PORTFOLIO_2023

Page 1

Hank Traxel
Collegiate Works

Through my years of studying architecture

I have learned that architectural design is a forever continuing process of change. Architecture alters, degrades, progresses, and reacts to various layers of context. I have learned that there is never one right answer, but many solutions to a project. Many methods are taught in schools, firms, and the profession to capture just one right answer of the many. A method I call “superstructure” drives my conceptual approach to projects. I see the

superstructure as an architectural idea, not just a grid. An idea that organizes multiple concepts, massing, backgrounds, environments, cultures, all into one idea: a cohesive integrated design. This superstructure is always adaptable, it is always a work in progress, and it is always for the betterment of the users.

A Work In Progress Design Narrative

Designing is always a work in progress...

...in the attention to detail.

...in empathetic architecture.

Table of Contents

...in designing for creatives.

...in designing for comfort.

...in afforable housing.

...in capturing what is left behind.

...in graphic storytelling.

...in community productions.

6. Phenomenology of Desk Graffiti 4. Inviting Inside Out Design Lab 8. America’s Greatest Homecoming 1. Sketch Work 2. Therapeutic Temporary Architecture 5. Fastening a Plywood Chair 7. El Camino & Mouse Trap Movie Posters 3. A Vertical Neighborhood

Sketching as a Start

Various sketches from abroad 2022

Location: Europe

For me, sketching is everything. I have been drawing my whole life. Sketching has been an outlet of joy for as long as I can remember. In architecture school, I learned to use sketching as a research tool. To observe my surroundings; to see, to investigate, to find answers. I am most confident with a pen in my hand. For most project groups I am the one with the trace paper getting my hands dirty. Within the superstructure idea, I utilize sketching as a quick outlet for designing. It is how I start to organize, investigate, and solve problems. Presented in this booklet is a collection of sketches from my trip abroad in summer 2022. My goal was to investigate through a series of elevation and perspective drawings how architecture can be captured as a still element. Mesmerizing in its calmness.

Therapeutic Temporary Architecture

Maggie Center Design Studio V 2022

5 Week Project Location: Borneo Sporenburg

Amsterdam

Temporary architectural means and methods imply the theory that not everything is built in the idea of permanence. My concept for this project was to provide a counseling center that was designed to appear temporary while maintaining a sense of inclusion. Implying to all visitors their current situation is only a small moment in their larger plan. Surrounded by the scaffolding, a positive negative void structure (inspired by the historic row house architecture of New Amsterdam) made up of solid materials to balance the thin delicate look of the outside skeleton. Shipping container siding directly calls out the historic shipyard past of the Borneo Sporenburg district. From ground level to park level, a bike/walking ramp invites pedestrians from the busy street to the

calm park. Connecting the lively active new Amsterdam culture with the Maggie Center. The superstructure organizes spaces through a series of overlaid grids pulled from the proportions of shipping containers and scaffolding structures. It is light, delicate to the eye, and simple constructed. It was designed to be easily altered and changed based on the current need.

DINNING

A Vertical Neighborhood

Design Studio V 2022

5 Week Group Project Partners: Will Hentges & Tollie Pugh Location: Atlanta

The Vertical Neighborhood takes a forward-thinking approach to tackling the issue of sustainable urban construction and puts a spin on traditional short stay housing. Atlanta and other major cities in America are faced with the question of how to accommodate short term renters and aggressive urban sprawl while keeping the tenets of their city’s culture alive. The Vertical Neighborhood, as the name suggests, serves as a housing facility where newcomers to Atlanta can place their home. The housing units are a modular Cross Laminated Timber construction that can be hoisted by crane and placed into any open bay of the building. Vertical Neighborhood development, allowing short stay renters to simply move their homes from city to city. Instead of a traditional short-term rental

where a person moves between other’s homes, within the Vertical Neighborhood system, an individual can maintain all the creature comforts of home. Through the rental of a section, where their own home can be installed, visitors can enjoy the convenience of having all their belongings while exploring a new city. The theme of superstructure is found tectonically within this project. The physical structure allows for easy affordable assembly for anyone who wants to move to the Atlanta grid.

