Pro Landscaper May 2022 by Eljays44

MAY 2O22

REJUVENATING RABY EXPLORING THE REMARKABLE MASTERPLAN

LET’S HEAR IT FROM

30 UNDER 30 LAUNCH

TALKING TURF

RHS CHELSEA PREVIEW

Jason Knights, Ground Control

Applications open for this year’s awards

How has the market changed in recent years?

A sneak peek at the spring show

Cover.indd 1

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WELCOME

W E LC O M E

ince Pro Landscaper first started, our May issue has featured a special on the RHS Chelsea Flower Show. It is the pinnacle of the horticulture calendar and an opportunity for designers, landscapers and sponsors to appear and send a message on a global stage. Unsurprisingly, this has been hampered by the pandemic. In 2020, our May issue went to print not long after the RHS announced it was cancelling Chelsea that year. Then last year, as uncertainty continued, Chelsea was postponed, taking place for the first time in September. Well, this year, Chelsea returns to May, so our special is making a deserved comeback, and one of the aspects we were eager to praise and raise awareness of is Project Giving Back. This newly launched initiative, coming into effect for the first time at this year’s show, is funding 12 gardens to offer charities the chance to promote themselves after what would have been a difficult couple of years for many of them. It's a fantastic project, and perhaps emphasises how the RHS Chelsea Flower

Show has evolved over the decades. More than ever, the annual event has become an opportunity to create change and tackle tougher issues. Take a look at Hands Off Mangrove by Grow2Know, a garden designed by rising star Tayshan Hayden-Smith and Danny Clarke to draw attention to not only global deforestation but social injustice too. One of the people driving this direction of travel for RHS shows is Sue Biggs, whose final column for Pro Landscaper appears in this issue as she prepares to retire as director general of the RHS in June. Sue has been hugely supportive of Pro Landscaper over the years, and we’d like to take this opportunity to thanks Sue for this support, as well as for her immeasurable impact on horticulture. It seems fitting for Chelsea to return to its rightful place in our calendar this year, as a celebration of Sue’s commitment to the industry. And what a show it’s set to be! Read more about the gardens in our special and, as always, enjoy the issue.

MORE THAN EVER, THE ANNUAL EVENT HAS BECOME AN OPPORTUNITY TO CREATE CHANGE AND TACKLE TOUGHER ISSUES

NINA

THE NEW BLUE PETER GARDEN – DISCOVER SOIL, DESIGNED BY JULIET SARGEANT

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Pro Landscaper / May 2022

21/04/2022 12:01

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CONTENTS

INFORM

UK Landscape Barometer Industry feedback and statistics for February

Barometer Special Analysing how turf suppliers have fared over the last year

Return of the Dreaded Jitters Neil Edwards

INSPIRE 51

Moroccan Marvels Scape Design

Honing Heritage Bespoke Landscape Design

Landscape Architect's Journal Studio Multi

Are You Sitting Comfortably? Anji Connell

PLBA 2022 – Award-worthy Trade nurseries

PLBA 2022 – Award-worthy Arboriculture companies

News Our monthly roundup of industry news

PLBA Winners Announcing 2022's victors

Let’s Hear it From Jason Knights, Ground Control

Inside Alaster Anderson

Picture-perfect Porcelain Al Fresco

30 Under 30 Entries now open for 2022

Outdoor Seating Exploring bamboo with FURNS

30 Under 30 Update Lilly Gomm

Downlighting Guidance Neil Parslow

Handing Over The Baton Sue Biggs

Nitelux A top supplier of LED lighting

Get This Straight! Andrew Wilson

Lighting Top tips from the experts

Human Habitat Christopher Martin

RHS Chelsea Flower Show Special

Pro Landscaper / May 2022

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CONTENTS

M AY 2022 NURTURE 97

Feature Garden Raby Castle, Park and Gardens

103

Implementing Change Lewis Normand

104

Supporting Biodiversity Nick Coslett

E D U C AT E

105

The Real Rewilding Peter Reader

115

108

Managing as a Sole Trader Jo Manfredi-Hamer

Growing Up Growing Revolution

109

Time Is Money Gareth Wilson

Taking Greening Up A Level Mobilane living walls

116 117

Time to Tighten The Belt Alison Warner

110

Tree Pits and Grilles Chris George, Howe Green

118

Insisting On Annual Leave Oracle Solicitors

111

Tree Anchors Top tips for success

121

Ready For A Rebrand? Caroline Hill, Adtrak

122

Stepping Up To The Mark Angus Lindsay

123

Product DNA – Toro Capella Work Machine

124

Design Software Learn about My Garden Design with Paul Baker

126

Materials Focus Glass reinforced plastic

130

Little Interviews Questions with the individuals who make up our industry

www.prolandscapermagazine.com

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126

64 MAY 2O22

REJUVENATING RABY EXPLORING THE REMARKABLE MASTERPLAN

LET’S HEAR IT FROM

30 UNDER 30 LAUNCH

TALKING TURF

RHS CHELSEA PREVIEW

Jason Knights, Ground Control

Applications open for this year’s awards

How has the market changed in recent years?

A sneak peek at the spring show

Cover.indd 1

21/04/2022 16:02

To receive a copy of Pro Landscaper, please contact Katie Bone. Email katie.bone@eljays44.com or call 01903 777 585.

Pro Landscaper / May 2022

21/04/2022 16:05

Join us at The RHS Ch elsea Flower Sho w 24-28 May 2022

MEDITE makes it real

at the RHS Chelsea Flower Show

MEDITE SMARTPLY has set its sights on the RHS Chelsea Flower Show to showcase its innovative product range and commitment to sustainable building. As a responsible manufacturer of timber construction panels, the company is committed to creating products that contribute to healthier buildings.

The innovative construction panel, MEDITE TRICOYA EXTREME (MTX), has revolutionised the construction and landscaping industry. This groundbreaking product is guaranteed outdoors for 50 years and underground for 25 years, contributing towards sustainable construction. Its design capabilities are limited only by your imagination.

Join the MEDITE MDF community online to receive the latest updates. Visit meditemakesitreal.com for more information. Dreamers welcome!

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CO N T R I B U TO R S

INFORM

Sue Biggs After more than a decade as director general, Sue Biggs is retiring from the RHS. In her final column for Pro Landscaper, Sue looks back on the more recent challenges and celebrations of the last couple of years, whilst looking ahead to what will be her final Chelsea as director general.

P32

W W W.RHS.ORG.UK

ANDREW WILSON P34

@THE_RHS

Neil Parslow

CHRISTOPHER MARTIN P37

Downlighting has the ability to transform a garden, says Neil – but only when done properly. So, Neil shares his top tips for incorporating downlighting into a project, with some key reminders for the best methods for mature trees.

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W W W.LIGHTVISUALS.CO.UK W W W.NEILPARSLOWDESIGN.COM

@LIGHT VISUALSUK

ANJI CONNELL P64

Peter Reader Rewilding is in danger of becoming a buzzword as there seems to be a wide misunderstanding of the term, says Peter. To avoid it becoming a ‘greenwash’ label, he explains how rewilding is different from sowing wildflower seeds in a garden – but how both are important to continue.

P105

W W W.READERLANDSCAPES.COM

GARETH WILSON P116

@PETERRE ADER9

Jo Manfredi-Hamer

ALISON WARNER P117

Sole traders don’t have to be experts in everything, says Jo Manfredi-Hamer. Knowing your strengths and seeking help for areas where you’re not so adept could ensure a smoother running of your business and a better work/life balance. Jo shares her insight for successfully working on your own.

P115

W W W. JMHGARDENDESIGN.CO.UK

C O N TACT

Eljays44 Ltd 3 Churchill Court, 112 The Street, Rustington, West Sussex BN16 3DA Tel: 01903 777 570 EDITORIAL Head of content – Nina Mason nina.mason@eljays44.com Tel: 01903 959 393 Managing editor – Ashleigh Johnson ashleigh.johnson@eljays44.com Tel: 01903 777 578 Editorial researcher – Gemma Lloyd gemma.lloyd@eljays44.com Tel: 01903 777 594 Senior subeditor – Katrina Roy katrina.roy@eljays44.com Tel: 01903 959 391 Subeditor – Sam Seaton sam.seaton@eljays44.com Tel: 01903 959 391 Design – Kara Thomas, Kirsty Turek

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ADVERTISING

MARKETING AND CIRCULATION

Sales manager – Millie Genner millie.genner@eljays44.com Tel: 01903 777 582

Subscription enquiries – Katie Bone katie.bone@eljays44.com Tel: 01903 777 585

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Printed by Pensord Press Ltd, Gwent, UK Published by ©Eljays44 Ltd – Connecting Horticulture. Pro Landscaper’s content is available for licensing overseas. Contact jamie.wilkinson@eljays44.com

Horticulture Careers – Mark Wellman mark.wellman@eljays44.com Tel: 01903 777 574 Director of development – Jessica McCabe jessica.mccabe@eljays44.com Tel: 01903 777 588 Managing director – Jim Wilkinson jim.wilkinson@eljays44.com Tel: 01903 777 589 Editorial director – Lisa Wilkinson lisa.wilkinson@eljays44.com Tel: 01903 777 579 Director – Jamie Wilkinson jamie.wilkinson@eljays44.com Tel: 01903 777 585

CAROLINE HILL P121

@JMANFREDIHAMER

Pro Landscaper is proud to be an affiliate member of BALI

The Association of

Professional Landscapers

Pro Landscaper is published 12 times per year by Eljays44 Ltd. The 2022 subscription price is £100. Subscription records are maintained at Eljays44 Ltd, 3 Churchill Court, 112 The Street, Rustington, West Sussex BN16 3DA, UK. Articles and information contained in this publication are the copyright of Eljays44 Ltd and may not be reproduced in any form without the written permission of the publishers. The publishers cannot accept responsibility for loss of, or damage to, uncommissioned photographs or manuscripts.

Whilst every effort has been made to maintain the integrity of our advertisers, we accept no responsibility for any problem, complaints, or subsequent litigation arising from readers’ responses to advertisements in the magazine. We also wish to emphasise that views expressed by editorial contributors are not necessarily those of the publishers. Reproduction of any part of this magazine is strictly forbidden.

Pro Landscaper is proud to be an associate member of the APL

MANAGEMENT Managing director Jim Wilkinson Director Lisa Wilkinson Business development manager Jamie Wilkinson

Cover photograph: ©Tracy Kidd Photography Raby Castle, Park and Gardens

Pro Landscaper / May 2022

21/04/2022 15:36

INFORM

GROUND CONTROL CERTIFIES AS A B CORPORATION

NEWS D

©Glenn Howells Architects

eveloper Canary Wharf Group (CWG) has announced a partnership with the Eden Project. This is the first of its kind and aims to create a model of how biodiversity can thrive in urban environments. The partnership will tackle the challenge of increasing biodiversity within Canary Wharf and provide Eden with a London base. As part of the partnership, the first project will be the creation of a green spine through the centre of the Canary Wharf estate with additional green public realm, parks and gardens, waterside access, performance spaces, bridges, boardwalks and floating pontoons. It will animate the docks with spaces for arts and culture, and for water sports such as paddle-boarding, open water swimming and kayaking. The ambition for the partnership is for Canary Wharf estate to become a global example of best practice and innovation on biodiversity in a dense urban environment,

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Pro Landscaper / May 2022

©Glenn Howells Architects

NEW PARTNERSHIP LAUNCHED TO TACKLE BIODIVERSITY IN URBAN ENVIRONMENTS

living and working in harmony with nature. Through this collaboration, the partners will be able to share what they learn through their actions at Canary Wharf to help other cities around the world work for nature as well as people. Award-winning architects, Glenn Howells Architects, will assist in developing a masterplan vision for the existing public realm and waterways at Canary Wharf. From this summer, Canary Wharf will become Eden’s London home, creating a base from which the charity can extend its activities across London. Shobi Khan, CEO, CWG says: “Our urbanising world cannot become sustainable until cities work for nature as well as people. In partnering with biodiversity expert, the Eden Project, CWG will accelerate thinking and action on how urban environments can be re-designed with nature at the heart. “Sustainability has been front and centre for CWG’s buildings over the last 20 years. We already have over 20 acres of parks and gardens and 5km of waterside paths. Our partnership with the Eden Project will ensure these spaces and new areas support the ecosystems that people and nature depend on as we bring transformational change to the estate.” group.canarywharf.com www.edenproject.com

reen service provider Ground Control joins a growing cohort of companies reinventing business by pursuing purpose as well as commercial success in becoming a B Corporation (or B Corp). Ground Control has been certified by B Lab, the not-for-profit behind the B Corp movement, as having met rigorous social and environmental standards which represent its commitment to sustainable goals ahead of profit. It joins a community of 4,800 B Corp businesses around the world. In the UK, the B Corp community comprises more than 700 companies representing a broad cross section of industries and sizes including well-known brands such as The Guardian, innocent, Patagonia, The Body Shop and Abel & Cole. Jason Knights, managing director of Ground Control says: “Being recognised as a B Corp is great news strongly welcomed by everyone at Ground Control. This reflects not only our identity as a business but rewards a lot of hard work from our employees and management to get to where we are today. “Before B Corp status, we first became a carbon-neutral company and also invested in a unique set of sustainability initiatives such as the Evergreen Fund, dedicating 5% of annual net profits to a £5m Impact Venture Fund for environmental initiatives and carbon sequestration. “For a problem as important and far reaching as climate change we need likewise clear commitments to biodiversity net gain and sustainability. We are committed to purpose alongside growth and commercial success and hope our new status encourages more UK businesses to take action and inspire wider change.” www.ground-control.co.uk

www.prolandscapermagazine.com

21/04/2022 10:44

INFORM

he 2021 Pearson Memorial Medal for outstanding service to the garden industry has been awarded to Mark Gregory, a multi award-winning garden designer from Yorkshire. The recipient of the annual Pearson Memorial Medal is chosen by the HTA Board after receiving nominations from the Council, HTA staff and board members. The medal for outstanding service to the garden industry has been awarded by the HTA on an annual basis since it was instigated in 1930 in memory of the HTA’s first general secretary, Charles Pearson. Mark is the owner of Surrey-based APL member Landform Consultants Ltd and has been in the horticulture and landscaping industry for more than 35 years. Mark was voted the most influential person in the landscape and garden design industry by his peers, and in July 2020 he became a fellow of the Landscape Institute and is now a chartered landscape architect. Mark has exhibited and designed at the RHS shows for many years and has been

SECTOR LEADERS UNITE ON MAJOR PIECE OF RESEARCH

he Landscape Institute has launched its Landscape Skills and Workforce Survey, a new major piece of research which will provide new insights into the economic structures and makeup of the landscape industry. Working alongside partners British Association of Landscape Industries, Historic England, Historic Environment Scotland, Locri, Natural England, Natural Resource Wales, NatureScot, and the Northern Ireland Department for Communities, this project will produce a rich and informative evidence base, covering the landscape industry (and its neighbouring professions) across the UK,

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News.indd 11

involved with more than 100 gardens at the RHS Chelsea Flower Show and over 160 show gardens for the RHS across all its shows, making him the most medalled garden builder within the RHS. He has achieved gold medals at Chelsea on six occasions; for his 100th garden he won Gold, Best Construction and People’s Choice. Mark is a senior RHS garden assessor and garden judge, and his relationship with the HTA and APL is strong too. He was chair of the APL for seven years. HTA president, Boyd Douglas-Davies, says: “He's an inspiration to landscapers and designers of today and the future. A fantastic ambassador for the industry.” www.hta.org.uk

in both the public and private sectors. Metro Dynamics has been appointed to support on the delivery of the survey. Back in 2018, the LI ran the State of Landscape research project, a sector survey that showed a profession in flux. Skills shortages across the sector, as well as changes in practice as a result of climate change, the housing crisis, Brexit, and so on, demonstrated challenges, as well as opportunities to be seized. The Landscape Institute’s CEO, Sue Morgan says: “The insight we’ll gain from this important piece of work will enable us to take an informed, strategic approach as a sector and we need to work collaboratively to fully understand and address the national skills deficit. This work will help us get the right skills in the right places.” To take part in the survey, head to: www.landscapeinstitute.org

LANDSCAPE ASSOCIATION CELEBRATES 50 YEARS April 2022 marked the 50th anniversary of The British Association of Landscape Industries. The association has now grown close to 1,000 accredited members. As part of the 50th celebrations, the association has unveiled a commemorative logo and has an annual plan of celebrations and activities to come. www.bali.org.uk

LONDON STONE OPENS NEW BIRMINGHAM SHOWROOM Nationwide hard landscaping materials supplier London Stone has opened the doors to its largest showroom to date, in Birmingham. The vast 850m2 showroom is located in Erdington, Birmingham, just five minutes from J5 of the M6. The new flagship branch opens up London Stone to the counties of Warwickshire, Worcestershire, Staffordshire and Shropshire. www.londonstone.co.uk

RHS GARDEN WISLEY: THREE NEW PLANT COLLECTIONS RHS Garden ALBIZIA JULIBRIZZIN Wisley has 'ROSEA' been awarded three new National Plant Collections by horticultural conservation charity Plant Heritage. The three newly accredited collections of Eucryphia, Albizia julibrissin (Persian silk tree) and Lagerstroemia (crape myrtle) now join 12 other National Plant Collections held at the RHS’ flagship garden in Surrey. www.rhs.org.uk

©RHS/Philippa Gibson

MARK GREGORY RECEIVES AWARD FOR OUTSTANDING INDUSTRY SERVICE

NEWS IN BRIEF

Pro Landscaper / May 2022

21/04/2022 10:46

INFORM

Online Exclusives THE LANDSCAPE INSTITUTE ATTENDS MIPIM 2022 The Landscape Institute (LI) attended the MIPIM conference in Cannes for the first time earlier this month. Taking its message straight into the heart of the property industry, we speak to LI vice president Noel Farrer to find out about the key moments and exciting urban changes ahead. www.prolandscapermagazine.com/ what-happened-at-mipim-2022-thelandscape-institute-attendsconference-for-the-first-time

IAN DRUMMOND'S NEW EDITION OF AT HOME WITH PLANTS We catch up with award-winning interior landscaper, Ian Drummond, to find out all the details on his newly released book ‘At Home with Plants.’ Ian hopes At Home with Plants will encourage people to fall in love with houseplants and enable a deeper understanding for their care. www.prolandscapermagazine.com/ ian-drummond-releases-brand-newbook-at-home-with-plants/

RED DIESEL REFORM: EFFECTS IN THE CONSTRUCTION SECTOR The Treasury has now banned red diesel within the construction industry. Alastair Hayfield, senior research director at Interact Analysis, discusses whether this will drive more investment for electric powered vehicles. www.prolandscapermagazine.com/ red-diesel-reform-will-it-drive-ashift-to-electric-in-uk-constructionsector-or-will-it-just-cause-inflation/

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Pro Landscaper / May 2022

NEW DESIGNS FOR NEWCASTLE CITY CENTRE

lans to enhance Old Eldon Square and Blackett Street whilst still preserving the heritage of the area are being developed following a successful bid to the government’s Levelling Up Fund. This marks the start of the next phase of the programme that was initially launched in March 2021. Events will offer the first opportunity for the public to discuss the city centre plans in person following the lifting of COVID-19 restrictions. The vision for Old Eldon Square is to sensitively integrate the war memorial, whilst developing the area into a world class public space. The aim is for Blackett Street to be pedestrian priority and become a green gateway to the city, with more trees and planting to provide a natural space for people to spend time. The proposals are subject to a successful referral to the government’s Planning Inspectorate to approve the removal of vehicles from Blackett Street, which the council’s Cabinet agreed to proceed with earlier this week. Cllr Ged Bell, Cabinet Member for Development, Neighbourhoods and Transport at Newcastle City Council says:

“The City Centre Transformation Programme is delivering our vision to transform the heart of Newcastle. It will make our city a more welcoming and attractive place, bringing in investment that will benefit everyone. “As we move on to the next phase of the programme, I want to encourage as many people as possible to find out more, look at the designs and let us know their thoughts. “We are committed to make the city a better, healthier and greener place, and somewhere that can be enjoyed by everyone.” The £50m City Centre Transformation Plan, funded through a package of national government grants and private investment, will deliver a cleaner, greener heart of the city that is aimed to strengthen the city's economy. The first phase of works on Ridley Place and Saville Row are underway, with work to start in the coming months on Northumberland Street and Grey Street. www.newcastle.gov.uk

NURTURE LANDSCAPES RECEIVES SEVENTH CONSECUTIVE ROSPA GOLD MEDAL AWARD

indlesham-based Nurture Landscapes has received a gold medal in the Health and Safety Award. Organisations receiving a RoSPA Award are recognised as being worldleaders in health and safety practice. The RoSPA Awards scheme is the longest running of its kind in the UK, and receives entries from organisations across the globe, making it one of the most sought-after achievement awards for health and safety worldwide. Currently, around seven million people are directly impacted by the RoSPA Awards, but the scheme’s global influence is even wider, with nearly 2,000 organisations from 50 countries represented this year. Robin Jackson, Nurture’s head of compliance, HSEQ and training, comments: “It is fantastic news to retain our gold medal status from the leading H&S awarding body. This award rubber stamps that our HSEQ systems are fully functioning, meeting

national standards and helping to protect our entire workforce who by fully complying are paramount in us achieving this award.” Julia Small, RoSPA’s achievements director, says: “This is a fantastic and well-deserved accomplishment. By receiving this recognition, Nurture Landscapes join like-minded businesses and organisations worldwide, who represent the very best in their approach to health and safety. I would like to add my personal thanks for all the work that it has taken to secure this well-deserved award. Congratulations to all involved, who champion and drive up health and safety standards every day. You are a fantastic example to others in your sector.” www.nurture-group.co.uk

www.prolandscapermagazine.com

21/04/2022 10:43

Master your future 200mm - DO NOT SCALE THIS MEDIA BOX

For more information regarding this file, please contact the Production Team at: Design Bridge Limited International Branding Agency 18 Clerkenwell Close London EC1R 0QN United Kingdom T +44 (0)20 7814 9922 F +44 (0)20 7814 9024 www.designbridge.com

ART WORK

PROJECT DETAILS

VERSION NUMBER:

• Develop awareness of all areas of the horticultural industry within a global context.

• Three-year, part-time programme to fit around work and other commitments.

• Gain effective research skills to relay key information into professional reports.

CLIENT NAME: RHS JOB NUMBER: GARDENERS DESCRIPTION: ORANGE MASTER BACKGROUND DATE: 06.12.2021 ORIGINATOR: MD PROJECT MANAGER: TW PRINT PROCESS: SUBSTRATE:

Key information:

• Widen knowledge of different business models and acquire project management competencies.

CUTTER GUIDE:

274mm

Key benefits:

• Improve skillsets in problem-solving, successful communication and adapting to change.

COLOUR USAGE

INITIAL

Highly regarded in the industry world-wide, it provides an opportunity for horticultural professionals to gain inspiration by thinking of new ways to evolve and grow, both professionally and as an individual, and to take bold steps to enhance existing business models and fine-tune managerial skills.

The RHS Master of Horticulture (MHort) Award is a degree-level programme open to candidates from around the world, with graduates from the USA, Hong Kong, China, Australia, Singapore, Europe and the United Kingdom.

SIGN-OFF

LEAD DESIGNER

• MASTER ELEMENTS CORRECT • COLOURS & FINISHES CORRECT • LAYOUT CORRECT • RETOUCHING COMPLETED

CLIENT SERVICE

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PRODUCTION MANAGER

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DELIVERY

Client via email:

Important Notice Fonts will not be supplied with this artwork. The client or the client’s third party supplier is responsible for ensuring that it has obtained all fonts and necessary licences. All special colours specified are from the Pantone matching system unless otherwise stated. The colours on this printout are not accurate and are intended to be used as a guide only, do not use for matching purposes unless otherwise stated. This artwork file is repro ready, but does not contain important information such as trap/grip/choke etc, these need to be applied by a reprographics specialist. Whilst every effort is made to ensure the accuracy of the text in this artwork, Design Bridge cannot accept responsibility for any errors or omissions. © Design Bridge 2021. All intellectual property reserved. Pending payment of full contract price. See terms and conditions.

The Royal Horticultural Society (RHS) is the UK’s leading gardening charity, and has been training future horticulturists for over 100 years.

• Online learning, with remote study anywhere in the world. • Invaluable career investment, costing less than £6k. • Flexible payment options to help spread costs whilst learning. • Earn the right to use the designation MHort (RHS) after your name.

• Understand and enhance personal management style, for productive relationships. • Discover a global professional network for in-industry problem solving, career advice, and development.

Applications open on 29 April for October 2022 start. Visit: rhs.org.uk/mhort | Contact: mhort@rhs.org.uk | Follow: @RHSEducation

RHS Registered Charity No: 222879/SC038262

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INFORM

HEADLINE SPONSOR:

AWARDS PARTNER:

Friday 22 April 2022 EAST WINTERGARDEN, CANARY WHARF

WINNERS 2022 Trade Nursery of the Year Winner: W Crowder & Sons Ltd

Sponsored by

Arboriculture Company Winner: Beechwood Trees and Landscapes Ltd

Sponsored by

Grounds Maintenance Company Winner: Tony Benger Landscaping Ltd

Sponsored by

Landscape Architecture Studio Under 10 employees Winner: Studio 31 Landscape Architects

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Garden Design Company Winner: Harrington Porter Ltd

Sponsored by

Landscaping Company £1m-£5m Winner: Tony Benger Landscaping Ltd 14

Pro Landscaper / May 2022

PLBA Winners.indd 14

Sponsored by

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21/04/2022 14:11

INFORM

Supplier & Service Provider Winner: Adtrak

Sponsored by

Landscaping Company Under £1m Winner: Land Technology Ltd

Sponsored by

Employer of the Year Winner: Elmtree Garden Contractors Ltd

Sponsored by

Industry Collaboration Winner: Bridgman and Bridgman LLP

Sponsored by

Landscape Architecture Studio Over 10 employees Winner: Groundwork London Landscaping Company over £5m Winner: Landform Consultants

Sponsored by

Commercial Landscaping Company Winner: Maylim

Sponsored by

Design and Build Company Winner: The Garden Company Ltd

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Sustainable Company of the Year Winner: Ground Control

Sponsored by

SUPREME WINNER: www.prolandscapermagazine.com

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Elmtree Garden Contractors Ltd

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Pro Landscaper / May 2022 15

21/04/2022 14:12

INFORM

Let ’s Hear it From

JASON KNIGHTS AFTER MORE THAN A YEAR OF SETTLING INTO THE ROLE OF MANAGING DIRECTOR, JASON KNIGHTS SHARES HIS BOLD PLANS FOR GROUND CONTROL

ason Knights is not one to relax – at least, not the way that others might consider unwinding. When he’s not working on growing Ground Control to a £300m enterprise, he’s taking time out by running or going flat out on a HIIT and Hills ride on a newly acquired Peloton. That’s not forgetting that he’s also a father of three, a demanding job in itself. Fortunately, whilst others might be exhausted just reading about Jason’s lifestyle, he appears bursting with energy. Like most who work at Ground Control, there’s a genuine enthusiasm when talking about the company he has now been running for the last 16 months or so. To some, Jason’s decision to quit his job as managing director of prolific mechanical and electrical (M&E) company SES Engineering Services – which had been acquired by construction behemoth the Wates Group in 2016 – in the midst of a pandemic might have seemed a little, well, risky. Especially when it was to join a smaller, lesser-known company in a different sector. But Ground Control is a powerhouse itself – “the best kept secret”, says Jason. This year it will reach £150m in turnover, if not more – a £30m jump since Jason took over as managing director in January 2021 – and Jason has ambitious plans for this to soar to an eye-watering £300m by 2026. In the last 12 months, it has recruited in excess of 400 people to the team, bringing the headcount to more than 1,000. Impressive trajectories such as these are nothing new to Jason, though. At the Wates Group, he set up an

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internal business unit which grew from nothing to £150m in less than three years. Prior to this, he’d worked as an operations director at consultancy and construction giant Mace. When Wates acquired SES, Jason joined the board and took over the management of the newly acquired £200m

THE REAL CHALLENGE WAS SETTING A FIVE-YEAR PLAN THAT TAKES THE GOOD OF THE PAST BUT DRIVES IT HARD INTO THE FUTURE business. He was driving a huge amount of value into these companies – and as a result was looking for equity. That’s where Ground Control comes in. And though it’s a different sector to where he has worked previously, his skills and business acumen remain essential. “It’s still being managing director of a business – it’s about the people, about the technology, about leading the business in terms of strategy,” says Jason, who gained a degree in engineering and later an MBA. “My background is as a mechanical engineer, and I’ve always worked on construction and engineering before wandering into this sector of landscape – but they are linked; engineering is about managing energy and sustainability, which is something I really care about, so I realised that a company that has values like Ground Control, which is carbon

neutral and a Certified B Corporation®, is the place and the people I want to be with. And owning a bit of it with them is a great part and a great culture.” For a glass-half-full person like Jason, even joining less than a year into a global pandemic turned out to be a positive. “It enabled a lot to happen very quickly because everyone was in a place of thinking ‘change is okay’ as the whole world was changing. Where people weren’t going into the office and doing the norm, it enabled

me to change the way we were doing things. And meeting people which would normally have been difficult face-to-face became easy; I could meet 30 people five times a day. So, it happened seamlessly and worked out for the best.” The transition between two managing directors was made easier still by Jason’s predecessor, Marcus Watson, becoming a non-executive director on the board. “It maintained continuity and history; it’s a nice support of understanding why past decisions were made so you don’t lose the value chain for that. “The real challenge was setting a five-year plan that takes the good of the past but drives it hard into the future. That took us six months to do. We’ve now split the business into five clear businesses, so rather than thinking we have to find nearly £200m in revenue, we’ve split it into smaller plans with little steps which are achievable and manageable.

