Interni Magazine 628 by Interni Magazine

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*0 +) ON THE COVER: ONE OF THE FIRST AND MOST EFFECTIVE EXAMPLES OF MODULAR DESIGN, TO INTERPRET THE IDEA OF A HOME FREE OF SPACE-TIME BOUNDARIES, NUAGE IS THE FAMILY OF BOOKCASES AND CABINETS DESIGNED BY CHARLOTTE PERRIAND IN THE 1950S, WHICH CASSINA HAS REISSUED IN 2012, IN A WORLDWIDE EXCLUSIVE, FOR THE CASSINA I MAESTRI COLLECTION. THE COMPOSITIONS RANGE FROM CREDENZAS TO CABINETS TO WALL BOOKCASES, RESTING ON THE FLOOR OR SUSPENDED ACCORDING TO SYMMETRICAL OR ASYMMETRICAL SCHEMES, OR SELF-SUPPORTING BOOKCASES CAPABLE OF STRUCTURING ARCHITECTURAL SPACE. IN FIVE DIFFERENT HEIGHTS, WITH OAK SHELVES AND ALUMINIUM UPRIGHTS, AVAILABLE WITH A RANGE OF ACCESSORIES. IN COPERTINA: UNO DEI PRIMI E PIÙ EFFICACI ESEMPI DI DESIGN MODULARE CHE DECLINA L’IDEA DI UNA CASA PRIVA DI CONFINI SPAZIO-TEMPORALI, NUAGE È LA FAMIGLIA DI LIBRERIE E CONTENITORI DISEGNATI DA CHARLOTTE PERRIAND NEGLI ANNI ’50 CHE CASSINA HA RIEDITATO NEL 2012, IN ESCLUSIVA MONDIALE, PER LA COLLEZIONE CASSINA I MAESTRI. LE COMPOSIZIONI SPAZIANO DALLE CREDENZE, AI CONTENITORI ALLE LIBRERIE A MURO, CON APPOGGIO A TERRA O APPESE SECONDO SCHEMI SIMMETRICI E ASIMMETRICI, O ANCORA LIBRERIE AUTOPORTANTI CAPACI DI STRUTTURARE LO SPAZIO ARCHITETTONICO. SONO REALIZZATE IN CINQUE ALTEZZE DIVERSE CON RIPIANI IN ROVERE ED ELEMENTI VERTICALI IN ALLUMINIO E POSSONO ESSERE ARRICCHITE CON ACCESSORI VARI.

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INTERNI AXelXip$=\YilXip )'(*

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_\ e\n p\Xi jkXikj le[\i k_\ j`ê f] èk\ieXk`feXc`jd# n`k_ X jg\Z`Xc `jjl\ k_Xk \ogcfi\j k_\ Z_XiXZk\i`jk`Zj Xe[ gfk\ek`Xc f] Xe XggifXZ_ kf X\jk_\k`Zj Xe[ kf c`mè^ Zfm\k\[ k_\ nfic[ fm\i# X nfic[ è X jkXk\ f] gif]fle[ kiXej]fidXk`fe k_Xk _Xj kf ]XZ\ dXafi Z_Xcc\e^\j ]fi `kj ]lkli\% Kf ]lccp X[[i\jj k_`j k_\d\# n\ _Xm\ Z_fj\e k_\ <e^c`j_ cXe^lX^\ kf \jkXYc`j_ X [`Xcf^l\ n`k_ fli Xl[`\eZ\# n_`Z_ è AXelXip `j Xcjf Xe[ XYfm\ Xcc k_\ Xl[`\eZ\ ]fi k_\ dXafi \m\ekj fe Zi\Xk`m`kp è mXi`flj <lifg\Xe Z`k`\j% Fli i\Õ\Zk`fej jkXik n`k_ XeXcpj`j f] DX[\ è @kXcp Xj X ZXkXcpjk k_Xk XkkiXZkj Zi\Xk`m\ dè[j ]ifd Xcc fm\i k_\ nfic[ kf fli Zflekip% =ifd k_\ dfjk ]Xdflj eXd\j kf \d\i^è^ kXc\ekj# n\ _Xm\ \oXdè\[ k_\ gXk_j Xe[ nfibj n`k_ n_`Z_ [\j`ê\ij ]ifd Xifle[ k_\ ^cfY\ _Xm\ i\XZ_\[ @kXcp% I`Z_Xi[ D\`\i# :cXl[`f J`cm\jkiè# Kfj_`plb` B`kX# B\e^f BldX Xe[ ;Xe`\c C`Y\jbè[ Xi\ k_\ XiZ_`k\Zkj n_f k_ifl^_ k_\ì cXk\jk ZfejkilZk`fej Xe[ dXep gif[lZkj [\j`ê\[ ]fi k_\ ZfdgXe`\j f] DX[\ è @kXcp Y\Xi n`ke\jj kf k_\ gif]fle[ cèb Y\kn\\e fli [\j`ê Zlckli\ Xe[ XiZ_`k\Zkli\1 k_Xebj kf k_`j mfZXk`fe# n\ _Xm\ c\Xie\[ _fn kf gifgfj\ fYa\Zkj k_Xk Xi\ Êm\_`Zc\j f] d\Xeè^Ë# n_fj\ e\Z\jj`kp ^f\j Y\pfe[ k_\ jk\i`c\ lj\]lc&lj\c\jj [`Z_fkfdp% 9lk k_\ nfic[ Xcjf cfm\j @kXc`Xe [\j`ê Y\ZXlj\ `k befnj _fn kf èZfigfiXk\ [`]]\i\ek Zfeki`Ylk`fej Xe[ jkpc\j n`k_flk \m\i cfjè^ `kj fi`^èXc Z_XiXZk\i1 `k `j j`dlckXe\fljcp cfZXc# èk\ieXk`feXc Xe[ ^cfZXc% K_\ nfibj f] pfle^ ]fi\`ê [\j`ê\ij n_f _Xm\ dX[\ k_\ì f]ÔZ`Xc [\Ylk k_`j p\Xi n`k_ @kXc`Xe ZfdgXe`\j j_\[ c`^_k fe k_\ gifZ\jj f] ZfekXdèXk`fe k_Xk `j efn è gifî\jj% =ifd Xefk_\i mXekX^\ gfèk# n\ Xcjf c`jk\e kf k_\ dXeX^\ij f] dXafi eXk`feXc ]lie`j_è^ YiXe[j n_f _Xm\ fYj\im\[ \d\i^è^ dXib\kj Ôijk_Xe[# m`j`kè^ Xe[ è_XY`kè^ fk_\i Zfleki`\j Xe[ kipè^ kf Zfehl\i k_\ì dXib\kj% K_\ì i\dXibj flkcè\ X Zfdgc\k\cp e\n Xi\eX f] Zfdg\k`k`fe k_Xk j_`]kj Z_Xcc\e^\j èkf ]XiXnXp ^\fîXg_`ZXc qfe\j# n`k_ Zlckli\j m\ip [`]]\i\ek ]ifd fli fne% K_\ kXjb `j [Xlekè^# Ylk @kXc`Xe [\j`ê _Xj k_\ mXcl\ Xe[ jki\e^k_ kf ]XZ\ `k n`k_ jlZZ\jj% >`c[X 9faXi[` CHIDORI CAFÉ, TOKYO, PROJECT BY KENGO KUMA & ASSOCIATES. PHOTO MASAO NISHIKAWA

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AXelXip$=\YilXip )'(* INTERNI

THE CLUBHOUSE STANDS ON AN ISLAND AT THE CENTER OF A SMALL LAKE, AND IS COMPOSED OF TWO BUILDINGS, THE CULTURAL AND ENTERTAINMENT CENTER, ON THE RIGHT, AND THE FITNESS CENTER, FOR A TOTAL AREA OF ABOUT 11,000 SQUARE METERS.

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INTERNI AXelXip$=\YilXip )'(*

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AXelXip$=\YilXip )'(* INTERNI

THE EXTERNAL FACADE OF THE CLUBHOUSE, WITH ALUMINIUM PANEL FACINGS AND TRAVERTINE MARBLE PAVEMENTS; AT THE CENTER, THE COMPLEX OPENS TO FACE THE LAKE, ACROSS A SMALL WATERFRONT GARDEN.

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DETAIL OF THE SEMI-OPEN SPACE ON THE EXTERNAL FACADE OF THE CLUBHOUSE. THE STEPS DESCENDING TO THE LAKE FLANK THE WATER GARDEN AND LEAD TO THE PIER. FACING PAGE: ON THE UPPER LEVEL THE STEPS REACH A FOYER WHERE NATURAL LIGHT IS REFLECTED ON A SLOPING WALL CLAD IN PANELS OF DUPONT CORIAN®.

K_`j kpg\ f] gifa\Zk `j ]i\hl\ek Xdfe^ m\ip \og\i`\eZ\[ XiZ_`k\Zkj# n_f c`b\ kf [iXn fe k_\ì fne i\g\ikfì\% 9lk è D\`\iËj nfib k_\j\ i\g\k`k`fej Xi\ efk k_\ i\jlck f] ]Xk`^l\ fi giX^dXk`jd# Y\ZXlj\ k_\p Xi\ gifîXddXk`Z XZk`fej k_Xk Xkk\dgk kf \jkXYc`j_ X jkpc\ k_Xk jki`m\j kf XZ_`\m\ î\Xk ZcXi`kp Xe[ i\Zfê`k`fe% =fi \oXdgc\# D\`\i jkXk\j k_Xk Èk_\ F:K :clY_flj\ i\Õ\Zkj X le`hl\ [\j`ê n_`c\ k_\ XiZ_`k\ZkliXc dXjjè^# k_\ jlYkc\ ]fc[j Xe[ k_\ df[lcXk\[ gifgfik`fej Xi\ \mfZXk`m\ f] k_\ ÔidËj ^l`[è^ gièZ`gc\jÉ% Jf k_\ ^fXc f] k_\ gifa\Zk `j kf èk\igi\k D\`\iËj k_èbè^# kf dXb\ X Yl`c[è^ k_Xk `j ('' D\`\i$XiZ_`k\Zkli\% 8]k\i Xcc# D\`\i _Xj dfi\ k_Xe Ô]kp p\Xij f] \og\i`\eZ\# è n_`Z_ _\ _Xj dXèkXè\[ Xe èZi\[`Yc\ ]X`k_ è _`j fne jkpc\%

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INTERNI AXelXip$=\YilXip )'(*

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AXelXip$=\YilXip )'(* INTERNI

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INTERNI AXelXip$=\YilXip )'(*

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THE LARGE LUMINOUS SPACE OF THE INDOOR POOLS OF THE FITNESS CENTER ANNEX. LEFT, THE ALUMINIUM SCREEN WITH CHERRY VENEER AND, ON THE UPPER LEVEL, THE GLASS WALL OF THE GYMNASIUM.

=ifd k_\ jkXik _\ _Xj Z_fj\e kf ]fccfn è k_\ ]ffkjk\gj f] df[\ie`jd# f] k_\ n_`k\ XiZ_`k\Zkli\ f] k_\ (0)'j Xe[ (0*'j# Xe[ f] C\ :fiYlj`\i# Y\^èeè^ n`k_ k_\ i\Ôe\[ m`ccXj è k_\ ?Xdgkfej# fe Cfe^ @jcXe[# n_`Z_ îX]k\[ X kXjk\ ]fi Z`kXk`fe fekf k_\ ^cXdfli f] k_\ dfjk \oZclj`m\ j\Xj`[\ Zfddle`k`\j fe k_\ <Xjk :fXjk% @e k_\ (0.'j D\`\i nXj befne# n`k_ G\k\i <`j\edXe# D`Z_X\c >iXm\j# :_Xic\j >nXk_d\p Xe[ Af_e ?\a[lb# Xj X d\dY\i f] k_\ =`m\ 8iZ_`k\Zkj# k_\ \c`k\ k\Xd ]fid\[ Yp k_\ dfjk jfg_`jk`ZXk\[ \ogfe\ekj f] k_\ E\n Pfib jZ\e\% 9lk j_fikcp k_\i\X]k\i k_\ =`m\ n\ek k_\ì j\gXiXk\ nXpj# Xe[ D\`\i j\k f]] fe X m\ip jlZZ\jj]lc èk\ieXk`feXc ZXi\\i% @dgfikXek Zfdd`jj`fej Xii`m\[ ]ifd <lifg\# jkXikè^ n`k_ k_\ Dlj\ld f] 8ggc`\[ 8ikj è =iXeb]lik (00) # k_\e k_\ :XeXc Gclj _\X[hlXik\ij è GXi`j (00, Xe[ k_\ Zfek\dgfiXip Xik dlj\ld f] 9XiZ\cfeX (00, % =ifd k_\j\ nfibj Xefk_\i I`Z_Xi[ D\`\i \d\i^\[# îX[lXccp c\Xmè^ Y\_è[ k_\ èÕl\eZ\ f] C\ :fiYlj`\i# Xj è k_\ iXdgj f] k_\ dlj\ldj è =iXeb]lik Xe[ 9XiZ\cfeX# [\Ôeè^ X e\n gifÔc\ XYfm\ Xcc k_Xebj kf _`j dfjk `dgfikXek gifa\Zk# k_Xk f] k_\ >\kkp :\ek\i è Cfj 8e^\c\j (00. % Jfd\ f] _`j @kXc`Xe nfibj# c`b\ k_\ Z_liZ_ f] Kfi Ki\ K\jk\ è Ifd\ (00* # k_\ fi^Xe`qXk`fe f] k_\ 8iX GXZ`j )''- Xe[ k_\ @kXcZ\d\ek` _\X[hlXik\ij è 9\i^Xdf )'() # _Xm\ \ogXe[\[ k_\ i\^`jk\i f] Xe èZi\Xjè^cp \]]\Zk`m\ jkpc\% K_\ gifa\Zk è J_\eq_\e `j Xe \oZ\cc\ek \oXdgc\ f] k_`j cXk\i D\`\i1 YXk_\[ è jlec`^_k Xk k_\ Z\ek\i f] k_\ nXk\i# k_\ :clY_flj\ `j Xe Xdgc\# j\i\e\ Zfdgfj`k`fe# ]\Xkliè^ jb`cc]lc [peXd`Z YXcXeZè^ f] mfcld\j# jljg\e[\[ è Xe lejkXYc\ \hl`c`Yi`ld k_Xk j\\dj kf Z_Xe^\ [\g\e[è^ fe k_\ mXekX^\ gfèk# k_\ eXkliXc c`^_kè^ Xe[ k_\ \]]\Zkj f] k_\ i\Õ\Zk`fe è k_\ nXk\i% 8e lck\i`fi c\m\c f] c`^_ke\jj `j XZ_`\m\[ è _`j ZcXjj`Z ^lkk\[ ]iXd\nfibj# k_\ g\i]fiXk\[ nXccj Xe[ k_\ g\imXj`m\ lj\ f] n_`k\# n_`Z_ kf^\k_\i n`k_ _`j _Xì Xe[ _`j j_ìk ]fidj Xe `dgfikXek gXik f] _`j j`êXkli\ `dX^\% @e k_\ :clY_flj\ \c\d\ekj n\ Zflc[ ZXcc cXe[jZXg\ ]\Xkli\j Xcjf _Xm\ Xe `dgfikXek ifc\ kf gcXp# ki`^^\iè^ X i\jfeXeZ\ Y\kn\\e k_\ Yl`c[è^j Xe[ k_\ì jliifle[è^j# c`b\ k_\ èZcè\[ nXcc k_Xk k\idèXk\j k_\ j\d`$ZìZc\ f] k_\ :lckliXc Xe[ <ek\ikXèd\ek :\ek\i# k_\ _fi`qfekXc YcX[\ k_Xk Zfm\ij k_\ =`ke\jj :\ek\i# Xe[ k_\ XiZ_`k\ZkliXc \Z_f k_Xk i\Yfle[j Y\kn\\e fe\ Yl`c[è^ Xe[ k_\ fk_\i%

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AXelXip$=\YilXip )'(* INTERNI

RICHARD MEIER. DOOR HANDLE IN CHROMIUM-PLATED BRASS FROM THE RM NOVANTOTTO SERIES, DESIGNED FOR FUSITAL. AN OBLONG GRIP CROSSES A CYLINDER, CREATING AN ILLUSION WITH THE HELP OF THE REFLECTING SURFACES. THE SERIES INCLUDES WINDOW HANDLES, A DOORKNOB, KEYS AND A LARGE HANDLE. RING IN GOLD, ONYX AND WHITE ONYX, PRODUCED BY CLETO MUNARI IN 1984-1986, SIGNED AND NUMBERED EDITION. SERVICE FROM THE TEA & COFFEE PIAZZA COLLECTION FOR OFFICINA ALESSI, 1983. PRODUCED BY HAND IN AN EDITION OF 99 PIECES IN SILVER, PLUS 3 DESIGNER TESTS, IN BRASS OR SILVER-PLATED COPPER.

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"/ */5&313&5"5*0/ 0' 5)& 3&-"5*0/4)*1 #&58&&/ 5)& CJH OBNFT */ BSDIJUFDUVSF "/% JUBMJBO JOEVTUSZ $"//05 07&3-00, 3JDIBSE .FJFS )*4 JODVSTJPOT */ 5)& GJFME 0' QSPEVDU EFTJHO "/% " QSFWJFX 0' )*4 OFYU TUFQ */ *UBMZ 5)& FYIJCJUJPO "5 'POEB[JPOF #JTB[[B " /&8 "$503 0/ 5)& DVMUVSBM TDFOF PHOTO ALDO BALLO

_\ gièZ`gc\j k_Xk ^l`[\ fli nfib Xi\ iffk\[ è X k`d\c\jj [`d\ej`fe# _Xmè^ kf [f n`k_ ZcXjj`Z [\j`ê k_\d\j c`b\ j`k\# fi[\i# k_\ lj\ f] eXkliXc c`^_k# Y\cfe^è^ kf ef fe\ g\i`f[ fi jkpc\% Df[\ie XiZ_`k\Zkli\ f]]\ij lj Xe fgk`d`jk`Z m`j`fe f] Zfek\dgfiXip c`]\# n_`c\ `kj Zfek\ok i\hlì\j lj kf \ogcfi\ fk_\i \jj\ek`Xc mXcl\j k_Xk Y\cfe^ kf fli k`d\1 gifîXd# k\Z_efcf^p# jljkXèXY`c`kp# ZfccXYfiXk`fe Xe[ `dX^\% N`k_ k_\j\ YXj`Z Xi^ld\ekj è dè[# n_\k_\i ]fi X dlj\ld# Xe èjk`klk`fe# X _fk\c# X c`YiXip fi X gi`mXk\ i\j`[\eZ\# n\ dXb\ Xe \]]fik kf Zi\Xk\ nfibj f] Y\Xlkp Xe[ \c\^XeZ\ k_Xk ZXe `dgifm\ Xep \emìfed\ekÉ% I`Z_Xi[ D\`\i

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PHOTO SCOTT FRANCES

INTERNI AXelXip$=\YilXip )'(*

MUTATED PANELS, THE SCULPTURAL INSTALLATION MADE WITH THE LATEST PRODUCTS DEVELOPED IN THE LABORATORIES OF ITALCEMENTI (I.LIGHT® “TRANSPARENT” CEMENT AND TX ACTIVE® WHITE PHOTOCATALYTIC “SMOG-EATING” AND “SELF-CLEANING” CEMENT), IN THE CONTEXT OF THE EVENT INTERNI MUTANT ARCHITECTURE DURING MILAN DESIGN WEEK 2011, NOW PERMANENTLY LOCATED IN THE KILOMETRO ROSSO SCIENCE AND TECHNOLOGY PARK, NEAR BERGAMO, THE LOCATION OF THE NEW I.LAB, THE GROUP’S RESEARCH AND INNOVATION CENTER. TO THE SIDE: IMAGE OF THE ARCHITECTURE OF THE BUILDING, BUILT WITH A SUSTAINABLE APPROACH IN 2012. THE OUTER COVERING IS MADE WITH TX ACTIVE®, ALREADY UTILIZED BY MEIER FOR THE DIVES IN MISERICORDIA CHURCH IN ROME (ALSO KNOWN AS THE JUBILEE CHURCH, IN THE TOR TRE TESTE DISTRICT), WHILE SEVERAL WALLS ARE IN I.LIGHT®.

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AXelXip$=\YilXip )'(* INTERNI

DESIGN RENDERING FOR THE NEW AVERY FISHER HALL, HOME OF THE NY PHILHARMONIC AT LINCOLN CENTER IN NEW YORK. TECHNICAL DRAWING FOR THE GETTY CENTER IN LOS ANGELES, ONE OF THE LARGEST WORKS BUILT BY RICHARD MEIER & PARTNERS (1984-1997). THE MUSEUM COMPLEX, WITH FACILITIES FOR RESEARCH AND TRAINING AND AN AUDITORIUM, HAS SIX MAIN BUILDINGS AT THE TOP OF A HILL. THE DESIGN EMPHASIZES THE TOPOGRAPHY OF THE SITE, WITH PATHS THAT CREATE INTRIGUING PERSPECTIVE VIEWS.

9i\Xbè^ e\nj1 jkXikè^ fe / DXp n`k_ X gi\jj gi\m`\n fe k_\ .k_ lek`c . Alcp# k_\i\ n`cc Y\ X dXafi i\kifjg\Zk`m\ fe k_\ 8iZ_`k\Zkli\ ;\j`ê f] I`Z_Xi[ D\`\i GXike\ij# Zf$gif[lZ\[ Yp =fe[Xq`fe\ 9`jXqqX Xe[ Jkl[`f D\`\i# gXik`Xccp Xii`mè^ ]ifd k_\ Dlj\f [\ 8ik\ :fek\dgfi}e\f& D8I:F# Dfek\ii\p# D\o`Zf# ÈYlk n`k_ jlYjkXek`Xc X[[`k`fej Xe[ Z_Xe^\j# kf X[Xgk kf fli \o_`Y`k`fe jgXZ\j2 n\ Xi\ efn è k_\ g_Xj\ f] k_\ [\j`ê f] k_\ [\Ôe`k`m\ cXpflkÉ# jXpj DXi`X :i`jkèX ;`[\if# <o\Zlk`m\ ;ì\Zkfi f] k_\ =fle[Xk`fe# cfZXk\[ è k_\ _\X[hlXik\ij f] k_\ ZfdgXep Xk Dfek\ZZ_`f M`Z\eqX # n`k_ )''' d) j\k Xj`[\ ]fi k\dgfiXip \o_`Y`k`fej k_\ fk_\i -''' d) Xi\ ]fi k_\ g\idXe\ek Zfcc\Zk`fe # n_`Z_ n`cc gi\j\ek jfd\ f] k_\ dfjk \dYc\dXk`Z nfibj f] k_\ 8d\i`ZXe XiZ_`k\Zk XZk`m\ Xcc fm\i k_\ nfic[# nèe\i f] k_\ Gi`kqb\i Gi`q\ è (0/+ % ÈK_`j è`k`Xk`m\ i\Õ\Zkj k_\ ]fidXk n`k_ n_`Z_ k_\ =fle[Xk`fe nXj Zi\Xk\[# è Ale\# Yp G`\if Xe[ Ifjj\ccX 9`jXqqX# i\jg\Zk`m\cp `kj Gi\j`[\ek Xe[ M`Z\$Gi\j`[\ek1 kf fi^Xe`q\ Xe

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INTERNI AXelXip$=\YilXip )'(*

3*$)"3% .&*&3

LEFT, ON THE YUCATAN COAST, THE KANAI RESORT SEEMS TO BE SUSPENDED ON A GREEN CARPET OF MANGROVES, GOLF COURSES AND SWIMMING POOLS. IT INCLUDES FOUR HOTELS, A BEACH CLUB AND RESIDENTIAL UNITS. BELOW, SKETCH FOR THE JUBILEE CHURCH IN ROME, 2005. BELOW, DRAWING FOR THE HIGH MUSEUM OF ART (ATLANTA, GEORGIA), 1980-1983. THE DESIGN FOR THE BUILDING THAT NOW HOUSES THE MUSEUM (FOUNDED IN 1905) HELPED MEIER TO WIN THE PRITZKER PRIZE IN 1984.

XiZ_`k\Zkli\ \o_`Y`k`fe \m\ip p\Xi fe fe\ gifkX^fe`jk f] k_\ èk\ieXk`feXc jZ\e\% K_\ [\Ylk nXj n`k_ Af_e GXnjfe Xe[ k_\ \o_`Y`k`fe GcXè JgXZ\ fi^Xe`q\[ n`k_ k_\ ;\j`ê Dlj\ld f] Cfe[fe# XZZfdgXe`\[ Yp Xe èjkXccXk`fe Yp k_\ <e^c`j_ XiZ_`k\Zk k_Xk `j efn gXik f] k_\ g\idXe\ek Zfcc\Zk`fe% K_\ =fle[Xk`fe Xcjf gif[lZ\j X j`k\$jg\Z`ÔZ èjkXccXk`fe Yp X i\efne\[ [\j`ê\i \XZ_ p\Xi# c`b\ k_\ nfib Yp 8i`b C\mp% 8cc k_`j `j Zfdgc\k\[ Yp Xe èk\iXZk`m\ dlck`d\[`X nfib ZXgXYc\ f] Zfem\pè^ X j\ej\ f] èkifjg\Zk`fe# X e\n g\ijg\Zk`m\# Xe \dfk`fe% @e j_fik# X ^Xq\ [ì\Zk\[ kfnXi[j Zlckli\% Kf Y\ XYc\ kf gi\j\ek k_`j i\kifjg\Zk`m\ fe D\`\i# Xe XiZ_`k\Zk f]k\e [`jZljj\[ è @kXcp Ylk e\m\i k_\ jlYa\Zk f] Xe è$[\gk_ j_fn k_Xk Zfem\pj _`j [\j`ê g_`cfjfg_p Xj X n_fc\ k_\ nfibj è k_\ \o_`Y`k`fe _Xm\ Y\\e j\c\Zk\[ è ZfccXYfiXk`fe n`k_ _`j jkl[`f Y\Zfd\j X jk`dlclj# \jg\Z`Xccp ]fi pfle^ g\fgc\# kf cffb dfi\ Zcfj\cp Xk Z\ikXè Xjg\Zkj f] _`j nfibè^ d\k_f[jÉ% K_\ i\kifjg\Zk`m\ èZcl[\j X Ôe\ j\c\Zk`fe f] df[\cj èZcl[è^ (, f] k_\ >\kkp :\ek\i è Cfj 8e^\c\j # fi`^èXc jb\kZ_\j Xe[ k\Z_e`ZXc [iXnè^j# i\e[\iè^j# g_fkfîXg_j# \ecXi^\d\ekj Xe[ gif[lZk [\j`ê g`\Z\j% M`j`kfij ZXe c\Xie XYflk `Zfe`Z nfibj c`b\ k_\ Jd`k_ ?flj\# k_\ Dlj\ld f] :fek\dgfiXip 8ik f] 9XiZ\cfeX# k_\ AlY`c\\ :_liZ_ è Ifd\% Fk_\i n\cc$befne nfibj èZcl[\1 k_\ 8iX GXZ`j dlj\ld è Ifd\# k_\ @kXcZ\d\ek` `%cXY e\Xi 9\i^Xdf# Xe[ k_\ i\Z\ekcp Zfdgc\k\[ 8ig Dlj\ld è >\idXep% K_\e k_\i\ Xi\ k_\ gifa\Zkj è gifî\jj è :_èX# AXgXe# @jiX\c# D\o`Zf# j_fne Xcfe^j`[\ k_\ gifgfjXcj ]fi k_\ Nfic[ KiX[\ :\ek\i D\dfi`Xc# k_\ 8m\ip =`j_\i ?Xcc è E\n Pfib# k_\ 9`Yc`fk_ hl\ EXk`feXc\ [\ =iXeZ\% ÈN\ Xi\ Xcjf gcXeeè^ X c\Zkli\ Yp D\`\i Xk k_\ K\Xkif Fc`dg`Zf è M`Z\eqX# X jg\ZkXZlcXi \oXdgc\ f] GXccX[`Xe XiZ_`k\Zkli\É# Ifjj\ccX 9`jXqqX X[[j% ÈK_`j b\\gj ]X`k_ n`k_ k_\ d`jj`fe f] k_\ =fle[Xk`fe1 kf g\id`k k_\ Xl[`\eZ\# k_ifl^_ kiXm\cè^ \o_`Y`k`fej e\m\i j\\e Y\]fi\ è @kXcp# kf [`jZfm\i k_\ k_fl^_k Xe[ k_\ nfib f] flkjkXe[è^ g\ijfeXc`k`\j f] èk\ieXk`feXc XiZ_`k\Zkli\ Xe[ [\j`ê# efk e\Z\jjXi`cp Zfee\Zk\[ n`k_ dfjX`Zj Xe[ n`k_ fli _`jkfip# n_`Z_ jkXikj YXZb è (0,-% K_\

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fggfikle`kp kf \og\i`\eZ\ [`]]\i\ek Zi\Xk`m\ XggifXZ_\j è k_\ jXd\ jgXZ\ f]]\ij X gi\Z`j\ fm\im`\n f] Zfek\dgfiXip Zlckli\% <m\e k_fl^_ lg kf k_`j gfèk n\ _Xm\ efk ]fZlj\[ fe @kXc`Xe \ogfe\ekj# fli gifîXd jk`cc _Xj jkife^ k\ii`kfi`Xc iffkj1 jg\Z`ÔZXccp# k_fj\ f] X gcXZ\ k_Xk j\kj flk kf Zfddle`ZXk\# kf gifgfj\ e\n \og\i`\eZ\jÉ%

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AXelXip$=\YilXip )'(* INTERNI

#SPO[F $BT5*O( */ 5)& $&/5&3 0' 1BSJT 5)& -"5&45 SFTJEFOUJBM QSPKFDU #: $MBVEJP 4JMWFTUSJO 0''&34 " CSFBUIUBLJOH WJFX 0' 5)& $*5: #65 5)& 536& 41&$5"$-& *4 JOTJEF 8)&3& "/ BDDFTTPSJ[FE DBTU CSPO[F DPVOUFS 3&'-&$54 " $"-. BUNPTQIFSF 0' &9$-64*7& MVYVSZ "/% 30."/5*$ TQJSJUVBMJUZ gifa\Zk :C8L;@F J@CM<JKI@E 8I:?@K<:KJ g_fkfj AXd\j Dfii`j k\ok DXjj`df ;\ :fek`

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INTERNI AXelXip$=\YilXip )'(*

*/UFSJPST BSDIJUFDUVSF

VIEW OF THE LIVING AREA FROM THE ENTRANCE. ON THE CONVEX WALL, BETWEEN THE TWO OPENINGS, THE NICHE FOR FIRE. ALL SPECIALLY DESIGNED BY SILVESTRIN, EXCEPT FOR THE CHAIR BY HANS J. WEGNER PRODUCED BY CARL HANSEN & SON, IN THE FOREGROUND.

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AXelXip$=\YilXip )'(* INTERNI

THE BALCONY THAT EXTENDS FOR THE WHOLE LENGTH OF THE HOUSE OFFERS AN EXTRAORDINARY VIEW OF THE ROOFTOPS OF PARIS. THE DAYTIME AREA WITH THE COFFEE TABLE IN WHITE PORPHYRY AND THE SEATING DESIGNED BY CLAUDIO SILVESTRIN.

JkXikè^ n`k_ k_\ ]fli eXkliXc \c\d\ekj# lj\[ è[`m`[lXccp Xe[ kf^\k_\i è Xcdfjk Xcc _`j gifa\Zkj# c`b\ k_\ j\i`\j f] jkfi\j ]fi >`fi^`f 8idXe` fi k_\ GièZ` 9Xb\i`\j% =fi k_`j gifa\Zk# k_\p Xi\ Xcc ZXcc\[ èkf gcXp kf [\Ôe\ k_\ ^\fd\kip f] k_\ jgXZ\1 jkfe\$\Xik_ Xe[ jgXZ\$Xì# XiiXe^\[ m\ik`ZXccp# f] Zflij\# Xe[ Ôi\ Xe[ nXk\i# _fi`qfekXccp YXcXeZ\[ Xk k_\ knf \e[j f] k_\ dXè Xo`j f] k_\ [n\ccè^% K_\ XgXikd\ek# fe k_\ lgg\i c\m\c f] X Yl`c[è^ fe 8m\el\ DfekX`ê\# e\Xi k_\ :_Xdgj ycpj \j# nXj fi`^èXccp [`m`[\[ èkf knf le`kj% 8 i\ZkXe^c\ f] )(' d)# *( d\k\ij cfe^ Xe[ .$/ Xik\ YcXeZ_\1 k_\ gifa\Zk Yi`\] d\k\ij n`[\# afè\[ Yp -' d) f] YXcZfep jgXZ\# nXj Zc\Xi% K_\ fecp i\hlì\d\ek nXj kf Zi\Xk\ Xe i\gi\j\ek\[ k_\ jkXikè^ gfèk ]fi k_\ gifa\Zk1 X XgXikd\ek ]fi X Zflgc\# n`k_ aljk fe\ Y\[iffd% J`cm\jkiè kXb\j k_\ Zl\ Xe[ Zfd\j lg n`k_ _`j fne i\^lcXi jgXZ\# n`k_ k_\ \oZ\gk`fe f] k_\ knf jkXìn\ccj fe k_\ jflk_\ie j`[\% Fe k_\ cfe^\i j`[\# jkfip% 8j XcnXpj# gXpè^ ef Xkk\ek`fe kf ]X[j Xe[ X j\i`\j f] Zfekèlflj ^cXqè^j fg\e kf k_\ YXcZfep kfjjè^ Yfli^\f`j Zfem\ek`fej kf k_\ nè[j% ?\ fi^Xe`q\j Xe Xk\dgfiXc èk\i`fi c`b\ X i\]l^\# ZXcd# ]XZè^ 8m\el\ DfekX`ê\# \iXjè^ k_\ efik_ nXcc Xe[ f]]\iè^ X (/'$[\î\\ m`\n f] k_\ Z`kp kfnXi[j Õl`[# n`k_flk kff dXep [`m`j`fej fi m`jlXc YXii`\ij% K_\ Zc`\ekj Xi\ jfg_`jk`ZXk\[ Xe[ kiljkè^ k_\ 8iZ [\ Ki`fdg_\% ÈN`k_ k_\ [iXg\j cfn\i\[ X Zflgc\ n`k_ îfne Z_`c[i\e# ]fi n_fd J`cm\jkiè k_\ Xkdfjg_\i\ Y\Zfd\j dlZ_ c\jj df[\ie# dlZ_ dfi\ Zfe[lZ`m\ kf d\[`kXk`feÉ# jXpj J`cm\jkiè# _Xj Xci\X[p [fe\ Xefk_\i nfib f] XiZ_`k\Zkli\# X n_f `j efn Ôe`j_è^ nfib fe X i\jkXliXek k_Xk g\ek_flj\ è Dfek\ :Xicf # Xccfnè^ _`d kf jkX^\ _`j n_fc\ i\g\ikfì\ f] XiZ_`k\ZkliXc# g_`cfjfg_`ZXc n`cc jffe fg\e è Xefk_\i jg\ZkXZlcXi cfZXk`fe# fe Xe[ jgì`klXc ^\jkli\j k_Xk _Xm\ dX[\ _`d ]Xdflj% k_\ *)e[ Õffi f] k_\ J_Xi[# k_\ jbpjZiXg\i Yp

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I\eqf G`Xef è Cfe[fe% FeZ\ èj`[\# k_\ ^Xq\ `j ZXgkli\[ Yp k_\ eXiifn m\ik`ZXc nè[fn k_Xk ]iXd\j k_\ jpdYfc f] k_\ Z`kp# k_\ <`]]\c Kfn\i% 8 ^\jkli\ fe n_`Z_ k_\ [\j`ê\i èj`jk\[# n_`Z_ i\hlì\[ X cfe^ gifZ\jj kf fYkXè g\id`kj# cXjkè^ dfi\ k_Xe fe\ p\Xi# kf Y\ XYc\ kf dXb\ knf fg\eè^j fe k_\ n\jk j`[\# Yp k_\ j`[\j f] k_\ e`Z_\ ]fi k_\ Ôi\% ÈK_\ Xlk_fi`k`\j Xi\ X ZXeZ\iÉ# k_\ XiZ_`k\Zk nipcp i\dXibj# Èpfl _Xm\ kf _fg\ pfl n`cc Ôe[ jfd\ \oZ\gk`fej è k_\ èjk`klk`fej# Xe[ Æ fYm`fljcp Æ m\ip gXk`\ek Zc`\ekjÉ% K_\ c`mè^ Xi\X# ]lie`j_\[ c`b\ k_\ n_fc\ XgXikd\ek n`k_ Zljkfd g`\Z\j# XgXik ]ifd X jè^c\ N\ê\i Z_Xì# \ok\e[j kf i\XZ_ k_\ [èè^ Xi\X# YXk_iffd Xe[ Y\[iffd# cèb\[ Yp X jè^c\ ]\Xkli\# k_\ cfe^ Zflek\i% Fe\ g`\Z\# n`k_flk afèkj# f] ZXjk Yifeq\# n\`^_è^ ]fli kfej# X dfefc`k_ k_Xk Zfee\Zkj k_\ mXi`flj Xi\Xj1 `k jkXikj Xj X [èè^ kXYc\ Xe[ k_\e ZfekXèj X Yl`ck$è b`kZ_\e jèb# X iXe^\# Xe[ k_\ nXj_jkXe[ f] k_\ dXjk\i Y\[iffd% Fe k_\ j`[\ f] k_\ [èè^ Xi\X k_\ ]ifek gXe\c f] k_\ Zflek\i ZXe Y\ \c\Zki`ZXccp i\Z\jj\[ kf dXb\ jgXZ\ ]fi k_\ c\^j f] g\fgc\ j`kkè^ fe k_\ C\ Jg`^_\ jkffcj Yp GfckifeX =iXl2 ]ifd k_\ j`[\ f] k_\ ^cXqè^j# X j\i`\j f] Z\[Xi Y\eZ_\j ZXe Y\ cfn\i\[ fi iX`j\[ kf d\\k [`]]\i\ek e\\[j%

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INTERNI AXelXip$=\YilXip )'(*

$-"6%*0 4*-7&453*/

THE PERSPECTIVE FROM THE BEDROOM WITH THE WHITE HEWN PORPHYRY STELE AND THE CUSTOM BEDSIDE UNITS IN CEDAR WOOD. ALL THE LAMPS ARE BY VIABIZZUNO.

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*/UFSJPST BSDIJUFDUVSF

K_\ fecp jgXZ\j ZfeZ\Xc\[ ]ifd m`\n Xi\ k_\ j\im`Z\ qfe\j1 k_\ n\k b`kZ_\e# k_\ gXekip Xe[ k_i\\ YXk_iffdj% K_\ dXk\i`Xcj Xi\ ]\n è eldY\i Ylk [\gcfp\[ è X iXe^\ f] Ôe`j_\j# k_\ i\jlck f] gXèjkXbè^ fe^fè^ i\j\XiZ_1 i\jg\Zkè^ k_\ eXkli\ f] k_\ j`dgc\ p\k jl]ÔZ`\ekcp jfg_`jk`ZXk\[ dXk\i`Xcj# dXbè^ k_\d \oki\d\cp \c\^Xek% K_\ Õffi `j è cXi^\ j_\\kj (%', o (%', d\k\ij f] gfc`j_\[ Jk% DXo`dè c`d\jkfe\# n_`c\ _\ne n_`k\ gfig_pip `j lj\[ ]fi k_\ nXccj f] k_\ j_fn\ij Æ i\Xc n\k iffdj# fe\ f] n_`Z_ `j \m\e fg\e kf m`\n Xk k_\ Z\ek\i f] k_\ XgXikd\ek Æ Xe[ ]fi k_\ Ôo\[ ]lie`j_è^j# ]ifd k_\ dXjj`m\ cfn kXYc\ è k_\

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AXelXip$=\YilXip )'(* INTERNI

c`mè^ Xi\X kf k_\ \e`^dXk`Z jk\c\# knf d\k\ij è _\`^_k# è k_\ Y\[iffd% K_\ Yifeq\ lj\[ ]fi k_\ Zflek\i i\kliej è k_\ Z\`cè^ Xe[ Õffi cXdgj# Zljkfd dX[\ Yp M`XY`qqlef# n_`c\ Z\[Xi `j lj\[ ]fi k_\ Y\eZ_ è k_\ dXc\ [i\jjè^ iffd# k_\ j\Xkj è k_\ [èè^ qfe\ Xe[ k_\ gXe\cj k_Xk \eZcfj\ k_\ [ip b`kZ_\e n`k_ k_\ YXi% @e k_\ Y\[iffd nXk\i `j Xe le\og\Zk\[ gi\j\eZ\1 `k ilej jcfncp Xcfe^ k_\ j_\\k f] jkfe\ èj\ik\[ Y\kn\\e k_\ gXe\cj f] X jkfiX^\ nXcc% K_\ n_`k\ gfig_pip jkfe\ jk\c\ ÔeXccp i\m\Xcj `kj jligi`jè^ Z_XiXZk\i1 `k ]\Xkli\j Xe fg\eè^ èkf n_`Z_ k_\ _ljYXe[ Xe[ n`]\ ZXe gcXZ\ d\jjX^\j Xe[ k_fl^_kj f] cfm\# efk\j k_Xk ZXe

e\m\i Y\ i\Zfm\i\[ Xe[ i\X[# _fn\m\i% È@kËj k_\ `[\X f] _Xmè^ jfd\k_è^ le`hl\# k_Xk ZXeefk Y\ i\gif[lZ\[# k_\ dXo`dld f] clolipÉ# jXpj J`cm\jkiè# ÈYlk `k Xcjf i\gi\j\ekj le`kp Xe[ dpjk\ip# k_\ ifdXek`Z k_i\X[ f] dlklXc ]\\cè^ k_Xk e\\[j ef ZfeÔidXk`feÉ% Jf k_\ k_\d\ f] ]X`k_ i\kliej# f] kfkXc kiljk è jfd\fe\ \cj\# Y\ `k X gXike\i fi X [\j`ê\i%

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INTERNI AXelXip$=\YilXip )'(*

THE LIVING AREA WITH THE “WET ROOM” AND THE CLOSET IN THE FOREGROUND, WITH A CUSTOM BRONZE FLOOR LAMP. ON THE 13-METER COUNTER, IN ORDER, THE WASHSTAND OF THE BATH AREA AND THE COOKTOP, WITH THE SINK OF THE DINING AREA. LE SPIGHE STOOLS BY CLAUDIO SILVESTRIN FOR POLTRONA FRAU.

