the images and earthy colour palette I have used in my body of work it refers to what makes up the land, especially in the Northern Territory. I have incorporated materials that reflect the harshness of the land. These materials include bones, rust paper, sand, corrugated iron and a range of other found objects.

These materials link to the hard working and living conditions in the outback.

My work was inspired by the unique land in the Northern Territory and how different it is compared to New South Wales and the rest of the world. The differences in culture, work ethic and attitude, the type of jobs and animals. I aimed to provide an insight into the fun and enjoyment that it can also be. Even though you may be isolated from people the community within station life can provide you with lifelong friends. The Brahman cows become like pets. Well, most of them.

Annie Dedman Rural Realities Growing up on the land meant my appreciation for its reach into my life was boundless.

Through my artistic practise I have explored the rewards and repercussions of living in a rural community. Central to my concept is the importance to the local community of the river that flows through the town, a quiet lifeforce providing recreation as well as natural beauty. A carefully chosen colour palette of different wool fibres are used in a tapestry weaving which portrays an aerial view of the paddocks. Local plants have been used to create dyes for fabric to interpret the layers in the landscape and paper has been eco dyed with delicate colour palettes and imprints from the river gums. Subtle imagery representing education and health have been overlaid with a screen print. The lines are indicative of the decline in population in rural towns and their access to health services.

There’s a consistent balancing act performed day after day by the people who live and work the land. To live in a rural town means to take what the land provides such as an income, its extraordinary beauty, the sense of freedom it allows, the tight- knit communities and the unique childhood experiences it offers. These are the rewards given to us from the land, however they are not without their repercussions. Living on the land limits what we have access to, such as services, particularly concerned with health and economics.

This encompasses issues like bank closures and the acquisition of land by multinational companies.

Through my body of work I aim to convey the profound depth and complexity of rural life, celebrating its rewards while shedding light on the enduring challenges faced by those deeply connected to the land.

Lucy Earl Where the Water Birds Lay We are not separate from the nature but are at one with it. Nature is our greatest teacher and we grow and learn beside it. I grew up on the Macquarie Marshes and have gained a great appreciation for its intricate beauty, witnessing how at the very heart of its beauty is the bird life that fills it during times of flood.

In my artwork “Where the Water Birds Lay” I explore the birds within the marshes and their delicate habitat.

While growing up on the Marshes, I have collected many different photos and videos of the bird life, these photos helped to shape my artwork. With over 88 bird species being found in the Marshes in 2016, I chose to mainly focus on the Nankeen Night Heron, Pink Eared Duck and many breeds of Ibis as I find them most fascinating due to the intricate detail within their feathers. The Marsh’s beauty is not just made up of bird life but also the vibrant colours throughout it. On one of my pieces of material you can see these vibrant colours through an aerial photo and alongside it is a photo taken as I lay in the Marsh watching the birds fly above me. The material is soft and flows just like the Marshes and while viewing it you may listen to the abundant sounds of bird life within the Marshes.

The Macquarie Marshes is a fragile place and one that we are at risk of losing due to over extraction and declining environmental conditions, taking with it the life that it brings. Through “Where the Water Birds Lay” I hope to illustrate just how precious these environments are and highlight the urgency to preserve them, so future generations may learn and grow alongside it just like I have, gaining the valuable lessons it offers on resilience, healing and bringing appreciation to the intricate beauty of even the smallest things.

Farrah Gaff S.O.S – Save Our Seas In my work I aim to shed light on the critical issue of pollution and the detrimental effects it has on our environment, especially the ocean. Pollution poses a significant threat to the balance of our ecosystems and the overall well-being of our planet. The ocean contains some of the largest natural habitats that home millions of species of plants and animals, however, these habitats are becoming increasingly more damaged everyday due to the recurring actions of humankind and the little care shown for the environment.

In my work, I used plastic forms to represent those that are found harming the ocean environment, such as fishing line, netting, lids and bottles. I created sculptures to highlight the pollution that threatens not just animals but the flora that creates homes and food for these animals.

Alongside these sculptures I created portraits of five different species of animals found in the ocean, who are all equally likely to ingest or become stuck in human materials that are left carelessly out in the open. By using stippling for these portraits, it signifies the delicacy and individuality of parts of the ocean ecosystem.

Ultimately, my art aims to transcend the boundaries of aesthetics and aims to become a catalyst for action and dialogue through exposing the impact of pollution on oceans, hoping to inspire humankind to adopt sustainable practices in their everyday life.

Daisy Jones The Past Still Echoes As individuals we all ponder the questions of Who am I? Where do I belong? What is my story? For many Aboriginal and Torres Strait Islander people, these questions remain unanswered and amplified by statements such as: “you don’t look Aboriginal” and “what percentage are you?” My body of work ‘The Past Still Echoes’, explores generational identity through my family tree, history, and the Wiradjuri culture, as impacted by the Stolen Generation.

The composition of my work plays an important role in highlighting the inextricable connection of people, land, and Dreamtime stories to Wiradjuri culture. The Dreamtime Serpent is covered with a map of Condobolin, the location of the Muire Mission my ancestors grew up on. The serpent appears to be moving between the portraits of my great grandfather, grandmother, and mother to highlight how dreamtime stories, land, people, and their pasts all impact future generations through its interconnected nature.

The purpose of my fibre based works is to portray the land as more than a physical space to Wiradjuri people; it is a living entity intertwined with identity, traditions, and stories. The native gum leaves and birds’ nests evident in my three-landscape works, metaphorically aims to reveal a deeper truth about discrimination, where my Aboriginal ancestors were considered flora and fauna and disregarded as human beings. The bird nests positioned underneath my grandmother and mother’s portrait, symbolises birth and the preservation of cultural practices, ensuring the continuity and richness of Aboriginal heritage. I am proud to be the next generation of Wiradjuri women seeking to make my ancestors proud. I hope this body of work highlights that every generation to come will live better than the previous one and presents a perspective to help past and future generations of Aboriginal people figure out who they are, where they belong and what their story is.

Ned Jones Urban Inconsolidation My work ‘Urban Inconsolidation’ explores the intrinsic societal value of urban expansion and its effects on our society at both a physical and cultural level.

I have delved into the intricate relationship between materials and the urban environment and the way they derive and draw from one another, material to material, the stability of society and our urban environment crumbles as we search for the cheapest and easiest solution to a generational issue.

A series photographs explore a range of surfaces and buildings in my local environment. Objects including pipes, taps and fittings have been cast in wax, hot glue and plaster, referencing the importance of materials in our built world. The laser cut building facades explore abandonment and decay.

Rapid urban growth often brings about significant shifts in cultural dynamics, with traditional practices giving way to more homogeneous and standardised lifestyles. The erosion of cultural diversity within urban environments raises questions about the preservation of heritage and cultural health.

Buildings come and go, bricks erode away, footpaths crack and fracture and signs are stuck to doors to signify the death of another building. As a result we look for a way to replace it. Hollow and lifeless, these replacements lack the character of their predecessors, unable to fill what was once there. Through my use of materials, I invite the audience to question their own conceived ideas of normality around them, from the home they walk into every day, to the falling down houses that litter their street, is it all hollow or is it a natural cycle?

Airlie Mason A High Price to Pay In the last 40 years Sumatra has lost more than half its forests, equating to more than 12 million hectares.

My work explores the devastating effects of palm oil plantations on the Sumatran forests and the wildlife within these areas.

Across the islands of Indonesia, palm oil plantations, 20% of which are illegal, are a key driver for deforestation. Through my exploration of embroidery techniques, I map the aerial change in the Sumatran forests and the decline of endangered animals 20 years apart: from 1995 to 2015. The beads implemented on my maps are representative of the Sumatran Tiger, Orangutan, Elephant and Rhino (each signifying 100 animals) just four of many endangered species native to the island, at risk of extinction due to drastic population decreases and habitat loss in the last three decades. They aren’t the only ones. In the last 50 years, human activity has reduced the number of wild animal population by 68%.

Palm oil is an extremely versatile oil that can be produced cheaply and is found in many household products, including toothpaste, donuts, lipstick, and nestle chocolate. Each person consumes more than 10kg of palm oil each year unknowingly in these products. I used sketching techniques to explore the shiny, glorified nature of these products and I merge the bead-represented animals, intricately intertwining these two elements.

The animals take on a haunting, ghostly appearance, appearing devoid of substance and colour, as they stand overshadowed by the overwhelming presence of products that strip so much from their habitats.

I explore collaboration between old and new fabric printing techniques through native Sumatran flora screen printed on to silk stained in the traditional Indonesian technique of Batik. I aimed to incorporate aspects of the rich Sumatran culture by including a practice that has been used across the Indonesian Islands for centuries. Capturing the ability of human traditions and impacts to transcend time juxtaposed with the temporary, delicate nature of the world around us represented by the flora.

Although the price of palm oil may be cheap, through our consumerism we pay a much higher price.

