Museum Ireland, Vol 24. Lynskey, M. (Ed.). Irish Museums Association, Dublin (2014).

Page 83

The importance of museums in shaping Qatar’s national identity CAITLÍN DOHERTY

Introduction1 until recently Qatar was relatively unknown outside of the Middle East, but due to its exponential growth this small, oil-rich nation has now established itself on the international stage. The state-led development of the museums and galleries sector is reflective of this, and particularly interesting since it is playing a role not only in preserving Qatar’s past, but also in forging its current and future identities. This article highlights major developments in Qatar’s museums and galleries sector, including the opening of the Museum of Islamic Art, and the soon-to-be-completed National Museum of Qatar. These institutions, together with a raft of other museums, galleries and heritage sites due to open over the coming years, act as storehouses for Qatar’s past, and tell the story of a Bedouin tradition and a pearl diving industry which has almost completely disappeared today. Qatar also embraces its future, however, and it is therefore perhaps not surprising that contemporary art is playing such a significant role in the nation’s development. Mathaf, the Museum of Modern Arab Art, opened in 2010 and elsewhere exhibitions have taken place by high profile international artists including Murakami, Damien Hirst and Richard Serra, alongside an impressive – if somewhat controversial – public art programme.

Qatar museums — 1.This article is based on a talk presented at the Irish Museums Association Annual Conference, Museums & Memory: Challenging Histories on 22nd February 2014, Waterford 2. Formally Qatar Museums Authority (QMA).

Qatar Museums (QM)2 is the umbrella organization governing the development of museums and galleries in the country. Established in 2005 by Sheikh Hamad bin khalifa Al Thani, former Emir of the State of Qatar, QM aims to centralise resources and provide a comprehensive framework for museum development, management and organization. Moreover, it seeks to engage and connect diverse audiences, both nationally and internationally, with an ambitious programme that it is

The importance of museums in shaping Qatar’s national identity

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Articles inside

l Australian Artists in the Contemporary Museum

2min
pages 158-159

l Museums in the New Mediascape

2min
pages 156-157

l Migrating Heritage: Experiences of Cultural Networks and Cultural Dialogue in Europe

5min
pages 153-155

l Schmitz Compendium of European Picture Frames 1730-1930: Neoclassicism Biedermeier, Romanticism, Historicism, Impressionism, Jugenstil, Solingen

3min
pages 151-152

l Answer the call: First World War posters

2min
pages 149-150

l Exhibiting the invisible – Clontarf 1014: Brian Boru and the Battle for Dublin

12min
pages 141-148

l Caring for your family collections: preservation workshops at National Library of Ireland

10min
pages 123-130

l Donegal County Museum remembering the shared histories of Donegal

15min
pages 131-140

l “I go to seek a Great Perhaps”: engaging youth audiences

21min
pages 111-122

l Presenting the past: evaluating archaeological exhibitions in museums in the Republic of Ireland

23min
pages 91-104

l Developing early years programming at the National Gallery of Ireland

8min
pages 105-110

l The importance of museums in shaping Qatar’s national identity

13min
pages 83-90

l The renovation of the Royal Museum for Central Africa and implications for colonial history

21min
pages 41-54

l Institutionalising the Rising: the National Museum and 1916

27min
pages 73-82

l Festival studies and museum studies – building a curriculum

32min
pages 27-40

l Terror and hunger, disease and death: Ireland’s Great Hunger Museum

17min
pages 63-72

l The past as a political minefield: public memory, politicians and historians

11min
pages 13-18

l Performing the past: material culture and the dialogical museum

19min
pages 5-12

l Istrian emigration meets the museum: encouraging dialogue and understanding between ideologies

12min
pages 19-26

l Where contemporary art and histories can meet

14min
pages 55-62
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