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$-"6%*0 4*-7&453*/

IN THE DRAWING: PLANIMETRIC OF THE PROJECT. THE DRY KITCHEN WITH THE BAR, ENCLOSED BY FULL-HEIGHT CEDAR PANELS. THE CURVED WALL CLAD IN STONE IN FRONT OF THE DRY KITCHEN, WITH THE RAGGIO STEP MARKER LAMP BY CLAUDIO SILVESTRIN FOR VIABIZZUNO.

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*/UFSJPST BSDIJUFDUVSF

AXelXip$=\YilXip )'(* INTERNI

THE TERRA KITCHEN IN PORPHYRY AND CEDAR, A PROJECT FROM 2005 FOR MINOTTI CUCINE. NOW MADE IN OTHER STONE MATERIALS AS WELL, LIKE WHITE PORPHYRY AND LABRADORITE. BELOW, THE H_T TABLE DESIGNED FOR POLTRONA FRAU IN 2006. THE LONGITUDINAL SLATS OF THE TOP AND THE STEPPED DESIGN OF THE FEET BRING OUT THE CHARACTER OF THE WOOD. AVAILABLE IN NATURAL OAK, ASH OAK AND LAURO PRETO.

$MBVEJP 4JMWFTUSJO EFTJHOFS $)004&4 GPSNBM SJHPS */ ,&&1*/( 8*5) )*4 8": 0' #&*/( "/ "3$)*5&$5 &YQSFTTFE XJUI FTTFOUJBM $-&"3 TJHOT TFOTJUJWF UP UIF QSPQPSUJPO4 0' 1"354 50 GMVJE TDVMQUVSBM MJOFT )*4 */41*3"5*0/ "/ *%&"- 0' BCTPMVUF QVSJUZ 5)& 16346*5 0' " $0/45"/5 %*"-0(6& 8*5) 5)& FMFNFOUT PG OBUVSF 5)& FNPUJPO PG NBUFSJBM 5)& /0#-& USBEJUJPO 0' '*/& DSBGUTNBOTIJQ

-FTT *T NPSF \[% 8ekfe\ccX 9f`j`

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cfm\ j`dgc\ Xe[ èk\cc`^\ek \c\^XeZ\# Xe[ @ cfm\ g\i]\Zk`fe% @ cfm\ XYjkiXZk# [`mè\ Y\Xlkp# XiZ_X`Z ]fidj# XiZ_\kpg\j# k_\ ZcXjj`ZXc ]fid k_Xk `j Y\pfe[ k`d\# Y\pfe[ ]Xj_`fej# Xc`m\ kf[Xp Xe[ jk`cc Xc`m\ è (''' p\Xij% @ cfm\ Zc\Xi# le`m\ijXc ^\fd\kip% @ cfm\ k_\ YXj`Z \c\d\ekj f] eXkli\ Xe[ fli \o`jk\eZ\% @ cfm\ k_\ jflc k_Xk [n\ccj è eXkliXc dXk\i`Xcj% @ cfm\ k_\ _Xidfep Y\kn\\e n\`^_k Xe[ c`^_ke\jj# c`^_k Xe[ j_X[fn# ]lcce\jj Xe[ \dgkè\jj% ;\j`ê# k_\e# `j Xe XZk f] cfm\# fi X Zi\Xk`m\ XZk k_Xebj kf n_`Z_ cfm\ `j dX[\ dXe`]\jk% =ifeqfe`# dp d\ekfi# jX`[1 [\j`ê# X Zfeal^Xk`fe f] k_\ m\iY kf cfm\Ã&#x2030;% :cXl[`f J`cm\jkiè

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INTERNI AXelXip$=\YilXip )'(*

$-"6%*0 4*-7&453*/

MILLENNIUM HOPE BY CAPPELLINI (2000), TABLE AND BENCH IN FIVE DIFFERENT TYPES OF WALNUT, FROM AUSTRALIA, AFRICA, AMERICA, ASIA AND EUROPE. SEEN IN THE EVOCATIVE LOCATION OF BELSAY HOUSE IN NEWCASTLE. TEVERE BATHTUB DESIGNED FOR BOFFI BAGNO. PART OF THE I FIUMI COLLECTION (1999) MADE WITH CIRCULAR-SECTION WHITE THERMOFORMED DUPONT CORIAN速, IN SIXTEEN GLUED SECTORS. LE GIARE (2011) COLLECTION OF BATH ELEMENTS DESIGNED FOR CERAMICA CIELO (RED DOT AWARD FOR PRODUCT DESIGN, 2012). ALL THE FREESTANDING PIECES ARE SHAPED WITH FLUID LINES, WHERE PERFECT CIRCULAR FORMS ARE INSERTED IN OVAL CONTOURS.

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*/UFSJPST BSDIJUFDUVSF

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AXelXip$=\YilXip )'(* INTERNI

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INTERNI AXelXip$=\YilXip )'(*

*/UFSJPST BSDIJUFDUVSF

*/ 4BTBZBNB */ 5)& .06/5"*/4 "306/% 0TBLB 5)& 53"%*5*0/"- XPPEFO IPVTF 0' 5PTIJZVLJ ,JUB 8*5) " TNBMM HBMMFSZ BUFMJFS '&"563*/( XPSLT */ $&3".*$ -"$26&3 1"1&3 "/% .&5"- EFTJHOFE #: ,*5" "/% ."%& #: 4,*--&% DSBGUTNFO 5)& 4503: 0' " 130+&$5 0' QIJMPMPHJDBM SFTUPSBUJPO " 07&37*&8 0' "-- 5)& RVBMJUZ "/% BFTUIFUJD TFOTJCJMJUZ 0' SFTFBSDI 5)"5 )"4 #&$0.& " NPEFM PG SFGFSFODF '03 %&4*(/ NBEF JO *UBMZ

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g_fkfj DXli`q`f DXiZXkf k\ok :_i`jkfg_ IX[c

EXTERIOR VIEWS OF THE HOME-GALLERY OF TOSHIYUKI KITA IN SASAYAMA, A CONSTRUCTION OVER ONE HUNDRED YEARS OLD, RENOVATED TO COMPLETELY RESPECT THE LOCAL TENETS OF TRADITIONAL JAPANESE WOODEN ARCHITECTURE.

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e X Zfc[# jefnp [Xp è FjXbX# *( ;\Z\dY\i (0/+# @ d\k Kfj_`plb` B`kX ]fi k_\ Ôijk k`d\% @ Zflc[eËk _\cg efk`Zè^ _`j jligi`jè^ i\j\dYcXeZ\ kf k_\ Nèb :_Xì# _`j dfjk ]Xdflj nfib f] Zfek\dgfiXip [\j`ê# Zi\Xk\[ è (0.0% Jd`cè^# e\m\i jk`cc# Zli`flj# m`mXZ`flj# aljk c`b\ k_\ Nèb# n_`Z_ è jfd\ nXpj nXj X ]fi\ilee\i f] k_\ j\ejlXc# Zfcfi]lc i\jlckj f] k_\ glijl`k f] X e\n èk\igi\kXk`fe f] ]leZk`feXc`jd fe k_\ gXik f] D\dg_`j% B`kX j_fn\[ d\ X e\n cXdg f] _`j# dX[\ f] gXg\i# Yp _Xe[# è b\\gè^ n`k_ k_\ î\Xk AXgXe\j\ ZiX]kj kiX[`k`fe# Xe[ _\ kfc[ d\ XYflk k_\ Xik f] dXbè^ k_\j\ mXi`\k`\j f] gXg\i# Xe Xik gXjj\[ [fne

]ifd ^\e\iXk`fe kf ^\e\iXk`fe# Ylk k_i\Xk\e\[ n`k_ \okèZk`fe Y\ZXlj\ pfle^ g\fgc\ j\\d\[ kf gi\]\i nfibè^ ]fi Jfep fi KfpfkX# èjk\X[ f] dXbè^ k_è^j n`k_ k_\ì _Xe[j% Jf B`kX nXj kipè^ kf ^`m\ X jdXcc gXg\i nfibj_fg X e\n c\Xj\ fe c`]\# X e\n dfi\ Zfek\dgfiXip ]fid# kf b\\g k_\ kiX[`k`fe Xc`m\% @e )'(' B`kX gliZ_Xj\[ Xe[ i\jkfi\[ X kiX[`k`feXc nff[\e _flj\ Xk JXjXpXdX# X jdXcc kfne è k_\ dflekXèj f] ?pf^f Gi\]\Zkli\# XYflk ('' bd ]ifd FjXbX% Fe k_\ îfle[ Õffi k_\i\ `j efn X jdXcc ^Xcc\ip k_Xk j_fnj fYa\Zkj Xe[ ]lie`j_è^j [\j`ê\[ Yp B`kX Xe[ gif[lZkj Yp ZiX]kjd\e n_f Xi\ jk`cc gXik f] k_\ XeZ`\ek AXgXe\j\ kiX[`k`fe f] gfkk\ip# cXZhl\i# gXg\i Xe[ d\kXc%

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*/UFSJPST BSDIJUFDUVSF

AXelXip$=\YilXip )'(* INTERNI

OVERALL AND DETAIL VIEWS OF THE GROUND FLOOR SPACES, USED TO DISPLAY OBJECTS IN CERAMIC, LACQUER, PAPER AND METAL DESIGNED BY KITA AND MADE BY HAND WITH TRADITIONAL TECHNIQUES BY LOCAL CRAFTSMEN. ALL THE ROOMS, SET INTO WOODEN CONTAINERS WITH WARM, AMBER TONES, OPEN TO THE SMALL INNER COURTYARD THANKS TO FULL-HEIGHT GLAZINGS.

Jf _fn [`[ k_\j\ ZfccXYfiXk`fej ^\k jkXik\[6 ÈDp XZhlXèkXeZ\ n`k_ \ogfe\ekj f] k_\ AXgXe\j\ ZiX]kj kiX[`k`fe [Xk\ YXZb kf k_\ j\Zfe[ _Xc] f] k_\ Jòk`\j# n_\e k_\ j\Zkfi nXj è X i\Xc jcldg Xe[ g\fgc\ k\e[\[ kf Y\c`\m\ k_Xk fc[ k_è^j n\i\ efk è jk\g n`k_ k_\ k`d\j% 8 ZiX]kjdXe ]ifd Dèf# n_f dX[\ nXj_` gXg\i# kfc[ d\ _\ nXj k_èbè^ XYflk XYXe[feè^ _`j Xik# jf @ gifd`j\[ _`d @ nflc[ kip kf Ôe[ e\n Xggc`ZXk`fej ]fi nXj_` è dp nfib% @ ^fk X Z_XeZ\ kf [f k_Xk n_\e @ n\ek kf @kXcp# Xe[ lj\[ k_\ gXg\i è k_\ [\j`ê f] j\m\iXc cXdgj% K_`j nXj k_\ g\i`f[ f] k_\ ]lie`j_è^j Yffd è @kXcp# Xe[ dp `[\X d\k n`k_ jlZZ\jj# Xe[ è ]XZk k_Xk ZiX]kjdXe Y\^Xe kf i\Z\`m\ cXi^\ fi[\ij ]fi nfib% Jf @ i\Xc`q\[ k_Xk X nXp Zflc[ Y\ ]fle[ kf

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_\cg kiX[`k`feXc AXgXe\j\ ZiX]kj kf jlim`m\# Xe[ k_Xk c\[ kf ZfccXYfiXk`fe n`k_ fk_\i dXb\ij# c`b\ k_\ Xik`jXej n_f nfib n`k_ cXZhl\i è NXa`dX# fi k_\ Z\iXd`Zj f] 8i`kX% K_\ [\Z`j`fe kf dXb\ k_`j ]fZlj fe kiX[`k`feXc Xikj dp c`]\Ëj nfib [Xk\j YXZb kf k_\ jlZZ\jj f] k_\ KXbf Z_Xe[\c`\i# dX[\ n`k_ nXj_` gXg\iÉ% Pfl _Xm\ Yifl^_k d\ kf JXjXpXdX# X gcXZ\ lebefne \m\e kf dXep AXgXe\j\% @ jXn k_Xk k_\i\ `j jk`cc X cXi^\ j\kkc\d\ek f] kiX[`k`feXc nff[\e _flj\j% N_Xk gifdgk\[ pfl kf Ylp fe\ f] k_\d Xe[ i\jkfi\ `k6 ÈK_\ gif[lZkj f] kiX[`k`feXc ZiX]kj Xi\# è jlYjkXeZ\# dX[\ kf Y\ lj\[ è c`]\# Xe[ k_\i\]fi\ è c`mè^ jgXZ\j# fi n_\i\ _ldXe Y\è^j èk\iXZk% Jf k_\ \emìfed\ek `j \jj\ek`Xc ]fi k_\ì \o`jk\eZ\%

14/12/12 10.08

INTERNI AXelXip$=\YilXip )'(*

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504)*:6,* ,*5"

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*/UFSJPST BSDIJUFDUVSF

AXelXip$=\YilXip )'(* INTERNI

THE RELAXATION ROOM ON THE GROUND FLOOR, WITH TATAMI MATS AND WASHI PAPER LAMPS, NEXT TO THE GALLERY-ATELIER. VIEW OF THE PRIVATE LIVING AREAS ORGANIZED ON THE UPPER LEVEL. ON THE FACING PAGE: THE SMALL INNER GARDEN, WITH A ZEN ATMOSPHERE, SEEN FROM A WINDOW OF THE HOUSE.

9lk k_\ Zfekèlflj [`dè`j_è^ f] _flj\j Yl`ck n`k_ kiX[`k`feXc AXgXe\j\ XiZ_`k\Zkli\ _Xj Y\\e X i\Xc Ycfn kf k_\ ZiX]kj j\Zkfi% 8efk_\i gifYc\d `j k_Xk k_\ AXgXe\j\# n_f Xi\ e\Xicp Xcc kff Yljp kf j`k YXZb Xe[ \eafp c`]\# _Xm\ gXZb\[ XnXp Xcc k_\ fYa\Zkj# Xcc k_\ k_è^j k_Xk feZ\ j\im\[ kf Yiè^ \c\^XeZ\ Xe Xkdfjg_\i\ kf _fc`[Xpj fi kf k_\ Z\i\dfe`\j f] \m\ip[Xp c`]\% K_\ Z_XiXZk\i`jk`Z kiX`k f] X kiX[`k`feXc AXgXe\j\ _fd\ `j `kj dXê`ÔZ\ek YXcXeZ\ n`k_ eXkli\# Xj ZXe Y\ j\\e ]ifd k_\ XiZ_`k\ZkliXc [`]]\i\eZ\j è mXi`flj qfe\j f] k_\ Zflekip# kf X[Xgk kf k_\ Zc`dXk\ Xe[ kf [`]]\i\ek \emìfed\ekXc ]XZkfij% Kf[Xp g\fgc\ kXcb X cfk XYflk \Zfcf^p# Ylk è k_\ gXjk k_\p gX`[ dfi\ Xkk\ek`fe kf eXkli\% Efn @ k_èb n\ e\\[ kf Zfej\im\ k_\ kiX[`k`feXc _fd\j# Xe[ k_\ gi\Z`flj _\i`kX^\ f] n`j[fd# c`]\ Xe[ Y\Xlkp k_\p ZfekXè Xe[ \dYf[pÉ%

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N_Xk [f\j k_\ [\j`ê f] 8hlfj# k_\ k\c\m`j`fe k_Xk _Xj Yifl^_k jlZZ\jj kf J_Xig fm\i k_\ cXjk (' p\Xij# _Xm\ kf [f n`k_ k_\ [\j`ê f] X cXZhl\i Yfo pfl j\cc è pfli ^Xcc\ip6 È@ XcnXpj k_èb XYflk _fn c`]\jkpc\ n`cc Z_Xe^\ è k_\ ]lkli\% 8e[ è k_\ i\efmXk`fe f] k_`j fc[ _flj\ @ _Xm\ Zfej\im\[ k_\ \ok\i`fi# k_Xk f] Xe \Zfcf^`ZXc [n\ccè^ k_Xk [Xk\j YXZb kf fm\i ('' p\Xij X^f% @ej`[\# k_fl^_# @ _Xm\ lj\[ X[mXeZ\[ k\Z_efcf^p kf dXb\ `k dfi\ Zfd]fikXYc\% @e )''*# n_\e dfjk k\c\m`j`fej n\i\ è YcXZb fi d\kXcc`Z gcXjk`Z# @ [\j`ê\[ X Zljkfd j\i`\j f] C:; k\c\m`j`fej Ôe`j_\[ c`b\ ]lie`kli\# n`k_ ]iXd\j è Zfn_`[\# nff[ Xe[ cXZhl\i% K_\ k\c\m`j`fe è k_`j fc[ _flj\ `j k_\ eXkliXc cXZhl\i df[\c# Xe[ @ k_èb `k Ôkj e`Z\cp% EXkli\ Xe[ _`^_$k\Z_ Xi\ knf `dgfikXek ZfeZ\gkj è dp ]lkli\É%

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INTERNI AXelXip$=\YilXip )'(*

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504)*:6,* ,*5"

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*/UFSJPST BSDIJUFDUVSF

AXelXip$=\YilXip )'(* INTERNI

THE TOKI UPHOLSTERED FURNITURE COLLECTION DESIGNED FOR MERITALIA IN 2009 STANDS OUT FOR THE SIMPLICITY OF ITS GEOMETRIC FORMS AND ITS ADJUSTMENT MECHANISMS. THE DIFFERENT COLORS AND TYPES OF THE COVERINGS CAN BE COMBINED. VIKING COAT STAND DESIGNED FOR MAGIS IN 1993 IS A POLE WITH A CAST IRON BASE AND A TUBULAR METAL STRUCTURE WITH EPOXY RESIN COATING. THE HOOKS ARE IN SHINY OR BLACK PAINTED ALUMINIUM.

" DV-5VSF *O 5)F XPS-%

5)& BFTUIFUJD XPSLTIPQ 0' 504)*:6,* ,*5" */ +"1"/ "4 " TQFDJBM lIPVTFm 8)&3& 4)"3*/( 0' SFTFBSDI DPOGSPOUBUJPO 0' JEFBT DPOUJOVJUZ 0' 5)& +"1"/&4& DSBGUT USBEJUJPO "/% 5)& EFDPSBUJWF BSUT $0/4536$5 lCSJEHFTm 8*5) 5)& JOUFSOBUJPOBM TDFOBSJPT 0' EFTJHO #&58&&/ NBEF JO JUBMZ "/% )*() 130'*-& UFDIOPMPHJDBM QSPXFTT 0'5&/ ")&"% 0' *54 5*.& \[% 8ekfe\ccX 9f`j`

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INTERNI AXelXip$=\YilXip )'(*

DENQ TABLE LAMP, DESIGNED FOR OLUCE (2011). BASE WITH LASER-CUT, CHROMIUM-PLATED METAL DISK; DIFFUSER IN ETCHED BLOWN OPALINE GLASS.

È8

[lXc jflc c`\j Y\_è[ dp gifa\Zkj1 fe k_\ fe\ _Xe[# k_\ jki`mè^ ]fi k_\ ]lkli\# i\Õ\Zkè^ dp èk\i\jk è k_\ gi\j\ek ki\e[j è fli c`]\ Xe[ k\Z_efcf^p2 fe k_\ fk_\i# k_\ i\Zfm\ip f] k_\ gXjk# k_Xk e\m\i X^\j n_\e `k `j k_\ i\jlck f] X befnc\[^\XYc\ XggifXZ_% @e Yp^fe\ [Xpj dXe ki`\[ kf \og\i`\eZ\ \m\ip[Xp c`]\ è X gc\XjXek nXp# kXbè^ ZXi\ f] k_è^j# i\jg\Zkè^ fk_\i _ldXe Y\è^j Xe[ eXkli\% @e dp m`\n# k_\ d`jj`fe f] [\j`ê `j jk`cc kf Zi\Xk\ _Xidfep# YXcXeZè^ e\n _`^_$k\Z_ fi \Zfefd`Z Xjg\Zkj n`k_ k_\ \c\d\ekj dXe _Xj XcnXpj gfjj\jj\[1 _`j Ôm\ j\ej\j Xe[ _`j \o`jk\eZ\ Xj gXik f] k_\ le`m\ij\# è X cèb k_Xk dljk Y\ i\jg\Zk\[ èj`[\ k_\ Zfdgc\o`kp f] k_\ Zfek\dgfiXip nfic[É% Kfj_`plb` B`kX

C_In628_R_26_27_E_kita_produz.indd 27

504)*:6,* ,*5"

SARUYAMA UPHOLSTERED FURNITURE COLLECTION, MOROSO, 1967. A REVOLUTIONARY CONCEPT: THE SOFA IS NO LONGER PLACED AGAINST A WALL, BUT POSITIONED AT THE CENTER OF THE ROOM AS A MULTIFUNCTIONAL GEOMORPHIC SCULPTURE-SPACE FOR RELAXATION. IN 1989, WITH SARUYAMA ISLANDS, KITA DEVELOPED AND EXPANDED THE INITIAL PROJECT WITH AN ‘ARCHIPELAGO’ OF INDEPENDENT ISLANDS COMPOSED OF SMALL SEATS, A CHAISE LONGUE AND TABLES.

WINK CHAIR, AN ICONIC PRODUCT BY CASSINA (1980). WITH STEEL STRUCTURE, FILLER IN POLYURETHANE FOAM AND POLYESTER BATTING, COVERED IN FABRIC OR LEATHER. THE BACK CAN BE ADJUSTED WITH THE LATERAL KNOBS, AND THE UNIT CAN BE TRANSFORMED INTO A CHAISE LONGUE BY FOLDING OUT THE BASE. ORI CHAIR, DESIGNED FOR BONALDO IN 2002 (GOOD DESIGN AWARD). STRUCTURE IN SILVER ANODIZED EXTRUDED ALUMINIUM. SEAT AND BACK IN ABS. AVAILABLE IN A WIDE RANGE OF COLORS, IT STANDS OUT FOR ITS LIGHTNESS (LITTLE MORE THAN 3 KG) AND ITS COMPACT SIZE (JUST 5 CM WHEN CLOSED). A PAINTED METAL TROLLEY CAN BE USED TO TRANSPORT UP TO 6 CHAIRS.

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*/UFSJPST BSDIJUFDUVSF

AXelXip$=\YilXip )'(* INTERNI

$)*%PS* $B'À

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INTERNI AXelXip$=\YilXip )'(*

*/UFSJPST BSDIJUFDUVSF

THE STREETFRONT OF THE STARBUCKS CAFE ON THE STREET LEADING TO THE SHRINE OF DAZAIFU TENMANGU, ONE OF JAPAN’S MOST POPULAR RELIGIOUS SITES. THE STRUCTURE OF CROSSED WOODEN SLATS, AN ARCHITECTURAL TRANSLATION OF THE ANCIENT GAME OF CHIDORI, WRAPS THE INTERIOR, CHARACTERIZING THE FRONT AND EMPHASIZING THE PERSPECTIVE TOWARDS THE BACK.

*/ 5PLZP /&"3 5)& 4)3*/& 0' %B[BJGV 5FONBOHV 5)& %&4*(/ 0' " 4UBSCVDLT #&$0.&4 "/ 0110356/*5: 50 $3&"5& " TUPQQJOH QMBDF "-0/( 5)& #64: TUSFFU MFBEJOH UP UIF TISJOF " +"1"/&4& $"' 5)"5 BCBOEPOT UIF 45"/%"3% *."(& 0' 5)& 8&-- ,/08/ */5&3/"5*0/"- #3"/% 0''&3*/( "/ BMUFSOBUJWF TPMVUJPO .03& */ 56/& 8*5) 5)& BUNPTQIFSF 0' 5)& )045 $06/53: gifa\Zk B<E>F BLD8 8JJF:@8K<J g_fkfj DXjXf E`j_`bXnX k\ok DXkk\f M\iZ\ccfe`

e )''. B\e^f BldX nXj èm`k\[ kf kXb\ gXik è k_\ \m\ek ;<:F;< <C<D<EKJ fi^Xe`q\[ Yp @EK<IE@ Xk :Xjk\ccf J]fiq\jZf è D`cXe% ?\ Zi\Xk\[ X nff[\e èjkXccXk`fe k_Xk i\èk\igi\k\[# Xj X gfjj`Yc\ nfib f] XiZ_`k\Zkli\# k_\ XeZ`\ek AXgXe\j\ ^Xd\ f] :_`[fi`% 8 ^Xd\ ]fi b`[j Xe[ X[lckj k_Xk d`^_k Y\ ZfdgXi\[ kf k_\ fZZ`[\ekXc ÈD\ZZXefÉ# ljè^ èk\icfZbè^ g`\Z\j f] nff[ ]fi k_\ dXbè^ f] gfk\ek`Xccp èÔe`k\ jkilZkli\j fe X i\^lcXi df[lcXi î`[ k_Xk ZXe \ogXe[ è Xcc [ì\Zk`fej% =XjZèXk\[ Yp k_`j XeZ`\ek ÊdXk_\dXk`ZXc d\Z_Xe`jdË Zi\Xk\[ ]fi ]le# BldX i\nfib\[ :_`[fi` kf Zi\Xk\ X Zfdgc\o d`Zif$XiZ_`k\Zkli\ k_Xk è[`ZXk\[ k_\ èk\ek`fe ]fi gfjj`Yc\ [\m\cfgd\ek fe X cXi^\i jZXc\% 8 ]\n p\Xij cXk\i# k_Xk è`k`Xc \og\i`d\ek k_Xk _Xgg\e\[ ]Xi ]ifd AXgXe# è D`cXe# Y\ZXd\ X cXi^\$jZXc\ Yl`c[è^ Xk ?`[X KXbXpXdX# è k_\ >l]l Gi\]\Zkli\ k_\ >: Gifjk_f Dlj\ld I\j\XiZ_ :\ek\i# j\\ @EK<IE@# Efm\dY\i )'(' %

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*/UFSJPST BSDIJUFDUVSF

AXelXip$=\YilXip )'(* INTERNI

BELOW, DETAIL OF THE FURNISHINGS AND OF THE ‘WOODEN SKIN’ OF THE INTERIOR, SUPERIMPOSED ON THE SMOOTH CONCRETE WALLS. TO THE SIDE, PERSPECTIVE OF THE INTERIOR TOWARDS THE ENTRANCE. THE STARBUCKS COFFEE FACILITY IS LIKE A LONG ACCESSORIZED TUNNEL, WRAPPED IN AN ARCHITECTURAL SKIN COMPOSED OF OVER 2000 WOODEN SLATS ASSEMBLED WITH DOWELS OF THE SAME MATERIAL.

Jf k_\ :_`[fi`# X]k\i X ki`g kf @kXcp# n_`Z_ \eXYc\[ BldX kf Zfe[lZk k_`j \og\i`d\ek è X k\dgfiXip jkilZkli\# n\ek YXZb kf `kj eXk`m\ cXe[ è X dfi\ g\idXe\ek ZfejkilZk\[ ]fid% Kf[Xp :_`[fi` `j jk`cc X i\]\i\eZ\ gfèk ]fi k_\ i`Z_ XiZ_`k\ZkliXc mfZXYlcXip f] B\e^f BldX# j_`]k\[ è k_`j ZXj\ èkf k_\ jfclk`fe f] X glYc`Z èk\i`fi k_Xk Xcjf Y\Zfd\j k_\ `dX^\ f] X jdXcc Yl`c[è^ k_Xk ZfekXèj fe\ f] k_\ k_fljXe[j f] JkXiYlZbj :f]]\\ flkc\kj jZXkk\i\[ Xifle[ k_\ nfic[% 9lk è k_`j ZXj\# Y\pfe[ k_\ m\ik`ZXc j`ê Xk k_\ \ekiXeZ\ Xe[ k_\ ]Xdflj cf^f _le^ fe k_\ nXcc e\XiYp# efk_è^ j\\dj kf kXb\ k_\ `dX^\ Xe[ `[\X f] jgXZ\ f] k_`j AXgXe\j\ ZX]\ Xepn_\i\ e\Xi k_\ dXep `[\ek`ZXc gfèkj f] jXc\ f] k_\ YiXe[ è k_\ ^cfYXc`q\[ nfic[% BldX# è X cfe^ eXiifn Yl`c[è^ k_Xk dXkZ_\j k_\ jZXc\ f] k_\ e\`^_Yfiè^ \[`ÔZXk`fe# lj\j k_\ d\dfip Xe[ i\èm\ek`fe f] k_\ :_`[fi` Xj X jkilZkliXc ÊXiZ_`k\ZkliXc jbèË k_Xk Zfm\ij k_\ èk\i`fi f] k_\ jgXZ\# Zc`dYè^ k_\ nXccj Xe[ k_\ Z\`cè^ Xe[ \d\i^è^ è k_\ \ekiXeZ\% @k Y\Zfd\j k_\ ÊXkkiXZk`fe ]ifekË Xe[ gXik f] X cfe^ nff[\e klee\c k_Xk c\X[j kf k_\ ZX]\# XZZfdgXepè^ k_\ m`j`kfi Xcfe^ k_\ iflk\ n`k_ X [\ej\ gXkk\ie Zfdgfj\[ f] fm\i )''' jcXkj f] Zi`jj$Zifjj\[ nff[% 8ggXi\ekcp YXcXeZ\[ Xe[ Xjj\dYc\[ è X iXe[fd nXp# k_\ nff[\e gXikj fY\p X cf^`Z# Xj è k_\ fi`^èXc ^Xd\# f] i\g\Xk\[ èk\icfZbj# ZXgXYc\ f] ]fidè^ X cXp\i\[ jkilZkli\ f] î\Xk Xgg\Xc# Zflek\iè^ k_\ j`dgc`Z`kp f] k_\ è[`m`[lXc g`\Z\j n`k_ k_\ Zfdgc\o`kp f] k_\ n_fc\%

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INTERNI AXelXip$=\YilXip )'(*

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,&/(0 ,6."

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*/UFSJPST BSDIJUFDUVSF

AXelXip$=\YilXip )'(* INTERNI

THE STONESCAPE PROJECT CREATED BY KENGO KUMA & ASSOCIATES WITH IL CASONE, AGAPE AND MAPEI AT BOLOGNA WATER DESIGN, 2012. A SINUOUS LANDSCAPE OF STONE AND WATER, A TOPOGRAPHY WITH A SCULPTURAL SPIRIT. LIGHTS BY DAVIDE GROPPI. PHOTO ROCCO CASALUCI.

*.."5&3*"-*5: -*()5 53"/41"3&/$: -*()5/&44 5)& GPSNBU 0' ,FOHP ,VNB "55&.154 50 3&%*4$07&3 " DMPTFS SFMBUJPOTIJQ XJUI OBUVSF *54 TQJSJUVBMJUZ "/% FOFSHZ ".*%45 NFOUBM TQBDFT "/% $&;"//& HFPNFUSJFT XPPE "/% .06/5"*/4 +"1"/&4& $0/4536$5*0/ USBEJUJPOT BOE JOOPWBUJWF TUSVDUVSBM DPNQPTJUJPOBM TPMVUJPOT \[% 8ekfe\ccX 9f`j`

È@

[feËk ]\\c k_\ e\\[ kf dXb\ le`hl\ nfibj1 @ gi\]\i kf nfib n_`c\ k_èbè^ k_Xk fe\ [Xp k_\ i\jlckj Zflc[ Xcjf mXe`j_2 k_fl^_ @ e\m\i i\XZ_ k_\ gfèk f] Zfdgc\k\cp \iXjè^ XiZ_`k\Zkli\# @ k_èb Xe Xkk`kl[\ k_Xk kXb\j ^\ekc\e\jj# _ldXe Y\è^j# k_\ \emìfed\ek Xe[ eXkli\ èkf Zfej`[\iXk`fe ZXe fecp c\X[ kf [`]]\i\ek i\jlckjÉ% B\e^f BldX

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INTERNI AXelXip$=\YilXip )'(*

,&/(0 ,6."

5)F T1*S*5 P' 5)F 5*NF

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*/UFSJPST BSDIJUFDUVSF

THE CCCWALL INSTALLATION DESIGNED AND PRODUCED WITH CASALGRANDE PADANA FOR THE EVENT INTERNI THINK TANK DURING DESIGN WEEK IN MILAN IN 2010. A CURTAIN OF VERY LIGHT JAPANESE ORGANZA DIVIDED THE HISTORIC BAGNI COURTYARD OF THE UNIVERSITÀ DEGLI STUDI OF MILAN INTO TWO TRIANGULAR GARDENS, FILLED WITH FRAGMENTS OF CERAMIC AND SILICEOUS STONES USED FOR INDUSTRIAL PROCESSES. PHOTO ANDRES OTERO.

C_In628_R_32_35_E_kuma_prodotti.indd 34

AXelXip$=\YilXip )'(* INTERNI

BELOW, CHIDORI FURNITURE, 2011, A FURNISHINGS SYSTEM BASED ON THE ANCIENT JAPANESE CHIDORI GAME, MADE WITH CRAFTSMEN FROM THE TOHOKU REGION IN EASTERN JAPAN. A SERIES OF SHAPED WOODEN SLATS, ASSEMBLED BY INTERLOCKING, FORM FLEXIBLE UNITS FOR INFINITE COMBINATIONS. IN THIS CASE, A SHELVING CONFIGURATION.

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INTERNI AXelXip$=\YilXip )'(*

,&/(0 ,6."

ABOVE, THE OLD HOUSE, AT THE CASALGRANDE PADANA PRODUCTION PLANT: A HISTORIC FARMHOUSE RESTORED IN 2011 TO CONTAIN THE HISTORICAL ARCHIVES AND DOCUMENTATION CENTER, AS WELL AS EXHIBITIONS, ENCOUNTERS AND OTHER CULTURAL EVENTS. THE OLD HOUSE AND THE GARDEN THAT SURROUNDS IT ESTABLISH A DIALOGUE WITH THE NEARBY CASALGRANDE CERAMIC CLOUD, THE FIRST PROJECT DONE BY KUMA FOR THE COMPANY (JUST ONE YEAR EARLIER), IN A SORT OF SPATIAL-ENVIRONMENTAL SYSTEM THAT COMBINES THE CULTURE OF PRODUCTION WITH THAT OF DESIGN. TO THE SIDE, CCCLOUD, THE MONUMENTAL SCULPTURE IN WHITE PORCELAIN STONEWARE (42 X H.6 METERS) MADE IN 2010 TO CELEBRATE THE 50TH ANNIVERSARY OF CASALGRANDE PADANA, AT THE HEADQUARTERS IN CASALGRANDE (RE). THE CERAMIC MATERIALS (656 LARGE SHEETS, OVERLAID AND CONNECTED BY SLENDER THREADED BARS) ARE USED IN A STRUCTURAL WAY, RATHER THAN AS CLADDING. TECHNICAL LIGHTING BY VIABIZZUNO. PHOTO MARCO INTROINI.

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*/TJHIU */BSUT

AXelXip$=\YilXip )'(* INTERNI

*/TJHIU

*5 *4/m5 &"4: 50 065-*/& $BSSPMMm4 *%&/5*5: IBMGXBZ #&58&&/ TDVMQUVSF "/% QBJOUJOH #0%: "/% 406- &7*%&/$& "/% 4&$3&$: "#07& "/% #&-08 '30/5 "/% #"$, FNQUZ "/% GVMM "-8":4 */ 1&3'&$5 #"-"/$&

UNTITLED 2009. 100 X 78 70 CM. OIL, WAX, CANVAS ON WOOD PRIVATE COLLECTION.

Yp >\idXef :\cXek

#F5XFFO 7*T*#-F BO% *OW*T*#-F -BXSFODF $BSSP-UNTITLED (LIGHT BOX), 2009. 13 X 45 X 30 CM. HOUSE PAINT ON WOOD, LIGHT BULBS, PLASTIC FIXTURES AND ELECTRIC CORD. PRIVATE COLLECTION.

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INTERNI AXelXip$=\YilXip )'(*

*/TJHIU */BSUT

UNTITLED, 1989. 276 X 109 X 30 CM OIL, WAX, CANVAS ON WOOD WITH METALS SCREEN LAMBERTI COLLECTION, VARESE, ITALY.

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*/TJHIU */BSUT

AXelXip$=\YilXip )'(* INTERNI

UNTTILED (PAGE PAINTING) DIMENSIONS TO BE DETERMINED WILL BE MADE IN ARTIST’S STUDIO IN VENICE, ITALY.

IT IS THE SEA 1992. 63 X 38 X 8 CM. OIL, WAX, CANVAS ON WOOD. COLLECTION OF PETRA GILOY-HIRTZ. MUNICH, GERMANY.

UNTITLED, 1993 45.7 X 45.7 X 40.6 CM PANZA COLLECTION.

NO NEED TO JUMP 1992 (CUT PAINTING). 49.5 X 61 X 34 CM. OIL, WAX, CANVAS ON WOOD COLLECTION OF HUGO AND INGRID JUNG ACHEN, GERMANY.

