Florida Repertory Theatre Presents: "Doubt: A Parable" - Digital Playbill by Florida Repertory Theatre

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ARTSTAGE STUDIO

HISTORIC ARCADE

FROM YOUR PRODUCING ARTISTIC DIRECTOR

DEAR FRIEND,

Thank you for coming to the theatre today to enjoy a live performance. We’ve been waiting for you.

For weeks leading up to this moment – just before the lights dim – we’ve worked tirelessly to craft every moment just for you: every laugh, every musical number, every heated debate or outrageous situation the characters must navigate. From the painted scenery to the stitches on a dress, our artists and technicians have considered every detail in service of telling this story – for you.

Theatre is a collective experience, and our process isn’t complete until you take your seat. As the play begins, remember that the performance you’re about to see is a one-of-a-kind experience, and no matter how much we rehearse, the performance will never be exactly the same as the one you’ll see today. The magic of theatre is in the conversations it starts, the emotions it stirs, and in the memories you make by being here today.

Each season, Florida Rep strives to showcase a wide variety of thrilling, moving, and delightful stories – and our 28th promises that and more. This season, you’ll enjoy Pulitzer and Tony-winning dramas, iconic music that defined the 20th century, a man-eating plant, two new comedies, and a play that goes deliciously wrong!

Whether this is your first visit or your one hundred first, we are so happy you’re here to experience the magic of theatre with us, make memories with us, and to share in the collective joy of seeing a play performed live – just for you. We hope you’ll join us for all the music, laughter, and humanity in store for you this season.

Thank you for choosing live theatre.

Greg Longenhagen Producing Artistic Director

A LETTER

On behalf of the Board of Directors, I am honored to welcome you to our 28th season. And what a wonderful season it is—with something for everyone.

Florida Rep is an integral part of downtown Fort Myers, producing live professional theatre to diverse patrons from all over Southwest Florida. This year you will recognize many of our actors and directors from previous shows.

We also have a very active educational program, consisting of summer camps, our Theater for Young Audiences, which brings the arts to life for thousands of Lee County students each year, and a Conservatory program for more advanced students.

Every May, our PlayLab Festival invites playwrights from all over the country to submit their new offerings to be presented as developmental readings. A few of these plays have had their world premieres right here on our stages.

We want to thank you all for your generous and continuing support. The past few years have challenged us with the pandemic as well as the devastation of Hurricanes Ian, Milton and Helene. In these challenging financial times, organized financial support has been difficult. Tickets sales alone cannot sustain us. So please consider donating today if you are able. Your contribution helps secure the future of Florida Rep so it may continue to be a vibrant part of the cultural landscape of Southwest Florida.

Most importantly, we invite you to sit back and enjoy the show.

Janice Danzig, Chairperson Board of Directors

A LETTER FROM YOUR MAYOR

Dear Florida Repertory Theatre Patrons,

It’s a true pleasure to welcome you to another season of theatre here in our city. There’s something special about gathering for live theatre. It’s a chance to step away from the everyday, and experience something real — together. That’s what makes nights like this so important.

Here in the City of Palms, we believe in the power of community. Our local arts scene does more than bring joy — it strengthens our economy, connects our community, and keeps our shared stories alive. Theatre reflects who we are and what we value. Every performance represents countless hours of dedication, creativity, and collaboration — not only on stage, but behind the scenes and throughout our neighborhoods.

Last year, I was thrilled to trod the boards as dead Uncle Tony, in Florida Rep’s Lucky Stiff! It turns out the view from the stage is hilariously different! It gave me a whole new appreciation for the talent and team work behind every performance. In fact, it was so fun, I took a final bow on closing night!

When we support the arts, we’re also supporting local businesses, jobs, education, and civic pride. Your support makes this all possible. When you buy a ticket, when you show up and applaud, when you bring your family or tell a friend — you are part of what makes our city alive. Thank you for keeping the spirit of live performance strong in our community.

I’m glad you’re here. Enjoy the show.

Kevin B. Anderson

Mayor

Mayor Anderson as dead Uncle Tony in 2025’s Lucky Stiff

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A LETTER FROM YOUR SENATOR

Dear Florida Repertory Theatre Patrons,

It is a true honor to greet you as we kick off another season at Florida Repertory Theatre. As your State Senator, I’m reminded of how essential spaces like this are—not just to our cultural landscape, but to the vitality of our community. For nearly three decades, Florida Repertory Theatre has had a powerful impact on both our cultural life and the hearts of all who walk through its doors.

This season promises to be a memorable one. The creative energy that flows through these walls is a testament to the team of artists and staff who work tirelessly to bring these stories to life.

While the mainstage performances are the heart of the season, I’d also like to recognize the Theatre’s dedication to reaching young audiences. Through engaging programs and performances tailored for younger viewers, the Theatre is fostering a love for the arts and inspiring the next generation of theatre-goers. This important work enriches our entire community and ensures that the arts remain an integral part of our shared future.

Thank you for making Florida Repertory Theatre a part of your life. Whether you’re a first-time visitor or a long-time patron, your role in the continued success of this institution is invaluable. Let’s make this 28th season one that celebrates the power of the arts and the connections they foster in all of us.

Warm regards,

Senator

Jonathan Martin

Dear Friends of Florida Rep,

It is with great pleasure and enthusiasm that I welcome you to Florida Rep’s 28th season. As a member of the City Council, I could not be more proud of the remarkable cultural institutions that call our city home, and Florida Rep stands at the forefront of these efforts. For 27 seasons, this theatre has delivered exceptional performances that not only entertain but also inspire, engage, and elevate us all.