Jade McLean Embers Echo My artist’s practice is a testament to the transformative power of fire and the resilience of nature. Inspired by the Blue Mountains and its breathtaking landscapes, I delve into the relationship between fire and the delicate flora that thrives within its embrace. Through my work, I aim to capture the essence of regeneration and the profound beauty that emerges from the ashes. The flora that flourishes within this unique landscape serves as a testament to the resilience and adaptability of the native species. Through meticulous observation and careful study, I strive to capture the intricate details of these plants and their delicate interconnections. By celebrating the diversity and beauty of the flora, I hope to instil a sense of wonder and appreciation for the life that thrives in this extraordinary environment.

I have explored a range of mediums including cyanotypes, lino-cut embossing, eco printing and paper laser cutting to portray my idea and showcase the native species. In my body of art I invite viewers to witness the resilience of nature and create inspiration to take action and preserve the Blue Mountains and the regeneration of life for generations to come.

James Noble To Be Above It Is it understood what fabricates the origins and or anatomy of a person’s ‘Nature’? Is it all about the so called ‘nature vs nurture’ argument? Could it be the absence of an estranged parent or parents? Or is the influence materialism? Is it money? Could it be because of religious belief, global conflicts, could it be social media? Is it the insecurities that are subconsciously embedded, forced on ourselves in the everlasting search for peace and quiet, to feel comfort, to discover a place of belonging?

The inspiration behind my works are the artists Keith Haring, Andy Warhol, and Jean Michael Basquiat, to assist me in questioning what moulds a person. All these artists faced some form of discrimination or ‘othering’: Keith Haring and Andy Warhol both facing the discrimination towards their sexualities and the ‘questionable’ themes and elements in their artworks. Basquiat was reprimanded for his lifestyle, his art style, and practices, as well as his association with the other two artists.

My artworks consist of drawings using pencils and sharpies on gesso primed board as well as screen prints of those drawings.

The laser cutter was used to edge out the little dancing people surrounding my works as a compliment to the inspiration of my works, the photographs acting as a mixture between Haring’s and Warhol’s mediums.

Henny O’Brien Marginalisation In a world where societal norms and commercial forces often dictate the worth of an object or artwork based on its age, I find myself compelled to challenge this flawed and arbitrary approach. My artistic journey centres around critiquing the determination of value based on age, as it perpetuates a narrow-minded perspective that stifles creativity and dismisses the richness of human experience.

The obsession with age-based value determination perpetuates the marginalisation of marginalised voices.

It erects barriers that hinder fresh perspectives and innovative expressions from receiving the recognition they deserve.

In my artistic practice, I seek to dismantle these agebased value hierarchies by embracing diversity and celebrating the full spectrum of voices. I incorporate a variety of media and techniques to challenge conventional notions of worth, encouraging viewers to question their biases and open their minds to the vast potential that lies beyond the limitations of age.

I invite audiences to look beyond the surface, beyond the years accumulated, and engage on a deeper, more profound level.

Guy Ross Two Worlds Collide Culture plays a crucial role in society. Culture has always been a big part of my life, from going to church every Sunday to living in a Vietnamese household.

I am using my work to display significant events that took place in the Bible; the story of Adam and Eve, Noah’s Ark and the crucifixion of Jesus Christ - all portrayed in Vietnamese styles. The creation, downfall and forgiveness of mankind. The number three is important to Catholicism (e.g., the Holy Trinity), this a motif in my three triptych works.

Two of my works are inspired by medieval church triptych reliquary using Vietnamese temples, specifically Truc Lam Zen Monastery and Thien Hau Temple, to portray the stories of Adam and Eve and Noah’s Ark. The graphic designs are created digitally with Vietnamese influence including the refugee boat as Noah’s ark, rice field as water, a dove carrying Vietnam’s national flower, the lotus, a Vietnamese style dragon as the snake and dragon fruit instead of an apple.

These 2D illustrations are screen printed onto rice paper.

The 3D temple layers act as a frame around the images and are laser cut onto plywood, painted, glued together and varnished. The colours red and gold are significant to Asian culture symbolising luck, good fortune, power, celebration and happiness.

The third work depicts the three chronological stages of Jesus’ crucifixion (carrying the cross, crucifixion and resurrection). Inspired by Vietnamese lacquer paintings with mother of pearl inlay, this technique is emulated through black acrylic and shell material finished with lacquer coating. I chose to not use a third temple and explore a Vietnamese art style for the crucifixion of Christ, to contrast from the other works because it is the most crucial event.

Ella Rutherford Unearthed Horizons In my body of work, I aim to shed light on the profound impact and the detrimental effects that mining activities have upon the delicate balance of nature. Drawing inspiration from concern for the worsening state of the planet and a desire to raise awareness, I have explored the devastating consequences of mining practices.

Mining holds a dualistic nature. It provides essential resources for our ever-growing modern society, but it leaves behind traces that disrupt ecosystems, transform landscapes and poison waterways, entertaining a complex relationship between human industry and the natural world.

I employed a range of approaches, including embossing, solar plate printing and yupo paper to capture the multifaceted dimensions of mining’s ecological impact.

The body of work serves as a narrative, leading the viewer on a journey of contemplation, reflection and ultimately, a call to action. I convey the profound emotional and intellectual impact from the disastrous affects that mining has on the environment.

By confronting viewers with the utter realities of mining and its aftermath, I aim to evoke a sense of responsibility and implore individuals, corporations, and governments to reconsider the consequences of their actions and to embrace more sustainable alternatives to extenuate the harm caused to the environment. I seek to create a conversation that encourage collaboration and collective action in advocating for ethical mining practices.

“Unearthed Horizons” is ultimately a visual testament to the interconnectedness of the environment and the delicate balance that we must strive to maintain.

Through the growth of awareness and understanding of the impact of mining on the environment, the aim is to inspire positive change and cultivate a harmonious relationship between humanity and nature.

Hattie Usher Lost in Time My work is inspired by the traditional skills that have been used and highly valued in Turkey, Thailand and South America.

In our current world dominated by technology and throw away consumerism, one wonders if these age-old craft skills of rug making, traditional embroidery and knitting will soon be lost.

I chose to base my portraits on older people from these cultures as they have the experience and wisdom of years of craftsmanship in their chosen field. They would undoubtedly hope to pass down these skills to future generations. Each portrait aims to show the passion and pride that they take in their work.

I have created visual interest in my body of work by using my own skill in embossing, cross-stitching, and knitting. Each portrait has been adorned with a headdress that has been created using the technique of sublimation printing, a tool commonly used in massproduced printed fabric for the fashion industry today.

Charlize Watson Ngumbaay-Bang In my artistic practice, a range of techniques have been incorporated into my body of work including knitting, crochet, drawing, painting, laser cutting and felting.

I explore my cultural heritage of First Nation Australians, addressing political issues and challenging stereotypes.

Through a deliberate use of a limited colour palette, I convey the complexities of discrimination and reflect on my personal journey as “The Only One”.

Inspired by the strength and wisdom of Aboriginal people, I aim to celebrate their cultural richness while advocating for justice and equality. My artwork provides a platform for dialogue and understanding, challenging preconceived notions, and offering an alternative narrative.

Nests and cocoons are central symbols of my body evoking a sense of nurturing and safety. The use of black represents the resilience and depth of Aboriginal culture, symbolising the power and endurance of Indigenous communities.

The drawings of the black cockatoos refer to my hometown of Nowra which derives its name from an Aboriginal word meaning black cockatoo, representing a profound connection to the cultural identity and heritage embedded within the region.

The use of earthy tones reflects the connection to Country, evoking a sense of place, belonging, balance and spirituality.

The use of white relates to the use of the image of white owls which hold a personal significance for me as it honours the memory of my Pop, a proud Kamilaroi man who, tragically, was part of the stolen generation, further emphasizing the impact of loss and the ongoing journey of reconnecting with my cultural heritage.

Textiles & Design

Greta Bourne Simone Chawla Jessy Cohen Juliette Hart Michelle Hayes Sophie Heath

Daisy Jones Phoebe Poole Bella Sinclair Kitty Straw Molly Wilson Joanne Zhang

“I am a strong advocate for the study of Textiles, not least because I love its endless variety and rich history, but because I believe it instills skills for the modern age.”

It is always a great privilege to guide and support students through their HSC year. To follow their progress over nine months of research, design and project development is often a wonder of ingenuity and at times a rollercoaster of emotions. The many hours of experimentation and slow painstaking work are mostly unseen by others. And so, it is an absolute highlight of the year to be able to showcase the students’ hard work for their friends and family to see and appreciate.

I am a strong advocate for the study of Textiles, not least because I love its endless variety and rich history, but because I believe it instills skills for the modern age. Regardless of whether or not students choose to pursue a career in design, they learn: time management, project management, the value of research and experimentation, the reality of bringing ideas into fruition and to recognise quality in function and aesthetics. Those who do wish to continue with design have the added bonus of learning to use industry standard technology: Adobe Photoshop, Illustrator and InDesign as well as using sublimation printing and CNC embroidery.

