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Bachelor of Arts (Fine Art) Graduation Exhibition 2012

從知面 到刺點 藝術 文學士 畢業展 2012

Preface

序

Preface 。 序

From Studium to Punctum - Bachelor of Arts (Fine Art) Graduation Exhibition 2012 is co-presented by the Royal Melbourne Institute of Technology University and the Hong Kong Art School. The

exhibition is held from 7-28 July at the Pao Galleries, Hong Kong Arts Centre. Thirty-nine emerging artists showcase their works,

in diverse mediums that include Ceramics, Painting, Sculpture,

Photography and Multimedia Installation.

This year’s graduation exhibition is titled “From Studium to Punctum”. In his book “Camera Lucida”ÿRoland 巳arthes applied

the twin concepts of “studium” and “punctum” on photography.

Studium denotes the cultural, linguistic, and political interpretation, while punctum depicts the wounding, personally touching detail.

The duality of these cohesive forces offers dynamic possibilities while the graduates have focused on the exploration between

general interpretations and distinctive visions.

This book includes the creations of these emerging artists at the

beginning of their paths as artists. These will also be one of their

most important works of art.

由 澳洲皇 家墨爾 本理工 大學與 香港藝 術學院 合辦的 藝術文 學士畢

業展二 零一二 ，於 七月七 日至二 十八日 ，於 香港藝 術中心 包氏畫

廊展出。是 次展 覽展出 三十九 位應屆 畢業生 的作品 ，匯 集不同

創 作媒介 ，包 括繪畫 、陶藝 、攝影 、雕塑 和多媒 體裝置 藝術。 是次 展覽以 「從 知面到 刺點」 為主題 。羅 蘭巴特 (Roland

Lucida) •以 「知 面」 和

Barthes) 於他 的著作《明 室》

「刺 點」 描述 攝影的 雙概念 。「知面」 意指 映象的 ?事面 •從

照片中可解 讀的各 種知識 、文化 及社會 的成規 。「刺 點」 則是

刺穿 「知面」 的一 個缺口 ，讀 取純粹 是個人 和依賴 於個人經驗與 知覺刺 穿觀眾 之間的 關係，帶來無 以名狀 的深深 感動。 「知面」 與 「刺 點」 雖彼 此對立

|

但又可 並存共 現於同 一照片

中。這種雙 互引力 不只存 在於攝 影當中 •也 呈現於不同的 創作媒 介 。每位 畢業生在藝術 創作中 •遊 走於 這雙概 念之間 ，從 普遍性

認知 層面的 「知面」 裡 •尋求 「刺 點」 以 展現藝 術上的 獨到見 解 ，觸 動觀眾隱藏於 內心深 處的一 點刺。

本書收 錄了各 畢業生 於藝術 路起點的創作 •也 將會 是他們最重要

的作品 之一"

Preface 序

3

Contents 目錄

6

Foreword 前言

9

Works of Graduates 畢業 生作品

Contents

Ceramics 陶藝

14

Painting 繪畫

36

目錄 Photography 攝影

142

Sculpture 雕塑

164

Biography 簡歷

175

Acknowledgements 鳴謝

193

Painting Aaron d’Aquino

38

Angie Au

42

Chan King Wai

46

Cheng Ching Ha, Zoe

50

Cheung Chui Ting, Tweety

54

Cheung Sze Lit, Szelit

58

Choi Ming Ming

62

Chow Hoi Lam, Jenny

66

Chung Yan Wing, Ronnie

70

Dan Hin Ka, Ann

74

Hui Ka Yan, Claire

78

Hui Yuen Man, Yanki

82

Ko Gar Lei, Clarie

86

Kwan Suet Ying, Sally

90

Lam Chi Yuen

94

Lau Wai Kuen, Bo

98

Lee Wai Ling, Emily

102

Lui Chi Ming, Edmond

106

Ma Choi Ha, Betty

110

Ng Wan Yee, NWY

114

Ng Yuen King, Terri

118

Phoebe Dreamy

122

Tsang Ka Yee, Chris

126

Wong Tin Ying, Tiana

130

Wong Wai Yin, Edmond

134

Yau Kwok Wing, Marco

138

Ceramics

Cheng Man Wai, Phoebe

16

Ding Mei Ling, Dorothy

20

Hung Chun Wai, Alex

24

Lai Hoi Sai, Joey

28

Tsang Lai Sheung, Amanda

32

Photography Chan Chi Hau, Ivan

144

Hui Yan Kit, Timothy

148

Leung Tik Chiu, Max

152

Kenneth Ng

156

Wong Ka Yin, Karmel

160

Sculpture Chan Sum Yan, Tap

166

Wong Fung Chi

170

7

Foreword

刖目

Foreword

前言

Kevin White

Associate Professor

Deputy Head - International Development School of Art

RMIT University

This year’s graduate exhibition presents the work of thirty nine aspiring artists whose individual and collective ideas are manifested through creative work in a diverse range of media that includes ceramics, painting, sculpture, photography and multimedia installation.

This exciting exhibition continues to demonstrate the invention, imagination and skill of our students; qualities that have become commensurate with the reputation of the Bachelor of Arts (Fine Art) program since it commenced in 1998.

‘Studium’ might be thought of as referring to the presence and materiality of the work whilst ,punctum, could refer to the magical; something unexpected,

which elevates the work from being just

a work but more importantly, a work of art. The pursuit of this ‘magic’is perhaps what drives all creative endeavour and ensures its capacity to delight, shock and surprise its audience.

We continue to be surprised and delighted by the work of our graduates, their commitment and dedication to their art practice and their contribution

The title of this yearÿgraduate exhibition

to the cultural and artistic vibrancy of

‘From Studium to Punctum’ references

Hong Kong.

the work of the French philosopher Roland Barthes in his book ‘Camera

I would also like to express my sincere

Lucida’.

Barthes uses these two terms specifically in relation to how we

thanks to the dedicated academic and administrative staff from both the Hong

perceive and respond to a photographic

Kong Art School and the School of Art,

image; how the work is ‘read’ by the

RMIT University who have inspired and

viewer. However, what meaning might

supported them on their journey.

these two terms have in a broader discussion of art that includes not only

I congratulate the students on their

photography but sculpture, painting,

achievements and wish them every success for the future.

ceramics and multimedia work as well.

Enjoy the magic.

Felix Leung

Director

Hong Kong Art School (a division of Hong Kong Arts Centre)

Each year we look forward with great

Studium to Punctum has been one of

anticipation to the presentation of the

self-discovery. They have confronted

BAFA Graduate Exhibition and this

many challenges along the way and from

year is no exception. The exhibition

those initial, tentative steps their journey

represents not only the impressive

progressively gained momentum and

achievements of our students but also the longstanding relationship between

became

the RMIT University and Hong Kong Art

authority, culminating in this dynamic

School who co-present this degree.

and powerful exhibition.

The saying that “every journey must

From Studium to Punctum is indeed

commence with a first step”is an analogy

a celebration of the integration of the hand, the head and the heart through the creative liberty and personal vision of the diverse talents of our recent BAFA graduates. I congratulate them o? their outstanding achievements and commend them for their positive contribution to the rich intellectual and creative dynamic of RMIT University and the Hong Kong Art School and I am confident that they will continue to make a significant contribution to the cultural life of Hong Kong and the world beyond, wherever the pursuit of their art journey may take them.

that can apply to many things in life and is particularly relevant in the case of art education. The formal education of an artist is a complex process for it involves

a delicate balance between the mastery and

application

of

skills,

rigorous

intellectual training combined with the subjective application of the senses.

Perhaps a more poetic description of

this process is a coming together of “the hand, the head and the heart”.

The three-year journey that has been undertaken by the BAFA graduates represented in the Exhibition

-

From

increasingly

strident

with

a growing sense of confidence and

Works of Graduates

畢業生作品

囉.

•

前陣 子畢業同學談 及香港 藝術教 育發展 •有 感中學 生對新 高中課 程掌握 的困難 •而 坊間 又缺乏 合適的 藝術學 習平台 •決定 以所學 成立一 個供藝 術初學者 交流的 網站。 藝 術學院 的同學 多為從 事不同行業的 成年人 •對社會較能作出多 角度的

理解 •他 們在 專注個人創作 的同時，以行 動作出 對社會 的關注 •努 力尋

找 和演繹 藝術家 在新世 紀之社會角色 .實 在令人 欣喜。 藝術擁 有非凡 力量，讓人在 不同境地與世 界接軌 ■在 未來 的日子 .讓我

們 一起體 驗藝術 ，尋 找世界 的不同 面向。

黃麗頁 講師 / 學 科統籌（陶藝 J

Works of Graduates

畢業 生作品

Cheng Man Wai, Phoebe 鄭敏慧 phoebestudio@gmail.com

http://www.phoebestudio.com

:

Leisure 閑

Ceramics 陶瓷 2009

17

Works of Graduates

畢業 生作品

Friend 朋友 Ceramics, shirt, sofa

陶瓷 •衫，梳化

2011

.

19

Works of Graduates

。

畢業 生作品

Ding Mei Ling, Dorothy 丁美伶 d_ding@softrain.org

Since I was small, I wish I could fly 一 like an eagle. As

從小 •我便 很想飛—— 像 飛鳥在天空自 由翱翔 ，像白

flying by own self is impossible, one needs to employ

雲在 天際隨 風飄蕩 。這 種夢想 •並 沒有隨 # 年曰生

another energy or machine. For me, the two lobes of

長， 因為人 的成長 使人終 究要面 對現實 —— 人 無法突

Bauhinia leaf look like the wings of insects or birds.

破生 理限制 •而 只能借助外來 力量作為一種飛行的

I wish to fly as, on one hand, it gives me a sense

安慰」 。洋 紫荊 的葉片•讓我聯 想起昆 蟲和飛 鳥的翅

of freedom, as we are bounded by a comparatively

膀； 葉 片縱是 「飛不起」 •飛行 的欲望 卻仍被 投射其

limited space. On the other hand, it provides me with

中 。漸漸地、漸漸地 •「飛行」 卻又成 為我另 一種的

a notion that I may be able to reach members of my

渴 望：一 種與離港及離 世家人 相聚的 欲望。

「

family who live on the other side of the earth and in the heaven.

如今•父親 剛剛離 世兩年 。他的身 軀縱然 消失了 ，卻

給我 遺下許 多回憶。每一 片紫荊葉象徵 著每一 天我對

It has been two years since my father passed

父親 的憶念 。沾 滿泥漿 的葉片•雖 被爐 火銷毀 •葉脈

away. Each leaf of the stack represents my

的 痕跡卻 深深地 烙印在 泥漿上。積? 的葉片與思念 •

remembrance for my father each day. When the

隨著年 日增多 •飛行 的欲望也愈強 。思念 ，化成了一

leaves are burnt away, the clay slip coating captures

雙 （不能飛翔的

the vein markings. The leaves are gone, but the remembrances are left behind. It is a metaphor, that

even though my father disappeared, physically, the

memories stay. The more the leaves accumulate the more remembrances are left, and the more the

desire to fly. Through the leaves, my remembrances for my father transform into a pair of wings.

翅膀。

V

‘

Metamorphosis ?變

Stoneware and Porcelain 陶及瓷

Dimension variable 尺 寸不一 2012

21

Works of Graduates

畢業 生作品

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23

Works of Graduates 。

畢業 生作品

v

Hung Chun Wai, Alex 熊俊威 mail2bear@yahoo.com.hk

This work is trying to explore the status of solitude in our life.

We face loneliness all the time. Even though we live in groups from the day we are born, we feel alone. The fear of being alone is programmed in our mind as we grow and learn. However, we're not grown up until we find the way to face solitude.

As our world keeps changing, the meaning of solitude is also changed. From time to time, solitude is being investigated in sociology, philosophy, New Age, religion and Art.

In the form of ceramics figure, I found the way to express the peace and calm of solitude.

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Works of Graduates

畢業 生作品

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27

Works of Graduates

畢業 生作品

Lai Hoi Sai, Joey 黎海茜 joeylai814@gmail.com

Water plants moving with the flow of water and porcelain will deform after firing, two things are also changed by the external force. The most interesting thing in ceramics is it has many unexpected possibilities. Porcelain will melt in the firing process. After high-temperature firing, the heavy part collapses but is not broken. Each firing gives a different variation on the shape, which produces a unique fluidity and rhythmical form.

水草 會隨著 水的流 向而動 •瓷 泥會因 為燒製 而變形 • 同樣是 借助外來的力 量而產 生變化 。瓷 泥的其 中一個 特性 是在燒 製的過 程比較 重的部 份會向 下塌。每次都 會 有不同 的變化 •一 種自 然產生 的感覺。使用 泥漿去

塑造 •可 以突 顯這種 流動的 狀態。

4

Moving 流動

Porcelain 瓷

100 x 25 x 25 cm 2012

29

Works of Graduates 。

畢業 生作品

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Works of Graduates 。 畢業 生作品

Tsang Lai Sheung, Amanda 曾麗媒 妨晨的

Iplst2000@yahoo.com.hk

This work depicts the contradiction and harmony between male and female. It explores the human form and attempts to transform the complexity of real body parts to the simpler forms that can be found in sketch, experience, feeling, touch and anatomical models. I am interested to tell stories of the human experience in the form of ceramics work and explore what one feels rather than what one sees. As I recognize and explore gender indepth, I have discovered new ways to improve all our relationships. For example: I used clay to mould a woman and man’s faces. When it was still soft, I had to change their shapes with different methods. It reflects how they have different expectations between genders.

I have learned about relationships in this way and it remind me we are different. Not only do men and women communicate differently but they think, feel, perceive, react, respond, love,

need, and appreciate things differently. They seem to have different expectations, demands, dreams, fantasies and so on.