C_In628_R_36_37_E_arte.indd 38

_\ gfcXi`kp Y\kn\\e Zfej`jk\eZp Xe[ èZfej`jk\eZp f] dXkk\i `j X ZfejkXek è k_\ ]fZlj fe k_\ Z_XiXZk\i`jk`Zj f] k_\ fYa\Zk è m`jlXc i\j\XiZ_ è k_\ p\Xij f] k_\ X[m\ek f] Gfg Xe[ Dè`dXc 8ik% @k i\Õ\Zkj k_\ glijl`k f] X i\Xjjliè^ [`d\ej`fe è k_\ gif[lZkj f] è[ljki`Xc Zfddle`ZXk`fe1 `Zfe`Z# YXj\[ fe ZXikffej Xe[ X[m\ik`jè^# fi Xe`Zfe`Z# i\Õ\Zkè^ X YXj`Z jkilZkli\ è k_\ ]fid f] gli\# ]lcc# kiXejgXi\ek mfcld\% Fe k_\ fe\ _Xe[ k_\ ^\ekc\# j\ejlXc dpjk\ip f] jf]k gXikj# n_`Z_ Xj è k_\ nfib f] :cX\j Fc[\eYli^ kip kf Zfee\Zk k_\ fYa\Zk kf gc\Xjli\ Xe[ [\jì\% Fe k_\ fk_\i# X jfc`[`kp Xe[ k_`Zb\eè^ kiXejcXk\[ èkf g\i]\Zk`fe Xe[ k\Z_efcf^`ZXc [\kX`c# Xj è ;feXc[ Al[[ Xe[ ;Xe =cXmè# kf f]]\i X j\Zli`kp f] ZfdgXZk# gfc`j_\[ k_è^j% @e Yfk_ ZXj\j# k_\ ZfejkXek f] X jli]XZ\ f] Zfcfi k_Xk ZXe Y\ Zcfkk\[ fi jdffk_# m\cm\kp Xe[ kXZk`c\# X ]lcc \ek`kp k_Xk _Xibj YXZb kf X dXk\i`Xc è`k`Xk`m\# n_`Z_ nXm\ij Y\kn\\e Z_\\i Xe[ jfYi`\kp# X^î\jj`fe Xe[ j`c\eZ\# n`k_ k_\ gfn\i kf eXiiXk\ X \lg_fi`Z c`Y`[f f] Zfejldgk`fe fi Xe XjZ\k`Z jgc\e[fi f] è[ljki`Xc [\j`ê% K_`j c\X[j kf X k_`Zbe\jj k_Xk glcjXk\j Xe[ Yi\Xk_\j# Y\Zfdè^ Xe XZk`m\ gXik f] YXeXc# \m\ip[Xp c`]\# ZfekiXjk\[ n`k_ Xe XYjkiXZk mfcld\ k_Xk jkXe[j flk ]fi `kj `ddfY`c\# ZipjkXcc`q\[ ZfdgXZke\jj% 8]k\i X [\ZX[\# k_`j fggfj`k`fe `j kiXej]fid\[ èkf Xe `ddXk\i`Xc giXZk`Z\ n`k_flk Xep Yfi[\icè\ fi j\gXiXk`fe Y\kn\\e ]lcc Xe[ \dgkp# Xj k_\ jgXk`Xc k\ii`kfip Y\Zfd\ lec`d`k\[# è[\Ôe`k\% @k `j k_\ gXjjX^\ kf X ZfeZ\gklXc Xe[ \emìfed\ekXc Xik k_Xk [\m\cfgj ]ifd k_\ <Xjk kf k_\ N\jk :fXjk è k_\ Le`k\[ jkXk\j# Xj n\cc Xj è n\jk\ie <lifg\# ]fi n_`Z_ k_\ hlXc`kp f] XiZ_`k\ZkliXc j`klXk`fej `j Yifl^_k flk Yp k_\ èkif[lZk`fe f] ni`kk\e d\jjX^\j fi [\dXk\i`Xc`q\[ \ek`k`\j# Xj è :feZ\gklXc 8ik# ]ifd Afj\g_ Bfjlk_ kf >`lc`f GXfcè`# CXni\eZ\ N\è\i kf 8ik CXe^lX^\ Xe[ DXiZ\c 9iff[k_X\ij# fi \oXckj k_\ d\i\ g\e\kiXY`c`kp f] k_\ mf`[# Zfem\p\[ Yp k_\ lj\ f] eXkliXc Xe[ Xik`ÔZ`Xc c`^_kè^ \]]\Zkj# Xj è k_\ :Xc`]fie`Xe \emìfed\ekXc ZfejkilZkj# ]ifd ;fl^ N_\\c\i kf IfY\ik @inè Xe[ DXi`X Efi[dXe% @e Xcc k_\j\ m`j`fej# n_Xk Zflekj `j k_\ jZlcgkliXc Xe[ \emìfed\ekXc ÊYXibË# k_\ gcXZ\ f] i\cXk`fe Y\kn\\e èj`[\ Xe[ flkj`[\# n_`Z_ ZXe Y\ jf]k Xe[ i`^`[# d\ekXc Xe[ `ddXk\i`Xc% K_\ Êk_è^Ë gif[lZ\[# fYa\Zk fi \emìfed\ek# `j [\Ôe\[ Yp d\Xej f] i\]\i\eZ\j f] X m`jlXc Xe[ j\ejfip Z_XiXZk\i# n_\i\ `k `j gfjj`Yc\ kf i\m\Xc Xe XZk`fe f] _ldXe èk\im\ek`fe# è `kj Xik`ZlcXk`fe Xe[ XiiXe^\d\ek# Xj n\cc Xj k_\ gXjjX^\ f] k`d\# è k_\ j_`]kè^ f] cldèflj Xe[ Xkdfjg_\i`Z dlkXk`fej% @e <lifg\# k_`j kfkXc`qè^ m`j`fe `j èjk\X[ k_\ i\jlck f] X YXcXeZ\ Xe[ \hl`mXc\eZ\ Y\kn\\e k_\ j\ej\ f] k_\ \c\d\ekj# n_`Z_ kf^\k_\i kXb\ fe jgXk`Xc cf^`Z Xe[

14/12/12 18.01

INTERNI AXelXip$=\YilXip )'(*

-"83&/$& $"330-- UNTITLED 2001. 307.3 X 213.3 X 7.6 CM OIL, WAX, CANVAS ON WOOD. PANZA COLLECTION, LUGANO, SWITZERLAND.

WAIT, 1990-1991. 11.4 X 14.2 X 29.8 CM. OIL, WAX, CANVAS ON WOOD. PANZA COLLECTION.

le`]fid`kp% @k `j jfd\k_è^ c\jj k\ej\ Xe[ XYjfclk\# n_`Z_ è AXee`j Bfle\cc`j# ;Xe`\c 9li\e Xe[ Afj\g_ 9\lpj XZhlì\j èk\ej`kp Xe[ ]fiZ\ k_Xebj kf k_\ eXkli\ f] d\Z_Xe`jdj f] i\cXk`fe Y\kn\\e k_è^j% N`k_ i\jg\Zk kf k_\ cfjj f] [\ej`kp# n_Xk \d\i^\j `j k_\ j`d`cXi`kp Xe[ XeXcf^flj jkilZkli\ f] Ô^li\j# [\gcfp\[ kf jl^^\jk X le`]pè^ dfig_fcf^`ZXc cf^`Z% ?Xmè^ jkXik\[ _`j Xik ZXi\\i è k_\ (0/'j# CXni\eZ\ :Xiifcc# n_f c`m\j Xe[ nfibj è Cfj 8e^\c\j# :Xc`]fie`X Xe[ M\e`Z\# @kXcp# _Xj fi^Xe`q\[ _`j g\iZ\gk`fe f] k_\ fYa\Zk Xe[ jgXZ\ Yp dXbè^ `k nXm\i Y\kn\\e k_\j\ m`j`fej Xe[ Xkk\dgkè^ kf ZfdYè\ k_\d Xe[ ^\k Y\pfe[ k_\d# k_lj Yiè^è^ XYflk _`j `dgfikXek cè^l`jk`Z Zfeki`Ylk`fe1 Xe Xik k_Xk jldj Xe[ èk\îXk\j

C_In628_R_36_37_E_arte.indd 39

n_`Z_ Zfm\ij Xe[ [\gcfpj X _`[[\e [`d\ej`fe1 X ZfeZ\Xcd\ek k_Xk `j gfk\ek`Xc i\m\cXk`fe1 X Zfm\iè^ f] k_\ jflc è k_\ Yf[p Xe[ X [\ZcXiXk`fe f] k_\ gi\mXc\eZ\ f] k_\ \ok\ieXc fm\i k_\ èk\ieXc% :Xiifcc gifm`[\j X m`jlXc d\kXg_fi f] k_`j g_\efd\efe# X k_è^ Xe[ Xe \eZcfjli\ n`k_flk X [\Ôe`k\ i\Xc`kp# èj`[\ n_`Z_ X gi\j\eZ\ `j ]fle[ f] k_Xk n_`Z_ `j XYj\ek1 X i\[\dgk`fe f] jfd\k_è^ `dgfjj`Yc\ kf Zfddle`ZXk\ fi kf i\gi\j\ek% K_`j gifZ\jj f] [\gi`mè^ jfd\k_è^# n_`Z_ `j Zfm\i\[ Xe[ m\`c\[# n_`Z_ ZXeefk Y\ m\i`Ô\[ Y\ZXlj\ `k `j c`b\ X g_Xekfd# Y\Zfd\j \m`[\ek n_\e k_\ gi\j\eZ\ f] è[`m`[lXc nfibj \ek\ij èkf X i\cXk`fej_`g% K_\ i\jlckè^ n_fc\ `j X Zfe^cfd\iXk\ f] k_è^j k_Xk j\\d kf Y\ ]fid\[ Yp Yfo\j Xe[ cXi^\ gXe\cj# Yp Y\ek ZXemXj\j Xe[ \eZcfj\[ \c\d\ekj# Yp kXYc\j Xe[ ZlY\j Xcc n`k_ k_\ jXd\ Z_ifdXk`Z mXcl\# k_Xk è k_\ ^Xd\ f] _`[è^ n_Xk dljk efk Y\ eXd\[ iX`j\j k_\ gifYc\d f] Xe \e`^dX kf Y\ jfcm\[# k_Xk f] k_\ èk\ieXc \jj\eZ\ f] Y\è^ è Xik Xe[ è c`]\% JèZ\ k_\ jfclk`fe c`\j è jfd\k_è^ ^c`dgj\[# `k j\\dj kf Xgg\Xi Xe[ mXe`j_ è Xe è[\Ôe`k\ c`dYf% K_\ gXk_ kf i\XZ_ `k `j cfe^# kn`jk\[ Xe[ Zfdgc`ZXk\[# jf :XiifccËj Xkk\dgkj kXb\ ZfeZi\k\ ]fid è j\ej`k`m\# jlYkc\ dfm\d\ekj# èZ\jjXek Xe[ èm`j`Yc\ j_`]kj# k_ifl^_ n_`Z_ k_\ Xik`jk XggifXZ_\j k_\ Zfi\ n`k_flk \m\i i\XZ_è^ `k% K_`j `j n_p _\ Zfekèl\j kf èm\jk`^Xk\# jpjk\dXk`ZXccp# k_ifl^_ k_\ mXi`Xk`fej k_Xk ZXe le]lic è ]ifek f] _`d è k_\ jkl[`f# è ]ifek f] m`\n\ij Xk _`j j_fnj% K_\ \o_`Y`k`fej# ]ifd 8Z\ :fek\dgfiXip# Cfj 8e^\c\j# (00*# kf k_\ =fcbnXe^ Dlj\ld# <jj\e# (00-# ]ifd k_\ 9lZ_dXee >Xcc\ip# :fcfê\# kf k_\ ?l^_ CXe\# ;lYcè :`kp >Xcc\ip# )'()# Xi\ Xe fe^fè^ n\Xm\ f] hl\jk`fej fe k_\ lebefne niXgg\[ è [iXg\j# i\gi\j\ek\[ Yp X g`c\ f] kXigj ]fc[\[ Xe[ XiiXe^\[ fe k_\ îfle[# è Lek`kc\[# (00*# fi Yp X jkiXk`ÔZXk`fe f] dXk\i`Xcj# ]ifd nff[ kf gXèk# è _`j gXèkè^j Xe[ jZlcgkli\j% ?`j j\kkè^j# XcnXpj [`]]\i\ek# i\m\Xc X dlck`gc\ Zfdgfe\ekj kf ZfejkilZk k_è^j k_Xk j\\d kiXejgXi\ek g\idlkXk`fe# X i\dè[\i f] k_\ g`Zkfi`Xc mXi`Xk`fej f] >`fi^`f DfiXe[`# n_\i\ k_\ kf ZfX^lcXk\ k_\ Õl`[j f] Xe fjZ`ccXkè^ j\ejXk`fe Xe[ g\iZ\gk`fe# Y\kn\\e fgXhl\ Xe[ kiXejgXi\ek# \c\d\ekj [f efk gifd`j\ X i\jgfej\# X i\m\cXk`fe# Õ\o`Yc\ Xe[ ZfdgXZk# cldèflj Xe[ [Xib# ZfeZi\k\ Xe \ec`^_k\ed\ek# Ylk Xi\ Xc`ê\[ kf [`jgcXp Xe \e`^dX# dX[\ \ogc`Z`k k_ifl^_ k_\ d\kXg_fi f] Xe[ gf\k`Z% <ek`k`\j n_\i\ k_\ Zc\Xi# \m`[\ek Zfej`jk\eZp `dgc`\j X dpjk\i`flj# lebefne cXZb f] n_Xk \ek\ij k_\ Yfle[Xip f] jfd\k_è^ \cj\% K_`j dXp Y\ X ÊYf[pË k_Xk Y\Xij X jli]XZ\ f] [ip c\Xm\j# `k# n_\i\ X m`j`Yc\ i\]\ij kf Xe èm`j`Yc\% K_`j Xj è Lek`kc\[ J_f\ GXèkè^ # (000$)'''# X ]iX^d\ek [`Xc\Zk`Z ki`^^\ij X [peXd`Z YXj\[ fe k_\ k\ej`fe Y\kn\\e k_\ è]fidXc j`[\ f] k_\ nfib# Xj ZfekXè\i f] nXo n`k_ k_\ èjZi`gk`fe Êp\jË# Xj è P\j =cffi G`\Z\ # )'''# X _Xe[ g\iZ\`m\[ k_ifl^_ Zcfl[\[ Xe[ m\_`Zc\# Xe[ Xe `dX^\ ]fid\[ fi ZcX[ n`k_ ]fid k_Xk `j gi\j\ek è `kj nfdY% 8 j\\è^ Xe[ efk ^cXjj% 8 Zfm\i Xe[ X ZXm`kp# Xj è Lek`kc\[ M\ifeX # j\\è^# X [\g`Zkè^ Xe[ efk [\g`Zkè^ k_Xk j_`]k ]ifd k_\ c`^_k f] jli]XZ\j kf k_\ [\\g [ljb f] k_\ì )''(# k_\ i\m\Xc k_\ YXj`Z X`d f] [`jZfm\iè^ Xe[ leifccè^ f] Xik# XcnXpj è glijl`k f] XYjfclk\ _fccfnj Xe[ îX]kj% @k `j X gXjjX^\ Y\kn\\e kiXejgXi\eZp# kf Ôe[ k_\ dXafi gf\k`Z i\Xjfej f] Z_ifdXk`Z Xggc`ZXk`fe fi g_pj`ZXc Xggc`ZXk`fe _`j [fè^% K_\ [\g`Zk`fe f] Xe `dglcj\ kf kì\c\jjcp Zfdgfj\[ f] gXèk fe nff[ fi f] nff[ fe nff[#

14/12/12 18.01

*/TJHIU */BSUT

AXelXip$=\YilXip )'(* INTERNI

UNTITLED, 2011. 351 X 301 X 30 CM OIL, WAX, CANVAS ON WOOD, PLASTIC BUCKETS, SHOES, LEAVES, NEON. PRIVATE COLLECTION.

C_In628_R_36_37_E_arte.indd 40

14/12/12 18.01

INTERNI AXelXip$=\YilXip )'(*

-"83&/$& $"330--

UNTITLED (SHOE PAINTING) 1999-2000. 243 X 182 X 8 CM OIL, WAX, SHOES, IVY AND CANVAS ON WOOD.

kiXej]\i ]ifd fe\ Yf[p kf Xefk_\i# kf [`jgcXp k_\ jli]XZ\ f] `kj jbè# f] k_\ èk\ieXc fi^Xej è fi[\i kf g\iZ\`m\ jfd\k_è^ èk`dXk\ Xe[ j\Zi\k% K_`j èm\jk`^Xk`fe `j [fe\ efk fecp k_ifl^_ k_è^j# Ylk Xcjf k_ifl^_ k_\ èjkild\ekj f] Zfddle`ZXk`fe# c`b\ k_\ gièk\[ gX^\ Xe[ ni`kè^% :Xiifcc# è ]XZk# ni`k\j gf\dj Xe[ dXb\j glYc`ZXk`fej# è k_\ ]fid f] Yffbj Xe[ aflieXcj# n`k_ X Ziljk Y\cfn k_\ gXg\i Ziljk% @k `j k_Xk f] k_\ el[`kp f] X Y\è^ k_Xk glkj `kj\c] kf nfib è _`j jkl[`f kf Y\e[# Zlim\# jki\kZ_# Õ\o Xe[ ZfejkilZk# n`k_ _`j _Xe[j# k_\ df[lcXk`fej k_Xk ^`m\ i`j\ kf X ÊZfekèlldË $ DXiXk_fe# (00*# n`k_ X jbè k_Xk `j ZfejkXek è Zfcfi Xe[ k\okli\# n_`Z_ _\ gifZ\\[j kf èk\igi\k Æ è <dgkp :lg C%B # (0//# Xe[ 9\kn\\e k_\ GXjk Xe[ k_\ =lkli\# (0//$/0 Æ è `kj i\Z\jj\j# `kj iXmè\j# `kj cXp\ij# `kj Xc`êd\ekj Xe[ ZfekXè\ij# kf Ôe[ X dpjk\i`flj# lebefne \c\d\ek% 8 j`d`cXi`kp kf k_\ d\kXg_pj`ZXc i\j\XiZ_ f] ClZ`f =fekXeX# Ylk k_\ glijl`k f] X ÊYcXZb _fc\Ë `j i\gcXZ\[ _\i\ Yp X mf`[ k_Xk `j ]lcc# efk i\cèhl`j_è^ `kj g_pj`ZXc eXkli\ Xe[ `kj jlYa\Zk`m`kp# Ylk dXe`]\jkè^ `kj\c] k_ifl^_ k_\d# è k_\ ]fid f] ZfeZi\k\ \ek`k`\j Æ j_f\j# e\fe j`êj# gXèk ZXej# YXjèj# g_fkfîXg_j Xe[ nfi[j Æ \jg\Z`Xccp è k_\ nfibj n_\i\ k_\ mfcld\j èk\icfZb Xe[ XZZldlcXk\ fe\ Xkfg k_\ fk_\ij% N\ Xi\ Xk k_\ [\Ôe`k`fe f] X dXo`dld f] dXk\i`Xc n`k_ \clj`m\ ZfeefkXk`fej Xe[ èk\ek`feXccp èZfdgc\k\ jli]XZ\j n_\i\# è X dè`dld f] jgXZ\# fe\ g\iZ\`m\j Xe `dd\ej\ \c\d\ek k_Xk _Xj kf [f n`k_ k_\ _ldXe Y\è^ Xe[ `kj Yf[p i\gi\j\ek\[ Yp k_\ \oki\d`k`\j# ]ifd k_\ _Xe[ kf k_\ ]ffk $ Lek`kc\[ =i\\qè^ 9ffkj # )''- Æ fi `kj [fè^# \o\dgc`Ô\[ Yp k_\ ZfejkilZk`fe Xe[ Y\e[è^ f] i`^`[ fi jf]k jli]XZ\j% 9lk Xcjf X nXp f] i\cXkè^ kf k_\ èÔe`k\ gfjj`Y`c`k`\j f] i\^\e\iXk`fe f] k_\ èe\i j\c]# Xj X d\kXg_fi f] Y\è^# Xj i`klXc`q\[ è k_\ Yfo\j f] Afj\g_ :fie\cc% 8 ]fZlj fe _`[[\e# ]XekXjk`Z `[\ek`kp# k_Xk è :Xiifcc i\XZ_\j k_\ gfèk f] Xgg\Xiè^ è XYjfclk\ [Xibe\jj Xe[ ]lcc dpjk\ip# n_\e `k `j _`[[\e fi ^c`dgj\[ Y\_è[ Xe fgXhl\ jZi\\e fi è `kj Zfdgc\k\ fg\ee\jj# kiXejgXi\ek Xe[ Zc\Xi# Xj è Lek`kc\[# )''0% ?\eZ\ k_\ cXZb f] è[`ZXk`fej Xe[ i\]\i\eZ\j f] k`d\ Xe[ jgXZ\ è k_\ `dX^\j k_Xk Zfdgfj\ _`j glYc`ZXk`fej fe gXg\i# aljk Xj n`k_ i\jg\Zk kf k_\ k_è^j ZfejkilZk\[ k_\ i\Xjfeè^ f] k`kc\j Xe[ gf\k`Z è[`ZXk`fej ZXcc ]fik_ fecp X g\ijfeXc ]i\\[fd f] èk\igi\kXk`fe% @e Yfk_# k_\ glijl`k f] X ]lcce\jj k_Xk `j ZfejkilZk\[ Yp k_\ fYj\im\i# n_f XcnXpj Ôe[j _`dj\c] è ]ifek f] X nfib k_Xk Zflc[ Y\ [\Ôe\[ Xj Êèk\id\[`Xk\Ë# Y\ZXlj\ `k `j kXb\e Xj X ]lik_\i Zfee\Zk`fe Y\kn\\e \c\d\ekj k_Xk \ek\i èkf ZfejfeXeZ\# è Lek`kc\[# )''(# fi èkf ZfekiXjk# Lek`kc\[ C`^_k 9fo # )''0% ?\i\# X^Xè# Xik dXèkXèj X d`[[c\ cè\# n_\i\ Xcc k_\ gfjj`Yc\ \oZ_Xe^\j# f] _Xidfep fi j\gXiXk`fe# ZXe kXb\ gcXZ\% @k `j X ]lik_\i i\Õ\Zk`fe f] Xe fg\iXk`fe X`d\[ Xk [\m\cfgè^ Xe \ek`kp k_Xk# è :Xiifcc# \o`jkj _Xc]nXp Y\kn\\e jZlcgkli\ Xe[ gXèkè^#

C_In628_R_36_37_E_arte.indd 41

YES (FLOOR PIECE), 2000. 75.5 X 64 X 14.5 CM OIL, WAX, WOOD AND PLEXIGLASS. PRIVATE COLLECTION, VENETO, ITALY.

Yf[p Xe[ jflc# \m`[\eZ\ Xe[ j\Zi\Zp# XYfm\ Xe[ Y\cfn# ]ifek Xe[ YXZb# \dgkp Xe[ ]lcc# XcnXpj è g\i]\Zk YXcXeZ\% N_Xk Zflekj# èjk\X[# `j kf jkXp èj`[\ Xe fg\e [`Xc\Zk`Z# nXm\iè^ Y\kn\\e k_\ k\idj% @k dXp ^f jf ]Xi Xj kf `[\ek`]p k_\d# Ylk Yp dXbè^ k_\d Zf\o`jk# kf Zi\Xk\ X [`]]\i\ek j\kkè^# efk XYjfclk\ fi \oki\d\# n_\i\ gf\kip c`m\j% 8 Y\_Xm`fi k_Xk `dgc`\j Zfekèlflj X[XgkXk`fe kf j`klXk`fej Xe[ Zfek\okj# jf k_Xk k_\ jè^c\ k_è^j ZfejkilZk\[ Yp k_\ Xik`jk gifZ\\[ è k_\ jgXZ\j dX[\ XmX`cXYc\ Yp dlj\ldj# Zfcc\Zk`fej Xe[ ^Xcc\i`\j# Ôe[è^ X YXcXeZ\ k_Xk `j YXj\[ fe k_\ì ifc\ f] gXik`Z`gXk`fe% K_\p Xi\ gcXZ\[ è èk\id\[`Xk\ i\cXk`fe kf \XZ_ fk_\i# XiiXe^\[ fe k_\ nXcc fi k_\ Õffi# _`^_ fi cfn# ]ifekXccp fi Xk Xe Xe^c\# X^Xèjk k_\ nXcc fi è X Zfie\i# è glijl`k f] Xe èe\i Xî\\d\ek fi _Xidfep# kf Zfdgfj\ Xe \emìfed\ekXc jZfi\ n_\i\ k_\ \c\d\ekj ]leZk`fe Xj gf\k`Z g_iXj\j fi nfi[j% K_`j c\X[j kf X j_`]kè^ Xe[ i\fi^Xe`qXk`fe [\g\e[è^ fe k_\ j`klXk`fe# X [\gcfpd\ek f] k`kc\j#

Xj è Glqqc\ GXèkè^j# (00.# k_\ è[`ZXk\ nfib fe k_\ [`jZfm\ip k_Xk ZXe Y\ [\i`m\[ ]ifd glkkè^ ]iX^d\ekj# Yi\Xbj Xe[ Zlkj YXZb kf^\k_\i# kf i\XZ_ X j\ej\ f] Zfekèl`kp% K_`j `j [peXd`Z Y\ZXlj\ `k g\id`kj# è X jè^c\ nfib# k_\ k\dgfiXip [\k\idèXk`fe f] `kj Y\è^# n_`c\ èjkXcc\[ kf^\k_\i n`k_ fk_\ij# `kj kiXej`k Zfekèl\j è k_\ n_fc\% K_\ hl\jk`feè^ k\ej`fe f] k_\ Xik f] :Xiifcc Zi\Xk\j# n`k_ `kj îX]kj Xe[ ]Xd`c`Xi ZfdYèXk`fej Knf 9ifk_\ij# (00' # X Zfekèlflj k\e[\eZp kf hl\jk`fe NX`k# (00) # è k_\ _fg\ k_Xk k_\ k_è^# X]k\i X cfe^ jcldY\i GXèkè^ ;f Jc\\g# (00+$0- # n`cc XnXb\e Xe[ dXb\ `kj \jj\eZ\ \ogc`Z`k# n_`Z_ ZXe klie flk kf Y\ cldèflj Lek`kc\[# (0/0# Xe[ Lek`kc\[# )'(( # Y\ZXlj\ k_\ Ylieè^ c`^_k YlcY `dgc`\j X Z_Xe^\# \e\i^\k`Z Xe[ Õfli`j_è^# Y\ZXlj\ k_\ èe\i `dX^èXk`fe# \d\i^è^ ]ifd `kj \eZcfjli\# j\im\j kf Xik`ZlcXk\ ]XekXjk`Z Xe[ gf\k`Z ]fidj Xe[ eXiiXk`m\j% Fecp Yp [\cmè^ èkf k_\ XeXcpj`j f] k_\ le`]fid ZXe Z_Xe^\ Y\ dX[\ kf \d\i^\# Xe[ k_`j `j n_p :Xiifcc Zfekèl\j kf nfib fe dè`dld gXjjX^\j k_Xk dXb\ _`d j_`]k ]ifd fe\ Z_ifdXk`Z d\[`Xk`fe kf k_\ e\ok# ]ifd fe\ èk\icfZb kf k_\ e\ok# kf ^\k Zcfj\i kf X _`^_cp Êg_fe`ZË ]fidXc \cfhl\eZ\# è k_\ j\ej\ k_Xk _\ dXeX^\j kf \ogi\jj# flk cfl[# k_\ \e`^dXk`Z ]fle[Xk`fe f] j`êj# ni`kè^j Xe[ ZfejkilZk`fej# gXèk\[ Xe[ Zlk flk# jgfb\e Xe[ Xjj\dYc\[# gièk\[ Xe[ i\gif[lZ\[# kf XggifXZ_ k_\ efk`fe f] Xe èm`j`Yc\ k_Xk gXjj\j k_ifl^_ k_\ m`j`Yc\ Xe[ dXb\j `k XZZ\jj`Yc\%

14/12/12 18.01

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AXelXip$=\YilXip )'(* INTERNI

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;Xinè Xj X i\m\ij`Yc\ gifZ\jj1 `] dXe Zfd\j ]ifd Xg\j# _\ ZXe i\Zfm\i k_Xk cè\X^\# ^fè^ YXZb kf _`j gi`dfi[`Xc Xe`dXc jkXk\# j\\e efk Xj Ă&#x160;i\î\jj`feĂ&#x2039; Ylk Xj \oki\d\ df[\ie`kp Xe[ ]i\\[fd% 8cfe^ k_\j\ jkiXk\^`Z cè\j n\ Ă&#x201D;e[ jfd\ î\Xk èefmXkfij c`b\ Blik JZ_n`kk\ij# n_f Y\^Xe _Xm\ f]k\e [`jZljj\[# fe k_\j\ gX^\j# kf ZfejkilZk`fe _`j D\iqYXl nfibj è k_\ (0*'j# îfkkfj f] i\]lj\ Xe[ ]iX^d\ekj# è ZfejkXek k_\ dèfi`kp ki\e[ k_Xk _Xj ]fid\[ X Zflek\i$ \mfclk`fe2 fi AXZbjfe GfccfZb# n_f è k_\ (0,'j k\e[\eZp kf k_\ fgk`d`jd f] )'k_$Z\eklip [\j`ê% jX`[ Ă&#x2C6;@ Xd eXkli\Ă&#x2030;2 fi =iXeZ`j 9XZfe# è n_fj\ 8 iX[`ZXc k\e[\eZp k_Xk jgiè^j ]ifd k_\ gXèkè^j k_\ dXe$^fi`ccX `j X gi`jfe\i f] X jXZi\[ iffkj f] k_\ Ă&#x201D;ijk XmXek$^Xi[\j Xe[ Zifjj\j# j\c]$\eZcfj\[ df[\ie`kp% c`b\ Xe le[\iîfle[ nXk\inXp# mXe`j_è^ Xe[ @e k_\ (0-'j G`\ii\ I\jkXep# X]k\i _Xmè^ i\jli]XZè^# k_\ cfe^ gXk_ f] k_Xk kiX^`Z _`jkfip Zifjj\[ k_\ 8dXqfe fe ]ffk fe Y\_Xc] f] k_\ è[ljki`Xc [\j`ê _Xj Zfdgc\k\cp fm\icffb\[1 Xe 9iXq`c`Xe ^fm\ied\ek# nifk\ _`j DXe`]\jkf [l I`f è[ljki`Xc [\j`ê k_Xk _Xj XcnXpj Y\\e j`dgcp E\îf# è n_`Z_ _\ ZfdgXi\[ k_\ Zfe[`k`fe f] \c\^Xek# fgk`d`jk`Z# j\c]$XYjfiY\[# è[`]]\i\ek kf Zfek\dgfiXip dXe kf k_Xk f] k_\ @e[`fj1 k_\p Yfk_ knf Nfic[ NXij# iXZ`Xc dXjjXZi\j# Xkfd YfdYj# [`ZkXkfij_`gj fe k_\ i`^_k Xe[ k_\ c\]k# X j\c]$jkpc\[ c`m\ è X kfkXccp jXkliXk\[ \emìfed\ek k_\ ^lXiXekfi f] X ^\e\iXc Ă&#x160;_Xggp \e[è^Ă&#x2039; è X ]lkli\ f] d\kifgfc`j Xe[ k_\ ]fi\jk n_\i\ [i\Xdj# eXkli\# dX^`Z# k\Z_e`hl\ Xe[ k_\ nfij_`g f] k_\ [\X[ fi[\i Xe[ iXk`feXc`kp% Zfejk`klk\ X jè^c\ \og\i`\ek`Xc i\Xc`kp% 9fk_# c`b\ K_\ Zflek\i$ki\e[# fe k_\ fk_\i _Xe[# j\\bj Ă&#x201D;j_ è k_\ j\X# _Xm\ ef m`\n Ă&#x160;flkj`[\Ă&#x2039; k_\ì _XY`kXk# flk k_\ [\\g\jk XiZ_\kpg\j# ^fè^ YXZb kf k_\ c`b\ gcXebkfe n`k_flk Yfle[Xi`\j fi _fi`qfej% Ă&#x160;Xe`dXc Zfe[`k`feĂ&#x2039; f] dXe# èk\igi\kè^ k_\ cXn f]

C_In628_R_42_43_E_branzi.indd 42

K_\j\ \oki\d\ k_\d\j Xi\ i\jli]XZè^ kf[Xp# è X dfd\ek è n_`Z_ fZZ`[\ekXc Zlckli\# X]k\i k_\ ]Xcc f] jfZ`Xc`jd# `j i\Xc`qè^ k_Xk ZXg`kXc`jd `j X ]X`cli\ Xj n\cc% @e X jpjk\d k_Xk Ă&#x2C6;[f\j efk îfn Ylk \ogXe[jĂ&#x2030;# [\j`ê `j c\]k jkXe[è^ Xcfe\# ]XZè^ `kj\c]# Xe[ `k i\XZ_\j YXZb kf `kj [\\g\jk Xek_ifgfcf^`ZXc iffkj# kf k_\ gi`dfi[`Xc Zfe[`k`fe ]ifd n_`Z_ _ldXebè[ Y\^Xe `kj cfe^ aflie\p% K_\j\ [`jkliYè^# dX^`ZXc j`êj Xi\ Xgg\Xiè^ jgfekXe\fljcp è fli lebefnXYc\ Z`k`\j# n_`Z_ c`b\ mì^è ]fi\jkj ZfekXè k_\ _`b`bfdfi`# pfle^ _\id`kj f] k_\ e\i[ Zlckli\ n_f c`m\ eXb\[ è k_\ì d`Zif_XY`kXkj# èmX[\[ c`b\ [ldgj Yp Zfdd\iZ`Xc gif[lZkj# jliifle[\[ Yp k_\ì k\c\dXk`Z kffcj k_Xk i\gcXZ\ Xep [ì\Zk ZfekXZk n`k_ k_\ flkj`[\ nfic[% K_\i\ Xi\ Xcjf k_\ ]X[j f] gcXebè^ Xe[# Yp \ok\ej`fe# gcldYbè^# n_\i\ g\fgc\ j\\b k_\ì eXkliXc iffkj kf k_\ gfèk f] _`[è^ k_\ì _\X[j è kf`c\k Yfncj# Xj è[`]]\i\ek kf k_\ nfic[ Xifle[ k_\d Xj XeZ`\ek jkpc`k\j% Fi fncè^# n_\i\ g\fgc\ g\iZ_ c`b\ Yì[j fe iff]kfgj fi ]\eZ\j# ^Xqè^ eldYcp Xk X j\ej\c\jj le`m\ij\% K_\ _ldXe nXccj

14/12/12 09.44

INTERNI AXelXip$=\YilXip )'(*

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C_In628_R_42_43_E_branzi.indd 43

14/12/12 09.44

*/TJHIU */DPOUSP

AXelXip$=\YilXip )'(* INTERNI

PINOCCHIO. LA STORIA DI UN BURATTINO BY CARLO COLLODI. DIRECTOR AND ACTOR: MASSIMILIANO FINAZZER FLORY (IN THE IMAGE); CHOREOGRAPHY AND DANCE: MICHELA LUCENTI AND EMANUELA SERRA; MUSIC BY NINO ROTA AND FIORENZO CARPI, PERFORMED ON THE PIANOFORTE BY GIANLUCA PEZZINO. SET DESIGN BY BARTOLUCCI. PROGRAM: 80 MINUTES.

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_fl^_ pfl _Xm\ XcnXpj Y\\e X dXe f] k_\ k_\Xk\i# è D`cXe g\fgc\ n\i\ XZZljkfd\[ kf j\\è^ pfl Xj k_\ 8c[\idXe ]fi :lckli\ f] k_\ dle`Z`gXc ^fm\ied\ek f] ]fid\i dXpfi C\k`q`X DfiXkk`1 [f pfl d`jj k_Xk gfc`k`ZXc ifc\6 ÈC\kËj jXp @ Xd gifl[ @ [`[ `k# Xe[ _Xggp efk kf jk`cc Y\ [fè^ `kÉ% Jf `kËj YXZb kf k_\Xk\i% @j `k kil\ k_Xk XgXik ]ifd pfli j_fn# fecp Kfe` J\im`ccf n`cc Y\ fe kfli è )'(* ]fi k_\ P\Xi f]

C_In628_R_44_45_E_finazzer_incontro.indd 44

@kXc`Xe :lckli\ è k_\ Le`k\[ JkXk\j# gifdfk\[ Yp ?`ccXip :cèkfe Xe[ >`lc`f K\iq` [` JXekË8^XkX6 ÈP\j# Kfe` J\im`ccf n`cc Y\ gi\j\ekè^ ÊC\ mfZ` [` [\ekifË Yp <[lXi[f [\ =`c`ggf è :_`ZX^f# X j_fn _\ [`[ è k_\ gXjk Xk k_\ G`ZZfcf K\Xkif è D`cXe% Dp ÊGèfZZ_`f% Jkfi`X [` le YliXkkèfË# fe k_\ fk_\i _Xe[# n`cc _Xm\ X i\Xc kfli# jkXikè^ è Cfj 8e^\c\j fe (/ AXelXip# k_\e n`k_ (+ fk_\i jkfgj è k_\ LJ# ]ifd

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14/12/12 09.41

INTERNI AXelXip$=\YilXip )'(*

*/TJHIU */DPOUSP

IN 197O THE FONDAZIONE NAZIONALE CARLO COLLODI (WWW.PINOCCHIO.IT) COMMISSIONED MARCO ZANUSO TO DESIGN, ON ONE HECTARE OF MEDITERRANEAN BRUSH AT THE EDGE OF THE PARCO MONUMENTALE DI PINOCCHIO (BUILT IN 1956 BY THE ARCHITECTS BALDI & DE LUIGI), THE NEIGHBORING PAESE DEI BALOCCHI. THE LANDSCAPE DESIGN IS BY PIERO PORCINAI, WHILE THE 21 BRONZE SCULPTURES ARE BY PIETRO CONSAGRA.

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C_In628_R_44_45_E_finazzer_incontro.indd 45

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INTERNI AXelXip$=\YilXip )'(*

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PORTRAIT OF ARIC CHEN AND IMAGES OF PROJECTS AND INSTALLATIONS BY CHINESE AND INTERNATIONAL DESIGNERS FOR THE 2012 EDITION OF BEIJING DESIGN WEEK, UNDER THE ARTISTIC DIRECTION OF CHEN. FROM LEFT: THE MOBILE MUSEUM; I’M A MONUMENT BY LI NAIHAN; HOW TO... BY BET STUDIO AND ZARA ARSHARD; BRACHINA BY THE CAMPANA BROTHERS.

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14/12/12 17.46

INTERNI AXelXip$=\YilXip )'(*

*/EFTJHO */DFOUFS

1. ANDREA BRANZI, TREES & STONES, GALLERY FRIEDMAN BENDA, NEW YORK; 2. PAOLA NAVONE, GHOST SERIES OF UPHOLSTERED FURNISHINGS FOR GERVASONI; 3. PIETRO TRAVAGLINI, LAMPS FROM THE TUBINO SERIES; 4. ANTONIO CITTERIO, GRAND REPOS CHAIR FOR VITRA; 5. MATTEO THUN, ICI, BOURGEOIS! COLLECTION DESIGNED WITH ANTONIO RODRIGUEZ FOR BAXTER; 6. MICHELE DE LUCCHI, BELLE SOIRÉE LAMPS, DESIGNED WITH ALBERTO NASON FOR PRODUZIONE PRIVATA; 7. GAETANO PESCE, TRAMONTO A NEW YORK DIVAN DESIGNED FOR CASSINA IN 1980, NOW REISSUED BY PESCE HIMSELF; 8.ROBERTO PAOLI, CUMA LAMP FOR ARTEMIDE AND VASES FROM THE SELCE SERIES PRODUCED BY SEMINATO MERCADANTE; 9. LIVIANA OSTI, PARASIT ACCESSORY; 10. ALESSANDRO MENDINI, WORK FOR BISAZZA CREATED FOR THE EXHIBITION ARTS & CRAFTS & DESIGN: TIME ACCORDING TO ALESSANDRO MENDINI AND ITS ARTISANS AT FONDATION DE LA HAUTE HORLOGERIE, DURING THE SALON INTERNATIONAL DE LA HAUTE HORLOGERIE IN GENEVA, JANUARY 2013.