I am most proud that each student’s major project is completely individual and representative of their own personal interests and personality in themes and techniques used.

Mrs Penny Chandler Textiles & Design Teacher

Greta Bourne Fluido The inspiration for the androgynous apparel garments is the art of human movement. The theme was drawn from the curved lines in blurred photography by artists such as Shinichi Maruyama. Further Japanese influence came from the mass movement seen at Tokyo’s Shibuya crossing, as well as the rice paper doors and windows that provide a lens from which movement can still be observed.

Linen and silk satin were hand-dyed in sepia tones representing historical photography. A screen print design was applied to the silk satin using the devore technique to burn away rayon yarns leaving a translucent layer of silk. The wide legged pants have a hand embroidered curved waistband and devore print cuffs. The devored silk satin shirt utilises sashiko hand-embroidery on the back to symbolise the Shibuya crossing. The shirt collar is embellished with couched metallic yarns, the edge sculpted with fishing line. The linen jacket has a ruched circular ‘window’ in the centre back. The gathered opened allows the shirt embroidery to be seen and is gathered by a handmade kumihimo braid. The shirt and jacket have Japanese hand carved wood button closures.

Simone Chawla Sheesh Mahal Inspired by the architecture and decoration of the Sheesh Mahal in Jaipur, India I have created a corset, saree skirt and boots. In Urdu the name Sheesh Mahal means the “palace of mirrors”. The reflective nature of the inspiration can be seen through the lustre of satin and shimmer of the gold-coloured embellishments.

The saree inspired satin skirt has been draped on the stand and hand-stitched to create the flowing curved pleats representing Indian traditional dress. The corset and boots are constructed from hand-dyed cotton sateen. Both are embroidered in gold thread utilising CNC machine embroidery created from digitised handdrawn sketches. The machine embroidery on the corset and boots has been further embellished with purl purl and Gotha Pathi using materials and techniques learned from a recent trip to India.

Jessy Cohen Shoah The Holocaust is the inspiration for the outfit comprising of a skirt, bandeau top and long-sleeved top. I am ethnically Jewish, and it is my people’s history that I am representing through my work. The blue and white colours are representative of the striped uniforms worn by prisoners of war as well as the colours of the Israeli flag and the traditional prayer shawls known as Tzitzit.

Crepe de chine fabric has been sublimation printed with a digitised hand drawn design for the skirt and long-sleeved top. The print has been free-machine embroidered with rayon threads. Silver purl purl has been hand embroidered to create three-dimensional barbed wire embellishments. The skirt hem is finished with Star of David CNC machine embroidery in different shades of grey. The stars hang from metal chains which are also used as a closure on the front of the longsleeved top. The chains are symbolic of both persecution and freedom. The bandeau top has been sublimation printed with a pattern created from newspaper images influenced by the survivors who left the camps wearing only newspaper as they had no clothing of their own.

Juliette Hart One World One Warrior A cropped jacket, corset, panelled skirt and mask inspired by the historical armour and military uniforms of the empires that have ruled the world. This one outfit or fabric armour represents a world in peace and unity.

The black gabardine cropped jacket is constructed using innovative pattern making techniques to create peaked shoulders with segmented sleeves. The sleeve segments are edged with handmade gold lame fringing. The exaggerated cuffs and mandarin collar are embellished with couched gold cord. Three rows of handcrafted gold cord frogging complete the closure of the jacket at the centre front.

The black gabardine corset design detailing includes diagonally placed bands edged with gold lame reminiscent of military sashes. The corset is completed with gold eyelets and ribbon at the centre back.

The black gabardine skirt is constructed of eight panels on a waistband. Each panel is embellished and edged with hand cut gold lame binding. The front and back panel have been CNC embroidered with a design influenced by Japanese Samurai costumes.

Michelle Hayes Remnancy A trouser suit and spiral flounce scarf inspired by traditional multi-cultural embellishment and structured tailoring. Introducing innovation into fabric recycling to embrace slow fashion and raise consciousness of fast fashion waste.

The garments are constructed from reclaimed suiting fabrics. The trousers and a-symmetric tailored jacket are embellished with Japanese Boro-inspired applique utilising otherwise wasted fabric scraps. Reminiscent of Ajrak woodblock printing, block printing using hand carved lino blocks is dispersed throughout the two garments. Kantha style hand embroidery has been used for applique and to add raised texture to the block printing.

The scarf is constructed of bagged out circles connected to create a fabric spiral.

Sophie Heath Sidereus Nuncias, ‘The Starry Messenger’ I have utilised textile art to depict Jupiter and four of her moons: Io, Callisto, Ganymede & Europa. Jupiter has been constructed using a tufting gun to create a looped pile fabric. This has been carved to add the varied textures of the planet’s surface. Saori style weaving creates the dominant cream ‘cloud’ band and couched crochet symbolises the ‘Great Red Spot’, the famous circular storm formation.

Io has been made using hand-painted Aida embellished with hand-dyed yoyos, couching and hand embroidery.

Callisto is represented from hand crafted and sculpted felt using a blend of grey merino fibres. Dimension has been added using reverse applique, gold hand embroidery and beading.

Europa has been created through layering of handmarbled silk pieces embellished with couched cording and bullion knots inspired by Jupiter’s beard and mane of hair from Greek mythology.

Ganymede is a silvery grey and black silk velvet coloured with alcohol inks. Volcano motifs have been screen printed to add the additional textures and techniques of flocking, foiling and devore.

Daisy Jones Mirrored I have explored my Wiradjuri and English heritage through textiles and embellishment techniques.

Inspiration has been drawn from the Dreamtime Serpent and my grandmother’s dot paintings. Native wattle and flannel flowers can be seen in the colour scheme, textures and fabrics. The silhouette and corsetry take influence from English historical dress.

The corset and skirt are made from silk charmeuse satin, hand-dyed through many hours of experimentation to establish the precise subtle shade of creamy pale yellow. The corset structure was created using traditional boning techniques on an interlining base. The corset has eyelets and ribbon at the centre back.

The cape is made from pure wool melton. Innovative pattern making has been utilised to create a unique high mandarin collar with extended crossover placket.

Buttons have been handcrafted from felted beads. The Dreamtime Serpent curves up the centre back of the cape and over one shoulder, protecting its wearer. The serpent is highly embellished with hand embroidery, beading and hand-painted silk flowers, symbolic of the native flora and fauna, my identity, beliefs and life story.

Phoebe Poole Solis et Lunae An ensemble embodying the history and culture of Babylonian and Mesopotamian astrology which gave rise to the naming of constellations and worship of the Sun and Moon.

The white silk charmeuse satin bustier is embellished at the front with a diamond shaped cut out and starburst beading inspired by Jeff Buck’s artwork ‘Little Big Bang’.

The bustier has straps of four-strand braided rouleau cord. A hand-dyed midnight blue silk organza cape is attached to the bustier via an embellished and quilted crescent moon. The moon is machine embroidered, hand embroidered and beaded. The twelve astrological signs have been CNC embroidered, hand beaded and appliqued onto the cape. Scattered Swarovski crystals further enhance the celestial embellishments.

The white silk charmeuse satin full-length skirt is decorated at the hip by a gold satin quilted sun. The sun is machine embroidered, hand embroidered and encrusted with beads to emphasize the astrological inspiration, add texture, dimension and personification.

Bella Sinclair Stratified Inspired by the striations and colours of the sandstone canyons in Utah and Arizona, and innovative designs of Issey Miyake and Iris Van Herpen, this project explored the use of harmonious colour with organic line and sculptural shape.

Crimson crepe knit jersey was used to create elastomeric energy and movement for the main body of the skirt.

Machine appliqued striations were created using handmarbled silk dupioni and stiffened with a buckram backing.

The bandeau was created using a scanned image of previously created marbling which was then sublimated onto a ponte knit fabric.

The outer fabric of the jacket is buttery yellow corduroy, linear texture was added with couched handmade cording. The lining is a blue marbled silk dupioni. The bell-shaped sleeves have been sculpted with boned cuffs. The undulating collar has been created using circular pattern manipulation.

Kitty Straw Serpent The Greek mythological figure of Medusa and her representation of sexual assault survival inspired the colours and shapes of this project. The serpents of Medusa’s hair have been translated into the flowing lines and rich colouration. The ancient study of palmistry and the telling of life’s journey through lines has influenced the embellishments.

The dress is made from hand-dyed silk dupioni and silk organza, painstakingly dyed to an emerald hue reminiscent of Medusa’s serpent locks. Golden stitched hand-shapes lined with seed beads flow over the bodice and skirt of the dress symbolising the different stories and journeys of each individual. Layers of gathered silk organza create ruffles at the decolletage, the puffed sleeves and as a skirt overlay, indicating the complex layers of human beings and our tendency to hide thoughts, feelings and events.