Inspiration for my forms comes from Inca erotic pots, contemporary artist work pieces, different trees form, and botanical illustrations.

The Inca pots are objects of containment, meant to be penetrated, filled, meant to preserve and to protect, to feed and nourish and to generously provide, in themselves metaphorically gendered with female openings

and male spots. I am interested in exploring a major source of conflict between women and men representations.

兩性 之間存 在不同的期望 及慾望。他們 在相處 過程中 會 有意或 無意地 •讓 對方 變成自 己心中 的模範 。若能

曉得 彼此始 終有別 •兩 性關 係會大不同…

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繪畫

The BAFA graduate exhibition is an annual event that is eagerly awaited by all concerned as well as the general art community of Hong Kong. This year the exhibition切s entitled, “From Studium to Punctum” and it brings together a dedicated group of artists who

have immersed themselves in the rigors of higher education during the past 3 years to achieve a significant award, that of a Bachelor of

Arts Degree in Fine Art. The personal creative developments that have matured in that relatively short period of time are quite extraordinary and have culminated in this impressive and sophisticated exhibition.

We are proud of their individual and collective success, as can be

seen in this fine exhibition. With the attainment of the BAFA degree comes a significant responsibility. It is important for our graduates to enjoy their success and to reflect upon their fine achievement.

This period of reflection, however, must only be transitory for it is important for each of the graduates to continue to apply the skills and knowledge they have attained in an ongoing manner in order to challenge and extend their art practice well into the future.

Without exception each of the artists represented here has established a truly unique visual language by which they are able to reflect upon and express themselves in the challenging world of the 21st Century. I congratulate them on their success and have every confidence that they will fulfill their responsibility and contribute their unique talents to the cultural welfare of Hong Kong and the world beyond.

Terry Batt Senior Lecturer / Programme Coordinator (MFA & BAFA)

37

Works of Graduates 。 畢業 生作品

4 -]

Aaron d7\quino 杜卓璣 visual.paradoxes@gmail.com http://www.aarondaquino.com

WARNING: THE FOLLOWING CONTENT CONTAINS

OFFEND, MAY WHICH MATERIAL DISTRACT, DELUDE AND INSULATE.

替?：

以 下內容 可能令人反感 、混淆 、迷 惑及 孤立。

披上本 土面相 •帶著異國姓氏：生於東方 的土地 •長

於西方的環境。

Covered in local appearance, carrying a foreign name; born in an eastern land, grew up in a western

處於種 種模菱 兩可的 狀態下•不 論東西 方的身 份也未

能明確 如實地 形容他 的存在。這 種含糊 的背景•使他對

environment.

不同事 物存在 著的矛盾著迷•並對 其孕育出一種 觸覺。

Under these clashes, d’Aquino believes that neither Chinese nor European identity is able to truly define his existence. The ambiguity of this context helped develop his awareness and fascination towards the paradox within the existence of different beings.

我們 身處在 以訊息 建立的 現實中 •這些 資訊大 多經過

We are currently living in a reality that is mainly constructed by manipulated information, which is constantly used to distract, delude and insulate us from truths. After all, it is even more intimidating when there is some kind of built-in system of perception within the general public,

along with stereotyped reactions towards specific types of information.

巧妙 地處理 •將我 們從真 相中不 斷混淆 、迷 惑及孤 立 。那種 尤如在 大眾植 入的感 知系統 ，連 同對 特定信 息便 有刻板 式的自 然反應 •卻更令人 生畏。

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以此證明

艾雲法蘭 西斯狄亞堅奴 謹受予學位

純藝術 文學士 於?零??年玫月拾陸曰 完成修業課程

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Paper Packaging of Prospect 理 想前程的包裝

Acrylic and mixed medium on wood board, with installation components 塑膠彩 •混 合媒 材板本 •裝 置元件

Dimension variable 尺 寸不一

2012

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Works of Graduates 。 畢業 生作品

Yau Kwok Wing, Marco 邱國榮• kwyau@yahoo.com

http://marcoyau.weebly.com

I believe that images and postures from human reflect emotions i.e. body language can express inner the spirit. Attitude can also express emotion of lust, fear, pain, ideal, hope, disillusionment, death etc.

我相信

_ 個人的形象和 姿態必 然顯露 出他心中的情

感 •形體 表達內在精神 •姿 態也 表現出 人物的 情慾、 恐懼 '痛苦 、理想 、希望 、幻 滅和 死亡等感情。

相信 這個作 品的形 態很多 人也不 會陌生 ，在世 界任可 一 個有強 國人的 地方也 會看見 ，他代 表的信 息有很

The appearance of the work should be familiar to all of you. It is easy to find in a place that there is Chinese. Its posture broadly represent

expectation, rest, fragility, suppression, deprivation, thinking...etc. The interest is that there are many possibilities behind which are all symbolic. I used rice as the composition to let you re-examine human value. Also, It can help todays' teenagers be more focussed on the situation of the rich gap which is actually a more and more serious problem. By focusing on the problem we have, attention and reflection can be drawn.

By the way, Is the posture of the work is thinking or you are now thinking about the posture of the work...?

多 •是 等待 •休息 、脆弱 、壓制 、剝奪 、思考 ，還 是

•我 認為 這姿態 很有趣 有很多 可能性 •也 有很

大的 象徵性 •我以米 作主體 •是 希望大家重新 審視人 的 價值觀 ，更 希望藉 著裝置 的方式 ，讓 時下的 年輕人

多一 點注意 貧富懸 殊的情 況其實 一直繼 ?惡化 •正視 當下生活所在 地正發 生的種 種問題 •藉 此引起 觀看者

的 注視及 反思！ 是 這作品 的姿態 在思考 •還是 你在思 考這作 品的姿 態.

Chinese Thinker 沉思者 Installation, Mixed Media

(Rice, Wood, Plastic, Styrofoam Brick, Cloth) 混 合媒介（白米 、木 、膠 '發泡 膠 、磚 '麻布

180 x 270 x 330cm 2011

139

Works of Graduates

畢業 生作品

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141

Works of Graduates

。 畢業 生作品

Wong Wai Yin, Edmond 黃偉研 eddiox@gmail.com

I grew up in an old local district of Hong Kong, but it is not really old, shabby or inferior in my eyes. What I see is the energy of struggle from which people battle with reality and life in the old community. The city is developing rapidly in a new century. The elder generation who gave endeavors to build up our prosperity are being forgotten. While the paupers1 faithful is not accommodated in our city, humanity and

days, the root citizen worked hard in their life and found their values to live. How about us who live in the new society nowadays? What is

our core value to live for?

在本土 舊區長 大的我 •看 到的不 是破舊 而低下 的城市

harmony are also fading out. What they can do is to fit in this twisted society. Our new

面貌 •而是 舊區人民為了 對抗生 活而奮 鬥所付 出的生

society maps out the spirit of a modern citizen, the city is being constructed, deconstructed,

遺忘曾 經為我 們努力 建構的 人和事 •濟 迫的新 城市容

reconstructed and re-deconstructed. . ..etc.

The old values and people together with the city are being forgotten without any trace.

人情味 •只 可在被扭曲的 空間下 委曲求 存：新 城市規

命力 ：城市 在高速 發展下 •人們 都把舊 事物給 逍忘，

不下堅 守信念 的窮人 •也 容不下 鄰里間 手守望 相助的

劃 了現代 人的精 神面貌 •被 逍忘 的事物 被熔解

拆 •從 新接著 ，再建構，再分拆 •再 建構

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Works of Graduates

畢業 生作品

Wong Tin Ying,Tiana 黃天盈 info@tianawong.hk

http://www.tianawong.hk

This series of work explores the life of Tianafs father in her childhood period. His absence from her daily life as a child led her to find attachment to him through the objects he left at home. She experienced him through his physical possessions that lay around the house. The works of art becomes puzzles that piece together the being through the objects.

意 念來自段段童 年往事 •父 親缺 席在童 年記憶 之中，

父親 的物件 如火機 、衣服 等等便 成為觀 察對象 •零碎 物件 以不同 大小之 木塊畫 作組件 •以孩 子堆積 木般的 手法 •重 新建構 思憶中 父親的 工作室 •以 收集 回來的 煙 蒂作為 靜態的 時間? •透 過裝 置凝造 一個以 爬格子

業者 的工作 空間， 表現與 父親若即若離的感覺 淡淡的孤獨感。

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時間?

Acrylic on Wood,Mixed Media 塑膠 彩板本•混 合媒材 200 x 200 cm (Dimension variable)

2012 (Since 2010)

131

Works of Graduates

畢業 生作品

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133

Works of Graduates 。 畢業生作品

Tsang Ka Yee, Chris 曾家宜 chrisdesignl 002@yahoo.com.hk http://christsang.weebly.com

About 10 years ago I began to work in my father’s denim factory in mainland China, during

the time I witnessed the rapid development in China, it introduced a new orientation of

when we celebrate the glorious explosion, meanwhile how people to balance the new value of the self, region and generation changes in short?

observation and reading to modern China.

New China living closely affects perception of personal emotion to the understanding of the humane. In my painting, it depicted a

土 生土長 於香港的我約 十年前•開 始到 家父在中國大

unfamiliar living environment and labour class

中 國的社 會變遷 •開 啟了對 新生活 和感悟 。個 人的社

population, from my experience of living in mainland directly converted into an art form to reflect the current social phenomenon.

會背景 •讓 我從一 個去新 方位觀 察及認 識中國 大陸。

Textile materials is rooted in my subconscious memory. Major works media focus on pristine dark denim fabric calls the original characteristics of workers.

Usage of bleach to discharge painting skills applied in my art artwork to create a connection between imagery and content itself. Under denim bleaching, worker portraits face becomes lack of the contours, desolate likes a soul in the darkness and nameless. My work depicts the crowd in the alienation of humanity in the social changes and suppression in classes, also to think what is individual life in the presence of a large collective, may be associated with other people's memories of events or feelings.

陸的牛 仔工廠 工作。我親眼 目睹中 國的迅 速發展 •由

新大 陸生活 密切影 響著個 人內在的情緒以對及人性的 知覺。畫中 描寫不熟悉的 生活環境及人 群|

將大陸

的生活經驗 直接轉 化為藝 術形式 •以反 映當前 的社會

現象。 紡織材 料植根 於在我 潛意識 的記憶。作 品媒介 主要為 質樸原 始的牛 仔面料•它 深沉，粗 糙耐磨，透 著勞動

者的 特質又 帶令人 不安的 壓力。

用漂白拔漿方法於牛 仔布面 上繪畫 ，配 合圖像 和內容 本質上 的連接 。牛 仔布的 漂白過 程中， 工人們的肖像

變 得缺乏 的輪廓 •由 如在黑 暗中無 名饋條 的靈魂。在

作品中 •描 繪著 人群於 社會轉 變下的 人性疏 離及壓 抑， 思考各 個獨立 生命於 大集體 的存在，也可 能關聯

到他人 的回愴 •事 件或 感受。 正當我 們慶祝社會光 榮的極速發展 我，地域 •時代的價值轉變？

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Chinese Workers No. 2 中國民工-二 Silk screen printmaking - dust on denim 絲印- 壓印灰 塵於牛 仔布料 40 x 18cm 2011

127

Works of Graduates

畢業 生作品

Chinese Workers No. 4 中國民 工-四

Blue denim - bleaching discharge 繪畫 -牛仔 布溧白?色繪 25 x 20cm

2011

Chinese Workers No. 6 中國民 工-六 Blue denim - bleaching discharge 繪畫 -牛仔 布漂白?色繪 70 x 40cm 2011

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Chinese Workers No. 7 中國民 工-七 Installation: Blue denim - bleaching discharge on Carton boxes 裝置 -牛仔 布漂白?色繪 及紙皮 箱組合 200 x 180cm 2011

129

Works of Graduates

畢業 生作品

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Phoebe Dreamy 許穎 phoebedreamy@yahoo.com.hk

Nowadays the attitude of society is more and more open minded, and the media coverage has become increasingly bold. In fact, these will deeply and directly affect our views of value. In addition to being an art student I am also a model of the latest type, in the complex entertainment industry, I have personally

witnessed the relationship between male and female has been spoiled, without being true and faithful to each other. Nevertheless, when people are in love, sex plays an important role.

It is strange that in this modern world, there is a taboo on talking about sex. Most people recognize that sex is a shame. But I believe on their mine sex should be desired and we need it since we were born. In my work I hope you can feel the taste of sex and you will find it is really tasty!

它，

甜甜的 色彩 繽紛…

使你透 心涼… 綿 綿的好舒服…

讓你想 嘗一口 是不能 拒絕的 誘惑…

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就 是高潮所在。

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FunKream cone 奇趣筒 mixed media - Plastic, soft clay 混 合媒體 一塑膠 •黏土

Dimension variable 尺 寸不一

2011 -2012

123

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畢業 生作品

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畢業 生作品

Ng Yuen King, Terri 吳宛壤 TerriNg.Art@gmail.com

靜 物畫有 源遠流 長的歷 史背景 ，並擔 當著重 要的角

Still lives have been painted from ancient Greece and Rome to nowadays. Throughout the history, still life is an important genre of art. The artists did not only imitate the chosen objects, but also have infused meanings on

本 人嘗試 以玻璃 樽作為 靜物畫 的題材 •從 美學 角度建

specific areas.

構簡潔 而寧靜 的構圖 。這些 沒有標 籤的空 玻璃樽 •顯

My still life painting is explores the aesthetic rests in the simple, quiet compositions by

using glass bottles as objects. They are not categorized as wine bottles, they are liquid containers. Now, their labels have been removed and they are empty. It implies the sense of emptiness and loss of identity. Not only should the nature of the objects should be considered, but also the underlying structure and concept about form, color and space.