In a world that is constantly evolving, theatre has a unique ability to transport us to new places, broaden our perspectives, and help us better understand one another. Our theaters and creative spaces are not just places of entertainment, but pillars of our community’s identity.

It is because of you, the audience, that we are able to continue nurturing this cultural backbone of the city, and for that, I thank you for your continued support. I look forward to seeing many more of you in the seats, supporting not just the actors and performers, but also the spirit of creativity and community that makes our city truly special.

Warm regards,

Liston D. Bochette III Ward 4 Fort Myers City Council

COMING SOON COMING SOON COMING

NO DOUBT ABOUT IT— DOUBT IS A MUSTSEE!

DOUBT: A PARABLE is on stage

OCT 28 –NOV 1, 2025

Eighteen years ago, as part of our 10th anniversary season, Florida Rep proudly produced the Southwest Florida premiere of the Pulitzer Prize-winning and Tony Best Playwinning drama, Doubt: A Parable, by John Patrick Shanley. At the time, the theatre critic for the News-Press wrote, “Doubt is a thinking person’s play – no doubt about that… It’s also a lively piece of theatre with very human performances and finely tuned dramatic pacing. If you think local theatres produce nothing but dusty comedies and musicals, you’re in for a surprise at Florida Rep.”

Today, Doubt is as timely as ever, regardless of being set in 1964 against the backdrop of a Catholic school. The play explores the complexities of doubt, faith, and the nature of truth through a conflict between a nun and a priest. Sister Aloysius suspects Father Flynn of inappropriate behavior towards a student. The nun is strict and traditional, while the priest is modern and potentially progressive. Doubt takes audiences on a gripping, electrifying 80-minute ride in a quest for truth. Florida Rep’s Season 28 production takes a fresh approach and features actors Denise Cormier, Matt Lytle, Taylor Reister, and Alia Shakira.

Shanley is a legendary playwright, director, and filmmaker. His many plays include Outside Mullingar, Women of Manhattan, Italian American Reconciliation, and more. He is also well known for his films Moonstruck, Joe Versus the Volcano, and the film version of Doubt starring Philip Seymour Hoffman, Viola Davis, Amy Adams, and Meryl Streep - who won an Oscar for her portrayal of Sister Aloysius.

Lisa Morgan and Brendan Powers from the 2007 production of DOUBT

COMING SOON COMING SOON COMING SOON

GET READY FOR A ZANY SPIN ON A DICKENS’ HOLIDAY CLASSIC

THE TRIAL OF EBENEZER SCROOGE is on stage DEC 2-21, 2025

Florida Rep and Ebenezer Scrooge go back a long way. In 2023, we brought you the regional premiere of A Sherlock Carol by Mark Shanahan, in 2018, A Christmas Carol: The Tale of Ebenezer Scrooge, adapted by Mark Shanahan, and in 2000, the comedy, Inspecting Carol by Daniel Sullivan. This season, we’re delighted to bring The Trial of Ebenezer Scrooge, a holiday comedy by Mark Brown, to the Historic Arcade stage. Mark’s hit plays and Florida Rep also go all the way back to our 17th season when Around the World in 80 Days played to sold-out audiences here in the Historic Arcade.

Brown sets up Trial as a sequel to A Christmas Carol, taking place a year after the classic story’s happy ending. Here we discover Mr. Scrooge’s famous change of heart has faded, and he’s ready to sue Jacob Marley and the Ghosts for a variety of crimes – including breaking and entering, kidnapping, slander, pain and suffering, and the intentional infliction of emotional distress. You might presume that the story is a serious, cantankerous courtroom drama, but the happy twist is a comedic approach that unleashes a delightful and zany series of courtroom events filled with both laughs and heart.

Ensemble member William McNulty, seen here as Scrooge in A SHERLOCK CAROL, returns to play the classic character this season. (Also pictured, Chrissy Albanese)

Florida Rep’s Producing Artistic Director, Greg Longenhagen, directs The Trial of Ebenezer Scrooge. Greg, an accomplished actor with Florida Rep since its inception in 1998, is no stranger to the classic, having appeared in A Christmas Carol, Inspecting Carol, and Brown’s Around The World in 80 Days.

ROLLING WORLD PREMIERE ROLLS WITH LAUGHTER

ADVICE is on stage DEC 9, 2025-JAN 11, 2026

Since its inception, Florida Rep has committed to presenting new works and Southwest Florida premieres. As a member of the National New Play Network, Florida Rep produced two Rolling World Premieres, Alabaster by Audrey Cefaly and Doublewide by Stephen Spotswood, and this season, will stage our third, Advice by Brent Askari. Brent’s play White Party was workshopped during our (virtual) 2020 PlayLab Festival.

Funny man Patrick Richwood, shown here in last season’s production of LUCKY STIFF returns to play affable friend, Gary, in ADVICE.

Askari, a Persian American writer and actor, is the recipient of several awards including the NNPN Smith Award, the Berkshire Theater Critics Award, and is a winner of the Neil Simon Festival’s National New Play Contest and B Street Theatre’s Comedy Festival.

Advice is a laugh-out-loud comedy that reminds us how we all have that “one friend” who tests the boundaries of friendship – and in this story, it’s Ron and Joy’s annoying screw-up friend, Gary. When their ne’er do well friend somehow manages to get a selfhelp book published, the couple – who lead successful lives - try to convince their friend not to quit his day job to pursue his dream of becoming a life coach. Gary is undaunted and decides to try his relationship exercises on Ron and Joy.