Molly Wilson Wrapped Up This project was inspired by issues relating to mental health and those who suffer with it. This has been represented through the study of butterflies and their metamorphosis; in particular, the stage at which they are enclosed in darkness, wrapped in a cocoon, isolated from others. Butterflies emerging from the cocoon are symbolic of making it through a period of darkness, experiencing beauty and joy. Shades and tints of blue have been used to indicate the connection with emotions, including sadness.

The bodice is cotton sateen and has been hand-dyed and block printed with iridescent butterflies. The pants are hand-dyed scuba knit.

The skirt comprises of multiple white silk organza panels.

Flounces sculpted with fishing line and an overlocked rolled edge have been embedded in the French seams to create a swirling cocoon-like garment. Butterflies created using CNC embroidery and hand beading have been hand stitched in place, creating the illusion of having just landed on the translucent surface of the skirt.

Joanne Zhang China Doll I have chosen to express my Chinese cultural heritage through the wearable textile art of a highly decorative cheongsam inspired dress and cape. I have explored and embedded cultural symbolism and meaning in all aspects of the project. Inspiration has been found in Chinese blue and white porcelain and its’ patterns. Blue represents immortality and progress. White is used to show healing, trust and longevity. Gold is the colour of wealth, nobility and good fortune. A golden dragon is believed to attract prosperity, strength, good harvest and power. I have also used silk fabrics due to the historical importance of sericulture in China.

The royal blue fitted silk dupioni dress is embellished with a multitude of hand beaded CNC embroidered gold dragons. The cape is white silk dupioni, lined with gold satin and edged with hand-crafted and beaded tassels.

Handmade gold satin cording has been used to create Chinese knots as the cape’s centre front closure.

Industrial Technology Nick Agnew Archie Baldwinson Lachlan Coleman William Deshon Mack Johnston Blake Jones Carter Kirby Henry Molloy Harry Nuthall Dudley Shepherd Benjamin Smith Tom Storer Thomas Patton Hugh Warren Will Wright

“With a huge amount of pride, I must congratulate all Industrial Technology students on gaining project nominations to the Sydney Shape Exhibition.”

HSC Major projects are a one-year process for Industrial Technology students. Each project begins with the student’s individualised need. The need might be a product to go camping with, something to make life easier in a future career, to make operations more productive on the farm, or even a system or device to help another person in their life. Whatever the need, students will go through a process of research, analysis, design development and testing in relation to their need.

This is followed by the construction and realisation of their projects, with the final project results being seen in this book.

Students at Kinross Wolaroi School have had a long history of producing outstanding HSC Major projects.

It gives me a huge amount of pleasure to see students this year have maintained the ambition, drive and work ethic to which we have become accustomed. We have had a great range of industrially orientated projects, with many of them showing great design and innovation. The design work has often focused on improving previous

designs in relation to both aesthetics and/or the function and usability of the product. Innovations have also been seen in the production of new and exciting products which help to fill emerging target markets or to satisfy their own unique needs.

With a huge amount of pride, I must congratulate all Industrial Technology students on gaining project nominations to the Sydney Shape Exhibition. This exhibition is a collection of exemplar HSC projects for the practical subjects. To have every student nominated for this exhibition is exceptional, and certainly a testimony to the effort and quality of work these students have made.

My sincerest congratulations to all Design & Technology and Industrial Technology students on their outstanding achievements in these courses.

Mr Simon Lun Head of the Technological & Applied Studies Faculty

Nick Agnew Triple Axle Flat Top Trailer For my HSC major project, I made the decision to design and construct a triple axle flat top trailer. Throughout the brainstorming and design phase, it was of utmost importance to me to create a project that would not only be beneficial to my family, but also stand out as a unique construction. The dimensions of my trailer measure 6 meters in length and 2.2 meters in width. Its primary purpose is to accommodate substantial weight and long steel materials, surpassing the capabilities of a standard trailer. This project will primarily serve transportation needs on farms, facilitating the movement of chemical shuttles, hay, buggies, motorbikes, machinery, and any other items that can be accommodated by the trailer’s capacity.

Overall, I am extremely pleased with the outcome and completion of my trailer. The visual appeal of the trailer is aesthetically pleasing, as it has been meticulously crafted to align precisely with my vision. Undoubtedly, the design and construction phase proved to be the most challenging aspect of this project. I underestimated the time and effort required for the construction, as well as the various processes that needed to be undertaken to finish the trailer.

While drawing inspiration from several existing designs, I took great care in ensuring my project had a distinctive appearance.

The best part of constructing my project was the immense satisfaction and profound sense of accomplishment it brought me. Witnessing its gradual transformation from start to finish, knowing that I constructed the entire project myself, was truly fulfilling. However, the most rewarding part of the project was when I received it back from the powder coaters, as this really brought the whole thing together. The decision to paint it in blue further enhanced its uniqueness, setting it apart from the conventional colour choices commonly used.

Archie Baldwinson Water Cart For my year 12 major project I designed and constructed a water cart. The trailer spans a length of 4.7 meters and a width of 1.3 meters, boasting a substantial 2400-liter water tank equipped with a pump and reel. Its purposeful design enables it to effectively combat fires, making it a vital asset in emergency situations. The motivation behind creating this water cart stemmed from my desire to enhance the safety measures on my family farm located in Tottenham. On the farm it will be used to follow around at harvest as precaution to stop fire and help any neighbours if there are fires. When it isn’t being used to fight fires, it can be used to water roads.

Planning and building the trailer proved to be a difficult task. It required a significant amount of time to first find a design that I was happy with but then to put this plan into action. Once I settled on a design and devised a construction plan, all the other components came together. After I completed the fabrication and sent it off to be painted, I eagerly awaited to see the final product.

When it came back from painting, it looked exactly how I imagined. I’m very happy with how my trailer has turned out. Beyond its aesthetic appeal, my trailer has surpassed my expectations in terms of functionality.

Constructing this project has taught me various skills that I never thought I would need. I am very pleased with the final product I have produced, and I would like to thank Mr Finlay for guiding me through the making of my project.

Lachlan Coleman Brat-Bob-styled Motorbike My Year 12 major work revolves around the intricate creation of a Brat-Bob-styled motorbike. This project reflects a culmination of knowledge gained throughout the long, difficult and at some points hair ripping journey, as well as a demonstration of passion for mechanics, design, and engineering.

The major work project began with the exploration of various design concepts, considering elements such as aesthetics and functionality. Extensive research was undertaken to understand the nuances of different motorbike styles, components, and engineering principles. These include engine sizes, wiring, and body placement on the bike. This phase involved sketching, digital modelling, and extensive trial and error throughout the manufacturing process.

The heart of the project lies in the fabrication process.

This encompassed the selection of appropriate components, sourcing materials, and meticulous assembly of the motorbike. The integration of various systems, such as the engine, suspension, brakes, and electrical components, required not only knowledge of motorbikes and how they operate but also skills such as trial and error. Hands-on work included welding, machining, metal bending, and precision assembly to ensure the motorbike’s structural integrity and functionality were met.

Throughout the project, numerous challenges emerged that demanded creative problem-solving. Whether it was overcoming technical hurdles during assembly or making design adjustments to address unforeseen issues, these challenges provided invaluable learning experiences. Adaptation and resourcefulness were key in ensuring the successful realisation of my year 12 HSC major works.

Now the motorbike is complete I still have much more planned with this motorbike outside of school. This will include seeing it on public roads with registration.

The creation of a motorbike that I can call my own is an accomplishment I can be proud of for life. This project was an amazing way to learn certain skills in manufacturing that one could not get out of any other project.

William Deshon Cool Room Trailer For my Year 12 IT major, I decided to build a 3.8m long and 2.1m wide cool room trailer. This was inspired by the idea of hiring a cool room trailer for major events at home. I thought that this would be a great product to have when I left school, as it would be very useful for butchering homegrown lambs and beasts, as well as for functions and parties to store food and drinks.

The trailer is spacious enough to accommodate four lambs or a single large beast, with additional room to store off cuts on shelves. This was precisely my intended purpose for its use. Upon its completion, the trailer will be transported back to my hometown of Wellington, where it will serve on our family farm and also be available for local friends to hire. The trailer has been constructed with durability in mind. It is designed to withstand exposure to various weather conditions when left outdoors for extended periods. Furthermore, its robust build ensures that it can endure rough roads during transportation from one location to another.

My cool room features a sturdy hanging rail along one side, while the other side boasts a set of shelves specifically engineered to support heavy loads. T To ensure stability and prevent any unwanted movement, the trailer’s chassis is equipped with stabilisers. The trailer has a toolbox on the draw bar to make it easier to carry essential items such as power leads and meat hooks.

I am extremely pleased with the appearance and quality of my project, as well as the successful outcome it has achieved. The construction of the cool room has precisely matched the vision I had when I embarked on this project a year ago. One of the most satisfying aspects of building this project is the ability to step back once it is completed and know that I built this cool room. I eagerly anticipate witnessing its functionality as it becomes fully stocked with items.