1 The Children’s Garden at the Royal Botanic Gardens, Kew 2 Tree maintenance in action 3 Jason celebrating another award win with the Ground Control directors and executives

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“A tough part was to then take people on the journey of a new plan whilst we’re in a transition; I used the existing people with a new structure and new lines of reporting and put my stamp on it as Jason Knights running the company. The best thing about it is that we’re maintaining the people and the culture at Ground Control while we’re doing that. It’s like a diamond, with the people and culture; we’ve just polished it up a bit and now have a plan which enables us to go forward. It’s a really authentic business, which is great.”

Jason Knight’s stamp is – in his words – “a bit of the boring engineering bit”. But the strategy and the trajectory for Ground Control is far from boring with Jason’s structure and systems in place. The company now has “a really good bedrock” as it grows, helping it to maintain its culture which is so vital to Jason and to Ground Control that Jason goes as far as to say he

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would halt the growth if he felt the company was in danger of losing it. After all, it’s the culture of the company which enticed Jason to join. He even appears to have enjoyed the recruitment process which resulted in him being offered

The week before we caught up with Jason, Ground Control had also relaunched its brand to focus on people. Whilst its tagline remains ‘Caring for our environment’, a new campaign has been kickstarted – ‘Human Nature: At Its Best’. “Caring for our environment is obviously core to what we do, but that’s now linked to human nature and is driving a wider sphere of influence – and we want to be an influencer in the sector and in other sectors to drive the carbon piece. We have a real push on biodiversity too, looking at how in terms of pathways we can link our projects together, whether these be Network Rail, Highways England, our retail customers – we realise with our extensive clients we can link the whole of the UK and together, and Ireland.” It's part of an evolution, says Jason. “We were small; we’re now becoming a bigger company. With that, we want to be able to attack bigger issues and be a bigger influence. We’re still committing money to the Evergreen Fund” – a £5m Impact Venture Fund, funded by 5% of Ground Control’s annual net profits to go towards

YOU END UP GETTING A REALLY GOOD FEEL FOR THE COMPANY AND YOU REALLY WANT TO BE PART OF IT. IT’S A GOOD CULTURE TO WORK IN, AND IT’S A HIGH-PERFORMING CULTURE, IT’S VERY FAST-PACED the job, part of which was an experience day with role play, such as interviewing a candidate and chairing a board meeting. “You end up getting a really good feel for the company and you really want to be part of it. It’s a good culture to work in, and it’s a high-performing culture, it’s very fast-paced.” This is where Jason and Ground Control align, as well as ensuring integrity, innovation and caring for their people. As the company grows, Ground Control is going to continue to invest heavily in the latter, dedicating £1m to training this year to support development and progression.

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ventures focused on carbon reduction, sustainability, and environmental protection – “where we’re increasing the percentage, and we bought a 300-acre site called

CARING FOR OUR ENVIRONMENT IS OBVIOUSLY CORE TO WHAT WE DO, BUT THAT’S NOW LINKED TO HUMAN NATURE AND IS DRIVING A WIDER SPHERE OF INFLUENCE – AND WE WANT TO BE AN INFLUENCER IN THE SECTOR AND IN OTHER SECTORS TO DRIVE THE CARBON PIECE Wildfell [to showcase biodiversity and sustainable practices] so that we can give back. It’s not marketing – we walk the walk.” A large part of Jason’s role is ensuring that the company is prepared to be a big

influencer. “I’ve worked with big companies like Wates and Mace, so I know what they should look like, and I think that’s the experience Ground Control liked; it gave me the blueprint to apply so we could replicate what a bigger company will look like. We want to keep the wheels on the bus – we’re going faster and faster and we don’t want the wheels to come off and it all go wrong.” Jason also brings with him a wider perspective. “I wasn’t constrained by thinking of Ground Control as focusing on landscape and maintenance; I was thinking how it was five business units and what it would look like as a £300m company. Everyone, in terms of the board and the leadership, had grown up in Ground Control, so I had a broader perspective. Ground Control is already an expert in the market, so how can we broaden this to the next steps? So, I was attracted to the role because they wanted to do something wider and different, and I think my track record demonstrated and gave them the confidence that I could do this.” It's not just growth which Jason has his sights set on. Ground Control is also

working towards being net zero by 2025, having already achieved carbon neutrality two years ahead of schedule. It’s a target which is not without its obstacles, though. “The challenge is the technology and the supply chain; if we can’t get electric vans or electric road sweepers and gritters, then net zero becomes quite difficult. We’re still targeting it, though, because it’s the right thing to do and to offset it with our focus on biodiversity. Hopefully, we can lead and influence the market and technology and broach issues before they arise.” Jason calls this “taking responsibility”, by driving change rather than waiting for it to happen, an approach that shows no matter where Jason applies his time – be it Ground Control, family or the treadmill – he will give it his undivided attention and ambition.

4 5 6 7

Ground Control staff working as a unit More staff members hard at work Teamwork is vital to Ground Control's success Ground Control received this for being one of the top 100 large UK companies to work for

C O N TA C T Ground Control Tel 01277 650 697 Email info@ground-control.co.uk

www.ground-control.co.uk

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ALASTER ANDERSON ALASTER ANDERSON GOES IN-DEPTH ABOUT THE RUNNINGS OF THE COMPANY, AND HOW THEY WORK TO RETAIN THEIR RENOWN AND REPUTATION

laster Anderson has been in business since 2000, when he created his first landscaping company – Prima Flora Design & Build – with two horticultural friends. After several years, Alaster left Prima Flora to establish Alaster Anderson: The Planting Experts to provide a high-calibre service focusing solely on creating gardens in central London. Alaster, a passionate horticulturalist and landscaper, loved the logistical challenges that installing London gardens posed – especially when working with budgets to create really exciting gardens and planting schemes, often using large mature plants. "Having an in-depth, detailed knowledge of what we do and what we deliver is a driving force behind Alaster Anderson

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– The Planting Experts. This marks our company out as having extensive strengths in the landscaping industry because of our legendary attention to detail," says Alaster. The company specialises in the design, installation and build of fine London gardens and collaborates with specialist external contractors to deliver hard landscaping elements. Its expertise ranges from project management through to

HAVING AN IN-DEPTH, DETAILED KNOWLEDGE OF WHAT WE DO AND WHAT WE DELIVER IS A DRIVING FORCE BEHIND ALASTER ANDERSON creating instant mature gardens through the use of large specimens. Alaster Anderson’s level of attention to detail, project management and aftercare

ALASTER ANDERSON means the company is consistently attracting new clients through word of mouth and a 'job well done'. Many of the gardens it creates are for high-profile clients and, due to client confidentiality, it is only able to showcase a select number of its projects publicly.

1 Daytime visualisation, St John’s Wood

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Over the past 16 years the company has developed a superb relationship with Mike Spink of Spink Property. Spink Property is a prestigious, high-end property development company through whom Alaster has created amazing gardens alongside one of the world’s most influential landscape designers, Christopher Bradley-Hole.

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One of the company’s most acclaimed projects is a 7.5-acre garden in Totteridge Village, designed by Bradley-Hole Schoenaich Landscape (BHSLA) with Christopher Bradley-Hole operating as the principal designer. Alaster was appointed to maintain the first phase of the garden and thereafter install phase two. Alaster says: "That was a stand-out project, which was very impressive and a very exciting design to work on with many logistical challenges to overcome." Alaster Anderson: The Planting Experts is not only a grand-scale horticulturist and garden design company; it also works on stunning gardens of all sizes, roof terraces and even balconies. On fairly large projects, the company will manage multiple different contractors and competing demands and timescales. “The key to successfully project managing gardens, particularly whilst houses are being renovated, is to have an individual on site who is highly capable, amenable and capable of resolving issues in demanding

THE KEY TO SUCCESSFULLY PROJECT MANAGING GARDENS, PARTICULARLY WHILST HOUSES ARE BEING RENOVATED, IS TO HAVE AN INDIVIDUAL ON SITE WHO IS HIGHLY CAPABLE, AMENABLE AND CAPABLE OF RESOLVING ISSUES IN DEMANDING CIRCUMSTANCES SURROUNDED BY MANY DIFFERENT CONTRACTORS circumstances surrounded by many different contractors,” Alaster explains. "Florent Durieux, operations director at Alaster Anderson, is extraordinarily good at delivering on projects, having a very welcoming and friendly personality. Florent puts a lot of energy into every project he oversees, and this energy is tremendously

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infectious, so we find these projects run smoothly as a direct outcome." Alaster Anderson operates mostly in central London, designing some really exciting projects in, for example Knightsbridge, Kensington and Chelsea. The team is currently part way through a project in Knightsbridge – a relatively large garden where they’ve created a landscape that is unusual for the capital. "The clients wanted to feel immersed in a woodland meadow – an oasis – as they didn’t want to feel as though they were in London. To bring this effect to life, we used large 14-metre-high multi-stem birch trees and areas of planting to create something beautiful, and when you are inside the garden it really doesn’t feel like you are in the city." At the very heart of Alaster Anderson: The Planting Experts is ensuring that

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clients who make sizable investments in their gardens can have real peace of mind from knowing Alaster’s team have the skills

THE AIM IS TO CREATE NUMEROUS TRAINING PROGRAMMES THAT WILL UPSKILL PEOPLE IN HORTICULTURAL ARTS AND TRADE and know-how not only to achieve the desired result – but to make sure their garden will go from strength to strength, becoming even more beautiful as it evolves.

With the company’s outstanding pedigree in installing bespoke designer gardens with highly skilled teams, it is natural that Alaster’s next move will be to share his knowledge and passion with others. He has joined forces with Natalie Nixon, a former employee, to set up a training business launching in 2023. Alaster explains: "It will be a nationwide training academy where we’re looking to help people in the industry from garden designers and landscapers to gardeners 2 Hand selecting plants is essential work for Alaster Anderson – The Planting Experts 3 Planting a mature Ilex aquifolium 4 Dusk visualisation, St John’s Wood 5 A bonsai pine at Totteridge Village 6 Designed by Christopher Bradley-Hole, Installed by Alaster Anderson 7 Mature Tilia trees being planted at St John’s Wood

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differentiate themselves from their competitors. The aim is to create numerous training programmes that will upskill people in horticultural arts and trade." The academy will help professionals elevate their skill base and acquire the specialist knowledge that will allow them to deliver a superior service and therefore increase their rates. With the growing demand for creating fabulous gardens that are an extension of the home, Alaster feels there is the need for training to equip individuals and companies with high-end skills. This can involve everything from soil management, plant sourcing and procurement, to installation and ongoing care so clients’ gardens are a flourishing success.

COURSE ATTENDEES WILL LEARN HOW TO DESIGN, INSTALL AND MAINTAIN GARDENS TO A REALLY HIGH STANDARD WHILST STILL BEING ABLE TO MAKE MONEY IN THE INDUSTRY Alaster says the lack of access to such self-improvement courses in horticulture and landscaping led him and Natalie to create the academy, where their enthusiasm and knowledge can help others on that all-important journey. With a shift from traditional timeframes where college training can take a block of weeks or months, they are creating courses that span one to five days, and are spread throughout the year. Each course will be "targeted to answering a particular industry-focused need or issue – so there is no need for lengthy programmes." "Course attendees will learn how to design, install and maintain gardens to a really high standard whilst still being able to make money in the industry.” Courses will initially be held in the Southeast, with plans to expand nationwide. Alaster is welcoming feedback from professionals regarding any training they would like to see included. Alaster understands the importance of structuring the business and managing

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staff in order to create a genuinely exciting and interesting place to work, as well as providing opportunities for students and staff to develop their skills and grow within the field. He is also intent on spreading the money he earns on his high-profile London projects to less advantaged communities. "We have an office in Wales because I feel it’s important to take the money we’re earning in London and spread it out around the country. "The administrative team that works in Wales is smaller and is a part of a community where there is a lower-level of opportunity for work, which is something I’m passionate about investing in, so those communities can benefit in some way from Alaster Anderson."

At 52, Alaster has an enviable track record behind him – a portfolio of stunning projects, exceptional industry partnerships and a five-star reputation – along with huge ambition to carry out more amazing work in the future.

8 Finding the best face of an Amelanchier lamarkii

C O N TA C T Alaster Anderson 83 Victoria Street, London SW1H 0HW Tel 0207 305 7183 Email enquire@alasteranderson.com

www.alasteranderson.com

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ENTER YOURSELF OR A COLLEAGUE Pro Landscaper’s 30 Under 30: The Next Generation is back for its eighth year. To date, we have celebrated 210 winners from a variety of sectors within the industry – from sales to arboriculture, from construction to design, from maintenance to landscape architecture. These awards should not only highlight the up-and-coming talent within the industry, but also the diversity of horticulture and those working within it. Why not put forward yourself or a deserving colleague for a chance to be recognised?

’S

Who?

Why?

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The rules are simple. You can nominate yourself or a colleague, as long as the nominee was aged 30 or under on 1 January 2022 and currently works within the horticulture, arboriculture, garden design or landscape sector. Entrants must have worked in the industry for at least one year.

Entering Pro Landscaper’s 30 Under 30: The Next Generation is a great way to gain recognition for your own work or the work of someone you know. Previous winners have expressed that winning the awards is a wonderful way to enhance their careers.

Simply email 30u30@eljays44.com to request an entry form. Fill out the form to the best of your ability, picking out key moments from your career and showcasing some of your best work. Email the form back with a high-resolution (at least 1MB) headshot by 31 August 2022.

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For more information on how to enter, contact 01903 777570 or email 30u30@eljays44.com

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3 0 U N D E R 3 0 U P DAT E

LILLY GOMM

A SWISS SANCTUARY

LILLY GOMM CONTINUES TO MAKE A NAME FOR HERSELF IN HORTICULTURE, AS SHE APPROACHES HER DEBUT SHOW GARDEN AT CHELSEA

helsea is not exactly new to Lilly Gomm. The landscape architect and garden designer has even won a Gold medal there in 2019 for The Stihl Hillier Garden, and she was due to return with Hillier in 2020 until COVID-19 forced the show to be cancelled. But these were within the floral marquee. This year, Lilly is stepping outside with her first show garden at the RHS Chelsea Flower Show, titled A Swiss Sanctuary. “It’s a heady mix of excitement and nerves and I bounce constantly between the two,” says Lilly. “Despite the stress and pressure of the show, overall, it feels good to be exhibiting again and Chelsea is obviously the pinnacle for garden designers.” As well as Chelsea, Lilly has also appeared at Tatton Park, competing in the RHS Young Designer of the Year competition in 2016 where she won the People’s Choice Award, and Hampton Court. At the time of joining Pro Landscaper’s 30 Under 30 alumni, Lilly was working as a gardener

under a jointly owned company, Pitts & Lilly, whilst running her own design practice, Lilly Gomm Studio. Today, she works partly as a landscape architecture at global multi-disciplinary practice Arup as well as on her own private projects.

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“This means I get the best of both worlds, working in the public realm and on private gardens. I do miss gardening, though, and would rekindle that role in some form again, potentially in a voluntary capacity.” That’s when she has the time, admitting that Chelsea is all-consuming outside of her work with Arup. Her garden, sponsored by Switzerland Tourism and partners, is

I GET THE BEST OF BOTH WORLDS, WORKING IN THE PUBLIC REALM AND ON PRIVATE GARDENS. I DO MISS GARDENING, THOUGH, AND WOULD REKINDLE THAT ROLE IN SOME FORM inspired by her travels to the country, which she says were “simply brilliant”. “I had a packed itinerary compiled by Switzerland Tourism introducing me not just to some of their outstanding sights, but connecting me to gardeners, designers, historians, and passionate plants-people to give me a broad view of the regions we’ll be celebrating within the garden.” The garden was originally set to appear at Hampton Court in 2020, but when this show was also cancelled, Lilly says they took the opportunity to aim for Chelsea. “The garden was redesigned to fit the new site but, throughout, my challenge in the brief has been to display the contrasting planting seen across Switzerland, showcasing the

alpine, woodland, and Mediterranean flora to represent the cantons of Bern, Ticino, and Lake Geneva. Executing this within a 10x10m garden has been the challenge.” Together, Lilly and veteran contractor Collinson’s Landscaping are aiming to only use what is necessary for the garden, keeping over-ordering – and therefore waste – to a minimum. “This stretches to bedding our pond and large boulders into sand rather than constructing a concrete base. All efforts have been made to decrease the garden’s carbon footprint with materials primarily coming from UK sources. “We are also fortunate to be able to rent some of our materials and all planting material is going to community parks and gardens in south London straight from site to replenish their underfunded spaces.” For sponsor Switzerland Tourism, these sustainability elements were of huge importance, with Switzerland’s reputation as a global leader in this field. With Chelsea just a month away at the time of writing, it won’t be long before Lilly’s dreams of a show garden at Chelsea are realised. So, what could be next for the designer? Continuing to take on private work and working towards chartership, Lilly hopes to combine her passions. “Alongside this I want to keep a strong connection to the horticultural industry which is an area landscape architects can lack knowledge in, despite planting being an integral part of the job. My ideal career would be in the realm between horticulture and landscape architecture so hopefully in five years I will have figured out what that could look like for me!”

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SU E B IGGS HANDING OVER THE BATON

THIS YEAR’S CHELSEA WILL BE THE LAST FOR SUE BIGGS AS DIRECTOR GENERAL OF THE RHS, AS ONE OF THE INDUSTRY’S MOST PROLIFIC FIGURES PREPARES TO HAND OVER THE REINS AFTER MORE THAN 10 YEARS AT THE HELM

pring is in the air at last – I love this time of year, with the bulbs flowering, the sun coming out and blue skies ahead! The five RHS gardens are looking so wonderful at the moment, thanks to the work of our fantastic horticulture teams and now enjoyed by our visitors and our 600,000 members (and counting)! It is so great for our industry and for us, the UK’s leading gardening charity, that we have been able to welcome so many more people to the wonderful world of gardening (and the RHS!). It is one of the few silver linings we have all seen from COVID, and I know many of you reading this article have eventually had bumper years too. We should be so proud to welcome gardeners old and new, now totalling 30

CLARE MATTERSON CBE WILL BE TAKING OVER AS DIRECTOR GENERAL FROM MAY

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million green fingered people, especially given the challenges we have all had to rise to over the last two years.

I WILL MISS THE RHS AND EVERYONE IN IT ENORMOUSLY, BUT I KNOW I WILL BE LEAVING THE SOCIETY IN GOOD HANDS WITH CLARE At the RHS, we’re incredibly grateful for the ongoing support of all our friends and colleagues in the horticulture industry and I am so looking forward to seeing many of you again at RHS Chelsea Flower Show in just a few weeks at this point! It will, sadly, be my last RHS Chelsea Flower Show as director general of the RHS, as I am retiring from the RHS on 16 June. By now you may have seen that Clare Matterson CBE has been announced as the next director general; she will be joining us on 9 May for a good period of handover until I retire. I will miss the RHS and everyone in it enormously, but I know I will be leaving the Society in good hands with Clare. Clare is currently executive director, engagement at the Natural History Museum, and is a keen gardener and has been a member of the RHS for nearly 30 years. I am sure that everyone in the wider horticultural world will have a fantastic opportunity to work together with Clare and our talented teams to make the charity

an even bigger force for good in gardening and helping the planet through people and plants. I have truly loved my time at the RHS. I have been so inspired by the drive, creativity and dogged resilience of the horticulture industry – whether it’s in the face of COVID restrictions, building climate-friendly gardens, delivering change through the Ornamental Horticulture Roundtable Group (which I have had the honour to chair since

THE WILDLIFE GARDEN AT RHS HILLTOP – THE HOME OF GARDENING SCIENCE ©PAUL DEBOIS/RHS

its inception) or solving whatever other problems are thrown at us, I am constantly impressed by how this industry rises to any challenge! From landscapers to contractors, designers to gardeners and growers, and everyone in between, I am so proud to have been part of an industry that is making a real difference to people and planet. This has been particularly evident in two of the largest projects the RHS has undertaken in recent years: the opening in 2021 of RHS Garden Bridgewater in Salford and RHS Hilltop – The Home of Gardening Science at RHS Garden Wisley in Surrey. I can hardly believe we are approaching

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INFORM

RHS HILLTOP – THE HOME OF GARDENING SCIENCE AT RHS GARDEN WISLEY ©OLIVER DIXON/RHS

FROM LANDSCAPERS TO CONTRACTORS, DESIGNERS TO GARDENERS AND GROWERS, AND EVERYONE IN BETWEEN, I AM SO PROUD TO HAVE BEEN PART OF AN INDUSTRY THAT IS MAKING A REAL DIFFERENCE TO PEOPLE AND PLANET two years on, we are able to bring back the show that we all love so much – not to mention RHS Hampton Court Palace Garden Festival and RHS Flower Show Tatton Park in the summer. We are fortunate at the RHS to have such a phenomenal team behind the shows, but it’s really a huge

team effort across the RHS – indeed, across our whole industry; the flexibility, commitment and good humour under such difficult circumstances of everyone involved has been amazing, thank you so much. As we look to the future, I know that this flexibility and commitment is one of the horticultural industry’s many strengths, and will stand us in good stead to face the challenges to come. Since I joined the RHS, there has been a significant shift in how we talk about our changing climate and the diversity of our industry. As attitudes and legislation changes, our industry must change too, something the RHS is well aware of. This is why we launched our Sustainability and Diversity Strategies last year, and the Society remains committed to making sure we continue to deliver on our vision – to enrich everyone’s life through plants and make the UK a greener and more beautiful place. Thanks again for everything you have done to help the RHS and horticulture, especially everyone at Pro Landscaper!

ABOUT SUE BIGGS

THE PARADISE GARDEN AT RHS GARDEN BRIDGEWATER ©MARK WAUGH/RHS

www.prolandscapermagazine.com

Sue Biggs.indd 33

Sue Biggs joined the RHS as director general in 2010, with 30 years’ experience in the leisure industry. She has led changes to make the RHS more inclusive and forward-thinking, including a £160m investment programme. Sue was made a CBE in 2017 for services to the environment and horticulture. www.rhs.org.uk

Sue Biggs portrait ©RHS/Anna McCarthy

the one-year anniversary of both of these phenomenal projects – RHS Bridgewater in May and RHS Hilltop in June. RHS Garden Bridgewater is an integral part of the local community and reaches new audiences, showing that gardening is for everyone whatever your experience. RHS Hilltop – The Home of Gardening Science is the UK’s first dedicated centre of excellence for horticultural science and learning, helping to protect the future of plants, people and the planet. The phenomenal response from visitors really shows that there is a huge appetite for horticulture – what an exciting time for the industry. This passion for growing and the positive impact the horticulture industry can make will be on show like never before at RHS Chelsea Flower Show this year and I can hardly wait. Last year’s RHS Chelsea Flower Show, in September 2021, was a remarkable event; despite the unknowns and the complications, it was a huge success, and I must admit I really enjoyed seeing the autumnal plants and flowers that don’t get a look in in May. When I joined the RHS, I certainly never imagined I would see a giant pumpkin in the marquee at Chelsea! However, it will be wonderful to get back to our regular time of year in May, and I know many of our growers and designers are relieved that we will be returning to a spring show! On that note I would like to thank everyone who has been so supportive of our shows over the years, and particularly since 2020. When we cancelled all our shows in 2020, we had no idea that in 2021 we would still be operating at reduced capacity or that Chelsea would be moved, not just by a few weeks, but to an entirely different season. I am delighted that now,

Pro Landscaper / May 2022 33

21/04/2022 09:51

INFORM

AN DR EW WILSO N GET THIS STRAIGHT!

ANDREW WILSON CONSIDERS THOSE ANNOYING TRAITS IN CLIENTS (AND IN SOME DESIGNERS) THAT REFUSE TO BE LAID TO REST

ith 40 years or so in the profession of garden and landscape design I can’t help but fall into reflective mode from time to time. With age and maturity comes the realisation that I can’t change the world, but it is undeniably aggravating to have to deal with the same old issues over and over again. I feel that I should enter any client discussion with key bullet points posted on the wall behind me. The board might well read like this: There is no such thing as all year-round colour In an age when we can buy most things and money talks, clients so often assume that the natural world can also be controlled to deliver our every whim. Colour is certainly an attractive proposition to virtually everyone, but our seasons do impact tremendously on just how much might be deliverable. A winter planting scheme is a very different proposition to an early summer scheme.

So often designers (and I have to say several of my students) also chase this pot of gold at the end of the rainbow. The main issue is that providing planting colour for every season dilutes the overall impact or character of the planting. We end up with many plants doing a range of different

34 Pro Landscaper / May 2022

Andrew Wilson.indd 34

things rather than designing our planting to deliver greater excitement and drama in key or selected periods. One or two of everything is not a planting design but just a mess – all year-round interest, all year round the same.

IN AN AGE WHEN WE CAN BUY MOST THINGS AND MONEY TALKS, CLIENTS SO OFTEN ASSUME THAT THE NATURAL WORLD CAN ALSO BE CONTROLLED TO DELIVER OUR EVERY WHIM There is no such thing as no maintenance If I paved a garden and excluded all planting, I would still need to maintain that garden. Dirt is deposited in fine particles every time it rains, leaf litter from surrounding trees would still fall (and not just in autumn and not just from deciduous trees). Admittedly this would be a relatively low maintenance regime, but we would still need to interact with the space. Planting, planting beds, lawns and pools all need maintenance and as each element is introduced the maintenance level will increase. Designers can manage this and deliver lower levels of regular maintenance, but clients also have to buy into this too. A lawn is still a regular request in our client briefs and with that provision comes one of the highest maintenance inputs.

Planting is part of a natural cycle of growth, dieback and re-growth and all clients have to allow for some management of this pattern, either for themselves or by seeking professional input from a gardener. It has to be part of the deal, or we are throwing money down the drain Gardens cost money Unless you are using “freecycle” for just about everything or you are still enjoying old episodes of ‘Groundforce’, products of any kind cost money. Any garden contains a variety of products and therefore we can identify a cost. Unless clients carry out the work themselves all labour costs money and we can ascertain a figure from selected landscapers. If the client wants a designer to design their garden, then the designer will charge a fee because it is their job and not their hobby. Due to the age-old concept of supply and demand some prices will be higher than others and any expectation of quality will come at a premium. In other words, garden design, build and planting are just like any other part of the economy. Who knew? OK, rant over, but there could be more! Pictured: For all its loveliness I can put a price and a maintenance input on everything in this image. Hertfordshire Garden, Andrew Wilson and Gavin McWilliam

ABOUT ANDREW WILSON Andrew Wilson is a landscape and garden design consultant, director of the London College of Garden Design, and an author, writer and lecturer. www.lcgd.org.uk

www.prolandscapermagazine.com

21/04/2022 09:48

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INFORM

CHRISTOPHER MARTIN HUMAN HABITAT

COULD WE BE DOING MORE TO MAKE OUR CITIES MORE HABITABLE FOR PEOPLE? PONDERS CHRISTOPHER MARTIN

n the whole, it feels we care more about the design and quality of habitat for Rwandan Gorillas than we do human habitat. People donate personal fortunes to save the habitat of gorillas – rightly so – and in western society we tend to get upset when we hear about the devastation of gorilla habitat in the rainforest. Why is it then, that we have historically been largely ambivalent about the degradation of human habitat? One reason I see is that we don’t see urban design as a science, yet we are trying

move on and change, to support people and society in new ways. Like medicine, streets and cities have to act to eliminate what kills us and protect from what harms us. There is plenty about the design of our existing human habitats that is failing us. The design of cities has an enormous part to play in solving the climate emergency for one, and we have run out of time to be sustainable. We need to shape “regenerative” communities, habitats and cities, not just sustainable ones. When you’re talking about sustainability, you’re talking about sustaining the situation, but the current situation is broken. Let’s look at our mental health; 55% of Londoners say they feel lonely sometimes and in other cities 15% of people say they

to save lives. We see wildlife conservation as a science – but just not when it comes to conserving our own species. In science and medicine – and we can very easily relate to this after the last few years; if something attacks us, if something is killing and hurting human beings, science and medicine fight back to eradicate it, lessen its impact, and put us on a course to recovery. Medicine and science evolve and keep pace with the evidence – testament to the fact that we aren’t being prescribed leaches anymore – and we are all fine with that! Equally, how we shape cities simply has to be governed by what yields the maximum return on investment for people and society, from the space we have available. And this means cities have to evolve; streets and public spaces have to evolve especially, to

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Christopher Martin.indd 37

PUBLIC REALM INVESTMENT IS TRULY TRANSFORMATIVE. VERY FEW OTHER FORMS OF INVESTMENT CAN TARGET SUCH A BROAD SET OF OUTCOMES feel they have absolutely nobody to rely on. But we know how we can change this. In his seminal study, Donald Appleyard highlighted the increased social connections we have when our streets and public realm are not dominated by traffic and are not a barrier. He showed that if you live on a street with less traffic running down it you have more friends on that street, stronger social connections, and improved mental health.