The couple play along to hilarious results that lead to some outrageous revelations. Advice is razor-sharp comedy and guarantees to take you on a comedic rollercoaster.

ARTS PREVIEW

Arts

Florida Repertory Theatre’s Performance Accessibility Assistance Program (PAAP) provides both audio-described and signed performances throughout the season. Working with the Sally J. Pimentel Deaf and Hard of Hearing Center and the Southwest Florida Council of the Blind, this program offers $25 tickets for patrons with vision loss and patrons in the deaf community. All performances are 2 PM Sunday Matinees. All tickets are subject to availability, and it is highly recommended to reserve in advance (limit 2 tickets per production).

The Rat Pack Lounge NOV 2 • ArtStage Studio Theatre Doubt NOV 9 • Historic Arcade Theatre

The Trial of Ebenezer Scrooge DEC 14 • Historic Arcade Theatre Advice

JAN 4 • ArtStage Studio Theatre

Always...Patsy Cline

JAN 25 • Historic Arcade Theatre

Little Shop of Horrors MAR 29 • Historic Arcade Theatre SPONSORED BY

AUDIO DESCRIBED PERFORMANCES

Tuesdays with Morrie FEB 15 • Artstage Studio Theatre

The Play That Goes Wrong FEB 22 • Historic Arcade Theatre

Little Shop of Horrors APR 12 • Historic Arcade Theatre

The Bride MAY 3 • ArtStage Studio Theatre

The Trial of Ebenezer Scrooge DEC 21 • Historic Arcade Theatre

The Play That Goes Wrong MAR 1 • Historic Arcade Theatre

Hearing Loop installed here.

Switch hearing aid to t-coil.

ENSEMBLE OF ARTISTS

Florida Repertory Theatre is committed to providing a first-class regional theatre for Southwest Florida; to creating, nurturing, and developing a diverse ensemble of theatre professionals who will develop long term relationships working on a wide variety of plays; to helping improve the quality of life in our community through all the arts; and to making the arts, especially theatre, accessible to every segment of our community.

We would like to recognize these core members of our Ensemble of Theatre Professionals. Ensemble Artist Featured in the 2025-2026 Season

Viki Boyleb Actor Since 2010

David Breitbarth Actor Since 2011

Rachel Burttram Actor Since 2002

Mark Chambers Actor Since 2006

Chris Clavellib Actor/Director Since 2000

Michelle Damato Actor Since 2007

ACTORS & DIRECTORS

Kate Hampton Actor Since 2012

Maureen Heffernanb Director Since 2002

V Craig Heidenreichb Actor/Director Since 2016

Patricia Idlette Actor Since 2008

Greg Longenhagenb Actor/Director Since 1998

William McNultyb Actor Since 2012

Sara Morsey Actor Since 2008

Jason Parrishb Actor/Director Since 2005

Brendan Powers Actor Since 2008

Peter Thomasson Actor Since 2004

IN MEMORIAM

Niels Miller Actor & Director 1925-2006

Graham Smith Actor 1955-2020

DESIGNERS & STAGE MANAGERS

Audrey M. Brown Stage Manager Since 2007

Richard Crowellb Set Designer Since 1998

Arthur D’Alessiob Choreographer/ Stage Manager Since 1999

Stefanie Genda Costume Designer Since 2008

Jim Hunterb Set & Lighting Designer Since 2000

Amy L. Massari Stage Manager Since 2010

Ray Rechtb Set Designer Since 1999

David M. Upton Set & Lighting Designer Since 2006

Janine Wochnab Stage Manager Since 2005

Robert F. Wolin Set Designer Since 2006

Todd O. Wrenb Lighting Designer Since 2005

Sam Sherwood, Carolyn Messina, Matt Cusack, Jeremy Sevelovitz in HANK WILLIAMS: LOST HIGHWAY

LEAVE YOUR LEGACY ON THE STAGE

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FLORIDA REPERTORY THEATRE

DOUBT

A PARABLE

by John Patrick Shanley

THE CAST

Sister Aloysius Beauvier Julia Brothers*

Father Brendan Flynn...........................................Matt Lytle*

Sister James.......................................................Taylor Reister*

Mrs. Muller Alia Shakira*

UNDERSTUDIES

Sister Aloysius.......Hannah Eastonˆ

Father Flynn.......Cody Klimekˆ

Sister James.......Jana Denningˆ

Mrs. Muller.......Sonya McCarter

TIME & PLACE

1964

St. Nicholas, a Catholic church and school in the Bronx, New York

JOHN PATRICK SHANLEY

is from The Bronx. His plays include Prodigal Son, Outside Mullingar (2014 Tony Award® nomination for Best Play), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, Beggars in the House of Plenty, and his newest play Brooklyn Laundry will premiere at Manhattan Theatre Club.

His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the 2005 Tony Award® for Best Play and the Pulitzer Prize for Drama.

The videotaping or audio and/or visual recording of this production is a violation of United States Copyright Law and an actionable federal offense.

DOUBT is performed with a 15-minute intermission.

RUN CREW

Deck Crew.......Max Newman

Wardrobe Crew.......Alexander Davidson

Light Board Operator.......Grace Carter

Audio Engineer.......Kat Daniels

†Member of Florida Repertory Theatre’s Ensemble of Theatre Artists. See page 27 for the entire ensemble.