Mack Johnston FastFencer For my Year 12 major project, I designed and constructed a FastFencer. This is a machinery-operated fencing attachment that allows rolls of mesh up to 500m in length to be rapidly unravelled and then tensioned. The purpose of this project was to fabricate a tool that will assist farmers and contract fencers across the country in improving the efficiency and convenience of building fences in various types of terrain, with the machinery they currently possess.

After conducting extensive research to determine the most functional design for my FastFencer, I ended up manufacturing a reliable and versatile fencing implement. This was evident as my project was designed to withstand the harsh conditions of the Australian outback and accommodate a variety of netting types and machinery. While I have suited my FastFencer for operation with a skid-steer, the project can easily be adjusted for use with other machines by simply switching the attachment plates and hydraulic couplings.

I am therefore extremely pleased with my finalized FastFencer, as I have successfully fabricated a functional project with a high quality of workmanship. The project is particularly advantageous as it will significantly help my parents in the construction of extensive farm fences in the coming years. The ability to quickly unravel and tension large volumes of netting with minimal human input drastically improves upon traditional methods of manually unrolling and straining mesh by hand.

I would also like to recognise the incredible metalwork facilities and teachers available at Kinross Wolaroi.

Without the incredible help and knowledge of these teachers and access to quality equipment and workspace, fabricating my project would have been a far more challenging and stressful experience.

Blake Jones Ute Tray For my Year 12 major project, I constructed a Ute tray featuring a meticulously crafted wooden floor.

As an owner of a Ute, I am keen on personalising and restoring it to its former glory. The driving force behind this project stems from my fascination with Ute trays decorated with wooden flooring. With the acquisition of my first vehicle, I deemed it an opportune moment to furnish it with a wooden tray.

The main incentive behind constructing my Ute tray stemmed from my admiration for my father’s tray on his Ute. I was captivated by its appearance and decided to emulate one, albeit with a wooden floor.

The fundamental purpose behind this project was to imbue my vehicle with a sense of individuality and distinctiveness, allowing me to take pride in my creation. I am exceedingly content with the final outcome, as this project has proven to be an invaluable learning experience for me.

Carter Kirby Carter Cool Room For my 2023 industrial technology project, I have built a tandem axle portable cool room. Some of the materials I used to make the cool room were aluminium 90-degree angle, cool room panels, and numerous pop rivets. I also constructed a hanging rail within the interior, allowing for the efficient storage and preservation of meat products.

I decided to make a functional cool room for a few distinct reasons. Firstly, our family eats home-grown meat, requiring the need for a dedicated space to store our meat. Additionally, I have identified an opportunity to cover the costs of construction by offering the cool room for rent to the public. To ensure the utmost efficiency and durability, I have designed a trailer, constructed at school, capable of accommodating the cool room’s weight while remaining lightweight and robust. By incorporating a tandem axle, I have achieved optimal weight distribution, effectively preventing any potential flipping of the trailer when subjected to a heavy load at the rear.

I am proud on the quality of the cool room and the trailer. I have enjoyed Year 12 Industrial Technology over the past two years and have grasped new skills that I will keep developing. It’s a satisfying feeling to see your project finished after hours of work and designing.

Henry Molloy Pipe Layer For my 2023 industrial technology major project, I designed and built a water pipe layer specifically tailored for our family property. The primary objective of making the ripper was to facilitate the installation of water trough points for our livestock. The remarkable laying capacity of this machine enables it to effortlessly lay pipes up to 100mm in diameter at a depth of one meter.

Although this was not the original intention behind its design, the ability to accommodate such large pipes allows for the utilization of smaller joiners, which can conveniently fit down the boot. The construction process involved a combination of work conducted at both home and school. I crafted transportable components at school, which were then seamlessly integrated into the project at home. To acquire the wheels, I sought out second-hand ones from an old header. After removing the paint, I spray painted them at home. The hydraulics and lines were sourced from Orange’s Pirtek branch, and I personally undertook the task of fitting, plumbing, and priming all the hydraulic components.

The ripper Tyne, a crucial part of the project, was repurposed from a Calcic cat component originally found on a D7 bulldozer. The only aspect of production that required outsourcing was the drilling of the hole in the drawbar, as I didn’t have access to a 35mm drill bit at the time. I completed all the paintwork with an air compressor-operated spray gun. The entire process took place within my shed at home. The completed project boasts an impressive weight of approximately 2.75 tons, accounting for all installed components.

Harry Nuthall Skid Mount Water Cart I built my HSC major project to improve efficiency with different jobs, whether that is wetting roads, carting water, fighting fires, or filling the spray rig up on our family farm. The dimensions of my project are 5 meters long by 1.9 meters in width, and it also has a 10,000-liter tank. I have learned many different welding skills and other fabrication techniques. I built my project in an efficient time, and it has turned out the way I was hoping.

I am happy with what I have produced and hope that it will improve efficiency on the farm.

Thomas Patton All-rounder Trailer For my major project, I made the All-Rounder Trailer.

The All-Rounder trailer is a dual-purpose flat top trailer with a camping toy hauler module that can be taken on and off the trailer. The trailer is built to accommodate the needs of the flat top trailer, which will include carrying and moving large objects. The camping toy hauler module will also have the equipment to support fun, long-lasting camping trips around Australia once out of school.

I conducted primary and secondary research with alumni metalwork students, local metal fabricators, and product producers, which created a deeper understanding of the possible process opportunities in the manufacturing of the project. It allowed me to understand the industry processes and procedures that increase productivity and efficiency in the industry.

Within the flat top trailer, I have replicated the correct balance between reduced weight while ensuring maximum strength and durability of the trailer. Aiming to reduce the weight, I have designed a new chassis system that includes extending the drawbar from the spring hangers to the tow ball. This removes the additional weight on the trailer. To further reduce weight, I also tapered the end of the chassis after the end spring hanger to the top chassis. This created a neat and strong backboard, reducing the weight of the trailer. Building this project has allowed me to have an escape away from the classroom but also pursue my hobbies of metal design and fabrication. I am incredibly grateful for the opportunity to build the project and am happy to finish it to a high standard on time.

Overall, I am very pleased with the outcome of the All-Rounder trailer, both aesthetically and in terms of its functionally.

Dudley Shepherd Tandem Tabletop Trailer For my Year 12 major project, I built a tandem tabletop trailer. The trailer is 3.6 meters long and 2.1 meters wide, designed to carry equipment in a farming environment.

The chassis of my trailer is made from channel, which is a strong type of metal that can withstand heavy weights.

The design of my trailer includes a fold-down back made of sheet metal, providing access to the ramps. These ramps can be used for loading side by sides onto the trailer. Additionally, the trailer is equipped with latches that can be used for attaching stock crates, allowing for the transportation of sheep.

The best part of building the trailer was witnessing the entire process and learning different techniques for trailer construction. It was satisfying to start from scratch and see the trailer become functional and useful.

Throughout the learning process, I acquired new skills and knowledge, and when I made mistakes, I learned from them and figured out how to fix them.

Benjamin Smith Dual Axel Tabletop Trailer For my Industrial Technology major project, I designed and constructed a Dual Axel Tabletop Trailer. The trailer is built for durability and reliability while also having an aesthetic look. The trailer is designed to hold up to 3 tonnes, allowing it to be used for a wide range of purposes, such as carrying heavy hay bales or carting 1000 litre shuttles for spraying. The trailer will primarily be used for agricultural purposes on our family farm in the Cowra area.

The main reason behind building this trailer is to make it easier to transport materials from one farm to another, which contributes to a more efficient farming enterprise.

In the future, I would like to build a custom sheep crate for the trailer to increase its versatility. When designing the trailer, I carefully determined the optimal size that would fulfill each purpose to its full potential. The deck, measuring 3.6 meters long and 2.2 meters wide, is suitable for most jobs the trailer will undertake. I chose to build a tabletop trailer to challenge my fabrication skills and showcase the complexity of the build. I conducted research on different design aspects and incorporated them into my project.

I believe I achieved my goal in this area, particularly with the construction of my own mudguard holders, which demonstrated my workmanship in bending. In conclusion, I thoroughly enjoyed building this project as it challenged me to problem solve and provided a rewarding experience as the trailer came together step by step. I was also thrilled to witness my classmates designing and building their own projects within the Industrial Technology subject, showcasing the talent we have at Kinross Wolaroi School.

Tom Storer Multi-purpose Dirt Scraper For my year 12 Major Project I have made a multipurpose dirt scraper with many different functions.

These include filling potholes, building up dirt banks, levelling out roads, crushing dirt clumps up into smaller pieces and levelling dirt mounds. It works by having a pull for a tractor to attach to the towing coupling. It also has hydraulic hoses which push a ram to move the dirt scraper off its wheel frame. This lifts the blade off the ground and lets dirt flow underneath it to make a smooth dirt layer or a mound of dirt. It is a heavy-duty compact machine that is wide enough for smaller roads but can be dragged across larger ones a couple of times to smooth them out.