They have their own properties, such as weight, volume, density, color, position, a relation to each other and to space. The appearance of the objects is perceived as stillness and constant. Nevertheless, the subtle variations still exist in the pictorial arrangements. They

are always ignored and omitted.

色 。不同 時代的 藝術家 •除了 模仿靜 物的形 態繪畫

外 •還 有引伸 不同的 意義。

示認同感的 消失和 空虛感 的存在 。此外 ，玻璃 樽本身 的重量 、體積 、密度 、顏色 、位置 、樽 與樽和樽與空 間 的關係 •這 些隱藏 的元素 經常都被忽略 ，經 過再一

次的 描繪後 •卻 是值得 注意的 地方。

Bottles 玻璃樽

Oil on canvas 油 畫布本 40.6 x 40.6cm 2011 -2012

119

Works of Graduates 。

畢業 生作品

121

Works of Graduates 。 畢業 生作品

Ng Wan Yee, NWY wanyee.ng@gmail.com

http://ngvisualart.weebly

NWY work is mainly sourced from allusions within both social and natural phenomena in an ironic stance. She merges urban landscape and nature in her mixed-media painting or installations, by overlaying intricate perspective lines and geometric shapes through her intuition and memories. The intertwining of both elements demonstrates the contradictions

作品 主要以 諷刺社 會現象 或探討 人類和 大自然 之間並 存 下的矛 盾作為 主題。

作者 憑直覺 和記憶 以糾纏 的抽象 幾何和 有機圖 案代替 文字 •以混 合媒介 繪畫及 裝置作 品嘗試 將自然 和人工

化事 物融合 •表現 人類身 處文明 •但同 時要面對自然 界 影響下 的矛盾 •以 及反 映城市 急速改 變下對 大自然

和作 者之間 的各種 影響。

between civilization and the law of nature. …世 界其實 好大。

Her work intends to reveal human's selective adaptation to information and how this limits our understanding of the social world, and to remind viewers of the importance to broaden their views.

Worldview 世界觀

Cotton paper, Mixed media painting, Container 水彩紙，混 合媒 介作品 200 x 200 x 500cm 2012

115

Works of Graduates

畢業 生作品

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117

Works of Graduates 。 畢業 生作品

Ma Choi Ha, Betty 馬彩霞 bettychma@yahoo.com.hk

http://www.machoihabetty.com

It is through microscopic observation that I can see fantastic images of reflections of nature and life on the flowing water of its underlying nullah on Banyan Bridge, thereby intriguing me to capture the picturesque tranquil space in line with the interacting activities between all idling or moving objects as well life forms from the surroundings, seemingly an epitome of the livelihood of a small community from dawn to dust. With the use of dark and light hues, I have managed to manifest an array of the day and night scenes in abstract beauty by transforming the photo images onto 60 pieces of circular plywood in oil paints, denoting the ever-changing scenes in a minute.

我以 微觀的 方式和 抽象手 法來表達火炭 橋下看 似幻像 的一角 •而 這一 角仿佛 就是一 個社區 的縮影

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交替 的工廈 ，當 然還有 形形式式的花 草樹木 •交 織出 這社 區的日 與夜。

Mi-nute 微

Oil on plywood

365 x 365cm 2011

111

Works of Graduates

畢業 生作品

113

Works of Graduates 。 畢業 生作品

Lui Chi Ming, Edmond 呂志明 drawgraphy@gmail.com

I was working as art director in the advertising industry when I was diagnosed

Nasopharyngeal Carcinoma at 1998. Since then, I have changed my career

into working as a kids art tutor.

That turning point was crucial. It made me change from doing commercial art to kid's art teaching and later, into being a practicing artist. Those

happenings grant me a profound understanding of Art.

Personal experience and perception inspire me to make use of reused materials. And I try them out as the bodies of artworks. Most of them express life with a trustworthy reliance on an unpredictable future whereas

other people who live without faith.

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107

Works of Graduates

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畢業 生作品

©

Tarts Acrylic on baking utensils Dimension variable 2010

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Dimension variable 2010

109

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Works of Graduates

畢業 生作品

遍

Lee Wai Ling, Emily 利慧玲 V. emem109@hotmail.com

http://emem109.weebly.com

Dancing is an important aspect of my life where it represents the mental and physical challenges I endure. It has become an element that my work is based on. No matter how much physical pain and injury I suffer along with constraints of timing, my passion for dancing is incorporated into my art talent. Through my artwork I express my inner feelings, emotions and strong attitude I have from my love of dancing, particularly ballet.

During the early stages my artwork was very traditional having no concept of theme as I was blindly enjoying the painting process and brush stroke movements. After studying contemporary art, I drew out the theoretical concepts to understand that a piece of artwork should integrate more than just a solid picture but an artist's feelings. This further developed and matured my artwork - 1 started to paint the concepts of ballet - melody, speed, direction

and so on.

In this piece, the surging rhythmic elements and work of dancers create visual attention to the audience. This reflects my attitude to life constant moment and enthusiasm.

The main interests in my life are painting and dancing and I have learnt to combine these two elements into one.

在藝 術方面 ，舞蹈 是我生 活中非 常重要 的一環 •縱然

在精神 上受著 天賦能 力限制 的痛苦 •肉 體上受 著不斷

練習造成的勞 損傷害 ，面對種種不 同程度 的挑戰 •亦 無減我 對舞蹈 的熱誠 •特 別是芭 蕾舞。 將舞蹈 融入我 的藝術 作品元 寨之一 •使 我感 受更多 •更 能表達我心

中強烈的 感情。 剛開始 創作時 •我的 藝術作 品都是頗為學 院派的 •沒 有任 何特定 的概念 或題材 •只是 盲目地 享受著 作畫的 過程 和筆觸 的走動 。隨後

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我學 懂了深 入探討 藝術作 品背後 的理論 和概念 •以及 一個藝 術家如 何在作 品上整 合和表達自己 的感受 。經

過幾 年的視 野開拓 •作 為一 個舞者 •對 於描繪 舞蹈的 旋律 、速度 、方 向等等 •我 有了 更深的 體會； 希望透

過 作品陰 沉的氣 氛和縮 放比例 •讓 觀眾 感受到 與眾共

舞。 再者 •作 品上舞 者舞動時的張 力和澎 湃的節 奏元素 這種 從物理 運動衍 生出來 的動力

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的視覺效果。這也 反映了 我的生 活態度 -不斷 運動和 積 極性。

由於 舞蹈和 繪畫是 我生命中的興 趣-我 學會了 把兩個 元 素結合在一起 •從中取得平衡。

From Dancing to paint 畫中舞

canvas 油 畫布本

110 x 10 x 80cm 2011-2012

103

Works of Graduates 。 畢業 生作品

105

Works of Graduates

。

畢業 生作品

Lau Wai Kuen, Bo 劉惠娟

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Self-shooting photos has become a very common behavior in today’s society. You can self-shoot photos with your cell-phone no matter where you are. The “image environment" created by advanced technologies, contributes

in the paintings. The paint handling and somber tones which support and underpin the psychological content in a self-reflective narrative work. It is also a self-reflection of today’s people.

to the self-shooting phenomenon.

At the very moment, we fully concentrate on the screen and completely immerse ourselves in our own world. We use the cell-phone to capture a reflection of ourselves, to create another image, which contains double objects and double images. Are we going to doubt the new image we created? After all, are we looking at ourselves or peering into the world

around us?

Sometimes, we seem to be locked up in a certain space/environment without a sense of

自拍 •在現 今社會 是一種 非常普 遍和日 常的行 為。無 論你身 在何地 •都可 以隨時 透過隨 身的手 機 將自我 影像拍攝下來。當今 科技所 做成的“影像

，促成 了自拍的個體 表現。 環境”

那一刻 •全 神貫注 地凝視 著螢幕 •完 全沈 醉於自 我的世 界之中 。用 手機攝 取物件 反射出 來的自 己， 從而產 生另一 個影像 •當 中包 含著雙 重的物

件 和雙重 的影像 •對於 這個新 的影像 ，我 們是否 會 產生疑 惑呢？ 到底 這是在 觀看自 己還是 窺看周

圍的世 界呢？

time. The advanced technologies nowadays has changed the means of communication and has alienated the relationship between

某 些時候 •我們 彷彿被 困於一 個既定 的環境

people. The sense of loneliness and dullness always comes behind the bloom. We may only find ourselves, our identities, and our

種難以 言喻的 孤獨和 落寞。在這個‘影像 環境’ 裡 ，也 許只能 透過自 拍來確 實自我 的存在 價值和

values through self-shooting within this "image

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間 •沒 有時間 性的。當今的 科技溝 通模式 •疏離

了 人與人 之間的 關係；繁華 的背後 總是滲 透著一

environment”.

Through self-shooting photos in daily life, to reproduce the images and think thoroughly, focusing on indirect moments and perceptions

透過 在日常 生活環 境自拍 •捕 捉那 間接的 時刻和

感知 •反 覆思 考和重現影像 。繪畫 的掌握 和昏暗 的色調 加強了 自我反 射的心 理狀態：這是 從自身

反映著 現代人的一種 寫照。

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畢業 生作品

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Lam Chi Yuen 林志遠 lamcy@mac.com

Living in today's world, most people feel so powerless and empty. Though advances in

似 乎我們 都忘記 了快樂 是甚麼 •每 當夜閒 人靜時 •那

science, technology and the economy have led

感 到無力 和空虛 。科學 ： 技術和 經濟已 達到前 人無法

us to a stage that our precedents had never imagined and experienced before, we are still not satisfied with our life. It seems we forgot

想像 的地步，我 們仍然 不滿足。諷 刺的是 •無 論怎樣

what made us happy before. However, when we are alone, memories about those old good days will silently drip into your mind. Ironically, no matter how hard we try, we cannot precisely

delete what we want to forget. On the other hand, no matter how hard we try; we cannot recreate that exact moment again.

些 好曰子的回憶 總會悄悄地竄 進腦海 。活 在今天 •總

努力 •都不能選擇? 除某些 記憶； 亦不 能再重建記憶

中某 些美好 事物和 景象。

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Video Installation 錄 像裝置

320 x122 x213cm 2011

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Works of Graduates 。 畢業 生作品

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97

Works of Graduates

。

畢業 生作品

Kwan Suet Ying, Sally 關雪璧 sallykwansy@gmail.com http://sallykwan.weebly.com

In 2009， I joined this degree program and major changes also happened in my life. I fell into scattered pieces from a worry-free person. In between, I once suspended my study for a crazy year. Afterwards, I once again fell into the life of study. Through the contact of the art world, people, events and also the process of thinking, I finally put the pieces of myself together. ? can’t say ? am complete now; nonetheless, it has given me an opportunity to be reborn. I am also empowered to heal myself.

I do not know how to express this abstractly. I can only honestly describe my life at this very moment.

由 2009 年 修讀藝 術學位課程後 •我 的人 生亦跟 著發生

了重大的變遷。我 由無憂 無知的 人一下 子成為 一堆零 落 的碎片。其間 •暫別 了一年 去讓我的世界 瘋狂後 • 我再 次投進 這個校 圍生活 •籍著 接觸藝 術世界 、人和 事、 及思考 的過程 •我 終於一 片片地 將自我 重新拼

合 •雖 然我還 未回復 為完整 ，但 起碼這 裏給了 我一個

重生 的時空 •讓我 有能力 為自己 療治。我不懂 太抽像 的表達•我只 會誠實 地描述 我生命 的此時 此刻。

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Restructuring 重組

Mixed media 混 合媒介

Dimension variable 尺 寸不一 2012

91

Works of Graduates

。

畢業 生作品

93

Works of Graduates

。

畢業 生作品

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回 Ko Gar Lei, Clarie 高嘉莉

回?

clarieko@gmail.com

http://sites.google.com/site/clarieko

My concept begins with a personal reaction towards the rapid-fire advancement in

我的創作 概念源 自在全 球化的環境下 •對 資訊科技極 速 發展的 迷思。

technology under the context of globalization. 這是一 個資訊爆炸的時代。

We are living in a time of turbulent change.

We are forced to adapt to a new life pace, to process information and make decisions in ever shorter intervals. However, we are not machines, there are limits on how fast we can handle and process information.

I feel lost in this tremendous surge of energy.

I attempt to use painting to depict this psychological impact. The premeditated and interlaced lines describe the flow of information technology and the ever growing connection penetrates into our life. While there is an affective force trying to break the dilemma, will the effect be too insignificant and finally be digested in the torrent?

在這個不停急速 旋轉的渦輪內•我們 不斷加 快步伐 • 用 更短的 時間去 處理更 多的事 情和作 出決定。可是

人類 始終不 是機器

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我感覺到迷失。我用繪 畫去表

現 這個心 理狀態 •規 劃性 和交錯 的線條 就是抽象的資

訊網絡 •並 且不斷 擴張。 畫面中 也呈現 了另一 種力量 試圖 去抗衡，最終是否也 無可被 免地被 這個大 趨勢所 吞噬？

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Between Rationality and Sensibility 理 性與感性之間

Acrylic on canvas 塑膠 彩布本

120 x 180cm , 90 x 120cm, 90 x 120cm 2011

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Hui Yuen Man, Yanki 許婉汶 yankirosepinky@gmail.com

http://www.yanki-rosepinky.com

I thought my artwork reposes the society and explores the notion of beauty.