ClZZ_`# >X\kXef G\jZ\# i\efne\[ gif]\jj`feXcj c`b\ DXkk\f K_le# 8ekfe`f :`kk\i`f Xe[ GXfcX EXmfe\# e\n\i \eki`\j c`b\ IfY\ikf GXfc` Xe[ Æ jfd\k_è^ f] X jligi`j\# n_`Z_ dXp Y\ ZXlj\[ Yp k_\ gXik`ZlcXi Zi`k\i`X lk`c`q\[ ]fi k_\ jlim\p Æ pfle^ kXc\ekj c`b\ G`\kif KiXmX^cè` Xe[ C`m`XeX Fjk`% Fe\ èk\i\jkè^ ]XZk1 eè\ flk f] k\e Xcc \oZ\gk C`m`XeX Fjk` Xi\ XiZ_`k\Zkj% @kXc`Xe [\j`ê# è ]XZk# fn\j X cfk kf XiZ_`k\ZkliXc Zlckli\# Y\ZXlj\ iX[`ZXc j\dXek`Z èefmXk`fe `j efk c`d`k\[ kf c`jk\eè^ kf n_Xk Zc`\ekj nXek# Ylk Xcjf gifgfj\j e\n nXpj f] [`jki`Ylkè^ d\Xeè^ Y\kn\\e g\fgc\ Xe[ fYa\Zkj% K_\ ]fidX d\ek`j f] XiZ_`k\Zkj `j fi`\ek\[ efk jf dlZ_ kf gXe[\iè^ kf Zfejld\i n_`dj Xj kf gfe[\iè^ k_\ ZlckliXc ÊîXm`kpË èglk kf k_\ [\j`ê f] k_\ _ldXe _XY`kXk% K_`j dXb\j g\i]\Zk j\ej\ `] n\ k_èb XYflk k_\ ]XZk k_Xk X Yl`c[è^ ljlXccp cXjkj cfe^\i k_Xe `kj Zc`\ek# n_f `j efk# k_\i\]fi\# k_\ jfc\ jkXb\_fc[\i èmfcm\[ _\eZ\ k_\ ZlckliXc i\jgfej`Y`c`kp f] k_\ [\j`ê\i % Aljk Xj k_\ _fi`qfe f] d\Xeè^ f] X nfib f] XiZ_`k\Zkli\ [f\j efk \o`jk fecp è k_\ gi\j\ek# jf @kXc`Xe [\j`ê\ij Xe[ efk fecp k_fj\ è[`ZXk\[ è k_\ jlim\p k_èb f] fYa\Zkj Xj gfk\ek`Xc g`ZbcfZbj# i\X[p kf fg\e k_\ j_lkk\ij ]fi X m`\n f] e\n jZ\eXi`fj% K_\ YXcXeZ\ f] DXkk\f K_le# k_\ \Zc\Zk`Z`jd f] GXfcX EXmfe\# k_\ \og\i`d\ekXc`jd f] >X\kXef G\jZ\ Xe[ k_\ ZXgXZ`kp kf dXeX^\ ]fidj f] :`kk\i`f# c`b\ k_\ ZlckliXc ]fZlj f] 9iXeq`# k_\ i`^fi n`k_flk k\ej`fej f] ;\ ClZZ_`# k_\ \il[`k\ c`^_ke\jj f] D\e[è`# i\gi\j\ek [`]]\i\ek nXpj f] ^`mè^ Ê[\ej`kpË kf k_\ fYa\Zk# X Z_XiXZk\i`jk`Z k_Xk ZXe Y\ j\ej\[ efk fecp è n_`Z_ `j ZfekXè\[ è k_\ gifa\Zk ]fid# [\kX`cj# dXk\i`Xcj# gf\k`Zj# [\gk_ Ylk Xcjf è n_Xk `k [f\j efk ZfekXè dXib\k Xc`êd\ek# j\c]$è[lc^\ek gfjè^# mìklfjf jkpcè^ % 8cc Xjg\Zkj k_Xk k_\ pfle^\jk f] k_\

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10.

kfg k\e Æ GXfc`# KiXmX^cè`# Fjk` Æ befn _fn kf i\gi`j\ è k_\ c`^_k\i cXe^lX^\ f] k_\ )(jk Z\eklip% :feZ\gklXc i`jb kf^\k_\i n`k_ ]fidXc Zfekifc f] Xe Xik`jk`Z kpg\ Xe[ _ldXe`jk`Z [\gk_ i\gi\j\ek k_\ ]fidlcX k_Xk _Xj dX[\ @kXc`Xe [\j`ê X gXk_Ôe[\i fe èk\ieXk`feXc dXib\kj% 9\ZXlj\ n_`c\ gli\cp ]fidXc èefmXk`fej Xi\ ]Xjk kf dXb\# k_\p Xi\ Xcjf ]Xjk kf `d`kXk\# n_`c\ èefmXk`fej f] d\Xeè^ Xi\ X cfk _Xi[\i kf cffk# jèZ\ k_\p Xi\ gXik Xe[ gXiZ\c f] k_\ ZfdgXep# k_\ [\j`ê\i# k_\ gif[lZk`fe jpjk\d k_Xk _Xj ^\e\iXk\[ k_\d ]ifd `kj Ê[\gk_jË% @k `j X n\cc$befne ]XZk k_Xk JfkkjXjj Xcjf Xe XiZ_`k\Zk [`[ efk ZXi\ dlZ_ ]fi dXib\kè^# Y\ZXlj\ `k `j fe\ k_è^ kf [\m\cfg gif[lZkj YXj\[ fe dXib\k ]fi\ZXjkj k_Xk ZXe i\m\Xc k_\ gXjk# fi Xk Y\jk k_\ gi\j\ek # Xe[ hl`k\ Xefk_\i kf gifgfj\ k_\ ]lkli\ k_ifl^_ k_\ Êè[ljki`XcË# ZfeZi\k\ \m`[\eZ\ f] X gifa\Zk k_Xk jl^^\jk [`]]\i\ek nXpj f] c`mè^ n`k_ fYa\Zkj ]fi g\fgc\% ÈK_\ Zc`\ek Æ JfkkjXjj jX`[ Æ `j aljk X ]f^ k_Xk

`j \oXdè\[ Yp k_\ gif]\jjfij f] dXib\kè^# n_f i\cp fe jkXk`jk`Zj Ycl\ `j è# nfd\e nXek gXc\ _l\j# \kZ% % K_\ c`]\ f] k_\ Zc`\ek `jeËk k_\i\2 `k `j ]Xi XnXp# èXZZ\jj`Yc\% @ kip kf jg\e[ Xj dlZ_ k`d\ Xj gfjj`Yc\ n`k_ dp Zc`\ekj# n\ ^f flk kf [èe\i# n\ kXcb% @e k_\ \e[ @ befn n_Xk kf [\j`ê# k_\p [feËk _Xm\ kf k\cc d\É% K_`j `j k_\ j\Zi\k1 kf [\m\cfg k_\ d\Xeè^ f] k_\ gifa\Zk Yp jg\e[è^ k`d\ efk Xk ZfigfiXk\ Yi`\Ôe^j# Ylk n`k_ c`]\# Xik# k_\ Õfn f] leZfejZ`flj gf\kip k_Xk dfm\j Y\kn\\e g\ijfej% Fecp è k_`j nXp `j `k gfjj`Yc\ kf efli`j_ k_Xk èefmXk`m\ X]ÕXklj k_Xk feZ\# è k_\ ^fc[\e X^\ f] @kXc`Xe [\j`ê# k_i`m\[ fe X nXm\ f] X dfi\ ^\e\iXc m`j`fe f] jfZ`Xc i\e\nXc# Xe[ efn# X]k\i k_\ [\gc\k`fe f] `kj Ê`[\fcf^`ZXcË k_iljk# `j i\X[p kf Zfdg\k\ è Xe \m\e dfi\ ]le[Xd\ekXc Zfek\jk# k_Xk f] k_\ _ldXe [`d\ej`fe% Fi`\ekè^ k_\ j\ej\ f] [\j`ê efk kfnXi[j _Xmè^# efk \m\e kfnXi[j Y\è^# Ylk kfnXi[j Y\Zfdè^% 9\ZXlj\ c`]\ `j \mfclk`fe# Xe[ [\j`ê `j k_\ \e\i^p f] kiXej]fidXk`fe%

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*/EFTJHO */DFOUFS

AXelXip$=\YilXip )'(* INTERNI

&TDB1F 5P 5)F &BT5 [l\ kf `kj i\Zfi[ îfnk_ iXk\# `j `kj Xggi\Z`Xk`fe f] \m\ipk_è^ k_Xk `j e\n# Zi\Xk`m\ Xe[ pfle^% =ifd X Yfi[\i kfne `k _Xj hl`Zbcp Y\Zfd\ X nfic[$ZcXjj Z`kp# Xe[ è (00-# efk \m\e )' p\Xij X]k\i `kj ]fle[è^# `k nXj k_\ jlYa\Zk f] X ?XimXi[ i\j\XiZ_ gifa\Zk ^l`[\[ Yp k_\ ;lkZ_ XiZ_`k\Zk I\d Bffc_XXj# n`k_ X m\ip \cfhl\ek k`kc\1 k_\ È>i\Xk C\Xg =finXi[É% e (0.0 k_\ :_è\j\ i\]fid\i Xe[ K_Xebj kf Xe X[mXeZ\[ liYXe gcXe [\m\cfg\[ c\X[\i ;\e^ O`Xf Gè^ [i\n X Y`^ ZìZc\ Xifle[ X gcXZ\ ZXcc\[ J_\eq_\e% K_Xk Xi\X f] jflk_\ie :_èX# n`k_ k_\ Zfeki`Ylk`fe f] c\X[è^ \og\ikj# J_\eq_\e `j efn Xe \Zf$Z`kp k_Xk ZXe j\im\ Xj X df[\c# ]lcc f] j\gXiXk\[ ]ifd ?fe^ Bfe^ fecp Yp X i`m\i# _X[ X gXibj# î\\e cXe[jZXg\j Xe[ Xi\Xj# Xe[ fYm`fljcp gfglcXk`fe f] *''' Ôj_\id\e Xe[ X ]\n ]fi\`ê ZfejkilZk`fe j`k\j Xj n\cc# ^`m\ k_\ îfnk_ iXk\# [\c\^Xk`fej% @e (0/' `k Y\ZXd\ :_èXËj Ôijk Jg\Z`Xc n_`Z_ glkj `k jòk_ fe k_\ c`jk f] k_\ dfjk [peXd`Z <Zfefd`Z Qfe\# Xe[ kf[Xp `k _Xj dfi\ k_Xe (*%, Z`k`\j f] )'),% 8 ZifjjifX[j# X gcXZ\ f] \eZflek\ij d`cc`fe è_XY`kXekj# -''' [\j`ê$fi`\ek\[ ZfdgXe`\j# (''#''' \dgcfp\\j è k_\ [\j`ê j\Zkfi# Xe[ ZcXj_\j f] k_fl^_k# `k _Xj Y\Zfd\ X [\j`ê _lY n`k_ fm\i (''' jkl[`fj f] XiZ_`k\Zkli\ Xe[ [\j`ê# ]fi XeelXc i\m\el\ f] XYflk (( Y`cc`fe PlXe (%,+ nfibj_fgj# jgXZ\j ]fi Xik Xe[ g_fkfîXg_p# jdXcc Y`cc`fe [fccXij % @e )''/ `k i\Z\`m\[ k_\ LE<J:F ;\j`ê :`kp ^Xcc\i`\j# jkfi\j n_\i\ `k `j gfjj`Yc\ kf Ylp k_è^j DX[\ è @kXcp# i\Xc ]Xmfi`k\j n`k_ k_\ :_è\j\ k`kc\# dXbè^ `k k_\ Ôijk :_è\j\ Z`kp kf [f jf# gfglcXk`fe% JèZ\ )'',# kXbè^ X[mXekX^\ f] `kj jligXjjè^ \m\e 9\àè^ Xe[ J_Xe^_X`% K_`j _fefi# c\X[è^ ifc\ è k_\ [\j`ê Ô\c[# J_\eq_\e _Xj Xjj`ê\[ kf Z\ek\ij f] [\j`ê \oZ\cc\eZ\ c`b\ 9\icè# Y\Zfd\# kf^\k_\i n`k_ ?fe^ Bfe^# k_\ _fd\ f] k_\ J\flc fi 9l\efj 8ì\j# `j k_\ i\jlck efk fecp f] XmXek$^Xi[\ Yl`c[è^j Zi\Xk\[ Yp k_\ c\X[è^ eXd\j 9`\ee`Xc f] LiYXe GcXeeè^ Xe[ 8iZ_`k\Zkli\% JèZ\ (00) `k `j k_\ gifkX^fe`jk f] k_\ >iXg_`Z ;\j`ê è èk\ieXk`feXc XiZ_`k\Zkli\ Æ jfd\ f] n_fd _Xm\ 9`\ee`Xc# Xe[ \m\ip p\Xi k_\ Z`kp _fjkj Zfdg\k`k`fej Xcjf fg\e\[ jkl[`fj è J_\eq_\e Æ c`b\ I\d ]fi pfle^ [\j`ê\ij% Bffc_XXj# DXjj`d`c`Xef =lbjXj# Jk\m\e ?fcc# 9lk k_XkËj efk Xcc% K_\ :_è\j\ c\X[\i è k_\ I`Z_Xi[ D\`\i# 8iXkX @jfqXb`# ?Xej ?fcc\è# Ô\c[ f] îXg_`Z Xe[ è[ljki`Xc [\j`ê# XiZ_`k\Zkli\ EfidXe =fjk\i# :ffg ?`dd\cYcXl fi Bf_e Xe[ ]Xj_`fe Æ *'#''' ]Xj_`fe [\j`ê\ij nfib _\i\ G\[\ij\e =fo# n_f _Xm\ [\j`ê\[ è n_Xk è )'(, ]fi /'' YiXe[j Æ k_\ Z`kp _fc[j k_\ i\Zfi[ ]fi k_\ n`cc Y\ k_\ nfic[Ëj j\Zfe[ kXcc\jk jbpjZiXg\i% gif[lZk`fe f] k`d\g`\Z\j# d\[`ZXc \hl`gd\ek# K_\ ]fik\ f] k_\ @ejkXek :`kp# k_lj Z_i`jk\e\[

Yp =iXeZ\jZX <jgfj`kf

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k\c\g_fe\j# kfpj# ]lie`kli\# Xe[ n`cc jffe Y\Zfd\ k_\ k_ì[ :_è\j\ Z\ek\i f] gif[lZk`fe f] gc\Xjli\ YfXkj% K_`j e\n [\j`ê ZXg`kXc XkkiXZkj efk aljk jkl[\ekj ]ifd Xcc fm\i :_èX i\X[p kf Xkk\e[ k_\ Le`m\ij`kp f] J_\eq_\e ]fle[\[ è (0/*# `k f]]\ij fe\ f] k_\ fc[\jk @e[ljki`Xc ;\j`ê Zflij\j è :_èX fi fe\ f] k_\ k\e [\gXikd\ekj f] k_\ Gfcpk\Z_e`Z% J_\eq_\e `j Xcjf k_\ [\jkèXk`fe f] [iXèè^ YiXèj n`k_ _Xe[j fe k_\ nXp flk f] DX[\ è @kXcp# n`k_ g\eZ`cj Xe[ Zfdglk\ij è k_\ì cl^^X^\# _\X[è^ <Xjk% C\Xmè^ i\Z\jj`fe$i`[[c\[ @kXcp Y\_è[ k_\d# n`k_ `kj cXZb f] afY j\Zli`kp# legX`[ èk\iej_`gj Xe[ [\Xik_ f] fggfikle`k`\j ]fi k_\ pfle^# k_\ [\j`ê efdX[j _Xm\ ]fle[ ]\ik`c\ îfle[ _\i\ kf nfib Xe[ kf [\j`ê# n`k_ ^ff[ jXcXi`\j Xe[ X Z_XeZ\ kf c\Xie jfd\ e\n k_è^j ]ifd :_èX Xj n\cc% @kËj efk Xcc X g`Ze`Z1 k_\ cXe^lX^\ `j _Xi[ kf c\Xie# k_\ _XY`kj f] k_\ :_è\j\ ZXe kXb\ jfd\ ^\kkè^ lj\[ kf# Xe[ k_\ k\e[\eZp kf Zfgp Xepk_è^ Xe[ \m\ipk_è^ `j X Y`k aXiiè^% K_\e k_\i\ `j k_\ cXZb f] [\dfZiXZp# n_`Z_ ZXe Y\ m`m`[cp j\ej\[% 8d`[jk eff[c\j# [i\Xdj Xe[ [iXnè^j# _\i\ Xi\ k_\ì jkfi`\j% Jfd\ _Xm\ c\]k `k Xcc Y\_è[# fk_\ij nXek kf lj\ :_èX Xj X cXleZ_è^ gX[# jfd\ Xi\ aljk nfic[ Z`k`q\ej è j\XiZ_ f] e\n \og\i`\eZ\j% 9\ZXlj\ `] J_\eq_\e lj\[ kf Y\ gfglcXk\[ fecp Yp :_è\j\ Ôj_\id\e# kf[Xp k_\i\ Xi\ Xcjf gc\ekp f] @kXc`Xe [\j`ê\ij kff% J\i\eX DXjè`# GfejXZZf G`jX # Yfie è (0.+# n`k_ X [\î\\ è 8iZ_`k\Zkli\ ]ifd =cfi\eZ\% @e :_èX ]fi fe\ p\Xi efn# j_\ nfibj Xj Xe èk\i`fi [\j`ê\i è J_\eq_\e% È@ dXp Y\ Xe XiZ_`k\Zk# Ylk

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INTERNI AXelXip$=\YilXip )'(*

*/EFTJHO */DFOUFS

" 3FGFSFODF QPJOU */ $IJO" '03 GBTIJPO EFTJHO "/% BSDIJUFDUVSF 4IFO[IFO )"4 "-40 #&$0.& 5)& %&45*/"5*0/ 0' ."/: JUBMJBO DSFBUJWF UBMFOUT -00,*/( '03 0110356/*5*&4 50 XPSL "/% EFTJHO 5)& 4503*&4 0' GJWF ZPVOH QFPQMF 8)0 )"7& -&'5 *5"-: 50 -*7& */ 5)& *OTUBOU $JUZ _\i\ @ Xd j`dgcp X ^\e\i`Z [\j`ê\i# jfd\k_è^ k_Xk [f\jeĂ&#x2039;k dXb\ i\Xc [\j`ê\ij fi i\Xc XiZ_`k\Zkj m\ip _Xggp% :c`Z_Â&#x201E;j XYflk :_èX6 K_\p Xi\ efk nfibX_fc`Zj1 k_\p jg\e[ _flij fe jfZ`Xc e\knfibè^ Xe[ Xk - GD k_\p ilj_ flk c`b\ k_\p Xi\ gfjj\jj\[% N_Xk `j k_\ì `[\X f] [\j`ê Xe[ XiZ_`k\Zkli\6 Kf ^\e\iXc`q\# k_\p Xi\ ZfemèZ\[ k_Xk Zfgpè^ `j hl`Zb\i# Xe[ k_Xk è XiZ_`k\Zkli\ fecp k_\ Ă&#x160;<lifg\Xe jkpc\Ă&#x2039; \o`jkj# efk Zfee\Zk\[ kf _`jkfi`ZXc g\i`f[j fi eXk`fej% K_\p nXek \m\ipk_è^# i`^_k XnXp# k_\p ZXeĂ&#x2039;k dXb\ iffd ]fi k_èbè^ Xe[ Zi\Xk`m`kpĂ&#x2030;% AXZfgf Q`YXi[`# *'# D`cXe\j\# [\î\\ è @e[ljki`Xc ;\j`ê% @e J_\eq_\e jèZ\ =\YilXip# _\ nfibj fe èk\i`fi [\j`ê è k_\ _fk\c j\Zkfi% K_\ Zlcgi`k nXj X Zflij\ ]fi :_è\j\ [\j`ê\ij# n_\i\ _\ nfib\[ Xj Xe Xjj`jkXek Xk k_\ Gfcpk\Z_e`Z Xe[ d\k _`j ]lkli\ Yfjj% )'#''' PlXe g\i dfek_ ),'' \lifj # _\Xck_ Y\e\Ă&#x201D;kj# knf ifle[$ki`g Ă&#x2022;`^_kj kf @kXcp g\i p\Xi# knf n\\bj f] mXZXk`fe Xe[ Xe @kXc`Xe Zf]]\\ dXZ_è\ e\ok kf _`j [\jb% Ă&#x2C6;@ nflc[ e\m\i _Xm\ \og\Zk\[ kf c\Xie jfd\k_è^ XYflk [\j`ê è :_èX% FYm`fljcp @ Xd efk kXcbè^ XYflk jkpc\ fi kXjk\# Ylk XYflk fi^Xe`qXk`feXc ZXgXZ`k`\j% ?\i\# lec`b\ n_Xk _Xgg\ej è k_\ FZZ`[\ek# k_\p _Xm\ X ^cfYXc m`j`fe% ?`jkfi`ZXccp k_\p Xi\ î\Xk jkiXk\^`jkj Xe[ k_\p dXeX^\ kf le[\ijkXe[ k_\ n_fc\ gcXpè^ Ă&#x201D;\c[# k_\p [feĂ&#x2039;k aljk ]fZlj fe fe\ [\kX`c% K_`j `j k_\ì jkife^ gfèk Ylk Xcjf k_\ì n\Xbe\jj# Y\ZXlj\ fe\ [\kX`c ZXe dXb\ Xcc k_\ [`]]\i\eZ\% 9lk k_\p îfn lg ]Xjk# Xe[ k_\pĂ&#x2039;cc ^\k k_\i\Ă&#x2030;% KfddXjf If[fc]f DXj\iX# *'# M`^\mXef% Jkl[`\[ Gif[lZk ;\j`ê Xk k_\ D`cXe Gfcpk\Z_e`Z% @e

C_In628_R_50_51_E_shenzen.indd 51

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IN THE LARGE PHOTO: THE ULTRA-LIGHT VILLAGE PROJECT, DISPLAYED AT THE PLAZA OF THE SHENZHEN CIVIC CENTER DURING THE FOURTH SHENZHEN BIENNIAL OF URBANISM\ ARCHITECTURE (DECEMBER 2011-FEBRUARY 2012). ABOVE, PORTRAITS OF YOUNG ITALIAN DESIGNERS WHO HAVE MOVED TO SHENZHEN. FROM THE TOP: TOMMASO RODOLFO MASERA AT THE PLAZA OF THE SHENZHEN CITY HALL; DEBORAH CAMPANA AND DAVIDE CASTORO IN SUPERMARKET; SERENA MASINI WITH LOCAL COLLEAGUES; JACOPO ZIBARDI IN A BOOKSTORE AT OCT LOFT, THE OLD INDUSTRIAL ZONE THAT IS NOW THE LOCATION OF MANY DESIGN AND ARCHITECTURE STUDIOS.

14/12/12 12.46

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C_In628_R_52_59_E_design connection.indd 52

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C_In628_R_52_59_E_design connection.indd 53

17/12/12 13.47

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STILO, BLUETOOTH HEADSET IN ALUMINIUM, BY LOGITEC (2012).

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HANGING LAMP FROM THE COLLECTION IN GLASS BY LASVIT (2012).

DRAGONFLY WOOL CARPET BY GANDIA BLASCO (2012).

FROM TOP TO BOTTOM: ROKUMARU COAT RACK IN WOOD, FOR DEPADOVA (2008); YUKI PLASTIC SCREEN BY CAPPELLINI (2006); SHORTCUT TOWEL RACK BY BOFFI (2009); CUBE WOODEN MAGAZINE RACK BY ARKETIPO (2010).

BOTTLEWARE, THE NEW COLLECTION FOR THE TABLE DESIGN FOR THE AMERICAN BRAND COCACOLA AND MADE USING THE COMPANY’S TYPICAL BOTTLES (2012).

ZABUTON LOUNGE CHAIR WITH METAL STRUCTURE, WITH OR WITHOUT ARMRESTS, FILLED WITH MOULDED POLYURETHANE, BY MOROSO (2012).

C_In628_R_52_59_E_design connection.indd 54

BIRD-APARTMENT, WOODEN BIRDHOUSE CLAD IN URETHANE FOR THE MOMOFUKU ANDO CENTER IN THE FOREST AT KOMORO CITY.

17/12/12 13.47

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PAL PLASTIC SEAT BY VONDOM (2010); FLOAT DIVAN BY SANCAL (2012).

RAINBOOT COLLECTION SPRING 2011, IN RUBBER, BY SYDNEY-D.

SLIDE CHAIR AND HASSOCK BY ROWE (2010); BASIK DESK BY COUNCIL (2010). BOBBLE RECYCLED PLASTIC BOTTLE BY MOVE COLLECTIVE (2010). FROM TOP TO BOTTOM: SUPERBLOB UPHOLSTERED FURNITURE BY EDRA (2002); TIDE CREDENZA BY HORM (2008); KUBO BOOKCASE BY MERITALIA (2008); SUBWAY STATION IN NAPLES (2011); KIVAS DIVAN COMPONENTS BY VANDICHIENTI (2011); LED APPLIQUE BY FABBIAN (2012).

C_In628_R_52_59_E_design connection.indd 55

KARIM IPHONE COLLECTION BY SPIGEN SGP (2012).

17/12/12 13.47

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PLAY OUTDOOR TABLE AND CHAIRS BY DEDON (2012). BIG DIGITAL WRISTWATCH BY FOSSIL (2011); ZIC STEREO HEADSET BY PARROT (2012).

COLLECTION OF CLOTHING, ACCESSORIES AND FRAGRANCES BY BALLANTYNE (2010).

TOP TO BOTTOM: STARCK EYES, EYEGLASS FRAMES BY MIKLI (2010); WAHH QUANTUM SENSATIONS, POCKET MINI-SPRAY BY WA/HH (2012); VOLTEIS-V+, ELECTRIC CAR BY VOLTEIS (2012); CRYSTAL SUPPER, GLASS TABLE BY BACCARAT (2012).

C_In628_R_52_59_E_design connection.indd 56

TOP TO BOTTOM: RICHARD III METAL CHAIR BY BALERI (1984); ARA TABLE LAMP BY FLOS (1988); SALIF JUICY CITRUS JUICER BY ALESSI (1990); ATTILA SEAT-TABLES BY KARTELL (1999); LOU READ LEATHER CHAIR FOR DRIADE (2011); ZARTAN CHAIR BY MAGIS (2011).

17/12/12 13.47

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ZVEZDOCHKA LIMITED-EDITION FOOTWEAR BY NIKE (2001); SCOPE TROLLEY BY SAMSONITE (2004).

MIXER FAUCET BY CAROMA (2012).

K-01 DIGITAL CAMERA BY PENTAX RICOH IMAGING (2012).

COTTON T-SHIRT FROM THE MEN’S COLLECTION 2013 BY G-STAR.

C_In628_R_52_59_E_design connection.indd 57

TOP TO BOTTOM: FELT CHAIR, IN FIBERGLASS, BY CAPPELLINI (1989); APOLLO POCKET TORCH BY FLOS (1997); COAST CHAIR BY MAGIS (2002); IO ROUND TABLE BY B&B ITALIA (1998); P755SV RANGE BY SMEG (2008); ACQUARIVA YACHT TENDER BY RIVA (2010).

17/12/12 13.47

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PARIS BOOKCASE IN MDF BY CLASSICON (2004); TIP TON ROCKING CHAIR BY VITRA (2010).

HULA WOODEN STOOL BY CAPPELLINI (1999); TAB T TABLE LAMP BY FLOS (2006); LANTERNE MARINE TABLE LAMPS BY VENINI (2009); POPPINS UMBRELLA STAND IN ABS BY MAGIS (2010);

ALUMINIUM FACADE FOR THE H&M STORE (2008).

TOP TO BOTTOM: DE LA WARR CHAIR BY ESTABLISHED & SONS (2005); THE FLUKE, SCULPTURE IN COR-TEN STEEL FOR THE OLD ROYAL NAVAL COLLEGE (2007); ASCENT, SCULPTURE FOR HAUNCH OF VENISON GALLERY (2011); BENCH IN CARRARA MARBLE MADE BY TORART FOR ESTABLISHED & SONS FOR THE V&A MUSEUM (2012); OLYMPIC TORCH IN ALUMINIUM FOR THE LONDON OLYMPICS 2012.

C_In628_R_52_59_E_design connection.indd 58

TOBI ISHI, ROUND TABLE IN MARQUINA AND WHITE CARRARA MARBLE BY B&B ITALIA (2012).

17/12/12 13.47

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DAME SUSPENSION LAMP BY ESTABISHED & SONS (2011).

LA MISE TWO OR THREESEAT DIVAN, COVERED IN FABRIC OR LEATHER WITH EXPOSED STITCHING, BY CASSINA (2012).

GREEN PADS TABLE AND PLANTER BY OFFECCT (2011); BEVEL WOOL CARPET BY OGEBORG (2012).

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IPE WOODEN STOOL BY MABEO (2011).

FLOAT TABLE BY LA CHANGE (2012); SWELL DESKTOP CADDIE BY PETITE FRITURE (2012); LES POUPﾃ右S, VASESCANDLESTICKS BY GALLERY PASCALE (2012). TOP TO BOTTOM: OTTO COLLECTION OF VASES BY VENINI (2010); NUANCE CHAIR BY CASAMANIA (2009); DRESSED DIVAN BY TACCHINI (2010); GEOART COMPONENT CARPET BY NODUS (2009); SPACE HANGING LAMP BY FOSCARINI (2003)

C_In628_R_52_59_E_design connection.indd 59

17/12/12 13.47

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THE FURNISHINGS OF THE CHINESE DUO (BELOW, IN THE PHOTO BY ANDREW ROWAT) OFTEN MAKE REFERENCE TO THEIR COUNTRYâ&#x20AC;&#x2122;S CULTURE. UPPER LEFT: THE EMPEROR LAMP IN WOVEN BAMBOO FOR MOOOI, THE BAI LU CHAIR, WITH CURVED LINES, FOR LEMA, AND THE MING SEAT FOR THE CHINESE BRAND STELLAR WORKS.

2_C_In628_R_60_67_E_designer_internaz.indd 60

Cpe[fe E\i` Xe[ IfjjXeX ?l Xi\ Yfk_ XiZ_`k\Zkj# kiXè\[ è k_\ Y\jk XiZ_`k\Zkli\ jZ_ffcj f] k_\ Le`k\[ JkXk\j% K_\p fg\e\[ X jkl[`f è J_Xe^_X` è )''+# ]fZljè^ fe cXi^\ nfibj Xe[ èk\i`fi [\j`ê# îXg_`Zj Xe[ ]lie`j_è^j% @e k_Xk jXd\ Z`kp# k_\p Xcjf fg\e\[ k_\ ZfeZ\gk jkfi\ ;\j`ê I\glYc`Z# ]\Xkliè^ k_\ Y\jk è èk\ieXk`feXc [\j`ê% K_\ì k\Xd jkXe[j flk ]fi `kj dlck`[`jZ`gcèXip Xe[ dlck`ZlckliXc XggifXZ_# n`k_ fm\i k_ìkp cXe^lX^\j jgfb\e è k_\ jkl[`f% C\dX Xe[ D\i`kXc`X Xi\ efk k_\ Ã&#x201D;ijk <lifg\Xe ZfdgXe`\j n`k_ n_`Z_ k_\p _Xm\ nfib\[# Xcjf nèeè^ X I\[ ;fk 8nXi[% K_\p Xggi\Z`Xk\ @kXc`Xe ZfdgXe`\j ]fi k_\ì j\ej\ f] _`jkfip# ]Xij`^_k\[ [\j`ê XggifXZ_ Xe[ gif[lZk`fe jb`ccj% K_\p jXp k_\p _Xm\ c\Xie\[ X cfk ]ifd jlZ_ ZfccXYfiXk`fej# k_fl^_ k_\p Xcjf gfèk kf Z\ikXè gifYc\dj f] Zfddle`ZXk`fe Xe[ X [`]]\i\ek gXZ\ ]fi k_\ [\m\cfgd\ek f] gifa\Zkj% N`k_ C\dX k_\p Xi\ Zi\Xkè^ X e\n Zfcc\Zk`fe# Xe[ fk_\i Zfcc\Zk`fej Xi\ efn è gifî\jj ]fi :cXjj`Zfe Xe[ Dfff`%

14/12/12 09.52

INTERNI AXelXip$=\YilXip )'(*

*/EFTJHO */DFOUFS

(MJNQU

K_\ Jn\[`j_ [lf DXkk`Xj IXjb Xe[ Kfi GXcd gifdfk\j ]fidj f] ^cfYXc ZiX]kjdXej_`g n`k_ leljlXc ZfekXdèXk`fej% K_\p ]fle[\[ >c`dgk è )'('# k_Xebj kf ZfccXYfiXk`fe è :Xg\ Kfne n`k_ K_\ Gfkk\ij Nfibj_fg# kf gif[lZ\ Z\iXd`Z cXdgj n`k_ X Jflk_ 8]i`ZXe Z_XiXZk\i ]fi k_\ <lifg\Xe dXib\k% K_`j \og\i`\eZ\ _Xj c\[ k_\d kf jkXik nfibè^ n`k_ ZiX]kjg\fgc\ Xe[ Zfddle`k`\j Xifle[ k_\ nfic[% @e M`\keXd# ]fi \oXdgc\# k_\p _Xm\ Zi\Xk\[ k_\ jlZZ\jj]lc Jlg\i_\if\j j\i`\j ]fi :Xgg\ccè`% Kf[Xp k_\p Xi\ nfibè^ n`k_ 8ik\jXefj ;fe 9fjZf è G\il Xe[ n`k_ jdXcc ZiX]kj nfibj_fgj è DXkf >ifjjf% K_\ì \eZflek\i n`k_ @kXc`Xe Yljè\jj ZXd\ n`k_ k_\ ;* :fek\jk è :fcfê\ è )'((# n_\i\ k_\p [\jZi`Y\[ k_\ Jflk_ 8]i`ZXe gifa\Zk Xe[ k_\ gifZ\jj f] [`Xcf^l\ n`k_ cfZXc Xik`jXej Xj X jfliZ\ f] èjgìXk`fe% >c`dgk# è ]XZk# fg\iXk\j Yp dXbè^ _pYi`[j f] Zi\Xk`m\ \og\i`\eZ\ n`k_ [`jkXek Zlckli\j%

TOP: THE FORBIDDEN FRUIT CERAMIC LAMPS PRODUCED BY THE POTTERS WORKSHOP. ABOVE: WOODEN BEDSIDE UNIT FOR EASY DISASSEMBLY, ONE OF THE PROTOTYPES CREATED WITH THE SOUTH AFRICAN FURNISHINGS CENTER FURNTECH. RIGHT AND BELOW: THE SUPERHEROES SERIES IN PLASTIC AND NATURAL MATERIALS, NOW PRODUCED BY CAPPELLINI AND DEVELOPED WITH WEAVERS FROM HO CHI MINH CITY.

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*/EFTJHO */DFOUFS

AXelXip$=\YilXip )'(* INTERNI

4FCBTUJBO )FSLOFS

?\ ZfdYè\j e\n k\Z_efcf^`\j n`k_ kiX[`k`feXc ZiX]kj k\Z_e`hl\j% K_`j >\idXe [\j`ê\i kffb X [\î\\ è @e[ljki`Xc ;\j`ê è F]]\eYXZ_# ]fle[è^ X jkl[`f k_\i\ è )''-% ;liè^ _`j kiXèè^# _\ Xcjf [`[ Xe èk\iej_`g n`k_ Jk\ccX DZ:Xike\p è Cfe[fe% K_`j \og\i`\eZ\# k_fl^_ è X [`]]\i\ek [`jZ`gcè\# _\cg\[ _`d kf [\m\cfg X j\ej\ ]fi Zfcfi# k\okli\j# dXk\i`Xcj Xe[ k_i\\$[`d\ej`feXc ]fidj% ?\ibe\i _Xj [\j`ê\[ gif[lZkj ]fi :cXjj`:fe# ;\ Mfid# EXeff Xe[ Dfifjf% K_\ cXkk\i ZfdgXep efk`Z\[ _`j gXg\i YXjb\kj Xk k_\ JXcfe\ JXk\cc`k\# k_\ jkXikè^ gfèk ]fi k_\ :fXk Zfcc\Zk`fe gi\j\ek\[ Xk k_\ JXcfe\ [\c DfY`c\ è )'()% ?\ibe\i X[dì\j k_\ ZfdgXep ]ifd L[è\ ]fi `kj g_`cfjfg_p Xe[ `kj nXp f] [fè^ [\j`ê# èk\igi\kè^ df[\ie`kp è i\cXk`fe kf k_\ kiX[`k`fe f] dXbè^% 8 e\n jf]X `j efn è gifî\jj ]fi k_\ :fXk j\i`\j% 8e[ `k n`cc efk Y\ k_\ fecp e\n Zi\Xk`fe ]fi @kXc`Xe ZfdgXe`\j è )'(*%

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TOP: BELL LIGHT PENDANTS, A SERIES OF LAMPS COMPOSED OF INTERCHANGEABLE PARTS IN DIFFERENT MATERIALS (COPPER, STEEL AND FABRIC). ABOVE: PRODUCED BY CLASSICON WITH A GLASS STRUCTURAL PART THAT SUPPORTS A BRASS TOP, THE BELL TABLES ARE TWO TABLES THAT INVERT THE USUAL SENSE OF MATERIALS; THE CLIP WOODEN CHAIR FOR DE VORM MAINTAINS THE CLEAR SEPARATION OF TWO MATERIALS, ALSO TO FACILITATE DISASSEMBLY. BELOW: THE COAT COLLECTION FOR MOROSO FEATURES SEATS WITH A SOFT, SEAMLESS STRUCTURE, AND ACCESSORIES IN WOVEN FIBER AND METAL ROD, BASED ON THE SAME HUES.

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INTERNI AXelXip$=\YilXip )'(*

+645 -"/%&%

)BHJU 1JODPWJDJ

@jiX\c` Yp fi`^è# c`m\j Xe[ nfibj è Ifd\ Xe[ D`cXe% KiXè\[ Xk k_\ 9\qXc\c 8ZX[\dp f] 8ik Xe[ ;\j`ê è A\iljXc\d# j_\ nXj k_\ _\X[ f] k_\ [\j`ê [\gXikd\ek f] k_\ c`^_kè^ ZfdgXep 8hlX :i\Xk`fej è K\c 8m`m% 9lk _\i gXjj`fe ]fi è[ljki`Xc [\j`ê _Xj [\\g\i iffkj# n`k_ _\i îXe[]Xk_\i DXiZ\c# n_f iXe X ZfdgXep k_Xk gif[lZ\[ _Xe[dX[\ Xik`Zc\j è gc\o`^cXj% Kf[Xp j_\ kiXej]fidj k\Z_efcf^`\j Xe[ ZiX]kjdXej_`g èkf mfcld\ki`Z p\k c`^_k# ^\fd\ki`Z p\k legi\[`ZkXYc\# XggXi\ekcp iXe[fd fYa\Zkj% K_\ 8$Cè\ Z_\jk f] [iXn\ij ]fi :fc `j X ^ff[ \oXdgc\% GèZfm`Z` XggifXZ_\[ k_\ @kXc`Xe ZfdgXep X]k\i j\\è^ Xe Xik`Zc\ è X dX^Xqè\% K`\j f] ]i`\e[j_`g Xe[ dlklXc i\jg\Zk _Xm\ îfne n`k_ k_\ \eki\gi\e\lij DXkk\f ;\ Gfek` Xe[ CXliX DXZXêf# n_f le[\ijkXe[ k_\ mXcl\ f] k_\ ifc\ f] k_\ [\j`ê\i% Efn j_\ `j ZfccXYfiXkè^ n`k_ fk_\i @kXc`Xe ZfdgXe`\j Xj n\cc1 X Z_\jk f] [iXn\ij `j jffe kf Y\ i\c\Xj\[ Yp Dè`]fidj# n_`c\ gifa\Zkj ]fi ^cXjj gif[lZkj Xe[ c`^_kè^ Ôokli\j Xi\ efn è gifî\jj% FROM THE TOP: THE SELF-PRODUCED ALMA SEAT, A PROTOTYPE THAT USES PLEXIGLAS IN THE BACK, AND CURVED LAMINATE FOR THE SEAT; THE A-LINE DRAWER UNIT FOR COLÉ HAS A LIGHT IMAGE THANKS TO THE SLENDER LEGS IN SOLID WOOD AND THE RED ETCHED PLEXIGLAS HANDLES THAT SEEM TO BIND THE DRAWERS; (LARGE IMAGE) THE CHEST OF DRAWERS NOW BEING DEVELOPED FOR MINIFORMS; EMBROIDERY, WOODEN PLUGS WITH BRASS PARTS THAT FUNCTION AS COMPASSES, ENGRAVING A PERSONAL SIGNATURE (SELF-PRODUCED).

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*/EFTJHO */DFOUFS

AXelXip$=\YilXip )'(* INTERNI

'SBODJT $IBCMP[

?\ ^fk jkXik\[ Xj X ZXig\ek\i n`k_ X _\[fe`jk`Z Xkk`kl[\% K_\e _\ Zfdgc\k\[ _`j kiXèè^ Xk k_\ <:8C è CXljXee\# n_\i\ _\ ]fle[\[ _`j jkl[`f è )''/% ?\ _Xj X kXc\ek ]fi nfibj n`k_ X jkife^ eXiiXk`m\ Z_XiXZk\i# Xj j\\e è k_\ c`d`k\[ j\i`\j gif[lZ\[ Yp >Xcc\ip Fidfe[ :fek\dgfiXip <[`k`fej# n_\i\ _\ `j k_\ gif[lZk dXeX^\i% K_\ JXcfe\ JXk\cc`k\ nXj _`j cXleZ_è^ gX[ èkf è[ljkip# jèZ\ _\ ZXl^_k k_\ \p\ f] ;Xe\j\# c\X[è^ kf k_\ gif[lZk`fe f] k_\ =Xjk jpjk\d% ;Xe\j\ nXj k_\ Ôijk ZfdgXep kf gif[lZ\ fe\ f] _`j [\j`êj# Xe[ _\ Zfekèl\j kf nfib n`k_ k_\d% =Xjk _Xj X m\ip Õ\o`Yc\ df[lcXi jkilZkli\ YXj\[ fe Y\ckè^ k_Xk _fc[j k_\ gXikj kf^\k_\i% K_`j `j :_XYcfqËj Ê:fcldYlj <^^Ë# è[`ZXk`m\ f] _`j Zli`flj# èm\jk`^Xk`m\ Ylk Xcjf ìfe`Z jgì`k# Xj j\\e è k_\ cXi^\ C<; cXdg è k_\ ]fid f] X j_Xib%

TOP, FROM LEFT: THE FAST FURNISHINGS SYSTEM FOR DANESE, WHOSE COMPONENTS ARE HELD TOGETHER BY BELTING; THE PISTIL VASE SERIES FOR GALLERY ORMOND CONTEMPORARY EDITIONS, CONCEIVED AS AN ASSEMBLAGE OF GLASS GEOMETRIC PARTS (PHOTO DANIEL BALMAT); IRONIC TOY ROBOT CITATIONS IN THE TRANSFORMER GLASS VASES FOR GALLERY ORMOND CONTEMPORARY EDITIONS. TO THE SIDE, FRANCIS CHABLOZ WITH AN LED LAMP FROM THE POWER OF LIGHT SERIES (PHOTO EMILE BARRET & FABRICE SCHNEIDER).