We have historically gone to extraordinary measures to make life easier for drivers, despite the damage this does to the very joy of cities. If we go a fraction of the way to make life easier for people walking up a hill to a metro station, for example, or cycling to work, people will do it and places will benefit. Public realm investment is truly transformative. Very few other forms of investment can target such a broad set of outcomes – from physical health, mental health, community cohesion, and urban loneliness; through to combatting climate change and delivering more money in shopkeeper’s tills. The job of the urban designer is to plot the path through the discussion that yields the greatest return on investment for the greatest number of people in a way that benefits society and the city as a whole, and the environmental climate that our children have to grow up in. And that is what we must do. In the design of our towns and cities there is simply no place for nostalgia.

ABOUT CHRISTOPHER MARTIN Christopher is an influential urban designer and planner working all over the globe to help communities improve their public spaces; as well as supporting cities and governments to develop strategy, change policies, and make great places possible. He is co-founder and director of Urban Strategy at Urban Movement; a trustee of the UK charity for everyday walking – Living Streets; vice chair of the UK Urban Design Group; and is a member of the United Nations Planning and Climate Action Group. www.urbanmovement.co.uk

Pro Landscaper / May 2022 37

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n this issue of the UK Landscaper Barometer, we are focused on the trading month of February 2022. As we sat in the middle of winter, cold weather had its impact as anecdotal evidence suggested it had its usual “negative effect.” Feelings of uncertainty have been circulating around how the market will cope with the effects of inflation and fuel price increases. As a result of this, confidence has dropped significantly throughout the industry – falling to one of its lowest points on the barometer record. Participants discussed their concern explaining “production, utility, and transport costs have increased by eye-watering amounts,” which has led a need to increase prices, and, to “clients feeling very conscious about what they are getting for their money.” However, some respondents received a “record number of invoiced sales”, high order book values, and interest is said to be remaining strong for some, despite the increasing costs. If you would like the full report or would like to contribute to the UK Landscape Barometer moving forward, please send an email to Gemma Lloyd on gemma.lloyd@eljays44.com or call on 01903 777 594. Please note that all statistics are based on those surveyed and compare February 2022 to February 2021.

NATIONAL

PERCENTAGE OF RESPONDENTS MORE CONFIDENT COMPARED TO LAST MONTH

TURNOVER 10% 32%

Higher

32%

54% 58%

Equal Lower

14%

100%

2022

90%

2021

80%

2020

70% 60% 50% 40% 30% 20% 10%

ENQUIRIES

Higher

37%

42%

Jan

Feb

27% 46%

Jun

Jul

Aug

Sep

Oct

Nov

Dec

CONVERSION

Higher Equal Lower

37%

www.prolandscapermagazine.com

Higher

21% 36%

Equal 27%

PROJECTS

UK Landscape Barometer.indd 41

May

Equal

21%

44%

Apr

STAFF

Lower

19%

Mar

Lower

Higher Equal

43%

Lower

This month, a significant 46% have reported a decrease in their staff levels. This is the largest decrease since the start of the barometer. One respondent mentioned: “At the moment, there are poor quality candidates on the employment market.” Luckily, this hasn’t affected turnover as of yet, as 58% reported an increase and only 10% saw a smaller turnover. Conversion rates saw 43% report equal levels, and a strong 36% report an increase. For 37%, projects remained static, whilst 44% experienced an increase of work.

Pro Landscaper / May 2022 41

21/04/2022 11:11

CONVERSION

TURNOVER

ENQUIRIES

THE SOUTH

THE MIDLANDS

SCOTLAND AND THE NORTH

GARDEN DESIGN

DESIGN AND BUILD

COMMERCIAL LANDSCAPING

DOMESTIC LANDSCAPING

20%

40%

Higher

60%

Equal

80% 100% Lower

STAFF

20%

40%

Higher

60%

80% 100%

Equal

Lower

YEAR ON YEAR

THE SOUTH

ENQUIRIES

THE MIDLANDS

FEB 2022

SCOTLAND AND THE NORTH FEB 2021

DESIGN AND BUILD

20%

40%

60%

80% 100%

Higher

COMMERCIAL LANDSCAPING

DOMESTIC LANDSCAPING

20% Higher

40%

60%

Equal

80% 100%

STAFF FEB 2022

FEB 2021

Lower 0%

20% Higher

42 Pro Landscaper / May 2022

UK Landscape Barometer.indd 42

40%

60%

80% 100%

20% Higher

40%

60%

Equal

80% 100% Lower

For companies in Scotland and the North, staff levels fell dramatically, with 75% experiencing decrease. Enquiries in the midlands saw a significant 67% report a decrease, and 100% of domestic landscapers also experienced a fall. A significant 100% of commercial landscapers saw an increase in enquiries, and 60% of garden designers reported an increase in turnover. Comparing enquiries and staff levels to figures from last year, there is significant change. This month, things have been notably different regarding the decreased numbers of staff. The number of respondents working with more staff has fallen from 51% last year, to 27% now. And, enquiries suffered a big drop, with 34% less respondents reporting an increase.

Interested to find out more or see what the confidence and projects statistics look like? Please email gemma.lloyd@eljays44.com or visit our website to download the full report.

www.prolandscapermagazine.com

21/04/2022 11:13

NURSERIES Things are remaining positive for nurseries with very “buoyant sales”. Anecdotal evidence suggests trade is good, and this is further supported by a strong 100% reporting an increase in their turnover. However, the weather is said to have made things difficult, and respondents are particularly worried about transportation costs, “our prices will have to rise!” Nevertheless, respondents are excited for spring and what the season ahead could hold.

CONFIDENCE

ON AVERAGE Enquiries increased by

41%

National turnover increased by

25%

More Less

Turnover for design and build companies decreased by

Projects increased by

13% 51%

TURNOVER

100%

Conversion rates for commercial landscapers increased by

43%

Enquires decreased by

39% for garden designers

GARDEN DESIGNERS saw an increase of 40% IN TURNOVER

QUOTES

25%

More 50%

Same Less

25% 100%

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UK Landscape Barometer.indd 43

60% Turnover for commercial landscapers increased by

51% 68% 1% Conversion rates rose by

75%

Projects for garden designers increased by

Quotes increased by

for nurseries

Projects for design and build companies increased by

Average project commencing time for domestic landscapers was

5 MONTHS Enquiries increased by

60%

for commercial landscapers

Nurseries saw an increase of

22% in turnover

Enquiries for domestic landscapers decreased by

15% 15% Pro Landscaper / May 2022 43

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TURF GRASS HAS THE VOLUME OF TURF GRASS YOU HAVE SOLD INCREASED, DECREASED, OR REMAINED THE SAME OVER THE PAST YEAR?

40%

AFTER A ROCKY FEW YEARS BATTLING THE EFFECTS OF THE PANDEMIC, BREXIT, AND NOW JUST RECENTLY INTENSE INFLATION, WE ASKED TURF SUPPLIERS ABOUT THE CHANGES THEY’VE SEEN OVER THE LAST YEAR. HAS PRODUCTION INCREASED? HAS THE WEATHER HAD ADDITIONAL IMPACT? HERE’S WHAT WE LEARNED.

SPECIAL

HAS THE WEATHER HAD A POSITIVE OR NEGATIVE IMPACT ON YOUR SALES OVER THE PAST YEAR?

Increased Same

20%

Decreased

20%

Positive Same

It seems results are quite spread across those reporting an increase, decrease, and things remaining the same. Whilst 40% have seen an increase in the volume sold, 40% have also seen a decrease. Anecdotal evidence suggests many respondents believe the increase of turf grass sold is a result of growth in the market that has stemmed from recent “chaotic years.” One respondent added that the pandemic has "sparked excitement for improving gardens and people are falling in love with them again”. However, those who experienced a decrease explained the rising cost of turf over recent years is to blame for their downfall.

HAS THE VOLUME OF TURF YOU PRODUCE INCREASED, DECREASED, OR REMAINED THE SAME OVER THE PAST YEAR?

14%

29%

Increased 57%

Same

Grass turf special.indd 45

With a strong majority (80%) reporting that the weather did not have an impact on sales, the remaining 20% experienced positive effects. Respondents explained the weather will always have an effect on growth and business operations on a day-to-day basis. One added: “It’s about a constant balance between the good and the bad that keeps things running smoothly.” Nevertheless, for many, things remaining the same is not necessarily a bad thing.

ARE YOU TAKING ANY MEASURES TO PREPARE FOR THE POTENTIAL IMPACT OF CLIMATE CHANGE?

Yes

40% 60%

Decreased

It’s great to see 57% of respondents have produced more turf over the past year. This suggests demand has been strong all round, and respondents explained they chose to produce more turf as they were preparing for the coming demand.

www.prolandscapermagazine.com

80%

A significant 60% of respondents are preparing for the potential, and very likely, impact of climate change. For many turf growers, climate change is said to be at the top of their agenda. One respondent added: “We’re constantly looking at what we can do to reduce our carbon footprint.” Another said: “We’re trying to be as environmentally friendly as possible by exploring a wealth of options.

Pro Landscaper / May 2022 45

21/04/2022 14:21

HAVE YOU INCREASED YOUR PRICES OVER THE PAST FIVE YEARS?

100%

Yes

ARE CUSTOMERS OPTING MORE FOR PREMIUM PRODUCTS OVER COMMODITY?

Yes

40% 60%

ARE YOU DIVERSIFYING YOUR PRODUCT RANGE?

20%

Following on from the results of the research in this Special, we asked the Turfgrass Growers Association (TGA) for its thoughts on the turf market at the moment. It’s safe to say grass turf will always be in demand. Over the past year, however, the TGA explained that the demand for turf grass has increased even further as short-term effects stemming from the huge demand in the housing market, and the effects of COVID-19, have led to an increase in suppliers’ sales. Richard Owens, TGA chairman, said: “Consumers have been striving to improve their outdoor spaces.” He explained that in turn, this has contributed to an increase in the volume of turf being produced in the UK. Richard added: “The UK turf industry is primarily supported by UK turfgrass growers. There is virtually no import to the UK from overseas,” and thus, due to consumer needs during the pandemic, more turf has been produced over the past year.

Yes 80%

It is clear that everyone involved in this research has had to increase their prices over the past five years. However, one respondent said: “We don’t put our prices up based on things we believe are just flash inflationary increases.” They continued: “We have found that more people are now willing to pay more for the service rather than the product.” Still, inflation has occurred, and it appears that avoiding putting up prices has been impossible. It is interesting to see more suppliers (60%) are noticing that customers are opting for premium over commodity. A large 80% of respondents mentioned they are diversifying their product range and focusing on searching for the “better, more high-quality options” that keep the environment in mind.

46 Pro Landscaper / May 2022

Grass turf special.indd 46

THOUGHTS FROM THE ASSOCIATION

Whilst both of these increases have been a result of a positive increase in demand, as we have slowly recovered from the pandemic, it seems we’re not out of the dark yet. According to Richard, the effects of Brexit and COVID-19 have caused inflation to implement catastrophic effects, placing great pressure on the supply chain. He explained: “There has been a pent-up demand following the relaxation of measures. Global energy prices are soaring, and more recently, the increasing cost of fuel is being hugely felt by many primary producers in the UK.” It seems now the costs for labour, pallets, transport, fertiliser, seed, fuel and machinery are rising fast. At the moment, TGA members implement an annual increase in their prices of “usually less than 5% each year”

according to Richard. But now, with additional inflationary pressure, Richard believes this is now likely to be higher than 5% to cover extra costs.

TGA MEMBERS CAN WORK ON BETTER IMPLEMENTATION OF MECHANISATION AND WIDEAREA MAINTENANCE EQUIPMENT TO REDUCE CARBON OUTPUTS. ALTHOUGH, IT MUST BE STATED THAT NATURAL TURF HAS A CARBON INTAKE THAT WOULD RENDER MOST PRODUCERS CARBON NEGATIVE RICHARD OWENS, TGA CHAIRMAN

Richard recommends turf suppliers continue to work on offering a diverse range of products, and that they prepare for the potential impact of climate change too. “TGA members can work on better implementation of mechanisation and wide-area maintenance equipment to reduce carbon outputs. Although, it must be stated that natural turf has a carbon intake that would render most producers carbon negative.” Focusing on the inflation in transportation costs, Richard suggests business growers prioritise maximising lorry loads, whilst ensuring there is much less double handling of products.

www.prolandscapermagazine.com

21/04/2022 17:00

RETURN OF THE DREADED JITTERS

t was inevitable, of course. In the field of construction, highs follow lows and troughs follow peaks just as sure as day follows night. But having faced down the double threat of both Brexit and a global pandemic without breaking stride, it was starting to feel like the good times would last forever. They yet might. But alarm bells are apparently ringing among the more skittish of industry watchers. The concern now is that those jitters could yet prove contagious. Such reaction is not surprising. The sector has been pounded with a host of new challenges. The skills shortage shows no signs of abating; materials prices are rising with no apparent ceiling in sight; and energy costs are the water cooler topic du jour. For a time, it looked as if the industry was planning to push aside those obstacles. In the first 10 days of March 2022, the BCLive league table recorded more than £3.3bn in new contract awards. The final two thirds of the month told a very different story. First there was the dawning realisation that the war in Ukraine was not just a flash in the pan. Then came the Chancellor’s Spring Statement, which brought comfort to few and concern to many. And then the month ended with the removal of the subsidy on the red diesel that has fuelled the sector for some 60 years. New contract awards slowed, ending the month more than 33% down on the £8.6bn recorded in the same month last

www.prolandscapermagazine.com

Neil Edwards.indd 47

year and also down on the £6.2bn posted in the preceding short month of February. Top of the tree in March 2022 was Mace, which collected three new contract awards with a combined value of £725m. The largest of these is the construction of a new eight/nine storey tower block in Westminster for Caudwell Properties. That development will also include a swimming pool, gymnasium and roof terraces together with hard and soft landscaping and vehicular access to Waverton Street.

ALARM BELLS ARE APPARENTLY RINGING AMONG THE MORE SKITTISH OF INDUSTRY WATCHERS. THE CONCERN NOW IS THAT THOSE JITTERS COULD YET PROVE CONTAGIOUS Willmott Dixon secured eight new contract awards worth a total of £311m to take the third position on the BCLive league table for March 2022. The largest of these is a transport hub new build alongside the A6 and Mersey Square in Stockport. Landscaping professionals within easy reach of Surrey will be thrilled to learn of a new £69m new build at Vale Croft Woods in Farnborough. The housing development also includes provision for two supermarkets, a convenience store and a post office, together with extensive new landscaping and public realm works. Redrow Homes Southern Counties will be undertaking the main construction works.

THE BCLIVE CONTRACT AWARD LEAGUE TABLE RECORDED NEARLY £5.8BN DURING THE MONTH OF MARCH 2022, WELL AHEAD OF THE ESTABLISHED £4BN MONTHLY BENCHMARK. BUT IT IS THE MANNER IN WHICH IT ACHIEVED THAT IMPRESSIVE MONTHLY TOTAL THAT IS STIRRING FAMILIAR FEELINGS OF CONCERN. NEIL EDWARDS LOOKS BACK OVER A MIXED MONTH

Regionally, London retained the crown as the busiest and most lucrative area with 131 new contract awards valued at more than £2.1bn. The North West (618m) enjoyed a welcome upturn in activity while the South West also saw an uptick to £485m. The East and West Midlands – until recently buoyed by HS2 and the Commonwealth Games – slipped back to £105m and £253m respectively while Scotland also slipped to £275m. Housing, predictably, contributed the lion’s share of activity during the month with 161 new contract awards valued at a combined £1.87bn. Offices enjoyed an excellent month, climbing to £1.08bn split across 62 individual projects. The education sector added a further £567m while health and welfare produced a further £447m. It is far too early to utter the dread word “downturn”. If history has taught us anything, it is that perceived concern can quickly become real concern; that the merest mention of the word downturn can spark a downturn in industry sentiment and – ultimately – in industry output.

A B O U T N E I L E DWA R D S Neil Edwards is CEO of Builder’s Conference, the construction industry’s leading trade body. It provides its members to sales leads and market intelligence, as well as statistical data and networking opportunities. BCLive is a real-time league table of construction contract award activity. Operated by the Builders’ Conference, the BCLive league table monitors more than 6,000 new contract awards each year with a combined value of over £80bn. www.buildersconference.co.uk

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INSPIRE

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n terms of large-scale projects, there have been few as grand as the government-invested master plan for a residential and tourist community in Taghazout Bay with its flagship hotel operated by globally recognised brand, Fairmont Hotels and Resorts. The design of the hotel’s landscape was awarded to Philip Jaffa's Scape Design in 2015 following their work on the wider Bay Masterplan in 2010. Philip explained: "It’s been a long journey commencing with the creation of a working narrative that emerges from the natural world of this amazing location as well as from the way of life of the indigenous Imazighen Berbers who once inhabited the nearby foothills of the Atlas Mountains." The overall design of the resort was heavily influenced by Scape Design’s research into the living patterns and architectural clusters formed by the semi-nomadic Berbers and inspired by their travels along ancient routes between mountains and sea, following wadis and riverbeds. Often dried-up in this arid region, the wadis are interspersed with astonishing oases where tumbled river pebbles come together with wildflowers and palm trees. “We worked hard to give the hotel’s site plan the spirit of these places creating our own 'wadis and oases' to snake through the site from the entrance down to the beachfront providing circulation routes,

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MOROCCAN MARVELS FA I R M O N T TAG H A Z O U T B AY SCAPE DESIGN numerous vantage points and areas of green planting and shade for recreational pursuits divided by habitational zones within the project,” says Philip. The client and the project team were driven to create something that spoke of the location and its rich history. Mindful of the effects of climate change on Scape Design’s work, the guest experiences are intrinsically, yet subtly, linked to the cultural history and changing geography of the area with use of local stone and natural materials throughout, as well as indigenous low water demand planting, ensuring that the resort guests could touch and feel a strong visual connection with the wider Bay area. Scape Design’s approach also encourages guests to wander around the

wider Bay, to connect with the local community in the markets or observe the renowned local goats which acrobatically climb the famous Argan trees that adorn the lower mountain slopes to eat their fruit and leaves. “A tree full of goats is an incredible sight,” says Philip. Berber goat herders lead their flocks through the Argan (Argania spinosa) forests, where the animals climb the trees and can strip them nearly bare. Philip noted: "The typical luxury traveller is much more discerning these days, wanting more authentic experiences that allow them to connect with nature, the local community and most importantly, through 1 Entry Courtyard ©Fairmont Tagazhout

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these connections, to their deepest selves, thus ensuring lasting memories. This is something we always set out to achieve”. “The Fairmont Tagazhout site planning is very different from the traditional hotel layouts in Morocco which gravitate towards courtyard style architecture of the Riad. The Riad is all about creating a sense of safety and security, keeping the outside away and building more internalised communities,” says Philip. "The most famous Riads are in Marrakech, whilst many newer hotels along the coasts are still built around that Riad culture. Whereas we sought to embrace the wider world through the eyes of Nomadic Berbers and translate that into the Fairmont design language”. As a result, the concept for much of the resort is based on the notion of dry riverbeds and rocky mountain ravines. However, key moments are filled with verdant gardens – ‘oases’ which occur around restaurant terraces, by the main pool decks and in the spa garden. The design literally 'springs' from the flow of water and how, along with the wind, it has carved the mountain sides into ravines and plateau with expanses of

grasses such as Pennisetum, Nassella and Saccharum flowing aside as a softer, more vivid contrast. In more expansive areas, Scape Design incorporated large areas of low water demand Mediterranean plants such as rosemary, salvia, agarve, lavender and thyme, all commonly found in the nurseries of Morocco. Arrays of colour were added using species such as Rudbeckia, Hibiscus, Agapanthus and Bougainvillea. "The overall experience is one of a highly contrasting juxtaposition of colour, scent and verdant forms against the fluid soft formed grass-like species, as they gently move in the coastal breeze,” says Philip. One area that pays homage to the art of the Moroccan Courtyard is the spa which takes its language from the Berbers’ temporary mud brick homes that were built into the ground to create a cooling effect and protect them from the elements – not to forget the value of additional privacy. "We created these little winding streets directing spa guests from courtyard to courtyard, from treatment rooms to vitality baths, plunge pools and Kniepp therapy foot tanks, all planted with scented plants and colourful displays to enrich the senses,” says Philip. “Wandering around the resort,

"We sought to embrace the wider world through the eyes of Nomadic Berbers and translate that into the Fairmont design language"

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INSPIRE PROJECT D E TA I L S Landscape budget: approx. $10M (US) Build time Three years Size of project 18ha

you come upon these 'moments', these different little 'settlements' – as we chose to call them. The spa settlement allows guests a very different opportunity to interact with and connect to the landscape in a way they are not able to in the wider resort." For those who don’t know about Kniepp therapy, a major aspect of its wellness benefits occur in the form of hydrotherapy, where water held within different pools serves as a mediator of different temperature and textural stimuli. In the base of the pools, there can be different materials and textural experiences that stimulate the acupressure point in the base of the foot helping to increase blood circulation in the body. Typical aspects of the therapy include treading, cold and hot faucets, baths and herbal washes, promoting a healthier lifestyle. The spa buildings and courtyards were created in a more traditional way than the wider resort and are built into the ground using mud brick and combining the natural elements of earth, water and sun. It is an ancient building material usually made with tightly compacted sand, clay and straw, or

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grass, mixed with moisture, formed into bricks and naturally dried or baked in the sun without an oven or kiln. In Morocco, the Berber people are celebrated for their artistic skills, from pottery to weaving, jewellery to henna art and, in particular, their renowned pattern designs. For many artists, however, their work is seen as an almost meditative process where they have the opportunity to incorporate ‘spiritual blessing’ into their work. Philip’s team at Scape Design sought to weave together and embed this rich mix of creativity and tradition into their design for the Fairmont landscape, particularly in the unique floor patterns located within key guest areas, like in the floor scape of the Porte Cochere drop-off and on the floor of major pathway intersections, like “informal Berber carpets” creating moments of rest within the landscape. Adopting a sustainable approach throughout all the project’s design stages involved thorough exploration of every aspect of the scheme. One key objective for the design team was to minimise the visual

impact of the buildings and balance the structural fill, while at the same time ensuring that each of the 146 guestrooms, suites and villas, as well as the restaurants, had picture-perfect views towards the Atlantic Ocean and the sunset to the West.

2 Adult pool ©Fairmont Tagazhout 3 Sunken dining pod ©Fairmont Tagazhout 4 Illuminated landscape walls ©Fairmont Tagazhout

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Working closely with the lead architect, hospitality specialists HKS, Scape Design sympathetically located each and every building to face the sea and encourage natural ventilation for cooling, as was the tradition of regional architectural designs. Synergy was also ensured in the selection and use of all building materials, all locally sourced to ensure a singular and holistic aesthetic across the project site. With regards to materials selected for use within the project, Philip noted the importance of achieving the project’s sustainability goals as being of the utmost importance to the client, to Fairmont and of

course, to Scape Design and this translated to sourcing most of the materials from within the Northwest African region to avoid major transport costs and reduce carbon emissions. Each of Fairmont Taghazout Bay’s restaurants offers a distinctive experience, whether that is relaxing on the arrival terraces taking tea, poolside family dining,

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the floating pavilions of the speciality restaurant overlooking the extensive grounds, or panoramic views from the all-day dining restaurant positioned atop a landscaped promontory at the very heart of the resort. The resort also offers a wellequipped conference centre and ballroom, with arrival through a series of walled, arid garden rooms that frame glimpsed views and create shaded break-out seating. The process of designing a hotel like Fairmont Taghazout Bay normally takes about a year in production, and approximately three years in construction. Their success is built on the ability of the three main design disciples, architecture, interior design and landscape architecture jointly agreeing on a single, strong design narrative that all can hang their design hats on, often sharing details, patterns and materials. This creates what Philip calls "a design of blurred boundaries" – that is, when it is not easy to observe where one design discipline ends and another begins because there is a beautiful synergy of design language. The Fairmont Taghazout is, Philip believes, a great example of such collaboration working to create the successful end results observed. By embracing the story of the Berber people, the local history, culture and of course the natural geography and geology of the local landscape, it was important that the Fairmont Taghazout Bay acted as an icon of the wider Tagazhout Bay project.

Philip explained: "The project needed to have an identity with a true sense of place, thus setting the standards for the up and coming wider touristic community. As part of the Taconic Mountains and part of the Berber story, the project serves as modern interpretation of a developing story.” In closing, Philip states: “The great thing about this project is that it’s a very simple and pure story to tell in some respects, and I think that’s what makes the project more stunning, aligning the design narrative with the bare bones of local history, culture and the stories of its people. The result is a very romantic feel, one which is contemporary and luxurious but, at the same time, uniquely anchored in sense of place connected to nature and the surrounding natural environment.”

5 Entry drop off ©Fairmont Tagazhout 6 Pool bar and grill ©Fairmont Tagazhout

A BOU T SCA P E D ES I G N Scape Design, an international landscape architectural and environmental design practice based in London, was conceived in 2000 by founder Philip Jaffa. Its creative process involves deep thinking, exploration, and innovation, always in collaboration with clients and fellow design team members. www.scapeda.co.uk

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HONING T HERITAGE LARGE GREENHOUSE, P R I VAT E R E S I D E N C E , T H E C OTS WO L D S BESPOKE LANDSCAPE DESIGN

INSPIRE

his stunning greenhouse at a private residence in the Cotswolds – a BALI award winner – was created by the design team at Bespoke Landscape Design (BLD). They have a specialised team dedicated to traditional stonework, and when presented with the opportunity to create this special bespoke stone walling garden for a client, BLD jumped at the opportunity to showcase its expertise. It worked closely with the head gardener and liaised with English Heritage for the entire project, with the hopes of creating a truly collaborative space and offered a harmonious space for the resident’s owners to enjoy all year round. One of the minds behind the project is Nicholas Leitch, who created a segment of Bespoke Landscape Designs titled Bespoke Stone Walling in 2007. He joined the project early on and was able to harness his years of working alongside well-known industry

PROJECT D E TA I L S Project value: £150k-£250k Build time 12 months (over a two-year period)

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experts. Nicholas also drew upon his mentor, Caroline Tatham, from his time at the Cotswold School of Gardening. Offering a wide range of dry stone walling, BLD services locations around the Cotswolds, Cirencester, Bath, Tetbury, Malmesbury, Stroud, Nailsworth, Wiltshire, and Gloucestershire with a host of traditional aspects to the otherwise modern designs that are created by the company, The traditional greenhouse at the featured residence is BLD's largest to date, standing at 20m x 4m. It was constructed using reclaimed stone to match the existing walls on the project. Inside the greenhouse the walls were finished with a render and the flooring is reclaimed York flagstone. Given BLD's extensive interest and a rejuvenation in greenhouse popularity over the past years, individuals seem keen to access the kind of flexibility that greenhouses offer, where gardeners can grow anything from vegetables to tropical plants all from the stone wall base that Nicholas’ team is known for.

The project began by repairing and reinstating the garden’s rear wall to prepare the area for the construction of the large greenhouse. Complex irrigation and rainwater harvesting systems were imbedded into the land before constructing the raised beds, using dry stone cladding and block work, meaning that the water could be utilised for the surrounding area and what would eventually grow there. The overall lighting aesthetic was also a pre-planned and pre-implemented aspect of the build that had to take place before the large greenhouse was erected. Using a combination of copper uplighters and downlighters from light supplier LuxR, a New Zealand-based company, allowed BLD to achieve the magical atmosphere it had envisioned prior to the build of the raised beds and paths. A challenge arose when it came to the planters and paths: "The whole site was on a slope which made for difficult laying out of the planters and paths. More time and skill was needed for setting out formers and

lines. The plot was not square and so every planting bed was a different size and different shape. It was down to us to make it look like this wasn't the case," says Nicholas. It seems only natural that, with the use of dry stonewalling, the essence of longevity and environmentally conscious features were a must-have aspect for the build. For this reason, LuxR was the only way forward for the build and the ‘led by design’ mantra toting lighting company displayed a host of similar and desirable ethos led directives much akin to BLD. LuxR LEDs, in its own words, have "been specifically developed to meet the challenge of delivering high quality practical lighting, with maximum energy efficiency, and long maintenance-free life". It’s these key points that harmoniously aligned LuxR with BLD. The discreet size of the product enables an experience of creating the atmosphere around the client, from up lighting to low lighting and the design of the greenhouse adds another level of customisation to an otherwise traditional process.