I built the dirt scraper for my family to use on dirt roads at home to fix them as well as build levy banks around dams and houses. The dirt scraper offers several advantages that make it a cost-effective and efficient solution. One of its key strengths lies in its ability to swiftly relocate material, resulting in reduced labour costs. Its versatility also allows it to handle a wide range of materials and applications. From leveling land and preparing agricultural fields to construction site grading and mining operations, the dirt scraper proves to be a valuable tool in various industries. Its multifunctionality ensures that it can adapt to different tasks, making it a reliable choice for any project.

Overall, I am happy with my dirt scraper because it is an asset across various industries due to its efficiency, versatility, and cost-effectiveness in handling bulk materials. Their advantages often make them a suitable choice for earthmoving and road repairing.

Hugh Warren Table Top Trailer with bi-fold sides For my Industrial Technology Metal HSC project, I designed and manufactured a tabletop trailer with bifolding sides that has an Aztec silver hammerstone finish.

The sides are Gal dipped and made of aluminium sheet.

This trailer was intended to be used for various farming jobs, such as transporting sheep, chemicals, seeds, and other objects. The trailer has been built to assist my family farm in Temora, NSW. I have made my trailer with a heavy load rating of 3.5 tonnes and a 3.6m x 2.2m tray top. I have also made bifolding livestock sides with a removable backboard and a sliding door. With the different options, I am able to either have the sides folded up for transporting sheep, the sides folded in half for transporting goods like chemicals, or have the sides and backboard removed for moving hay. There are also various flush mount tie downs to secure loads.

I have used two 2-tonne axles with a heavy-duty rocker roller spring suspension as it gives me the ability to put a large amount of load on the trailer and push its rating.

The heavy-duty suspension and axles, along with the mud terrain tires, were chosen as the trailer will be commonly used off-road and for on-farm use.

I am extremely happy with how my project has turned out, especially with the galvanized sides and Aztec silver hammerstone finish of the trailer. My intention was to build a heavy-duty trailer for use on our family farm, which is what I have created.

I have learned a lot of new skills building my trailer that I will continue to use within the metal industry. I learned skills like design on Shaper3D, creating a design, time management skills, new techniques, and improved my metalworking skills.

Will Wright Enclosed Camping Trailer For my 2023 Industrial Technology major project I have built an enclosed camping trailer. This trailer was inspired by my plans in travelling around Australia and working in various places where accommodation isn’t available.

The trailer is 1580mm wide and 2800mm long, and the cabin size is 1500mm high. The trailer consists of a single axle chassis, which can take up to 1.8 tones, enough for all my needs of the trailer. My trailer incorporates a water tank mount on the underside of the trailer, solar panel points across the roof, and accessible glass windows and doors. The exterior of the trailer is aesthetically pleasing, as it has been cladded with aluminium matte white composite panel and trimmed with satin black angle trim. The trailer floor, walls and ceiling are fully insulated, and the interior has been covered in MDF walls and pine wood plank floor and ceiling. I have integrated many different components into the trailer, including an under-storage bed, a ceiling light and exhaust fan, glass doors and windows and other smaller components. The designing, planning and construction of this trailer were all crucial parts of this project. Although a project like this takes a large amount of effort, it is thoroughly worth it at the end of production. Building the project has given me a large insight into different career pathways due to the trailer consisting of metal fabrication, wiring, woodwork, plumbing and cladding. I’m happy with the outcome of my camping trailer and have really enjoyed the construction process. The whole look of the trailer has exceeded my expectations in how I hoped it would turn out.

Design Technology

Willow Carter Charlie Condon Blake Jones Georgia Mudford Harrison Nitz James Noble Heath Robinson Guy Ross

“Design and Technology equips students with the necessary knowledge, skills and confidence to adapt and thrive in a rapidly evolving society.”

Since it was the first time in a few years the Design and Technology course has been offered at Kinross Wolaroi School, I feel very privileged to have helped guide the students through the incredibly challenging but rewarding process of producing their Major Works.

Many people ask what the difference is between Design and Technology and Industrial Technology? Design and Technology is, at its core, a problem-solving subject requiring students to first identify a need, problem or opportunity to then produce a working product, system or environment solution. Finding the need, problem or opportunity for an idea is one of the more difficult steps however many students used their lived experience to inspire this.

With each project being completely different to the next, the students tailored the design process to their individual ideas by considering various factors such as aesthetics, cost, ergonomics, environment, size, safety, function, skills and resources. From the initial concept, students hand sketch, develop on Computer Aided Design Programs, prototype and test.

Some of the diverse skills and resources demonstrated include plasma cutting, welding, cabinet making, sublimation printing and sewing.

From understanding and applying the design process to creating innovative solutions, Design and Technology equips students with the necessary knowledge, skills and confidence to adapt and thrive in a rapidly evolving society.

I hope the students enjoyed the journey as much as I did.

Well done to the 2023 cohort.

Mr Angus Brotherton Design & Technology Teacher

Willow Carter Wetsuit Pants The wetsuit pants are an important piece of gear within the water sports enthusiast’s collection. Crafted from a specialised material called neoprene, these pants serve as a protective barrier against the chilling embrace of aquatic environments and allow for manoeuvrability and flexibility at the same time.

With increasing participation in water activities due to a development of new sports and social media exposure, the wetsuit pant solution is in response to the industry’s lack of variety and variability in wetsuits whilst still combining aesthetic and safety needs. The wetsuit pants serve both purposes, with an improved belt fastening process which functions faster and stronger than traditional wetsuit belts, plus sewn in knee pads, all while looking great in a sublimated Tiki pattern.

New sports such as foil boarding, kite boarding and other high mobility sports required newer and more advanced designs. Longer, thicker and warm steamer wetsuits have become less applicable and inhibit the users maximum potential through their restrictive features.

Typical steamer wetsuits are also bland in colour and lack variability in the wetsuit market and they lack individuality or design. I created this wetsuit to tackle these problems and develop my own functioning wetsuit that could be applied in high maneuverability sports.

I learnt how to sew, cut, and manipulate materials, tools, and machines that I had not experienced before.

I improved my sewing skills through the testing of materials and prototypes. My skill level increased alongside my knowledge of the machine. Making precise incisions and cuts was also a new experience as well as working with fabric. Cutting the neoprene allowed me to grow familiar with a rotary cutter, fabric shears, scissors and scalpels, and required me to build skills in concentration and care when cutting the material.

I learnt how to use a sublimation printer, which printed the tiki design onto the nylon. The heat press – big and small - enabled me to fuse the nylon to the neoprene through the effect the heat had on the vlisofix glue, which melted and bonded the material together. The appliance of the puff paste through a screening process was also a new experience which was very rewarding to observe the changes of the detailed design when applied with heat from an iron.

The wetsuit pants allowed me to gain a lot of skills in an area I was not comfortable with. I can say now that I am able to transfer my skills into any textiles project with a good capability. I plan to work in a space that incorporates an area of design, and learn more methods to make my ideas become reality.

Charlie Condon Raised Lamb Marking Cradle For my HSC Design and Technology Major Project, I made a platform to be used during lamb marking to eliminate the need to manually pick up lambs for long periods of time. 25% of all agricultural Safe Work compensation claims are for lifting or handling, and 15% of these are specifically for lifting animals, such as lambs.

My project combats this by already having the lambs at a height at which they can be dragged into the cradle rather than lifted.

When in use, the platform stands next to the preexisting loading ramp in a set of yards, with one side panel lifted as a roof and the cradle coming out of the rubber panel. The lambs will walk through the ramp onto the platform, and pool ready for the operator to pull them through the rubber strips. A ewe or group of lambs will sit in the far end, to entice more lambs to follow. A UV protected roll down roof blocks the sun from any operators working below.

The project is transportable by winding down the four jockey wheels and pushing by hand. This is effective for short travel, while it can be pushed into a trailer for longer travel.

The side panel can be opened and closed by pushing via gas struts and is covered by a blind that is rolled down by a removable hand crank. The project was produced using a variety of metal fabricating techniques that, previously to the Design and Technology course, I hadn’t had much experience with, however throughout the design process, I learned a lot. The Raised Lamb Marking Cradle fully fulfils both the primary and secondary functions it was designed for.

Blake Jones Welding Bench After being constantly frustrated having to cart welding tools and equipment around my parents shed, an idea presented itself. I researched, designed and then built a custom welding table for my HSC major project. Before developing the idea, a lot of research was required to see what existing designs were on the market. However, realising most were either fixed to the ground, were not durable enough or didn’t serve the multiple purposes required, a solution started to form. Additionally, I thought that the bench would be interesting to produce and provide some valuable learning experiences, helping improve my welding and other metal fabrication skills.

Some considerations for the project included the need to be able to handle repetitive and high force strikes along with intense heat over the course of its lifetime.

This required quality workmanship along with correct material and resource selection.

The bench functions well by being able to wheel all tools and equipment around for any task and therefore the worker can be more productive and efficient. It also decreases the risk of back injury by working at a suitable height.