In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme , with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination for Outstanding Writing for a Limited or Anthology Series or Movie). For his script of Moonstruck, he received both the Writers Guild of America Award and an Academy Award for Best Original Screenplay.

In 2009, the Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing.

A NOTE FROM THE PLAYWRIGHT

What’s under a play? What holds it up? You might as well ask what’s under me? On what am I built? There’s something silent under every person and under every play. There is something unsaid under any given society as well.

There’s a symptom apparent in America right now. It’s evident in political talk shows, in entertainment coverage, in artistic criticism of every kind, in religious discussion. We are living in a courtroom culture. We were living in a celebrity culture, but that’s dead. Now we’re only interested in celebrities if they’re in court. We are living in a culture of extreme advocacy, of confrontation, of judgment, and of verdict. Discussion has given way to debate. Communication has become a contest of wills. Public talking has become obnoxious and insincere. Why? Maybe it’s because deep down under the chatter we have come to a place where we know that we don’t know … anything. But nobody’s willing to say that.

Let me ask you. Have you ever held a position in an argument past the point of comfort? Have you ever defended a way of life you were on the verge of exhausting? Have you ever given service to a creed you no longer utterly believed? Have you ever told a girl you loved her and felt the faint nausea of eroding conviction? I have. That’s an interesting moment. For a playwright, it’s the beginning of an idea. I saw a piece of real estate on which I might build a play, a play that sat on something silent in my life and in my time. I started with a title: Doubt.

What is Doubt? Each of us is like a planet. There’s the crust, which seems eternal. We are confident about who we are. If you ask, we can readily describe our current state. I know my answers to so many questions, as do you. What was your father like? Do you believe in God? Who’s your best friend? What do you want? Your answers are your current topography, seemingly permanent, but deceptively so. Because under that face of easy response, there is another You. And this wordless Being moves just as the instant moves; it presses upward without explanation, fluid and wordless, until the resisting consciousness has no choice but to give way.

It is Doubt (so often experienced initially as weakness) that changes things. When a man feels unsteady, when he falters, when hard-won knowledge evaporates before his eyes, he’s on the verge of growth. The subtle or violent reconciliation of the outer person and the inner core often seems at first like a mistake, like you’ve gone the wrong way and you’re lost. But this is just emotion longing for the familiar. Life happens when the tectonic power of your speechless soul breaks through the dead habits of the mind. Doubt is nothing less than an opportunity to reenter the Present.

The play. I’ve set my story in 1964, when not just me but the whole world seemed to be going through some kind of vast puberty. The old ways were still dominant in behavior, dress,

morality, world view, but what had been organic expression had become a dead mask. I was in a Catholic church school in the Bronx, run by the Sisters of Charity. These women dressed in black, believed in Hell, obeyed their male counterparts, and educated us. The faith, which held us together, went beyond the precincts of religion. It was a shared dream we agreed to call Reality. We didn’t know it, but we had a deal, a social contract. We would all believe the same thing. We would all believe.

Looking back, it seems to me, in those schools at that time, we were an ageless unity. We were all adults, and we were all children. We had, like many animals, flocked together for warmth and safety. As a result, we were terribly vulnerable to anyone who chose to hunt us. When trust is the order of the day, predators are free to plunder. And plunder they did. As the ever-widening Church scandals reveal, the hunters had a field day. And the shepherds, so invested in the surface, sacrificed actual good for perceived virtue. I have never forgotten the lessons of that era, nor learned them well enough. I still long for a shared certainty, an assumption of safety, the reassurance of believing that others know better than me what’s for the best. But I have been led by the bitter necessities of an interesting life to value that age-old practice of the wise: Doubt

“THE

BEGINNING OF CHANGE IS THE MOMENT OF DOUBT.”

There is an uneasy time when belief has begun to slip but hypocrisy has yet to take hold, when the consciousness is disturbed but not yet altered. It is the most dangerous, important, and ongoing experience of life. The beginning of change is the moment of Doubt. It is that crucial moment when I renew my humanity or become a lie. Doubt requires more courage than conviction does, and more energy; because conviction is a resting place and doubt is infinite — it is a passionate exercise. You may come out of my play uncertain. You may want to be sure. Look down on that feeling. We’ve got to learn to live with a full measure of uncertainty. There is no last word. That’s the silence under the chatter of our time.

John Patrick Shanley

Brooklyn, New York March 2005

WHO’S WHO

JULIA BROTHERS

* (Sister Aloysius Beauvier) New York credits include Mrs. Baker in Sump’n Like Wings at The Mint Theatre; Leece in A Peregrine Falls at The Wild Project; God in The Kilbane’s rock opera Weightless at The Public Theater’s Under The Radar Festival; Arthur Miller in Jeremy Tiang’s bilingual Salesman at LPAC; and playing opposite Marlo Thomas in George is Dead, written by Elanie May and directed by John Turturro at the Brooks Atkinson on Broadway. Recent world premieres include Russian Troll Farm, directed by Darko Tresjnak; Women in Jeopardy, directed by Sean Daniels; and The Trial of Donna Caine, directed by David Saint. Florida stages: The White Chip at Florida Studio Theatre; and Body Awareness and The Game’s Afoot at Gulfshore Playhouse. Regional theatres: ACT, SF Playhouse, Marin Theatre company, Theatreworks (Silicon Valley), Pacific Repertory Theater, Cape Playhouse, Arizona Theatre Company, B Street Theatre, Merrimack Rep, Magic Theatre, and Portland Center Stage, among others. Her solo piece, I Was Right Here, was commissioned by SF Playhouse, filmed on their stage and ran for 7 weeks during the pandemic. Julia is honored to be working at Florida Rep where her father, John Brothers, also performed. “Dad, I know you’re up there watching! This one’s for you!”