"Our goal is to showcase our skills within the industry, we love what we do"

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The project demonstrates the practicality of repairing, replacing, restoring, or rebuilding walling to its traditional or contemporary feel to adhere to the ever-changing fashions of the landscaping industry. Producing a high-level finish, BLD creates gardens or reimagines them into lovable and workable spaces as they had originally been intended. For this project, BLD re-opened the garden for use, through the greenhouse, stonewalling and planting. Nick explains: "Using reclaimed stone helps to give a timeless look to the project. Also, being reclaimed means it's been in a wall for an inordinate amount of time, which makes it more durable to the elements. Careful selection, however, is still

important as some reclaimed stone will be too soft and have cracks in it; but this selection is down to the craftsman involved to select the correct stone." The timeless look of this extensive project was achieved through this expert selection and use of reclaimed materials and stone recovered from the estate. An added bonus to using locally reclaimed materials is that the project saved time, money and avoided potential delivery delays that might have resulted as a product of the pandemic. Not only this, Nicholas was able to complete the project during a lockdown having been able to work independently and safely completing the project to the client’s specification without fault.

The visual language of the project highlights what can be created or restored from original features and traditional foundations, reimagining the flora and fauna aspects of planting and dry stonewalling into the trend of modern finishes BLD has seen clients now searching for. Stonewalling should last for many years without the need for extensive repairs or demolition and can be built using locally sourced materials. No cement is used during the build and CO2 emissions are considerably reduced if not removed from the building process. As the stone is naturally quarried there’s a traditional nature of sustainability entrenched in stonewalling, a reason it has risen in popularity over recent years. Not only this but stonewalling also encourages wildlife and allows for habitats for voles, toads, newts, mice, slow worms, insects, birds, lichens, and mosses; all while providing much needed respite from any windy conditions that might occur. "Planting and fauna combined correctly with walling and hard landscaping within a design will make the space," says Nicholas. "For example, we use a lot of the planting ideas in our designs to soften the hard landscaping aspect. Walls are like giant radiators. They absorb heat in the day

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View from the drystone circular beds Autumn colours in the veggie patch Pottings shed and cold frame Stone trough for washing vegetables Photographs ©Annaick Guitteny

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and keep this locked in the stone, meaning you can't plant things next to the wall that maybe won't thrive as much in other areas of the garden, as you are essentially creating a micro-climate. They also offer great spaces for insects and wildlife between the stones; a lot of focus is now on sustainability, so we are seeing a lot more green roofs on home offices, and recycling materials like hardcore which will then get reused on site. A traditional dry stone wall is a perfect example of this as when you take down and rebuild, you can use everything back in the wall again and any waste can be reused on the next wall." Whilst being environmentally adaptive and increasingly fashionable in domestic landscaping, companies like BLD are keeping a 6,000-year tradition and craft alive during increasingly modernised times. Nick explains: "I think it's important for people to be trained correctly in these traditional skills; you can't master this craft by doing a bit of stonework here and there. It takes the correct training and dedication to work to a high standard. I think there is big room for improvement in the landscape industry to train young people correctly in these skills." The project was conducted in a large private estate and to keep the true history of the archaic space, BLD worked closely

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with English Heritage, a charity which oversees 400 historic sites. Its input on stonewalling and keeping the project within its historic footprint was of the utmost importance to BLD and, in doing so, achieved the finished look with a nod to the Neolithic origins of the craft. The aforementioned raised beds offered a unique aspect to the garden and harnessed another archaically traditional landscaping tool. The popularity and use of raised beds dates as far back as 300BC where the pre-Hispanic people of the Andes used them as erosion preventatives and the dedicated fan base for raised beds is still seen today for a host of reasons. The system known by the pre-Hispanics as ‘Waru Waru’, was used within BLD’s project because of these beneficial features. The no-tilling aspect of raised beds means that the private owners of the completed project aren’t required to undertake extensive up-keep to have blooming flowers or growing vegetables year on year. By also utilising complex irrigation and rainwater harvesting systems, BLD offered the project a host of additional water conservation, environmental, water-energy nexus, economic and ancillary benefits.

This project is ultimately a testament to the unsung skill of mastering traditional technique; BLD has redefined this space without ever abandoning its roots. 5 Whole project looking timeless Photographs ©Annaick Guitteny

ABOUT BESPOKE L A N DSCA P E D ES I G N Bespoke Landscape Design always strives to offer clients exactly what they are looking for, focusing on detail and quality. With professional experience across a range of projects, BLD understands clients’ needs and offers a service which is tailor-made from beginning to end. www.bespokelandscapedesign.co.uk

REFERENCES LED lighting products LuxR www.luxrled.com Stone and other materials Majority reclaimed by Bespoke Landscape Design

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KING'S WALK PROJECT, WINCHESTER VISUALISATION ©STUDIO MULTI

LANDSCAPE S A R C H I T EC T ’S JOURNAL ST U D I O M U LT I AHEAD OF ITS UPCOMING REDEVELOPMENT PROJECT, KINGS WALK IN WINCHESTER, WE TALK TO STUDIO MULTI TO LEARN ABOUT ITS ETHOS AND THE COLLABORATIVE APPROACH TO CREATING PUBLIC SPACES THAT ARE FRIENDLY FOR BOTH LOCALS AND BUSINESSES

TIM OSBORN

EMMA LYNN

NICOLA RUTT

tudio Multi looks at design and landscaping a little differently to most, with a much greater importance placed on the process of experiencing the spaces it designs and what these spaces can do for those using them. Following Studio Multi's recent appointment to the Kings Walk regeneration project in Winchester, it’s a great moment to speak with the architects taking on the task. Founding director Nicola Rutt has spent most of her architectural career honing her skills at Hawkins\Brown, where she worked for 21 years. Having left the practice last year, Emma Lynn, Nicola and Seth Rutt set up Studio Multi in August 2021 and they haven’t looked back. The aims of Studio Multi are simple and pure in essence. “Studio Multi is a collaborative practice where we’re really interested in working with other creatives. Hence the name we inevitably settled on." Kings Walk marks a reconnection for Nicola with Tim Osborn, whom she had worked with during her stint at Hawkins\Brown. Tim has worked within the industry since the 1980s. He originally trained as a landscape architect in Manchester, working with the likes of Robert

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Kaplan and Neil Swanson. Having set up his own practice (to-studio) in 2016, he brings his vast experience to the team of collaborative partners on this project. Kings Walk and Studio Multi appear to have experienced a melding of minds and creative synergy, having been invited to work on the project by Winchester City Council from its outset. "Given the scope of Kings Walk, we have joined forces with tremendously talented branding consultant and graphic designer Tim George, as well as working with a lighting consultancy called Light Follows Behaviour. The project isn't just about architecture; it's about landscape design and, ultimately, the creation of an attractive, vibrant public realm in the centre of Winchester." After its eventual win of the bid, Studio Multi was invited to have a look at Kings Walk, part of the Central Winchester Regeneration area. It is a somewhat underused and unloved 1980s shopping centre that’s currently attracting a lot of antisocial behaviour. "However, it’s going to be several years before these buildings will be redeveloped and so the Council wanted a design team to bring some vibrancy and life back to Kings Walk in the meantime.” The meanwhile nature of the project, and associated budget, has impacted the design approach and as a result Studio Multi has looked at using "materials that allow a light touch for a much larger impact. This can be seen by the use of graphic design which brings colour and animation to the space that we hope ties together all of the more disparate elements,” notes Nicola. Alongside the insertion of technology and a partially computerised environment, “Studio Multi is using a more abundant planting scheme to bring some softness and variety into the space. Ultimately, we want to attract people to go to the spaces and stay there for a while. "The tenants who have fairly recently set up their shops, cafes and restaurants in Kings Walk are already a step ahead of us in helping to turn the space into a creative hub, which is the proposed longer-term use for the space in line with the masterplan..” This space offered Studio Multi a key insight into the community they were

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CENTRAL WINCHESTER REGENERATION AREA SITE WITH RED LINE ©ESTATECREATE

designing and building for. Tim Osborn adds: “We recognised fairly early on that there was a community of people, independent traders, those connected with the theatre and youth theatre and the extensive social enterprise network that we could work with. This kind of low-cost, high-value counterculture exists outside of the commercial remit of central Winchester. It spoke to us and informed our creative choices.”

COLLABORATING WITH OTHERS IS PART OF OUR DNA. OUR APPROACH IS TO ULTIMATELY CREATE SPACES THAT ARE MULTI-FACETED AND MULTI-PURPOSED A shared ethos of collectiveness began to show itself through the process of the Kings Walk project and it quickly turned into a vital consideration. “It became clear it was all about joining up the dots, making connections between people and supporting and growing this area into a commercial community that attracts people to their businesses. "Having spoken with the client, we know that these ideas and values are also essential to its vision for the area as well as being equally important to local communities. A sub-project at Kings Walk includes the transformation of an old

loading bay into a flexible events space that can be used by the local community including Winchester School of Art. Whether the space is used for gigs, farmers markets or shows, it has considerable potential.” With the aim of attracting people to the space for the next few years, Studio Multi has seen its designs and vision starting to come to life. “Collaborating with others is part of our DNA. Our approach is to ultimately create spaces that are multi-faceted and multi-purposed that can help communities come together wherever we can.” With the scope of landscaping changing, particularly as a result of the pandemic ,it’s easy to see why Studio Multi and to-studio "might see higher demand for similar projects across the UK. People are at a pivotal point where they now value outdoor space much more than they did prior to the pandemic.” Studio Multi and to-studio have completely reimagined this outdated 1980s shopping centre. Studio Multi’s vision for Kings Walk is a staple of the studio's work and could prove to be a point of reference for how other heritage towns and cities can thrive and grow in the modern era.

C O N TA C T Studio Multi 57A Hatton Garden London, EC1N 8JG Email info@studiomulti.com

www.studiomulti.com

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INSPIRE OISIDE 'PENDA' COLLECTION DESIGNED BY FRANCESC RIFÉ

ARE YOU

SITTING C O M F O R TA B LY ? A

n everevolving selection of outdoor seating that is more and more durable and sustainable ensures our outdoor spaces are as comfortable and stylish as our indoor spaces. Good outdoor seating is essential whether you are looking to carve out a quiet corner as a reading nook or mirroring an indoor sitting room outdoors. Seating can be used to add colour, interest, a focal point, and a sculptural element. Here are a few to tempt you. Spanish company OISIDE specialises in outdoor furniture that is innovative, sustainable and sophisticated with clever detailing and integrity. The company is committed to sustainable practices, using durable materials and construction processes that avoid unnecessary waste and the over-consumption of finite resources. It creates long lasting pieces that look to the future, and care for people and the environment, with tested materials,

OUTDOOR SEATING PLAYS AN IMPORTANT ROLE IN THE GARDEN, SO WHAT’S ON THE MARKET? ANJI CONNELL HIGHLIGHTS THE LATEST TRENDS structural systems and finishes that withstand the triple threat of sun exposure, humidity and corrosion. OISIDE has three new collections in collaboration with Barcelona-based Spanish designer Francesc Rifé whose work takes inspiration from minimalism, material honesty, spatial order, and geometric proportion. Beam Collection Beam has an architectural quality that juxtaposes different slats' planes and sizes, lending each piece a subtle graphic expression characterised by their generous, thoughtful and rectilinear volumes. The minimal architectural pieces have a structured framing in solid Iroko African Teak, and generous squishy cushioning. PENDA CHAIR

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BEAM COLLECTION

Penda Collection Rife's Penda collection is a sleek design with upholstered elements and a stylised contemporary aesthetic. N12 Collection The N12 collection designed by the Jorge Herrera Studio for OISIDE takes inspiration from vintage rattan furniture and gives it a more contemporary take made in aluminium. Its elegant profile combines tubular aluminium profiles and wire rods that are lightweight, stackable, and therefore easily movable to suit different needs. The upholstered cushions are easily attached or removed using a clip system. N12 SOFA

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21/04/2022 10:40

THE ELLIS CURVED OUTDOOR BENCH BY GRAZIA & CO

INSPIRE

The Ellis Bench The Ellis Curved Outdoor Bench by Grazia & Co is made with a powder coat finish to the stainless steel frame and double upholstered seat in a choice of fabric with an outdoor reticulated foam insert. Saba Italia Grace Lounge Chair Insert a bit of whimsy with the decorative Saba Italia Grace Lounge Chair which is part of the outdoor collection by Paolo Grasselli and looks more like an indoor chair with its fun circle design. Lee Outdoor Antonio Citterio's Lee Outdoor armchair and sofa for Flexform in solid iroko, with the seat and backrest, is a hand-woven polypropylene cord available in a sophisticated palette of colours. Most parts of the Lee Outdoor seating are recyclable. Hut Create a hideaway with Marco Lavit's daybed that looks like a cosy nest and is at home in a natural context as much as an urban one. Halfway between a refuge, a cabin and a teepee, Hut consists of a round base three metres in diameter and a 3.2m-high structure, made of FSC-certified Siberian larch slats. The diameter of the seat (270cm) can accommodate several guests. The Hut does not have a ground tie-down system so can be placed on any flat surface, and comes with a round mattress for optimal comfort and a curtain that lets you "close the nest", protecting it from direct sunlight. The Kobo Collection The Kobo armchair designed by Stephane de Winter, the founder of Manutti, is part of the gorgeous Kobo collection from this Belgian brand renowned for its excellent quality and beautiful designs. With soft curved lines and

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comfortable cushions, this armchair can be paired with its matching three-seat sofa to create a relaxing outdoor haven that comes in five colour combinations and a selection of fabrics. The deep cushions have outdoor, quick-dry foam fillings and covers in a great choice of water-resistant outdoor fabrics. KOBO COLLECTION

The structure is a hand-woven 45mm rope wrapped around a welded aluminium frame. The rope finish is a blend of UV-resistant Textilene® and polyolefin that is recyclable, GreenGuard certified and REACH certified. Pantagruel Picnic Park of Pantagruel table and seating sets by Extremis, Pantagruel Picnic is a refined and durable picnic table seating up to eight. The frame comes in a powder-coated or galvanised finish, with wooden benches and a tabletop with a Lazy Susan. The Kosmos table-seat combination is a circle of cosiness that looks sleek and turns quickly into a daybed by lowering the adjustable tabletop. Perfect for chilling, sunbathing, dining, you can even take an alfresco business meeting. Manutti Touch garden poufs Popped throughout the garden individually and in groups, Manutti's PANTAGRUEL PICNIC

Touch garden poufs look great. They are available in three sizes and come in a fantastic range of fabrics. They all have quick dry foam fillings covered in a great choice of water-resistant garden suitable fabrics. The seams are welded and sewn, so if a drop of water does manage to get through, it will quickly drain away through the specially designed cushions. Comfortable and practical, these outdoor poufs can also double as footstools or coffee tables. Manutti offers a wide range of soft to touch fabrics, as well as nautic leather and garden suitable velvet for the covers. DRUMS tables To complete the setting, you need look no further than Francesc Rifé's DRUMS collection for OISIDE. The three eyecatching bases come in nine versions and colour tones offered by the collection, making a versatile, stylish variety of options that will go with any of the above. OISIDE 'DRUMS'

ABOUT ANJI CONNELL Internationally recognised interior architect and landscape designer, Anji Connell, is a detail-obsessed Inchbald graduate, and has been collaborating with artisans and craftsmen to create bespoke and unique interiors for a discerning clientele since 1986. Anji is a stylist, feature writer and lover of all things art and design. www.anjiconnellinteriordesign.com

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INSPIRE

ustainability has swept the world and rightfully so – the need to conserve the planet grows daily and it’s up to each person to do one thing, or numerous, to help reach a collective goal. The horticultural industry has spent years pioneering and making cause-leading changes to systems, deliveries and everything in between all in the name of sustainability – and companies like Hillier Nurseries and Crowders Nurseries have been blazing the trail for all to see. Hillier and Crowders have continually demonstrated exemplary passion and integrity when it comes to their shift and the addition of new and needed sustainable aspects in the day-to-day running of their business. For example, Hillier has recently introduced a 30MHz Smart Technology system on its contained shrub nurseries which allows Hillier to monitor and analyse growing and operational parameters. In line with modern horticultural needs and the growing post-pandemic demand for landscaped outdoor space, systems like the 30MHz gather data on growing cop which provides long-term patterns which can be useful for sustainability aspects. This allows for educated and well-informed decision making when it comes to nutrient delivery, irrigation, heating and ventilation, all of which are then able to be tailored unlike more traditional systems previously used. For instance, Hillier uses a new irrigation system that has been changed from overhead irrigation to drip

HILLIER NURSERIES

system irrigation which has reduced and will continue to reduce water wastage in areas where there are no trees. This computer-maintained system was a price Hillier was willing to pay for

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T HE PRO L ANDSCAP E R BUSINESS AWARDS 2022 TRADE NURSERIES A LOOK AT AWARD-WORTHY TRADE NURSERIES COMPANIES the vast beneficial impacts the system will produce for the environment and the nursery. Not only this, but The Environment Agency are keen on the use of Hillier’s newly appointed drip system irrigation as it furthers water conservation endeavours.

HILLIER NURSERIES AND CROWDERS HAVE CONTINUALLY DEMONSTRATED EXEMPLARY PASSION AND INTEGRITY WHEN IT COMES TO THEIR SHIFT AND THE ADDITION OF NEW AND NEEDED SUSTAINABLE ASPECTS With the adoption of a computerised tracking system entitled Wintree, Hillier Nurseries were able to hold stronger stock control systems that enable greater traceability of their trees. Crowders is making steps toward a greener, more sustainable future and is now 95% paperless across the nursery. At Crowders, communication is important and how that communication takes place holds equal value. As a result, in-office or any communication made external to the office is conducted over Microsoft Teams. Not only does this speed up response time but it drastically increases productivity and provides a more eco-friendly alternative to paper. Crowders' sustainability measures and implementations don’t stop there. in fact, their Dynamic Pricing Tool will

help with transport efficiencies as the technology will calculate how many boxes, pallets and lorries are required to deliver stock. Helping with haulage efficiency and drastically reducing Crowders carbon footprint. Though all feats of sustainable development are admirable, they can be small additions to the cause that can

CROWDERS

offer some of the largest impacts. Crowders has removed the use of desktop phones and replaced this with the use of hands-free headsets that ensures team flexibility, efficient conversations and further workplace productivity, all while reducing the need for plastics in the office. The range of work and sustainability endeavours completed and undertaken by Hillier Nurseries and Crowders are a testament to what can be achieved when companies care about their employees, their industry and the world around them. It is no wonder that Hillier and Crowders were nominated and have continued to demonstrate innovative ways to propel sustainability within the horticultural industries.

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21/04/2022 11:23

INSPIRE

ARBORICULTURE BEECHENLEA MAINTENANCE LTD

xceptionality underpins the Pro Landscaper Business Awards, and having a year-on-year rejuvenation of relationships with many horticultural professionals, it’s understandable that the companies within the Arboriculture Company of the Year Category have produced a host of features that made them clear candidates for the award. Beechenlea Maintenance Limited, Beechwood Trees and Landscapes Ltd, Artemis Trees, Gristwood & Toms Ltd and Wolverhampton Tree Services Ltd all demonstrated outstanding training and staff development. Recognising the value of empowering staff is vital. As Beechwood put it: "Our most important resource is our employees."

OUR MOST IMPORTANT RESOURCE IS OUR EMPLOYEES BEECHWOOD TREES & LANDSCAPES LTD

Through the process of judging, it became clear that these companies all share a dedication, passion and core ethos in individual employee or team member’s development to help staff members feel valued, intrinsically proud and further their work-life enjoyment whilst working for them. Also, these businesses value training and education methods to bridge knowledge gaps in the horticultural industry, providing opportunity to gain hands-on experience while learning.

WOLVERHAMPTON TREE SERVICE

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ARTEMIS TREE SERVICES LTD

A LOOK AT AWARD-WORTHY ARBORICULTURE COMPANIES

At Artemis, members will finish their Artemis Academy course within one year with full Level 2 Arb (ABC) accreditation, when the apprentices will have an in-depth understanding of tree science and biology, GRISTWOOD covering & TOMS LTD subjects like soil types, plant physiology,

identifying tree species and understanding the main principles of tree surgery. The team will also have completed all the associated chainsaw, wood chipper and first aid certificates to enable them to carry out tree surgery operations to Artemis’ high quality and complete works to British standard. At Beechenlea, all of the arborists are trained to NPTC (City and Guilds) and Lantra standards (National Training Organisation for the Land Based Industries), while each employee has a personal development plan that includes training objectives. These are reviewed annually as part of Beechenlea’s staff appraisal process. Gristwood’s further bridges the gap in horticultural education and paths to careers within the field through its Trailblazer Arboriculture Apprenticeship. All participants are totally immersed within the courses and at the end of the two-year programme, they will have achieved a full Level 2 diploma, which is an academic qualification, and will have gained 12 certificates of professional competence. At Wolverhampton Tree Services, all staff have completed First Aid training including Forestry (+F), while individuals have also undertaken personal courses to develop themselves including felling

trees over 380mm diameter, CPCS Excavator under 10t training and SSSTS Site Supervisor training. Two young trainees recently undertook a tree climbing and aerial rescue course and two more completed a chainsaw course. Beechwood offers qualifications and education via the Guilds Arboriculture and Woodlands Management Royal Forestry Certificate in Arboriculture. This covers courses and topics like the Level 2 Award in Chainsaw Maintenance,

BEECHWOOD TREES & LANDSCAPES LTD

Level 2 Felling and Processing up to 380mm, Level 2 Accessing a Tree Using Rope and a Harness, Level 3 Award in Use of a Chainsaw from a MEWP, aerial cutting of trees (using free-fall), aerial tree pruning, aerial tree rigging, bats in woodland, and plenty more worth knowing for any professional arborist. As the face of the horticultural industry changes, it’s important to value the companies that are putting back into the industry they have loved, curated and designed over years of dedicated pruning and building. These arboriculture companies are making great strides to incorporate education, training and staff development, ensuring their employees value the same principles, the success of which is demonstrated in each company being shortlisted for the Arboriculture Company of the Year, with Beechwood Trees and Landscapes Ltd taking the top spot this year.

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21/04/2022 10:47

LOFT GREY

ADVERTORIAL

utdoor tiles have never been more popular, with their unrivalled ability to transform external spaces into something special and provide an ‘extra room’ outside of the home. To coincide with summer renovations and consumer demand for garden scaping, Verona is set to launch a series of new additions to its Al Fresco porcelain tile collection in the coming months, including new extra-large formats, neutral colours and eye-catching patterns. Sherborne Victorian Graphite brings bold, monochrome geometrics to courtyards and gardens. Influenced by Victorian hallways, these tiles are available in a 600x600x20mm format with a coordinating plain design, Sherborne Graphite, which also now comes in a larger 600x900x20mm size, ideal for creating zoned areas. SHERBORNE VICTORIAN GRAPHITE

Fans of the vintage look can bring pattern to their garden with Welford Royal Ivory. A nod to heritage encaustic tiles, this stunning design complements the existing Welford Ivory. Featuring a warm base colour, both tiles are available in a versatile 600x600mm format. WELFORD ROYAL IVORY

PICTURE-PERFECT

PORCELAIN T R A N S FO R M O U T D O O R S PAC E S W I T H N E W A D D I T I O N S TO V E R O N A’ S A L F R E S C O T I L E C O L L E C T I O N

308x615x9mm format interior porcelain tiles to connect indoor living spaces and outdoor patios with ease. Already stealing the spotlight in indoor areas, Loft now comes in three stylish outdoor variations – Taupe, Grey and Ash. This design is available as a 900x900x20mm square tile with a coordinating indoor tile, available in 300x600mm, 600x600mm and 900x900mm sizes suitable for walls and floors, and matching structured décor tiles for walls. A complete design solution for creating seamless living spaces both indoor and out, Loft makes the decision process simple with its broad choice of wall and floor options. Tapping into the industrial aesthetic, Peckover in Silver and Anthracite is a striking large format concrete-effect tile, available in a 600x1200x20mm size that brings with it a sense of charm through its weathered appearance. PECKOVER ANTHRACITE

For those renovating an open plan space, look to the Loop range to create a showstopping stone-effect floor which flows from indoors to out. With a striking resemblance to popular riven stone effects, this supersized 600x1200x20mm tile comes in a stylish Grey or Black colourway and works in harmony alongside the Grey and Anthracite

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With the new additions, the Al Fresco collection now includes 16 variations which range from subtle stone effects, through to

bold geometric patterns. Jayne Adamson, marketing manager at Verona, explains: “As demand grows, our strategy is to ensure we are offering a comprehensive portfolio of 20mm tiles that cater to as many individual tastes as possible. Not only does porcelain

AS DEMAND GROWS, OUR STRATEGY IS TO ENSURE WE ARE OFFERING A COMPREHENSIVE PORTFOLIO OF 20MM TILES THAT CATER TO AS MANY INDIVIDUAL TASTES AS POSSIBLE deliver a luxe look, it’s also very low maintenance which appeals to homeowners as they can spend less time jet washing algae and dirt away, and more time relaxing in their garden.” Hard wearing and practical, all Al Fresco tiles come with a 10-year guarantee. The outdoor tiles provide an R11 slip rating for added safety underfoot and are simple to install on grass and gravel thanks to their uniform thickness and precise edges. Fade resistant, outdoor porcelain will retain its good looks for years to come with no sealing or special maintenance needed and is easy to upkeep with just a brush and warm soapy water. The tiles are resistant to algae and moss and are frost proof, meaning they won’t crack during winter months. www.alfrescotiles.co.uk

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21/04/2022 09:56

ADVERTORIAL

SUSTAINABLE SWITCHES S

BAMBOO IS INCREASINGLY REPLACING HARDWOOD, SAYS FURNS, WHICH HAS PLENTY OF STREET FURNITURE OPTIONS AVAILABLE FOR THE GROWING TREND

treet furniture manufacturer FURNS from The Netherlands not only supplies striking planters made of powdercoated aluminium or Corten steel in standard sizes but is increasingly being asked for customised solutions. By drawing these solutions digitally and fully automatically from welding composition to 3D file and producing them in Poland, FURNS can deliver quickly. Sil van Duijnhoven, co-owner and creative director of FURNS Street Furniture, sees that his company is getting more involved from the very beginning of a project. "Municipalities, landscape architects and green space providers ask us at an early stage to help them think about a design. As a result, we are producing progressively beautiful and innovative designs." The fact that FURNS is regularly asked to help think about the design of (public) space, is because the company from Uden has more and more experience in designing and producing various mobile elements. "We know exactly what issues are involved and what you have to think about during the production and installation of planters and furniture," says Van Duijnhoven. Sustainability Van Duijnhoven notes, for example, that bamboo is more often being used as an

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alternative to hardwood. "If you can explain to municipalities that bamboo is the most sustainable solution, then they don't really have a choice anymore. Bamboo is not only the fastest growing building material in the world, but it is also a rapidly renewable material that is available in abundance in all (sub)tropical regions of the world. Bamboo is gradually taking over the role of hardwood in public space and we are contributing.’’ FURNS designs and produces all street furniture itself. Van Duijnhoven: "All Corten steel, aluminium and galvanised steel parts are made in our factory in Poland. Our sister company Awood is specialised in the supply of wood, composite or bamboo. We work together in production, but as a company we each have our own line. They process the wood on the metal parts for us and make our hardwood planters, for example." In stock One of the strengths of FURNS is that it has many materials and parts in stock. "In theory, we can deliver a complete square tomorrow with our products from stock." Nevertheless, the creative director sees that more and more

customers are opting for customisation. "Our engineers and designers make a 3D design which is then sent to the customer for approval. As soon as the customer agrees, the technical details are worked out and the production process begins. Based on the drawings, the employees in Poland ultimately manufacture the products. We have all the knowledge in house and therefore never need to outsource any tasks. “In our product range, we offer a standard range that is universally interchangeable, in addition to custommade products." FURNS designs and

produces not only planters, but also seating elements, tree brackets and waste bins for public spaces. According to Van Duijnhoven, there is an increasing interest in green solutions in which a seating element is integrated. For this purpose, FURNS produces the so-called Greenpoints – movable planters with an integrated seat. www.furns.com

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21/04/2022 10:17

THE DO'S AND DONT'S OF

DOWNLIGHTING

INFORM

LIGHTING E XPERT NEIL PARS LOW E XPL AINS HOW BEST TO INCORPORATE DOWNLIGHTING I NTO A GARDEN

COMBINING BOTH UPLIGHTING AND DOWNLIGHTING OF CERTAIN ELEMENTS WITHIN A GARDEN HAS THE ABILITY TO TRANSFORM YOUR DESIGNS, IF DONE CORRECTLY Downlighting from within tree canopies can produce stunning moonlighting effects through the foliage and interesting shadows are then produced on the ground below. If lighting is to be used in tree canopies, safety will always be of concern. There are several methods of accessing large trees, with access to the site being one of the main factors to consider. Some access methods can be with the use of ladders, a Mobile Elevated Working Platform (MEWP), or with the help of an arborist or tree climber using ropes and a harness. Each project will have its own difficulties and so one of the above methods will work better than others. For dense canopies,

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employing a tree climber may be the best solution as they will be able to access the tree far easier than by trying to use a MEWP to penetrate up through the canopy. A tree climber will also find it easier to fix extra low volt cabling to the branches and trunk system. One thing to bear in mind with lighting in large tree canopies is that the majority of the design work will actually be carried out after dark to ensure the light fittings are mounted in the desired location, and with the aiming or focusing of the products also being carried out after dark. So, factor in a tree climber for evening works. It can also be more effective to illuminate larger deciduous trees during the winter months, as their branch structure is more visible and eliminating hot spots on the branches is easier to accomplish.

downlighting when suitable trees are not present, but the hiding of cabling will sometimes be a little trickier than in trees. Many larger detached homes (especially bespoke new builds) often have planting beds near to the house exterior walls, so using the overhanging fascia and soffits for mounting down lights can have the benefit for illuminating the beds below. In an ideal world it would be fantastic if the house architects and exterior lighting designers could work together, to factor in wiring for the landscaped areas surrounding the house, as this is usually a missed opportunity, and sometimes makes it very difficult to incorporate wiring for the landscape downlighting after the house build is complete.