我用藝 術作品 去探索 美在現 今社會 的定義 。現 今社 會的 生活態 度影響 了一些 女性的 價值觀 。例 如：能

夠擁有 最新南 的品牌 時裝和 化妝品 就一定 是美的

The image that one’s value as a woman is determined by what the mass media conveys through images of beauty has grasped our psyche. As women are constantly bombarded with the notion that BEAUTY is created through wearing the latest brand name fashions and cosmetics, they have lost sight of what lies within their values and morals. As they feverishly follow the latest fashion trends and wear the latest cosmetics their souls have been lost ... the light and joy that emanates from open vibrant eyes of an unadorned laundry woman who is kind, warm and helpful is overlooked.

Every one of us has our own view of beauty, which more often than not is subconsciously

influenced by what we see through advertising, television and on the big screen in our materialistic society. It is my intention through my art, to explore in depth, how materialism controls our perception of beauty through my artwork.

嗎？ 每 人對美 的看法也不同•但因為 物質主 義下而

影響 了真正 的自己 。這 作品主 要呈現 內心物 質欲望

控制女 牲不由自主的 感受。

1

Notion of Beauty 美 的念頭 Wrapping paper, fabric, mannequins,

famous brand trims and acrylic color 雞皮紙 、布 、時裝 模特兒公仔、 品牌 標籤和 塑膠彩 installation work around 500 x 500 x 200cm 2012

83

Works of Graduates

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HuiKaYan, C?aire 許嘉欣 clairehui@gmail.com

http://www.clairehui.com

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Rainbow Catalogue 霓 虹目錄 Installation (Wooden Boxes, Miniature Furnitures, Wires, LEDs) 裝置（木箱 •模 型家具 •電線 •

發光二 極管）

Dimensions variable 尺 寸不一 2012

79

Works of Graduates

畢業 生作品

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Mental Map i - iii 心 像地圖

Mixed Media on Wood (Acylics, Acrylics Medium, Inkjet Prints, Chinese Paper) 混 合媒介 塑膠彩 •塑膠 彩媒介 •噴 墨打印 •宣紙 ) 12 x 60cm each

2011

Google Heaven and Earth 搜尋天 圓地方

Mixed Media on Wood (Acylics, Acrylics Medium, Inkjet Prints, Chinese Paper, Nails) 80 x 200cm 2011

81

Works of Graduates 。 畢業 生作品

Dan Hin Ka, Ann 譚衍嘉 danhinka@hotmail.com.hk

http://anndanhinka.blogspot.com

Something that you cannot remember that you did when you were little, including memories. <Memory>

《記憶》記憶 •似有 還無。

譚氏 一直嘗 試用不同的物 料元素 拼合出 人類以 為是私 有 的記憶 •透 過作品 與觀者 情感交 流同時 •彼 此記

Dan Hin Ka (Ann) was born in Hong Kong, graduated from the Hong Kong Art School with a Bachelor of Arts in Fine Art (Painting).

憶 再重塑 。她

k 部分主 題多以 對記憶 中的童 年為出

發點 •是次 作品從 主觀性出發， 將延續 並衍生 有關議 題 •以舊 生活照 片為油 畫主題 •揉 合譚氏記憶 所及的 不 同角度 •及重新場景 •呈 現出 一系列 把舊日 子紀錄

Mix-Media as her principal medium, she is concerned about everything in the relationship

但 章節模 糊錯亂 的畫面 。每個 人因應 自己的 主觀性 •

between life and death, at the same time, to focus on exploring the memory and possibility

憶在 個人思想的過 瀘及修飾後， 產生出 不同對 象對同

of different mediums, especially painting. She has presented her works in Hong Kong in several joint exhibitions, at the Cattle Depot in 2012 and the White Tube at Hong Kong Art Center in 2011. She is an active artist and event helper, and has worked for Ai Yamaguchi (Japan) and Jayne Dyer for their exhibitions in Hong Kong. Ann is now a part time artist and curator, and works for ‘Viewor’

viewor.hk) - a Art Education web site, which was organized in 2012.

不 同的生活環境 及思想 •對 事物的 著眼點 都不同 。記

一事實 有不同 的所悟 及記憶 ，成 為獨立 的記憶 。而觀

眾 在作品 中找到 被重塑 的記憶 •正 好反映不同 對象對 同一 事實有 不同的 所悟及 記憶。

‘於 我來? •藝 術是生命中不 可缺失 的一部 分靈魂

•

失 去藝術 的生命 •或不 至死亡 •但 必迷失。記 憶亦如 是。’——

譚衍嘉

譚 衍嘉生 於香港 • 2012 年 畢業於 香港藝 術學院 學士學

位課程 •主 修繪畫 。其作品以多 種物料 及裝置 為主要 媒介 •對 自身成 長及人 類間的 關係過 於好奇 •並思索

成長後 記愴對 人生帶 來的連 鎖影響 •以 及生者 對死者 所載 有的記 憶的單 向呼喚 。作品 曾於多 個聯展 展出， 熱 衷於參 與香港 藝術工 作及協 助策展 •曾 於日 本藝術

家 山口藍 及澳州 藝術家 Jayne Dyer 展覽中工作

•

2012

年起參 與成立 藝術性 教育網 站< 觀者 VIEWÿR>

(viewor.hk)。現為 半職藝 術工作 者及策 展人。

Memory 記憶

Oil on Canvas 油 彩布本

Canvas 1 : 40 x 97cm Canvas 2 : 80 x 120cm Canvas 3: 40 x 97cm

2012

75

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畢業 生作品

Chung Yan Wing, Ronnie 鍾欣詠 ywronnie@gmail.com

http://www.ronnie-chung.com

能否憑感官去 分辨？ 我 們又怎 能確定 周遭的

Doubting the reliability of one's own sense in

虛與實

ascertaining reality and illusion, I have been depicting emptiness, quietness and solitude in spaces, from the real to the illusory.

物質世 界孰真 孰假？ 五感 雖予以 我們對 物質世 界的感

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知 •我們 卻未能絕對肯 定它的 存在。

在尋 找答案 的路上 •無休 止地探 索真實 與虛幻 •我透

How one could ensure that the physical spaces, or collectively, the material world, around us are real? Though our five senses tell us how the material world is, we still cannot absolutely confirm that. Philosophers have been debating on the existence of the material world and the existence of oneself for centuries. Yet, there is no answer.

過層 層薄薄 的油彩 、超 以象外 又含混 的空間 •遊 走於

抽象 與具象 的領域 之間： 透過繪 畫將空 、靜、 寂展現 於 虛與實 的空間 之中。 於 我來? •繪 畫是一 個沉思 的過程 •或許 •那 真義是 源自五 感以外

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240 x 90cm 2012

71

Works of Graduates

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畢業 生作品

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畢業 生作品

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Chow Hoi Lam, Jenny 周凱琳 jenny.lam.chow@gmail.com

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http://www.jennychow.info

Introspection and relationship is a myth, which is both subjective and independent, that I would like to reach in a spiritual way.

Cognition and self-consciousness could be independently processing among each other towards the same matter.

An individual spiritual status is the crucial element regarding my works. At the moment I make the marks and lines, consciously and

unconsciously, it is already an experience trail of a spiritual journey. Workout of brain and hands may content diverse possibilities when I traced the lines and dropped repeated marks.

Different moments and thoughts representing certain exact and unique times emerged and is recorded. However, in terms of the ‘meaning’ of time, of art or else, is kind of a paradoxical

concern.

Drawing in a private space is intimate and personal; displaying the finished works in a closed end of space is an open-ended

question. What is the meaning of art to oneself?

Should it been visually seen and displayed

the important part should be the relationship and the creating process, or the earthly value and the interpretations for the final pieces. I am pondering from the meaning of the linkage of the art piece itself among different parties, to the crucial elements of art nowadays.

Honesty and sincerity serve as a channel to heal and express, it is abstract yet poetic to be documenting, to arouse the introspection for the prime of creating.

游走探 索於內省及關 係的迷 宮之中

*

我 看見了 認知及

自覺的 獨立可 行性。 心靈 主導是 親密及 個人的 行為； 密封式 展示卻 是開放

式 問題。 藝術的 意義到 底是怎 樣的？

作品 •作 者跟解讀者之 間到底 是什麼關係？ 重 點是創

作者跟 作品的 交織？ 創作 過程？ 還是 世俗給 予的定 義 •價 值及 詮釋？ 形式化 的運作 是常規 還是約 定俗成

的 趨勢？

to communicate and acquire value? What is the relationship between the artwork, the creator and annotator? Besides visually and

在探求當中 的奧秘 •過程 總能喚 起思考 並給予 定位何

exhibiting factors, I leave a doubt on whether

為創 作及至 精髓。

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2011-2012

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畢業 生作品

Choi Ming Ming 蔡明明 charmine.choi@gmail.com

http://www.choimingming.com

A Chinese tradition '*A piece of ceramics to cover our heads” - it means have a house to live which is a sublime belief of Chinese. No matter where you are; no matter what background you are; no matter what is your occupation. A life long vision is to save all your money to buy a property to support yourself and your family.

Today, with the economic growth in China and Hong Kong, this vision had became the most important concern of all Chinese. This seems

like a “gospel” from the God that we have to follow.

“有瓦遮頭"

——

這 是大部分中國 人的崇 高信念 。無

論你 身在何 處何地 •不論階級貧賤 •終 身的願 望就是 儲錢置業。今天 •中 國和 香港的 快速經 濟增長 •生活

愈 益富足，有瓦 遮頭已 成為每 個中國 人的夢 想和願 望。好 像一個 天經地 義不可 違抗的 "天 條”。

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Installation Dimension variable 尺 寸不一 2011

63

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30 x 40cm

2011

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畢業 生作品

Cheung Sze Lit, Szelit 張施烈 szelit@gmail.com

Couple - State, Intimate, Gaze, Silence, Self-Protection, Enclosing, Disclosing, Distance, Memory.

? 一狀態 •親密 •凝視 ，沉靜 自 我保護 •隱藏 •顯現 •距離 ，記 憶。 |

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printmaking and pencil on paper 移印, 鉛筆紙

10.5 x 15cm 10.7 x 14cm 8 x 10.7cm 2012

59

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畢業 生作品

Cheung Chui Ting, Tweety 張翠淳 tweety610hk@yahoo.com.hk

http://www.tweetycheung.weebly.com

Bird eggs are a common food and one of the most versatile ingredients used in cooking.

They are important in many branches of the modern food industry. They are cheap and common to eat. The lawless persons use chemical to imitate the majority of chicken egg to earn money. The cost of fake eggs is only

0.55 Yuan/kg while the real eggs’market price is 5.6 Yuan/kg. It damaged the people health and caused many people to die. The fake egg is only one of the cases of the imitation food world. They are already existed in our food world but we cannot identify between the real and the fake. Even though we know this fact but we have no choice. We need food to survive.

The work of “Imitation Food - Eggs" is an installation of the egg world. It includes the real eggs and molding faked eggs. It forms a fascinating collage like a painting. The fake

eggs invade the real eggs world. It is not to

express the horror of the imitation food. But I want to arouse the viewer to think over the manufacturing process of our daily food and health. Although we have no choice and are full of contradiction, we are still alive. Our lives exist between reality and the delusion, we need to recognize the real not only in the food world. 真實 與虛假 •在 我們現 今的社 會往往 我們不 能夠分 辨。 甚至連生活的 細節上 •我們 選擇的 機會也沒有。

我 們最基 本的生存要素 ，食物 -

也成了 資本主 義社會

上的 一個謀 利工具 •甚至 不惜以 假仿真 •吃進肚裏的 是什麼 ，我們也不能 分辨和選擇。 雞蛋-

最普 通不過 的食物 •是 人類重 要的營 養食材 •

在食 物工廠 裏是生 財工具 •我透 過仿造 假雞蛋，以假 雞蛋混 以真雞 蛋去構 成一個 蛋世界 •你 們能否 以肉眼

就能分辨真 假呢？

—

Imitation Food 仿製食物 -雞蛋

Egg

Mixed media 混 合媒介 183 cm x 122 cm

2011

55

Works of Graduates

畢業 生作品

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Works of Graduates

畢業 生作品

Cheng Ching Ha, Zoe 鄭靜霞 Chengchingzoe@gmail.com

This issue touches my soul for being a female artist. It touches me more when it gets more populor and commonly accepted among the general public.

Tortures were imposed on women in the name of ‘ beauty’ throughout history. The severe pain and suffering was however ignored. The practices did not cease with the civilization of human being.

Plastic surgery, instead, is just a reincarnation of those old practice.

整容這 題目深 深打動 了我作 為女性 藝術家 的身分 •看

到 愈來愈 多朋友 都甘願 接受整 容手術 •盼望 一覺醒 來 •望 著鏡中那個 新我連 連讚歎 的一刻 。整容 已經無 遠 弗屆。

可是 •手術 背後要 付出的 血淚和 痛楚呢 7 都不重 要

•

為 了美麗 •都值 得了。 自古 為了追 求所謂 美麗的 代價血 淚斑斑 •文明 也沒有

改變 多少。 整容 •不過是借 屍還魂的故事 而已。

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Oil on Ganvgs, Watercolor on Paper, Mixed Media Installation Dimension variable 尺 寸不一

2012

51

Works of Graduates 。 畢業 生作品

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Chan King Wa ? 陳敬偉 chankingwai@gmail.com

http://www.chankingwai.com

As Jacques Derrida claims in “the animal, therefore I am”ÿ we humans have long categorized ourselves as “human”. Setting ourselves apart from being animal, a hierarchy is established. Such hierarchy not only happens within the duality of human vs animal. Most of the time, such hierarchy also exists in between humans. In this postmodern era, we have been creating far too many postmodern problems including environmental degradation. Perhaps it is time we go back and explore becoming animals - to question the advancement of civilization and all preoccupied concepts.