MATT LYTLE* (Father Brendan Flynn) is honored to return to Florida Rep. He was last seen here as Dr. Cratchit in A Sherlock Carol. He lives in NYC where he works as an actor, director, and acting coach. He holds his BFA from Boston University and his MFA from Brown/Trinity Rep. He spent a semester at the London Academy of Music and Dramatic Art, where he studied Shakespeare and Restoration performance. He has worked regionally at the Repertory Theatre of St. Louis, Alabama Shakespeare Festival, The O’Neill Center, Trinity Repertory Company, Theatre Mu, Bread Loaf Acting Ensemble, Saratoga Shakespeare Company, Shakespeare Festival St. Louis, Nashville Shakespeare Festival, Cincinnati Shakespeare Company and Kentucky Shakespeare. As always, love to my Family and Ori.

TAYLOR REISTER (Sister James) is a NYC-based actor with her BFA in acting from Otterbein University. Having grown up in Sarasota, Taylor is no stranger to the wealth of arts and culture here in her beloved Sunshine State and is honored to be a part of this season at the Florida Rep. Recently, Taylor was a part of the Florida Rep’s 2025 PlayLab as Clarissa in Dalloway by Lindsay Joelle. Favorite credits

include Crimes of the Heart (Tent Theatre), A Lie of the Mind (Otterbein University), and The Producers (TheatreLab Dayton). “Three enormous thank yous to Greg, Jason, and Chris for this special opportunity. Big hugs to Mom, Dad, and David. www.taylorreister. com • IG: @taylorreister

ALIA SHAKIRA* (Mrs. Muller) Trained at Howard University’s College Fine Arts (BFA), The British American Drama Academy, and Duke Ellington School of the Arts, Alia Shakira is an accomplished storyteller and academic with a diverse background. Originally from Washington DC, Alia has lived in several artistic hubs including Atlanta, Los Angeles, and New York. There she cultivated her skill set, earning a Master of Science in Entertainment Business while working on a number of highly successful television programs and indie films. Most recently, Alia was a company member at the Utah Shakespeare Festival and appeared in The Mountaintop, Silent Sky, Antony and Cleopatra, and Steel Magnolias. Her theater credits include, Horizon Theater in Atlanta, as Makeda in The House that Will Not Stand, The Alliance Theatre-GA, New Federal Theatre-NY, Metropolitan Playhouse-NY, TheatreWorks-Tour, and The National Black Theatre Festival. TV/Film Credits include Chicago PD, Atlanta, The First Lady, The Come Up, Woke, and The Color Purple. “Though she be but little, she is fierce!” @skinnyblackgirlproductions

JANA DENNINGˆ (u/s Sister James) is thrilled to be spending the season at the Florida Rep! Born and raised in Middle Tennessee, but usually based in Orlando, Jana has toured and performed professionally in 13 states. Recent credits include Cabaret (Sally Bowles), Fun Home (Medium Alison), The Prom (Emma Nolan), Ride the Cyclone(Constance Blackwood), Anastasia (Countess Lily), The Wizard of Oz (Nikko), and Go! Dog. Go! (MC Dog). Offstage, Jana can be found hiking, writing, reading, and crafting. They would like to thank their incredible friends, family, and the Florida Rep team for their support.

HANNAH EASTONˆ (u/s

Sister Aloysius) is a passionate, creative storyteller with a deep love for theatre and film. Her journey began through an educational theatre program, inspiring her to give back and uplift the next generation. A dedicated performer and advocate for all bodies to be represented in the arts, Hannah is constantly seeking opportunities to learn, create, and live in community. She recently trained in London, performing at the Globe Theatre and earning a certification in stage combat. She’s deeply grateful to her family, partner, and vocal coach, Zacchaeus Kimbrell.

WHO’S WHO

CODY KLIMEKˆ (u/s Father Flynn) is thrilled to be making his debut at the Florida Repertory Theatre as an acting intern for the ‘25 -’26 season. As a recent graduate from Florida Gulf Coast University’s theatre program, you may have seen him in The Life of Galileo, Letters to Sala, or Radium Girls. Cody is excited to continue his work in professional theatre. And he would also like to thank his friends and family for continuing to be his biggest supporters.

SONYA M c CARTER (u/s Mrs. Muller) is a freelance director, actor and Founder of Bridging the Gap Center for the Arts. Her deepest commitment lies in creating a space that empowers marginalized voices to express their creativity, honor their cultural heritage, and discover the shared connections that bring us together. Her favorite directing credits include The Bluest Eye (Theatre Conspiracy at the Alliance for the Arts), Ma Rainey’s Black Bottom (Theatre Conspiracy), A Raisin in the Sun (Theatre Conspiracy), Joe Turner’s Come and Gone (Theatre Conspiracy), The Color Purple musical (The Laboratory Theater), Sistas: The Musical (The Laboratory Theater), Pass Over (The Laboratory Theater). Sonya’s favorite acting credits include Mrs. Muller, Doubt: A Parable (Naples Players); Lady in Orange, For Colored Girls (Theatre Conspiracy); Camae, The Mountaintop (Theatre Conspiracy); Clyde, Clyde’s (The Laboratory Theater); and Mrs. Jarrett, Escaped Alone.