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INTERNI AXelXip$=\YilXip )'(*

+645 -"/%&%

4UVEJP +VKV

K`df Nfe^ Xe[ Gi`jZ`ccX Cl` ]fle[\[ Jkl[`f Alal è Jè^Xgfi\ è )''0% K_\p nfib è k_\ Xi\Xj f] èk\i`fi Xe[ ]lie`kli\ [\j`ê# gXpè^ Zcfj\ Xkk\ek`fe kf fi^Xe`Z ]fidj Xe[ lj\i$fYa\Zk èk\iXZk`fe% =i\j_e\jj# j`dgc`Z`kp Xe[ gcXp]lce\jj Xi\ Xcc \jj\ek`Xc gXikj f] k_\ì XggifXZ_% @e )'(( Xk ;\j`ê D`Xd` k_\p n\i\ eXd\[ È;\j`ê\ij f] k_\ =lkli\É# Ylk `k nXj Xe flkè^ Xk k_\ JXcfe\ JXk\cc`k\ k_Xk Yifl^_k k_\d kf k_\ Xkk\ek`fe f] k_\ @kXc`Xe ZfdgXe`\j ;\jXckf Xe[ C`mè^ ;`mXe`% K_\ [lf Xggi\Z`Xk\j k_\ nXp @kXc`Xe ZfdgXe`\j èk\igi\k [\j`ê# è jg`k\ f] cfe^$[`jkXeZ\ Zfddle`ZXk`fej# lec`b\ k_\ì Zc`\ekj è Jè^Xgfi\# n_f i\hlì\ Zcfj\i ZfccXYfiXk`fe fe Xcc g_Xj\j f] gif[lZk \e^è\\iè^% Kf[Xp k_\p Xi\ nfibè^ fe knf XggXi\ekcp fggfj`k\ XggifXZ_\j1 X glYc`Z jZlcgkli\ ]fi X jgXZ\ è k_\ Jè^Xgfi\ jlYnXp# Xe[ X Zfcc\Zk`fe ]fi C`mè^ ;`mXe`% ;`]]\i\ek gifa\Zkj k_Xk j_Xi\ k_\ ^fXc f] [\k\idèè^ X i\cXk`fej_`g Y\kn\\e g\fgc\ Xe[ k_\ jgXZ\ k_Xk jliifle[j k_\d% CLOCKWISE FROM TOP: THE BAMBI CHAIR WITH HANDLE-SHAPED BACK AND LARGE PADDED SEAT; THE DUCK TABLE LAMP HAS A TRUNK THAT ROTATES ON THE WEDGE-SHAPED BASE; THE TO SERIES OF TABLES FOR DESALTO WITH T-SHAPED BASES. BELOW, THE RABBIT AND THE TORTOISE COLLECTION OF TABLES PRODUCED BY LIVING DIVANI, WHOSE ORGANIC FORM SUGGESTS UNUSUAL SPATIAL CONFIGURATIONS.

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*/EFTJHO */DFOUFS

AXelXip$=\YilXip )'(* INTERNI

TO THE SIDE: THE ROCKING CHAIR IN CURVED WOOD CREATED FOR S&C; THE CUP LAMP WITH RECYCLED PARTS, OF SURPRISING SIMPLICITY. BELOW: FEATURING JOINTS IN FLEXIBLE RUBBER, THE JOYNT SERIES PRODUCED BY LAGO TRANSFORMS THE CHAIR INTO A DYNAMIC OBJECT.

)BSSZ 0XFO

M\ip pfle^# ]ifd k_\ @jc\ f] N`^_k# _\ kffb X [\î\\ è )''0 Xk k_\ Le`m\ij`kp f] 9flie\dflk_% K_\ Nfij_`g]lc :fdgXep f] =lie`kli\ DXb\ij f]]\i\[ _`d X jkl[p îXek ]fi X DXjk\ij è =lie`kli\ ;\j`ê Xk 9lZbj E\n Le`m\ij`kp# Xe fggfikle`kp k_Xk _Xj c\[ kf ZfccXYfiXk`fej n`k_ `dgfikXek [\j`ê jkl[`fj# c`b\ k_fj\ f] J`dfe G\e^\ccp Xe[ Kfd ;òfe è Cfe[fe# Xe[ G\i ;\j`ê è 9\àè^% N`k_ k_\ cXkk\i# _\ _Xj nfib\[ fe gcXjk`Z gif[lZkj ]fi k_\ dXjj dXib\k% Fn\eËj XggifXZ_ `j giX^dXk`Z Xe[ \og\i`d\ekXc# jf `k Ôk è g\i]\Zkcp n`k_ k_\ Zi\Xk`m\ CX^f Jkl[`f nfibj_fg f] CX^f# è )'((# i\jlckè^ è k_\ Afpek Z_Xìj Xe[ jkffcj% K_\ j\i`\j `j YXj\[ fe k_\ jkl[`\j fe Õ\o`Yc\ ilYY\i Y\^le Yp Fn\e n_\e jk`cc è jZ_ffc# \e^è\\i\[ Yp k_\ CX^f k\Xd kf dXb\ X gif[lZk k_Xk dfm\j kf^\k_\i n`k_ k_\ lj\i% 8k k_\ dfd\ek Fn\e `j nfibè^ n`k_ k_\ 9\e N_`jkc\i ZfdgXep è Cfe[fe# n_`Z_ dXb\j Zljkfd ]lie`j_è^j ]fi k_\ _fd\ Xe[ ZfekiXZk# n`k_ X ]fZlj fe ZiX]k\[ gifkfkpg\j%

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INTERNI AXelXip$=\YilXip )'(*

+645 -"/%&%

TO THE SIDE: PART OF THE ORDINARY FAMILY, THE ISABELLA CHEST OF DRAWERS REFERENCES TRADITIONAL FURNISHINGS, BUT WITH UNUSUAL POINTS OF BREAKDOWN, LIKE THE HOLE COVERED WITH GOLDEN PEARLS; THE GRADIENT CABINET, A LIMITED EDITION, IS COMPOSED OF METAL RODS THAT GET DENSER TOWARDS THE TOP, AND FUNCTION AS A BASE FOR GLASS SHELVES. BELOW: THE SHELLF BOOKCASE IN MDF FOR KRISTALIA, WITH A SLOPED THICKNESS CONVERGING TOWARDS THE CENTER, FOR AN UNUSUAL SENSE OF MOVEMENT.

,B -BJ $IBO

BBARE BEAR IS A SERIES OF FURNISHING COMPLEMENTS FOR THE ORDINARY FAMILY, IRREGULARLY FINISHED WITH DENSE PAINT AND VARIOUS MATERIALS THAT CHANGE THEIR APPEARANCE IN AN INTENTIONALLY DISTURBING WAY.

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J_\ kffb X [\î\\ è Lki\Z_k è )''0# Xe[ fg\e\[ X jkl[`f k_\i\% ?\i \og\i`\eZ\ n`k_ ;lkZ_ [\j`ê ZfdYè\j n`k_ 8j`Xe iffkj è X g\ijfeXc m`j`fe k_Xk Yc\e[j i`^fi# j`dgc`Z`kp Xe[ ^\fd\kip n`k_ X ]fZlj fe gcXp Xe[ XiZ_\kpgXc Ã&#x201D;^li\j i`Z_ è d\Xeè^% BX$CX` :_Xe f]k\e [\j`êj Zfekèlflj ]fidj èjgì\[ Yp dfm\d\ek% J_\ jXpj j_\ d\k Bi`jkXc`X Yp Z_XeZ\# k_Xebj kf jfZ`Xc d\[`X# n_\e j_\ _X[ aljk Ã&#x201D;e`j_\[ _\i j_\CC] c`d`k\[$\[`k`fe YffbZXj\% K_\ @kXc`Xe ZfdgXep i\èk\igi\k\[ k_\ gif[lZk è [`]]\i\ek dXk\i`Xcj% :_Xe gfèkj kf k_\ gif]\jj`feXc`jd f] Bi`jkXc`X Xe[ `kj fg\ee\jj kf

[`Xcf^l\# è X i\cXk`fej_`g k_Xk n`cc c\X[ kf e\n gif[lZkj ]fi )'(*% BX$CX` :_Xe Xcjf nfibj n`k_ ;lkZ_ ZfdgXe`\j Xe[ Zi\Xk\j j\c]$gif[lZ\[ fYa\Zkj k_Xk Xccfn _\i kf \og\i`d\ek n`k_ k_\ i\cXk`fej_`g Y\kn\\e mfcld\j Xe[ k_\ gifZ\jj\j f] k_\ì g\iZ\gk`fe% @k `j ef ZfèZ`[\eZ\ k_Xk _\i e\n c`d`k\[ j\i`\j èm\jk`^Xk\j k_\ k_\d\ f] j_X[fnj%

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*/EFTJHO */DFOUFS

AXelXip$=\YilXip )'(* INTERNI

7P:B(F 5P 5)F PV5T,*S5T P' 5)F (-P#B- .BS,F5 &NFSHJOH OBUJPOT 4&&/ '30. 61 $-04& /"33"5&% #: 5)& NBOBHFST 8)0 7*4*5 5)&. -*7*/( */4*%& 5)&*3 #03%&34 "/% 53:*/( 50 $0/26&3 5)&*3 ."3,&54 %JGGFSFOU SFBMJUJFT 8*5) 0/& 4)"3&% QBTTJPO JUBMJBO QSPEVDUT " 46$$&44 4503: 3&'-&$5&% */ 5)& OFX TUPSFT 0' -&"%*/( %&4*(/ #3"/%4 01&/&% */ 5)& XPSME */ k\ok 8ekfe\ccX >Xcc`

-JTUPOF (JPSEBOP :Xg\ Kfne

,BSUFMM :Xg\ Kfne

4PV5) "'S*DB C_In628_R_68_75_E_showroom_export.indd 68

MUNDOBALL, TOY BALL BY JAVIER MARISCAL FOR MAGIS, ME TOO COLLECTION.

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INTERNI AXelXip$=\YilXip )'(*

*/EFTJHO */DFOUFS

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INTERNI AXelXip$=\YilXip )'(*

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INTERNI AXelXip$=\YilXip )'(*

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14/12/12 17.45

INTERNI AXelXip$=\YilXip )'(*

(-0#"- ."3,&5

1PMUSPOB 'SBV

B ce# D eZ_\e# 9ilo\cc\j

"SQFS Cfe[fe

"OUPOJPMVQJ D eZ_\e

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K_\ Iljj`Xej# [peXd`Z Xe[ n\cc$è]fid\[ >cfi`X :XqqXe`^X# \ogfik dXeX^\i f] 9Xok\i È=fi 9Xok\i# \ogfikj XZZflek ]fi XYflk -, f] fm\iXcc jXc\j% N\ _Xm\ Y\\e fe k_\ Iljj`Xe dXib\k ]fi (, p\Xij efn1 Xe[ `k Zfekèl\j kf îfn% 8Yflk fe\ k_ì[ f] fli jXc\j Zfd\ ]ifd Iljj`X% N\ _Xm\ Xcjf nfib\[ è :_èX ]fi dXep p\Xij# Ylk fli gif[lZk Xgg\Xcj XYfm\ Xcc kf èk\i`fi [\j`ê\ij fi gif]\jj`feXcj# efk jf dlZ_ kf gi`mXk\ Zljkfd\ij# Y\ZXlj\ n\ k_èb `k `j kff ÊXmXek$^Xi[\Ë n`k_ i\jg\Zk kf ^\e\iXc kXjk\j% N\ Xi\ jk`cc efk j\\è^ Y`^ eldY\ij ]ifd :_èX# Ylk n\ k_èb `k `j nfik_ Zfekèlè^ kf èm\jk k_\i\# Y\ZXlj\ k_\ j`klXk`fe `j \mfcmè^% >iX[lXccp# n`k_ k_\ e\n ^\e\iXk`fej# g\fgc\ n`cc jkXik kf le[\ijkXe[ X jfg_`jk`ZXk\[ gif[lZk k_Xk \ogi\jj\j X c\jj fjk\ekXk`flj j\ej\ f] clolip# n`k_ X c\jj YiXj_ gi\j\eZ\ f] k_\ cf^f% @e Iljj`X# fe k_\ fk_\i _Xe[# k_\ kXjk\j f] k_\ 9Xok\i Zc`\ek _Xm\ ^fkk\e dfi\ i\Ôe\[ Xci\X[p flkîfnè^ k_\ gXjj`fe ]fi ZcXjj`ZXc ]lie`j_è^j è ^fc[ Xe[ j`cm\i 2 Ylp\ij Xi\ XYc\ kf ]fccfn k_\ \mfclk`fe f] k_\ ZfdgXep# [\Xc\ij Xi\ [peXd`Z Xe[ n\cc$è]fid\[# k_\p Xkk\e[ k_\ ]Xìj% Fli Zljkfd\ij Xi\ è k_\ _`^_ \e[ f] k_\ dXib\k# n`k_ X^\j iXe^è^ ]ifd *' kf -'% Iljj`Xej c`b\ kf dò Zfcfij Xe[ gif[lZkj# Xe[ k_\p Ylp fli g`\Z\j ]fi Xcc iffdj# ]ifd k_\ Y\[iffd kf k_\ c`mè^ Xi\X kf k_\ jkl[pÉ%

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AXelXip$=\YilXip )'(* INTERNI

8PS-% P' *OT1*SB5*PO Yp BXki`e :fjj\kX

5)& 5"45& '03 SFDZDMJOH 0' ."5&3*"-4 "/% 5)& #3*()5 $0-034 0' #SB[JM 5)& 4&/4& 0' 5)& 13&$*064 "/% 5)& DISPNBUJD DVMUVSF 0' *OEJB "GSJDBO OFPQSJNJUJWJTN 5)& 'BS &BTU #&58&&/ "#40-65& &44&/$& "/% ):1&3 %&$03"5*7*4. %&4*(/ &91-03&4 IZCSJE MBOHVBHFT #"-"/$&% #&58&&/ JOEVTUSZ "/% DSBGUT FYPUJD $)"3. "/% $0..&3$*"- 453"5&(: */ FNFSHJOH NBSLFUT

2_C_In628_R_76_83_E_ispiraz_mondo.indd 76

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INTERNI AXelXip$=\YilXip )'(*

*/EFTJHO */DFOUFS

5. EURO TROPIQUES COLLECTION OF PORCELAIN PLATES WITH DECORATION BY FERNANDO & HUMBERTO CAMPANA FOR BERNARDAUD. 6. BOIS DE ROSE BY MASSIMO MOROZZI FOR EDRA, CABINET OPENED WITH A PEDAL, COVERED WITH IRREGULAR INLAYS OF SHEARED WOOD, OF THE TYPE ONCE USED FOR LARGE LOUIS XV DRESSERS. 7. WRONGWOODS BOOKCASE BY RICHARDS WOODS AND SEBASTIAN WRONG FOR ESTABLISHED AND SONS, BOOKCASE WITH DOORS IN 3 COLOR VARIATIONS. 1. DROP CHAIR BY ORLANDINI & RADICE FOR INFINITI, IN POLYPROPYLENE LADEN WITH FIBERGLASS, WITH DECORATION BY THE BRAZILIAN ARTIST ROMERO BRITTO. 9.

2. ZIO TOM BY CLAUDIO BITETTI FOR MOGG, CABINET ASSEMBLED WITH RECYCLED ANTIQUE WOOD. 3. È MEGLIO CHE TI SIEDA, BY BRAVE ARTISANS FOR DANESE, CHAIR WITH STRUCTURE IN DIFFERENT TYPES OF WOOD AND WOOL CUSHIONS.

8. INFLATED WOOD, LIMITED EDITION BY ZANINI DE ZANINE FOR CAPPELLINI, CHAIR IN BRAZILIAN IPE AND JACARANDA WOOD. 9. QUETZACOATL BY JEAN-BAPTISTE FASTREZ, HAMMOCK-INSTALLATION MADE WITH HALLINGDAL 65 FABRIC BY KVADRAT IN A TRIBUTE TO THE ICONIC FABRIC OF THE COMPANY, DESIGNED BY NANNA DITZEL IN 1965.

4. BABILONIA FROM THE NEORUSTICA COLLECTION BY BRUNNO JAHARA FOR NDT BRAZIL, CREDENZA IN RECYCLED WOOD.

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*/EFTJHO */DFOUFS

AXelXip$=\YilXip )'(* INTERNI

2_C_In628_R_76_83_E_ispiraz_mondo.indd 78

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INTERNI ^\eeX`f$]\YYiX`f )'(* INTERNI AXelXip$=\YilXip )'(*

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1. BELOVED INDIA BY HERMÈS MAISON, FURNISHING FABRIC IN 100% COTTON, DESIGNED BY PHILIPPE DUMAS. 2. SURROUNDED STOOLS, DESIGNED AND PRODUCED BY ELS WOLDHEK/ WHATELS, INTERPRETING TRADITIONAL INDIAN TEXTILE TECHNIQUES.

3. HELIX BY FLOOR TO HEAVEN, HAND-TUFTED CARPET. 4. DR JEKYLL AND MR HYDE BY PIERO LISSONI FOR GLAS ITALIA, CABINETS IN LAYERED GLASS. 5. JOY BY BOREK SIPEK FOR THE BAROCK’N’ROLL COLLECTION OF SAWAYA&MORONI, GLASS CENTERPIECE. 6. FROM THE KATRAN COLLECTION DESIGNED AND PRODUCED BY SAHIL & SARTHAK, CHAIR MADE WITH FABRIC SCRAPS WOVEN ON A METAL STRUCTURE.

7. LUSTRE LIGHT BY TOM DIXON, SUSPENSION LAMP IN METAL-EFFECT STONEWARE. 8. MAXIM’S BY ALESSANDRO LA SPADA FOR VISIONNAIRE, TABLE IN MARBLE AND GLASS.

10.

11.

9. NAPPA BY FERRUCCIO LAVIANI FOR EGO, TABLE WITH GLASS TOP AND TUBULAR BASE COVERED IN CORD. 10. GRAY 63 BY PAOLA NAVONE FOR GERVASONI, DRAWER UNIT IN WHITE STAINED OAK WITH SCREEN-PRINTED MIRROR FRONTS. 11. ROI SOLEIL BY VINCENZO ANTONUCCIO AND MARILENA CALBINI FOR VG, TABLE WITH TOP IN BLACK PLEXIGLAS, LEGS IN SHINY METAL.

14. 12. 13.

12. COLONY CAVALLETTO BY PAOLA C, TRAY IN ALUMINIUM WITH HANDLES ON WOODEN TRESTLE. 13. SELLERINA ALLUMINIO BY PAOLA NAVONE FOR BAXTER, MONOBLOCK OF CAST ALUMINIUM, COVERED IN BLUE MONGOLIA. 14. THEME AND VARIATIONS N. 228 PLATE BY FORNASETTI, PORCELAIN WITH WHITE, BLACK AND GOLD DECORATION.

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*/EFTJHO */DFOUFS

AXelXip$=\YilXip )'(* INTERNI

2_C_In628_R_76_83_E_ispiraz_mondo.indd 80

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INTERNI AXelXip$=\YilXip )'(*

803-% 0' */41*3"5*0/

1. CHAIR IN METAL AND WOVEN MULTICOLOR PVC MADE FOR MARNI BY INMATES FOR A CHARITY-DESIGN PROJECT. 2. SAYA BY LIEVORE ALTHERR MOLINA FOR ARPER, OAK CHAIR AVAILABLE IN NATURAL AND TEAK FINISH, IN OPEN-PORE STAINED WHITE, BLACK OR OCHRE, AND THREE SHADES OF RED.

6. TOTEM BY DAVIDE BONANNI FOR ACCADEMIA, STACKABLE HASSOCK COVERED WITH STRING.

3. FEDRO BY LORENZA BOZZOLI FOR DEDON, OUTDOOR ROCKING CHAIR WITH STRUCTURE IN EXTRUDED ALUMINIUM, COVERED WITH COLORFUL WOVEN PLASTIC FIBER.

7. BASK BY SEBASTIAN HERKNER FOR MOROSO, COLLECTION OF BASKETS THAT CAN BE TURNED OVER FOR USE AS TABLES, WITH STRUCTURE IN METAL WIRE AND PAPER FIBER WEAVE.

4. STOOLS BY FORMAFANTASMA FOR THE CRAFTICA DESIGN PROJECT BY FENDI, MADE WITH LEATHER SCRAP, WOOD AND FISH SKIN.

8. WOOD TABLE BY MASSIMO CASTAGNA FOR HENGE, TABLE IN NATURAL SWAMP OAK WITH OIL FINISH.

5. PARTY ZOO BY ALDO CIBIC FOR MORET, CARPET WITH LINEN FIELD AND THREADED DESIGN IN WOOL, MOHAIR AND SILK.

9. FROM THE STEPHEN BURKS COLLECTION FOR DEDAR, HASSOCKS COMPOSED OF A BUNDLE OF MARINE ROPES WRAPPED IN FABRIC TRIM FROM THE BABÀ LINE. 10. KALAHARI BY CLAESSON KOIVISTO RUNE FOR MABEO, OAK BENCH, COMPLETE WITH DRAWERS AND OBJECT HOLDERS, ALSO AVAILABLE IN PANGA PANGA OR MUKWA WOOD.

9. 10.

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*/EFTJHO */DFOUFS

AXelXip$=\YilXip )'(* INTERNI

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INTERNI AXelXip$=\YilXip )'(*

803-% 0' */41*3"5*0/

1. CAGE BY ARIK LÉVY FOR FORESTIER, HANGING OR TABLE LAMP WITH PAPER SHADE. 2. CESAR BY RODOLFO DORDONI FOR MINOTTI, HASSOCK-TABLE WITH GLOSSY PAINT FINISH IN 3 COLORS. 3. PAPILLON BY KAREN CHEKERDJIAN FOR VALSECCHI 1918, STOOL WITH STRUCTURE IN ALUMINIUM AND STEEL, SEAT IN PLYWOOD VENEERED IN BLACK OR RED LACQUERED ASH. 4. GUALTIERO ED EDITH BY PAOLO CAPPELLO FOR MINIFORMS, EXTENSIBLE TABLE IN LACQUERED WOOD ON METAL SHEET, CHAIR IN BEECH OR OAK WITH NATURAL OR LACQUER FINISH.

5. RISCIÒ BY KENZO MAISON, CHAIR WITH STRUCTURE VENEERED IN CANALETTO WALNUT AND GLACÉ LACQUERED BORDERS. CUSHIONS HELD IN PLACE BY ELASTIC BELTING, LIKE A KIMONO. 6. TIGER BY DYLAN MARTORELL FOR DOMESTIC, CARPET IN 100% WOOL, MADE BY HAND.

7. INTRIGUE JAPONAIS BY PAOLO CAPPELLO FOR NODUS, COLLECTION OF CUSHIONS, COORDINATED WITH A CARPET, IN CASHMERE AND HAND-EMBROIDERED METAL THREAD. 8. BOX BY SILVANO PIERDONÀ AND MANUELA PELIZZON FOR CAPODOPERA, CHEST OF DRAWERS ON METAL BASE. THE DRAWERS HAVE A CORIAN STRUCTURE AND FRONTS CUT AT 45 DEGREES.

10.

11.

9. OKUMI BY STUDIO CATOIR FOR LIGNE ROSET, CHAIR WITH SOLID BEECH STRUCTURE, CUSHIONS BASED ON THE DESIGN OF THE KIMONO. 10. ARIA BY RAFFAELLO GALIOTTO FOR NARDI, INDOOR-OUTDOOR LOUNGE CHAIR IN POLYPROPYLENE. 11. TABLE FROM THE KITE FAMILY BY SHIN AZUMI FOR FORNASARIG, COFFEE TABLE IN SOLID BEECH OR OAK. 12. CABINET FROM THE F THE CLASSICS COLLECTION BY FERRUCCIO LAVIANI FOR FRATELLI BOFFI, WITH BASE IN HAND-CARVED WOOD, FINISHED IN GOLD LEAF, UPPER PART COVERED IN FABRIC.

12.

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AXelXip$=\YilXip )'(* INTERNI

19/12/12 11.27

INTERNI AXelXip$=\YilXip )'(*

*/EFTJHO */DFOUFS

k\ok :i`jk`eX Dfifqq`

3PPN X*5)PV5 XB--T

*/$-6%&% */ 5)& SFJTTVFT 0' $BTTJOB "'5&3 " -0/( MFHBM CBUUMF 50 %&.0/453"5& *54 536& "65)034)*1 5)& /VBHF CPPLDBTF JT UIF NPTU JDPOJD &913&44*0/ 0' 5)& "1130"$) 50 %&$03 0' $IBSMPUUF 1FSSJBOE '"3 '30. 5)& 53"%*5*0/"- '03.4 0' PSHBOJ[BUJPO PG %0.&45*$ 41"$&4

DESIGNED BY CHARLOTTE PERRIAND IN THE MID-1950S, THE NUAGE FAMILY OF BOOKCASES AND CABINETS IS NOW PART OF THE I MAESTRI COLLECTION OF CASSINA. ON THE FACING PAGE, PERRIAND WITH HER BOOKCASE AT THE EXPO SYNTHÈSE DES ARTS, TOKYO, 1955 (PHOTO JUNZO INAMURA, COPYRIGHT ARCHIVES CHARLOTTE PERRIAND, ADAGP 2012).

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_Xicfkk\ G\ii`Xe[ )+ FZkfY\i (0'*$). FZkfY\i (000 îX[lXk\[ ]ifd k_\ <Zfc\ [\ cËLe`fe :\ekiXc\ [\j 8ikj ; ZfiXk`]j f] GXi`j è (0)-% K_Xk jXd\ p\Xi# X]k\i dXiipè^ j_\ [`mfiZ\[ X ]\n p\Xij cXk\i # j_\ j\k lg _\i Xk\c`\i è Xe fc[ g_fkfîXg_p jkl[`f fe GcXZ\ JXèk Jlcg`Z\ Xe[ Y\^Xe kf \eafp c`]\% È@ [`jZfm\i\[ <e^c`j_ c`k\iXkli\É# j_\ ni`k\j è _\i XlkfY`fîXg_p# Èk_\ Ôcdj f] :fZk\Xl# Cfl`j 8idjkife^% @ c\Xie\[ k_\ :_Xic\jkfe¿ @ _X[ X kfdYfp _XìZlk Xe[ nfi\ X e\ZbcXZ\ @ _X[ [\j`ê\[ dpj\c]# Y\X[j f] Z_ifd`ld$gcXk\[ Zfgg\i% @ ZXcc\[ `k dp YXcc Y\Xiè^j# jpdYfc Xe[ X gifmfZXk`fe# le[\icèè^ k_\ ]XZk k_Xk @ Y\cfe^\[ kf k_\ d\Z_Xe`ZXc Z`m`c`qXk`fe f] k_\ )'k_ Z\eklip¿ Fe k_\ jki\\k# k_\ pfle^ YlZbj f] GXi`j Zflc[eËk _\cg efk`Zè^ d\É% <olY\iXek f] Yf[p Xe[ dè[# :_Xicfkk\ nXj XcnXpj XnXi\ f] _\i èk\cc\ZklXc Xe[ g_pj`ZXc Xkki`Ylk\j# Xe[ gifl[ f] k_\d% @e AXelXip (000# Xk k_\ [\YXk\ È;\jj\èj [\j ]\dd\jÉ fi^Xe`q\[ è GXi`j Yp k_\ dX^Xqè\ @ekiXdlifj# n_\i\ j_\ Xii`m\[ è X j_fZbè^ gèb ileeè^ jl`k n`k_ E\n 9XcXeZ\ j_f\j Xe[ k_\ ljlXc kfgbefk k`\[ n`k_ X gèb Z_`]]fe jZXi]# :_Xicfkk\# n`k_ X Z\ikXè Zfhl\kip# jX`[ j_\ nXj Z_fj\e Yp C\ :fiYlj`\i# n`k_ n_fd j_\ nfib\[ ]ifd (0)- kf (0*. Xj X gXike\i kf [\m\cfg k_\ì ]lie`j_è^j gifîXd# Èefk ]fi dp kXc\ek Ylk ]fi dp

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*/EFTJHO */DFOUFS

ABOVE, A HISTORIC SETTING OF NUAGE INSIDE THE AIR FRANCE OFFICE IN LONDON, 1957 (COPYRIGHT ARCHIVES CHARLOTTE PERRIAND, ADAGP 2012).

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AXelXip$=\YilXip )'(* INTERNI

BELOW, A WALL COMPOSITION AND A CABINET VERSION OF NUAGE, IN FIVE DIFFERENT HEIGHTS WITH OAK SHELVES AND ALUMINIUM UPRIGHTS.

19/12/12 11.27

INTERNI AXelXip$=\YilXip )'(*

$)"3-055& 1&33*"/%

OTHER WORKS BY CHARLOTTE PERRIAND INCLUDED IN THE I MAESTRI CATALOGUE BY CASSINA. TO THE SIDE: REFOLO, A MODULAR SYSTEM FOR USE AS A TABLE, A BENCH OR AN UPHOLSTERED PIECE, BY ADDING CUSHIONS, 1953. BELOW, FROM LEFT: PETALO, SYSTEM OF FIVE LOW TABLES IN WHICH EACH SIZE IS MATCHED WITH A COLOR, 1951; TOKYO OUTDOOR, CHAISE LONGUE IN CURVED SLATS OF TEAK, BEECH OR BAMBOO, 1940; MÉRIBEL AND BERGER STOOLS, BASED ON THOSE OF MOUNTAIN COMMUNITIES, 1953-61. BELOW, FROM LEFT: TABLE EN FORME LIBRE, TABLE WITH IRREGULAR TOP IN SOLID OAK, 1959; OMBRA TOKYO, CHAIR MADE WITH A SINGLE PIECE OF NATURAL OR BLACK STAINED OAK PLYWOOD, 1954.

Y\XlkpÉ% 8 cfm\i f] jgfikj Xe[ eXkli\# f] dflekXè \oZlij`fej Xe[ m`^fiflj jn`ddè^# X kì\c\jj kiXm\c\i n`k_ X YXZbgXZb# gifl[ f] _\i kfe\[ Yf[p j_\ nXj f]k\e j\\e kfgc\jj n`k_ k_\ ]Xdflj e\ZbcXZ\ f] Z_ifd`ld$gcXk\[ Zfgg\i # j_\ glk k_\ \e\i^p Xe[ m`kXc`kp f] _\i g_pj`hl\ èkf _\i gifa\Zkj% 8 cfm\i f] k\Z_e`ZXc Xe[ d\Z_Xe`ZXc k_è^j# j_\ nXj XcnXpj X gXik f] _\i k`d\# XkkiXZk\[ Yp k_\ Zfek\dgfiXip nfic[ Xe[ `kj \mfclk`fe# ZfemèZ\[ k_Xk [\j`ê `j Ôijk f] Xcc X lj\]lc Xe[ ]leZk`feXc Xik# Xe[ k_Xk k_\ ]Xk\ f] fYa\Zkj `j kf Y\ _ldXe% J_\ glijl\[ i`^fi Ylk Xcjf jdffk_e\jj Xe[ gcXp]lce\jj% J_\ Y\c`\m\[ k_Xk Zfek\dgfiXip fYa\Zkj j_flc[ Y\ i\jgfej`Yc\% È9\è^ i\jgfej`Yc\É# j_\ jX`[# Èd\Xej Zfekèlfljcp glkkè^ pflij\c] fe k_\ cè\1 \m\e k_\ dfjk èj`ê`ÔZXek e\n [`jZfm\i glkj lj fe X [`]]\i\ek gcXe\ Xe[ Xck\ij k_\ n_fc\ f] fli Zfem`Zk`fejÉ @ekiXdlifj# èk\im`\n n`k_ Jfg_`\ KXjdX# DXiZ_&8gi`c (00* % 8e fm\im`\n f] _\i `[\X f] [\Zfi nXj gi\j\ek\[ è (0)0 Xk k_\ JXcfe [Ë8lkfde\ è GXi`j# è k_\ èjkXccXk`fe È@ek\i`fi ]lie`j_è^j ]fi X [n\ccè^ fe k_\ k_\d\ f] j_\cmè^# Z_Xìj Xe[ kXYc\jÉ% ÈK_\ cXpflk nXj ]i\\# k_\ jgXZ\ fg\eÉ# j_\ ni`k\j è _\i XlkfY`fîXg_p% È8k k_\ Z\ek\i f] k_\ iffd X jkXèc\jj jk\\c YXjb\k# Xe[ X cXi^\ ZXYYX^\# c`b\ X Yflhl\k% @ _le^ jfd\ ^Xid\ekj ]ifd dp m\ip gi\Z`flj g\ijfeXc nXi[ifY\ è k_\ Y\[iffd¿ @e fli ZfeZ\gk`fe k_\i\ n\i\ ef nXccj# aljk j_\cm\j# c`b\ X [`m`[\i kf jkilZkli\ k_\ jgXZ\¿ k_\ kiXejgfj`k`fe f] fli [i\Xdj nXj k_\i\# gi\j\ek# gXcgXYc\# ]i\\[ ]ifd k_\ [ljk f] fc[ _XY`kjÉ%

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ElX^\# k_\ YffbZXj\ :XjjèX _Xj i\`jjl\[ è )'()# `j X ÊgXcgXYc\ kiXejgfj`k`feË f] _\i [i\Xdj% 8 i`^fiflj Ylk Õ\o`Yc\# \m\e gcXp]lc g`\Z\# k_Xebj kf k_\ Zfcfij f] k_\ j_\cm\j# Ylk fe\ gcX^l\[ Yp X cfe^ cXnjl`k fm\i `kj Xlk_fij_`g% K_\ kXc\ `j kfc[ Yp AXZhl\j 9XijXZ# n_f kf^\k_\i n`k_ _`j n`]\ G\ie\kk\ G\ii`Xe[# :_Xicfkk\Ëj [Xl^_k\i# kXb\j ]lcc$k`d\ ZXi\ f] k_\ _`jkfi`ZXc XiZ_`m\ f] k_\ [\j`ê\i% Lek`c k_\ jkXik f] )'() ElX^\ _X[ Y\\e Xkki`Ylk\[ kf A\Xe Giflm % K_`j nXj jkXk\[ Yp k_\ GXi`j`Xe [\Xc\i Afljj\ J\^lè# Xcjf è X glYc`ZXk`fe è (00/% K_\ d`jle[\ijkXe[è^ Zfd\j ]ifd k_\ kiX[\dXib1 k_\ ElX^\ YffbZXj\ nXj dX[\ è (0,)# .- g`\Z\j# Yp k_\ Xk\c`\i f] A\Xe Giflm # n_f Xk k_\ k`d\ _X[ *'' \dgcfp\\j Xe[ _X[ ZXcc\[ fe :_Xicfkk\ G\ii`Xe[ kf _\cg `dgifm\ k_\ X\jk_\k`Zj f] _`j gif[lZkj% Fe\ ElX^\ nXj i\[`jZfm\i\[ è GXi`j Xk k_\ DX`jfe [l D\o`hl\ Xe[ i\gcXZ\[ n`k_ Xe @b\X YffbZXj\% 8e[ jèZ\ k_\ ]lie`j_è^j f] Giflm # è k_\ d`[$(0/'j# _X[ _`^_\i dXib\k mXcl\ k_Xe k_fj\ f] G\ii`Xe[# k_\ g`\Z\ nXj cXY\c\[ Xj X Giflm % K_Xebj kf î\Xk k\eXZ`kp Xe[ dXep XiZ_`mXc

[fZld\ekj# AXZhl\j Xe[ G\ie\kk\ nfe k_\ì jl`k è )''0# Xe[ è )'() k_\p Xcjf nfe k_\ Xgg\Xc X^Xèjk Afljj\ J\^lè# n_f _X[ kf gXp ()'#''' \lifj Xe[ kf kXb\ k_\ Yffb fe A\Xe Giflm n`k_ k_\ \iife\flj Xkki`Ylk`fe f]] k_\ dXib\k% Jf ElX^\ _Xj Y\\e i\klie\[ kf `kj i`^_k]lc dXb\i# :_Xicfkk\ G\ii`Xe[# Xe[ `j efn gXik f] k_\ gi\jk`^`flj Zfcc\Zk`fe f] i\`jjl\j Yp :XjjèX# k_\ ZfdgXep n`k_ n_fd k_\ [\j`ê\i nfib\[ jèZ\ (0.)# [l\ kf k_\ i\gc`ZXj f] ]lie`j_è^j Yp C\ :fiYlj`\i# n`k_ k_\ _fg\ f] Y\è^ XYc\ kf i\dXb\ jfd\ f] _\i fne nfibj% Efn `k _Xj ÔeXccp _Xgg\e\[%

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*/EFTJHO */DFOUFS

AXelXip$=\YilXip )'(* INTERNI

TO THE SIDE: THE COVER OF THE VOLUME KARTELL. THE CULTURE OF PLASTIC WITH THE ERO(S) CHAIR BY PHILIPPE STARCK, 2001. BELOW, PAGES FROM THE BOOK. ALL THE IMAGES COME FROM THE ARCHIVES OF KARTELL. BELOW: CLAUDIO LUTI, PRESIDENT OF KARTELL, WITH HIS CHILDREN FEDERICO AND LORENZA, SEATED ON A BUBBLE CLUB DIVAN DESIGNED BY PHILIPPE STARCK, 2000. ON THE FACING PAGE: AN INSTALLATION MADE WITH THE LA BOHEME STOOLS DESIGNED BY PHILIPPE STARCK, 2001, AND THE UPPER STEPLADDER DESIGNED BY ALBERTO MEDA AND PAOLO RIZZATTO, 2000.