Team Role: Project Manager and Lead Designer

Final Renderings Done by Tollie Pugh
Final Renderings Done by Tollie Pugh
Final Renderings Done by Tollie Pugh
Final Renderings Done by
Tollie Pugh
Single Unit 15’x15’ Double Unit 15’x15’ x2 Triple Unit 15’x15’ x3 Quad Unit 15’x15’ x4

Inviting Inside Out Design Lab

Design Lab for Creatives Design Studio III 2021

4 Week Project Location: Tulsa, OK Tulsa Oklahoma 2021 studio design competition awarded second place overall

A studio three final project that focused on designing a space meant for creativity and collaboration. Titled “Inviting Inside Out”, I was inspired by the Mummers Theater, a well-known local building now demolished. A truly “inside out” building, its concept is the basis from the “Idea Creation” theme for which my design is centered. The thought process of one’s mind begins with an idea extending an invitation to explore. Upon entry patrons feel free from direction and order, though the outstretched arms of the building provide guidance throughout their visit. Universal spaces allow users to determine their own path. Superstructure through the creative process. Structuring how to spark creativity and fuel it into a flame.

Mummers Theater Entrance

A series investigating how to reach out and invite people into the creative process.

1.Seating Arm 2.Parking Lot Arm 3.Terrain Arm 7.Extended Entry Concept 8.Elevated Crit Concept 9.Movable Walls Concept 4.Mummers Theater 5.Collaboration Combination 6.Inviting Inside Out 1. 4. 7. 2. 5. 8. 3. 6. 9.

Fastening a Plywood Chair

Wood Fabrication

Design Studio V 2022

6 Week Group Project

Partner: Nick Leher

A chair designed to keep you comfortable during your flight. Empty your pockets, lean back, take a snooze. Form derived off air travel vehicles. An elegant curvature form held together by a skeleton of hardware. Joints and screws are expressed to represent how the delicate flight form is flexed into shape. A cup holder and carry-all are meant for the user to be able to fully relax, have a drink on the side, and enjoy their time in the chair. The “flight” refers to the time the user is in the chair. It is the name as well as the experience. Presented in this portfolio are the final pictures, process pictures, official drawings, CNC machine ready drawings, marketing campaign, and final graphics. The chair now resides in my living room and is fully functional. One cohesive Idea. That is

what lead to the success of this project. The “flight” concept was structured to work in various aspects. In the structure of the chair (inspired by the skeleton of an airplane), in the form (inspired by air travel architecture), and the comfort narrative of air travel (sit, back, relax, and enjoy the rest of your flight). One cohesive super structure.

Team Role: Project Manager and Lead Designer

Final Pictures
Final Pictures
Final Pictures
1'-4" 1'-9" 6 1/2" 3" 1'-4" 3 1/4" 1'-4" 3" 6" 1' 2'-1 3/4" 4 3/4" 2' 6 1/2" 3'-4 1/4" 3'-4 1/4" 3" 6" 1' 2' 6 1/2" 2'-0" 4 106 3" 6" 1' Official Drawings

blue = cut down to all but two layers of ply

cyan = dowel cuts / indentions = half cut

red = full cut

4' 2' 1'
CNC Machine Ready Drawings
Progress Pictures
Progress Pictures

Flight...............

Until then, sit back, relax, and enjoy the rest of your flight.

Imagine where you want to go? You got it? Great! We will depart soon. 1 Marketing Campaign

Flight

Flight...............

Imagine where you want to go?

You got it? Great!

We will depart soon.

Until then, sit back, relax, and enjoy the rest of your flight.

2 Marketing Campaign

Flight...............

Imagine where you want to go? You got it? Great!

We will depart soon.

Until then, sit back, relax, and enjoy the rest of your flight.

3 Marketing Campaign
Marketing Campaign
Marketing Campaign
Marketing Campaign

Flight.

Official Graphics

Flight.

Official Graphics

Phenomenology of Desk Graffiti

Oklahoma State University

Design Studio IV 2021

2 Week Project Location: Stillwater OK

The study of profane remarks on school desks based on location. An emphasis of Studio four was observation. I chose to study the desecration of University Library school desks and observe how the level of damage fluctuates based on privacy and location. The types of graffiti on a specific desk in the basement of the Edmon Low Library were collected and logged for analysis. Results found that the quantity of inscriptions increased and with more profane messages, the more remote the desk was located. To document and present my findings in a professional manner, the most profane remarks were hidden beneath pull tabs for discrete viewer interaction (an option the desk does not present). A full booklet compiled all graffiti of various materials, media, and carvings from desk 17 giving empowerment

to these remarks. An OSU watermark applied to the project deliverables gives an official seal of validity that these anonymous voices were heard.