The figures represented in my works are animal-human hybrid of botched taxidermy, a term as described by Steve Baker in “Postmodern Animal”. These figures are depicted in a botched manner. They are not referring to human or animal. It introduces a representational proximity to animals and interspecies identities. It challenges the viewers of a readily recognised experience. Through this loosen up illustrative quality and definition, identity, expertise and hierarchy are blurred and deconstructed.

With a sense of sex and desire, life and death, these works invite the viewers to re-think the preoccupied idea of being human. After all, we are all just animals living on earth but categorise ourselves as “human”.

德 希達在 《我 所是的 動物》 裏提到 •人 類把自 己歸類 為“人”。從動物分 裂出來 •就建立了 第一個階級。

這樣的 階級， 不僅發 生在人 類與動 物之間 。很多 時 • 這 樣的階級結構 也存在 於人與 人之間 。這 個時代 ，已 經 有太多 的後現代問題 •包 括正 在毀滅 的環境 。也許

這是時候回去探索“人”自身的 動物性 、重新 審視文 明及一 切既有觀念。

我的作 品是動 物及人 類拙劣 的混體 。史 蒂夫•貝克 在“後 現代動 物”也 提到以 拙劣方 式表達 的混體。這 不是人 類也不 是動物 。這 是指向 一個近 乎動物 和物種 間 的混體 。他挑戰觀眾慣性 的經驗 •並 通過這 種拙劣

方 式去模 糊及解 構階級和自身 定義。 隨著性 和慾望 、生命 與死亡 的意義 •這 些作品 邀請觀

眾 重新思 考人類 的想法。雖然 歸類為“人”•畢竟

我們 也只是 生活在 地球上 的動物 之一。

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Angie Au angiepopo@hotmail.com

MAmong the past precious things, how many can we remember ?" As time passes, the memory becomes fuzzy, no matter how hard we try to record it, still, our memory cannot be completely clear and then retrieve. But the memory of color, taste of the lost things is still hidden in our memory, our heart.

「曾經 認為多麼珍貴 的事物 •記 得的又 會有幾 多？」

時間的 流逝讓 記憶變 得模糊 •即 使如何 努力把 記憶記 錄下來 ，始終也沒法完全 清晰的 再展現 出來。但記憶

中 的顏色 、回 憶的味道仍然 能蘊藏 在我們 心裡。

memory

memory 回憶

Watercolor 水彩

50 x 50 cm

2012

43

Works of Graduates 。 畢業 生作品

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跨越界 別的攝 影作品 香港藝 術學院 是本地 罕有專 科教授 攝影為 藝術的 專上教 育機構 •與 澳洲 皇家墨 爾本大 學合作 •為 香港有 志以攝

¥為 藝術媒介的人 士提供 藝術學

士及碩 士課程 。我 們的課 程是以 創作寊 踐為主 •同 時兼顧 培養學 員在文

化和 藝術理 論與歷 史上的 知識。經過數 年來的 耕耘和 教師們 的努力 •我 們務求 學員接 受到的 是香港 最優良 的攝影 教育。 今年畢 業的同 學是我 們自從 設立攝 影專科 以來的 第四屆 畢業生 •人 數雖 然不多 •但 他們的 作品卻格外清 楚地顯 示了我 們的教 學取向 。澳 洲皇家

I i入學 ，另一 方面各 學員在 入學之

墨 爾本大 學和香 港藝術 學院的 純藝抓 學 位課程 •一方 面提供 了繪畫 、雕

塑 、陶藝 、和攝 影四個 專科給 學員選

後 •又 必須 在本科 以外學 習其他 各科藝 術的基 本概念 和技巧 •以 及相當 程度的 藝術歷 史知識。這種 既專又 廣的教 育模式 ，特 別容 易令學 員在構

造作品 時兼取 他們本 科以外的美學 •以 及鼓 勵他們 從事混 合媒介 和多元 化 的藝術 製作。

就以 今屆攝 影專科 學員的 畢業作 品為例 •陳 智侯和伍烽豪 的照片都經過 製 作雕塑 的過程 •而梁 迪釗與 黃葭妍 的作品 裡就有 著表演 藝術的 元素： 最後 •許 恩傑的作品 是以裝 置的模 式展出 •當 中也 有概念 藝術的 處理手 段。從香港 的攝影 藝術發 展來? •這 些作品 在風格 上和內 容上都 予人眼

目一新 的感受 •同 時也令 人注意 到攝影 這個藝 術媒介 •原 來在跨越本身 的界限之後是 有著那 麼遼闊 而豐富 的表? 空間。 今 天的世 界藝術 潮流既 講究廣 闊又追 求精深 •是故 三年課 程的畢 業並非 等於個人藝 術修練的結束 •而 只是其 中的一 個段落 。畢業展覽以 及穿上 畢 業袍和戴上學 士帽子 •興奮 之餘也 要檢視 及認識 自己的 強處和 弱點，

從 而進一 步發展 或改善 。我在 小學時 曾經學 唱過一 首小歌 •當中 有段歌 詞願 與各同 學分享 共勉： 「願 我生 活如花 •令 人快樂 增加； 不嫌自己圔

庭狹小 •願 意努力 開花。 J

黎健 強博士 高 級講師 / 學 科統籌（攝影 )

Works of Graduates

畢業 生作品

Wong Ka Yin, Karmel 黃葭研 karmel.w@hotmail.com

When a story has been said for too long, it becomes a legend. Everything fades as time passes, the content is becoming surreal, seems only the ones involved know. And it seems only me who is. still living in the story.

When a story becomes a myth

--

Photograph 攝影

3 x 92 x 123cm

2011

161

Works of Graduates

畢業 生作品

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畢業 生作品

Leung Tik Chiu, Max 梁?釗 maxleung@me.com

Aristotle once said “Pride seems to be a sort of crown of the virtues; for it makes them greater, and it is not found without them.” Yet, pride, more often than not, has been the key to many a great man’s ruin. The Good Book tells us everyone is born a sinner. Of course, not everyone feels guilty. Of all the seven deadly sins however, Hubris seems to be the most pervasive of them all. Pride is Narcissism. People are especially vulnerable to it because it grants them a sense of superiority while isolating them from their peers consequentially. It displaces one from reality and steers one to the path of self-destruction. A moderation can propel one forward, but an excess will only confine one in an abyss of darkness.

Vanity 虛榮

Inkjet Print 100 X 67cm

2011

153

Works of Graduates 。 畢業 生作品

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Works of Graduates

畢業 生作品

Kenneth Ng 伍烽豪 wtko99@yahoo.com.hk

Metropolis is an investigation into how the architectural forms of the metropolis interacts

with its invisible but tangible fabric - the psychology, ideology, morality, and culture. Partly inspired by the discipline of psychogeography, the work looks at how city architecture can reflect the intangible metropolitan living in the form of illusion and utopian/dystopian fantasy. emotions,

「大 都會」 以 城市建 築物的 形狀及 其結構，誘 發對烏

托 邦的虛 幻想象 •從 而反 映出各 式各樣 隱藏於 都會生

活中 的無形 特質。

Metropolis 大都會

Photographs 相片 110 x 82.5cm 2011

157

Works of Graduates 。 畢業 生作品

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159

Works of Graduates

畢業 生作品

Hui Yan Kit, Timothy 許恩傑 timothyhui@live.hk

Order is an ideal situation for people to live.

But the ideal case may not be suitable for each of the people. Some of them may even want to destroy them. In Hong Kong, many people will have their work orderly, they will repeat and finish the same task to order just like a factory worker. In a factory, they will divide their workers into different parts to repeat the same thing of the whole process to increase their manufacturing rate. However, some of them will want to destroy this kind of regulated job, because they do not want to work as a product of a factory. They want to have some creativity

involved. In this series of work, I was trying to express the annoyance of a repetitive job.

大多數 人都想 要有一 個平穩 的生活 •但 有些人 會嚮往

破壞它。在 香港， 大多數 人每天 工作都是如工 廠式生 產，重覆 又重覆 地做每 一件事 。因 為顧 主可以 利用重

覆部 份生產從而加 快整個 生產進 度來減 輕整條 生產線 成本 。因此 在我的 作品裡 •透過 曰常重 覆的攝 影作品 呈現 對這種 工廠式 生產的不滿。

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151

Works of Graduates 。 畢業 生作品

Chan Chi Hau, Ivan

陳智侯

ivanblackbox@gmail.com

In this series of photos, I tried to reflect a strange city phenomenon that I observed: an ambiguous relationship between human beings. People in the city seem physically estranged but at the same time they are indirectly intimate through the touch-sensitive smartphones.

People bend down their heads and are busy tapping on their own frontal touchscreens.

Their surroundings and people nearby are isolated from them. These people suddenly

shifted into another kind of species that I am not familiar with. Fingers replaced their mouths. Speeches are substituted by texts.

Feeling was expressed by emoticons. They are connected to each other within the virtual social network. I doubt whom we communicate with under this situation. Are people merely

addicted to the illusion and intimate touch from the smartphone touchscreen?

我嘗 試透過這組作 品去反 映一個 所觀察 到的奇 怪都市

現象 —— 人和人 之間含 糊不清 的關係 。雖 然人 們在物 理 上表現 得疏離 •但 同時 間他們 也通過 智能電 話親密 地聯 繫著。

當 大家各 自埋首於敲打 眼前智 能電話 的觸控 屏幕時

•

身心便 從周邊 的人和 物抽離 了出來 •並 頓時間 變為一

種我不熟悉的 物種； 手指 代替了 他們的 喉舌。 話語被

文字所 取代。感情也交給表 情符號 去表達 。最 終人們 得依靠在 虛擬的 社交網 絡裡重 塑肉身 相聚。

我質疑 在此等 情況下 •我 們還 能肯定 是和誰 在溝通 嗎？ 還是大 家只是 迷戀著 智能電 話的觸 控屏幕 上的幻

影及其 親密接 觸呢。

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He一e, The_e, Nowhe一e (a set of works: Series of 4) _ 組四幅 在_裡（系 列作品 Digital Photography,Inkjet Print on Hahnemuhle Fine Art Photo Rag ® Baryta 數 碼攝影 * 噴墨 印刷於 哈內姆 勒藝術 攝影純 棉硫化 鋇相紙

72.5 x 52.5cm (per Photo) 2011

145

Works of Graduates 。 畢業生作品

147

三 年很短

I

又是一 個段落 ：

從七個 到二個 •除 了堅 守著信 念和互信體諒 ，再也想不 出其他 理由。 謝謝 你們。

學友和 朋友是 一念之 差 • 師生 亦是一 日之距 •出 了校門 ，我 們就是 明日展 場的拍 檔了。

沒 有?別 ，只是 再見。

林嵐

高 級講師 / 課 程統籌（藝 術高級 文憑)

Works of Graduates 。

畢業 生作品

Wong Fung Chi 黃鳳芝 chiwong3@gmail.com

http://www.chiwong.net

For the past three years, my artworks were inspired by the measurements of my own body and the memories of my personal growth.

They

recorded ‘life’ and the forgotten memories, which transcend across the three generations of my family. For example, the models of fingerprints of my father, myself and my son inspire me the continuum of nature.

I like combining random materials to create meaningful work, such as needle and thread on bricks, where they induce imagination of connection, repair and intimacy. I particularly like translucent materials, which has its presence yet vagueness. And, like thoughts and memories, they are intangible and would be bleached over time.

在我這 三年的 創作過 程當中 •我 的靈感 通常源 自量度 自己 的身體 、生長 過程的 回憶、透過藝 術記錄 的生活

點滴， 或是一 些差不多被遣 忘的生活細節。當中亦貫 穿了 三代薪火相傳 的印記，例 如父親 、自 己及孩 子的指 紋模型 •令 我感受到大自 然延續 的意義 。我喜 歡用看 似不相襯的 材料製 作出別 具意義 的作品 •例如運用針

線縫在 磚牆上 •令 作品 添上想 像空間 •並 有著 一種連 接 、修復 和緊扣 的意思 。此外 •我 特別 喜歡透 明物料

的感覺 •因 它既是 存在著 •亦似 是處於 模糊或消失的 狀態中 •就像 人的思 想及回 憶被時間淡化 •令 人有捉 不著的 感覺。

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Memory of lift 印象 Transparent material 透 明物料

160 x 50 x 250cm 2012

In the past, my father used to be my main inspiration. As my graduation and final piece, his shadow becomes a conclusion of my series.

I once used my father’s life as a metaphor in my artwork. For this piece, I chose translucent plastic to create the shadow of my father, which is the impression of my childhood memories.

Over the years, my father evolves to become another person; the process of his change is vaguely remembered. The impression of my father was about his silence, seriousness, This is trustworthiness and yet distant. represented by the variation of translucent

我過 去的作品當中 •一直以我 的父親為創作 題材。 直至這 最后的 作品， 便是以 他的影 子作為 總結。 過去的作品 •往 往提取他?程中的生活象懲 作為主 題 。這次 •我亦 選用透 明物料 展現童 年時腦 海中父

親 的形象 。父親 一直看 似沉默 •嚴肅 ，承擔 ，和陌

生。但當經歷 時間後 ，他 似是轉 變成另 一個人 。轉 變 的過程 •在 我腦海中已變 得模糊 •卻 又正 正影響 著 我的成 長和啟 發對象 。我藉 此作品 嘗試表 達對他 的 謝意。

materials and the using of lighting reflections, so as to express fusion of life. Lastly, I would

like to express my heartfelt thanks for all of his support and inspiration that he has given me throughout the years.

171

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Chan Sum Yan, Tap 陳 沁昕鉍 tap.chan@gmail.com

http://www.tap-chan.com

Behind the huge awareness of being alive, lies a strong urge towards repression and destruction. These devouring forces form an unquestionable fragile border, as fragile as a house of cards, which once disturbed, will collapse. My work is trying to address these issues of double bind paradox in a morbid condition.