CHRIS CLAVELLI**† (Director) is an ensemble member and resident director here at The Rep where he has worked in over 40 productions in 23 years. Credits include Venus in Fur, Boca, A Comedy of Tenors! Incident at Our Lady of Perpetual, Time Stands Still, The Importance of Being Earnest, A Doll’s House Part 2, and The Glass Menagerie. He co-founded The Neighborhood Theatre for Kids and Brave New World Theatre in Brooklyn. Additional credits: Virginia Stage Company, The Riverside Theatre, Two River Theatre Company, The Public Theatre and The Actors Studio. He is the recipient of The Best Actor Carbonell, a Barrymore Award, and a Broadway World Award for his production of Time Stands Still at The Rep. His direction of The Cocktail Hour and The House of Blue Leaves received rave reviews from Terry Teachout in The Wall Street Journal. Currently, he is on the acting faculty of Point Park College. His book on acting, Notes From the Room, Your Guide to the Art of Acting and Show Business published by The Joy Press in Los Angeles is now available on Amazon!

ARTHUR D’ALESSIO* (Stage Manager) is pleased to return to Florida Rep for its 28th season. Previous shows as a Stage Manager at Florida Rep include Fully Committed, The Miracle Worker and A Christmas Carol. Arthur has been associated with Florida Rep since its very first year (1998) having choreographed

Fascinatin’ Gershwin, Dream, Company, A Funny Thing… Forum, Too Marvelous For Words, The Johnny Mercer Songbook and Night and Day… Love Lost and Found Through the Eyes of Cole Porter.

JIM HUNTER ***† (Scenic Designer) Doubt is Jim’s 29th production with Florida Rep since 2009. His scenic and lighting design have also been seen at such theatres as the Folger Theatre, Orlando, Shakespeare Theatre, Theatre Virginia, Phoenix Theatre, Charlotte Repertory Theatre, Florida Stage, Arkansas Repertory Theatre, Wall Street Danceworks, Fulton Opera, Arizona Broadway Theatre, Florida Studio Theatre, The Lost Colony, the Veggie Tales Live National Tour, as well as others. Jim is on the faculty at the University of South Carolina’s Dept. of Theatre and Dance. He is the Immediate Past President of the National Association of Schools of Theatre and is on the Board of Trustees for the Council of Arts Accrediting Associations. Jim is a member of the national designer’s union, United Scenic Artist, Local 829 in scene and lighting design. www.jimhunterdesigns.com

GREG LONGENHAGEN† (Dialect Coach) As a member of the original founding company of Florida Repertory Theatre, Greg Longenhagen is honored to be entering his third decade with the Rep and delighted to serve as its Producing Artistic Director. An accomplished actor, director, producer, teacher, and coach Greg has enjoyed a career of almost 40 years in professional theatre, radio, television and film. Since 1998, Greg has worked on over 103 productions at Florida Rep as an actor, director, fight choreographer, and dialect coach. He was most recently seen on the Arcade Stage in Florida Rep’s 2025 PlayLab Festival of New Works and the hurricane relief fundraiser, Love Letters. His other acting credits include performances at The Charlotte Repertory Theatre, Riverside Theatre, Arrow Rock Lyceum Theatre, Florida Stage, Pittsburgh Playhouse, Quantum Theatre, Pirate Playhouse, Trilogy Theatre, Pennsylvania Stage Company, Inner Space Theatre, The Mountain Playhouse, Pittsburgh Irish & Classical Theatre, The Three Rivers Shakespeare Festival, Philadelphia Shakespeare, The Pantages Theatre, The Great American Children’s Theatre, Theatre at Hartwood, The Fulton Theatre, Pittsburgh Musical Theatre, Opera Delaware, St Vincent Theatre, Theatre Row Theatre, and Stage Right. Directing credits at Florida Rep include Ben Butler, Beehive: The 60s Musical, Maytag Virgin, On Golden Pond, The Last Night of Ballyhoo, Barefoot in the Park, PlayLab readings of Split in Three, Where I Dwell, We Will Not Be Silent, and more. Greg has choreographed fight scenes for and voice/dialect coached more than 30 shows at the Rep where selected credits include The Miracle Worker, Outside Mullingar, Moon Over Buffalo, Disgraced, To Kill a Mockingbird, Twelve Angry Men, August Osage County, and Boeing Boeing. Greg served as an Assistant Professor of Theatre at Florida Gulf Coast University and was Chair of the Theatre Program’s Marketing and Recruitment

WHO’S WHO

Committee. Greg also spent two years touring the United States as a noted public speaker conducting workshops on real estate investing. In 2006, he joined Abbott Productions, Inc. ascending from office manager to Vice President of Marketing to President and Chief of Operations. After receiving his B.A. in Speech Communication while at West Chester University where he was a four-time Irene Ryan nominee to the region, the recipient of the Tom Dudash Memorial Award for Children’s Theatre, and The Most Outstanding Student in Speech Communication & Theatre, Greg also served as the Resident Director for Pittsburgh’s “Shakespeare in the Schools” while continuing to work as an actor in New York City. Greg holds a Master of Fine Arts from the University of Pittsburgh and is certified with the Society of American Fight Directors at Carnegie Mellon University. He has been a member of the Actors Equity Association since 1993. Born and raised near Allentown, Pennsylvania, Greg’s career in Regional Theatre took him all over the country. In the 1990s, he settled in Southwest Florida, his “ideal community.” It was there he met and fell in love with his amazing wife, Liz Abbott, who grew up on Sanibel Island. Greg and Liz have happily made their home in Fort Myers for 28 years and have two children, Liza, a Freshman this year at The University of Central Florida and Jack a Sophomore at Florida SouthWestern Collegiate High School.