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C_In628_R_88_91_kartell.indd 88

k\ok :i`jk`eX Dfifqq`

e k_\ Yffb È@c [\j`ê `kXc`Xef [\^c` Xee` :èhlXekXÉ# glYc`j_\[ è (0.. Yp <[`kfi`Xc\ ;fdlj# ]fi k_\ \o_`Y`k`fe f] k_\ jXd\ eXd\ fi^Xe`q\[ è DXiZ_ k_Xk p\Xi Xk k_\ :\ekifbXggX f] BXik\cc è Efm`^c`f D`cXe # k_\ jkfip f] BXik\cc ÈXj k_\ ZfdgXep k_Xk _Xj jgfb\e k_\ cXe^lX^\ f] [\j`ê n`k_ gcXjk`ZÉ `j eXiiXk\[# Z`kè^ X g_iXj\ f] >`lc`f :Xjk\cc`# ]fle[\i f] k_\ ZfdgXep è (0+0# k_Xk jldj lg k_\ YiXe[Ëj fg\iXk`m\ g_`cfjfg_p1 ÈK_\ glYc`Z `j i\X[p kf Xggi\Z`Xk\ e\n ]fidj ]fi dXZ_è\j k_Xk g\i]fid e\n ]leZk`fej# Ylk è k_\ ZXj\ f] fYa\Zkj k_Xk _Xm\ k_fljXe[j f] p\Xij f] kiX[`k`fe# c`b\ X jgffe fi X Z_Xì# `k `j efk \Xjp kf dXb\ e\n Xjg\Zkj Y\ XZZ\gk\[% @] g\fgc\ Xi\ X]iX`[ f] k_\ e\n# n\ ^`m\ k_\d jfd\k_è^ \m\e e\n\iÉ% Kf ^`m\ jfd\k_è^ \m\e e\n\i `j jk`cc k_\ d`jj`fe f] BXik\cc% 8j ZXe Y\ j\\e è k_\ ÔidËj \o\dgcXip ZXkXcf^l\% @e AXelXip )'(* X +''$gX^\ Yffb# ÈBXik\cc% K_\ Zlckli\ f] GcXjk`ZÉ# glYc`j_\[ Yp KXjZ_\e# Y\Zfd\j Æ Xj :cXl[`f Clk`# gi\j`[\ek f] k_\ ZfdgXep# \ogcXèj è k_\ èkif[lZk`fe $

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*/EFTJHO */DFOUFS

ÈdlZ_ dfi\ k_Xe X [\j`ê Yffb1 eXiiXkè^ BXik\cc# è ]XZk# d\Xej kXcbè^ XYflk X ]Xd`cp# X Z`kp Xe[ k_\ g`fe\\iè^ `[\X k_Xk [`jZfm\ij# k_Xebj kf X e\n dXk\i`Xc# k_\ Zlckli\ f] gcXjk`ZÉ% 8e \o_`Y`k`fe Xk k_\ BXik\cc Dlj\ld# n`k_ \o_`Y`k [\j`ê Yp =\iilZZ`f CXm`Xe`# f]]\ij X jfik f] *; i\gi\j\ekXk`fe f] k_\ Yffb% KXjZ_\e# k_\ glYc`j_è^ _flj\ YXj\[ è :fcfê\# _Xj [\Z`[\[ kf `jjl\ X k`kc\ fe BXik\cc# ZfemèZ\[ k_Xk k_\ Y`fîXg_p f] k_\ ZfdgXep ]ifd Efm`^c`f `j Ôijk f] Xcc X jkfip f] Zlckli\1 f] _fn# n`k_ X _ldYc\ dXk\i`Xc# `k `j gfjj`Yc\ kf Zi\Xk\ èefmXk`m\ gif[lZkj# è k\idj f] ]fid Xe[ d\k_f[j# ZfeZ\gk`fe Xe[ [\j`ê# ZXgXYc\ f] Z_Xe^è^ k_\ Zflij\ f] Zfek\dgfiXip [\j`ê# dXbè^ `k le[\ijkXe[XYc\ Xe[ X]]fi[XYc\ ]fi X n`[\i Xl[`\eZ\% ÈDXbè^ X Yffb XYflk fli ZfdgXepÉ# jXpj :cXl[`f Clk`# Èd\Xej _Xmè^ X îXjg f] `kj _`jkfip% @k d\Xej i\Zfm\iè^ Xe[ i\fi^Xe`qè^ eXiiXk`m\j# \ogcfiè^ k_\ XiZ_`m\j# gi\j\ekè^ dXk\i`Xcj kf k_\ \p\j f] fk_\ij# k\ccè^ k_\ jkfip Yp Zfee\Zkè^ k_\ dXep k_i\X[j f] k_\ gcfk% @k `j X [`]ÔZlck kXjb ]fi k_fj\ n_f [fZld\ek Xe[ ni`k\# Ylk Xcjf ]fi k_fj\ n_f XZZ\gk kf _Xm\ k_\ì jkfi`\j kfc[# [`^^è^ èkf k_\ gXjk kf Yiè^ flk ]fi^fkk\e \g`jf[\j% I\kiXZè^ _`jkfipÉ# :cXl[`f Zfekèl\j# È@ [`jZfm\i\[ k_Xk @ kffb X dXafi i`jb n_\e @ XZhlì\[ BXik\cc1 `k `j X Zfdgc\o ZfdgXep# YXj\[ fe gif[lZk èefmXk`fe# k_Xk i\hlì\j cXi^\ èm\jkd\ekj ]fi dflc[j Xe[ [`\j# Xe[ [f\j efk g\id`k gifZ\jj\j f] ki`Xc Xe[ \iifi% @ Zfej`[\i k_`j Yffb kf Y\ X gfèk f] Xii`mXc% I\X[è^ `k# fe\ i\Xc`q\j k_Xk BXik\cc _Xj XcnXpj Y\\e è k_\ XmXek$^Xi[\# dXèkXèè^ `kj è[ljki`Xc mfZXk`fe n_`c\ Z_Xe^è^ k_\ hlXc`kp f] k_\ gif[lZk% K_\ ZfdgXep _Xj lj\[ gcXjk`Z efk kf ^\k k_\ cfn\jk gi`Z\# Ylk kf dXb\ Y\Xlk`]lc ]fidj k_Xk Xi\ ZXgXYc\ f] k_i`ccè^ g\fgc\% @ Xd gc\Xj\[ k_Xk KXjZ_\e# n_`Z_ [l\ kf `kj gi\Z`j\ gfc`Z`\j [f\j efk glYc`j_ Yffbj fe Zfdd`jj`fe# Ylk fecp k`kc\j k_Xk Ôk èkf `kj gifîXd f] Zfek\ek# _Xj j\\e BXik\cc Xj X YiXe[ k_Xk i\gi\j\ekj# n`k_ k_\ mXi`\kp f] `kj ZXkXcf^l\# X gfj`k`m\ ]fidXc i\mfclk`fe èkif[lZ\[ Yp k_\ lj\ f] gcXjk`Z% @ k_èb k_`j Yffb ZXe Y\ mXclXYc\ kf \[lZXk\ g\fgc\ XYflk [\j`êÉ% 9ifnjè^ k_ifl^_ k_\ [\kX`c\[ eXiiXk`m\# jlY[`m`[\[ èkf [\ZX[\j Xe[ \e_XeZ\[ Yp `dgfikXek Zfeki`Ylk`fej Yp èk\ieXk`feXc Zi`k`Zj# n\ i\Xc`q\ k_Xk BXik\cc _Xj ^`m\e jfd\k_è^ Ê\m\e e\n\iË# efk aljk è k_\ j_Xg\j f] gif[lZkj# Ylk Xcjf è k\idj f] Ôe`j_\j Xe[ Zfcfij% JèZ\ (0//# k_\ p\Xi è n_`Z_ :cXl[`f Clk` XZhlì\[ k_\ Ôid#

C_In628_R_88_91_kartell.indd 90

BXik\cc _Xj Z_Xe^\[ k_\ jbè f] gcXjk`Z# dXbè^ `k m\cm\kp fi Yi`^_k# \ogXe[è^ k_\ iXe^\ f] Zfcfij n`k_ ki\e[p _l\j# \ogXe[è^ k_\ iXe^\ f] èk\ieXk`feXc [\j`ê\ij nfibè^ n`k_ k_\ ZfdgXep% K_Xebj kf G_`c`gg\ JkXiZb# BXik\cc Xcjf èkif[lZ\[ k_\ k_\d\ f] kiXejgXi\eZp% 8e[ dfi\% BXik\cc _Xj ^`m\e jfd\k_è^ \m\e e\n\i è k\idj f] [`jki`Ylk`fe Xe[ Zfddle`ZXk`fe Xj n\cc% K_\ ZfdgXep _Xj Y\\e X g`fe\\i n`k_ Xe fi`^èXc [`jki`Ylk`fe gfc`Zp ]fi k_\ nfic[ f] [\j`ê# fg\eè^ dfefYiXe[ jkfi\j è @kXcp Xe[ k_\ nfic[# Yiè^è^ [\j`ê kf X n`[\i Xl[`\eZ\% K_Xebj kf k_\ ZfccXYfiXk`fe n`k_ =\iilZZ`f CXm`Xe`# è Z_Xi^\ f] k_\ YiXe[Ëj `dX^\# Zi\Xkfi f] k_\ nè[fn [`jgcXpj Xe[ èjkXccXk`fej# k_\ ]lie`j_è^j# Zfdgc\d\ekj Xe[ dflc[\[ gcXjk`Z

fYa\Zkj Y\Zfd\ \m\e dfi\ j\[lZk`m\% BXik\cc _Xj _ldXe`q\[ [\j`ê Xe[ Yifl^_k `k èkf k_\ jki\\k# è cldèflj# Zfcfi]lc nè[fn [`jgcXpj% @e k_\ fik_f[fo jpjk\d f] [\j`ê BXik\cc# le[\i k_\ ^l`[XeZ\ f] :cXl[`f Clk`# _Xj Yifl^_k XYflk X jfik f] g\XZ\]lc i\mfclk`fe1 `k _Xj c`^_k\e\[ lg [\j`ê ]ifd `kj k_\fi\k`ZXc n\`^_k# X[[è^ \dfk`fej kf \m\ip[Xp XZZ\jjfi`\j# dXbè^ k_\d fYa\Zkj kf gliZ_Xj\ fe `dglcj\%

19/12/12 18.05

FACING PAGE, LEFT, IN VERTICAL ORDER: ROUND CONTAINERS, DESIGNED BY ANNA CASTELLI FERRIERI, 1969; THE GROUP OF KARTELL DESIGNERS AT THE SALONE DEL MOBILE IN 1969, PHOTO UGO MULAS; ADVERTISING CAMPAIGN OF THE ACCESSORIES DIVISION, 1967. ON THE FACING PAGE, RIGHT, IN VERTICAL ORDER: LOUIS GHOST CHAIR, 2002, PHOTOGRAPHED AGAINST THE BACKDROP OF THE EIFFEL TOWER IN PARIS; DETAIL OF THE KARTELL STAND AT THE SALONE DEL MOBILE 2000: TWO ANDROIDS PRESENT THE MASTERS CHAIR BY PHILIPPE STARCK, ACCENTUATING ITS FUTURISTIC IMAGE.

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ON THIS PAGE, LEFT, IN VERTICAL ORDER: PRODUCTION PHASE OF THE UNIVERSALE CHAIR, 1967; TIC TAC TABLE LAMP WITH PACKAGING, DESIGN GIOTTO STOPPINO, 1970. CENTER, IN VERTICAL ORDER: ANNA CASTELLI FERRIERI WITH GIULIO CASTELLI AND THE ROUND TABLE IN POLYESTER RESIN DESIGNED BY ANNA CASTELLI FERRIERI AND IGNAZIO GARDELLA, 1967; THE K4999 CHILDREN’S CHAIR DESIGNED BY MARCO ZANUSO AND RICHARD SAPPER, 1964; WASTEBASKET DESIGNED BY ANGELO CORTESI AND FRANCO SCANSETTI, 1989. ABOVE, FROM TOP: THE BOOKWORM BY RON ARAD IN PHOTO FROM THE HABITAT DIVISION CATALOGUE, 1995; COMMUNICATION FOR THE EVENT KARTELL AMA MILANO IN 2010.

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*/EFTJHO */QSPKFDU

AXelXip$=\YilXip )'(* INTERNI

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g_fkfj <dXel\c\ QXdgfe` k\ok DX[[Xc\eX GX[fmXe`

ABOVE: IN HIS STUDIO-WORKSHOP IN MILAN, MASSIMILIANO ADAMI ASSEMBLES POLYURETHANE SCRAPS FROM THE PRODUCTION OF STANDARD UPHOLSTERED FURNITURE. ON THE FACING PAGE: TWO HASSOCKS FROM THE GOMMAPIUMA DÉCOR COLLECTION, WHICH STARTING ON 30 JANUARY 2013 WILL BE AT THE CENTER OF AN EXHIBITION AT THE SUBALTERNO 1 SPACE IN MILAN.

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18/12/12 09.35

INTERNI AXelXip$=\YilXip )'(*

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C_In628_R_92_95_E_adami.indd 93

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*/EFTJHO */QSPKFDU

ABOVE: PHASES OF THE PRODUCTION OF A HASSOCK. ONCE THEY HAVE BEEN PUT TOGETHER, THE POLYURETHANE SCRAPS ARE FILLED AND GLUED WITH LIQUID POLYURETHANE, TO MAKE A BLOCK OF COMPACT MATERIAL ADAMI CAN THEN CUT TO CREATE DIFFERENT CONFIGURATIONS. THE SCRAP MATERIALS ARE SUPPLIED BY THE MEDUSA COMPANY OF MEDA, WHICH HAS ALSO HELPED WITH THE CUTTING OPERATIONS. BELOW: THE APPLICATION OF THICK LEATHER ON THE UPPER SIDE OF THE HASSOCK, WHICH ONCE COVERED CAN ALSO BE USED AS A SMALL TABLE. THE TOP IS THEN PRESSED WITH NAILS TO ADD A CAPITONNÉ EFFECT. ON THE FACING PAGE: DETAIL OF THE CUTTING PHASE, SHOWING THE COLORFUL AND ‘NATURAL’ GEOMETRY OF THE HASSOCK, BASED ON THE PROCESS – DIFFERENT, EACH TIME – WITH WHICH THE POLYURETHANE IS ASSEMBLED, FILLED AND CUT.

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K_`j `j Xcjf n_Xk _Xgg\e\[ n`k_ k_\ e\n >fddXg`ldX ; Zfi Zfcc\Zk`fe# X j\i`\j f] _XjjfZbj _\ _Xj dX[\ n`k_ gfcpli\k_Xe\ jZiXg i\dXèè^ X]k\i k_\ Zlkkè^ f] k_\ Ôcc\i ]fi jkXe[Xi[ Zlj_`fej Xe[ [`mXej% FeZ\ X^Xè# k_\ `[\X nXj _XkZ_\[ Êè k_\ Ô\c[Ë1 DXjj`d`c`Xef nXj m`j`kè^ Xe lg_fcjk\i\[ ]lie`kli\ ]XZkfip è D\[X Xe[ jXn k_\ jZiXg dXk\i`Xcj [\jkè\[ kf Y\ îfle[ lg Xe[ \ogfik\[ kf k_\ Le`k\[ JkXk\j kf Y\ lj\[ kf dXb\ ifX[Y\[j% K_fl^_ k_\p ZXe ef cfe^\i g\i]fid k_\ì gi`dXip ]leZk`fe# k_\j\ dXk\i`Xcj _Xm\ Z_XiXZk\i# Xe[ X Zli`flj X\jk_\k`Z ZfeefkXk`fe1 X df[lcXi ^\fd\kip fYkXè\[ k_ifl^_ k_\ jlYkiXZk`fe f] k_\ Zlk gXikj2 X [`]]\i\ek# Yi`^_k Zfcfiè^ k_Xk [`jkè^l`j_\j k_\ mXi`flj [\î\\j f] jf]ke\jj% K_\j\ ]XZkfij n\i\ Xcc 8[Xd` e\\[\[ kf èm\ek X e\n [\j`ê Z_Xcc\e^\% K_\ [\j`ê\i$[\d`li^\ i\klie\[ kf _`j nfibj_fg# n`k_ Yle[c\j f] gfcpli\k_Xe\ jZiXg# Xe[ ^fk [fne kf `k% ?\ Xjj\dYc\[ k_\d# XiiXe^\[ k_\d# Ôcc\[ k_\d n`k_ c`hl`[ gfcpli\k_Xe\# n_`Z_ Xcjf ]leZk`fej Xj X Yè[\i% FeZ\ _\ _X[ fYkXè\[ X ZfdgXZk YcfZb f] dXk\i`Xc# _\ [`jj\Zk\[ `k Xe[ Zlk `k kf dXb\ [`]]\i\ek _XjjfZb ZfeÔ^liXk`fej% K_\ i\jlckj Xi\ Zfcfi]lc# jki`bè^ ^\fd\ki`Z [\ZfiXk`fej# Zfee\Zk\[ n`k_ k_\ m\ip eXkli\ f] k_\ dXk\i`Xc Xe[ `kj gif[lZk`fe gifZ\jj% K_\ c\]kfm\i gXik f] X Zlk `j Xjj\dYc\[ X^Xè# Ôcc\[ Xe[ lj\[ kf dXb\ Xefk_\i j\Xk# ^`mè^ i`j\ kf gif[lZkj k_Xk Xi\ XcnXpj [`]]\i\ek è Z_ifdXk`Z Xe[ [\ZfiXk`m\ k\idj%

K_\ gifZ\jj `j hl`k\ j`d`cXi kf k_Xk f] j_\Xi\[ nff[# Xe[ è dXep nXpj `k i\dè[j lj f] k_\ 8cZXekXiX I\dò gifa\Zk _\ [`[ è )'('# n`k_ k_\ n\cc$befne Êefenfm\e ]XYi`ZË# jkXikè^ n`k_ k_\ `[\X f] i\èm\ekè^ `k è X k_i\\$[`d\ej`feXc nXp% N`k_ >fddXg`ldX ; Zfi 8[Xd`Ëj Z_Xcc\e^\ ^\kj dfi\ XdY`k`flj1 efk aljk kf ^`m\ e\n c`]\ kf X jZiXg dXk\i`Xc# Ylk Xcjf kf ^`m\ `k Xe fi`^èXc Xe[ jg\Z`ÔZ `[\ek`kp k_Xk c\kj `k Y\ lj\[ è X eXkliXc jkXk\# n`k_flk k_\ Zfm\iè^j ljlXccp Xggc`\[ è k_\ lg_fcjk\i\[ ]lie`kli\ è[ljkip% K_`j `j aljk n_Xk DXjj`d`c`Xef XZ_`\m\j n`k_ _`j _XjjfZbj# n_fj\ gfcpdfig_`Z Xe[ dlck`Zfcfi\[ k_`Zbe\jj i\m\Xcj k_\ dX^`Z f] k_\ì ZfejkilZk`fe# n_`c\ k_\ kfgj Xi\ Zfm\i\[ n`k_ c\Xk_\i kf dXb\ `k gfjj`Yc\ kf Xcjf lj\ k_\d Xj jdXcc kXYc\j% K_\ c\Xk_\i `j Zlk# ^cl\[ Xe[ k_\e gi\jj\[ n`k_ eX`cj k_Xk ^`m\ k_\ jli]XZ\ X ZXg`kfee \]]\Zk% 8 i\]\i\eZ\ kf k_\ ZcXjj`Z dXel]XZkliè^ f] lg_fcjk\ip# kf jb`cc\[ ZiX]kjdXej_`g k_Xk \m\e kf[Xp# Xj p\jk\i[Xp# X[[j k_\ ÕXmfi f] X _ldXe [`d\ej`fe kf \m\ip[Xp fYa\Zkj% K_`j `j k_\ kil\ mXcl\ f] 8[Xd`Ëj gifa\Zkj1 k_\p dXb\ k_\ dfjk Zfddfe i\Xc`kp jg\Z`Xc# k_ifl^_ k_\ k_èbè^ f] k_\ _Xe[j% N_\k_\i k_\p Xi\ fe\$f]]j fi è[ljki`Xccp gif[lZ\[ `k\dj%

18/12/12 09.35

INTERNI AXelXip$=\YilXip )'(*

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AXelXip$=\YilXip )'(* INTERNI

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*/EFTJHO */QSPKFDU

IMAGES OF THE VISUAL IDENTITY OF INTERNOITALIANO CREATED BY LEONARDO SONNOLI. FROM LEFT, ALL DESIGNED BY GIULIO IACCHETTI: THE LENO COAT RACK MADE BY CNC DESIGN OF MARIANO COMENSE; THE AFFI STOOL PRODUCED BY RCB OF SEVESO; THE PAESEMIO WALLPAPER BY JANNELLI & VOLPI; THE JESI TABLE BY MOLTENI MARINO OF CESANO MADERNO. BELOW, THE ARTISANS WHO MAKE THE FURNISHINGS AND CO-SIGN THE PROJECTS (PHOTO MAX ROMMEL).

iX]kj Xj X gfjj`Yc\ jfclk`fe1 efk kf ^f YXZb# Ylk kf dfm\ ]finXi[% N\ _\Xi cfkj f] kXcb XYflk X i\Z`g\ kf j_fi\ lg fli \Zfefdp Yp jkXikè^ n`k_ [\\g ZlckliXc `[\ek`kp1 k_\ Xik f] dXbè^% I\fi^Xe`qè^ k_\ [\j`ê gif]\jj`fe Xe[ Yiè^è^ gif[lZk`fe YXZb kf @kXcp% K_\j\ ^fXcj Xi\ j_Xi\[ Yp @ek\ief`kXc`Xef Xe[ Jcfn[# e\n Ê[`jki`Ylk\[ ]XZkfi`\jË k_Xk Xgg\Xi\[# i\jg\Zk`m\cp# Xk Fg\iX\ Xe[ Fg\e ;\j`ê @kXc`X# k_\ knf \m\ekj fe è[\g\e[\ek gif[lZk`fe% K_\ Zfek\ok `j ef ZfèZ`[\eZ\# Y\ZXlj\ Yfk_ ZXj\j gfèk kf Xjg\Zkj f] k_\ gif]\jj`fe k_Xk [f efk Y\cfe^ kf k_\ ljlXc iflkè\% K_\j\ Xi\ fi^Xe`qXk`fej k_Xk ef cfe^\i klie kf ZfdgXe`\j ]fi k_\ dXk\i`Xc`qXk`fe f] `[\Xj fi k_\ cf^`jk`Zj f] [`jki`Ylk`fe% K_\ [\j`ê\i Y\Zfd\j X ZfdgXep Xe[ kXb\j fm\i k_\ gif[lZk`fe ZpZc\# \jkXYc`j_è^ X [ì\Zk i\cXk`fej_`g n`k_ k_\ ZiX]kjd\e Xe[ k_\ èk\cc`^\eZ\ f] k_\ k\ii`kfip# k_\ _`jkfi`Z dfkfi f] @kXc`Xe [\m\cfgd\ek% >`lc`f @XZZ_\kk`# n`k_ k_\ Zfejlckè^ f] :Xicf Cfe^fe`# Xe \og\ik fe ZiX]kj è CfdYXi[p# _Xj glk kf^\k_\i X Zfddle`kp f] ZiX]kjg\fgc\ è k_\ gifa\Zk @ek\ief`kXc`Xef# [\m\cfgè^ X Zfcc\Zk`fe f] eè\ fYa\Zkj è jfc`[ nff[ ]ifd fli Zflekip%

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AXelXip$=\YilXip )'(* INTERNI

ABOVE, THE SLOWD PLATFORM HAS OBJECTS MADE AT A MAXIMUM OF 45 KM FROM THEIR DELIVERY DESTINATION. SOME OF THE OBJECTS PRODUCED BY SLOWD. FROM LEFT: THE 50CURVE NAKED TABLE AND THE MIKEY CHAIR ‘WITH EARS’ IN SOLID WOOD, DESIGNED BY ANDREA CATTABRIGA; THE CHAIR ENTIRELY IN WOOD DESIGNED BY JEROEN SERE; THE T+C CUTTING BOARD AND POP TRAY DESIGNED BY REBEL LOT.

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K_\ Xik`jXej j_Xi\ è k_\ i\jgfej`Y`c`k`\j Xe[ Y\e\Ôkj f] k_\ è`k`Xk`m\# \d\i^è^ ]ifd k_\ j_X[fnj f] Xefepdflj jlggcp# ZfejkilZkè^ X ]XZkfip n`k_flk nXccj# n_\i\ \XZ_ è[`m`[lXc [\mfk\j _`j fne k`d\ è X g\ijfeXc# Ôijk_Xe[ nXp% K_\ gif[lZk`fe `j ÊdX[\ kf d\Xjli\Ë# YXj\[ fe fi[\ij# Xe[ k_\ g`\Z\j Xi\ jfc[ fecè\ Xk i\XjfeXYc\ gi`Z\j# jèZ\ k_\ [\Xc\iËj Zlk `j \c`dèXk\[% 8j @XZZ_\kk` \ogcXèj# k_\j\ Xi\ Ê]Xì kiX[\Ë fYa\Zkj dX[\ Yp Ê_XggpË gif[lZ\ij# Y\ZXlj\ k_\p Xi\ efk n\[^\[ èkf gi`Z\ nXij fi èkf Zfdg\k`k`fe n`k_ Zfleki`\j n`k_ `dgfjj`Ycp cfn cXYfi Zfjkj% @k `j X gif[lZk`fe ]i\\ f] \Zfefd`Z ZfejkiXèkj k_Xk `dgfj\ _`^_ gifÔk dXi^èj Xe[ dè`dld gif[lZk`fe ilej% 8 gifa\Zk [\j`ê\[ kf îfn îX[lXccp èkf Xe \ek\igi`j\ n`k_ X c`^_k jkilZkli\% C`b\n`j\ Jcfn[# n_fj\ eXd\ \Z_f\j k_\ `[\X f] Jcfn]ff[# Ylk n`k_ X Ê[Ë ]fi Ê[\j`êË# `j X jdXcc jkXik$lg X`d\[ Xk Zi\Xkè^ X q\if$bd fg\iXk`fe%

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K_\ ]fle[\ij 8e[i\X :XkkXYi`^X Xe[ J\YXjk`Xef Cfe^Xi\kk` nXek kf Yi\Xb lg k_\ gi\j\ek ]XZkfip$ kiXejgfik$[\Xc\i$nXi\_flj\ Z_Xè Xe[ Zi\Xk\ X gcXk]fid kf dXeX^\ k_\ \ekì\ ZpZc\# ]ifd [\j`ê kf jXc\% =ìjk f] Xcc# k_\p j\c\Zk gifa\Zkj Xe[ m\i`]p ]\Xj`Y`c`kp Xe[ \e^è\\iè^ kf^\k_\i n`k_ k_\ Xik`jXej% K_\e k_\p ZfejkilZk X e\knfib f] gif]\jj`feXcj ZXgXYc\ f] dXbè^ k_\ gif[lZkj kf i\jgfe[ kf fi[\ij è X iX[`lj f] +, bd ]fi [\c`m\ip% @e k_`j nXp k_\p efk fecp jXm\ fe k_\ Zfjk Xe[ \e\i^p f] kiXejgfik# Ylk Xcjf i\[`jki`Ylk\ nfib fe X cfZXc c\m\c% Fe\ p\Xi X]k\i `kj Zi\Xk`fe# Jcfn[ _Xj èmfcm\[ (/ [\j`ê\ij Xe[ )+ Xik`jXej# dfjkcp è CfdYXi[p# kf dXb\ (/ gif[lZkj Xe[ kf [\m\cfg )- gifkfkpg\j% 9fk_ @ek\ief`kXc`Xef Xe[ Jcfn[ fg\iXk\ è X g\ijg\Zk`m\ f] X j_fik jlggcp Z_Xè# n_\i\ [\j`ê\ij# Xik`jXej Xe[ lj\ij Zcfj\cp ZfccXYfiXk\% @e k_\ ZXj\ f] Jcfn[ k_\ Ôijk knf [\m\cfg k_\ gifa\Zk Xe[ j\k k_\ gi`Z\ YXj\[ fe gi\$j\k gXiXd\k\ij% ;\j`ê\ij i\Z\`m\ X ifpXckp f] (' Xe[ k_\ n_fc\ jpjk\d# ]ifd jlggcp f] dXk\i`Xcj kf hlXc`kp Zfekifc# `j kiXejgXi\ek% Lj\ij ZXe kXb\ gXik è gfjj`Yc\ Zljkfd`qè^ Xe[ Zfeki`Ylk\ kf k_\ i\glkXk`fe f] k_\ gcXk]fid k_ifl^_ ]\\[YXZb% 9fk_ f] k_\j\ [`]]lj\[ ]XZkfi`\j le[\icè\ k_\ ]XZk k_Xk q\if$bd [\j`ê `j efk aljk X c`k\iXc èk\igi\kXk`fe f] X ZfeZ\gk# Ylk Xcjf X nXp f] Yiè^è^ dXb\ij Xe[ Zljkfd\ij kf^\k_\i% K_\ knf ZXj\j Xcjf [\dfejkiXk\ k_Xk ZiX]kj ZXe Y\ j\\e Xj X _`^_cp jg\Z`Xc`q\[ Ô\c[# Xe[ k_Xk Xik`jXej ZXe Y\Zfd\ k_\ e\n \og\i`d\ek\ij% K_\p ZXe f]k\e Y\ j\\e nfibè^ n`k_ iXg`[ gifkfkpgè^ fi eld\i`ZXccp Zfekifcc\[ dXZ_è\j# glkkè^ XeXcf^ Xe[ [`^`kXc kf^\k_\i# ljè^ k_\ n\Y è X ZfejZ`flj nXp% <$Zfdd\iZ\ `j fe\ f] k_\ Yi\Xbk_ifl^_j k_Xk c\X[j kf k_\ gifZ\jj1 `k `j k_\ e\n è]iXjkilZkli\ k_Xk ki`^^\ij k_`j Yljè\jj d\kXdfig_fj`j%

9lk ]fi k_\ gifa\Zk kf jlZZ\\[# Xe[ ]fi e\n gif[lZk`fe Z_Xèj kf ^\e\iXk\ \Zfefd`\j# [\j`ê\ij Xi\ i\hlì\[ efk kf [\j`ê e\n gif[lZkj Xj dlZ_ Xj e\n ]fidj f] nfib% @ek\ief`kXc`Xef Xe[ Jcfn[ gfèk kf k_\ e\\[ kf k_èb jpjk\dXk`ZXccp Xe[ kf j_Xi\ i`jbj n`k_ k_\ fk_\i fg\iXkfij èmfcm\[% K_\ fg\iXkfij èZcl[\ b\p Ô^li\j c`b\ :Xicf Cfe^fe`# ZXgXYc\ f] Zfddle`ZXkè^ n`k_ [`]]\i\ek gif]\jj`fej Xe[# kf^\k_\i n`k_ k_\ [\j`ê\i# f] glkkè^ e\n ]fidj f] Yljè\jj dXeX^\d\ek èkf ]fZlj% K_\ [\j`ê\i# k_\e# Y\Zfd\j X jfik f] d\[`Xkfi k_ifl^_flk k_\ gif[lZk`fe ZpZc\# Y\ZXlj\ _\ ZXe XZZ\jj Æ è Yfk_ k_\ gif[lZk`fe Xe[ [`jki`Ylk`fe g_Xj\j Æ Z_Xee\cj Xe[ j\im`Z\j# n`k_flk _Xmè^ kf [ì\Zkcp fne k_\ kffcj èmfcm\[% @e fk_\i nfi[j# _\ lj\j Ylk [f\j efk gfjj\jj k_\ d\Xej f] gif[lZk`fe% K_lj k_\ [\j`ê\i `j kiXej]fid\[ ]ifd X d\i\ j\c]$ gifkfkpg\i# c`b\ dfjk f] kf[XpËj è[\g\e[\ek gif[lZ\ij# kf X [\j`ê\i$ZfdgXep# YpgXjjè^ kiX[`k`feXc è[ljkip Xe[ k_\ efidXc ifpXck`\j jpjk\d%

SLOWD IS ALSO AN OPPORTUNITY FOR YOUNG DESIGNERS TO GET VISIBILITY. FROM LEFT: L’ALBINA WOODEN LADDER BY GAIA BOTTARI, THE UPTOYOU OPEN SHELVING BY SEBASTIANO LONGARETTI, THE UMBRELLA STAND, THE ZZTOP STOOL AND THE BOOKCASE DESIGNED BY MARCO RIPA. THE PROJECTS ARE SELECTED FOR EASE OF PRODUCTION AND ASSEMBLY. SOME PRODUCTS ARE NOT ASSEMBLED OR PAINTED, TO KEEP PRICES AFFORDABLE.

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AXelXip$=\YilXip )'(* INTERNI

#PP,DBTF 45V%*FT

10-:.031)*$ 130+&$54 '03 5)& 7&)*$-& 0' LOPXMFEHF 1"3 &9$&--&/$& " QS&DJPVT PCKFDU "/ *..035"- JOTQJSBUJPO '03 OFX DPOGJHVSBUJPOT 0' 64& "/% $0/4&37"5*0/ Yp EX[`X C`fe\ccf $ g_fkfj D`if QX^efc`

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READ-UNREAD IS A BOOKCASE THAT SEPARATES BOOKS YOU HAVE ALREADY ENJOYED FROM BOOKS YOU HAVE YET TO READ. MADE WITH LEATHER BELTING, METAL BUCKLES AND WALL BRACKETS IN CHROMIUM-PLATED STEEL, BY NIKO ECONOMIDIS.

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FAST SYSTEM, SELF-SUPPORTING BOOKCASE COMPONENTS WITH MAPLE POSTS AND MODULAR SHELVES IN PAINTED METAL, AVAILABLE IN THREE SIZES, BLOCKED BY MEANS OF A WHITE, GRAY, BLACK OR ORANGE BELT. BY FRANÇIS CHABLOZ FOR DANESE. VASES WALL COVERING FROM THE ALLIANCE COLLECTION, IN CONTRECOLLÉ JERSEY ON MOUSSE AND THERMOFORMED BASE, AVAILABLE IN WHITE, BROWN AND BLUE. BY ELITIS IN COLLABORATION WITH ROSARIA RATTIN. PITCHER FROM THE HYDRÌA COLLECTION, COMPOSED OF 10 DIFFERENT FORMS, IN CERAMIC GLAZED IN A RANGE OF COLORS. BY STEFANIA VASQUES FOR DIAMANTINI&DOMENICONI.

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*/EFTJHO */QSPEVDUJPO

AXelXip$=\YilXip )'(* INTERNI

f TRALICCIO BOOKCASE IN THE WALL VERSION, WITH OAK WOOD-FINISH POSTS, SHELVES IN PAINTED METAL ROD ATTACHED TO THE BACK OF THE POSTS, SLIDING LENGTHWISE FOR FREE POSITIONING. BY DESIGN 4P1B FOR SINTESI. TYPOLOGY WALLPAPER FROM THE LIFE! COLLECTION. MADE WITH TNT (NON-WOVEN FABRIC) VINYL PAPER WITH DIGITAL PRINTING, IN A RANGE OF LIGHT AND DARK COLORS. DESIGN BY CHRISTIAN BENINI FOR WALL&DECÒ.

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#00,$"4& 456%*&4

GRADO째 COMPONENT BOOKCASE FOR MAXIMUM OF FIVE ELEMENTS IN CANALETTO WALNUT, WITH EXTRACLEAR TRANSPARENT GLASS TOP, AVAILABLE IN DIFFERENT SIZES, IN NATURAL FINISH COMBINED WITH A MATTE LACQUER COLOR: RED, YELLOW OR BLUE (OR SPECIAL COLORS). ALSO AVAILABLE WITH STRUCTURE ENTIRELY IN CANALETTO WALNUT OR BLACK OAK. DESIGN BY RON GILAD FOR MOLTENI&C.

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AXelXip$=\YilXip )'(* INTERNI

ALINE MODULAR BOOKCASE IN EXTRUDED ALUMINIUM, PAINTED WHITE, GRAPHITE GRAY OR EMBOSSED METALLIZED GRAY, WITH OPTIONAL SINGLE DRAWERS OR CONTAINERS WITH FOLDING OR SLIDING DOORS AND DRAWERS; LED FIXTURES CAN BE ATTACHED TO THE POSTS. IN FOUR DIFFERENT HEIGHTS AND TWO LENGTHS. DESIGN BY DANTE BONUCCELLI FOR ALIAS. BIBLIOTHÈQUE WALLPAPER WITH PAINTING-PRINT IN FOUR COLOR VARIATIONS, DESIGNED BY HUGO GRYGKAR FOR HERMÈS.

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#00,$"4& 456%*&4

PLAIN BOOKCASE COMPOSED OF DOUBLE SELF-SUPPORTING STRUCTURES IN SQUARE METAL TUBING, PAINTED WHITE, AND SHELVES OF DIFFERENT LENGTHS IN NATURAL LARCH OR PAINTED WITH LEMACOLORTREND COLORS. DESIGNED BY FRANCESCO ROTA FOR LEMA.

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AXelXip$=\YilXip )'(* INTERNI

GINKO, WALL BOOKCASE WITH A HEIGHT OF 220 CM, OR FLOOR-TO-CEILING WITH HEIGHT FROM 200 TO 300 CM, IN ALUMINIUM WITH COLORED PAINTED OR WOOD VENEERED PARTS. DESIGNED BY GABRIELE CENTAZZO FOR AL26.98. WALL COVERING BY JANNELLI&VOLPI MADE WITH WOND-WALLPAPER ON DEMAND TECHNOLOGY, WHICH MAKES IT POSSIBLE TO TRANSFER IMAGES, ILLUSTRATIONS AND DESIGNS ONTO A TNT (NON-WOVEN FABRIC) SURFACE.

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#00,$"4& 456%*&4

DRIZZLE MODULAR BOOKCASE WITH STRUCTURE IN BLACK OR CHAMPAGNE ANODIZED ALUMINIUM. EXTRALIGHT TEMPERED TRANSPARENT GLASS SHELVES, 10MM, ALSO AVAILABLE IN “ITALY GRAY” GLASS. VERTICAL POST SETS IN GRAY, MUSTARD, RED OR PINK, BY REQUEST. DESIGN BY LUCA NICHETTO FOR GALLOTTI&RADICE.

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fe cè\ nnn%èk\ie`dX^Xqè\%`k direttore responsabile/editor GILDA BOJARDI bojardi@mondadori.it art director CHRISTOPH RADL caporedattore centrale central editor-in-chief SIMONETTA FIORIO simonetta.fiorio@mondadori.it consulenti editoriali/editorial consultants ANDREA BRANZI ANTONIO CITTERIO MICHELE DE LUCCHI MATTEO VERCELLONI

IN THE IMAGE: VIEW OF THE ENDEMICO RESGUARDO SILVESTRE HOTEL ON THE ARID HILLS OF BAJA CALIFORNIA IN MEXICO, PROJECT BY GRACIA STUDIO. NELL’IMMAGINE: VISTA DELL’ENDÉMICO RESGUARDO SILVESTRE HOTEL SULLE ARIDE COLLINE DI BAJA CALIFORNIA IN MESSICO, PROGETTO DI GRACIA STUDIO. (PHOTO BY /FOTO DI LUIS GARCIA)

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redazione/editorial staff MADDALENA PADOVANI mpadovan@mondadori.it (vice caporedattore/vice-editor-in-chief) OLIVIA CREMASCOLI cremasc@mondadori.it (caposervizio/senior editor) ANTONELLA BOISI boisi@mondadori.it (vice caposervizio architetture architectural vice-editor) KATRIN COSSETA internik@mondadori.it produzione e news/production and news NADIA LIONELLO internin@mondadori.it produzione e sala posa production and photo studio rubriche/features VIRGINIO BRIATORE giovani designer/young designers GERMANO CELANT arte/art CRISTINA MOROZZI fashion ANDREA PIRRUCCIO produzione e/production and news DANILO PREMOLI hi-tech e/and contract MATTEO VERCELLONI in libreria/in bookstores ANGELO VILLA cinema TRANSITING@MAC.COM traduzioni/translations grafica/layout MAURA SOLIMAN soliman@mondadori.it SIMONE CASTAGNINI simonec@mondadori.it STEFANIA MONTECCHI internim@mondadori.it segreteria di redazione editorial secretariat ALESSANDRA FOSSATI alessandra.fossati@mondadori.it responsabile/head ADALISA UBOLDI adalisa.uboldi@mondadori.it assistente del direttore assistant to the editor AZZURRA TORNIOLI internir@mondadori.it contributi di/contributors STEFANO CAGGIANO ARIC CHEN VALENTINA CROCI MASSIMO DE CONTI FRANCESCA ESPOSITO ANTONELLA GALLI FRANCESCO MASSONI ALESSANDRO ROCCA fotografi/photographs ROLAND HALBE MAURIZIO MARCATO JAMES MORRIS MASAO NISHIKAWA MIRO ZAGNOLI EMANUELE ZAMPONI progetti speciali ed eventi special projects and events CRISTINA BONINI MICHELANGELO GIOMBINI

N. 628 January-February 2013 gennaio-febbraio 2013 review founded in 1954 rivista fondata nel 1954

corrispondenti/correspondents Francia/France: EDITH PAULY edith.pauly@tele2.fr Germania/Germany: LUCA IACONELLI radlberlin@t-online.de Giappone/Japan: SERGIO PIRRONE utopirro@sergiopirrone.com Gran Bretagna/Great Britain: DAVIDE GIORDANO davide.giordano@zaha-hadid.com Portogallo/Portugal: MARCO SOUSA SANTOS protodesign@mail.telepac.pt Spagna/Spain: CRISTINA GIMENEZ cg@cristinagimenez.com LUCIA PANOZZO, luciapanozzo@yahoo.com Svezia/Sweden: JILL DUFWA jill.dufwa@post.utfors.se Taiwan: CHENG CHUNG YAO yao@autotools.com.tw USA: PAUL WARCHOL pw@warcholphotography.com

ARNOLDO MONDADORI EDITORE 20090 SEGRATE - MILANO INTERNI The magazine of interiors and contemporary design via D. Trentacoste 7 - 20134 Milano Tel. +39 02 215631 - Fax +39 02 26410847 interni@mondadori.it Pubblicazione mensile/monthly review. Registrata al Tribunale di Milano al n° 5 del 10 gennaio1967. PREZZO DI COPERTINA/COVER PRICE INTERNI + DESIGN INDEX € 10,00 in Italy PUBBLICITÀ/ADVERTISING Mondadori Pubblicità 20090 Segrate - Milano Pubblicità, Sede Centrale Advertising, Central Office Divisione Living/Living Division Direttore/Director: Simone Silvestri Responsabile Vendite/Sales Director: Lucie Patruno Coordinamento/Coordination: Silvia Bianchi Advertising Manager: Stefania Ghizzardi Agenti/Agents: Jacopo Annunziata, Margherita Bottazzi, Ornella Forte, Mauro Zanella Tel. 02/75422675 - Fax 02/75423641 e-mail: direzione.living@mondadori.it www.mondadoripubblicita.com Sedi Esterne/External Offices: LAZIO/CAMPANIA CD-Media - Carla Dall’Oglio Corso Francia, 165 - 00191 Roma Tel. 06/3340615 - Fax 06/3336383 mprm01@mondadori.it PIEMONTE/VALLE D’AOSTA/LIGURIA Luigi D’Angelo Cell. 346/2400037 e-mail:luigi.dangelo@mondadori.it TRIVENETO Mondadori Pubblicità Padova Tommaso Gentile, Elfi Sartori, Paola Zuin Galleria Borromeo, 4 - 35137 Padova Tel. 049/8752025 - Fax 049/8751461 monpubpd@mondadori.it VERONA F.C.G. Pubblicità / Enzo Filippini Via Alberto Mario, 10 - 37121 Verona Tel. 045/8000868 - Fax 045/591081 mpvr01@mondadori.it EMILIA ROMAGNA/SAN MARINO Marco Tosetti / Irene Mase’ Dari Via Pasquale Muratori, 7 - 40134 Bologna Tel. 051/4391201 - Fax 051/4399156 irene.masedari@mondadori.it TOSCANA/UMBRIA Marco Marucci - Gianni Pierattoni M.Grazia Vagnetti Piazza Savonarola, 9 - 50132 Firenze Tel. 055/500951 - Fax 055/577119 mondadoripubblicita.fi@mondadori.it ABRUZZO/MOLISE Luigi Gorgoglione Via Ignazio Rozzi, 8 - 64100 Teramo Tel. 0861/243234 - Fax 0861/254938 monpubte@mondadori.it PUGLIA/BASILICATA Media Time - Carlo Martino Via Diomede Fresa, 2 - 70125 Bari Tel. 080/5461169 - Fax 080/5461122 monpubba@mondadori.it CALABRIA/SICILIA/SARDEGNA GAP Srl - Giuseppe Amato Via Riccardo Wagner, 5 - 90139 Palermo Tel. 091/6121416 - Fax 091/584688 email: monpubpa@mondadori.it ANCONA Annalisa Masi, Valeriano Sudati Via Virgilio, 27 - 61100 Pesaro Cell. 348/8747452 - Fax 0721/638990 email:amasi@mondadori.it; valeriano.sudati@mondadori.it

ABBONAMENTI/SUBSCRIPTIONS Italia annuale: 10 numeri + 3 Annual + Design Index Italy, one year: 10 issues + 3 Annuals + Design Index € 84,00 Estero annuale: 10 numeri + 3 Annual + Design Index Foreign, one year: 10 issues + 3 Annuals + Design Index Europa via terra-mare/Europe by surface-sea mail € 120,20 via aerea/air mail: Europa/Europe € 143,40 USA-Canada € 166,60 Resto del mondo/rest of the world € 246,70 Inviare l’importo a/please send payment to: Press-Di srl Servizio Abbonamenti, servendosi del c/c. postale n. 77003101. Per comunicazioni, indirizzare a: Inquiries should be addressed to: INTERNI - Servizio Abbonamenti Casella Postale 97- 25197 Brescia Tel. 199 111 999 (dall’Italia/from Italy) Costo massimo della chiamata da tutta Italia per telefoni fissi: 0,14 € iva compresa al minuto senza scatto alla risposta. Tel. + 39 041 5099049 (dall’estero/from abroad) Fax + 39 030 3198202 e-mail: abbonamenti@mondadori.it www.abbonamenti.it/interni L’editore garantisce la massima riservatezza dei dati forniti dagli abbonati e la possibilità di richiederne gratuitamente la rettifica o cancellazione ai sensi dell’art. 7 del D.leg.196/2003 scrivendo a/The publisher guarantees maximum discretion regarding information supplied by subscribers; for modifications or cancellation please write to: Press-Di srl Direzione Abbonamenti 20090 Segrate (MI) NUMERI ARRETRATI/BACK ISSUES Interni: € 10 Interni + Design Index: € 14 Interni + Annual: € 14 Modalità di pagamento: c/c postale n. 77270387 intestato a Press-Di srl “Collezionisti” (tel. 199 162 171). Indicare indirizzo e numeri richiesti. Per pagamento con carte di credito (accettate: Cartasì, American Express, Visa, Mastercard e Diners), specificare indirizzo, numero di carta e data di scadenza, inviando l’ordine via fax (+ 39 02 95103250) o via e-mail (collez@mondadori.it). Per spedizioni all’estero, maggiorare l’importo di un contributo fisso di € 5,70 per spese postali. La disponibilità di copie arretrate è limitata, salvo esauriti, agli ultimi 18 mesi. Non si accettano spedizioni in contrassegno. Please send payment to Press-Di srl “Collezionisti” (tel. + 39 02 95970334), postal money order acct. no. 77270387, indicating your address and the back issues requested. For credit card payment (Cartasì, American Express, Visa, Mastercard, Diners) send the order by fax (+ 39 02 95103250) or e-mail (collez@mondadori.it), indicating your address, card number and expiration date. For foreign deliveries,add a fixed payment of € 5,70 for postage and handling. Availability of back issues is limited, while supplies last, to the last 18 months. No COD orders are accepted. DISTRIBUZIONE/DISTRIBUTION per l’Italia e per l’estero for Italy and abroad Distribuzione a cura di Press-Di srl L’editore non accetta pubblicità in sede redazionale. I nomi e le aziende pubblicati sono citati senza responsabilità. The publisher cannot directly process advertising orders at the editorial offices and assumes no responsibility for the names and companies mentioned. Stampato da/printed by ELCOGRAF S.p.A. Via Mondadori, 15 – Verona nel mese di dicembre/in December 2012

Questo periodico è iscritto alla FIEG This magazine is member of FIEG Federazione Italiana Editori Giornali © Copyright 2013 Arnoldo Mondadori Editore S.p.A. – Milano. Tutti i diritti di proprietà letteraria e artistica riservati. Manoscritti e foto anche se non pubblicati non si restituiscono/ All literary and artistic rights reserved. Manuscripts and photographs cannot be returned, even if not published.