This idea of exploring the uncanny feeling of gaze and being gazed at is either amplifying or diminishing our existence. According to Roger Caillois, the mimicry of insects is not merely a self protective instinct for survival. When observed anthropomorphically, it indicates an implicit dark side in their psychological state of mind, or in contrast, a transcendence. It resembles the abstract feeling of detachment from the surrounding environment.

The live stream video casting on the brick wall is an external frame of mind of a tree trunk, its enlarged scale of real bricks constitute the true and false of reality, and the illusion of the double existing wall implicit the desire of an object to resist a gaze.

hypothesis

- the unite of tree sticks and brick

wall. It coincides an image of a “prison”ÿ an isolated wall that the viewers could not define the location where he/she standing at is inside or outside, unwittingly linger in the fog of obscurity. The scale of it invites the viewers to squat and look, in this sense, recalling the elusive thoughts in childhood.

凡生 命體背 後都潛藏著強 烈的壓 抑與破 壞力。這些吞

噬 的力量 形成一 條脆弱 的界線

*

比如用 紙牌搭 房子的

遊戲 •一 旦分神 •便 會崩塌 。作品試圖 在這種 病態條 件下設立 一個雙 重約束 矛盾的 局面。

凝 視與被 凝視的 力量能 把我們 存在的 意識放 大或縮

小。昆 蟲模仿 大自然 不僅是 一種自 我保護 的生存 本能, 當人 性化地 觀察， 它也許 是隱藏 著陰暗 的一面 •一種

自 我滅亡 的意識

|

或恰恰相反 •是 一種 超然。

半透明 的影像 顯現樹 幹的外 掛意識 •它 意圖融 入四周 的環境 ，以 抵制 被凝視•構成 了真實 和虛假 的對立 •

重? 的錯覺 ，細 微旋轉 的迴聲 •正 強調荒謬與 矛盾。 小磚牆 湊合出 彷如“ 監獄”的形態 •這孤立的小 型監獄

牆壁 使觀者 無法定義自已 所在的 位置是 在裡面還是外

Whereas the parallel brick wall underlies a

面 •不 知不 覺地縈 繞在迷 朦裡。

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Absurd- The Suicide of dead matter 死 物的自 我毀滅 Bricks, wood, motors, multi media device

Dimension variable 尺 寸不一 2011

167

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Biography

簡歷

175

Biography 。 簡歷

Aaron d ’Aquino 杜卓璣

Chan Chi Hau, Ivan 陳智侯

2012

2012

2007

Bachelor of Arts (Fine Art)

藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 家理 工大學 (與香 港藝術 合辦）

Diploma (Visual Arts and Craft) 視覺藝 術與工 藝文憑 Training and further Education (TAFE)

2006

Certificate (Visual Arts and Contemporary Craft) 視覺 藝術與 當代工 藝證書 Training and further Education (TAFE)

2005

Certificate (Design Fundamentals)

#

EXH?ITION 參 與展覽 2011

Life Impression: Response Exhibition of The Print Art of Huang Xinbo 刻劃人間一? 波版盡 回應展 Hong Kong Heritage Museum 香 港文化 博物館

if

2011

設計基 礎證書

Training and further Education (TAFE)

EXH?ITION 參 與展賢 2012

Bachelor of Arts (Fine Art)

藝術 文學士

Hong Kong Graphic Art Fiesta 2011 — Xin Yi Dai: An International University Students Excharigl Exhibition 香 港圖像 藝術節2011 —新 一代！ 國際大 學生交流展覽

Sha Tin Town Hall Exhibition Gallery 沙田 大會堂展覽廳

Tomorrow's weather 明 日天氣

Nexto Contemporary Art 當 代上下 2011

2010

Knowing not Knowing 識 即是空 White Tube, Hong Kong Art Centre 白管子 ，香 港藝 術中心

Chan King Wai 陳敬偉 2012

Bachelor of Arts (Fine Art) 藝術 文學士 Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學

UNWRAP YOUR MIND That Gallery, Hong Kong

(與 香港藝 術學院 合辦）

Angie Au 2012

2005

建築 學碩士

The Chinese Universtiy of Hong Kong 香港中 文大學

Bachelor of Arts (Fine Art) 藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

Master of Architecture

EXH?ITION 參 與展覽 2011

Before. 2012 2012.前

Cattle Depot Artist Vi?lage 牛棚 藝術村 2011

Material Mass Part I ?物質中的物 質??

White Tube, Hong Kong Art Centre 藝 術中心白管子

2011

Material Mass Part ?物 質中的物質?

Cafe Golden, JCCAC ?馬會創意藝 術中心 一樓琉 金穗月

Chan Sum Yan, Tap 陳)'心昕 2012

Bachelor of Arts (Fine Art)

Cheng Man Wai, Phoebe 鄭敏慧 2012

藝術 文學士

藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

EXH?ITION 參 與展覽 2011

2010

2007

Lucky 13 To Kwa Wan Thirteen Streets Community Art Program 十 三吉祥 Artist Commune, Cattle Depot Artist Village, Hong Kong

The 65th 第六 十五卦 Artist Commune, Cattle Depot Artist Village, Hong Kong Kwun Tong Artist Studios Open Day Shing Wan Indl. Building, Kwun Tong, Hong Kong

2006

Outsourcing Project 外判計割 Too Art Gallery, Hong Kong

2005

Graduation Exhibition Pao Galleries, Hong Kong Art School

Cheng Ching Ha, Zoe 鄭靜霞 2012

藝術 文學士

Bachelor of Arts ( Translation) 文學士（翻譯 Lingnan University

EXH?ITION 參 與展覽 2011

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳瀰霹爾本 皇家理 工大學 (與# 鏟藝 術學院 合辦） 2007

Diploma in Fine Arts Hong Kong Art School 香港藝 術學院

EXH?mÿN 參 與展覽 2007

Diploma in Fine Art graduation Show 2007 Hong Kong Art Centre 香港藝 術中心

Cheung Chui Ting, Tweety 張翠停 2012

Bachelor of Arts (Fine Art) 藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

2008

Higher Diploma in Fine Art 高級藝 術文憑 Hong Kong Art School 香港藝 術學院

2006

Advanced Diploma in Graphic & Multi-media Design C01 School of Visual Arts

Bachelor of Arts (Fine Art) Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

1995

Bachelor of Arts (Fine Art)

EXH?ITION 參 與展覽 2011

Before. 2012 (Group Exhibition) 2012.前 Cattle Depot Artist Village 牛棚 藝術村

2011

Hong Kong Graphic Art Fiesta XinYiDai an International University Students Exchange Exhibition 香 港圖像 藝術節 新一代 -國際 大學生 交流展 Sha Tin Town Hall 沙田 大會堂

—

Detour Hollywood Road, Central

177

Biography 。 簡歷

Cheung Sze Lit, Szelit 張施烈 2012

2011

2011

Higher Diploma in Fine Art 純 藝術高 級文憑 Hong Kong Art School 香港藝 術學院

2007

Foundation Diploma in Visual Art

New Generation! University Students Graphic Art Fiesta 新 一代！國際大 學生圖 像藝術 交流展 Exhibition Sha Tin Town Hall, HK 沙田 大會堂

mi

澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

2009

靜物

White Tube Gallery, Hong Kong Art Centre, HK 白管子 •香 港藝 術中心 * 香港

Bachelor of Arts (Fine Art) 藝術 文學士 Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School)

. §? Life

2011

New Generation! University Students Graphic Art Fiesta 新 一代！國際大 學生圖 像藝術 交流展 Guan Shanyue Art Museum, Shenzhen, China 關山月 美術館，?圳 ，中國

2011

Forty 四 十年輪 Hong Kong Central Library, HK 香 港中央 圖霤館 香港

視覺 藝術基 礎文憑 Hong Kong Art School 香港藝 術學院

SOLOEXH?ITION 參與展H( 個人）

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2008

2007

2006

I Say 我?

Les Artistes Cafe & Art Gallery, HK 藝術。家盡廊 ，香港

Szelit Cheung New Artworks Exhibition 張施烈 新作展 Les Artistes Caf e & Art Gallery, HK 藝術。 家畫廊 ，香港

2010

2009

Dancing 舞動 Les Artistes Cafe & Art Gallery, HK 藝術。家畫廊 香港

2012

2009

The Moon Gazed at You, You Gaze at It Too 我想，想我 White @rcade, Hope Well Centre, HK White @rcade ， 香港藝 術學院 ，香港

2007

Come Fit —— Graduation Exhibition of Foundation Diploma in Visual Art of Hong Kong Art School Come Fit —番 港藝 術學院 視覺基 礎文憑 畢業展 White @rcade, Hope Well Centre, HK White @rcade • 香港藝 術學院 ，香港

Tomorrow’s Weather — Aspirations and Aspirations and Uncertainties of Hong Kong Young Talents 《明日 天氣》 ： 熱忱與易變一 香港新 銳藝術 家聯展

Nexto Contemporary Art, HK 上 下當代 •香港 2012

2012

2012

2012

THE PIECE - my favourite work in my school days 香港 藝術學 院校友作品展 2012 The Gallery of Hong Kong Art School, Hong Kong Art Centre, HK 香港藝 術學院 藝廊，香港藝 術中心 •香港

PRIZE AWARD 獎項 2009

Circuit 環行 Gallery Exit, HK 安全 口畫廊 ，香港

Best Artwork Award Painting of Higher Diploma in Fine Art 純藝術 高級文 憑最佳 作品獎（繪畫 Hong Kong Art Schoo? 香港藝 術學院

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CuriouserICuriouser! 城 市中的 研究生 White Tube Gallery, Hong Kong Art Centre, HK 白管子 •香 港藝 術中心 ，香港 Asia Top Hotel Art Fair 亞 洲頂級 畫廊酒 店藝術 博賢會 Mandarin Oriental Hong Kong 香港 文華東 方酒店 ，香港

Graduation Showcase — Graduation Exhibition of Higher Diploma in Fine Art of Hong Kong Art School Graduation Showcase 一 香港藝 術學院 純 藝術高 級文憑 畢業展 Hong Kong Art School, HK 香港藝 術學院 香港. |

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GROUP EXH?ITION 參 與展覽 (聯展

Rendeyÿbus

Les Artistes Cafe & Art Gallery, HK 藝術。家畫廊 ，香港

2008

Hong Kong Art School Scholarship 香港藝 術學院 獎學金 Hong Kong Art School 香港藝 術學院

2007

Best Graduation Work of Foundation Diploma in Visual Art 視覺 藝術基 礎文憑 最佳畢業作品 Hong Kong Art School 香港藝 術學院

Choi Ming Ming 蔡明明 2012

2010

Fotanian Open Studios 2010 伙炭 藝術工 作室開 放計劃 2010 1513 Studio, Fotan 151 3工作室 ，火炭

2009

Fotanian Open Studios 2009 伙炭 藝術工 作室開 放計劃 2009 1513 Studio, Fotan 151 3工作室 ，火炭

2008

Art_point Exhibition Bank of America Tower, CUSCS 香港中文大 學專業 進修學 院美國 銀行中

Bachelor of Arts (Fine Art) 藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

EXH?ITION 參 與展覽 2007

Motion-emotion (Painting and Photography) OMM Gallery, HK

2008

Rÿb,

分校

Art Donation Box Project 藝遊四 J箱同心同渡捐 獻計劃

Artist Commune, Cattle Depot Artist Village 牛棚藝術村藝術公社

Chow Hoi LamÿJenny 周飢琳 2012

2008

Fotanian Open Studios 2008 伙 炭藝術 工作室 開放計 ft2008 1513 Studio, Fotan 151 3工作室 ，火炭

2006

Advanced Diploma Joint Graduation Show

Bachelor of Arts (Fine Art) 藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦） 2005

西方藝術高等 文憑畢業展賈

Hong Kong Central Library 香 港中央圖?館 展覽廳 2005

Art Exhibition in Celebration of the 40th Anniversary of CUHK SCPS 香港 中文大 學校外進修學 院四十 週年藝 術展覽 Hong Kong Central Library 香港中 央圖? 館展覽

2003

School Exhibition Bank of America Tower, CUSCS 香港中文大 學專業進修學院美國 銀行中心分校

2002

Diploma Joint Graduation Show 西 方藝術 文憑畢業展覽

Advanced Diploma in Fine Art 西方 藝術高 等文憑

School of Continuing and Professional Studies, The Chinese University of Hong Kong 香港中 文大學專業進修學院 2002

Diploma in Fine Art 西 方藝術 文憑 School of Continuing and Professional Studies, The Chinese University of Hong Kong 香港中 文大學專業進修學院

EXH?ITION 參 與展覽 2012

2011

2011

Fotanian Open Studios 2012 伙炭 藝術工 作室開 放計劃 2012 Chen Studio, Fotan 小土 工作室 ，火炭

Hong Kong City Hall 香 港大會 堂高座 展覽廉

Chung Yan Wing, Ronnie 鍾欣詠 Bachelor of Arts (Fine Art)

Hong Kong Graphic Art Fiesta 2011 Xin Yi Dai: International University Students Exchange Exhibition 香 港圖像 藝術節2011新 一代！ 國 際大學 生圖像 藝術交 流展覽 HK Shatin Town Hall 沙田 大會堂 展賢藤

2012

Fotanian Open Studios 2011 伙炭 藝術工 作室開 放計盡12011 1513 Studio, Fotan 151 3工作室 ，火炭

EXH?ITION 參與展 覽

藝術 文學士 Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

2012

Fotanian 2012 Open Studios 伙炭 藝術工 作室開 放計劃 2012 Chen 小土

179

Biography

簡歷

Dan Hin KaÿAnn 譚衍嘉

Hui Ka Yan, Claire 許嘉欣

2012

2012

Bachelor of Arts (Fine Art)

藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 睾家理 工大學 (與香 港藝術 合辦）

2011

%

2012

Green on Kai Tak Public Art on Wong Tai Sin Kai Tak River 啟德綠油油一啟 德明渠 公眾藝 術計劃 Kai Tak River, Wong Tai Sin, Hong Kong 香港 九龍? 大仙啟 德明渠

Bachelor of Arts (Hons) Creative Media 創意媒 體榮譽 文學士 City University of Hong Kong 香港城 市大學

2010

Independent Studio Programme The Slade School of Fine Art, University College London 倫敦大學 學院斯 萊德美 術學院

Before 2012 2012.前 Catt ?e Depot, To Kwa Wan 土瓜 灣牛棚

EXH?ITION 參 與展覽

EXH?ITION 參 與展覽 2012

2012 2011

2011

Nexto Contemporary Art, Hong Kong

Material Mass 物質中 的物質 White Tube, 10/F, Hong Kong Art Centre & Cafe Golden Gallery, L1, JCCAC

2012

Whoever Never Go Home《誰 不回 家？》 Artlessite, Fotan, Hong Kong

香港藝 術中心 白管子 畫廊及

2011

Before 2012《201 2 前》 Cattle Depot Room 6, Cattle Depot Artist Village, Hong Kong

2011

Best Before 2011 CIL Creative Bulletin #3 《此日期前 最佳》 Gallery, HKICC Lee Shau Kee School of Creativity, Hong Kong

2011

Micro-Narratives: invented time & space, edition 2 《微? 事：此 （那） 時 、那 （此） 地》 第二集 Blue Lotus Gallery's Blue Room, Hong Kong

2010

Asian Student and Young Artists Art Festival Seoul, South Korea

2010

The Slade School of Fine Art Group Exhibition Swiss Cottage Gallery, London, UK

COI Grad Show C01 畢業展 Hong Kong City Hall 香港 大會堂

Ding Mei Ling, Dorothy 丁美伶 2012

Bachelor of Arts (Fine Art) 藝術 文學士 Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦〉

2008

Diploma in Fine Arts (Ceramics) 藝術文 憑課程 (陶藝 Hong Kong Art School 香港藝 術學院

1993

Bachelor of Education (Hons) 教 育學士 University of Nottingham

Hui Yan Kit, Timothy 許恩傑 2012

EXH?ITION 參 與展覽 2008

Tomorrow's Weather : Aspirations and Uncertainties of Hong Kong Young Talents 《明 日天 氣：香 港新銳 藝術家 聯展》

Know-ing not Knowing 識 即是空 White Tube, 10/F, Hong Kong Art Centre 香港 藝術中 心白管 子畫廊

?馬會創意藝 術中心 琉金穗 月畫廊

2004

Bachelor of Arts (Fine Art)

藝術 文學士

Graduation Exhibition of Diploma in Fine Arts 藝術文 憑課程 畢業展 Hong Kong Art Centre 香港藝 術中心

Bachelor of Arts (Fine Art) 藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

Hui Yuen Man, Yanki 許婉汝 2012

Bachelor of Arts (Fine Art) 藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦） 2008

Diploma Course in Commercial Design (Evening) 商 業設計 夜校文 憑課程 Hong Kong Chingying Institute of Visual Art ' 香港 正形設計學校

EXH?ITION 參 與展賢 2011

2010

2003

Before .2012 2012 。 前 Painting, sculpture and multimedia installations exhibition 繪畫 、雕 塑和多 媒體裝 置藝術 Cattle Depot 牛棚 藝術村

Freak for four -mix media exhibition 怪物 Jockey Club Creative Arts Centre at Golden Caf§ ? 馬會創意藝術中心琉 金穗月

Bachelor of Science (Computer Science and Information Systems) University of Hong Kong 香 港大學

EXH?ITION 參 與展覽 2012

The Piece - my favourite work in my school days c

ThidfGallery of Hong Kong Art School, Hong Kong Arts Centre 香港 藝術學 院藝廊 （香 港藝術中心)

2011

Before . 2012 2012 ° 前 Cattle Depot 牛棚 藝術村

2011

Material Mass 物質中的物質 Cafe Golden, JCCAC ?馬會創意藝 術中心，琉 金穗月

2007

Dialogue 對話 White Tube, Hong Kong Arts Centre 白管子 （香 港藝術中心）

Kwa? Suet Ying, Sally 關雪瑩 2012

Bachelor of Arts (Fine Art) 藝術 文學士

2009

Graphic design Graduation Show 商 業設計 畢業展 Hong Kong City Hall 香港 大會堂

Hung Chun Wai, Alex 熊俊威 2012

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

2008

藝術文 憑課程（繪畫 Hong Kong Art School 香港藝 術學院

Bachelor of Arts (Fine Art) 藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

EXH?ITION 參 與展覽

2011

Before .2012 (group show) Cattle Depot Artist Village

2011

Material Mass (group show) White Tube, 10/F, Hong Kong Arts Centre

2011

Material Mass (group show) Cafe Golden, Room 05, 1/F, Jockey Creative Arts Centre

2008

Rising Star (group show) Jockey Club Creative Arts Centre

2008

Graduation Exhibition of Diploma of Fine Art Hong Kong Arts Centre

Ko Gar LeiÿClarie 高嘉莉 2012

Bachelor of Arts (Fine Art) 藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

2008

Diploma in Fine Art 藝 術文憑 Hong Kong Art School 香港藝 術學院

Diploma in Fine Arts (Painting)

181

Biography

Lai Hoi SaiÿJoey 黎海茜 2012

Art Specialist Course (Printmaking) 藝術專 修課程（版畫

Hong Kong Visual Art Centre 香港 視覺藝 術中心 2006

2009

藝術高 級文憑

2006

EXH?ITION 參 與展?

2011

Xin Yi Dai: International University Student Exchange Exhibition 新一代 ：國際 大莩生 交流展 Exhibition Gallery, Sha Tin Town Hall, Hong Kong 香 港沙田 大會堂展賢廳

2011

New Generation! International University's Graphic Art Fiesta 2011 新 代！國 際大學生圖像 藝術節 Guan Shanyue Art Museum, Shen Zhen 深圳 關山月 美術館

2010

Spill It Out Exhibition 一 伍一拾創作展 White Tube, Hong Kong Arts Centre, Hong Kong 香港藝 術中心 白管子

2009

Higher Diploma in Fine Art Graduation Showcase 畢業 劁作展

藝 術文憑（陶瓷

Lam Chi Yuen 林志遠 2012

Bachelor of Arts (Fine Art) 藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦） 1995

2008

Daily Review Joint Exhibition 再看日 常聯展 White Tube, Hong Kong Arts Centre, Hong Kong 香港藝 術中心 白管子

2006

The New Comic Code 一 The 32nd Design Graduation Exhibition 漫象 新密碼 -第三 十二屆 畢業設 計大展 Hong Kong Convention and Exhibition Centre 香 港會議展覽中 心第一 期二樓會議廳

EXH?ITION 參 與展覽 2011

Before . 2012 2012 前 ° Cattle Depot, Hong Kong 香 港牛棚 藝術村

Lau Wai KuenÿBo 劉惠娟 2012

Bachelor of Arts (Fine Art) 藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

_

Hong Kong Art School Shau Kei Wan Campus, 香港 藝術學 院筲箕 灣校舍

Bachelor of Engineering 工 程學士

University of New South Wales, Australia 澳洲新 南威爾 斯大學

Diploma in Commercial Design 工商設 計文憑

First Institute of Art and Design 大一 藝術設 荸院

Diploma In Fine Art (Ceramic)

Hong Kong Art School 香港藝 術學院

Higher Diploma in Fine Art Hong Kong Art School 香港藝 術學院

Bachelor of Arts (Fine Art) 藝術 文學士 Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

2007

_

簡歷

PRIZE AWARD 獎項

2009

Best Artwork Award (Painting) of Higher Diploma in Fine Art 最佳 作品獎（繪畫 Hong Kong Art School 香港藝 術學院

Lee Wai LingÿEmily 利慧玲 2012

Bachelor of Arts (Fine Art)

EXH?ITION 參 與展賢

2011

Re-open duologue, deTOUR 2011 Former Police Married Quarters, Hong Kong

2010

Going Home Artlessite Fotan, Hong Kong

藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

2009

dravÿraphers Artland Gallery, Hong Kong

EXHBITION 參 與展覽

2008

Operation Santa Claus, Collaboration work with Kim Young TST Cultural Centre Starbucks, Hong Kong

2012

Freak for four-mix media exhibition JCCAC, Hong Kong

2010

Artspiration Hong Kong Art School, Hong Kong

2008

drawGraphy 2008 Artland Gallery, Hong Kong

2000

Fine Art Graduation Exhibition Design First Institutes, Hong Kong

2007

drawGraphy 2007 Artland Gallery, Hong Kong

1998

Oil Painting exhibition Design First Institutes, Hong Kong

PRIZE AWARD 獎項 2010

MoawFinalist, Short film competition RTHK Cat' s World International Animation Festival, Hong Kong

1998

Kids Commended Award, Art Director, Best TV / Cinema Commercial — International The Singapore Creative Circle Awards 1998， Singapore

1998

Bar-Ring Silver Award, Art Director, Print / Beverages - non-alcoholic The 9th Times Asia-Pacific Advertising Awards, Taiwan

1995

Price Gun/ Someone To Watch/ 200 Million Silver Award, Art Director, Craft Awards - Broadcast, 1995 4A' s Creative Awards, Hong Kong

1995

Someone To Watch Silver Award, Art Director, Best Single TV / Cinema Commercial, 1995 4A’s Creative Awards, Hong Kong

1995

Price Gun/ Someone To Watch/ 200 Million Bronze Award, Art Director, TV Campaign, 1995 4A' s Creative Awards, Hong Kong

1995

200 Million Finalist, Art Director, Best Single TV / Cinema Commercial, 1995 4A' s Creative Awards, Hong Kong

Leung Tik Chiu, Max 梁?釗 2012

Bachelor of Arts (Fine Art) 藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

2008

Bachelor of Design (Industrial Design) 工業設 計學士 University of Technology, Sydney 澳洲 悉尼科 技大學

EXHBmON 參 與展覽

2011

Pineapple Underground Film Festival 2011 2011 年 度菠蘿 電影節 Experimenta

Lui Chi Ming, Edmond 呂志明 2012

Bachelor of Arts (Fine Art) 藝術 文學士 Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

183

Biography

簡歷

Ma Choi Ha, Betty 馬彩霞

Ng Wan Yee, NWY 吳韻怡

2012

2012

藝術 文學士

Bachelor of Arts (Fine Art) 藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 泉家理 工大學 (與香 港藝術 合辦）

Bachelor of Arts (Fine Art)

ife

EXH?ITION 參 與展覽 2012

Whoever never go home Fontanian 2012 Open studios

2011

Hanging On getting home Fontanian 2011 Open studios

2011

Annual Joint Exhibition Hong Kong Sketch Society

Kenneth Ng 伍偉豪 2012

Ng Yuen King, Terri 吳宛遺 2012

Bachelor of Arts*(Fine Art) 藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝術學院 合辦） 2008

Bachelor of Social Sciences with Honours 社會 科學榮 譽學士 The Open University of Hong Kong 香港公 開大學

1999

Diploma in Social Work 社會工 作文憑 City University of Hong Kong 香港城 市大學

Bachelor of Arts (Fine Art) 藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

EXH?ITION 參 與展覽 2011

EXH?ITION 參 與展覽

Freak for Four 怪物 Jockey Club Creative Arts Centre, Hong Kong 賽馬會創意藝 術中心

2012

Up and Go (group show) (團展 Upper Station Gallery, HK

2011

Chiaroscuro (group show) (團展 L1 Gallery, Jockey Club Creative Arts Centre, HK L1 Ga??ery, ?馬會 創意藝 術中心 •香港

2011

Pingyao International Photography Festival (group show) 平 遙國際 攝影節（團展 Pingyao, China 平遙 ，中國

2009

2011

Hong Kong Art School Art Fair 香港藝 術學院 Art Fair Hong Kong Art Centre, Hong Kong 香港藝 術中心

2009

5th Anniversary Student Art Exhibition 第五屆 「藝 術家」 學員 作品展 Artland Gallery, Hong Kong 藝 林盡廊

2008

“Dangjia 2" (group show) 「當 家」(lÿ( 圃展) Yuen Long Theatre, HK 元郎 大劇院 •香港

Right Brain X Left Brain — from drawing to painting The 3rd Arthome Students Exhibition 「向 左看•向 右看」 一從素 描到繪 番藝術 第三屆 「藝 術家」 學員 作品展 Artland Gallery, Hong Kong 藝林 31 廊

OTHERS 其他

2008

Documentary photography (group show) 紀 實攝影（團展 White Tube, Hong Kong Arts Centre, HK 白管子 ，香 港藝 術學院

2011

Assistant Curator, "Imaging Images" 助理策 展人， 「想像•意 像」

Jockey Club Creative Arts Centre, Hong Kong ?馬會 創意藝 術中心

Phoebe Dreamy 許穎 2012

2011

XinYiDai, an International University Students Exchange Exhibition Hong Kong Graphic Art Fiesta 2011, Exhibition Gallery, Sha Tin Town Hall

2011

XinYiDai, an International University Students Exchange Exhibition Hong Kong Graphic Art Fiesta 2011, Giian Shanyue Art Museum Shenzhen

2011

Material Mass (Group show) Cafe Golden, JCCAC & White Tube, HKAC

Bachelor of Arts (Fine Art) 藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦） 2008