AMANDA MILLER (Costume Designer) is Florida Rep’s Costume Shop Manager. Much of her work has been seen in opera at the Brevard Music Center and with the Floridian company Wardrobe Witchery. She recently graduated from Boston University with a master’s degree in Costume Technology. Her design credits include films and plays such as Mrs. Packard, Bearing Our Soles, Bash, and the Florida Rep Conservatory productions of Disney’s Beauty and the Beast and Shrek: The Musical, Jr.

CHARLES CLARK (Lighting Designer) is a seasoned lighting designer with over 20 years of experience in the industry. Known for his innovative approach and keen eye for detail, Charles has worked on a diverse range of projects, from theatrical productions and concerts to architectural lighting and special events. His work is characterized by a unique blend of creativity and technical expertise, ensuring that each project not only meets but exceeds client

ACTORS’ EQUITY ASSOCIATION (AEA) was founded in 1913 as the first of the American Actor unions. Equity’s mission is to advance, promote and foster the art of theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards. Equity negotiates wages and working conditions and provides a wide range of benefits including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed in this production. AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. For more information, visit www. actorsequity.org.

TICKETS

expectations. Charles is passionate about using light to transform spaces and create unforgettable experiences. Charles joined Florida Rep in its 25th season and is currently the Director of Production. He is excited to be able to share his talents with the Florida Rep audience.

KATIE LOWE (Sound Designer) is happy to return to Florida Repertory Theatre! Previous credits include Venus in Fur, Boca, Bloomsday, Lucky Stiff, The Legend of Georgia McBride, The Importance of Being Earnest, Ripcord, And Then There Were None, Incident at Our Lady of Perpetual Help, Maytag Virgin, Alabaster, Bulletproof Backpack, Every Brilliant Thing, Barefoot in the Park, An Inspector Calls, Tenderly: The Rosemary Clooney Story, Damascus, Refugee (Sound Designer, Florida Repertory Theatre), A Gentleman’s Guide to Love and Murder, Matilda, Spring Awakening, Disney’s Newsies (Sound Engineer, Florida Repertory Theatre), Cabaret (A2, Florida Repertory Theatre), Million Dollar Quartet (A2, Endstation Theatre Company). Katie would like to thank her parents, her husband Ben, and her fur babies, Noodle and Truffle, for their endless support and love!

REBEKAH WILLIAMS (Asst. Stage Manager) is a recent graduate of East Tennessee State University where she earned her B.A. in Theatre. Some of her past work includes Wizard of Oz (PA) and Cry It Out (PA) at The Barter Theatre. James and the Giant Peach (Stage Manager) and Medea (Stage Manager) at ETSU. She has also worked as the Stage Manager for two years at the Secondary School Festival for the Tennessee Theatre Association. She is excited for the opportunity to work and learn with these amazing professionals.

BROADWAY LICENSING GLOBAL, comprising the imprints Broadway Licensing, Dramatists Play Service, Playscripts and Stage Rights, is a global leader in theatrical licensing and distribution. BLG’s iconic collection of authors, composers and lyricists includes David Auburn, Jocelyn Bioh, Jackie Sibblies Drury, Richard Greenberg, Lauren Gunderson, Katori Hall, David Henry Hwang, Branden Jacobs-Jenkins, John Leguizamo, Matthew López, Martyna Majok, Martin McDonagh, Conor McPherson, Alan Menken, Arthur Miller, Lynn Nottage, John Patrick Shanley, Sam Shepard, Tom Stoppard, Paula Vogel, Wendy Wasserstein, Tennessee Williams, Harry Potter Theatrical Productions, Hasbro, and Mischief Worldwide. BLG is a Concord Theatricals company.

FLORIDA PROFESSIONAL THEATRES

ASSOCIATION (FPTA) is a statewide organization of professional theatre companies and theatre professionals interested in the development and promotion of professional theatre throughout Florida. Florida Repertory Theatre is a proud FPTA member theatre.

Florida Repertory Theatre is a member of THEATRE COMMUNICATIONS GROUP (TCG), the national organization for the American Theatre.

Florida Repertory Theatre is a proud Associate Member of the NATIONAL NEW PLAY NETWORK .

BRING THE FAMILY AND SAVE WITH OUR FAMILY PACK DEAL. $150 includes two adult tickets, two student tickets, and two house concessions. Call to book this special deal!

BY HENRY LEWIS, JONATHAN SAYER & HENRY SHIELDS

10-MAR 1,

BOARD OF DIRECTORS & FLORIDA REP STAFF

BOARD OF DIRECTORS

Janice Danzig, Chair

Naomi Bloom, Vice Chair

Dinah Bloomhall

Alexandra Bremner

Shavon Chester

David M. Fritz

Greg Longenhagen

Sunny Lubner

Jeanette Meade

Fay C. Gronski, Secretary

Arthur M. Zupko, Treasurer

John Martin, Executive Director Emeritus

Martin McLaughlin

Laurye O’Melia

ADVISORY COUNCIL

Spencer Roach

Chris Verrill

Fred Weinman

Don Abbott • Liz Abbott • Suzanne Boy • Marc Collins • Janice Danzig • Don Gurule • Melinda Isley • Jan Klein • Jane Lane • R. Marc Laviolette • Darrel Lieze-Adams • Greg Longenhagen • Donna Lovejoy • Clive Lubner • John Martin, Executive Director Emeritus • Kathleen McClanahan-Gruhl • Jeff McCullers • Kinfay Moroti • Sharyn Rosenblum • Carly Schwartzel • Chris Verrill