A B O U T N E I L PA R S L O W

Much smaller multi-stem trees can also look very impressive with downlighting fixed using glare-controlled ring mount fittings. Garden building or structures can be great as mounting locations for

Neil is the founder and lead designer at Light Visuals, a London-based landscape and architectural lighting manufacturer. Neil originally trained as an electrical designer before his passion for lighting and landscapes transferred to him setting up his own landscape lighting design and consultancy business called Neil Parslow Design | Landscape Lighting. This passion also extends to the design engineering and manufacturing of high-quality British-made lighting products. www.lightvisuals.co.uk www.neilparslowdesign.com

Lighting Design: Janet Lennox Moyer. Photography ©Neil Parslow

ownlighting is seldom considered when producing a landscape lighting design, which is usually down to the installation complexity; but when the opportunity arises, it is highly recommended to use this technique. Combining both uplighting and downlighting of certain elements within a garden has the ability to transform your designs, if done correctly. One of the first things you should look out for when viewing a new project is whether there are any mature trees or structures (including the house) from which you can incorporate downlighting. Light fittings mounted high up in trees or structures will produce the most natural form of lighting, which also requires far less maintenance and covers a much larger area of the ground below – so, less is more in this instance.

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ADVERTORIAL

NITELUX

BUILT BY CONTRACTORS

FOR CONTRACTORS FIND OUT MORE ABOUT NITELUX, A LIGHTING COMPANY THAT TRULY SHINES BRIGHT

Who is NiteLux? The man behind NiteLux is Paul Naylor, a qualified electrician of 35 years who for the last 15 years has specialised in the design and installation of landscape lighting, originally designed for the lighting of their own work under the company name of Greenlite Ltd. How did it come about? Paul and his wife flew to Foshan, China, the LED lighting capital of the world, in 2016 with a view of building a lighting range for his own install teams; up to this point he had been installing products from several of the UK's leading lighting companies. After a week in the factory they were ready to go and gave the range the name of NiteLux. It was an instant success, saving 30% on the install time due to the way the lights connect together via the professional grade IP68 connection system. Various landscape contractors and designers expressed an interest and the decision was made to retail the products out to the landscaping industry; being 12V and requiring no electrical training, it was ideal. NiteLux officially launched in 2021. What is Nitelux? Nitelux is a professional high-end 12V IP68 LED lighting system that is Part P exempt. What makes NiteLux so different? The main reason is that it is built by garden lighting installers that understand the

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problems of installing lights in an outdoor environment and the need for simplicity on the installing and reliability from the light fittings.

Each spotlight can be fitted with five different mounting bases to cover every situation you are liable to encounter: 1. Wall mount 2. Mounting base 3. Weighted base 4. Branch mount 5. Ground spike

Is there a help line? Yes; if you call us you will be put through to either Paul or an employed NiteLux installer with years of experience. Initially for the first few jobs we will help you with your design, product selection and also compile a list of NiteLux items required – this is all free of charge. Is the range growing? Yes, we are developing and bringing on new lights and accessories all the time. If we find there is demand for certain items, being the manufacturer, we can instigate the build and carry out real time testing. There are 20 lights in the range thus far which cover every eventuality.

Is it difficult to install? Not at all. Here is a link to show a typical set up – we will help every step of the way. What is your main aim? To get landscapers comfortable installing their own lights. They can build in as they go, charge for the install, and make money from the product. We also give a 20% trade discount and next-day delivery. NiteLux gives them the ability to give the customer a complete service of which they are in total control. Is NiteLux concerned about the environment? Yes, very much so. We are members of a company called Ecologi; for every sale we donate a percentage from our profits and plant trees through the world. Each customer will get an email showing them how many trees they bought with their recent purchase. We have a running total counter on our website and our aim is to eventually be carbon neutral. www.nitelux.co.uk

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21/04/2022 09:54

INSPIRE

TOP TIPS

LIGHTING VITAL GUIDANCE FROM THE E XPERTS FOR THESE FANTASTIC LIGHTING OPTIONS

HUDSON LIGHTING Hudson Tree Light Perfect for downlighting a tree to make it stand out and become the centrepiece in the garden. The light has been designed to be small but powerful; hidden in the day but beautiful in the night. WWW.HUDSONLIGHTING.CO.UK “If you want to follow the Dark Skies Scheme when lighting a tree, we'd recommend a downwards facing light. When adding lights, you have to take into consideration what else is going to be lit up. By downlighting, you are reducing the disturbance to the wildlife in the trees while also illuminating the shrubbery below the tree, which can often add that needed burst of colour in the night.”

TOP TIP

TOP TIP "It’s important to study how light falls on your outdoor spaces and understand what it looks like as daylight fades. Then you can decide what needs lighting and how. Also, you may have architectural features, trees or shrubs that would add drama with carefully placed lighting. Never underestimate the power of lighting to connect different zones.”

DETAIL LIGHTING Outdoor Mira 2 (12W) This round surface mounted high power LED spotlight is adjustable to a 90° tilt and IP rated. It is diecast aluminium with silicone gaskets and black – 10 matt anodised. Optional accessories include Honeycomb and Etched Glass. WWW.DETAILLIGHTING.CO.UK

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Light Visuals Bracket Light (LV-801) with tree mount The Light Visuals Bracket light has been designed with modular components allowing for replacement or upgrade of any internal components. When used with Light Visuals’ 316 stainless steel tree spike it is the perfect solution for subtle tree lighting. WWW.LIGHTVISUALS.CO.UK

TOP TIP

Dugas 50W

Lightpro Atik R2 Dimmable uplighter

WWW.LIGHTPROTRADE.CO.UK

LIGHT VISUALS

ANSELL LIGHTING

LIGHTPRO The Atik range is designed for illuminating trees. A high quality 9w dimmable LED unit projects a 3000k warm white light up to 15m. Spot or flood reflectors and tiltable as standard. The nice thing about these uplights is that you don’t see them during the day, but at night they emphasise the height of the trees and the beautiful leaves.

“When fixing lighting equipment in trees, the use of straps is not recommended. We have worked with industry leaders who have found that using straps can cause infection to the tree. The alternative is to use marine grade stainless steel dual thread screws as these don’t poison the tree, and also offer reduced maintenance as the equipment can be held away from the trees surface allowing growth.”

TOP TIP “Generally, it is best to light a tree from the ground up. Putting lights in the tree can damage the tree. Consider in-ground lights that are strong enough to project light up into the under canopy of the tree. Dimmable fittings are also good as you can adjust the strength of light to suit the size tree and adjust it to increase the output as the tree grows.”

This compact diecast aluminium light in a hard-wearing graphite textured finish is ideal for subtle placement near a tree, providing subtle downlighting without creating glare, and is compatible with smart lighting systems such as OCTO. WWW.ANSELLUK.COM

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2022

RHS CHELSEA FLOWER SHOW Special

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INTERVIEW

RHS CHELSEA

Project Giving Back PROJECT GIVING BACK HOPES TO CAST THE SPOTLIGHT ON CHARITIES AT THE RHS CHELSEA FLOWER SHOW

THE MIND GARDEN, DESIGNED BY ANDY STURGEON

roject Giving Back is finding new ways to help charities thrive. Conceived in January 2021 by two anonymous RHS Life Members, it is designed to help good causes raise awareness of their work and increase their fundraising potential following the pandemic. The RHS Chelsea Flower Show provides a stage to offer this help, not only to charities, but also to the wider horticulture industry by encouraging new talent and supporting specialist nurseries. Speaking with project director Hattie Ghaui, it is evident that Project Giving Back has “snowballed into the project it is today, from an early

conversation about funding a couple of gardens, to up to 14 gardens a year for the next three years – 42 gardens, all supporting a charity – made possible thanks to the generosity and vision of the founders, the collaborative spirit of the RHS, and the energy of the PGB Advisory Panel who are all passionate about Chelsea and the difference it can make." Over the next three years, Project Giving Back (PGB) will invest around £12m in creating gardens for good causes at the show. Funding extends to ensuring each garden is fully relocated, allowing its

CORE ARTS FRONT GARDEN REVOLUTION GARDEN, DESIGNED BY ANDY SMITH-WILLIAMS

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story and impact to continue and be enjoyed indefinitely. Hattie’s background in branding, marketing and project management is essential to PGB’s success, but it was the unusual philanthropic angle of the project that attracted her to the role.

Over the next three years, Project Giving Back will invest around £12m in creating gardens for good causes “This is a fantastic example of creative altruism. Rather than making a direct donation, we are enabling good causes to use the Chelsea platform to elevate their work, strengthen relationships with supporters and cultivate sustainable funding sources. It can be incredibly expensive to create a garden at the show but without the financial burden to worry about, charities are embracing the opportunity and throwing their marketing and fundraising weight behind the project.” The gardens being supported by PGB in 2022 are testament to the creativity and commitment of the

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RHS CHELSEA

THE RNLI GARDEN, DESIGNED BY CHRIS BEARDSHAW garden designers, landscapers and nurserymen and women involved, who all share the same ethos of ‘giving back’. Andy Sturgeon is returning on behalf of Mind, a charity that focuses on mental health awareness, support and treatment. “During and post-pandemic, the importance of equitable access to green space has been even more acutely felt,” continues Ghaui. “We’re sure this garden will speak to people who are struggling with mental health – it is a hopeful space and shows that recovery really is possible.” The RNLI has partnered with lifelong supporter Chris Beardshaw on a garden that draws inspiration from the charity’s 200-year history, focusing attention on its enduring importance to the UK and tells the story of those who dedicate their lives to protecting our waters and those who lose their lives at sea. The third largest garden supported by PGB "isn’t for a charity, but is inspired by Blue Peter and its incredible legacy of educating and enthusing young people about the natural world for over 60 years.” Designed by Juliet Sargeant, the

New Blue Peter Garden: Discover Soil teaches children about the importance of soil and invites them in to find out for themselves. It will be relocated to RHS Garden Bridgewater afterwards. A further five show gardens are supported by NEW BLUE PETER SOIL GARDEN, DESIGNED BY JULIET SARGEANT PGB in 2022, all designed to pay homage to some brilliant charitable causes. meaningful way. This garden pays tribute to the The RAF Benevolent Fund Garden is a tribute to Mangrove Nine and challenges people to truly think RAF pilots, celebrating the memory of those who about the impact of racial and climate injustices. have dedicated their lives to their country. A new category of smaller gardens supported by Designed by John Everiss, whose father served in PGB, All About Plants, is being launched at Chelsea bomber command during WW2, the garden will be this year. Andy Smith-Williams has partnered with relocated to RAF Biggin Hill as part of its Battle of Core Arts, a Hackney-based charity that uses Britain History Trail. therapeutic art and gardening to support mental Cityscape's Darryl Moore and Adolfo Harrison health. Pollyanna Wilkinson has designed a garden have designed an urban public-access garden for for charity Mothers for Mothers, highlighting its homelessness charity St Mungo’s. It will be post-natal peer support for mothers and families relocated to a central London site and maintained struggling with the challenges of parenthood. by gardeners from the St Mungo’s ‘Putting Down Another newcomer, Lottie Delamain, has paired Roots’ programme. An urban foraging garden, up with climate-conscious Fashion Revolution, with designed from a child’s perspective for leading an innovative design that showcases the plants our children’s hospital charity Alder Hey in Liverpool, clothes are made from. It invites us to question their has been designed by Howard and Hugh Miller. provenance, reconnecting us with the And Rewilding Britain's landscape, ancient arts of weaving and designed by Adam Hunt and Lulu dyeing. Finally, Charlie Urquhart, focuses on the Hawkes has benefits of rewilding designed areas of the UK a woodland with keystone garden for species such as Wilderness beavers at its heart. Foundation UK There is an that focuses on the energetic shift in focus charity’s nature-based coming to the show and education programmes for organisations such as vulnerable young people. THE ALDER HEY CHILDREN'S Grow2Know embody this RHS Chelsea Flower Show CHARITY GARDEN, DESIGNED BY HOWARD & HUGH MILLER has a long tradition of providing a in a very significant and

ST MUNGO’S PUTTING DOWN ROOTS GARDEN BY CITYSCAPES

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platform for charitable gardens, but in recent years rising costs and the financial effects of the pandemic have made it challenging for good causes of all sizes. Project Giving Back is working with the RHS to help redress the balance, providing more opportunities for good causes to access Chelsea and utilise the media attention the show invites. "We’re encouraging the charities to maximise the unique fundraising, networking and cultivation opportunities the show allows, offering mentoring and peer support to the charities every step of the way. And of course, we’re working closely with communications teams to ensure media attention is focused on the incredible services they provide and the difference they make to people’s lives." givingback.org.uk

www.prolandscapermagazine.com

21/04/2022 14:15

RHS CHELSEA

Stealing the Show

SOIL IS SET TO TAKE CENTRE STAGE ON JULIET SARGEANT’S SHOW GARDEN THIS YEAR

oil is not the sexiest subject, admits Juliet Sargeant. But the Brighton-based designer has certainly found a way to make it fascinating. For years, Juliet says she has wanted to create a garden about soil for RHS Chelsea Flower Show but trying to persuade a sponsor to find soil interesting has been a challenge. That’s until an opportunity appeared at the beginning of last year. “I got a mysterious email from somebody asking if I would like to do a Chelsea garden,” says Juliet. “It was the benefactor behind Project Giving Back, who explained he wanted one of the project’s gardens to be Blue Peter; in a way, he wanted to thank the BBC in its centenary year and particularly children’s programming for the way it supported children through the pandemic. It’s a celebration of what Blue Peter gives and has given children over the generations.” The theme of the garden, though, was left down to Juliet. “I didn’t want to do the classic children’s play garden because, although play is crucial to

children – and adults – there is a seriousness to children these days; there is a lot going on in the world that they are aware of and which they take seriously, the environment being one of those things.”

Blue Peter tries to inspire children and enthuse them to be curious about the world around them, so this garden is an opportunity to playfully discover soil So, Juliet decided to create a garden focusing on the environment – and saw it as a chance to talk about the benefits of soil in tackling climate change to raise awareness of the somewhat

underappreciated material. But Juliet is adamant that it will not be an educational garden, as Blue Peter is not part of the educational programming at the BBC. “Blue Peter tries to inspire children and enthuse them to be curious about the world around them, so this garden is an opportunity to playfully discover soil.” And there’s plenty in Juliet’s garden to engage children’s imaginations. It’s a very three-dimensional garden, explains Juliet. Contractor Gardenlink will be digging into the prolific rock bank site on the Chelsea showground, with high hedging around the garden giving visitors a sense of “descending into the soil and being surrounded by the garden.” Raised planters will allow people to see the soil at eye level and will represent the wider landscaping, with meadow planting, barley to represent arable planting, and woodland planting. At ground level, colourful ornamental planting will symbolise domestic gardens. The standout feature of the garden is likely to be the ‘rhizotron’, though.

THE NEW BLUE PETER GARDEN DISCOVER SOIL, DESIGNED BY JULIET SARGEANT

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RHS CHELSEA

“As soon as I heard the word, I knew I had to have one in the garden,” says Juliet, grinning. “Scientists use rhizotrons, or underground observation chambers, to study the soil and the roots of the plants and the creepy crawlies. My rhizotron will be an artistic interpretation of a scientific rhizotron.” Amongst the many playful elements of the garden is a compost heap which children can listen to through headphones, as scientists have recorded the sounds of soil and the life within it. It acts as a reminder too that composting is one way to replenish the soil. Then there is of course an area where children can play with the soil itself. “There’s what I call the ‘crawly space’ where they can go underneath the planting tray to the bare soil and use the trowels and spaces to dig around. So, the garden is not a playground, it’s not a classroom, it’s a discover space.” There are a couple of take-home messages, though. The first is for children around composting and how easy it is to put an apple core in the compost bin, for instance. The second message is for adults, to encourage them to consider the importance of allowing soil to breathe and not sealing it with paving; so, Juliet’s garden will feature bespoke permeable paving which is being designed to represent cracked clay.

THE 'CRAWLY' SPACE

primary school children in Salford, as after the show the garden will be relocated to its permanent home at RHS Garden Bridgewater. “A lot of the time, Chelsea gardens are broken up and sent off to different places; but this garden has been designed specifically to go to Bridgewater, on a site that is twice as big as the Chelsea site. It’s great, because the garden will be able to explode out and the site at Bridgewater will be fully accessible, where

Chelsea is not. So, it will be the new Blue Peter garden at Bridgewater, but we’re previewing it at Chelsea.” Creating a story about a garden is something which Juliet does, not just for show gardens, but for her domestic gardens too – even if it’s just for herself. It’s something she learnt to do from The Modern Slavery Garden, which she designed and won a Gold medal for at RHS Chelsea in 2016. This year, The New Blue Peter Garden will be creating a colourful story around a successful children’s TV programme, with blue and orange planting reflecting the Blue Peter colours. But it will also be creating a buzz around soil, the unsung hero, encouraging children to get their hands dirty and help the environment at the same time.

This garden has been designed specifically to go to Bridgewater, on a site that is twice as big as the Chelsea site. It’s great, because the garden will be able to explode out and the site at Bridgewater will be fully accessible To continue getting visitors excited about the soil beneath their feet, the garden will also have a series of soil-themed artwork. One is a bronze sculpture of a little boy finding a worm, seen by Juliet and the artist whilst watching a group of children playing in the woods. There will also be a descrustate by a German artist who injects resin into interesting soil surfaces and hangs the result on the wall as a piece of art. The final piece will be a collection of 60 paintings of creepy crawlies by a classroom of 80 Pro Landscaper / May 2022

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THE META GARDEN ©I ECHO VISUALISATION

RHS CHELSEA

THE LANDSCAPING CONSULTANT’S JAKE CATLING GIVES US AN INSIGHT INTO THE CHALLENGES OF BRINGING THE META GARDEN TO LIFE

Making the Meta Garden

hen Facebook first sponsored a garden at Chelsea, the focus was on the positive impact of social media and how our online and offline lives are interconnected. It seemed fitting for the social media platform – and somewhat self-promotional. This year, though, Facebook returns to Chelsea with a message which is entirely focused on plants. Having re-engaged garden designer Joe Perkins – whose first garden for Facebook scored a Gold medal, as well as Best in Category and the Best Construction Award – Facebook returns under its new name Meta, with a garden with explores the symbiotic relationship between trees, plants and mycorrhizae plants. The Meta Garden: Growing the Future is being constructed by The Landscaping Consultants, which assisted The Outdoor Room on the previous garden, and which is working with Joe on a couple of projects outside of Chelsea too. Managing director Jake Catling says they have a great working relationship, which bodes well for putting together a complex show garden which comes with it a variety of challenges. “[It] seeks to demonstrate the necessity of connection and how vital it is for the health of all communities,” says Jake. “There is an urgent need to re-establish and balance our relationship with the natural world. “Plants and trees are always a huge variable with any garden, especially show gardens as they’re ever-changing and they must look their best exactly at judging and show week. The trees themselves were all picked by Joe specifically to

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match the message of the garden; we do have two very large trees at over 10m each with a weight of 4-6t. We are looking forward to having them, though, as who doesn't like big trees?” As well as managing the trees, there are other challenges that Jake and his team are facing. “Our biggest challenge so far, apart from the delays due to COVID-19, is the prebuild of the garden in our workshop. We took the opportunity to do this, as our plot on the showground is a fantastic spot during show week but a real challenge in the build stage when the site is bustling with deliveries and machinery that all must cut past the corner we are building on.”

Plants and trees are always a huge variable with any garden, especially show gardens as they’re everchanging and they must look their best exactly at judging and show week The “amazing” pavilion is one aspect which is being pre-fabricated. “I feel it will stick in people’s minds as it has such an organic shape and has some beautiful details; it’s the product of technology and craftmanship being perfectly paired.”

On top of prepping materials, the show garden is also being built without cement. The Landscaping

FACEBOOK: BEYOND THE SCREEN, WHICH WON GOLD AMONGST OTHER AWARDS AT RHS CHELSEA 2019 ©RHS/SARA CUTTLE Consultants is using “traditional tried and tested building methods”, dead load construction and gravity-retaining structures, which Jake says is made possible by the flexibility of timber. It’s not the only aspect where more environmentally-friendly alternatives are being explored, such as a repurposed ekki. “[It] highlights that reclaimed timber doesn’t need to look and feel old and rustic; with some care and attention, it can look modern and fit for purpose. Its new life locks in CO2 for longer which is a huge bonus of using reclaimed timber.” Of course, a garden with the environment at its heart is being relocated after the show. Environmental project The National Forest is supporting the garden, and this is where it will be rehomed as part of The Queen’s Green Canopy campaign taking place throughout 2022. A fitting home for a show garden inspired by, and looking to futureproof, British woodlands and forests.

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RHS CHELSEA

Beavering Away at Chelsea

A REWILDING BRITAIN LANDSCAPE, DESIGNED BY ADAM HUNT AND LULU URQUHART ©PAUL NEWMAN

LULU URQUHART AND ADAM HUNT ARE DEBUTING AT CHELSEA WITH A THEME WHICH IS CLOSE TO THEIR HEARTS

ewilding is a hot topic. It’s made its way into the national press and even into government. Now, it’s making its way to Chelsea. In support of Rewilding Britain, designers Lulu Urquhart and Adam Hunt are creating a garden which shows a naturally rewilding landscape in the South West of England, shining a light on the role of beavers.

LULU AND ADAM “We chose a beaver rewilding landscape as it’s something we are familiar with on some of our projects and we know the resulting plant communities and fauna. Beavers are one of the keystone ecosystem engineers in our landscape, but have been absent in our country for the last 400 years,” explains Adam and Lulu. “In practical terms, a beaver rewilded landscape works well for RHS Chelsea Flower Show because it is possible to show a beaver process within a small area; it would be trickier to illustrate the impact of the larger ecosystem engineers – for example, wild cattle or boar – in a Chelsea garden. There is also the key ingredient of water and dams that add interest to our garden.” A beaver lodge, pools and dams will be replicated in the garden using debris which has been carefully removed from beaver sites. “The garden will show how the beavers' activity creates areas of fast-flowing water which washes away the silt, creating gravel beds known as redds. These are where salmon, trout and grayling lay their eggs. 84 Pro Landscaper / May 2022

A rewilding Britain Landscape.indd 84

“The stone for the wall we are using is Morte stone supplied by AllGreen Group and is taken from a dormant iron-ore quarry on Exmoor. The quarry has stockpiles of ‘as-dug’ stone which was a by-product of the quarrying process. It is removed and repurposed for walling within the Exmoor area and used locally by farmers. The stone has one of the lowest carbon footprints for walling stone because no quarrying is required. “We will be creating a drystone walling pattern, inspired by a wall from the same quarry that is over 400 years old. The wall will create different zones in the garden, representing a number of different plant communities, with subtle level changes to indicate upland woodland planting, a shaded meadow planting, a riparian meadow planting and marginal water planting alongside the pool.” A fully-reclaimed timber walkway will also feature, as well as a nature observation point – a hide, which brings the human element back into the landscape, portraying a gentle approach to arriving in nature. For the soft landscaping, the designers wanted to give an honest representation of the cycles of nature and the plant communities found around beaver landscapes. “We were particularly interested to include certain species like Succisa pratensis (Devil’s-bit scabious), even though it won’t be flowering in May, because it is a key forage plant for the caterpillar stage of the Marsh Fritillary butterfly, which is one of the rarest butterflies in England and thrives in beaver landscapes.” Landscape Associates has taken on the task of building the intricate garden. Lulu and Adam have

worked with the team previously on several projects and admire their approach to landscaping. “Landscape Associates bring a distinct attention to detail, aligned with craftsmanship, to all their work. They understand the environmental thread of our work and have an invaluable input to our design process. They are also very experienced in building gardens at the show and their knowledge and experience is really helping us.”

There was never any question in our minds about Rewilding Britain being our chosen charity – we are absolutely united in our mission A Rewilding Britain Landscape is part of the RHS’ Project Giving Back, which gave Lulu and Adam an unmissable chance. “It has been incredible in offering opportunities to first-timers like us. There was never any question in our minds about Rewilding Britain being our chosen charity – we are absolutely united in our mission to restore habitats through landscape design.” Lulu and Adam’s passion for rewilding will undoubtedly shine through at Chelsea and help promote the importance of rewilding to the wildlife, to the environment, and to people.

www.prolandscapermagazine.com

21/04/2022 12:38

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ADVERTORIAL

A N DY B A R R I N G E R CORE LANDSCAPE PRODUCTS CORE Landscape Products has grown incredibly fast over the past few years in terms of revenue and new products. The Directors had always wanted to exhibit at RHS Chelsea but did not want a standard ‘trade stand’ on Eastern Avenue, but to really immerse themselves in the whole RHS Chelsea experience. By taking an ‘open area’ trade stand and utilising the space as a garden it would enable us to showcase our products in a relatable setting, whilst allowing us to entertain new and existing clients. We talked to a number of garden designers about how to achieve a presence at RHS Chelsea using our products. One designer stood out head and shoulders about the rest as she specifically talked about how to integrate our quite ‘masculine’ products into a garden and use them to explain how beautiful gardens require great products as the building blocks and foundations of any good garden design and build. As with any garden, the space and clients’ requirement are at the core of the design. It was a case of ‘chicken and egg’ with our application to The RHS as we needed to submit a design, but without knowing if we had a square or rectangular plot to start with, and we could not be advised this until we had completed our application, which had to include the design! Gillian had to come up with a concept that was slightly ‘elastic’ and could be easily adapted when we received confirmation of our location and stand dimensions. As we are primarily known for our gravel stability grids these were the ideal option to create a path and seating

‘STEP INTO SPRING’ RHS CHELSEA GARDEN area in the garden, and Gillian height and width of boundary paired this with our UK walls. During this meeting, manufactured steel edging to Simon Hudson (MD) shared create a professional finish the exciting news about a around these areas and new product launch coming delineate the path, seating up, a range made totally from area and planting We have recycled aluminium and CASA RANGE BY OXLEYS recently launched a range of where customers can choose decorative laser cut garden screens and RHS the individual colour of chairs, cushions, table Chelsea is the perfect launch pad for this new tops and table legs, so each set is totally range of products – enabling us to showcase unique. Oxleys have very kindly agreed to loan them and the flexibility and ease in which they us some pieces can totally transform any space. from their new Early on we liaised with our stand neighbours ‘Casa’ range to dress Oxleys to check our stand designs would not our ‘Step into clash in any way and confirm finer details such as Spring’ garden.

GILLIAN GOODSON

Whether it's a private project, a show garden or a trade exhibit, it is important to MEETING WITH OXLEYS have a meeting of the minds with the client. There must be a rapport for the basis of GILLIAN GOODSON DESIGNS a good working relationship and with the team at CORE Landscape Products I really relate to their ethos. I identify with their setting of the bar extremely high in all that you do and going for it – and that ‘good enough’ is actually not an acceptable standard. The design for the CORE Landscape Products ‘Step into Spring Garden’ needed to showcase their products but still fit in the space allocated. As with any design, you have to be conscious of not overfilling the space. There needs to be harmony and cohesion, whilst making it inviting and not making you want to run for the hills – as we need to draw customers in to experience the products and how they are used. We are very fortunate and grateful to have Creepers donating the majority of the plants – they are a great team and a wonderfully helpful nursery. The plants chosen have to be seasonal as we do not have the luxury of refrigeration i.e. holding back growth until just right for the show. The majority of products selected in the garden are all highlighting COR-TEN, a material which continues to remain on trend – so it's a case of choosing plants that complement the rich colours of the weathered steel and to include texture, form and layers. It's creating a story – you need your stars, but they will not shine as brightly without strong supporting acts. Due to my involvement on Chelsea's Main Avenue, I had to think of someone I trusted to hand over the baton for the physical side of planting and I have collaborated with Kenny Raybould, the ‘Prince of Plants’ on numerous occasions. Kenny is a dear friend and has an innate creative flair; he immediately understood what I am looking to achieve for CORE Landscape Products. I'll dash back and forth when I can but have the peace of mind that it will be in good hands.