Higher Diploma in Fine Art(Ceramic) 藝術高 級文憑 Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

EXH?ITION 參 與展覽 2011

Tsang Lai Sheung, Amanda 曾麗媒 2012

藝術 文學士

Royal Melbourne Institute of Technology pniversity (co-presented with Hong Kong Art School) 澳洲墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

Before . 2012 2012.前 Cattle Depot Art Village 牛棚 藝術村

2008

Daily Review Joint Exhibition 再看日 常聯展

2009

China Graduate school of Theology 中 國神學 研究院

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2009

Fotan Artist Open Studios 2008 伙炭 藝術工 作室開 放計劃 2008 LogBook Studio, Fo Tan, Hong Kong LogBook Studio ， 香 港火炭

2005

Diploma in Fine Art 純藝 術文憑 Hong Kong Art School 香港藝 術學院

2003

Certificate of Jewellery Design 珠寶設 計証書

“Fee? in the Blank" Higher Diploma Graduation Exhibition 《香 港藝 術學院畢業展 2009-Feel in the Blankÿ Pao Galleries, Hong Kong Arts Centre 包兆 龍畫廊 香港藝 術中心

Certificate of LAY THEOLOGY TRAINING 普及神學証書

White Tube, Hong Kong Arts Centre 白管子 香港藝 術中心 2008

Bachelor of Arts (Fine Art)

Hong Kong Baptist University 香港浸 會大學

EXH?ITION 參 與展覽

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2011

XinYiDai — an International University Students Exchange Exhibition 新 一代！國際大 學生交流展覽 Sha Tin Town Hall 沙田 大會堂

2011

Art Habitat 藝 術品寄 養計劃 Hong Kong Arts Centre 香港藝 術中心

Tsang Ka Yee, Chris 曾家宜 2012

Bachelor of Arts (Fine Art) 藝術 文學士 Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

EXH?ITION 參 與展賢 2011

Before 2012 (Group show) Cattle Depot Artist Village

2009-11 ArtFair 藝墟 Hong Kong Art School, JCCAC 香港藝 術中心 ?馬會創意藝 術中心

2007

One Show Hong Kong Art School 香港藝 術學院

2006

Mix Hong Kong Art School White tube 香港藝 術中心 白管子

185

Biography 。 簡歷

Wong Fung Chi 黃鳳芝

Wong Tin Ying, Tiana 黃天盈

2012

2012

Bachelor of Arts (Fine Art) Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦〉

EXH?ITION 參與展 覺

2012

2011

Bachelor of Arts (Fine Art) 藝術 文學士 Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本，家理 工大學 (與香 港藝術 合辦）

藝術 文學士

EXH?ITION 參 與展賢

Lucky 13 — To Kwa Wan Thirteen Streets Community Arts Program 13吉祥 一十三 街新舂 社區藝 術計劃

2012

The Piece Hong Kong Arts Centre 香港藝 術中心

Cattle Depot Artist Village 牛棚 藝術村

2012

Art Walk Hong Kong 2012 10 Chancery Lane Gallery 贊善里10號畫廊

2011

CloudLand (Solo) 天 上遊雲 （個展 ) HKIDGa?fery HKID畫廊

2011

DeTour 2011: Use-Less Former Police Married Quarters 荷里 活道前 警察結 婚宿舍

2011

Ma Shi Po Village Living Containers Exhibition 馬屎埔 村生活 器皿展 Fanling Ma Shi Po Village

MeiFu Public Arts 美孕公 共藝術 美孚

PRIZE AWARD 獎項 2000

2nd HK Eyewear Design 香港 眼鏡設 計比?

Champion 冠軍

Wong Ka Yin, Karmel 黃II研 2012

Bachelor of Arts (Fine Art) 藝術 文學士

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦） 2007

粉嶺馬 屎埔村

2011

Know-ing not Knowing 識 即是空 White Tube, Hong Kong Arts Centre 香港 藝術中心白管 子畫廊

2011

Fireworks in Rain 雨 •煙花 3pm 下 午三點

2011

Inherited Life

Diploma in Fine Art 藝 術文憑

Hong Kong Art School 香港藝 術學院

2005

讓生 活傳承

Hong Kong House of Stories (Blue House) 香港 故事館 （藍屋

Certificate in Visual Art 視覺藝術證書

Hong Kong Art School 香港藝 術學院

2010

Art Publication Exhibition 藝 術出版 物展覽

1a Space, Cattle Depot Artist Village 牛棚 1a Space 2009

Air Line 航線 Wong Tai Sin Kai Tak River 黃大仙啟德河

2009

2009

2008

2007

2007

Rainbow River on Rainbow Road 彩 虹道上彩虹河 Wong Tai Sin Kai Tak River 黃大仙 啟德河

Bachelor of Arts (Fine Art) 藝術 文學士

2012

Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲墨爾本 皇家理 工大學 (與 港藝 術學院 合辦）

Exchange Dairy 交 換曰記 Shanghai Street ArtSpace 上 海街視 藝空間

?

Exchange Dairy 交 換曰記 YMCA & Wong Tai Sin Temple 香 港基督 教青年 會及? 大仙廟

2008

3rd DIY Book Art Exhibition 自發 作創意DIY 書展 （第 三屆） Pageone, Kubrick & Muji Pageone?店，Kubrick ?店 •無 印良品

EXH?ITION 參 與展賢

Wonderland Story Installation Exhibition 仙 境故事裝置展

2011

Shanghai Street ArtSpace 上 海街視 藝空間 2007

Wong Wai Yin, Edmond 黃偉研

Diploma in Fine Arts (Painting) 藝術文 憑課程（繪畫

Hong Kong Art School 香港藝 ® 學院

2011

2008

2012. Before (group show) Cattle Depot Artist Village '

Material Mass (group show) White Tube, 10/F, Hong Kong Arts Centre Graduation Exhibition of Diploma of Fine Art Hong Kong Arts Centre

Mini Installation Exhibition 迷你 裝置展

YMCA 香港 基督教 青年會 2006

2nd DIY Book Art Exhibition 自發 作創意DIY 書展 （第 二屆) Pageone & Kubrick Pageone番店，Kubrick ?店

Yau Kwok Wing, Marco 邱國榮 2012

藝術 文學士 Royal Melbourne Institute of Technology University (co-presented with Hong Kong Art School) 澳洲 墨爾本 皇家理 工大學 (與 香港藝 術學院 合辦）

PUBLICATION 出版 2012

2011

Crawl《爬》 Kubrick, Hong Kong Room in Checks《室 •格》 private publication

Bachelor of Arts (Fine Art)

EXH?ITION 參與展 覽 2011

Before 2012

2012 •前 Cattle Depot 牛棚 藝術村

2007-08 Zaa Magazine《咱》 private publication 2011 2007

2006

Family Biscuit 《家庭 什餅》 private publication Crawl《爬》 private publication

Material Mass 物質中的物質

Cafe Golden, JCCAC & White Tube, HKAC ?馬會創意藝 術中心，琉金 穗月及 白管子 （香 港藝術 中心）

187

Note

筆記

189

Note

筆記

191

%

Acknowledgements

鳴謝

193

Acknowledgements 。 鳴謝

香港藝 術學院 HONG KONG ART SCHOOL

Andrew Simpson Guthrie

So Hing Keung 蘇慶強

Chan Hin Ming, Arthur 陳軒明

So Sau Yi, Gretchen 蘇秀儀

Chan See Kwong, Ray 陳思光

Suen Shu Kwan, Leon 孫樹坤

Chan Wai Bong, Clement 陳偉邦

Tam Wai Ping, Lukas 譚偉平

Chen Hui Lien, Denise 陳惠蓮

Tang Ying Chi, Stella 鄧凝姿

Cheng Yee Man 鄭怡敏

Tsang Tsui Shan, Jessey 曾翠珊

Cheung Hong Sun, Enoch 張康生

Tse Ming Chong 謝明莊

Cheung Wai Sze, Rachel 張焊詩

Wan Lai Kuen, Annie 尹麗娟

Cheung Wai Ting, Stephanie 張慧碎

Wong Adrian, Anthony

Ching Ching Wai, Luke 程展緯

Wong Kwok Sun, Sunny ?覺新

Ching Sze Yin, Cicy 程思賢

Wong Lai Ching, Fiona 黃麗貞

Chow Chun Fai 周俊輝

Yu Wai Luen, Francis 余偉賺

Dÿ.

Ho Siu Kee 何兆 基博士

Yung Sau Mui 翁秀梅

Ho Oi Yan, Carol 何謀恩

Evangelo Costadimas

Ho Yuen Leung 何遠良

Choi Yan Chi 蔡仞姿

Kember Pamela, Ellen

Joao Vasco Figueirinhas Paiva

Keung Chi Ming, Jimmy 姜志名

Fung Ho Yin 馮浩然

Ko Tin Yan, Celia 高天恩

Heung Kin Fung, Alex 香建峰

Ku Mun Chiu, Christopher 谷敏超

Chan Kiu Hong, Joe 陳翹康

Dr. Lai Kin Keung, Edwin 黎健 強博士

Ma King Chu, Ivy 馬?珠

Lam Chi Kwong 林志光

Ho Chun Yu, Jerry 何厲宇

Lam Laam, Jaffa 林嵐

Chan Kei Man, Eva

Lau Hok Shing 劉學成

Lau Siu Tsang, Benny 劉紹增 Lau Tin Ming 劉天明 Law Sum Po, Jamsen 羅森堡

Leung Chi Wo 梁志和 Leung Koon Ming, Jakie 梁冠明 Leung Man Ho, Steven 梁文豪

Lo Man Him, Virginia 處文謙

Luk Ho Sun, Spencer 陸浩換

香港 藝術學 院職員 Hong Kong Art School Staff 課程

Academic Programme 院務 Administration Team 傳訊及發展 Communication & Development Team

•

RMIT UNIVERSITY

Professor Martyn Hook Head of School of Art (Acting)

John B川an Kelly Ann Geurts'

Associate Professor Kevin White Deputy Head International Development

Kim Lawler

Professor Elizabeth Grierson

Kris Coad

Aleksander Danko

Laresa Kosloff

Andrea Tu

Liliana Barbieri

Bill William Ferguson

Lyndal Walker

Carolyn Eskdale

Mark Mcdean

Chris Sanders

Michael Vale

Darren Sylvester

Nikos Pantazopoulos

Don Gore

Peter Cripps

Fiona Murphy

Dr. Phil Edwards

Fran Van Riemsdyk

Rhett D' costa

Dr. Garry Bish

Sally Cleary

Greg Creek

Shane Hulbert

Gregory Moncrieff

Simone Slee

Irene Barbeis

Dr. Sophia Errey

Jayne Dyer

Stephanie Neoh

Jeph Neale

Stephanie Woodward

Joel Zika

Tina Lee

195

Acknowledgements

。

鳴謝

4、 Graduation Exhibition Committee 畢業展 II 委員會

Chan Chi Hau, Ivan Chan King Wai

Cheng Ching Ha, Zoe Cheung Chui Ting, Tweety Cheung Sze Lit, Szelit

Choi Ming Ming Chung Yan Wing, Ronnie

Dan Hin Ka, Ann Ding Mei Ling, Dorothy

Hui Yan Kit Hui Yuen Man, Yanki Ko Gar Lei, Clarie

Kwan Suet Ying, Sally Lam Chi Yuen

Lau Wai Kuen, Bo Leung Tik Chiu, Max

Lui Chi Ming, Edmond Tsang Ka Yee, Chris Wong Wai Yin, Edmond

Yau Kwok Wing, Marco

Presented by 主辦

•

RMIT UNIVERSITY

HONG KONG ARTS CENTRE

香港藝 術中心

香港藝 術學院 HONG KONG ART SCH( | Arts C

197

Acknowledgements 。 鳴謝

Premium Sponsor 首 席贊助

SINOART\ÿ 信 和藝術 About Sino Art Dedicated to promoting local art and culture and enriching the

daily lives of Hong Kong people, Sino Group initiated Sino

Art in 2006. The programme organises art exhibitions and activities at various Sino Group properties. By providing local and international artists and arts groups more opportunities to showcase their visual, community and performing arts talents, Sino Art aims to add vigour to a more creative and

culturally vibrant Hong Kong. Sino Group received the Award for Arts Sponsorship for the years of 2007 and 2008, and the Award for Arts Promotion of 2008 from the Hong Kong Arts

Development Council.

信和藝術簡介

信和集團於2006 年初 劁立信 和藝術 ，旨 在推動 本地藝 術發展 經 常舉辦 各類型 展覽及 藝術教 育活動

|

|

把 藝術融 入生活。集團

於旗 下物業舉辦藝 術展覽 ，並 成立策 展團隊

|

為本地 、中 國內

地以 至國際 的藝術家提供 一個展 示作品 及與公 眾交流 的平台

令公 眾有機 會多加 認識和 欣賞他 們在視 覺藝術、社區 藝術以 及表 演藝術 方面的 才華。信和集 團榮獲 香港藝 術發展 局頒發

「2007 香港 藝術發 展獎」之「藝 術贊 助獎」及「2008香 港藝術 發 展獎」之「藝 術贊 助獎」與「藝 術推廣 獎」。

Premium Sponsor 首 席贊助

ANNIE WONG ART FOUNDATION

梁潔 華藝術 基金會

199

Acknowledgements 。 鳴謝

Sponsors 贊助

10 Chancery Lane Gallery Katie de Tilly Contemporary Artists

A lift

Catering sponsors 餐 飲贊助

匕-?ail 施guet.

Printing sponsors 印 刷贊助

展 譽設計 印刷有 限公司

Media partner 合作媒SI

腦 作大業 - mindustry.hk

—

Pumpernickel

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