This project taught me about the human nature of the design process, especially when designing for others. By researching the desk and what people chose to write based on the desk location I learned that people strive for inclusion and for their voice to be heard. I learned what people had pride in, what they wanted to be heard for, and what they loved and hated. Every project since has a piece of this one within it.

GrAFfITI VISIBILITY HANk TrAXEL PULL 18+ PULL 18+ YOURMOM!! NORMANSUCKS COCK PULL 18+ OKLAHOMA STATE UNIVERSITY EDMON LOW DESK GRAFFITI LV. B DESK 17 Profane Remark Pull tabs Complete Desk Booklet
Poster Board

El Camino & Mouse Trap

Movie Posters

2021-2022

Commissioned Designs for Sam Traxel

Commissioned Work for my brother Sam Traxel’s cap stone college short films. All artwork has a narrative driving the design. The narrative can be complex or simple, but either way it tells a story. Movie posters are some of my favorite pieces of artwork to study. They are meant to tease the audience. To provide only a small glimpse of what the overall story narrative is. Presented are El Camino, a psychological thriller and Mouse Rat, a high tempered robbery film.

2021 2022

America’s Greatest Homecoming

Oklahoma State University

Phi Delta Theta

2021-Present

Oklahoma State Homecoming is a bucket list item for most people who have heard of it’s glory. For the past three years, and continuing I have been involved with homecoming through a director position. For the past two years I have been the head homecoming director of Phi Delta Theta where I have acted as project manager, lead designer, lead organizer, spokesperson, and budget manager. This task is no small one. Acting as homecoming director has taught me about the design build world. Anywhere from gaining a construction permit to closing a sidewalk. I managed projects to their completion, solving problems with my team, designing to impact the community, all while striving to better my house and the one paired with. Our goal as a homecoming team is always to showcase a deck to the community that we are proud of and provide

structure for the next team. In my time as homecoming director, as a team we have achieved four placing in the past two years. We have put up decks that we are immensely proud of, and we end each year ready to start again. OSU homecoming is the biggest event for the city of Stillwater each year. As a director I feel as if I have embodied the spirit of OSU. If you have never heard of this event, here are some numbers:

Allowed Pairing Budget: $30,000

Team Size: 16 Members

Average Pairing Size: 320 People

Time frame: 10 Months

Deck Square Footage Limit: 1,080’

Average Deck Panel Size: (10’x18’)x6

Engineered Mechanical Parts

Limit: 4

Involved Hours Countless

HOCO Timeline

January Pairing Meetings

March-April

Theme Announcing

Deck Designing Starts

May-July

Deck Panel Designing

August Transferring Deck Graphics into Stitching

September Pomping Begins

Mid-September

Ground Breaking

Official Construction Starts

October 10th-20th Testing Engineering Parts

October 20th-25th

Double Time Pomping for all Members

October 26th-27th

All Night Pomp

28 Straight Hours of Attaching Pomp to the Deck

October 27th 3:00

All Hands Off Deck

October 27th 3:00-5:00

Judging

October 28th

Winners Announced

Scratched Early Design

Sub Category Homecoming

Sign Competition

Developed Early Design
Rolled Up Pomp Panel
Final Design First Iteration
Me Within A 3D Pomp Element
Final Design Last Iteration
Deck Panel With No Pomp
Awarded 1st Place Design
Pomp Panel Application Final Product Image

Left Panel: OSU Alumni

Far Left Panel: 18’ tall Eiffel tower surrounded by other famous landmarks emerging from Boone Pickens Stadium

Viktor Hovland above a rotating score card displaying various OSU international athletics facts

Center Panel: an 8’x8’ rotating globe displaying our overall paring theme of “The World’s Brightest Orange” highlighting how OSU has impacted the world on an international level

Right Panel: Highlighting the international faculty of OSU, Architecture Professor Moh’ Bilbeisi, stands in front of his rotating art easel

Far Right Panel: Highlighting OSU’s world wide student body with international flags of their home countries

Finalized Sketch for Presentation

Contact (573)714-0141 Linkedin (Hank Traxel)
17hmt17@gmail.com

Thank you for viewing my portfolio. These collegiate works have shaped by design process. From applying a superstructure architectural idea, to keeping in mind that designing is a work in progress.

Thank You

IT IS Always a

The inspiration for the bolted book comes from the Italian graphic designer Depero Futurista. This back graphic is a direct inspiration of his graphic style.

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