86 Pro Landscaper / May 2022

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ADVERTORIAL

SAM BOTHAM CREEPERS NURSERY

SALES & MARKETING MANAGER ANDY BARRINGER TALKS US THROUGH CORE LANDSCAPE PRODUCTS FIRST TIME EXHIBITING AT RHS CHELSEA

KENNY RAYBOULD

Sourcing plants for Chelsea is one of the most exciting parts of being a nurseryman, with Chelsea being one of the most respected shows in the industry. It has been an honour to work alongside Gillian Goodson and CORE Landscape Products on an amazing display for this show stand. The first and most important thing about sourcing plants for RHS Chelsea is the relationship with the designer – it is crucial that one understands the concept and vision for the garden, so we can ensure our nursery provides the plants needed to make that vision possible. One challenge when planning for Chelsea is the unpredictable nature of the seasons, especially in terms of how early/late spring kicks in, and the dreaded late may frost! Books will tell you this tree will blossom at this time of year and this plant with flower here, but the truth is we are in an ever-changing climate which makes it harder and harder to predict flowering times. There are methods to delay flowering or bring on early flowering, but I believe the best way to approach Chelsea is to accept that plans might change! Being flexible allows for the designer and nursery to select the plants that are TAGGING PLANTS AT flourishing and looking best rather CREEPERS NURSERY than what was planned months before.

PLANTING CONSULTANT It is all about the plants when creating an exhibit for a show like Chelsea and we tend to think of plants as a ‘ready to use’ item but this really isn’t the case. One of the main considerations I have always found for planting is to try and source home and locally grown where possible, especially when it comes to perennials as they are very reactive to changes in conditions. Keeping plants hydrated during transport and during install makes a massive difference on the success of water sensitive plants – after all, no one wants a droopy lupin! Exhibition spaces are always a unique space to install – mixing pot culture and great composts and bark as a way to retain moisture. Spacing and position is all in the eye of the beholder and it is always great to follow the basic rules – as in, if it is a sunny plant let’s try and show it for the sun lover it is. Take plenty of time when planting and never rush; from previous experience installing such exhibits I have always prided myself on good house-keeping and attention to details as we are often working in tight, cramped spaces with a huge amount to do in a short space of time. Being brash and rushing leads to damage and bad choices take time to correct, so take small gentle steps and constantly step back to admire, amend or change the planting where required. I tend to approach it like working in one of the Royal Households – that tends to help stop the lost pots and broken blooms!

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A SHADE SAIL WILL PROVIDE PROTECTION FROM THE WEATHER

A RUN OF ARCHES PLANTED WITH TRACHELOSPERMUM JASMINOIDES PROVIDES A SCENTED WALKWAY

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RHS CHELSEA

Show Gardens

CAPTIVATING GARDENS AT THIS YEAR'S RHS CHELSEA FLOWER SHOW

M O R R I S & CO. After exhibiting as a trade Sponsor Morris & Co. stand for the first time Designer Ruth Willmott last year, Morris & Co is Contractor Garden Builders

ALDER HEY URBAN FORAGING STAT I O N

returning to Chelsea this year with its first show garden, designed by Ruth Willmott, who has already created four gardens at Chelsea previously, though this will be her first on Main Avenue.

H A N D S O F F M A N G ROV E BY G ROW 2 K N OW

Sponsor Project Giving Back Designers Howard Miller and Hugh Miller Contractor H Miller Bros

Sponsor Grow2Know CiC, Project Giving Back Designers Tayshan Hayden-Smith and Danny Clarke Contractor The Landscaping Consultants

One of 12 gardens being supported by Project Giving Back, the Alder Hey Urban Foraging Station aims to inspire children to lead active, healthy lives, but also enjoyable ones and ones where they interact and engage with nature.

Grow2Know’s founder Tayshan Hayden Smith – who appears on Your Garden Made Perfect – and co-director Danny Clarke, also known as the Black Gardener, have designed a garden inspired by the story of the Mangrove Nine defendants in 1970s Notting Hill, as well as the deforestation of Mangrove forests worldwide.

T H E P E R E N N I A L G A R D E N ‘ W I T H LOV E ’ Sponsor Perennial Designer Richard Miers Contractor Stewart Landscapes Horticulture charity Perennial is appearing for the first time on Chelsea’s Main Avenue. London-based designer Richard Miers has designed a garden which it is hoped will raise support and awareness of the free help the charity provides.

T H E R A F B E N E VO L E N T FUND GARDEN

T H E M E TA G A R D E N : G ROW I N G T H E F U T U R E

Sponsor Project Giving Back Designer John Everiss Contractor Peter Gregory Landscapes and Designscape

Sponsor Meta Designer Joe Perkins Contractor The Landscaping Consultants

Having debuted at Chelsea with Facebook in 2019, winning a Gold medal as well as Best in Category and Best Construction, Joe Perkins has unsurprisingly been commissioned by the group – now known as Meta – once again. The garden will be rehomed after the event as part of The Queen’s Green Canopy campaign.

With planting design by Rossana Porta, John Everiss has designed a show garden on behalf of the RAF Benevolent Fund, which has been providing its services for more than 100 years. The garden celebrates the help the charity has provided over this time to the present day.

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BREWIN DOLPHIN GARDEN

RHS CHELSEA

Sponsor Brewin Dolphin Designer Paul Hervey-Brookes Contractor Big Fish Landscapes Rehabilitation is the focus of this garden, but of brownfield sites rather than people. It illustrates how existing materials on these sites can be reused or repurposed for a more environmentally friendly landscape.

M E D I T E S M A RT P LY BUILDING THE FUTURE Sponsor MEDITE SMARTPLY Designer Sarah Eberle Contractor Landform Consultants Chelsea’s most decorated designer is working with Chelsea’s most decorated contractor to create a garden using MEDITE SMARTPLY products to showcase sustainable landscapes and buildings, but also the versatility of the company’s timber products.

Sponsor Project Giving Back Designer Juliet Sargeant Contractor Gardenlink

Illustration ©Paul Newman

THE NEW BLUE PETER GARDEN – D I S COV E R S O I L

Visitors will be left pondering the soil beneath our feet with Juliet Sargeant’s garden, which has been designed with children’s programme Blue Peter in mind, as the BBC celebrates its centenary year. The garden will be relocated to RHS Garden Bridgewater after the show.

A REWILDING B R I TA I N L A N D S CA P E Championing the charity Rewilding Britain, this garden will showcase the UK’s natural, native fauna and flora by showcasing a naturally rewilded landscape following the reintroduction of beavers in South-West England.

ST M U N G O ' S P U T T I N G D OW N RO OT S G A R D E N BY C I T YS CA P E S Sponsor Project Giving Back Designers Cityscapes – Darryl Moore and Adolfo Harrison Contractor Garden Link

THE MIND GARDEN Sponsor Project Giving Back Designer Andy Sturgeon Contractor Crocus

Cityscapes has been working with homeless charity St Mungo’s Putting Down Roots – a horticultural therapy and training project – for 10 years, and will now be creating an ‘urban pocket park’, highlighting how people and plants can be brought together in a city environment and the benefits of doing so.

Eight-time Chelsea Gold medal winner, Andy Sturgeon, has created a garden which is designed to encourage conversations about mental health. In the lead up to his design, Andy spoke with Mind volunteers who have their own experience of mental health problems and have found spending time in nature and gardening has helped them.

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Sponsor Project Giving Back Designers Lulu Urquhart and Adam Hunt Contractor Landscape Associates

THE RNLI GARDEN Sponsor Project Giving Back Designer Chris Beardshaw Contractor Chris Beardshaw Ltd Chris Beardshow, who has previously scooped the highly coveted Best in Show award, is returning to Chelsea with a garden which celebrates the history and modernity of the Royal National Lifeboat Institution, with has been saving lives at sea for nearly two centuries.

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21/04/2022 11:07

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Sanctuary Gardens

RHS CHELSEA

DISCOVER THE HEALTH AND WELLBEING BENEFITS OF PLANTS

T H E S S A FA G A R D E N S U P P O RT E D BY CC L A

A S W I S S S A N C T U A RY Lilly Gomm, part of Pro Landscaper’s 30 Under 30: The Next Generation alumni, has been inspired by her travels to Switzerland to design a garden which celebrates the scenery of the country as well as its commitment to sustainability.

O U T O F T H E S H A D OW S

Sponsor Switzerland Tourism and participating partners Designer Lilly Gomm Contractor Collinson’s Landscaping

Designer Kate Gould Contractor Kate Gould Gardens

Amanda Waring’s reflective garden will be rehomed after the show to SSAFArun Norton House, which offers accommodation those whose loved ones are being treated at the Defence Medical Rehabilitation Centre.

Sponsor CCLA Designer Amanda Waring, Catfoot Garden Design Contractor Arun Landscapes

T H E P L A N T M A N ’S I C E G A R D E N Sponsor The Plantman & Co Designer John Warland Contractor The Plantman & Co

This contemporary spa garden, designed by prolific Chelsea designer Kate Gould, showcases how the concept of the garden has changed because of the pandemic. They now need to be multi-functioning and incorporating modern lifestyle needs, such as this small garden with a swim spa, yoga and meditation space and seating areas.

Drawing visitors’ attention to climate change, in particular the disappearance of ice from the Arctic, John Warland is placing a 15t cube of ice at the centre of this space, with inscribed poetry to be revealed as the ice melts and a ticking clock reminding visitors of need for immediate action.

A G A R D E N S A N C T U A RY BY H A M P TO N S C I RC L E O F L I F E Designer: Yoshihiro Tamura Contractor: Cube 1994 Garden Design and Landscaping

The highs and lows experienced throughout a lifetime appear through the different heights in the garden, and emotions are represented through the colours of the planting scheme, whilst the turning of a Japanese wooden water wheel symbolises the passing of time.

Sponsor Hamptons, Koto Design Designer Tony Woods Contractor Garden Club London Former Best in Category and Gold medal winner Tony Woods is back at Chelsea in collaboration with Hamptons and Koto Design. A carbon neutral garden cabin provides a space for seclusion and meditation, and pollinating plants are in abundance throughout the garden.

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RHS CHELSEA

T H E P L AC E 2 B E S E C U R I N G TO M O R ROW G A R D E N

K I N G STO N M A U RWA R D T H E S PAC E W I T H I N G A R D E N Sponsor Kingston Maurward College Michelle Brown – Designer Michelle Brown a graduate of Kingston Maurward College, and now a part-time lecturer there – is back at Chelsea, having debuted at the show 20 years ago. Elevated pathways will be immersed in planting and wildlife habitats will form the boundaries of the sanctuary.

T H E B O DY SHOP GARDEN

Sponsor The Body Shop Designer Jennifer Hirsch Contractor Howard Day Botanist Jennifer Hirsch has worked with The Body Shop for six years and through this show garden will be creating a place of wellbeing for the new generation of changemakers and activists fighting global issues facing stress and anxiety for the sake of change.

Sponsor Sarasin & Partners, Place2Be Designer Jamie Butterworth Contractor On the Ground and Form Plants

CO N N E C T E D, BY E X A N T E

Another of Pro Landscaper’s 30 Under 30, Jamie Butterworth, has designed a garden for children and adults, after consulting with pupils at Viking Primary School in London, where it will be relocated after the show.

Sponsor Exante (Xnt Ltd) Designer Taina Suonio Contractor Nicholsons

Finnish designer and environmental biologist Taina returns to Chelsea for the third time, this time for global wealthtech company EXANTE, which celebrated its 10th anniversary last year. So, the garden will represent its values as a company.

THE BOODLES T R AV E L G A R D E N Sponsor Boodles Designer Thomas Hoblyn Contractor The Garden Builders

Thomas’ garden is a celebration of Anthony Wainwright, grandfather to the current chairman of Boodles, who travelled around the world in 16 days six decades ago.

Sponsor Fine Cell Work Designer Frederic Whyte Contractor Champain Frederic’s garden celebrates Fine Cell Landscapes

T H E ST I TC H E R S’ GARDEN

Work, a charity teaching prisoners needlework, with visitors looking into the garden through a ‘cell’, or steel structure, with a pool sitting between this and a larger pavilion.

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RHS CHELSEA

A TEXTILE GARDEN FOR FA S H I O N R E VO L U T I O N

T H E CO R E A RT S F RO N T GARDEN R E VO L U T I O N

Sponsor Project Giving Back Designer Andy Smith-Williams Contractor Conquest Creative Spaces

London-based designer Andy has taken inspiration from his surroundings, sourcing wildflowers found on Hackney Marshes, as well as native hedging and perennials and evergreen grasses. His show garden shows two urban households having joined their front gardens together to create a more positive social space.

Sponsor Project Giving Back Designer Lottie Delamain Contractor Gardenlink

Plants used to play a key role in fashion, from dying to cloth to floral motifs. Lottie’s garden is a reminder of this and will create the impression of a woven fabric, with a series of paved seams leading visitors through the planting.

All About Plants Gardens

LOOK OUT FOR THESE BREATHTAKING GARDENS AT RHS CHELSEA FLOWER SHOW

T H E M OT H E R S F O R M OT H E R S GARDEN: “THIS TO O S H A L L PA S S”

Sponsor Project Giving Back Designer Pollyanna Wilkinson Contractor Burnham Landscaping

A muted planting palette of despair becomes vibrant and hopeful as former mental health counsellor Pollyanna seeks to show a journey of motherhood, which can feature various mental health challenges for women to overcome.

THE WILDERNESS F O U N DAT I O N U K G A R D E N Sponsor Project Giving Back Designer Charlie Hawkes Contractor PW Ltd Reminding visitors of our connection to the natural world, Charlie has created a garden where he wants people to feel immersed in the planting, which has been inspired by native Japanese forests.

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NURTURE

F E AT U R E GARDEN RABY CASTLE PARK AND GARDENS THE GROUNDS SURROUNDING RABY CASTLE ARE BEING REDESIGNED AS IT PREPARES TO OPEN SOME OF ITS GARDENS TO THE PUBLIC FOR THE FIRST TIME

or 700 years, Raby Castle, Park and Gardens has been an imposing fortress, protected by 200 acres of parkland in County Durham. Its history has been somewhat eventful, thanks to its part in the Rising of the North. The Nevills, who first built the castle, supported a Catholic revolt to put Mary, Queen of Scots on the throne, overthrowing Queen Elizabeth I. Unfortunately for the Nevills, the attempt was unsuccessful, and the estate was forfeited to the Crown, eventually being bought in 1626 by the Vane family, who continue to own the castle and its grounds nearly four centuries later. And the latest generation to own the castle – the 12th Lord Barnard and his wife, Lady Barnard – have admirable ambitions to bring part of the castle’s history back to life. Not the uprising, of course, but they have brought in Yorkshirebased landscape architect Alistair Baldwin to redesign public areas around what will suitably be called The Rising. “It’s a really interesting landscape – it connects the collection of buildings which are kind of in the shadow of the castle; it’s a reasonably unusual arrangement, where the 1 Raby Castle from above 2 Garden gateway

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walled garden is just metres from the castle,” says Alistair, who has been working on plans for the estate since 2018. “The way the area has evolved is really interesting; rather than a military stronghold, the castle has been lived in. It still has apartments and bedrooms where kings and queens visited. So, it’s a residential castle. “But the difference between this and a country house like, say, Chatsworth, which looks like a house, is that Raby Castle still looks like a castle. And somewhere like Chatsworth has parterres and formal gardens in front of the house, with big formal water features and lawns with

THAT’S PROBABLY OUR BIGGEST CHALLENGE: RETAINING CHARM, OPENING IT TO THE PUBLIC AND INCREASING THE VISITOR NUMBERS QUITE DRAMATICALLY stripes, whereas the landscape around the castle has historically been a working landscape. Usually, grazed animals would come right up to the castle walls, or at least the moat, and the people who worked for the family in the castle would live on the grounds, so you had this community of people living in the shadow of the castle, like a village.” There was a village too, which is where Raby Castle, Park and Gardens takes its name from. This was cleared to create

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parkland and over the 18th and 19th century, new buildings were put up and the walled garden was formed. “You have this collection of beautiful buildings, arranged partly in an organic and loose way because they were built at different times, and the vast majority of these buildings are now being repurposed as part of the masterplan. So, it’s a big new era for Raby.” The walled garden is being redesigned too. Prolific garden designer Luciano Giubbilei has been brought in to remodel the five-acre garden, which would previously have been used to supply fresh produce to the castle and so was walled off from the animals. Alistair is reimagining the landscape around it, drawing visitors through the grounds to the walled garden. This was one of the biggest challenges, he says – making the landscape suitable for visitors, as it has never been open to the public before. “From the outset we wanted to retain that Raby charm, which is very much about cobbles and moss and lichen and the weathered quality of materials and buildings – things looking beautifully old. When you open up to the public, you have to be careful; there are regulations, which are all there for a reason – to keep people safe and going where you want them to go – so you have to organise the landscape so that it’s compliant and it works. So, that’s probably our biggest challenge: retaining charm, opening it to the public and increasing the visitor numbers quite dramatically.” The project team also wanted it to feel as though visitors were wandering through a village. It’s not on the same site as the former Raby village, but it’s a nod to it. A circular building will act

as a visitor centre, though Alistair prefers not to call it this – rather an “idea of a civic centre”, where visitors will go to buy tickets and get information. There are then tenanted houses on the estate, where people will continue to live, buildings for the animals, former workshops, a coach house, a place to eat, an area where food will be grown, and a shop – these are all part of the masterplan. “So, you have all the components of a thriving community,” says Alistair. “In this cluster of buildings at Raby, I wanted to have that sense of exploring a series of buildings in which a range of activities happen that are all part of daily life – buying things, getting information, shopping, eating, and the walled garden is like the public park.” To create even more of a village feel, Alistair says it’s important to add memorable aspects which are repeated. He’ll be using plants to create a sense of continuity and stone for cobbles and setts which will run throughout. “We’re using these materials to connect the buildings and create a sense of walking through a village with continuity and character. It’s challenging because as

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NURTURE

designers we like to create cool, different things, where here we have to limit this to a beautiful collection of things which we then repeat. It creates a sense of harmony that you get in a village. So, we’re striving to create that – we can’t be too successful at it, though, because no-one would pay to go in the walled garden if it’s too fun outside!” Whilst Alistair has worked on public landscapes before, working a lot around heritage hotels and public gardens, he says Raby is “one of a kind”. As well as creating a ‘village’, there is also the civil engineering aspect of creating a 300-space car park. And not forgetting a large adventure playground which opened to the public on the Easter Bank Holiday weekend. The adventure playground is threaded through a woodland and is situated on a slope, where you can look out to the castle from the top. The play equipment is all made from timber, with parts to climb and walk through the forest. “It’s like being in a Hansel and Gretel fairytale forest,” says Alistair, who has been working with an adventure play provider to create the detailed designs and bring them to life. The inclusive playground, called The Plotters’ Forest, features an accessible boardwalk with several ground-level play trails and slides, as well as three-storey play towers, high-level walkways, tunnels and climbing walls. Speaking to Alistair prior to its opening, he expected there to be a “biblical tidal wave of children coming over the horizon” towards this new, enchanting playground

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which forms the first phase of the project alongside the first stage of the car parking provision. With phase one complete, there is now a rolling programme of work, with an overall completion date just two years away, with various stages opening up along the way.

ONE REASON IT’S CALLED RABY’S RISING IS THAT IT’S A NEW ERA FOR THE ESTATE AND IT’S GREAT FOR PEOPLE TO ACTUALLY SEE THAT HAPPENING BEFORE THEIR EYES, SO WE’RE REALLY EXCITED ABOUT IT “A few years ago, it wasn’t the done thing to have diggers visible to the public; but now, if you give them information, people can come in and see the ongoing construction and get excited about what is going to happen next. One reason it’s called Raby’s Rising is that it’s a new era for the estate and it’s great for people to actually see that happening before their eyes, so we’re really excited about it. It’s a key spot in the north; it’s a highly cherished place and there’s a real vested interest in what’s going on.” Locality is important to the project too. As much as possible is being sourced not just from the local and surrounding areas but the estate itself. “In this part of the world, stone

is such an important part of the culture, digging it up and working it and using it for building. Right from the outset, working with Lady Barnard, we wanted to understand what was available on the estate so we could look at what we could use.” On hearing that Alistair was seeking sizeable boulders, one of the estate workers knew a field on the estate where he could find these, about a 10-minute drive from the castle. “We drove into the middle of this huge field and in the middle were the biggest boulders I’ve ever seen…He said that over the years, tenanted farmers had pulled them out of their fields and brought them to this field. They were covered in the most beautiful lichen and moss. I had a designer’s moment of thinking ‘I can use any number of these’.” The same member of staff also knew of a spot in the woods where a series of estate cottages had been demolished a few decades ago and therefore where piles of moss-covered stones could be found. “We’re working with the project manager at the moment to look at how we can use these to build our walls. It’s one thing to have this romantic vision of building a drystone wall that already has moss on it, but another thing for it to be practical. We think we can achieve it, though. I would

3 4 5 6

CGI of Raby Castle's playground The Plotters' Forest at Raby Castle CGI image of The Plotters' Forest at Raby Castle Alistair Baldwin, Lady Barnard and Charlotte Pennell

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say the majority of the floors and walls within the masterplan area – excluding the carpark – are using material from the estate. And there’s other setts and cobbles which we’re sourcing from Yorkshire reclamation yards.” As well as adding to the Raby charm, sourcing locally also adds to the project’s green credentials, as does going above and beyond biodiversity net gain. “We’ve been working closely with Durham County Council who have been exemplary. It’s not every designer who can say “the planners were brilliant” but they have been brilliant and are real collaborators; they have been part of the team driving this forward and to making it successful.

“The other aspect is that this is a rural site, and we are a lot more spread out up here. The consequence of that is there is a lot of agriculture and forestry, so when you’re making a 300-space carpark which is all part of a careful business plan to generate visitors and income and so on, you need to do that really carefully. So, the carpark is entirely permeable, and the spaces are reinforced grass which will be sown with meadow mix, as will the overflow carpark. The carpark itself is all native planting and woodland.

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“Then within the masterplan area itself, there are new areas of planting but also areas of meadow and copses and so on that we’re creating. So, we have been able to demonstrate this really significant biodiversity net gain through the scheme, despite the fact that we’re creating a 300-space carpark on what was previously grassland.

WE HAVE BEEN ABLE TO DEMONSTRATE THIS REALLY SIGNIFICANT BIODIVERSITY NET GAIN THROUGH THE SCHEME, DESPITE THE FACT THAT WE’RE CREATING A 300-SPACE CARPARK ON WHAT WAS PREVIOUSLY GRASSLAND “There are also gains we’re looking for outside of the masterplan areas, such as woodland that could be improved to enhance species diversity or to form screens for the carparking and back-ofhouse areas. We’ve gone above the 10% [biodiversity net gain required], which is really pleasing considering it’s a project which is a leisure destination.” Species selection has been careful for an area called Duchess’ Walk too, which will act as a street in the village to connect the restored buildings to the new ‘civic centre’ and will guide visitors to the castle and gardens. Alistair and his team are looking to reinstate the cherry blossom trees for

which the walk is known but using smaller species of prunus to create a lower canopy. “The species that were there previously were heading skywards and hanging over the roofs of buildings. So, we’ve brought down the scale and are choosing species we know we can keep small and elegant. We’ve been looking at ones like ‘The Bride’, a really nice cultivar which stays small and has a clear blossom. We’ve also been looking at Yedoenis, which is a really strong cherry blossom. It’s used quite a lot at the moment, but there’s reason for that; there’s incredible clarity to the blossom and an elegant filigree.” A “tapestry pf planning” will form the floor of the walk, with a mix of shade-loving plants and seasonal interest, such as ferns, hellebores, geraniums and native woodland species such as woodrush. A lot of research has been conducted to find out the reason behind the name ‘Duchess’ Walk, but the project team are still none the wiser. “We’ve scoured the archives and looked high and low for clues. The most obvious reason is that the Duchess used to walk there; but on the north side of the walk is a riding school, and on the south side is a coach house, so for all we know, the Duchess might have been a horse.” Discovering and celebrating the history of the site is all part of reimagining the landscape at Raby Castle. New elements will be added – and, of course, those ‘compliant’ aspects such as handrails to make it suitable for visitors – but the story of Raby will continue to be told through this incredible landscape.

7&8 Duchess' Walk

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NURTURE

IMPLEMENTING CHANGE LEWIS NORMAND SHARES PART OF THE DISCUSSION AROUND PLANT IMPORT CHANGES FOLLOWING FUTURESCAPE SPRING

s I write, we are a week on from the excellent FutureScape Spring. One panel, which I chaired, discussed the changing landscape of biosecurity, plant health and plant movement. My panel consisted of four nurserymen and the chief plant health inspector for the APHA, Dr Kelvin Hughes. Richard McKenna from Provender Nurseries, John Marsden from Bernhard’s Nurseries, Keith Sacre from Barcham Nurseries and Robin Wallis from Hortus Loci made up our nursery representation; all recognised as nurseries which take biosecurity very seriously. The APHA (Animal and Plant Health Agency) is our border force which ensures biosecurity risks are mitigated and prevents plant pathogen spread throughout the UK, and Dr Hughes manages an ever-increasing team of plant health inspectors who regionally assess plant health in imports and exports. Since we officially left the EU, the government has been developing a strategy to revise and implement our own import and plant health assessment protocols. This has largely mirrored what is in place within the EU, evolving over the last year to temporarily remove the need for plant health assessments at ports and instead created Points of Destination (PODs), where registered nurseries can import plants directly to their POD site with an APHA inspector visiting the site to assess plant health before approving, or condemning, imported plants. This system was designed to buy time, while private contractors built new ports (called Border Control Posts or BCPs) across the UK and has actually proven very popular. As of 1 July, however, the new BCPs will come into action and there are myriad unknowns on cost, speed of assessment, and

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FUTURESCAPE SPRING: PROTECT AND SECURE, EMBRACING BIOSECURITY AND PLANT HEALTH

responsibility over any potential damage or delay. As his team will be implementing the change of port, if not actually determining the new rules, I asked Dr Hughes a few questions on how he sees it working.

DESPITE THE VERY BEST EFFORTS OF DR HUGHES, LOOKING TO PREPARE HIS TEAM FOR A SIGNIFICANT CHANGE, HE TOO IS WAITING ON SOME DECISIONS TO BE MADE BY DEFRA First, I asked for clarification on the number of PODs, which Dr Hughes confirmed at 3,600 across the UK, which will be replaced by 33 new BCPs, on top of the UK ports already in existence. Others are likely to be built if demand is high enough; something I suspect will happen. Obviously, this change means that we will shortly have a significant decrease in the number of sites to accept plants for inspection and therefore each site will be required to throughput a rise in inspections. It will likely mean delays at ports for inspection. The European system currently flags through all consignments that are not inspected within a set period. This could be

a system we adopt to mitigate backlogs and delays, with Defra and the APHA probably choosing a position of flexibility in approach to manage potential delays. Climate sensitive plants will be especially delicately balanced, like houseplants, bedding out of season and other tender plants; these cannot sit for long without quality reductions. Equally, will distribution companies accept having drivers and trucks stuck at ports for extended periods of time? Questions remain unanswered and despite the very best efforts of Dr Hughes, looking to prepare his team for a significant change, he too is waiting on some decisions to be made by Defra. Dr Hughes and his team play a vital role in maintaining biosecurity across the UK. Their task is always unenviable but is perhaps more-so in light of the upcoming changes and challenges. I wish him and his team well and welcome further discussion with growers and importers on how we can make this new system work for everyone. To be continued...

ABOUT LEWIS NORMAND Lewis has worked in a wide variety of roles within horticulture over a 20-year career. He has lectured on garden design and horticulture, and designed gardens in the UK, Europe and the Middle East. Since 2011, Lewis has focused on nursery sales, now working as sales manager at Bernhard’s Nurseries, and has helped to launch a number of new plants into the UK plant market. He is a specialist supplier to show gardens, supplying more than 100 gardens at major shows.

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ur agricultural fields, landscapes, parks and gardens suffer from ‘Ecological Tidiness Disorder’, or ETD, according to Benedict Macdonald in his book ‘Rebirding’ (well worth a read). This restricts the habitat and niches available to wildlife and it’s no wonder we have a biodiversity crisis. I know from my local authority days that the mentality was to keep all areas ‘neat and tidy’ to avoid complaints. Grass areas left long were considered unkempt and uncared for and fuelled complaints from some quarters and reactive workloads.

