Museum Ireland, Vol 24. Lynskey, M. (Ed.). Irish Museums Association, Dublin (2014).

Page 63

Terror and hunger, disease and death: Ireland’s Great Hunger Museum N I A M H O ’ S U L L I VA N

Introduction1 “We are overwhelmed with distress; we are crushed with taxation; we are scourged by famine; and visited by pestilence. Our jails are full; our poor houses choked; our public edifices turned into lazar houses; our cities mendicities; our streets morgues; our churchyards fields of carnage.... Society itself is breaking up; selfishness seizes upon all; class repudiates class; the very ties of closest kindred are snapt asunder. Sire and son, landlord and occupier, town and country repudiate each other…. Terror and hunger, disease and death afflict us… (Southern Reporter, 1 May 1847)”2 Almost ten times the population of Ireland today that is over 40 million Americans declare Irish ancestry, large numbers of whom descend from the Great Hunger. However, it took almost a century-and-a-half for historians to focus on the political, social and economic causes, and consider its consequences in Ireland, and around the world. Certainly, the loss of life, the leeching of the land, the guilt of survivors, and the erosions of language and culture remained unaddressed in the visual arts until the 1990s. Around the 150th anniversary, Quinnipiac university in Connecticut determined to commemorate the tragedy through the formation of an art museum. This article considers the rationale for the foundation of the museum, and explores aspects of its inaugural collection.3 — 1. This article is based on a talk presented at the Irish Museums Association Annual Conference, Museums & Memory: Challenging Histories on 22nd February 2014, Waterford 2. Southern Reporter 1 May 1847 3. O’Sullivan, N. (2012) ‘Lines of Sorrow: Representing Ireland’s Great Hunger.’ Ireland’s Great Hunger Museum Inaugural Catalogue, Quinnipiac University, Hamden, CT

Visual interpretation of the Great Famine The story of the Famine had been told in words but, prior to the establishment of Ireland’s Great Hunger Museum, no institution had interpreted visually the greatest demographic catastrophe of nineteenth-century Europe – remembering that those who experienced the devastation, and suffered its terrible fallout, did so, at least initially, with their eyes. They saw their food rot in the soil; they saw the food grown for others exported, while they starved; they saw their homes

Terror and hunger, disease and death: Ireland’s Great Hunger Museum

63


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Articles inside

l Australian Artists in the Contemporary Museum

2min
pages 158-159

l Museums in the New Mediascape

2min
pages 156-157

l Migrating Heritage: Experiences of Cultural Networks and Cultural Dialogue in Europe

5min
pages 153-155

l Schmitz Compendium of European Picture Frames 1730-1930: Neoclassicism Biedermeier, Romanticism, Historicism, Impressionism, Jugenstil, Solingen

3min
pages 151-152

l Answer the call: First World War posters

2min
pages 149-150

l Exhibiting the invisible – Clontarf 1014: Brian Boru and the Battle for Dublin

12min
pages 141-148

l Caring for your family collections: preservation workshops at National Library of Ireland

10min
pages 123-130

l Donegal County Museum remembering the shared histories of Donegal

15min
pages 131-140

l “I go to seek a Great Perhaps”: engaging youth audiences

21min
pages 111-122

l Presenting the past: evaluating archaeological exhibitions in museums in the Republic of Ireland

23min
pages 91-104

l Developing early years programming at the National Gallery of Ireland

8min
pages 105-110

l The importance of museums in shaping Qatar’s national identity

13min
pages 83-90

l The renovation of the Royal Museum for Central Africa and implications for colonial history

21min
pages 41-54

l Institutionalising the Rising: the National Museum and 1916

27min
pages 73-82

l Festival studies and museum studies – building a curriculum

32min
pages 27-40

l Terror and hunger, disease and death: Ireland’s Great Hunger Museum

17min
pages 63-72

l The past as a political minefield: public memory, politicians and historians

11min
pages 13-18

l Performing the past: material culture and the dialogical museum

19min
pages 5-12

l Istrian emigration meets the museum: encouraging dialogue and understanding between ideologies

12min
pages 19-26

l Where contemporary art and histories can meet

14min
pages 55-62
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