Museum Ireland, Vol 24. Lynskey, M. (Ed.). Irish Museums Association, Dublin (2014).

Page 91

Presenting the past: evaluating archaeological exhibitions in museums in the Republic of Ireland DONNA GILLIGAN

Introduction1 Museum exhibitions are one of the primary and most effective forms of communicating archaeological information to the public. Exhibitions have slowly evolved from their traditional style of object-led, curatorially biased formats towards a reconsideration of the way in which artefacts are displayed and interpreted, and the audiences for whom this is carried out. The display of archaeology in museums presents a number of challenges, as prehistory is a complex, heavily layered subject, which ideally requires careful and well deliberated means of display and interpretation in order to fully present its value, interest and importance to the public audience.

— 1.This research was undertaken as part of a Master’s thesis in Museum Practice & Management completed at the University of Ulster in 2013. Thanks are due to my supervisor, Dr Elizabeth Crooke, for her guidance and support throughout my studies.

New and exciting exhibition styles which maintain intellectual integrity while banishing the stereotypical stigma of elitist academic museum institutions are important in order to serve the needs and interests of the public and maintain a sustainable position in modern society. This research article is the outcome of an evaluation of the range, methods and diversity of current Irish archaeological exhibitions. using the archaeological exhibitions on display in the Republic of Ireland, this research examined the presence of innovative, creative and well developed exhibit formats which have replaced the traditional archaeological display style of cases, labels and chronology. Research explored and assessed a number of exhibition components and techniques which have been subject to change, development and debate within the wider museum archaeology sector throughout the uk and Europe. Research has uncovered a need for re-assessment and revitalisation of the ways in which archaeological collections are exhibited in the Republic of Ireland. Archaeological exhibitions which present clear aspects of innovation and development within their formats are unfortunately limited, and a number of institutions would benefit from

Presenting the past: evaluating archaeological exhibitions in museums in the Republic of Ireland

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l Australian Artists in the Contemporary Museum

2min
pages 158-159

l Museums in the New Mediascape

2min
pages 156-157

l Migrating Heritage: Experiences of Cultural Networks and Cultural Dialogue in Europe

5min
pages 153-155

l Schmitz Compendium of European Picture Frames 1730-1930: Neoclassicism Biedermeier, Romanticism, Historicism, Impressionism, Jugenstil, Solingen

3min
pages 151-152

l Answer the call: First World War posters

2min
pages 149-150

l Exhibiting the invisible – Clontarf 1014: Brian Boru and the Battle for Dublin

12min
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l Caring for your family collections: preservation workshops at National Library of Ireland

10min
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l Donegal County Museum remembering the shared histories of Donegal

15min
pages 131-140

l “I go to seek a Great Perhaps”: engaging youth audiences

21min
pages 111-122

l Presenting the past: evaluating archaeological exhibitions in museums in the Republic of Ireland

23min
pages 91-104

l Developing early years programming at the National Gallery of Ireland

8min
pages 105-110

l The importance of museums in shaping Qatar’s national identity

13min
pages 83-90

l The renovation of the Royal Museum for Central Africa and implications for colonial history

21min
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l Institutionalising the Rising: the National Museum and 1916

27min
pages 73-82

l Festival studies and museum studies – building a curriculum

32min
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l Terror and hunger, disease and death: Ireland’s Great Hunger Museum

17min
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l The past as a political minefield: public memory, politicians and historians

11min
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l Performing the past: material culture and the dialogical museum

19min
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l Istrian emigration meets the museum: encouraging dialogue and understanding between ideologies

12min
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l Where contemporary art and histories can meet

14min
pages 55-62
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