IF YOU CAN LET YOUR GRASS GROW AND THE PLANTS WITHIN IT FLOWER, THIS WILL PROVIDE A VALUABLE FOOD SOURCE FOR LOTS OF INVERTEBRATES That was almost 30 years ago but I see the changes to a more relaxed and informed maintenance regime slowly evolving, with ecological outrages on Twitter when wildlife habitat verges or hedges are either netted by developers to prevent nesting birds or mown down at the wrong times by insensitive bureaucratic contracts. It’s May and we should not be cutting hedges or where wildflowers bloom. Remember, hawthorn is one of the best wildlife supporting hedge plants and flowers on old wood, so only prune every two years allowing it to flower, fruit and maximise its

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benefit to the 300+ organisms which use it as habitat. May has also become ‘No Mow May’, and while my attempts last year were rather pathetic, my neighbour’s front ‘lawn’ (more like a flowery mead) sang. So, what do we have to do to support wildlife on our own patches of land? Well, kerbing the neat and tidy habits are a start. There is little ecological benefit in closely trimmed grass and lots of bare soil in the border. So, if you can let your grass grow and the plants within it flower, this will provide a valuable food source for lots of invertebrates including bees and bumblebees seeking nectar and pollen. Our biodiversity crisis is well illustrated by the lack of squashed flies on our cars compared to 20+ years ago. The insect population has been depleted by around 75% since 1970 and these are vital links in the food chain for higher organisms. Providing more in May and June will help to feed songbird broods and animate your gardens. Nature abhors a vacuum and bare soil in borders. It takes some regular effort to keep soil weed free. There are approximately 20,000 'weed’ seeds in each square metre of soil. Keeping borders well stocked with an almost closed canopy and mulched will afford many niches for wildlife and a few neglected undisturbed corners will harbour even more. For those in the grounds maintenance sector, why not allow hedges such as

THIS LAWN (MY NEIGHBOUR’S) HAS HAD THE NO MOW MAY TREATMENT FOR THREE TO FOUR YEARS, PLUS SOME WILDFLOWER PLUG PLANTING. NATIVE WILDFLOWERS THRIVE AND GRASS SPECIES DON’T DOMINATE. A MOWN BORDER AROUND THE LAWN HELPS TO INDICATE THAT THE ‘NEGLECT’ IS DELIBERATE.

hawthorn, blackthorn, hazel and elder to grow flower and fruit in locations where they won’t intrude on sight lines or safety? You may need to ‘educate’ customers but cutting every two to three years will allow much more flowering and fruiting and will attract more wildlife. I would not expect a cost saving as I suspect the cutting costs of maintenance once every two to three years will be similar to two to three years’ worth of annual cutting – there is the added opportunity of collecting sloes from blackthorn and making sloe gin. All photographs ©Wealden Country Landcraft

SUPPORTING BIODIVERSITY

FOR NICK COSLETT NO MOW MAY IS THE PERFECT TIME TO HIGHLIGHT THE BENEFITS OF CUTTING BACK ON MAINTENANCE

ABOUT NICK COSLETT Nick is now retired but has worked in landscape offices, parks management and horticultural nurseries. For the past 20 years, he has also run soft landscape workshops at Coblands and Palmstead. He has been involved in BALI at a regional and national level, and is a trustee of the BALI Chalk Fund, as well as an awards judge.

www.prolandscapermagazine.com

21/04/2022 16:40

THE REAL REWILDING L

ike many in our industry, I find the concept of ‘rewilding’ to be an inspirational topic. It is uplifting to read of rewilding projects across the country and of the encouragement to everyone to rewild their little bit of landscape. There is real danger within this, though, of a loss of ambition and delivery. This stems from a lack of real understanding of what rewilding means, coupled with our strong emotional attachment to classic images of the British landscape that are just a romantic misunderstanding of the modern reality. Rewilding could become a ‘greenwash’ label, being applied to every patch of wildflowers seeded on a verge or area of a park left untidied. These are good things to do, but they are not rewilding, and they will not deliver its real and vital potential.

So, what is rewilding? Perhaps the best-known UK example is that of Knepp Farm in West Sussex run by Isabella Tree and her husband Charlie. Their website describes it as using reintroduced ‘keystone species’ of

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NURTURE

MISUNDERSTANDING THE TERM ‘REWILDING’ IS TO ITS DETRIMENT, ARGUES PETER READER

grazing animals as the drivers of habitat creation. They are delivering a radically different approach to conservation, that it is not driven by specific goals or a target species such as a top predator. Instead, its driving principle is to establish a functioning ecosystem where nature is given as much freedom as possible. So, in contrast to ‘saving the tiger’, they reintroduce keystone herbivore species that ‘work the land’ to deliver greater biodiversity and

THE SAD TRUTH IS THAT SINCE THE END OF WORLD WAR II, OUR COUNTRYSIDE HAS BEEN RAVAGED BY THE INTRODUCTION OF INDUSTRIAL FARMING METHODS THAT HAVE IN THE LAST 60 YEARS DEVASTATED OUR COUNTRY’S ECOLOGY sustainability. The aim is to show how rewilding can be a highly effective, low-cost method of ecological restoration – suitable for failing or abandoned farmland. The benefits can be immense, not just in biodiversity, but in other ways such as flood prevention, soil restoration and increased ecological resilience. There are many aspects and lessons from their approach which are radical in that they overturn our modern perceptions

of what the countryside is. Traditional thinking has it that Britain was a dense total-canopy forest and that it is only man’s management of it (farming and forestry) that has created the diversity of environments and niches that we see

today. These misguided ideas of a human-delivered biodiverse landscape are the results of the short time frame of living human memory and the superficial appearance of the UK of still possessing a bucolic ‘green and pleasant land’. The sad truth is that since the end of World War II, our countryside has been ravaged by the introduction of industrial farming methods that have in the last 60 years devastated our country’s ecology. More well-known examples include the loss of nearly half of our ancient woodlands in the last 80 years and a 75% reduction of our native birds. This is a loss of 40 million birds, a truly staggering figure. So, what are these radically different approaches? The first myth to bust is that a clean and well-kept green environment is a good one. We clear away leaves and rotting branches that are one of nature’s

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NURTURE

ways of recycling biomass, nutrients, and humus into our soils, feeding the bacteria, fungi and insects that keep our soils alive and fertile. For me, one of the most interesting aspects of their approach is allowing the regeneration of scrub in their farmland (to the horror of local farmers) and the remarkable benefits this has delivered to biodiversity. It is fascinating that the term ‘scrub’ today is a dirty word for an area of wasted, useless land filled with weeds. At Knepp they have discovered that scrub is actually a vital component to a sustainable ecology as it provides a protective nursery for a huge range of flora and fauna from

CONTINUE TO SOW WILDFLOWER SEEDS AND LEAVE AN AREA OF YOUR GARDEN UNKEMPT, BUT PLEASE DO NOT CALL IT REWILDING. REWILDING MUST NOT BE DILUTED DOWN saplings to small mammals and insects. It enables the land to regenerate itself over a long-time cycle. An unexpected insight arising from this has been the rewriting of our understanding of what habitats some creatures require. Examples include the purple emperor butterfly that we now know occupies a completely different niche than had been previously believed, and whose population at Knepp has gone from unseen

to the largest UK colony. We have so destroyed our landscape that animals cling on in areas poorly suited to them, that

humans who have only recently studied them believe are their natural habitats. This type of misperception is known as Shifting Baseline Syndrome. This relatively ‘short living memory’ of humans impacts on many of our other treasured landscapes. Our classic ‘wild and open’ uplands are viewed as being maintained by modern sheep farming. In fact, intense sheep farming has created a grazed desert and degraded soils that support a fraction ecologically of what they used to. The original wilderness landscape was a tapestry of self-sustaining scrub and low open woodland, with much less grazing and more mixed farming. This perception has led to misguided ‘enshrined in law’ rules on how a landscape can be managed. In the Cambrian Mountains, for instance, this includes removing saplings and preventing the land returning to its diverse original state. Returning to those ‘keystone species’, it is vital to understand that they are the real drivers and maintainers of these diverse functioning eco-systems. We require the movement and chaos that they inject, be it

pigs breaking up soil and spreading seeds and roots or ancient breeds of cow that can eat scrub and break up old and damaged trees. Evolutionarily, why are so many of our trees good at being coppiced if they did not evolve to respond to such challenges? To those who see the reintroduction of more ‘exotic’ species like the European Beaver as a naturalist’s ego trip and a risk to rivers and farmland, I again say we are hamstrung by our short timescale of ‘living memory’. European beavers do not build huge destructive dams like their American cousins but do create fantastic areas of land rich in biodiversity, that also prevent flooding and soil erosion and create natural filters to clean our rivers. We have simply forgotten how to live with them and forgotten the benefits they deliver.

So, continue to sow wildflower seeds and leave an area of your garden unkempt, but please do not call it rewilding. Rewilding must not be diluted down; we need its benefits so very vitally, and we need people to see through the greenwash that is much of our modern countryside. It is essential that we fully challenge our beliefs and perceptions, so that we can radically change our relationship with nature and the land. No, we should not be rewilding good fertile farmland, but that leaves vast areas that we can. Finally, please read Isabella Tree’s book ‘Wilding’; it will open your eyes and challenge your thinking. It is truly inspirational.

ABOUT PETER READER Peter Reader left the NHS after 25 years as a GP to follow his passion for nature, gardening and design. He retrained at KLC School of Design, and immediately set up his single-handed North London design practice Peter Reader Landscapes in 2013. He designs mostly private gardens in the South East and has received awards for his work from the RHS, BALI, and Houzz. www.readerlandscapes.com

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DEMAND QUALITY WHY COMPROMISE

“The SXG326+ did more than we hoped for, it cuts and collects our parks at a low height of cut, then tackles the road verges and clears the wildflower meadows leaving the same finish. They really do cut and collect even in the wet with no blockages. It is very reliable and we have had no issues with it, I would recommend ISEKI to anyone and have done to local businesses already.“ Paul Isom, Parks & Premises Manager, Chesham Town Council Contact your Local Dealer to book a demonstration on your site today! www.iseki.co.uk

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NURTURE

GROWING UP MATT LINDSAY, GENERAL MANAGER AT GROWING REVOLUTION, TELLS US HOW HE AND HIS TEAM ARE BUILDING A SUSTAINABLE BUSINESS HELPING LANDSCAPERS TO ‘GROW UP’!

rowing Revolution is all about reconnecting people with nature. It was born out of sister company Biotecture, UK specialists in living walls and green infrastructure projects. Biotecture has been delivering integrated architectural living walls for 15 years – but in 2019, work began on an affordable DIY living wall system that would be accessible to all. The result was PlantBox, a stackable and modular living wall system designed to appeal to everyone from novice gardeners to expert landscapers. Growing Revolution is now an independent company dedicated to supplying sustainable, green wall products to landscapers, retailers and consumers. It has a growing network of regional landscape trade partners who are equally passionate about spreading the vertical greening message to their clients.

MATT LINDSAY

General manager Matt Lindsay says: “We all know that increasing the quantity and quality of green spaces in our towns and cities is good for people and the planet. Plants have multiple benefits from reducing air pollution, increasing biodiversity, and improving wellbeing. Living walls are a space-efficient way to bring more greenery into our lives and contribute to a more sustainable future. They can also be installed inside, helping to bring the outside in.” PlantBox is cleverly simple to install and maintain. Modular and stackable troughs have been designed to be ground bearing, meaning only restraint fixings are required. Each trough contains an integrated water reservoir and has a unique cascading watering system which makes looking after

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plants easy, with no daily watering required. The Growing Revolution team is passionate about the environment – this was celebrated last year when PlantBox was nominated as an ‘RHS Sustainable Garden Product of the Year’ finalist, and again earlier this year when Growing Revolution was shortlisted for ‘Sustainable Company of the Year’ at the Pro Landscaper Business Awards.

LIVING WALLS ARE A SPACE– EFFICIENT WAY TO BRING MORE GREENERY INTO OUR LIVES AND CONTRIBUTE TO A MORE SUSTAINABLE FUTURE Matt tells us: “PlantBox is made in the UK from 100% recycled materials. Not only does UK manufacturing minimise the product carbon footprint, but it also allows us to ensure the best quality product for our customers. “The core material is recycled polypropylene which is one of the best performing plastics, both from a sustainability and longevity perspective. The packaging is made in Cambridgeshire from 100% recycled papers, and you will never see any single use plastics as we use compostable bags instead. “PlantBox has a design life of 10+ years, giving customers assurance that their vertical garden will be thriving for years to come.” Growing Revolution has also ensured its supply

PLANTBOX LIVING WALL INSTALLED BY A GREENER LONDON

chain shares the same values and promotes environmental sustainability. A recent example being how it has changed couriers due to its pledge of switching to an all-electric fleet. Lastly, Growing Revolution pledges 1% of sales to 1% For The Planet, a global organisation that supports non-profits tackling our most pressing environmental issues. Growing Revolution also offers technical support and other benefits for trade partners. Matt says: “We have a growing network of trade partners and we are really enjoying helping them bring their clients’ living wall projects to life. Each partner benefits from a dedicated account manager to help from enquiry to installation. Plus, quantity-based discounts and marketing material can also be provided to help support our partners.” In 2021 the Growing Revolution team showcased PlantBox at the RHS Chelsea Flower Show for the first time. Matt says: “The reception from consumers, landscapers and garden designers was overwhelmingly positive, and we look forward to exhibiting again at the end of May. We will be exhibiting on stand 293, so please do make sure to say hello! The team and I will be on hand to answer any questions about the system and becoming a trade partner. We look forward to meeting you!” You can find out more about PlantBox at: www. growingrevolution. com/trade

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21/04/2022 09:36

TAKING GREENING UP A LEVEL

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MOBILANE DETAILS ITS NEW LIVING WALL SYSTEM MOBIPANEL

obiPanel is an innovative and sustainable system for living walls on existing buildings and new developments. It’s the latest generation in vertical green from Mobilane, specially developed to make futureproof and sustainable construction even more accessible. This unique modular system, with its interchangeable plant cassettes in two sizes, makes it possible to give a sustainable and vibrant appearance to both flat and curved walls. Flexibility in design and choice of plants The system has been developed with circularity in mind. All its components can be disassembled, reassembled and recycled. The system is made up of corrosion-resistant profiles that can be installed both horizontally and vertically, depending on the format and layout of the backing wall. The profiles provide the bearing structure for the plant cassettes measuring 40x40cm and the quarter-cassettes (pixels) of 20x20 cm. The plant cassettes are fitted with two spacious slots for plants of varying size. This flexibility allows great variation of design and choice of plants.

MOBILANE MOBIPANEL AT AN OFFICE IN BEMMEL

Green appearance throughout the year Vertical greenery with a vibrant appearance is easy to create with MobiPanel. The plant wall stimulates biodiversity, while purifying the air and regulating heat. The automatic irrigation system ensures that the plants receive the correct quantity of water and nutrition throughout the year. This means that the green wall remains a real eyecatcher in the urban environment, such as offices, parking garages, hospitality sector and more. “Building a sustainable future, that is what we are essentially working on. We want to make green facades that consist of recycled materials and that last longer,” says Alexander Ilsink, the third-generation owner of Mobilane. “Innovation is in our DNA. Since the beginning in 1926, innovation has been important to us. MobiPanel is a further developed system based on new insights and innovations.” www.mobilane.com

MOBILANE MOBIPANEL AT ESSENZA HOME, BUNNIK

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NURTURE

TREE PITS & GRILLES CHRIS GEORGE, BUSINESS DEVELOPMENT MANAGER AT HOWE GREEN, GREEN HIGHLIGHTS THE MAIN FACTORS TO CONSIDER WHEN SPECIFYING TREE PITS AND TREE GRILLES FOR LANDSCAPING PROJECTS IN ORDER TO ENSURE A SAFE AND EFFICIENT INSTALLATION, WITHOUT COMPROMISING THE OVERALL AESTHETIC EFFECT

ver the next three years, almost 680,000 trees will be planted in towns, cities and rural areas in England to increase access to nature and boost health and wellbeing, as part of the government's initiative to triple tree planting rates to 30,000ha per year by 2025. Whilst planting trees in urban areas can provide many benefits, any trees or saplings must be initially planted into a safe and secure setting to ensure their long-term growth and subsequent environmental advantages. Adequate root management, regular access to water and the maintenance of soil condition are all essential elements that must be considered when incorporating trees into hard landscaped areas. So, how can specifiers ensure they’re planted in a safe and secure way? External tree pits and tree grilles are particularly popular with landscaping professionals, as they effectively provide easy access to tree root balls, whilst also providing discreet access to electrics, valves, pumps and water features.

Specifiers should consider solutions manufactured from stainless steel, galvanised steel or aluminium, as they provide long-term rust and corrosion resistance to ensure the highest levels of performance, whilst also accommodating a wide variety of hard floor finishes. The addition of a top edge seal will also prevent dirt, grout or grinding waste ingress to achieve increased longevity and resilience, whilst accurately manufacturing to unique sizes and shapes eliminates the requirement for slither cuts of stone, which often leads to recurrent and costly breakages.

Material matters When choosing any tree grille or tree pit, ensuring that the right materials have been used throughout the product’s construction is always critical for preserving the tree's life and successfully ensuring a long-lasting and durable installation.

Aesthetics vs performance Custom made specifications will best meet the specific requirements of each individual project, rather than a standard ‘off the shelf’ offering. A bespoke specification will also ensure that the type of metal specified within the hard landscaping, seamlessly

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ANY TREES OR SAPLINGS MUST BE INITIALLY PLANTED INTO A SAFE AND SECURE SETTING TO ENSURE THEIR LONG-TERM GROWTH AND SUBSEQUENT ENVIRONMENTAL ADVANTAGES

integrates into the tree grilles, providing the highest quality finish available. With over 30 years’ experience in the design and manufacture of high performance access solutions, Howe Green's team of in-house design and engineering experts offer a wide range of custom and standard tree pits and tree grilles that can be tailored to meet the exact specification of every project. This includes a variety of light and heavy duty tree pits and tree grilles that, depending on specification, can withstand varying levels of footfall and traffic up to 6,500kg pneumatic tyre wheel load, making them the ideal choice for a wide variety of hard landscaping projects. For further information on Howe Green, please visit www.howegreen.com or get in touch via: 01920 463 230.

www.prolandscapermagazine.com

21/04/2022 10:51

TREE ANCHORS

NURTURE

TREE ANCHORS CAN BE VITAL TO A SCHEME’S SUCCESS WHEN INSTALLED CORRECTLY. HERE ARE SOME TOP INSTALLATION TIPS TO ENSURE THAT’S THE CASE

PLATIPUS TREE ANCHORING SYSTEMS Since pioneering underground tree anchoring in 1982, Platipus has developed a comprehensive range of professional tree anchoring and irrigation systems for every planting situation. During this time Platipus has safely secured hundreds of thousands of trees, in some of the most challenging and exposed locations all over the world, making them one of the most reliable solutions on the market today. Carl Reeders, global landscape solutions manager, explains: "It's very rare, but if we do ever have any issues it’s normally associated with a mistake during installation process not the product itself. Typically, this may be somebody who has installed the anchors but has simply forgotten to pull them up into their full working position. This may cause the tree

to lean when it is exposed to high winds. If this happens, we would always advise straightening the tree, checking all three anchors are locked into their full working position and re-tensioning the ratchet system on top of the rootball. The Platipus team are always available to provide technical support installation guidance if needed.” WWW.PLATIPUS-ANCHORS.COM

GREENBLUE URBAN “A potential pitfall associated with underground tree guying is the risk of damage to buried pipes and cables. Ultimately, this could pose a serious health and safety hazard. “When using any drive-in anchor systems, GreenBlue Urban would recommend thorough scanning prior to installation to eliminate this risk as far as possible. “However, there are better and safer solutions available! The AnchorPlate Arborguy System builds on the traditional ‘deadman’ concept with a completely flat anchor point. This does not use the variable structure of virgin soil; instead the weight of soil, the soil cell and of the tree itself provides more than sufficient force to securely anchor the tree, completely avoiding any below ground services.” WWW.GREENBLUE.COM/GB

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EDUCATE

teve Jobs once said: “Do not try to do everything. Do one thing well.” This might seem like an impossibility for sole traders, but it is possible – with a little work – to focus on fewer things and still get the job done. Here are a few tips I wish I had known when starting out. • If I could give one piece of advice to a sole trader it would be know your strengths and weaknesses. Your strengths should be used to the full and the weaknesses you should delegate as much as you can. • If the thought of number crunching your accounts is enough to bring you out in a cold sweat, get yourself an accountant or use an app like QuickBooks. If you really cannot face designing your own website, hire a professional. If you cannot spare the time to blog, use a professional writer to provide content. Joining a local business network is a great way to meet the sorts of people who can help you.

KNOW YOUR STRENGTHS AND WEAKNESSES. YOUR STRENGTHS SHOULD BE USED TO THE FULL AND THE WEAKNESSES YOU SHOULD DELEGATE AS MUCH AS YOU CAN • On the other hand, if writing is something you enjoy, blog away on your website and keep adding new content to Facebook and Instagram. • On the subject of social media, it is worth developing an idea of what makes your business unique – why should someone use you and not someone else? Once you get a feel for that, you can build your brand and all your posts around that. Don’t be put off if you don’t get hundreds of likes – stay true to your vision and you will get the sort of clients who like you and want what you do. •Time is a limited resource as a sole trader so ditch the things that you don’t enjoy, or which are the least profitable. At the beginning of your business, you might need to try everything to work this out –

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MANAGING AS A

SOLE TRADER JO MANFREDI-HAMER SHARES THE LESSONS SHE HAS LE ARNT FOR WORKING WELL ON HER OWN

that’s okay, but don’t be afraid of making changes to your business to suit you. • Keep lists of new work as it comes in and prioritise what is on your desk by looking at the list every morning. • Make supportive connections with other sole traders, even if just to meet up and chat. You never know when you can help each other out. Surveys are always easier in two after all.

going on courses run by the Society of Garden Designers. • Ask for help from landscapers/other building specialists and get to know the ones who will listen to your suggestions and help you to achieve your vision. Finally, as Steve Jobs also said: “Sometimes life is going to hit you in the head with a brick. Don’t lose faith.” There is a reason you do what you do and that probably has to do with being your own boss and making your own decisions. If things go wrong, as they will from time to time, accept that this is part of running a business, address it and move on.

ABOUT JO MANFREDI-HAMER

• Keeping our mental health in tip top condition is so important when everything rests on you so prioritise your wellbeing. Take out just 15 minutes a day to do online yoga or take a walk in the fresh air. Take regular holidays and block out your diary for time to recharge between jobs. • Keep up to date with legal changes by

Jo Manfredi-Hamer is an award-winning garden designer. She designed the Mental Health Garden which took gold at the Harrogate Flower Show 2019 and was proud to support Leeds Mind in that venture. She is passionate about how we can use gardening and horticulture generally to alleviate mental health issues in society. Jo is a pre-registered member of the Society of Garden Designers.

www.jmhgardendesign.co.uk

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21/04/2022 09:24

EDUCATE

TIME IS MONEY S

pring has finally arrived and with it some decent weather. This means one thing – the ‘silly season’ is upon us where clients want their gardens done in the next six weeks and the phone rings like a switchboard at BT! When I was landscaping, we would always get a steady flow of enquiries throughout the winter but as soon as March arrived the phone rang incessantly. Some weeks I did nothing except talk on the phone morning, noon and night. One year I decided ‘that’s it’, I need a secretary to take the burden of phone calls and that was when Samantha came on board. After a week or two without the phone ringing constantly Samantha began to send all my quotes out. She sent out contracts to clients, ordered all the team’s materials and got to beat down the suppliers on price too. She did my construction design management 2015 files, and she organised my diary. I actually stood there one day and said to myself: “Why on earth didn’t you bring Samantha in years ago?” I was kicking myself. Now, where I was winning having Samantha on board, I was losing out in

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my pocket to cover her wages, and I was still spending the majority of my time writing quotes and meeting clients. These clients required consultations/quotations and further meetings with them to discuss designs and material choices. When I began to work out my vehicle mileage, diesel spent, wear-and-tear on my vehicle and, most importantly my own time, I was losing out massively.

MY ADVICE IS TO VALUE YOUR TIME, KNOWLEDGE AND EXPERIENCE WHICH WILL GIVE YOU MORE FREE TIME WITH SERIOUS CLIENTS Roll on a few weeks later and I’m talking to my good friend Rick Ford who told me in no uncertain terms I should be charging for my time for consultations. So, I took the leap of faith and began charging per consultation and it made a huge difference immediately. Charging cut out the time wasters who wanted my ideas and then went with a budget quote. (Those are the people we call ‘tyre kickers’).

CHARGING FOR CONSULTATIONS IS ONE OF THE BEST DECISIONS GARETH WILSON MADE

Eventually, I actually only ended up losing 15% of enquiries. Charging for consultations, I think, is essential, especially with clean air charges coming to Manchester and other cities. Gas prices are on the increase and diesel and petrol is rising to the highest levels ever. My advice is to value your time, knowledge and experience which will give you more free time with serious clients. You are covering overheads and making some money too. Essentially, I feel charging for consultations adds a degree of professionalism to your company, will take pressure off yourself and leave you more time to concentrate on the job in hand and clients who are serious about using your company.

ABOUT GARETH WILSON Leaving college at 17, Gareth has worked in the landscape industry since 1989. Progressing onto high-end projects over the years, he has picked up 30 RHS medals, including Gold at Chelsea. Now a retained consultant to The Landscape Academy, Gareth is a member of multiple professional bodies. He provides technical and product advice to companies, mentors and trains landscapers across the UK, and provides arbitration and mediation services.

www.gkwilsonlandscaping.co.uk

www.prolandscapermagazine.com

21/04/2022 09:22

TIME TO

EDUCATE

TIGHTEN THE BELT W

ith costs escalating all around us, there has never been a better time to work smarter not harder. Review your financial performance each month This is so important, so that costs are managed closely and you can spot instantly if something is out of line. Calculate your key operating costs – e.g. materials, labour and overheads – so that you can properly measure if they are increasing as a proportion of sales. Run a year to date profit and loss report from your accounting software, to the end of the previous month, ensuring that all transactions are reconciled. Capture all enquiries The easiest way to increase profit is to reduce costs, but of course it is also important to ensure that we are maximising our sales. Can you hand on heart say that all enquiries are responded to promptly and followed up? If you can, congratulations! But it’s still worth looking at this process to ensure that your prospective clients are getting a great experience each and every time they interact with you. The best way to measure this is to use mystery shoppers and client feedback surveys.

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ALISON WARNER, THE TRADES COACH REVE ALS THE FIVE STEPS TO UNLOCKING PROFIT

Win the work! Again, this comes down to knowing what your current baseline is. How many enquiries convert into sales? I would say a good target to aim for would be 60% – any more than this, you may be too cheap and not actually profitable. Any less than this and you could be mispositioning your value. Has your team had any training in sales? This is a skill that can be learnt along with other powerful techniques.

MOST BUSINESSES DON’T FAIL DUE TO A LACK OF DEMAND, BUT BECAUSE OF POOR CASH FLOW Conquer cashflow Most businesses don’t fail due to a lack of demand, but because of poor cash flow. Some tips include: • Take card payments at the customer’s home for small jobs. • Ensure that someone in the team is responsible for sending invoices promptly and chasing payments. • Set auto reminders from your accounting software. • Have a relationship with a good debt collection agency should the worst happen. • Take deposits and staged payments for the larger jobs.

Look after the pennies and the pounds will look after themselves! I know it’s an old one but it’s true! Tips here include: • Pay yourself a set amount each month and don’t be tempted to dip in and out. • Have a separate account set up for tax – corporation, if you are limited, and personal. • Have a separate account set up for working capital – i.e. savings; even if it is a small amount, it will build up over time. You want to be aiming for three months’ worth of overheads to protect you in the event of a sudden downturn. To measure the health of your business, take our free BUILD system scorecard, available on our website: www.evolveandgrowcoaching.com

A B O U T A L I S O N WA R N E R Alison Warner is the founder of Evolve and Grow, a business coaching firm that specialises in the trades and construction industry. She is also the author of bestselling book ‘How to go from Tradesperson to Managing Director in the Construction and Trade Industries’. https://amzn.to/2QIb467 www.evolveandgrowcoaching.com

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21/04/2022 09:19

EDUCATE

INSISTING ON

ANNUAL LEAVE JASON MCKENZIE AND KUMSAL KALELI OF ORACLE SOLICITORS NAVIGATE THE TRICKY TOPIC OF WHETHER AN EMPLOYER CAN FORCE A MEMBER OF STAFF TO TAKE TIME OFF

he issue of holidays has become more complex during the ‘COVID-19 era’. Many employers find themselves asking: “Can we make employees take annual leave?” Even though requiring employees to take annual leave at specified times can be tricky for employers, with the right processes in place, the short answer is, “yes”. The principles outlined below were particularly relevant during lengthy furlough periods, and they are still relevant where sickness absence remains high and ensuring sufficient staff are available to work is essential.