Georgia Mudford Automated Water Trough The automated tipping water trough aims to revolutionise water management in the agricultural sector, addressing the critical challenge of providing stock with consistently clean water. Unlike traditional troughs, which are prone to poor water quality due to lack of regular cleaning, the design offers a sustainable and time-efficient solution. The trough automatically dumps the water contents through the use of an electronic linear actuator, so that the growth of harmful algae is prevented, maintaining fresh and clean water for livestock. This process is integrated with a solarpowered relay timer and a trough float mechanism that refills the trough immediately after dumping, ensuring uninterrupted water supply.

The self-dumping water trough boasts versatility and accessibility, as farmers can customize the dumping intervals based on their needs through the timer relay, again reducing the risk of algae growth. This feature is especially advantageous for remote locations, where access is limited as it requires minimal to no maintenance. The project’s use of solar power aligns with sustainability goals, minimising the design’s carbon footprint and promoting eco-friendly practice in agriculture. Additionally, the trough’s mobility-enhancing features, such as adjustable wheels and an A-frame, facilitate transportation and positioning on farms, allowing the trough to be reusable.

The self-dumping water trough operates with minimal maintenance requirements, enhancing its practicality for busy farmers. This innovative solution not only ensures healthier livestock by providing consistent access to clean water but also addresses the financial and time constraints associated with traditional cleaning methods.

By streamlining water management and boosting livestock performance, the trough aims to contribute to improved farm income and overall stock health. The selfdumping water trough holds the potential to transform water trough technology, benefiting farmers globally and contributing to a more efficient and sustainable agricultural industry.

Harrison Nitz ‘PackMore’ Portable Live Music Case Crafting the PackMore was a transformative journey that broadened my horizons in product design and craftsmanship. Rooted in the goal of providing musicians with a reliable, portable, and cost-effective guitar storage solution, the project led me through the intricacies of conceptualisation, design and realisation. The process involved mastering woodworking techniques, such as working with plywood, and delving into leather and fabric craftsmanship to create the luxurious black exterior. This hands-on experience was transformative, deepening my understanding of materials and their manipulation.

As I crafted the PackMore, I realised that it was more than just a storage case; it was a harmonious blend of function and aesthetics. From initial concepts to CAD designs and 3D prints, each step of the journey was marked by insights and refinements. The PackMore evolved as a result of real-world testing, leading to design choices that embraced reliability, security, and visual appeal. Notably, the inclusion of adjustable straps and ergonomic handles, alongside a flat-pack system, underscored the product’s user-centred design.

The PackMore also taught me the art of problem-solving and creative adaptation. It showcased how sustainability can be woven into design through the choice of ecofriendly materials. Beyond its practical function, the project highlighted the value of attention to detail, such as the placement of corner caps and the integration of functional and visual elements. In essence, the PackMore project encapsulates my growth as a designer and as an entrepreneur. It allowed me to immerse myself in diverse skills, from woodworking to materials selection, while instilling a deep appreciation for the balance between functionality and aesthetics. As I proudly present the PackMore, it represents not only a well-crafted guitar storage case but a reflection of the journey I undertook to create it, ultimately defining the meticulous planning and effort implemented within my HSC Major Design Project.

James Noble Basketball Return Mechanism The Basketball Return Mechanism (BRM) is a an economical portable, accessible, ergonomically advanced basketball shooting mechanism which functions as well as any competitor product however, it is more suitable for the environment, easily transportable, affordable and lastly more durable than modern basketball shooting prototypes. There are multiple issues with the current basketball shooting products including: weight, cost, ergonomics, size, unethically sourced material. With the creation of the BRM I look to combat these issues, improving the current product, not only with in a single area, but in every area listed. The main material used was ply sheeting which is a renewable resource. The ply sheeting is lighter but just as durable for the situation as steel. Apart from the obvious target market being basketball players, the product is aimed at low socio-economic backgrounds with its affordable cost or home alone hoopers needing the ball returned easily.

The construction of the prototype took many hours of researching, sketching, computer aided designing, material sourcing and finally, timber manufacturing and finishing processes.

Heath Robinson Adaptive Touchscreen Suite: Variable Multimedia Workstation The main intent with my major work was to create an ergonomic work environment for digital design tasks, that improves and adapts existing market ideas to create a workspace that unifies the aspects of digital design.

The main motivation for the project was from my own personal experience with trying to do digital designing in earlier years of my high school journey, namely my art and tech classes of Years 7 and 8. A problem I struggled with was an inability to make digital drawings as trying to do so with a mouse was a significant challenge.

Recalling this prompted me to attempt to design and create a solution that would help people like me with this problem. When researching for this project I became entangled with ergonomic and active workspaces as this developing trend creates more accessible and effective workspaces. After conducting existing product research there seemed to be a hole in the market for an office ready touchscreen workspace. This prompted me to design my project as a combined standing-touch desk. Many hours and discoveries later I was able to produce a Major Work that provides the complete set of functionality I was aiming for. In its completed state my project provides a workspace capable of catering to a host of different needs in digital art and design. The touchscreen allows for great creative freedom while harnessing the power of a desktop computer providing freedom of design and significantly greater hardware performance compared to touch screen laptops. I believe that with more refinement my project would be a commercially viable product that could be used to improve the working lives of digital designers.

Guy Ross ‘Happy Camper’ Portable Camping Accessory The Happy Camper was designed to take advantage of all weather conditions for long-term camping trips. The prototype is divided into two main components, a solar panel system and rainwater capture system. The solar panel system designed for a 12V car battery efficiently converts solar energy into electricity. This can charge a main battery when parked or a second one in case of an emergency, providing enough energy for the driver to arrive at a charging station.

The solar panel is shielded by a clear acrylic sheet, ensuring both protection and adequate sunlight exposure. The setup involves connecting the solar panel to a battery box positioned beneath it which not only charges the battery but also offers two USB ports to charge electronic devices such as flashlights and phones.

The solar panel is placed inside a sliding drawer which can be moved out from under the acrylic window to optimise sunlight exposure. Instead of refilling large water tanks the Happy Camper will assist in collecting rainwater to be used for showering, tap and toilet but not drinking. In the rainwater harvesting system, rainwater undergoes filtration upon contact with a mesh filter, preventing large debris from entering.

The filtered water then travels through various plumbing components eventually entering a tube that directs it into a 40L water tank. The tank, with a maximum weight of 40kg when full, rest atop a drawer equipped with heavy-duty sliders. The feature enables easy access by sliding out the tank. To ensure the prototype is waterproof and watertight waterproofing membrane, sealant inside edges and corners, two layers of roof flashing, weather stripping inside the door and white outdoor paint inside and out was applied.

Software Design & Development Zac Annett Jack Chamberlain William Gaston Dan Hunter Lazo Jalal Cohan Mastrangeli Heath Robinson

“I take this opportunity to congratulate the class on their effort and perseverance through a challenging eight months of project work.”

The Software Design and Development major project requires students to design and develop a software solution for a client, based on a real-world need or problem. Students engage in detailed project documentation and system modelling tasks prior to the development of their project using a high-level programming language.

Whilst the scope of projects varies depending on the requirements of the client, students are required to demonstrate the use of a range of standard and advanced coding techniques including user authentication, file manipulation, search, sort and string processing algorithms.

The major project is assessed over two submissions: 1. The system analysis, design and modelling tasks.

2. The implementation (coding) and testing of the completed solution.

This year the standard of project work has been excellent and strong results have been achieved.

I take this opportunity to congratulate the class on their effort and perseverance through a challenging eight months of project work. Their willingness to engage with demanding tasks and work through problems is commendable. I hope they enjoyed the software development process; they should feel very proud of their achievements.

Mr Trent Chapman Software Design & Development Teacher

SupplyMind Systems Zac Annett

My Software Design and Development project is an inventory management system developed using the Python programming language. The core objective of my project was to address the challenges faced by warehouse companies in efficiently managing their inventory. My project mirrors the real-world requirements of warehouse enterprises, encompassing aspects such as inventory tracking, employee management, product information storage, and location management. The system allows employees to update inventory data, while granting administrators the authority to access and oversee this information. I aimed to develop user-friendly interfaces, create complex database infrastructure and management capabilities, integrate product information and location tracking, and implement security measures, such as encryption.

What was the focus/purpose of your project?

My Software Design and Development major project aimed to solve the issue of the lack of efficient and streamlined inventory management in warehouse companies. The software aimed to allow for inventory management, employee management, product information/storage, location management, and employee data entry relating to inventory numbers.

Who is the target audience?

The target audience of my project was an imaginary client, ‘SupplyMind Systems’. The solution aimed to allow employees to update inventory numbers to a database where an admin can access it. The system was designed to have different access levels for admin users and employee users, while being user-friendly and easy to learn, so that employees can quickly adapt to the new system.

Was the project successful? Were there additional features that you wanted to achieve?

During the development of my project, I managed to achieve the majority of what I set out to do, however I could have implemented further features such as: • Linking to a proper database (MYSQL / SQL) • Improving the user interface to improve usability • Data analysis functionality

What did you enjoy about the project?