STAFF

ARTISTIC & EXECUTIVE LEADERSHIP

Executive Director...............................................Chris Verrill

Producing Artistic Director..............Greg Longenhagen

Associate Artistic Director............................Jason Parrish

General Manager.....................................Dianne Summers

ADMINISTRATION

Finance Director....................................................Scott Osler

Business Manager..............................................Kelly Colton

Company Manager......................................Samantha Luna

Front of House Manager.....................................Scott Wray

Box Office Manager.......................................Gena Gossett

Front of House Associates.............Rick Aschenbrenner, Gerrie Benzing, Beth Conradson, Artie D’Alessio, Kristalynn Freeman, Matt Gualco, Chelly Innes, Samantha Luna, Lori McKenzie, Basia Mielnik, Sunny Pillow, Lee Slattery, Lorraine Stanek, Lora Tajari, Lisa Vogell

DEVELOPMENT & FUNDRAISING

Development Director..................................Cindy Borassi

Development & Grants Manager................Emily Yorgey

MARKETING

Marketing Director.................................Deborah Jonsson

Digital Media Specialist..........................Joe Dafeldecker

Social Marketing Specialist...................Stephanie Davis

EDUCATION

Education Director................................Monique Caldwell

Asst. Education Director........................Megan Leonard

Touring & Outreach Manager..................................DJ Kelly

PRODUCTION

Director of Production..................................Charles Clark

Asst. Production Manager................................Katie Lowe

Technical Director......................................Russ Skellenger

Resident Director..............................................Chris Clavelli

Resident Assistant Stage Manager..................Joy Brooks

Master Electrician...............................................MK Doherty

Asst. Master Electrician..............................Jason Bernardi

Lead Carpenter...................................................Brady Bright

Audio Engineer............................................Braden Downing

Costume Shop Manager...........................Amanda Miller

Asst. Costume Shop Manager...................Caitlyn Collins

Wardrobe Supervisor...................................Skylee Vaughn

Scenic Charge...................................Julie Beth McCracken

Scenic Artist..........................................................Koi Johnson

Props Master...................................................Miranda White

Props Artist......................................................Laura Lumetta

2024-2025 INTERN COMPANY

Acting Company............Jana Denning, Patrice Eakman, Hannah Easton, Gabriel Hunyor, Cody Klimek, Ethan León

Production.........................Ashton Allred, Grace Carter, Kat Daniels, Wilson Dillard, CJ Jelagin, Max Newman, Carson Sams

Stage Management...................................Sarah Colatrino, Evie Hufstetler, Rebekah William Properties/Costumes.....................Alexander Davidson, Kaylei Kipper, Bo Vargas

Contains strong language, adult situations, & brief nudity.

SUPPORTERS IN

The following individuals have made significant contributions to Florida Repertory Theatre over the past season.

Please join us in thanking all of these generous contributors to Florida Rep’s continued success.

Naomi Bloom

Darlene M. Arnold

William & Patricia M. Wiggenhorn

Ellie Fox Laurye & Wayne O’Melia

Janet & Bruce Bunch

Jane & Bob Breisch

Concetta & Fred Ricciardi Noreen Raney

THE SPOTLIGHT

We thank them for their commitment to sustaining professional live theater, nurturing the next generation of artists and enhancing the cultural landscape of southwest Florida.

• Fred & Jean Allegretti Foundation

• The Baker Family Foundation

• Lynne Birdt

• Sandy & Colin Black

• Judy & Barry Bronstein

• Jonatha & James Castle/Grampy’s Charities

• Maura Chippendale/Chippendale Audiology

• Larry & Donna Davis

• Louis G. & Patricia A. Dunning

• Florida Division of Arts and Culture

• City of Fort Myers

• Fort Myers Community Redevelopment Agency

• Claiborne & Ned Foulds Foundation

• Mark & Lynne Gorovoy

• David & Jan Gray

• Diana & Carl Grissom

• Vici & Russ Hamm

• Missy Jordan

• Kearns Restaurant Group

• Lee County Tourist Development Council

• Lighthouse Wealth Management

• Mark Loren

• Carole Maeder

• John & Dar Mayer

• Robin & Jan Mills

• Dave & Carol Munro

• Northern Trust

• Gayle Rosemann & Paul McElwee

• Elizabeth Shevach

• W.E. Cross Charitable Foundation: Arthur, Hazel, and Alicia Brisker, Directors

• Lee Moore & Dee Whited

• Shelley Wilson & Terry Kelley

• Maureen & Robert Wott

• Arthur Zupko

Please see page 45 for a full list of Florida Rep’s 2025-2026 donors and in-kind contributors— more than 700 people & organizations who are Florida Rep’s Angels.

THANK YOU ALL.

For more information about benefit levels, please contact Development at

Florida Rep Supporters Make a Difference and Enjoy Exclusive Benefits!

FRIEND’S CIRCLE ($100-999)

Contributor ($100-250)

• Acknowledgement in Annual Florida Rep Playbill

Supporter ($250-499)

Includes above benefits, plus: • Play Enrichment Packet (Upon Request)

Executive Friend ($500-999)

Includes above benefits, plus: • $10 discounts on single tickets