THE GENERAL RULE IS THAT ANNUAL LEAVE SHOULD BE TAKEN BY AGREEMENT BETWEEN THE EMPLOYER AND EMPLOYEE AND NOT BE FORCED Refusing leave requests The general rule is that annual leave should be taken by agreement between the employer and employee and not be forced. In other words, an employee cannot take annual leave whenever they wish as the employer must consent. The reasoning behind this is that if employees could choose to take their leave without any notice to the employer, or when it would be inconvenient to the business, this would create operational management difficulties. The employer therefore has a right to refuse a request. This right to refuse a request is available to employers in a couple of ways:

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• Genuine needs of the business; the employer must have a good reason for its refusal • The employer must let the employee take holidays within the twelve months after they accrue, including one holiday that is at least two weeks long. Employers should, however, be informed that this right to refuse might lead to potential claims if not exercised correctly. Unused leave Large accruals of leave are often seen as a problem for businesses for numerous reasons, including: • Having several employees carrying over leave can cause logistical issues in the following year, with employees having their usual entitlement on top of the carried over leave • Businesses may need to ensure that employees are available at busy times, rather than quieter periods when it is more convenient to operate with less employees (this can be of particular significance with seasonal peaks in the landscape sector) • If the employee leaves, the employer will have to pay the employee for the accrued unused holiday. Requiring leave to be taken at specified times So, revisiting the original question, can an employee be forced to take annual leave? And what if they don’t want to? Employers need to adhere to certain rules as set out in the Working Time Regulations 1998 (‘WTR 1998’) if they wish to force workers to take annual leave. For enforced annual leave, the employer needs

to give the worker notice that is at least twice as long as the amount of time you request that they take. For example, if the employer requires the employee to take five days’ leave, it must give at least 10 calendar days’ notice to the worker. But, what about the form of the notice? In the case of Craig and others v Transocean International Resources Ltd, the Employment Appeal Tribunal observed that regulation 15 of the WTR 1998 does not require an employer to give notice in a particular form, and it need not be in writing. Other Practical Points for Employers Having clear annual leave policies is crucial. It is also advisable to communicate this request in writing (with an explanation), even though this is not a legal requirement (as mentioned above). Further, communicating about enforced leave periods in advance can help workers to arrange their holiday plans. With some roles, it will be appropriate to include provisions in employment contracts around leave to be taken or not taken during certain times of the year. These steps will help to assist employers avoid some employees feeling resentful or resisting requests when they are informed about the need to take leave at required times.

A B O U T O R AC L E S O L I C I TO R S Oracle Solicitors is an award-winning law firm with a deep understanding of the landscape industry and expertise in employment, commercial, litigation, property and contract law. Oracle Solicitors, founded in 2002 has since grown to include offices in London, Belfast, Birmingham, Manchester, Frankfurt, and Addis Ababa – please visit:

www.oraclesolicitors.co.uk

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21/04/2022 09:27

DAILY UPDATES FROM THE LANDSCAPING INDUSTRY

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21/04/2022 10:26

EDUCATE

he word ‘brand’ is widely misunderstood. It can be quite daunting from the outset, and even confusing as to what it actually covers. It’s ironic then that something which is all about identity does not have a clear identity itself. The most widely believed misconception that people have is that your brand is your logo. This is wrong. A brand is not a logo. It is not a colour scheme. And it is not a font. These elements all form part of your visual message, but that’s only part of the story.

BRANDING HAS BEEN DEFINED IN MANY WAYS OVER THE YEARS, BUT ESSENTIALLY, YOUR BRAND IS HOW YOUR CUSTOMER PERCEIVES YOU Branding has been defined in many ways over the years, but essentially, your brand is how your customer perceives you. This can be quite scary, because it means that they are in fact in control of your brand. You can’t control how a person feels, but you can encourage them to feel a certain way. A well thought out brand, built on solid foundations, will speak to the customer how you want it to.

An emotional connection to your current brand is perfectly understandable. But is it communicating your message as well as it could be? How does it sit next to your competitors? Is it time to consider a rebrand?

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READY FOR A

REBRAND?

ADTRAK’S CAROLINE HILL EXPLAINS WHY COMPANIES MAY WANT TO CONSIDER A REBRAND, AND WHY THIS IS MORE THAN SIMPLY CHANGING YOUR LOGO

Reasons to Rebrand

Rebrand to differentiate In a highly competitive market, your brand can provide an extra edge. Brand drives awareness and people naturally gravitate towards the brand that presents itself best and speaks the clearest. Take the landscaping industry, for example. Most people are trying to say a similar thing and presenting themselves in the same way. It’s green, it’s landscaping. It’s difficult to stand out and choose one company from another. Rebrand to change perception Is your message communicated how you would like it to be? How do consumers feel about you? Do they feel much at all? Your brand can lead this perception. Businesses can use branding to present themselves in a fresh and more coherent light to attract new customers and demographics. Rebrand for corporate change Often, the right time for a rebrand will be in alignment with corporate change, whether this is at a time of business growth, new offerings or a shift in corporate structure. Perhaps integral business values have been redefined? Whatever the change, the brand should move with it, and choosing the right route to communicate your new message can become a highly charged symbol of a new strategic direction. Rebrand to simplify A business can already be well established, but a clearer, simpler message is more familiar and more memorable. It’s human nature to shorten people’s names, so many brands are doing the same with theirs in order to become more accessible and approachable.

A strong brand will provide value to your organisation well beyond your physical assets. If you’re looking to buy a new television, will you buy it from a small online business with a basic website? Or will you spend a little extra to buy it from a household name? You’ll go with the brand you trust, and you’ll be happy to pay that bit extra because of the perceived value the brand has. Your brand can help position you exactly where you want to be in the marketplace. It can target the right audience with the right message – and you can do this more effectively than the competition. Heritage is often an important and attractive selling point, and on occasions like this, we look at doing a brand refresh, rather than a complete rebrand. This enhances what is already uniquely yours, bringing your brand up to a level playing field and beyond in the industry.

ABOUT CAROLINE HILL Caroline is a senior graphic designer at Adtrak, with 10 years of experience in the design industry working with a wide variety of clients across the UK and overseas. Caroline joined Adtrak in 2014 and has helped many companies to grow through effective design, taking time to get to know and understand her clients in order to create distinctive brands which represent their unique values.

www.adtrak.co.uk

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21/04/2022 09:16

A PERSONAL THANKYOU TO ALL SUPPLIERS WHO SUPPORTED ME IN THE FIRST QUARTER OF 2022

EDUCATE

A VARIET Y OF FACTORS ARE INFLUENCING THE SUPPLY CHAIN, AND COMMUNICATION IS THE KEY, SAYS ANGUS LINDSAY

o say the first quarter of 2022 has been a challenge is an understatement, and the true effects of the last two years are now making themselves felt. As predicted, lead times on vehicles and machinery are now measured in months and even years, with the ever-worsening situation in Ukraine set to cause further turmoil within the automotive industry. Those of you who spent time at SALTEX considering your options and whether or not to order sooner rather than wait and see will be seeing the harsh reality of a struggling supply chain, not just on equipment from overseas, but even those home-grown manufacturers who are struggling with component supply and increasing material costs. Price increases in early January are normally around 3% to 5%, but this year we are looking at 10% plus – a sobering time for both seller and buyer.

EVEN WITH TIGHT DEADLINES SUPPLIERS STEPPED UP TO THE MARK TO DELIVER

I’m sure the manufacturers and suppliers attending the BIGGA show in Harrogate at the end of March will be feeling a certain amount of trepidation as, whilst they may have product on their stand, the reality back in the warehouse could be very different. That said, I must take this opportunity to personally

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STEPPING UP TO THE MARK

thank all the manufacturers and suppliers who supported not only the business that employees me, but me personally in securing equipment and providing support when starting contracts with ridiculously short lead times and unrealistic expectations as to what can and can’t be achieved. I take my hat off to all of you.

AS PREDICTED, LEAD TIMES ON VEHICLES AND MACHINERY ARE NOW MEASURED IN MONTHS AND EVEN YEARS, WITH THE EVER-WORSENING SITUATION IN UKRAINE SET TO CAUSE FURTHER TURMOIL Key to making these situations successful has been communication and, in particular, talking to people either face-to-face or on the phone and not trying to manage by email. Email is fine to confirm a discussion, but speaking to one another in the first instance can solve a lot of problems and answer a lot of questions which can easily be lost in an email. Looking forward, I think we are in for a tough year, not just on the supply of new equipment, but also securing parts to keep existing equipment operational, not to mention the change in fuel use from 1 April and the rising costs of chemicals, fertilizers and fuel – the future’s not so bright. Traditionally, this used to be the time of

year when old machines were sold off as new equipment arrived; not so this year. Many are retaining old machines and putting them back into use. This does mean that second-hand prices are high, and it’s very much a seller’s market, but a note of caution: any lack of supply will see thefts increase as the unscrupulous look to cash-in on a struggling supply chain. As we approach a new spring, I think we need to try and be as positive as we can. After all, we have come through a pandemic, Brexit seems to be working, and whilst the troubles in Ukraine cast an ever-darkening shadow, we need to be strong and focus on the important things in the world today. These shouldn’t include long grass, having to get another season out of an old machine, or the delivery of a new car being delayed. Let’s just pray that you are here next year to enjoy that new car.

A B O U T A N G U S L I N D S AY Angus spent several years working on arable farms in Scotland before joining VSO in Egypt, implementing a mechanisation programme, managing field operations for a commercial cotton plantation in Nigeria and working as a contract instructor for Massey Ferguson in Yemen. He has an Agricultural Engineering and Mechanisation Management MSc from Silsoe, and joined Glendale as machinery manager in 1994, then idverde UK in 2009.

angus.lindsay@idverde.co.uk

www.prolandscapermagazine.com

21/04/2022 09:21

ADVERTORIAL

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KEY ASPECTS AND USER BENEFITS

QUIET Being fully electric, this lithiumpowered utility vehicle produces very little noise even when operating at top speed. Whatever sector you’re in, the ability to work more quietly, earlier and for longer will be an advantage. Specifically, those working near residential areas or around private land will notice a big difference by switching to electric power. Without having to conform to time schedules to keep from disturbing neighbours, for example, means you can work to your own timeframe. EMISSIONS FREE No fuel, no fumes, no air pollution, the Capella Work Machine is the eco-friendly and sustainable choice. No hydraulics means cleaner operation – no leaks – and maintenance too. It delivers clean, green power to your fleet and puts less strain on the environment, plus they contain no hazardous material like lead-acid batteries. CHARGING The Capella Work Machine is powered by a 48v 5Kw motor and comes with a 10Kw

high powered lithium-ion battery charged via a Lester charger. The charger is on-board the vehicle, so there is no costly infrastructure required. And with lithium you have flexible opportunistic charging at your disposal. No messy water top ups, no gases, no leaks. With an overnight charge, you’ll be ready to go another 60 miles in the morning. RELIABLE POWER With a 450A AC Curtis controller and direct drive, the Work Machine offers a range up to 60 miles of travel going at a maximum speed of 25mph for the ultimate productivity from an electric work horse. Plus, it has a climbing ability of 20% meaning it’s just as good on the hills as it is on the flat. ELECTRIC TIPPING CARGO BOX The heavy-duty rear cargo box on the Capella Work Machine has an impressive capacity of 670kg, allowing you to transport large quantities of materials and equipment easily and safely. The electric tipping feature makes it effortless to dump your cargo anywhere, saving you time and energy so every operation goes seamlessly.

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21/04/2022 09:32

ADVERTORIAL

ONLINE GARDEN DESIGN SERVICE

CONTEMPORARY GARDEN DESIGN CREATED ON BEHALF OF G W LANDSCAPES

FOR LANDCAPERS MY GARDEN DESIGN IS A SIMPLE WAY FOR LANDSCAPERS TO COMMISSION GARDEN DESIGNS OR PLANTING PLANS

y Garden Design is an online platform that bridges the gap between landscaping and garden design. As a landscaper himself, founder Paul Baker realised that there was a need for a speedy, hassle free garden design service that understands what landscapers and their clients need from the process. Many clients find it confusing to deal with both a landscaper and a garden designer; they prefer a simple design and build process with just one company to deal with. All the client wants to know is what they will be getting for their money, what their new garden will look like and whether their chosen landscaper will work efficiently and get the job done.

WWW.LANDSCAPELIBRARY.CO.UK

In Paul’s experience, some clients can start to get a little anxious if designs and quotes take a long time to appear. They start to lose faith and will frequently ring up to chase their design – which of course puts a strain on the client-landscaper relationship and can also use valuable time during the landscapers’ day. Landscapers on the other

124 Pro Landscaper / May 2022

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hand want to build beautiful gardens and have happy clients who are generous with word-of-mouth recommendations, as well as a healthy work-life balance. My Garden Design provides a lifeline for landscapers. It helps them to meet all of their client’s needs and to build a reputation for working efficiently. In turn that reputation will lead to better and more interesting work. With My Garden Design you can offer a design and build service without having to either employ a garden designer or spend hours wrestling with design software. What My Garden Design offers for landscapers • All layout plans and planting plans will carry your company logo and contact details – only you need know you’ve outsourced the design service. • You have 100% control over materials sourcing and project management. • Choose between layout and planting plans – or go for a complete all-in-one service. • Gather all of the relevant information on one site visit and impress your client with your efficient working practices whilst making the most of your valuable time. You do this anyway – the only addition is to give your client the garden design brief form or complete it with them on site. • Get an instant quote for the design just by typing the garden dimensions into the website. You choose whether to add your own margin onto the price before passing the cost on to your client. • Upload site pictures, measurements and the design brief to your personal My Garden Design dashboard.

TRADITIONAL GARDEN DESIGN CREATED ON BEHALF OF GARY JAMES LANDSCAPES

• My Garden Design works on smartphones, tablets, PC and Apple devices – save time by using it while you are ‘on the go’. • All designs are created by professional garden designers and double checked for practicality by an experienced landscaper. • Standard designs will be emailed back to you in three to four weeks – your client won’t have to wait too long to see their new garden plans. • 3D rendering and panoramic views available for a sensible extra charge. Discover more by visiting www.mygardendesign.co.uk or call 0333 5779 886 to arrange a free online demonstration of the design platform.

A B O U T M Y G A R D E N D ES I G N My Garden Design is a design service conceived and created by landscaper Paul Baker. It’s a service for landscapers who don’t have the time to create their own professionally presented garden designs. This user-friendly online platform makes it easy to commission beautiful garden designs at trade prices and still retain control over the client relationship and project management.

www.mygardendesign.co.uk

www.prolandscapermagazine.com

21/04/2022 14:45

THE ONLY ONLINE SPECIALIST GARDEN DESIGN SERVICE WORKING DIRECTLY WITH LANDSCAPERS • Garden designs & planting plans • All designs created with your company name and logo • Lead time of 4 weeks • Sign up for free • Book a demo • Free documents for business

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17/02/2022 15:47

21/04/2022 15:03

EDUCATE

M AT E R I A L S F O C U S

GLASS REINFORCED P L A ST I C

EUROPLANTERS SPECIALISES IN GRP PLANTERS AND ESPECIALLY ROOF TERRACES. GLASS REINFORCED PLASTIC PLANTERS ARE IDEAL FOR ROOF TOPS WITH LIMITED WEIGHT CAPACITY AS, EVEN THOUGH EXTREMELY DURABLE, THEY ARE EXCEPTIONALLY LIGHT WEIGHT FOR THEIR SIZE

lass Reinforced Plastic (GRP)

imagination. Large projects can be made out of

also regularly used on a wide variety of roof

planters are handmade. This is

GRP simply by thickening the planter walls to

gardens and terraces. Large planting beds can

done by using layers of resin-

ensure strength.

be created by fixing smaller sections of

soaked fibre glass matting. These

Kilo for kilo, GRP is stronger than steel yet,

planters together, enabling them to be easily

are added to a mould, and this is repeated

unlike stainless steel, it is resistant to salt air,

transported and to fit into lifts or up staircases,

several times depending on the size of the final

chemicals (including most acids) and UV light.

thus avoiding the additional costs of cranes,

planter. More layers give additional thickness

In extreme temperatures, GRP does not

hoists, etc. These individual planters are then

and strength, with the basic principle being the

change or affect plants roots, shielding them

simply bolted together to construct larger

larger the product the more layers are required.

from frost and heat from the sun, making GRP

planting beds. As GRP is lightweight,

All air must then be removed between layers to avoid weak spots or blemishes. Once air has been removed the fibre glass and resin are left inside the mould to cure. Depending on the size and conditions this may take several hours. Once cured the planter is released from the mould and trimmed to give a neat edge all round. If the planter is going to remain as a gel coat finish, it is then buffed to a high gloss finish. If it needs to be sprayed, the surface is abraded

it adds very little extra weight onto

BENEFITS OF GRP • Easily tooled and manufactured • Stronger than steel • Resistant to salt air, chemical and UV light • Low maintenance • Lightweight and flexible

to ensure the paint adheres. All products are

Should GRP ever become damaged, it is much easier and more cost effective to repair than steel, aluminium or timber, which

sprayed in an enclosed booth then baked for

planters a more economical and

one hour at 45°C.

lightweight alterative to steel.

The physical properties of GRP allow it to

a roof – unlike concrete, steel or timber.

Longevity is another GRP benefit –

can also corrode, rust or rot. Recently, more

be easily tooled and manufactured, with no

Europlanters guarantees its GRP

limits on size, shape or finish, giving designers

products for 10 years, although they are

creative freedom to run wild with their

confident GRP will last much longer than this.

are environmentally friendly. GRP is much

GRP is corrosion resistant, watertight,

more environmentally friendly than some people realise; the material is extremely cost

it requires less maintenance – making it

effective, and planters made from GRP require

a highly attractive option compared to more

very little maintenance. They also will last

traditional materials like timber or metal. No

much longer than other materials. GRP is a hand-laid product. This means no

maintained with a soft cloth and warm water.

machines are used to make the planters and

GRP can also easily be drilled, unlike steel

therefore the manufacturing of the planters

which can be very difficult, or concrete and

makes them a very eco-friendly choice.

timber which can split or crack. The beauty of GRP planters is that they

Materials Focus.indd 126

asking us if our products

strong, robust and reduces a product’s weight,

rust, no painting, no wood rot! GRP is simply

126 Pro Landscaper / May 2022

and more people are

As part of our commitment to work towards a more sustainable future, Europlanters can

can be made in any colour, texture and finish

use a waste reducing “green” resin. Using this

– including effects such as brick, wood and

resin means Europlanters alone will stop at

metal. GRP is also compatible with many

least 500,000 plastic bottles a year going to

other materials and can be used in conjunction

landfill and oceans. In fact, for every 220kg

with them on a variety of ideas. Due to its

drum used, we can recycle approximately

lightweight properties and flexibility, GRP is

1,800 waste plastic bottles.

www.prolandscapermagazine.com

21/04/2022 09:34

EDUCATE

CAS E ST U DY

Charlotte Street, LONDON

Europlanters worked closely with MA Design and Barton Willmore Landscape Architects to design and build more than 300 large GRP planters, which created the planting beds and 45m of seating for the new terraces at 80 Charlotte Street. A major mixed-use development in the heart of London’s Fitzrovia redeveloped by Overbury Plc, this regenerated building occupies an urban block with the adjacent Asta House, delivering over 320,000ft2 of workspace, 55 new apartments, a café, a restaurant and the new Poets Park on Chitty Street. GRP was specified as the material of choice as it is lightweight, durable and can be sprayed in any RAL colour to match and complement the building facade. The intregrated benches were precisely cut to curve at the corners and were made from sapele timber. The GRP planters were sprayed in RAL 7021 matte and benches were finished to complement the building exterior and the timber decking. Each of the planting beds were then superbly planted up by Oasis Plants. The ground floor was designed to act as more than a commercial reception, offering space for tenants to use for events and social activities. An island café-bar caters for both tenants and the public, while tenants and guests can also take a dedicated lift to the roof terrace, where a second bar benefits from stunning views across North London and the City. The project took several weeks to complete. Julie Wilkes, director for Europlanters, commented: “Our track record in delivering high quality projects on time is well established and we are delighted to have been working with MA Design on this high-profile scheme”.

www.prolandscapermagazine.com

Materials Focus.indd 127

Pro Landscaper / May 2022 127

21/04/2022 09:34

JOBS

For full details on all jobs, please go to www.horticulturecareers.co.uk Call 01903 777 570 or email mark.wellman@eljays44.com with your vacancy.

HORTICULTURAL SALESPERSON

GROUNDS MAINTENANCE OPERATIVE

Instant Hedges is a family run, independent nursery specialising in the growing, supplying and planting of trees, shrubs and instant hedging. It seeks an experienced full or part time salesperson to join its busy on-site sales team. The right candidate will have experience of working in plant sales at either a garden centre or plant nursery and a desire to gain knowledge of the horticultural industry. Your own transport to the nursery will be essential. Salary and commission dependent on experience.

The role is to deliver grounds maintenance works and related tasks on several sites over a defined geographical area, on behalf of Landscape Services’ varied customer base. This role will involve a range of operations including grass cutting, border works and hedge cutting, setting out and marking sports field and related works. The successful applicant will be self-motivated and able to demonstrate knowledge of, and consideration towards, health and safety, and safe work practices.

For more details, please go to www.horticulturecareers.co.uk

ARBORICULTURAL OFFICER

SKILLED LANDSCAPER & TEAM LEADER

This role is to manage and maintain Haringey’s trees; to provide professional advice and support on all tree related matters in accordance with Council strategies, current legislation, industry best practice and published guidance; to assist with the coordination of all matters relating to the procurement and monitoring of tree maintenance in the borough, maintaining relationships with stakeholders. It would be desirable for the candidate to hold a Level 3/4 qualification (Arboricultural Association National Qualification Framework).

Are you a skilled landscaper and team leader who wants to make a real difference within a fast-growing landscape design and build company? Do you relish the opportunity to help deliver outstanding gardens for clients? Aoba Landscapes has an exciting opportunity for a skilled landscaper to lead a small landscaping team. To be successful in this role you will have a positive ‘can do’ attitude and be able to lead, organise and motivate your team to deliver high end gardens in West London and the surrounding areas.

For more details, please go to www.horticulturecareers.co.uk

HARD AND SOFT LANDSCAPING TEAM LEADER

FULL-TIME GARDEN CARE ASSISTANT

INSTANT HEDGES Location: Buckinghamshire

HARINGEY COUNCIL Location: London

WOODLAND TRUMPETS Location: Oxfordshire

LANDSCAPE SERVICES Location: Maidstone

AOBA LANDSCAPES Location: London

GRAVITAS GARDENS LIMITED Location: London

Woodland Trumpets is managing a range of private gardens and estates across the Cotswolds. This is a hard/soft landscaping role which will include all aspects of garden maintenance across a broad range of estate properties and private Cotswold gardens. Applicants should have a minimum of three years’ experience and a portfolio of past construction work. They must have excellent plant knowledge and a demonstrable passion for horticulture.

Gravitas Gardens Limited is a small and continually expanding garden care and landscaping company working in high-end gardens in London. A full-time garden care assistant is required for a mobile maintenance round. Working with a team leader on a mobile garden care round you will be required to help maintain and improve standards in the gardens of some very prestigious properties in London. Some garden care or similar experience is preferred but necessary guidance and training will be provided for the right candidate.

For more details, please go to www.horticulturecareers.co.uk

ARB CONTRACT MANAGER

CSCS-CERTIFIED SUPERVISORS AND GENERAL OPERATIVES

TONY BENGER LANDSCAPING Location: Devon

Be part of a growing, dynamic company, making a real difference to the landscape in the South West. Enjoy working as part of a hard-working, fun, motivated team? You’ll find lots of support and a great working environment at Bengers. It now requires an arb contract manager within its new and developing arboricultural department based at its head office in Dalwood, near Axminster, Devon. Embrace the challenges and excitement as you play a fundamental role in growing its arb and site clearance faculty. For more details, please go to www.horticulturecareers.co.uk

128 Pro Landscaper / May 2022

Hort Careers.indd 128

SKIDMORES OF HERTFORD LTD Location: London

Skidmores Ltd covers all aspects of commercial landscaping and general maintenance on construction sites in and around Cambridgeshire, Hertfordshire, London and the south east. It is looking for CSCS-certified supervisors and general operatives with experience in soft/hard landscaping, including maintenance. Candidates must have up-to-date training certificates and be familiar with construction working environments. For more details, please go to www.horticulturecareers.co.uk

www.prolandscapermagazine.com

21/04/2022 12:39

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21/04/2022 11:44

EDUCATE

T H E L I T T L E I N T E RV I E W

PRO LANDSCAPER ASKS QUICK-FIRE QUESTIONS TO GAIN A SMALL INSIGHT INTO THE PEOPLE WHO MAKE UP OUR INDUSTRY. TO TAKE PART, EMAIL CONTENT@ EL JAYS44.COM

130 Pro Landscaper / May 2022

Little Interviews.indd 130

JANE BINGHAM

KEITH TURNER

Owner, The Cheshire Garden

Director, Wolverhampton Tree Service Ltd

www.thecheshiregarden.co.uk

www.wolvestrees.co.uk

Which garden inspires you the most? Wollerton Old Hall, Shropshire.

Which garden inspires you the most? My own – we moved house a year ago and now have a garden we can actually see from the house; it’s immensely satisfying to be able to look out of the window and see birds on the feeders.

Besides horticulture, what are you most passionate about? Singing – performing. What’s the latest tool you refuse to work without? Niwaki Golden Spade What would you like to see happen next in the landscape industry? Education of the general public of the importance of sustainable garden design. What was your first job? Artist’s assistant. What is your biggest pet peeve? General public underestimating the cost of garden design and build. If you had to live in another country, which would it be? France. Describe yourself in three words. Funny, sociable, tenacious. What is at the top of your bucket list? To sing at a live event. City break or beach holiday? City break. If you could win an Olympic medal for anything, real or made up, what would it be? Multi-tasking!

Besides horticulture, what are you most passionate about? Guitars, kayaking, mountain biking and rock climbing. What would you like to see happen next in the landscape industry? The construction industry using existing landscapes to incorporate mature trees and planting into schemes rather than just flattening it and planting new. Best piece of advice you’ve been given? If you don’t laugh at yourself, other people will. What is your biggest pet peeve? Vehicles left idling in the yard while the teams load up with tools. If you had to live in another country, which would it be? Canada – I have family there. Or France – I love the Alps. What is at the top of your bucket list? Paragliding. City break or beach holiday? Neither – head to the mountains, bike, climb, ski or kayak.

www.prolandscapermagazine.com

21/04/2022 09:31

EDUCATE

RACHEL BAILEY

MSGD MAPL

SIMON MARSH

STEPHEN ENSELL

Director and principal designer, Rachel Bailey Garden Design Ltd

Group marketing manager, Harrowden Turf

Education officer, British Association of Landscape Industries

www.rachelbaileydesign.co.uk

www.harrowdenturf.co.uk

www.bali.org.uk

Which garden inspires you the most? Lowther, particularly within the castle.

Which garden inspires you the most? My own – it’s the space I need to refresh/create and think.

Which garden inspires you the most? Hidcote Manor Gardens in Gloucestershire.

Besides horticulture, what are you most passionate about? Customers and how we can help, and the history of motor sport and photography.

Besides horticulture, what are you most passionate about? Probably music – listening and playing. Over lockdown it was great to have time to reconnect with the guitar.

What would you like to see happen next in the landscape industry? Consistent standards adopted for green walls/roofs. Leadership of the green agenda.

What’s the latest tool you refuse to work without? My phone: I’ve just started playing with plant identification apps, and while some of them are not great, I think they will improve as they collect more information.

Besides horticulture, what are you most passionate about? Sustainability and the environment. What’s the latest tool you refuse to work without? For design work, SketchUp Pro/Layout and Adobe suite. For outside work, my Niwaki Golden Spade (small one). What would you like to see happen next in the landscape industry? The entire industry joining together and setting a benchmark on low environmental impact gardens and built landscapes. What was your first job? In horticulture, working at NTS Geilston Garden as a part-time gardener. Otherwise, academic research scientist in environmental toxicology. Best piece of advice you’ve been given? Add the word 'yet' to the end of a sentence, i.e. ‘I don't know [whatever it is] yet’ – and if you don't know, ask. What is your biggest pet peeve? Greenwash and 'sustainability' bandwagon-ing for profits sake. If you had to live in another country, which would it be? New Zealand (Scotland on steroids). City break or beach holiday? Neither – escape to the mountains.

www.prolandscapermagazine.com

Little Interviews.indd 131

What was your first job? Marketing executive – Land Rover. Best piece of advice you’ve been given? Be true to yourself. What is your biggest pet peeve? Poor grammar. If you had to live in another country, which would it be? Italy. Describe yourself in three words. Focused, creative, annoying.

What would you like to see happen next in the landscape industry? More/improved collaboration. Our industry has so much to offer; if we have any hope of addressing the skills shortage, we need to work together. Best piece of advice you’ve been given? It might sound clichéd, but ‘take time for yourself’. Life is incredibly busy; it’s important that we look after ourselves.

What is at the top of your bucket list? Speedweek at Bonneville.

What is your biggest pet peeve? People who start a comment with ‘I don’t mean to be funny, but…’ and clearly, they are going to be ‘funny’ or rude – you can’t drop that caveat in and then do the opposite!

If you could win an Olympic medal for anything, real or made up, what would it be? Kayaking.

If you had to live in another country, which would it be? Canada – it has defined seasons and a great culture of being outside.

Pro Landscaper / May 2022 131

21/04/2022 09:31

Established in 1992, we have been designing, crafting, building & installing high quality bespoke garden schemes for 30 years. Best known for intricate trellis and contemporary slatted panels and stores, popular projects also include bespoke gates, planters and benches as well as individually designed rose arches, pergolas and summerhouses. From our studio and workshop in Essex, we help you create gorgeous outdoor spaces.

To discuss your next project, contact Howard on 01255 688 361 or howard@gardentrellis.co.uk

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22/03/2022 20/04/2022 08:50 17:52