I enjoyed most aspects of the development project, with the designing and coding being my favourite sections.

I learnt, through lots of trial and error, how to code in Python and create a program within my specifications.

I also enjoyed being able to work collaboratively with my classmates when it was possible to in relation to our projects - for example, testing one another’s work.

What did you find challenging?

I encountered some challenges while working on my project, particularly in developing precise algorithms and constructing diagrams. Also, learning a new programming language and applying it posed a significant challenge due to it being new during implementation.

What did you learn or gain from the project experience?

I learnt a number of coding skills and project management techniques throughout the project, enhancing my understanding of software development and further developing my already established understanding of the development process.

Task Targeter Jack Chamberlain

Whether it be completing homework or assignments, taking care of household chores, or even pursuing personal interests and hobbies, being organised and managing time is crucial. My major project, Task Targeter, aims to be a flexible task management program that can be adapted to create, track, and complete tasks of any kind. This software solution helps to facilitate time management, completing tasks in an orderly manner, and the prevention of falling behind with personal chores and projects. The key features behind this project include the ability to create and log into separate accounts, the ability to create, edit and delete tasks with a range of customisations, and the ability to search, sort, and filter your personal list of tasks.

What was the focus/purpose of your project?

The primary focus of my task was to ensure that the interface made the user experience as streamlined as possible. With a project centered around organisation tools, the cleaner and easier the interface is to interact with means the easier it allows you to be organised and manage your time efficiently.

Who is the target audience?

The target audience for my major project is both high school and university students, with a key use being the tracking of homework/assignments, or other time related school tasks. However, this project also aims to be used by a wider audience outside of this group due to the flexible possibilities of the tasks you can create, including chores, hobbies, and personal projects.

Was the project successful? Were there additional features that you wanted to achieve?

Overall, my project was successful, however there were a number of features I would have liked to add to increase its power and usability. This includes the ability to add small checklists of “subtasks” to each of the tasks to allow them to be broken down further, a small checkbox next to each task that automatically sets their status to “complete”, and colour coding for the status of each task allowing a faster interpretation of what is prioritised.

What did you enjoy about the project?

I particularly enjoyed creating the user interface for my task, including creating the specific graphical designs, icons, and logos. Since the interface was such a large

focus of my task, while getting certain things exactly right was tedious at times, it was immensely satisfying once they were complete.

What did you find challenging?

The most challenging part of this task was figuring out how to display the list of tasks, and how to do so in the most efficient and best-looking manner. While my final solution to this issue could be improved upon, I believe it is still an appropriate and useful method that is easy to interpret.

What did you learn or gain from the project experience?

Throughout this project, I learnt many important concepts relating to coding techniques, interface design, and algorithm design, all heavily increasing my knowledge of Python as a programming language. This includes learning the importance of certain libraries and how they can be used to vastly increase and improve functionality by offering additional features or modifying designs of objects to look more elegant.

Novel Note William Gaston Novel Note facilitates the multiple facets of novel and quote tracking, allowing readers to track their reading progress, give ratings, and organise their library of novels and quotes. This application accurately records information from novels and quotes including title, chapter counts, ratings, genre information/tags and completion status, and the quote, the character that says the quote, and the novel source. Novel Note utilises a graphical-user-interface (GUI) coded in Python with a clean, minimalistic, and intuitive design, that allows for quick and easy navigation, whilst ensuring a streamlined user experience.

What was the focus/purpose of your project?

The primary focus of Novel Note was to create an allpurpose, manual, novel and literature ‘tracking’ software which allows the user to record all the literature they have read/are reading/plan to read. This solution provides the client a personalised library of novels and quotes at the click of the button.

Who is the target audience?

Novel Note is aimed at all individuals who are avid readers or are looking for an all-in-one software to track novels and quotes. Particularly, those who read books with limited online presence or desire the manual recording capabilities not afforded by similar products.

Was the project successful? Were there additional features that you wanted to achieve?

Novel Note has been significantly successful in fulfilling both my client’s and personal desires for the project. I was able to create a clean, minimalistic GUI with a “tab” system affording streamlined ease-of-use. Additionally, I was able to complete a searching and sorting system for the novel and quote libraries, whilst also allowing the user to add and edit entries. In the future I would like to add some graphics or cover art for visual identification of the novels.

What did you enjoy about the project?

I particularly enjoyed the freedom of expression afforded by the project. Being able to make an application about a subject I’m passionate about whilst also learning new skills and solving complex problems throughout the portfolio work and coding was very fulfilling.

Dice Decisions Dan Hunter My project, Dice Decisions, was designed to be a game recommender for people who are new to board gaming and are looking for a place to start. I designed the project with new gamers in mind, providing games for a range of situations. It was challenging to take the project to completion, but I managed to complete individual modules and complete UI designs for all aspects of the solution. The UI designs were definitely the most enjoyable parts; getting to use game art in my work was fulfilling. The coding proved to be a difficult obstacle, but I was able to get different screens working.

What was the focus/purpose of your project?

The focus of my project was to build a board game recommender, with users being able to query a database of games that suited different situations and requirements.

Who is the target audience?

I made this for anyone who might be looking to get into board games, but was unsure where to start and what games there were out there that aren’t Monopoly.

Was the project successful? Were there additional features that you wanted to achieve?

The project was successful, but some additional features in the database would have been nice.

What did you enjoy about the project?

I enjoyed the UI design considerations I had to do, and the integration of game art in the project.

What did you find challenging?

I found the actual coding itself challenging, with debugging and testing taking up a large chunk of time.

Arcade Mania Lazo Jalal The purpose of my project was to create an online version of an arcade in which you can compete against other users from just your own device.

Overall the project was a success, however I did want to customise the games further so that they matched the galactic theme of the rest of the application.

I really enjoyed creating the games as it was cool to see how games are created from scratch and I learnt about a lot of different development techniques in the process.

I found it challenging putting each of the games together into one program as sometimes there would be compatibility issues, but I did manage to find a way to fix these issues.

Throughout the project I learnt what it takes to develop a full software project as it is way more than just coding.

It is the documentation required that takes up the majority of the project. This allowed me to develop my project management and organisation skills.

Cohan Mastrangeli Minelock My software design and development major work is a software program designed for large industrial jobsites such as mine sites or military posts. It is designed to increase safety around high-voltage and low-voltage job sites and ultimately reduce jobsite accidents, injuries, and deaths which are a result of accidental resupply of power to an active job sight. For example, if a mining fitter is doing work inside an non-electrified/isolated crusher at a mine, the worker will have to swipe their ID card to “lock-on” to a jobsite which is meant to replace a “lock-out box” (where a power isolation key is placed in a box and a lock from each worker then locks the box, meaning all workers must unlock their lock to resupply the worksite with electricity).

What was the focus/purpose of your project?

The primary aim of the software project is to enhance safety at large industrial jobsites, such as mine sites or military posts, by implementing a comprehensive lockon/lock-off system for workers dealing with high-voltage and low-voltage equipment. The project aims to reduce jobsite accidents, injuries, and fatalities resulting from accidental resupply of power to an active jobsite.

Who is the target audience?

My software project is aimed at a wide range of industrial and commercial jobsites that require power to be isolated before maintenance.

Was the project successful? Were there additional features that you wanted to achieve?

During the development of my major work, I identified several updates and improvements that could extend its functionality and overall quality. Unfortunately, due to time constraints, I couldn’t implement these features as originally intended. However, I believe these updates would have significantly improved the project’s capabilities and user experience:

• Log Editing features • Two-Factor Authentication • Encrypted Password database • Aesthetic enhancements.

What did you find challenging?

One thing I found challenging in this major work is learning all the different algorithms, functions and variables used in Python.

What did you enjoy about the project?

Although challenging I also enjoyed learning how to use these algorithms and functions. Another thing I enjoyed was the collaboration between classmates and helping each other understand a new coding environment.

What did you learn or gain from the project experience?

Through this major work, I learned the importance of system documentation and planning techniques such as Gantt charts and system flowcharts.

Heath Robinson “Questimator” item recording What was the focus/purpose of your project?

To create a program to collate items and item information for easy access when writing a quote.

Who is the target audience?

The target market for this program would be program supervisors as it allows them to store information on items purchased for the project.

Was the project successful? Were there additional features that you wanted to achieve?

I have successfully developed the basic systems that the program would use but I was unable to deliver the highlevel features that would make the project successful: The form creation of quotes as well as an item grouping system to facilitate it.

What did you enjoy about the project?

I did enjoy the process of creating this project. Producing, fixing and adapting code can be very enjoyable. Although frustrating at times it is good to look at the progress being made and potential new additions or changes that could be made to improve it.

What did you find challenging?

The most challenging part of the project for me was the time management between this project and my other school studies. This resulted in me making less progress than planned, ultimately requiring more time to fully deliver on my idea than anticipated.

What did you learn or gain from the project experience?

A better perspective on time management and deadlines when working on large scale projects, as I significantly value starting early on these kinds of projects.

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