Museum Ireland, Vol 24. Lynskey, M. (Ed.). Irish Museums Association, Dublin (2014).

Page 149

Museums and Exhibitions

Answer the Call: First World War Posters Mairéad Quinn

Venue: ulster Museum, Botanic Gardens, Belfast, BT9 5AB Admission: Free Opened: 23 May 2014 Website: http://www.nmni.com

On the 23 May 2014 National Museums Northern Ireland launched their ‘Answer the Call: First World War Posters’ exhibition in the ulster Museum, Belfast. This exhibition is part of the Decade of Centenaries programme of events and was developed to mark the 100th anniversary of World War One. The exhibition, curated by Dr Vivienne Pollock, takes a look at the changing conditions of Britain and Ireland’s involvement in the war, and more particularly the changing approaches to voluntary recruitment, through a series of propaganda posters aimed at Irish citizens over the period of 1914-1918. The exhibition offers a glimpse into the changing attitudes towards enlistment by Irish citizens. This can be traced through the evolving messages portrayed in the poster campaigns, beginning with the characterisation of voluntary enlistment as

encompassing the virtues of patriotism and adventure; the natural step for a man to take. The exhibition also explores the various uses of cultural signifiers to encourage men to enlist. These include posters identifying war with sporting games, and the call for the ‘real Irish spirit’ to come forth and join the ranks, a direct reference to Ireland’s reputation as a drinking culture. As voluntary recruitment took a downturn we can see a change in the campaigns’ approach. Messages changed from those focused on the virtues of enlistment to those forewarning of the consequences of failing to enlist. The use of children as emotional triggers can be seen in various posters, most particularly those asking fathers what their answer will be when their children ask ‘what did you do to help when Britain fought for freedom?’ Children and women are also used as emotional leverage through poster campaigns that

Museums and Exhibitions

149


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l Australian Artists in the Contemporary Museum

2min
pages 158-159

l Museums in the New Mediascape

2min
pages 156-157

l Migrating Heritage: Experiences of Cultural Networks and Cultural Dialogue in Europe

5min
pages 153-155

l Schmitz Compendium of European Picture Frames 1730-1930: Neoclassicism Biedermeier, Romanticism, Historicism, Impressionism, Jugenstil, Solingen

3min
pages 151-152

l Answer the call: First World War posters

2min
pages 149-150

l Exhibiting the invisible – Clontarf 1014: Brian Boru and the Battle for Dublin

12min
pages 141-148

l Caring for your family collections: preservation workshops at National Library of Ireland

10min
pages 123-130

l Donegal County Museum remembering the shared histories of Donegal

15min
pages 131-140

l “I go to seek a Great Perhaps”: engaging youth audiences

21min
pages 111-122

l Presenting the past: evaluating archaeological exhibitions in museums in the Republic of Ireland

23min
pages 91-104

l Developing early years programming at the National Gallery of Ireland

8min
pages 105-110

l The importance of museums in shaping Qatar’s national identity

13min
pages 83-90

l The renovation of the Royal Museum for Central Africa and implications for colonial history

21min
pages 41-54

l Institutionalising the Rising: the National Museum and 1916

27min
pages 73-82

l Festival studies and museum studies – building a curriculum

32min
pages 27-40

l Terror and hunger, disease and death: Ireland’s Great Hunger Museum

17min
pages 63-72

l The past as a political minefield: public memory, politicians and historians

11min
pages 13-18

l Performing the past: material culture and the dialogical museum

19min
pages 5-12

l Istrian emigration meets the museum: encouraging dialogue and understanding between ideologies

12min
pages 19-26

l Where contemporary art and histories can meet

14min
pages 55-62
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