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AXelXip$=\YilXip )'(* INTERNI [\Ă&#x201D;eì\ gX\jX^^`jk`Z`# Z`fÂ&#x2026; Z_\ gifmfZXef leX i`jfeXeqX kiX ^c` \[`Ă&#x201D;Z` \ cf jgX$ q`f Z_\ c` ZìZfe[X# m\[` cX gXi\k\ èZcèXkX Z_\ k\idèX cĂ&#x2039;\d`Z`Zcf [\c :lckliXc Xe[ <ek\ikXèd\ek :\ek\i cX cXdX fi`qqfekXc\ Z_\ Zfgi\ `c =`ke\jj :\ek\i# \ cĂ&#x2039;\Zf Xi$ Z_`k\kkfe`Zf Z_\ i`dYXcqX kiX le \[`Ă&#x201D;Z`f \ cĂ&#x2039;Xckif% - Pag. 2 La Clubhouse si trova su unâ&#x20AC;&#x2122;isola al centro di un piccolo specchio dâ&#x20AC;&#x2122;acqua ed Ă¨ composto da due edifici, il Cultural and Entertainment Center, sulla destra, e il Fitness Center, per una superficie totale di circa 11.000 metri quadrati. - Pag. 4 Il fronte esterno della Clubhouse, con il rivestimento in pannelli di alluminio e le pavimentazioni in travertino; al centro si apre in un varco che, con la mediazione di un piccolo giardino dâ&#x20AC;&#x2122;acqua, si affaccia sul lago. Unâ&#x20AC;&#x2122;immagine di dettaglio dello spazio semiaperto sul fronte esterno della Clubhouse. Le scale che scendono al lago costeggiano il giardino dâ&#x20AC;&#x2122;acqua e portano allâ&#x20AC;&#x2122;imbarcadero. Pagina a fianco, al piano superiore la scalinata termina in un foyer dove la luce naturale si riflette sulla parete inclinata rivestita di pannelli in CorianÂŽDuPont. - Pag. 7 Il grande spazio luminoso delle piscine coperte che si trovano nellâ&#x20AC;&#x2122;edificio annesso del Fitness Center. A sinistra, lo schermo in alluminio con impiallacciatura in ciliegio e, al piano superiore, la parete vetrata della palestra.

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- Pag. 8 Richard Meier. Maniglia per porta in ottone cromato della serie RM Novantotto disegnata per Fusital. Unâ&#x20AC;&#x2122;impugnatura allungata compenetra un cilindro creando, con la complicitĂ delle superfici a specchio, un effetto illusorio. La serie integra maniglie per finestra, pomolo per porta, chiave e maniglione. Anello in oro, onice e onice bianco, prodotto da Cleto Munari nel 1984-1986, in serie firmata e numerata. Servizio da tĂ¨ e caffĂ¨ della collezione Tea & Coffee Piazza per Officina Alessi, 1983. Prodotto a mano in 99 esemplari in argento piĂš 3 prove dâ&#x20AC;&#x2122;autore in ottone o rame argentato. - Pag. 9 Mutated Panels, lâ&#x20AC;&#x2122;installazione plastica realizzata con i piĂš recenti prodotti messi a punto nei laboratori Italcementi (il cemento â&#x20AC;&#x153;trasparenteâ&#x20AC;? i.lightÂŽ e il cemento bianco fotocatalitico TX ActiveÂŽ â&#x20AC;&#x153;mangia smogâ&#x20AC;? e â&#x20AC;&#x153;autopulenteâ&#x20AC;?), nellâ&#x20AC;&#x2122;ambito dellâ&#x20AC;&#x2122;evento INTERNI Mutant Architecture, durante la Settimana Milanese del Design 2011, ora collocata in modo permanente nel parco scientifico-tecnologico Kilometro Rosso, nei pressi di Bergamo, dove si trova il nuovo i.lab, centro ricerca e innovazione del Gruppo. Accanto: unâ&#x20AC;&#x2122;immagine dellâ&#x20AC;&#x2122;architettura dellâ&#x20AC;&#x2122;edificio realizzata in chiave â&#x20AC;&#x2DC;sostenibileâ&#x20AC;&#x2122; nel 2012. Per il rivestimento esterno Ă¨ stato utilizzato, infatti, TX ActiveÂŽ, giĂ utilizzato da Meier per la Chiesa Dives in Misericordia a Roma (nota anche come Chiesa del Giubileo, nel quartiere Tor Tre Teste), mentre alcune pareti sono in i.lightÂŽ. - Pag. 10 Rendering di progetto per la nuova Avery Fisher Hall, sede della Philharmonic al Lincoln Center di New York. Disegno tecnico per The Getty Center di Los Angeles, uno dei piĂš grandi lavori realizzati da Richard Meier & Partners (1984-1997). Il complesso museale-istituto di ricercaformazione-auditorium formato da sei edifici principali e ubicato in cima a una collina sottolinea la topografia del terreno, con percorsi che creano scorci prospettici ad effetto. - Pag. 11 A sinistra, lungo la costa dello Yucatan, il Resort Kanai, come sospeso su un tappeto verde di mangrovie, campi da golf e piscine. Comprende quattro hotel, un beach club e unitĂ residenziali. Sotto, schizzo per la Chiesa del Giubileo a Roma, 2005. In basso, disegno per lâ&#x20AC;&#x2122;High Museum of Art (Atlanta, Georgia), 1980-1983. Il progetto dellâ&#x20AC;&#x2122;edificio che ospita oggi il museo (fondato nel 1905) ha aiutato Meier a conquistare il Pritzker Prize nel 1984.

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- Pag. 18 Cucina Terra in porfido e cedro, un progetto del 2005 per Minotti Cucine. Ă&#x2C6; realizzata anche in altri materiali lapidei, tra gli altri, porfido bianco e pietra labradorite. In basso, tavolo H_T, disegnato per Poltrona Frau nel 2006. La lavorazione a doghe longitudinali del piano e i piedi disposti a scalare valorizzano il carattere del legno. Disponibile in tre essenze: rovere naturale, rovere cenere e lauro preto. - Pag. 19 Millennium Hope di Cappellini (2000), tavolo e panca realizzati in noce di cinque differenti tipi, provenienti da Australia, Africa, America, Asia ed Europa. ambientati nella suggestiva location di Belsay House a Newcastle. Vasca Tevere disegnata per Boffi Bagno. Fa parte della collezione I Fiumi (1999) realizzata in sezione circolare in CorianÂŽ DuPont bianco termoformato, composto da sedici settori incollati. Collezione di elementi per il bagno Le Giare (2011) disegnata per Ceramica Cielo.(Red Dot Award: Product Design 2012). Tutti gli elementi freestanding sono modellati secondo linee fluide, dove perfette forme circolari si inseriscono nei contorni esterni ovali.

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- Pag. 24 Collezione di imbottiti Toki disegnata per Meritalia nel 2009. Si caratterizza per la semplicitĂ delle forme geometriche e per la dinamica dei movimenti meccanici che regolano le sedute. Rivestimenti abbinabili in diversi colori e tipologie. Appendiabiti Viking progettato per Magis nel 1993. A piantana con base in ghisa e struttura in tubolare di metallo verniciato con resina epossidica. Ganci in alluminio lucido o verniciato nero. - Pag. 25 Lampada da tavolo Denq, design per Oluce (2011). Base con disco sovrabase in metallo tagliato al laser e cromato; diffusore in vetro soffiato opalino acidato. Collezione di imbottiti Saruyama, Moroso, 1967. Un concept rivoluzionario: il sofĂ non piĂš addossato a una parete, si offre al centro della stanza come seduta geomorfa-scultura-spazio-relax multifunzionale. Nel 1989, con il Saruyama Islands, Kita sviluppa e amplia il progetto iniziale con un â&#x20AC;&#x2DC;arcipelagoâ&#x20AC;&#x2122; di isole indipendenti composto da piccole sedute, chaise longue e tavolini. Poltrona Wink, un prodotto-icona di Cassina (1980). Con struttura in acciaio, imbottitura in poliuretano espanso schiumato e ovatta di poliestere, rivestimento in tessuto o in pelle, ha uno schienale regolabile mediante manopole laterali; puĂ˛ essere trasformata in chaise longue ribaltando la base in avanti. Sedia Ori disegnata per Bonaldo nel 2002 (Good Design Award). Struttura in estruso di alluminio anodizzato argento. Seduta e schienale in ABS. Disponibile in numerose varianti di colore, si caratterizza per la leggerezza (pesa poco piĂš di 3 kg) e per lâ&#x20AC;&#x2122;ingombro ridotto (chiusa occupa uno spazio di soli 5 cm). Un carrello in metallo verniciato ne consente il trasporto fino a 6 pezzi.

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flessibili e componibili allâ&#x20AC;&#x2122;infinito. Nello specifico, una configurazione scaffalature-ripiano. - Pag. 35 Qui sopra, la Old House, allâ&#x20AC;&#x2122;interno del sito produttivo di Casalgrande Padana: unâ&#x20AC;&#x2122;antica casa colonica restaurata nel 2011 per ospitare funzioni di archivio storico e di documentazione, accogliere mostre, incontri ed eventi culturali. La Old House e il giardino che la circonda dialogano con il vicino Casalgrande Ceramic Cloud, il primo progetto firmato da Kuma per lâ&#x20AC;&#x2122;azienda (soltanto lâ&#x20AC;&#x2122;anno prima), in una sorta di sistema spazioambientale che coniuga cultura della produzione e cultura del progetto. Accanto, CCCloud, la scultura monumentale in grĂ¨s porcellanato bianco (42 x h.6 metri) realizzata nel 2010 per celebrare i 50 anni di Casalgrande Padana presso lâ&#x20AC;&#x2122;headquarter di Casalgrande (RE). Il materiale ceramico (656 lastre di grandi dimensioni sovrapposte tra loro e connesse da sottili barre filettate) Ă¨ stato sperimentato in forma strutturale e non come rivestimento. Progetto illuminotecnico di Viabizzuno. Foto Marco Introini.

Efe j\ekf `c Y`jfêf [` i\Xc`qqXi\ fg\i\ le`Z_\1 gi\]\i`jZf cXmfiXi\ g\ejXe[f Z_\ Z`Â&#x17D; Z_\ ]XZZ`f le ^`fief gfki\YY\ XeZ_\ jZfdgXiì\2 XeZ_\ j\ efe Xii`mf X ZXeZ\c$ cXi\ Zfdgc\kXd\ek\ cĂ&#x2039;XiZ_`k\kkliX# i`k\e^f Z_\ le Xkk\^^`Xd\ekf Z_\ gi\e[X è Zfej`[\iXq`fe\ cX [fcZ\qqX# ^c` \jj\i` ldXe`# cĂ&#x2039;XdY`\ek\ \ cX eXkliX gfjjX jfcf Zfe[lii\ X i`jlckXk` [`]]\i\ek`Ă&#x2030;% B\e^f BldX - Pag. 32 Il progetto Stonescape realizzato da Kengo Kuma & Associates con Il Casone, Agape e Mapei a Bologna Water Design, 2012. Un sinuoso landscape di pietra e acqua, che configura una topografia di segno scultoreo. Luci di Davide Groppi. Foto Rocco Casaluci - Pag. 34 Lâ&#x20AC;&#x2122;installazione CCCWall progettata e realizzata con Casalgrande Padana per lâ&#x20AC;&#x2122;evento INTERNI Think Tank in occasione della Settimana milanese del design 2010. Una cortina di leggerissima organza giapponese divideva lâ&#x20AC;&#x2122;antico cortile Bagni dellâ&#x20AC;&#x2122;UniversitĂ degli Studi di Milano in due giardini triangolari, popolati di frammenti di ceramica e di sassi silicei impiegati nella lavorazione industriale. Foto Andres Otero. Sotto, Chidori Furniture, 2011, sistema dâ&#x20AC;&#x2122;arredo ispirato allâ&#x20AC;&#x2122;antico gioco giapponese del Chidori, realizzato con artigiani della regione Tohoku nellâ&#x20AC;&#x2122; East Japan. Una serie di listelli sagomati di legno assemblati con incastri a secco formano unitĂ

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C_In628_R_109_125_traduzioni.indd 114

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)''0% Hl` [` elfmf cËXik\ j` ]X dXek\e`d\ekf [` le cè\X d\[`XeX# [fm\ Xmm\e^fef klkk` ` gfjj`Y`c` jZXdY` g\i jèkfe`X f g\i [`jkXZZf% ß le lck\i`fi\ i`Õ\jjf [` le ]Xi\ è[`$ i`qqXkf X \cXYfiXi\ leË\ek`k~ Z_\# è :Xiifcc# j` gifgfe\ X d\k~ kiX jZlckliX \ g`kkliX# kiX Zfigf \ Xe`dX# kiX XggXi\eqX \ j\î\kf# kiX jfgiX \ jfkkf# kiX [XmXek` \ [`\kif# kiX mlfkf \ g`\ef j\eqX Z_\ `c i`jlckXkf g\e[X [X leX gXik\ f [XccËXckiX# [`m\ekXe[f X]]\idXk`mf \[ `dgfj`k`mf% :fekX èm\Z\ i`dXe\i\ XccËèk\ief [` leX [`Xc\kk`ZX Xg\ikX Z_\ fjZ`ccX kiX ` k\idè`% Gl Xii`mXi\ X `[\ek`ÔZXic`# dX ]XZ\e[fc` Zfem`m\i\# Zfj Z_\ j` Zi\` le XdY`kf [`]]\i\ek\# efe Xjjfclkf e \jki\df# cX[[fm\ cX gf\j`X m`m\% Le ZfdgfikXd\ekf Z_\ `d$ gc`ZX `c Zfekèlf X[\^lXij` Xcc\ j`klXq`fe` \ X` Zfek\jk` g\i Zl` c\ jè^fc\ Zfj\ Zfjkil`k\ [XccËXik`jkX gifZ\[fef e\^c` jgXq` d\jj` X [`jgfj`q`fe\ [X dlj\`# [X Zfcc\q`fe` \ [X ^Xc$ c\i`\# kifmXe[f le Y`cXeZ`Xd\ekf Z_\ ]fe[Xkf jlc cfif ilfcf gXik\Z`gXk`mf% J` d\kkfef è i\cXq`fe\ èk\id\[`X kiX cfif [`jgfe\e[fj` X dlif f X gXm`d\ekf# è Xckf \ è YXjjf# [` ]ifek\ \ [` kX^c`f# X gXi\k\ \ X[ Xe^fcf XccX i`Z\iZX [` le XZZfi[f j\ efe leËXidfe`X èk\i`fi`# Zfj [X Zfdgfii\ lef jgXik`kf XdY`\ekXc\ [fm\ ^c` \c\d\ek` ]leq`feèf [X gXifc\ f ]iXj` gf\k`Z_\% ;X hl` [\i`mX lef jgfjkXi\ \ le i`Zfdgfii\ X j\Zfe[X [\cc\ j`$ klXq`fe` \ le [`jg`\^Xd\ekf [` k`kfc` Zfd\ Glqqc\ GXèkè^j# (00.# Z_\ è[`ZXef le cXmfiX$ i\ jlccX jZfg\ikX [\i`mXY`c\ [Xc d\kk\i\ èj`\d\ ` ]iXdd\ek`# c\ ]iXkkli\ \ ` kX^c` g\i g\i$ m\eì\ X[ leX Zfekèl`k~% Hl\jkX [èXd`ZX g\iZ_ g\id\kk\# e\c jè^fcf cXmfif# cX k\dgfiXe\X [\k\idèXq`fe\ [\ccË\jj\i\# d\eki\# èjkXccXkf èj`\d\ X[ Xcki`# `c jlf kiXej`$ kf ZfekèlX e\cc\ kfkXc`k~% CX k\ej`fe\ èk\iif^Xk`mX [\ccËXik\ [` :Xiifcc Zi\X# Zfe ` jlf` èe\jk` \ c\ jl\ Zfe`l^Xq`fe` ]Xd`c`Xi` Knf 9ifk_\ij# (00' # leX ZfekèlX k\ej`fe\ X è$ k\iif^Xi\ NX`k# (00) # Zfe cX jg\iXeqX Z_\ cX ZfjX# [fgf le cle^f [fidì\ GXèkè^ ;f Jc\\g# (00+$0- # j` jm\^c` \ i\e[X \jgc`Z`kX cX jlX \jj\eqX# Z_\ gl i`jlckXi\ cldèfjX Le$ k`kc\[# (0/0# \ Lek`kc\[# )'(( # g\iZ_ cX cXdgX[èX XZZ\jX jfkk\e[\ le ZXdY`Xd\ekf# \e\i$ ^\k`Zf hlXekf Ôfi\ek\# g\iZ_ cË`ddX^èXq`fe\ èk\i`fi\# ljZ\e[f [Xc jlf èmfclZif# j\im\ X[ Xik`ZfcXi\ ]fid\ \ iXZZfek` ]XekXjk`Z` \ gf\k`Z`% Jfcf Xggif]fe[\e[f cËXeXc`j` [\ccËle`]fid\ j` ]X \d\i^\i\ `c dlkXd\ekf \ g\i hl\jkX iX^`fe\ :Xiifcc ZfekèlX X cXmf$ iXi\ jl gXjjX^^` dè`d` Z_\ cf ]Xeef kiXej`kXi\ [X leX d\[`Xq`fe\ ZifdXk`ZX X[ leX jlZZ\jj`mX# [X le èZXjkif XccËXckif g\i Xmm`ZèXij` X[ le \cfhl\eqX ]fidXc\ XckXd\ek\ Ê]fe`ZXË# e\c j\ejf Z_\ i`\jZ\ X[ \eleZ`Xi\ X mfZ\ XckX `c ]fe[Xd\ekf \e`^dXk`Zf [\` j\ê` jZi`kk` \ Zfjkil`k`# [`gèk` \ i`kX^c`Xk`# gifeleZ`Xk` \ Xjj\dYcXk`# jkXdgXk` \ i`gif[fkk` g\i Xmm`ZèXij` XccX efq`fe\ [` le èm`j`Y`c\ Z_\ kiXej`kX e\c m`j`Y`c\ \ cf i\e[\ XZZ\jj`Y`c\% - Pag. 36 Untitled 2009. 100 x 78 x 70 cm. oil, wax, canvas on wood. Private Collection. Untitled (Light Box), 2009. 13 x 45 x 30 cm. House paint on wood, light bulbs, plastic fixtures and electric cord. Private Collection. - Pag. 37 Untitled, 1989. 276 x 109 x 30 cm. Oil, wax, canvas on wood with metals screen. Lamberti Collection, Varese, Italy. - Pag. 38 It is the Sea 1992. 63 x 38 x 8 cm. Oil, wax, canvas on wood. Collection of Petra Giloy-Hirtz. Munich, Germany. Unttiled (Page Painting). Dimensions to be determined. Will be made in artist’s studio in Venice, Italy. Untitled, 1993 45.7 x 45.7 x 40.6 cm. Panza Collection. No Need to Jump 1992 (Cut Painting). 49.5 x 61 x 34 cm. Oil, wax, canvas on wood. Collection of Hugo and Ingrid Jung. Achen, Germany. - Pag. 39 Wait, 1990-1991. 11.4 x 14.2 x 29.8 cm. Oil, wax, canvas on wood. Panza Collection. Untitled 2001. 307.3 x 213.3 x 7.6 cm. Oil, wax, canvas on wood. Panza Collection, Lugano, Switzerland. - Pag. 40 Untitled, 2011. 351 x 301 x 30 cm. Oil, wax, canvas on wood, plastic buckets, shoes, leaves, neon. Private Collection.- Pag. 41 Untitled (Shoe Painting) 1999-2000. 243 x 182 x 8 cm. Oil, wax, shoes, ivy and canvas on wood. Yes (Floor Piece), 2000. 75.5 x 64 x 14.5 cm . Oil, wax, wood and plexiglass. Private Collection, Veneto, Italy.

19/12/12 18.36

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AXelXip$=\YilXip )'(* INTERNI DXjj`d`c`Xef =èXqq\i =cfip# Xlkfi\# Xkkfi\ \ i\^`jkX k\XkiXc\# _X `[\Xkf ]fidXk ZlckliXc` ZXiXkk\i`qqXk` [XccĂ&#x2039;èki\ZZ`f Zfe c\ g\i]fidè^ Xikj% @e hl\jkX m\eX _X i\Xc`qqXkf jg\kkXZfc` g`Â&#x201C; mfck\ i\gc`ZXk` è @kXc`X \ XccĂ&#x2039;\jk\if# Zfd\ @e m`X^^`f Zfe Mì^`c`f )'', # leX c\kkliX jZ\e`ZX `kè\iXek\ [\ccĂ&#x2039;<e\`[\2 CĂ&#x2039;Xckif m`X^^`f [` IXè\i DXi`X I`cb\ )'', 2 Cf jg\ZZ_`f [` 9fi^\j )''. 2 CĂ&#x2039;fi\ZZ_`f [` 9\\k_fm\e )''/ 2 @c k\dgf [` >ljkXm DX_c\i )'(' 2 @ gifd\jj` jgfj` )'(( % Ă&#x; jkXkf èfcki\ `[\Xkfi\ \ Zfe[lkkfi\ [` iXjj\ê\ ZlckliXc` hlXc`# kiX c\ Xcki\# CX gXifcX Zfek\jX kiX Ă&#x201D;cfjfĂ&#x201D;X \ jZ`\eqX gi\jjf `c k\Xkif <c`j\f [` IfdX # @c ^`fZf j\i`f [\ccĂ&#x2039;Xik\ gi\jjf cX >Xcc\i`X eXq`feXc\ [` 8ik\ Xek`ZX \ 8 gXjjf [Ă&#x2039;lfdf [`Xcf^_` k\elk` e\c ;lfdf [` D`cXef % ?X [ì\kkf ZfccXe\ \[`kfi`Xc` gi\jjf JbìX \ JXe GXfcf% KiX `c )''/ \ `c )'(( Â&#x2026; jkXkf Xjj\jjfi\ XccX :lckliX [\c :fdle\ [` D`cXef% - Pag. 44 Pinocchio. La storia di un burattino da Carlo Collodi. Regista e interprete Massimiliano Finazzer Flory (nellâ&#x20AC;&#x2122;immagine); disegno coreografico e interprete Michela Lucenti ed Emanuela Serra; musiche di Nino Rota e Fiorenzo Carpi, eseguite al pianoforte da Gianluca Pezzino. Scenografia di Bartolucci. Durata: 80 minuti. - Pag. 45 Nel 1970 la Fondazione Nazionale Carlo Collodi (www.pinocchio.it) ha incaricato Marco Zanuso di progettare, su un ettaro di macchia mediterranea confinante con il parco monumentale di Pinocchio (realizzato, nel 1956, dagli architetti Baldi & De Luigi), lâ&#x20AC;&#x2122;attiguo Paese dei Balocchi. Il landscape project Ă¨ di piero porcinai, le 21 sculture in bronzo sono di Pietro Consagra.

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curate da M +, il nuovo museo per la cultura visiva che sorgerĂ a Hong Kong nel distretto culturale di West Kowloon. - Pag. 47 Un ritratto di Aric Chen e alcune immagini dei progetti e degli allestimenti realizzati da designer cinesi e internazionali per lâ&#x20AC;&#x2122;edizione 2012 della Beijing Design Week, sotto la direzione artistica di Chen. Da sinistra: The mobile museum; Iâ&#x20AC;&#x2122;m a monument di Li Naihan; How to... di BET Studio e Zara Arshard; Brachina dei Fratelli Campana.

19/12/12 18.36

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/FOEP - Pag. 54 USA - Bottleware, nuova collezione per la tavola progettata per il marchio

americano CocaCola e realizzata riciclando le tipiche bottiglie della bevanda (2012). UK Stilo, auricolare Bleutooth in alluminio di Logitec (2012). SPAGNA - Dragonfly, tappeto in lana di Gandia Blasco (2012). ITALIA - Dallâ&#x20AC;&#x2122;alto verso il basso: Rokumaru, appendiabiti in legno di DePadova (2008); Yuki, paravento in plastica di Cappellini (2006); Shortcut, rack per asciugamani di Boffi (2009); Cube, portariviste in legno di Arketipo (2010). Zabuton, lounge chair con struttura in metallo, con uno o senza braccioli, e imbottitura in poliuretano stampato, di Moroso (2012). REPUBBLICA CECA - Lampada a sospensione della collezione in vetro di Lasvit (2012). GIAPPONE - Bird-apartament, casa per uccellini in legno rivestito in Urethane per il Momofuku Ando Centre nella foresta a Komnoro City.

,BSJN 3BTIJE - Pag. 55 USA - Slide, poltroncina e pouf di Rowe (2010); Basik, scrittoio di Council (2010) Bobble, bottiglia in plastica riciclata di Move Collective (2010). SPAGNA Pal, seduta in plastica, di Vondom (2010); Float, divano di Sancal (2012). ITALIA - Dallâ&#x20AC;&#x2122;alto verso il basso: Superblob, imbottito di Edra (2002); Tide, credenza di Horm (2008); Kubo, libreria di Meritalia (2008); stazione metropolitana a Napoli (2011); Kivas, divano componibile di Vandichienti (2011); aplique a led di Fabbian (2012). COREA - Karim iPhone Collection di Spigen SGP (2012). GIAPPONE - Rainboot Collection Spring 2011, stivali da pioggia in gomma di Sydney-D. 1IJMJQQF 4UBSDL - Pag. 56 USA - Big Digital, orologio da polso di Fossil (2011); Zic, cuffie

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stereo di Parrot (2012). FRANCIA - Dallâ&#x20AC;&#x2122;alto verso il basso: Starck eyes, montatura occhiali di Mikli (2010); Wahh Quantum Sensations, mini spray tascabile di WA/HH (2012); Volteis- V+, auto elettrica di Volteis (2012); Crystal Supper, tavolo in cristallo di Baccarat (2012). GERMANIA - Play, tavolo e sedie per esterno di Dedon (2012). ITALIA - Dallâ&#x20AC;&#x2122;alto: verso il basso: Richard III, poltrona in metallo di Baleri (1984); Ara lampada da tavolo di Flos (1988); Salif Juicy, spremiagrumi di Alessi (1990); Attila, tavolini-seduta di Kartell (1999); Lou read poltrona in pelle di Driade (2011); Zartan, sedia Magis (2011). NUOVA ZELANDA - Collezione di abiti, accessori e profumi di Ballantyne (2010).

.BSD /FXTPO - Pag. 57 USA - Zvezdochka, scarpe in edizione limitata di Nike (2001);

Scope, trolley di Samsonite (2004). GERMANIA - T-shirt in cotone della collezione uomo 2013 di G-star. ITALIA - Dallâ&#x20AC;&#x2122;alto verso il basso: Failt , sedufeberglass di Cappellini (1989); Apollo, torcia tascabile di Flos (1997); Coast, sedia di Magis (2002); Lo, tavolo tondo di B&B Italia (1998); P755SV, piano cottura di Smeg (2008); Acquariva, yacht tender di Riva (2010). SVIZZERA - Jaeger Le-Coultre, orologio da tavolo di Atmos (2010). GIAPPONE - K-01, macchina fotografica digitale di Pentax Ricoh Imaging (2012) AUSTRALIA - Rubinetto miscelatore di Caroma (2012).

#BSCFS 0THFSCZ - Pag. 58 UK - Dallâ&#x20AC;&#x2122;alto verso il basso: De La Warr, sedia di Established & Sons (2005); The Fluke, scultura in acciaio Cor-Ten per lâ&#x20AC;&#x2122; Old Royal Navage College (2007); Ascent, scultura per Venison Gallery (2011); panca in marmo di Carrara realizzata da Torart per Established & Sons per il museo V&A (2012); torcia olimpica in alluminio per le Olimpiadi di Londra 2012. GERMANIA - Paris, libreria in MDF di Classicon (2004); Tip Ton, sedia dondolo di Vitra (2010). ITALIA - Hula, sgabello in legno di Cappellini (1999); Tab T, lampada da tavolo di Flos (2006); Lanterne marine, lampade da tavolo di Venini (2009); Poppins, portaombrelli in ABS di Magis (2010); Tobi Ishi, tavolo tondo in marmo marquina e bianco Carrara di B&B Italia (2012). HONG KONG - Facciata in alluminio per H&M store (2008). -VDB /JDIFUUP - Pag. 59 UK - Dame, lampada sospensione di Estabished & Sons (2011). FRANCIA - Float, tavolino di La Change (2012); Swell, portaoggetti da scivania di Petite Friture (2012); Les PoupĂŠes, vasi-portacandele di Gallery Pascale (2012). ITALIA - La Mise, divano da due e tre posti, rivestito in tessuto o pelle con cuciture a vista di Cassina (2012). Dallâ&#x20AC;&#x2122;alto verso il basso: Otto, collezione di vasi di Venini (2010); Nuance, poltroncina di Casamania (2009); Dressed, divano di Tacchini (2010); Geoart, tappeto componibile di Nodus (2009); Space, lampada a sospensione di Foscarini (2003). BOTSWANA - Ipe, sgabello in legno di Mabeo (2011). SVEZIA - Green pads, tavolino porta piante di Offecct (2011); Bevel, tappeto in lana di Ogeborg (2012). (MJNQU @c [lf jm\[\j\ DXkk`Xj IXjb \ Kfi GXcd èZ\ek`mX ]fid\ [` Xik`^`XeXkf ^cfYXc` Zfe ZfekXdèXq`fe` è\[`k\% =fe[X >c`dgk e\c )'(' X ]ifek\ [\ccX ZfccXYfiX$ q`fe\ X :`kk~ [\c :Xgf gi\jjf K_\ Gfkk\ij Nfibj_fg# [X Zl` jfef eXk\ cXdgX[\ è Z\$ iXd`ZX g\i le d\iZXkf \lifg\f [Xc jXgfi\ jl[X]i`ZXef% Hl\jkĂ&#x2039;\jg\i`\eqX c` _X gfikX$ k` X Z\iZXi\ ZfccXYfiXq`fe` Zfe fg`Ă&#x201D;Z` \ Zfdle`k~ Xik`^`XeXc` e\c dfe[f# Zfd\ è M`\keXd è Zl` Â&#x2026; eXkX cX ]fikleXkX j\i`\ Jlg\i_\if\j è gif[lq`fe\ g\i :Xgg\ccè`% F^^` jfef `dg\êXk` Zfe 8ik\jXefj ;fe 9fjZf è G\iÂ&#x201C; \ Zfe g`ZZfc\ i\Xck~ Xik`^`XeX$ c` è DXkf >ifjjf% CĂ&#x2039;fZZXj`fe\ [\ccĂ&#x2039;èZfekif Zfe cĂ&#x2039;`dgi\e[`kfi\ `kXc`Xef Â&#x2026; jkXkX `c ;* Zfek\jk [` :fcfe`X e\c )'((# è Zl` `c [lf ^c` _X iXZZfekXkf [\c gif^\kkf jl[X]i`ZXef \ [\c [`Xcf^f Zfe ^c` Xik`^`Xe` cfZXc` Zfd\ ]fek\ [Ă&#x2039;`jgìXq`fe\% >c`dgk# è]Xkk`# kifmX c\ iX^`fe` [\c ]Xi\ e\ccĂ&#x2039;`Yi`[Xq`fe\ [\ccĂ&#x2039;\jg\i`\eqX Zi\Xk`mX Zfe Zlckli\ cfekXe\% - Pag. 61 In alto: le lampade in ceramica Forbidden Fruit prodotte da The Potterâ&#x20AC;&#x2122;s Workshop. Sopra: comodino smontabile in legno, uno dei prototipi nati con il centro per lâ&#x20AC;&#x2122;arredo sudafricano Furntech. A destra e sotto: la serie Superheroes in plastica e materiali naturali, oggi prodotta da Cappellini e sviluppata con gli intrecciatori della cittĂ vietnamita Ho Chi Minh.

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C_In628_R_109_125_traduzioni.indd 119

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- Pag. 62 In alto: Bell Light Pendant, serie di lampade composte da elementi intercambiabili in materiali differenti (rame, acciaio e tessuto). Sopra: prodotti da Classicon con parte strutturale in vetro che sostiene un top in ottone, Bell Table sono due tavoli che invertono l comune senso dei materiali; la sedia in legno Clip per De Vorm mantiene evidente lo stacco tra i due materiali, facilitando anche il disassemblaggio. Sotto: la collezione Coat per Moroso presenta sedute con una struttura morbida senza soluzione di continuitĂ e gli accessori in fibra intrecciata e tondino di metallo che ne riprendono i cromatismi.

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- Pag. 66 Accanto: la sedia a dondolo in legno curvato, realizzata per S&C; la lampada Cup con elementi di riuso dalla sorprendente semplicitĂ . Sotto: caratterizzata da punti di snodo in gomma flessibile, la serie Joynt, prodotta da Lago, trasforma la sedia in un oggetto dinamico.

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AXelXip$=\YilXip )'(* INTERNI i\% @c efjkif XZhl`i\ek\ Â&#x2026; [` ]XjZ`X XckX# Zfe leĂ&#x2039;\k~ Zfdgi\jX kiX ` *' \ ` -' Xee`% @ iljj` XdXef d`oXi\ Zfcfi` \ gif[fkk` \ XZhl`jkXef ` efjki` gif[fkk` g\i klkk` ^c` XdY`\ek`# [XccX ZXd\iX Xc jf^^`fief Xccf jkl[`fĂ&#x2030;% - Pag. 68 Mundoball, palla giocattolo di Javier Mariscal per Magis, Me Too Collection.

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*- (6450 1&3 *- SFDVQFSP %&* ."5&3*"-* & 1&3 -& 5*/5& '035* %&- #SBTJMF *- 4&/40 %&- 13&;*040 & -" DVMUVSB DSPNBUJDB %&--m*OEJB *- /&013*.*5*7*4.0 BGSJDBOP -m&453&.0 PSJFOUF 53" &44&/;*"-*5Â&#x2014; "440-65" & *1&3 %&$03"5*7*4.0 *- %&4*(/ &41-03" -*/(6"((* NFUJDDJ */ #*-*$0 53" JOEVTUSJB & BSUJHJBOBUP 53" '"4$*/0 FTPUJDP & 453"5&(*" $0..&3$*"-& 7&340 * NFSDBUJ FNFSHFOUJ #SB[*- - Pag. 77 - 1. Drop chair, di Orlandini & Radice per Infiniti, sedia in polipropilene con carica di fibra di vetro, con decoro dellâ&#x20AC;&#x2122;artista brasiliano Romero Britto. 2. Zio Tom, di Claudio Bitetti per Mogg, mobile contenitore assemblato con legno antico di recupero. 3. Ă&#x2C6; meglio che ti sieda, di Brave Artisans per Danese, poltroncina con struttura in varie essenze di legno e cuscini in lana. 4 Babilonia, dalla Neorustica Collection di Brunno Jahara per Ndt Brazil, credenza in legno di recupero. 5. Euro tropiques, collezione di piatti in porcellana con decoro di Fernando e Humberto campana per Bernardaud.6. Bois de Rose, di Massimo Morozzi per Edra, mobile contenitore con apertura a pedale, rivestito a intarsi irregolari di tranciati del legno utilizzato anticamente per i grandi comĂ˛ Luigi XV. 7. Wrongwoods bookcase, di Richards Woods e Sebastian Wrong per Established and Sons, libreria con elementi chiusi da ante, in 3 varianti di colore. 8. Inflated Wood, limited edition di Zanini De Zanine per Cappellini, poltroncina in legno brasiliano IpĂŠ e JacarandĂĄ. 9. Quetzacoatl di Jean-Baptiste Fastrez, amaca-installazione realizzata con tessuto Hallingdal 65 di Kvadrat per celebrare il tessuto icona dellâ&#x20AC;&#x2122;azienda disegnato da Nanna Ditzel nel 1965.

*O%*B - Pag. 79 - 1. Beloved India di HermĂ¨s Maison, tessuto dâ&#x20AC;&#x2122;arredamento in 100% cotone, disegno di Philippe Dumas. 2. Surrounded, sgabelli disegnati e prodotti da Els Woldhek/Whatels interpretando tradizionali tecniche tessili indiane. 3. Helix di Floor to Heaven, tappeto taftato a mano. 4. Dr Jekyll and Mr Hyde, di Piero Lissoni per Glas Italia, mobili contenitori in cristallo stratificato. 5. Joy, di Borek Sipek per la collezione Barockâ&#x20AC;&#x2122;n Roll di Sawaya&Moroni, centrotavola in vetro. 6. Dalla Katran collection disegnata e prodotta da Sahil & Sarthak, poltroncina realizzata con scarti tessili intrecciati su una struttura metallica. 7. Lustre Light di Tom Dixon, lampade a sospensione in gres a effetto metallico. 8. Maximâ&#x20AC;&#x2122;s, di Alessandro La Spada per Visionnaire, tavolino in marmo e cristallo. 9. Nappa, di Ferruccio Laviani per Ego, tavolino con piano in vetro e base in tubolare rivestita in cordino. 10. Gray 63, di Paola Navone per Gervasoni, cassettiera in rovere tinto bianco con frontali in specchio serigrafato. 11. Roi Soleil, di Vincenzo Antonuccio e Marilena Calbini per Vg, tavolo con piano in plexiglass nero e gambe in metallo lucido. 12. Colony Cavalletto di Paola C, vassoio in alluminio con manici su cavalletto in legno. 13. Sellerina Alluminio, di Paola Navone per Baxter, monoblocco in fusione di alluminio, rivestimento in Mongolia Blue. 14. Piatto Tema e Variazioni n. 228 di Fornasetti, porcellana con decoro bianco, nero e oro. "'S*DB - Pag. 81 - 1. Sedia in metallo e fili intrecciati in PVC multi-color realizzata per Marni da

detenuti per un progetto tra charity e design. 2. Saya, di Lievore Altherr Molina per Arper, sedia in essenza di rovere, disponibile nelle tinte naturale e teak, e nei colori tinti a poro aperto bianco, nero, ocra e 3 tonalitĂ di rosso. 3. Fedro, di Lorenza Bozzoli per Dedon, seduta outdoor basculante a terra, con struttura in alluminio estruso rivestita con intreccio in fibra di plastica colorata. 4. Sgabelli di Formafantasma per il progetto di design Craftica di Fendi, realizzati con pelli di scarto, legno e pelle di pesce. 5. Party zoo, di Aldo Cibic per Moret, tappeto con campo in lino e disegno filato in lana, mohair e

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C_In628_R_109_125_traduzioni.indd 122

seta. 6. Totem, di Davide Bonanni per Accademia, pouf impilabile rivestito in cordino. 7. Bask, di Sebastian Herkner per Moroso, collezione di cesti utilizzabili, quando rovesciati, come tavolini, con struttura in filo metallico e intreccio in fibra di carta. 8. Wood table di Massimo Castagna per Henge, tavolo in essenza di rovere di palude naturale con finitura ad olio. 9. Dalla collezione Stephen Burks for Dedar, pouf composti da un fascio di corde marine cinto da passamaneria della linea BabĂ . 10. Kalahari, di Claesson Koivisto Rune per Mabeo, panca in legno di quercia completa di cassetti e portaoggetti, disponbile anche in legno Panga Panga o Mukwa.

0S*FO5 - Pag. 83 - 1. Cage, di Arik LĂŠvy per Forestier, lampada a sospensione o da tavolo con diffusore in carta. 2. Cesar, di Rodolfo Dordoni per Minotti, pouf-tavolino laccato lucido in 3 colori. 3. Papillon, di Karen Chekerdjian per Valsecchi 1918, sgabello con struttura in alluminio e acciaio, seduta in multistrato impiallacciato frassino laccato nero o rosso. 4. Gualtiero ed Edith, di Paolo Cappello per Miniforms, tavolo estensibile in legno laccato su piastra metallica e sedia in faggio o rovere, naturale e laccato. 5. RisciĂ˛ di Kenzo Maison, poltrona con struttura impiallacciata in noce canaletto e bordi laccati glacĂŠ. I cuscini sono trattenuti da una fascia elastica, come in un kimono. 6. Tiger, di Dylan Martorell per Domestic, tappeto in 100% lana annodato a mano. 7. Intrigue japonais, di Paolo Cappello per Nodus, collezione di cuscini, coordinata con un tappeto, in cachemire e filo metallico ricamato a mano. 8. Box, di Silvano PierdonĂ e Manuela Pelizzon per Capodopera, cassettiera su base metallica. I cassetti hanno struttura in corian e frontali con taglio a 45 gradi. 9. Okumi, di Studio Catoir per Ligne Roset, poltrona con struttura in massello di faggio e cuscinatura ispirata al kimono. 10. Aria, di Raffaello Galiotto per Nardi, poltrona relax per esterni e interni in polipropilene. 11. Tavolino dalla Kite Family di Shin Azumi per Fornasarig, coffee table in legno massello di faggio o rovere. 12. Mobile contenitore dalla collezione F the Classics di Ferruccio Laviani per Fratelli Boffi, con base in legno intagliata a mano con finitura in foglia dâ&#x20AC;&#x2122;oro e parte superiore rivestita in tessuto.

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- Pag. 85 Progettata da Charlotte Perriand a metà degli anni Cinquanta, la famiglia di librerie e contenitori Nuage fa oggi parte della collezione I Maestri di Cassina. Nella pagina accanto, la Perriand con la sua libreria all’Expo Synthèse des Arts Tokyo, 1955 (Photo Junzo Inamura, Copyright Archives Charlotte Perriand, ADAGP 2012). - Pag. 86 Sopra, un’ambientazione storica di Nuage all’interno dell’agenzia Air France a Londra, 1957 (Copyright Archives Charlotte Perriand, ADAGP 2012). Sotto, una composizione a muro e una versione a contenitore di Nuage, realizzata in Cinque diverse altezze con ripiani in rovere ed elementi verticali in alluminio. - Pag. 87 Altre opere di Charlotte Perriand presenti nel catalogo I Maestri di Cassina. Accanto: Refolo, Sistema modulare utilizzabile come tavolino, come panca o imbottito con la semplice aggiunta di cuscini, 1953. Sotto, da sinistra: Petalo, sistema di cinque tavoli bassi in cui ogni dimensione è abbinata ad un colore, 1951; Tokyo Outdoor, Chaise longue in listelli curvati di teak, faggio o bambù, 1940; sgabelli Méribel e Berger, ispirati a quelli delle comunità montane, 1953-61. In basso, da sinistra: Table en forme libre, tavolo con piano irregolare in massello di rovere, 1959; ombra Tokyo, sedia realizzata con un solo pezzo di compensato di rovere naturale o tinto nero, 1954.

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- Pag. 88 Accanto: la Copertina del volume Kartell. The Culture of plastic con la sedia Ero(s), di Philippe Starck, 2001. Sotto, alcune pagine del volume. Tutte le immagini provengono dallâ&#x20AC;&#x2122;archivio Kartell. In basso: Claudio Luti, presidente di Kartell, con i figli Federico e Lorenza seduti sul divano Bubble Club disegnato da Philippe Starck, 2000. Nella pagina accanto: un allestimento realizzato con gli Sgabelli la Boheme, disegnati da Philippe Starck, 2001, e le scalette Upper disegnate da Alberto Meda e Paolo Rizzatto, 2000. - Pag. 91 Nella pagina accanto, a sinistra in senso verticale: Mobili componibili Round, design Anna Castelli Ferrieri, 1969; Il gruppo dei designer Kartell al Salone del mobile del 1969, foto di Ugo Mulas; Campagna pubblicitaria della divisione accessori, 1967. Nella pagina accanto, a destra in senso verticale: Sedia Louis Ghost, 2002, fotografata sullo sfondo della

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Torre Eiffel di Parigi; un particolare dellâ&#x20AC;&#x2122;allestimento dello stand Kartell al Salone del mobile 2000: Due androidi presentano la sedia Masters di Philippe Starck, accentuando il suo valore futuristico. In questa pagina a sinistra, in senso verticale: Fase di produzione della sedia Universale, 1967; Lampada da tavolo Tic Tac con il suo packaging, design Giotto Stoppino, 1970. Al centro, in senso verticale: Anna Castelli Ferrieri con Giulio Castelli e il tavolo rotondo in resina poliestere, disegnato da Anna Castelli Ferrieri e Ignazio Gardella, 1967; La sedia per bambini K4999 disegnata da Marco Zanuso e Richard Sapper, 1964; Cestino gettacarte disegnato da Angelo Cortesi e Franco Scansetti, 1989. Qui sopra, dallâ&#x20AC;&#x2122;alto: La libreria Bookworm di Ron Arad in una foto del catalogo della divisione Habitat del 1995; comunicazione dellâ&#x20AC;&#x2122;evento Kartell ama Milano del 2010.

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- Pag. 97 Alcune immagini dellâ&#x20AC;&#x2122;identitĂ visiva di Internoitaliano realizzate da Leonardo Sonnoli. Da sinistra, tutti disegnati da Giulio Iacchetti: lâ&#x20AC;&#x2122;appendiabiti Leno realizzato da CNC Design di Mariano Comense; lo sgabello Affi, prodotto da RCB di Seveso; la carta da parati Paesemio di Jannelli & Volpi; il tavolo Jesi di Molteni Marino di Cesano Maderno. In basso, gli artigiani che realizzano gli arredi e che co-firmano i progetti (Foto Max Rommel). - Pag. 98 Sopra, lo schema della piattaforma Slowd che fa produrre lâ&#x20AC;&#x2122;oggetto a un massimo di 45 km di distanza dalla consegna. Alcuni degli oggetti realizzati da Slowd. Da sinistra: il tavolo 50Curve Naked e la sedia â&#x20AC;&#x2DC;con orecchieâ&#x20AC;&#x2122; in massello Mikey, disegnati da Andrea Cattabriga; la poltrona interamente in legno progettata da Jeroen Sere; il tagliere T+C e il vassoio Pop disegnati da Rebel Lot. - Pag. 99 Slowd Ă¨ anche unâ&#x20AC;&#x2122;occasione di visibilitĂ per giovani designer. Da sinistra: la scala in legno Lâ&#x20AC;&#x2122;Albina disegnata da Gaia Bottari, il contenitore a giorno Uptoyou di Sebastiano Longaretti, il portaombrelli, lo sgabello Zztop e la libreria disegnati da Marco Ripa. I progetti vengono selezionati in base alla facilitĂ di realizzazione e di assemblaggio. Alcuni prodotti non sono montati nĂŠ verniciati per mantenere i prezzi accessibili.

- Pag. 101 Read-unread, Ă¨ una liberia che archivia quanti libri si sono letti e quanti ancora sono da leggere. Ă&#x2C6; realizzata con cinghie in pelle, fibbie in metallo e staffe a muro in acciaio cromato, di Niko Economidis. Fast system, libreria autoportante componibile con montanti in legno dâ&#x20AC;&#x2122;acero e ripiani modulari in metallo verniciato, disponibili in tre dimensioni, bloccati per mezzo di una cinghia bianca, grigia, nera o arancio. Di FranĂ§is Chabloz per Danese. Carta da parati Vases della collezione Alliance, in jersey contrecollĂŠ su mousse e termoformata, disponibile nei colori bianca, marrone e blu. Di Elitis in collaborazione con Rosaria Rattin. Brocca della collezione HydrĂŹa, composta da 10 differenti forme, in ceramica smaltata in diversi colori. Di Stefania Vasques per Diamantini&Domeniconi. - Pag. 102 Traliccio, libreria nella versione a muro, con montanti finitura legno rovere, caratterizzata da mensole in tondino di metallo verniciato, agganciate sul retro dei montanti, scorrevoli longitudinalmente e posizionabili a piacere. Di design 4p1B per Sintesi. Typology, carta da parati della collezione Life!. Ă&#x2C6; realizzata in carta TNT (tessuto non tessuto) in vinile con stampa digitale, nelle varianti colore chiaro e scuro. Design di Christian Benini per Wall&DecĂ˛. - Pag. 103 GradoÂ°, libreria componibile con un max di cinque elementi in noce canaletto, con piano in cristallo trasparente extrachiaro, disponibili in varie dimensioni, caratterizzati dalla finitura naturale abbinata ad un colore laccato opaco: rosso, giallo o blu (colori speciali). Ă&#x2C6; disponibile anche con struttura completamente in noce canaletto o rovere nero. Design di Ron Gilad per Molteni&C. - Pag. 104 Aline, libreria modulare componibile in alluminio estruso verniciato bianco, grigio grafite o grigio metallizzato goffrato, con possibilitĂ di fissagio di cassetti singoli o contenitori con anta a ribalta o anta a scorrimento con cassetti; sono inseribili dei LED nei montanti. Viene proposta in quattro differenti altezze e due lunghezze. Design di Dante Bonuccelli per Alias. BibliothĂ¨que, carta da parati con stampa a quadro, in quattro varianti di colore. Design di Hugo Grygkar per HermĂ¨s. - Pag. 105 Plain, libreria composta da doppie strutture autoportanti in tubolare metallico a sezione quadrata laccato bianco e mensole in differenti lunghezze in larice naturale o laccato nei colori Lemacolortrend. Design Francesco Rota per Lema. - Pag. 106 Ginko, libreria a muro nellâ&#x20AC;&#x2122;altezza di 220 cm oppure a soffitto da 200 a 300 cm; Ă¨ realizzata in alluminio con

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ACCADEMIA - POTOCCO spa Via Indipendenza 4, 33044 MANZANO UD Tel. 0432745111, Fax 0432937027, www.accademiaitaly.com, info@accademiaitaly.com AGAPE srl Via Pitentino 6, 46037 GOVERNOLO DI RONCOFERRARO MN Tel. 0376250311, Fax 0376250330, www.agapedesign.it, www.agapecasa.it info@agapedesign.it AL26.98 - ROTO srl Via delle Pezze 33, 35013 CITTADELLA PD, Tel. 0495979111 Fax 0499402438, www.al2698.com, info@al2698.com ALAIN MIKLI Via Mauro Macchi 97, 20124 MILANO, Tel. 0226823699 n. verde 800788010, Fax 0226825714, www.mikli.fr ALESSI spa Via Privata Alessi 6, 28887 CRUSINALLO DI OMEGNA VB Tel. 0323868611, Fax 0323868804, www.alessi.com, info@alessi.com ALIAS spa Via delle Marine 5, 24064 GRUMELLO DEL MONTE BG, Tel. 0354422511 Fax 0354422590, www.aliasdesign.it, info@aliasdesign.it ANTONIO LUPI DESIGN spa Via Mazzini 73/75 - Loc. Stabbia, 50050 CERRETO GUIDI FI, Tel. 0571586881, Fax 0571586885, www.antoniolupi.it lupi@antoniolupi.it ARCLINEA ARREDAMENTI spa V.le Pasubio 50, 36030 CALDOGNO VI Tel. 0444394111, Fax 0444394260, www.arclinea.com, info@arclinea.it ARKETIPO spa Via G. Garibaldi 84-86, 50041 CALENZANO FI, Tel. 0558876248 Fax 0558873429, www.arketipo.com, info@arketipo.com, Distr. in Italia: BRUNA BIAGIONI COMUNICAZIONE, Casella Postale 64, 20097 SAN DONATO MILANESE MI Tel. 3470084810 www.brunabiagioni.it, press@brunabiagioni.it ARMANI CASA Via A. Manzoni 37, 20121 MILANO, Tel. 0276260230 Fax 0276281203, www.armanicasa.it, armani.casa.manzoni37@giorgioarmani.it ARPER spa Via Lombardia 16, 31050 MONASTIER DI TREVISO TV, Tel. 04227918 Fax 0422791800, www.arper.com, info@arper.com ARTEMIDE spa Via Bergamo 18, 20010 PREGNANA MILANESE MI, Tel. 02935181 Fax 0293590254, www.artemide.com, info@artemide.com ATMOS srl Via Benini 14/a, 50013 CAMPI BISENZIO FI, Tel. 0558979723 Fax 0558954721, www.atmos-italia.com, info@atmos-italia.com B&B ITALIA spa Strada Provinciale 32 n.15, 22060 NOVEDRATE CO Tel. 031795111, Fax 031791592, www.bebitalia.com, info@bebitalia.com BALLANTYNE CASHMERE C.so Italia 49, 20122 MILANO, Tel. 025849821 Fax 0258498260, www.ballantyne.it, info@ballantyne.it BAXTER srl Via Costone 8, 22040 LURAGO D’ERBA CO, Tel. 03135999 Fax 0313599999, www.baxter.it, info@baxter.it BERNARDAUD 27, Avenue Albert Thomas, F 87050 LIMOGES, Tel. +33 5 55105550, Fax +33 5 55105555, www.bernardaud.fr, Distr. in Italia: AMLETO MISSAGLIA, Via E. De Amicis 53, 20123 MILANO, Tel. 0286453136 www.bernardaud.fr, missaglia@missaglia.net BISAZZA spa V.le Milano 56, 36075 ALTE , DI MONTECCHIO MAGGIORE VI Tel. 04447075111, Fax 0444492088, www.bisazza.com, www.bisazzabagno.com info@bisazza.com, info@bisazzabagno.com BOFFI spa Via Oberdan 70, 20823 LENTATE SUL SEVESO MB, Tel. 03625341 Fax 0362565077, www.boffi.com, boffimarket@boffi.com BONALDO spa Via Straelle 3, 35010 VILLANOVA DI CAMPOSANPIERO PD Tel. 0499299011, Fax 0499299000, www.bonaldo.it, bonaldo@bonaldo.it CALLIGARIS spa Via Trieste 12, 33044 MANZANO UD, Tel. 0432748211 Fax 0432750104, www.calligaris.it, calligaris@calligaris.it CAPO D’OPERA srl Via Fornaci 23, 31020 REVINE LAGO TV, Tel. 0438524179 Fax 0438524189, www.capodopera.it, capodopera@capodopera.it CAPPELLINI - CAP DESIGN spa Via Busnelli 5, 20821 MEDA MB, Tel. 03623721 Fax 031763322, www.cappellini.it, cappellini@cappellini.it CARL HANSEN & SON A/S Holmevænget 8, DK 5560 AARUP, Tel. + 45 66121404 Fax +45 65916004, www.carlhansen.com, info@carlhansen.dk, Distr. in Italia: CANOVA Via Tortona 31, 20144 MILANO, Tel. 0283249690, www.canovamilano.com info@canovamilano.com CAROMA www.caroma.com.au CASALGRANDE PADANA spa Strada Statale 467 n°73, 42013 CASALGRANDE RE Tel. 05229901, Fax 0522841010, www.casalgrandepadana.it info@casalgrandepadana.it CASAMANIA - DIV. FREZZA spa Via Ferret 11/9, 31020 VIDOR TV, Tel. 04236753 Fax 0423819640, www.casamania.it, casamania@casamania.it CASSINA spa - POLTRONA FRAU GROUP Via Busnelli 1, 20821 MEDA MB Tel. 03623721, Fax 0362340758, www.cassina.com, info@cassina.it CC-TAPIS Via San Simpliciano 6, 20121 MILANO, Tel. 0289093884, www.cc-tapis.com, info@cc-tapis.com CERAMICA CIELO spa Via Falerina km 7,800, 01034 FABRICA DI ROMA VT Tel. 076156701, Fax 0761540363, www.ceramicacielo.it, info@ceramicacielo.it CERRUTI BALERI Via F. Cavallotti 8, 20122 MILANO, Tel. 0276023954, Fax 0276023738, www.cerrutibaleri.com, info@cerrutibaleri.com CLASSICON GMBH Sigmund-Riefler-Bogen 3, D 81829 MÜNCHEN Tel. +49 89 748133-0, Fax +49 89 7809996, www.classicon.com, Distr. in Italia: IDF INTERNATIONAL DESIGN FURNITURE, Via Simoni 16 P.O. Box 46 33097 SPILIMBERGO PN, Tel. 0427927165, Fax 0427928018 www.idfgroup.it, info@idfgroup.it CLETO MUNARI - DESIGN ASSOCIATI srl Via Generale Chinotto 3, 36100 VICENZA Tel. 0444323318, www.cletomunari.com, www.cletomunaripens.com info@cletomunari.com CNC DESIGN Via S. Agata 14/a, 22066 MARIANO COMENSE CO, Tel. 031 748650 COCA COLA www.coca-cola.it COLÉ Via Cesare Da Sesto 11, 20123 MILANO, Tel. 02 22228454, Fax 02 22227702 www.coleitalia.com, info@coleitalia.com DADA spa S. Provinciale 31, 20010 MESERO MI, Tel. 029720791, Fax 0297289561 www.dadaweb.it, dada@dadaweb.it DANESE srl Via A. Canova 34, 20145 MILANO, Tel. 02349611, Fax 0258433350 www.danesemilano.com, info@danesemilano.com

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AXelXip$=\YilXip )'(* INTERNI DE PADOVA srl Strada Padana Superiore 280, 20090 VIMODRONE MI Tel. 0227439795, Fax 0227439780, www.depadova.it, info@depadova.it DE VORM Mijkenbroek 10, NL 4824 AB BREDA, Tel. +31 765209052 Fax +31 765446712, www.devorm.com, info@devorm.com DEDAR spa Via della Resistenza 3, 22070 APPIANO GENTILE CO, Tel. 0312287511 Fax 0312287533, www.dedar.com, info@dedar.com DEDON GmbH Zeppelinstraße 22, D 21337 LÜNEBURG, Tel. +49 41 31224470 Fax +49 41 312244730, www.dedon.de, office@dedon.de, Distr. in Italia: RODA srl Via Tinella 2, 21026 GAVIRATE VA, Tel. 03327486, Fax 0332748655 www.rodaonline.com, info@rodaonline.com DESALTO spa Via per Montesolaro, 22063 CANTÙ CO, Tel. 0317832211 Fax 0317832290, www.desalto.it, info@desalto.it DEVON & DEVON Via A. Volta 46, 50131 FIRENZE, Tel. 0555001173 Fax 0555000628, www.devon-devon.com, trade@devon-devon.com DIAMANTINI & DOMENICONI srl Via E. Mattei 75, 61034 FOSSOMBRONE PU Tel. 0721716334, Fax 0721716547, www.diamantinidomeniconi.it info@diamantinidomeniconi. it, Distr. in Italia: DOVETUSAI srl, Via San Marco 46 20121 MILANO, Tel. 0236642300, www.dovetusai.it, info@dovetusai.it dovetusai@skistch.it DOMESTIC 19 bis, rue Jean-Baptiste Sémanaz, F 93310 LE PRÉ SAINT-GERVAIS Tel. +33148459460, Fax +33148459479, www.domestic.fr, info@domestic.fr DRIADE spa Via Padana Inferiore 12, 29012 FOSSADELLO DI CAORSO PC Tel. 0523818618, Fax 0523822628, www.driade.com, pressoffice@driade.com DUPONT™ CORIAN® Via Piero Gobetti 2/c, 20063 CERNUSCO SUL NAVIGLIO MI Tel. 800876750, Fax 0292107755, www.corian.it, Tel. 02926291 EDRA spa Via Livornese Est 106, 56035 PERIGNANO DI LARI PI, Tel. 0587616660 Fax 0587617500, www.edra.com, edra@edra.com EGO ZEROVENTIQUATTRO - GIUSTI PORTOS srl Via Volterrana 2, Loc. Selvatelle 56030 SELVATELLE DI TERRICCIOLA PI, Tel. 0587653211, Fax 0587653100 www.egozeroventiquattro.it, info@egozeroventiquattro.it ÉLITIS 2 Bis, Rue Jean Rodier, F 31400 TOULOUSE, Tel. +33561802020, Fax +33561809900, www.elitis.fr, Distr. in Italia: JANNELLI & VOLPI srl, Via Melzo 7 20129 MILANO, Tel. 02205231, Fax 0229408547, www.jannellievolpi.it, www.jv-italiandesign.com, showroom@jannellievolpi.it, store@jannellievolpi.it ELS WOLDHEK/WHATELS www.whatels.net, info@whatels.net ERNESTOMEDA spa, Via dell’Economia 2/8, 61025 MONTELABBATE PU Tel. 072148991, www.ernestomeda.com, contatti@ernestomeda.com ESTABLISHED & SONS 5-7 Wenlock Road, UK LONDON N1 7SL Tel. +44 20 76080990, Fax +44 20 76080110, www.establishedandsons.com info@establishedandsons.com F.LLI BOFFI srl V.le Industria 5, 20823 LENTATE SUL SEVESO MB, Tel. 0362564304 Fax 0362562287, www.fratelliboffi.it, info@fratelliboffi.it FABBIAN ILLUMINAZIONE spa Via Santa Brigida 50, 31023 CASTELMINIO DI RESANA TV, Tel. 04234848, Fax 0423484395, www.fabbian.com comunicazione@fabbian.com FENDI CASA - CLUB HOUSE ITALIA spa, Via Balzella 56, 47122 FORLÌ Tel. 0543791911, Fax 0543725244, www.clubhouseitalia.com info@fendicasa.it, clubhouse@clubhouseitalia.com FLEXFORM spa Via L. Einaudi 23/25, 20821 MEDA MB, Tel. 03623991 Fax 0362399228, www.flexform.it, info@flexform.it FLOOR TO HEAVEN Brüsseler Strasse 21, D 50674 Cologne Tel. +49 (0) 221 9986826, Fax +49 (0) 221 9986825, www.floortoheaven.com info@floortoheaven.com FLOS spa Via Angelo Faini 2, 25073 BOVEZZO BS, Tel. 03024381, Fax 0302438250 www.flos.com info@flos.com FORESTIER 29 Rue des Vinaigriers, F 75010 PARIS, Tel. +33140361310 www.forestier.fr, contact@forestier.fr FORNASARIG srl Via San Giovanni 45, 33044 MANZANO UD, Tel. 0432750057 Fax 0432740015, www.fornasarig.it, info@fornasarig.it FORNASETTI C.so Matteotti 1/A, 20121 MILANO, Tel. 0289658040, Fax 026592244 www.fornasetti.com, gallery@fornasetti.com FOSCARINI srl Via delle Industrie 27, 30020 MARCON VE, Tel. 0415953811 Fax 0415953820, www.foscarini.com, foscarini@foscarini.com FOSSIL 2280 N. Greenville Avenue Richardson, USA TEXAS TX 75082 Tel. +1 9722342525, www.fossil.com FUSITAL - ASSA ABLOY ITALIA spa Via Concordia 16, 20838 RENATE MB Tel. 0516812411, Fax 051827486, www.assaabloy.it, vendite.italia@assaabloy.it G - STAR RAW Kelenbergweg 100, NL 1101 GH AMSTERDAM, Tel. +31205677600 Fax +31205677699, www.g-star.com GALLERIE PASCALE www.gallerypascale.com GALLOTTI & RADICE srl Via Matteotti 17, 22072 CERMENATE CO, Tel. 031777111 Fax 031777188, www.gallottiradice.it, info@gallottiradice.it GANDIA BLASCO sa c/Músico Vert 4, E 46870 ONTINYENT-VALENCIA Tel. +34962911320, Fax +34962913044, www.gandiablasco.com, Distr. in Italia: DESIGN D’OCCASIONE, Via Machiavelli 1, 40069 RIALE DI ZOLA PREDOSA BO Tel. 051758908, Fax 0516167090, www.designdoccasione.com commerciale@designdoccasione.com GERVASONI spa V.le del Lavoro 88 - Z.I.U., 33050 PAVIA DI UDINE UD Tel. 0432656611, Fax 0432656612, www.gervasoni1882.com info@gervasoni1882.com GIORGETTI spa Via Manzoni 20, 20821 MEDA MB, Tel. 036275275 Fax 036275575, www.giorgetti.eu, giorspa@giorgetti.eu GLAS ITALIA Via Cavour 29, 20846 MACHERIO MB, Tel. 0392323202 Fax 0392323212, www.glasitalia.com, glas@glasitalia.com GRUPPO SINTESI spa Z.I. Cosa, 33097 SPILIMBERGO PN, Tel. 0427519340 Fax 0427519315, www.gruppo-sintesi.com, info@gruppo-sintesi.com HENGE, Via Monte Grappa 90/b, 31010 MOSNIGO DI MORIAGO TV, Tel. 0438890622, Fax 0438890644, www.henge07.com, info@henge07.com

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INTERNI AXelXip$=\YilXip )'(* HERMÈS ITALIE spa Via G. Pisoni 2, 20121 MILANO, Tel. 02890871 Fax 0276398525, www.hermes.com, reception@hermes.it HORM Via San Giuseppe 25, 33082 AZZANO DECIMO PN, Tel. 0434640733 Fax 0293664079, www.horm.it, horm@horm.it I + I srl Via Salento 5, 20141 MILANO, Tel. 0289513620, Fax 0289546448 www.i-and-i.it, info@i-and-i.it IL CASONE spa Via Imolese 98, 50033 FIRENZUOLA FI, Tel. 0558199005 Fax 0558199006, www.ilcasone.it, info@ilcasone.it INFINITI - BY OMP GROUP Via Cà Leoncino 2, 31030 CASTELLO DI GODEGO TV Tel. 04237616, Fax 0423761700, www.infinitidesign.it, info@infinitidesign.it INTERNOITALIANO c/o studio giulio iacchetti Viale Tibaldi, 10, 20136 MILANO Tel. 0236585655, www.internoitaliano.com, studio@internoitaliano.com IPE srl - VISIONNAIRE Via E. Mattei 1, 40069 ZOLA PREDOSA BO Tel. 0516186311, Fax 0516186310, www.ipe.it, ipe@ipe.it ITALCEMENTI GROUP Via G. Camozzi 124, 24121 BERGAMO, Tel. 035396111 Fax 035396017, www.italcementi.it, www.italcementigroup.com, info@italcementi.it ITALCEMENTI i.LAB Via Stezzano 87 - Km Rosso, 24040 BERGAMO, www.italcementi.it JANNELLI & VOLPI srl Via Melzo 7, 20129 MILANO, Tel. 02205231 Fax 0229408547, www.jannellievolpi.it, www.jv-italiandesign.com showroom@jannellievolpi.it, store@jannellievolpi.it KARTELL spa Via delle Industrie 1, 20082 NOVIGLIO MI, Tel. 02900121 www.kartell.it, kartell@kartell.it KENZO MAISON Distr. in Italia: CLUB HOUSE ITALIA spa, Via Balzella 56, 47122 FORLÌ Tel. 0543791911, Fax 0543725244, www.clubhouseitalia.com info@clubhouseitalia.com KRISTALIA srl Via Calderano 5, 33070 BRUGNERA PN, Tel. 0434623678 Fax 0434624901, www.kristalia.it, info@kristalia.it KVADRAT A/S Lundbergsvej 10, DK 8400 EBELTOFT, Tel. +4589531866 Fax +4589531800, www.kvadrat.dk, kvadrat@kvadrat.dk LA CHANGE www.lachance.fr LAGO spa Via dell’Artigianato II 21, 35010 VILLA DEL CONTE PD, www.lago.it info@lago.it, tel 0495994299 fax 0495994191 LASVIT s.r.o. SportovnÍ ulice 588, CZ 289 24 MILOVICE-MLADA’ Tel. +420325516330, Fax +420325516331, www.lasvit.com, Distr. in Italia: LASVIT (Italy), Via P. Frisi 8, 20129 MILANO, Tel. - fax 0287388464, www.lasvit.com LEMA spa S.S. Briantea 2, 22040 ALZATE BRIANZA CO, Tel. 031630990 Fax 031632492, www.lemamobili.com, lema@lemamobili.com LIGNE ROSET - ROSET ITALIA srl, C.so Magenta 56, 20123 MILANO Tel. 0248514007, Fax 0248022388, www.ligne-roset.it, info@ligne-roset.it LISTONE GIORDANO - MARGARITELLI spa Fraz. Miralduolo, 06089 TORGIANO PG Tel. 075988681, Fax 0759889043, www.listonegiordano.com, info@listonegiordano.com LIVING DIVANI srl Strada del Cavolto 17/17, 22040 ANZANO DEL PARCO CO Tel. 031630954, Fax 031632590, www.livingdivani.it, info@livingdivani.it LOGITECH ITALIA srl Centro Direzionale Colleoni - Palazzo Sirio 3, V.le Colleoni 11 20864 AGRATE BRIANZA MB, Tel. 039654971, Fax 0396056575, www.logitech.com, www.logitech.it MABEO Unit 7 - Plot 60, Gaborone International Commerce Park, GABORONE, BOTSWANA, AFRICA, Tel. +2673908736, Fax +2673908737, www.mabeofurniture.com contact@mabeofurniture.com MAGIS spa Via Triestina Accesso E - Z.I. Ponte Tezze, 30020 TORRE DI MOSTO VE Tel. 0421319600, Fax 0421319700, www.magisdesign.com, info@magisdesign.com MAISON BACCARAT 11, Place des États-Unis, F 75016 PARIS Tel. +33 1 40221100, Fax +33 1 40221199, www.baccarat.fr, cristalroom@baccarat.fr MAPEI spa Via C. Cafiero 22 - V.le Jenner 4 - Ingresso Uffici, 20158 MILANO Tel. 02376731, Fax 0237673214, www.mapei.com, mapei@mapei.it MARAZZI GROUP V.le Virgilio 30, 41123 MODENA, Tel. 059384111 Fax 059384303, www.marazzi.it, press@marazzigroup.it MARNI Via Sismondi 70/B, 20133 MILANO, Tel. 0270005479, Fax 0271040309 www.marni.com, info@marni.it, boutique: Via della Spiga 50 - 20121 MILANO tel. 0276317327 MERIDIANI srl Via Birago 16, 20826 MISINTO MB, Tel. 029669161 Fax 0296329205, www.meridiani.it, info@meridiani.it MERITALIA spa Via Como 76/78, 22066 MARIANO COMENSE CO, Tel. 031743100 Fax 031744460, www.meritalia.it, meritalia@meritalia.it MINIFORMS srl Via Ca’ Corner 4, 30020 MEOLO VE, Tel. 0421618255 Fax 0421618524, www.miniforms.com, miniforms@miniforms.com MINOTTI CUCINE spa Via Napoleone 31, 37015 PONTON DI SANT’AMBROGIO DI VALPOLICELLA VR, Tel. 0456860464, Fax 0457732678, www.minotticucine.it info@minotticucine.it MINOTTI spa Via Indipendenza 152, 20821 MEDA MB, Tel. 0362343499 Fax 0362340319, www.minotti.com, info@minotti.it MOGG srl Via U. Foscolo 6, 22060 AROSIO CO, Tel. 0314141120, Fax 0314141099 www.mogg.it, info@mogg.it MOLTENI & C spa Via Rossini 50, 20833 GIUSSANO MB, Tel. 03623591 Fax 0362354448, www.molteni.it, customer.service@molteni.it MOLTENI MARINO Via Beato Angelico 15, CESANO MADERNO MB Tel. 0362 504723, Fax 0362 504723, www.marinomolteni.it MOOOI Minervum 7003, NL 4817 ZL BREDA, Tel. +31 765784444 Fax +31 765710621, www.moooi.com, info@moooi.com MORET Via G. Ventura 15, 20134 MILANO, Tel. 0221597615, Fax 0226416273 www.moret.it, info@moret.it MOROSO spa Via Nazionale 60, 33010 CAVALICCO UD, Tel. 0432577111 nr. verde 800016811, Fax 0432570761, www.moroso.it, info@moroso.it MOVE COLLECTIVE www.waterbobble.com NARDI spa Via Arso 4, 36072 CHIAMPO VI, Tel. 0444473200, Fax 0444473220 www.nardigarden.it, info@nardigarden.it NATUZZI spa Via Iazzitiello 47, 70029 SANTERAMO IN COLLE BA Tel. 0808820111, Fax 0808820534, www.natuzzi.com, relazioni.esterne@natuzzi.com

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NDT BRAZIL Tel. +55 17 3258-3656, www.ndtbrazil.com.br, ndtbrazil@ndtbrazil.com.br NIKE ITALY srl Via Isonzo 55, 40033 CASALECCHIO DI RENO BO, Tel. 0516115511 Fax 051590059, www.nike.com, www.nikeinc.com NIKO ECONOMIDIS DESIGN www.nikoeconomidis.com, niko@nikoeconomidis.com NODUS - IL PICCOLO srl Via Delio Tessa 1 ang. C.so G. Garibaldi, 20121 MILANO Tel. 02866838, Fax 0272022889, www.nodusrug.it, design@ilpiccolo.com OFFECCT Skovdevagen Box 100, SE TIBRO 543 21, Tel. +46 504 41500 Fax +46 504 12524, www.offecct.se, support@offecct.se OGEBORG www.ogeborg.se OLUCE srl Via Brescia 2, 20097 SAN DONATO MILANESE MI, Tel. 0298491435 Fax 0298490779, www.oluce.com, info@oluce.com ORIZZONTI Via San Giuseppe 25, 33082 AZZANO DECIMO PN, Tel. 0434640733 Fax 02700515642, www.orizzontiitalia.it, orizzonti@orizzontiitalia.it ORMOND GALLERY 21, Rue des Bains, CH 1205 GENEVE, Tel. +41223281152 Fax +41223281153, www.ormond-editions.com PAOLA C. srl Via Solferino 11, 20121 MILANO, Tel. 02862409, Fax 0286984096 www.paolac.com, info@paolac.com PARROT 174, quai de Jemmapes, F 75010 PARIS, Tel. +33148036060 Fax +33148037008, www.parrot.com PENTAX www.pentax.jp PETITE FRITURE 12, Rue Des Nonnains D’Hyeres, F 75004 PARIS, Tel. +33179257581 Fax +33145560873, www.petitefriture.com, info@petitefriture.com POLIFORM spa Via Montesanto 28, 22044 INVERIGO CO, Tel. 0316951, Fax 031699444 www.poliform.it, info.poliform@poliform.it POLTRONA FRAU spa Via Sandro Pertini 22, 62029 TOLENTINO MC, Tel. 07339091 Fax 0733909246, www.poltronafrau.it, info@poltronafrau.it PRODUZIONE PRIVATA Via Varese 15, 20121 MILANO, Tel. 0263786817 Fax 0263786814, www.produzioneprivata.it, c.pintacuda@amdl.it, Distr. in Italia: DESIGNCORPORATE, Via Varese 14, 20121 MILANO, Tel. 0236550249, Fax 0299980665, www.designcorporate.com, info@designcorporate.com RIMADESIO spa Via Furlanelli 96, 20833 GIUSSANO MB, Tel. 03623171, nr verde 800 901439, Fax 0362317317, www.rimadesio.it, rimadesio@rimadesio.it RIVA 1920 INDUSTRIA MOBILI spa Via Milano 137, 22063 CANTÙ CO, Tel. 031733094 Fax 031733413, www.riva1920.it, riva1920@riva1920.it ROWE FURNITURE www.rowefurniture.com SAHIL & SARTHAK www.sahilsarthak.com, info@sahilsarthak.com SAMSONITE Via S. Andrea 2, 20121 MILANO, Tel. 02760411, Fax 0276024058 www.samsonite-europe.com SANCAL DISEÑO S.L. Polígono Industrial La Herrada, C/ Principe de Asturias 18 E 30510 Yecla, Murcia, Tel. +34968718074, Fax +34968794062, www.sancal.com web@sancal.com SAWAYA & MORONI spa Via Andegari 18, 20121 MILANO, Tel. 0286395 Fax 0286464831, www.sawayamoroni.com, info@sawayamoroni.com SCAVOLINI spa Via Risara 60/70 - 74/78, 61025 MONTELABBATE PU, Tel. 07214431 Fax 0721443402, www.scavolini.com, info@scavolini.com SEMINATO MERCADANTE Via Mercadante 4, 20154 MILANO, Tel. 0292889281 http://seminatomercadante.blogspot.it, info@seminato.it SNAIDERO RINO spa V.le Rino Snaidero Cavaliere del Lavoro 15, 33030 MAJANO UD Tel. 0432063111, Fax 0432063235, www.snaidero.it, lineaverde@snaidero.it SPIGEN SGP www.spigen.com STELLAR WORKS http://stellarworks.com SWAN ITALIA srl Via Montenero 15, 22063 VIGHIZZOLO DI CANTÙ CO, Tel. 031730222 Fax 031732505, www.swanitaly.com, info@swanitaly.com SYDNEY-D www.sydney-d.com TACCHINI ITALIA - FORNITURE srl Via Domodossola 19, 20822 BARUCCANA DI SEVESO MB, Tel. 0362504182, Fax 0362552402, www.tacchini.it, info@tacchini.it TARGETTI SANKEY spa Via Pratese 164, 50145 FIRENZE, Tel. 05537911 Fax 0553791266, www.targetti.com, targetti@targetti.it THE POTTER’S WORKSHOP www.pottersworkshop.co.za TOM DIXON Wharf Building, Portobello Dock, 344 Ladbroke Grove UK LONDON W10 5BU , Tel. +44 207 4000505, Fax +44 207 4000501 www.tomdixon.net, info@tomdixon.net TONCELLI CUCINE spa V.le Gramsci 19, 56037 PECCIOLI PI, Tel. 0587635032 Fax 0587636410, www.toncelli.it, info@toncelli.it VALDICHIENTI srl Via Walter Tobagi, 62029 TOLENTINO MC, Tel. 0733960060 Fax 0733974457, www.valdichienti.it, info@valdichienti.it VALSECCHI spa Via Bergamo 1286, 24030 PONTIDA BG, Tel. 035796156 www.valsecchi1918.com, info@valsecchispa.it VENETA CUCINE spa Via Paris Bordone 84, 31056 BIANCADE DI RONCADE TV Tel. 04228471, Fax 0422847501, www.venetacucine.com, info@venetacucine.com VENINI spa Fondamenta Vetrai 50, 30141 MURANO VE, Tel. 0412737211 Fax 0412737223, www.venini.com, venini@venini.it VG - VG NEWTREND Via dei Brilli 5/a, 31100 TREVISO, Tel. 04224724, Fax 0422472660 www.vgnewtrend.it, info@vgnewtrend.it VIABIZZUNO srl Via Romagnoli 10, 40010 BENTIVOGLIO BO, Tel. 0518908011 Fax 0518908089, www.viabizzuno.com, viabizzuno@viabizzuno.com VITRA INTERNATIONAL AG Klünenfeldstrasse 22, CH 4127 BIRSFELDEN www.vitra.com, info@vitra.com, Distr. in Italia: UNIFOR e MOLTENI & C. infovitra@molteni, nr. verde 800 505191 VOLTEIS www.volteis.com VONDOM Avda Valencia 3, E 46891 VALENCIA, Tel. +34 96 239 84 86 Fax +34 96 2900501, www.vondom.com, info@vondom.com WA/HH http://quantumsensations.com WALL & DECO’ Via Santerno 9, 48015 CERVIA RA, Tel. 0544918012, www.wallanddeco.com info@wallanddeco.com WARLI Via Morimondo 26, 20143 MILANO, Tel. 0293888811, Fax 1782748393 www.warli.it, info@warli.it

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