2019-2023 Dorothy Tse's Folio

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1 Folio no. 02 / xx .selected work. 2019 | 2023 .... Dorothy Tse

In remediation, my project aims to provide a connection within buildings in the site to provide opportunities of different functions interacting together. Most of the roof of the buildings are connected and cross programmed.

In remediation, my project aims to provide a connection within buildings in the site to provide opportunities of different functions interacting together. Most of the roof of the buildings are connected and cross programmed.

Contamination not only of sediment, groundwater, soil and air; but contamination of form and conceptual ideas.

Typology Plan

Based on the typology research conducted earlier, I have decided to have the programs cross contaminate each other in various moments, for example: the residential and commercial programs are almost completely cross contaminated. Inside the apartments building, commercial programs are located on the ground floor. This was done to integrate the building designs and programs more fluidly throughout the site.

2 3 39 Uodated Axonometric Drawing. 01. Laputa 02. Eyes on the street 03. Readymade Chinatown 04. Remediation 05. RMIT New Media Building 06. Floating City 01. 02. 03. 05. 6
What did 01 /
01
Site Cross Programming Diagram, 2020
What did
S c a n f o r V i d e o
Site Cross Programming Diagram, 2020
06. 3 39 Uodated Axonometric Drawing. 03. 04. 07.
4 5 4 00 xx What did I do? / // TABLE OF CONTENTS // P.08 01.Remediation Site development P.14 02. Readymade Chinatown Hotel design ... ... ... P.26 03. Eyes on The Street Soical Housing Development P.36 04. Tommy Residence Residential P.38 05. Post Shelter Public Toilet P.40 06. Boroondara Sports Complex Renovation, Revit drawing P.46 07.Floating City Photography Project comissioned by Hong Kong University Blackbox Theatre 00 xx What did I do ? / // TABLE OF CONTENTS // P.06 01. Laputa Apartment tower P.16 02. Eyes on the street Social housing development P.26 03. Readymade Chinatown Hotel design P.34 04.Remediation Site development P.40 05. New RMIT Media Building Renovation, revit drawing P.48 06. Floating City Photography project comissioned by Hong Kong University Blackbox Theatre 5 Remark #1. 00/ -// INSTRUCTION // I believe architecture is a process
bringing people closer to the
and
.... Dorothy Tse ... ... ...
of
community
culture.

De nition of “TAGS”?

How that relate to L uta Collective Resid ce?

CONCEPT ....

What are “Tags”?

You are a son or daughter of someone else and also an architecture student. He is a father and an engineer. When we have so many identities together, how can dwellings accommodate that? If a dwelling accommodates every identity, what are the qualities that dwellings should focus on? From the research done, I believe that one of the factors would be flexibility. In this project, rooms and objects are overlapped with different functions, interior of the rooms is customized with each resident.

Tadao Ando once said “I believe that the way people live can be directed a little by architecture.” In such case, architecture influences the way people live. In my project, this idea is reversed and transformed into architecture reflects occupants’ personality. The interior of each room reflects the occupants’ personality. Everyone in society is similar yet different in different senses. You are a father of two kids and are a university professor. She is a university professor and the mother of her daughter. When identities blur yet unique in a sense, everyone becomes everyone. In this Laputa collective, each resident will have to swap their room every 12 months and experience a different but similar “identity” from other residents.

6 What did I do? 01 / 06 Laputa 00/ // INSTRUCTION //
... ... ... // TITLE //
You are someone’s daughter or son when you are also a student or an architect!
7

Tommy’s housemate is a coffee shop owner, in the morning, he turns part of the front wall into openings and stool for people to sit at and buy coffee. The open communl kitchen provides Tommy to cook with his housemate as well. When Tommy is scared to socialise, he sits at theback individual pots, in which he shut down the curtain and eats alone with his dog Jimmy.

8 9 What did I do? 01 / 06 Project: Laputa
Axonometric drawing. .

The roof of each prototype is connected so residents can walk from one cluster to another cluster. The roof top area are opened and free to allocate activities, sometimes residents will hold barbecue party and weekend outdoor cinema events.

10 11 What did I do? 01 / 06 Project: Laputa

Tommy is a plant enthusiast and loves cooking. His room is located at the back of kitchen as an extension of the house, has a backdoor that directly connected to the courtyard. Since plants strive in blue light, his room is made of grass and blue colored glass. Tommy’s room is a reflection of his personality, he is a lonely person that wants to connect with people, this level of intimacy is reflected in the level of transparency of his room. He has a little small courtyard of his own as well, where he could sit with his dog and watch the sunset. Sometimes Willy will come over and find Tommy to chat and play after school, this little semiprivate courtyard becomes their meeting place.

12 13 What did I do? 01 / 06 Resident #1
Tommy’s Room. Axonometric drawing.
.

Each cluster might look like the same at first glance. Yet, all clusters are slightly different, as such voids are made in different size in each level to make sure all residents have enough sunlight. This form is inspired by the Expo 2000 and Kowloon City, in which continuity is cruital in this project to connect all residents. Therefore, the roof of each level are connected on those rooftop, just to create a full level circulation as well. Each cluster share a common courtyard between 2-4 clusters and pathways are creates within the site to create more articulations. in order to visualise a closer community and the “Village within a village” concept.

14 15
What did I do? 01 / 06 Project: Laputa

Eyes on the Street CONCEPT ....

Our main idea is to break the social stigma of social housing being unsafe and unwelcoming, whilst also promoting a sense of community.

This can be broken into two parts. The first part is to break the negative connotation of unsafe social housing we aimed to create passive surveillance through an architectural strategy inspired by Jane Jacobs idea of “Eyes

How so? 01 / --

// PURPOSE // Eyes should be upon the street, the buildings on a street equipped to handle strangers and to insure the safety of both residents and strangers.

on the streets” The buildings are composed to surround the public area, by doing so the residents in the social housing act as passive surveillance.

The second concept also focuses on building degrees of private, public, and semi-private threshold that can help with communal thresholds for human interaction.

16 17 24 // TITLE //
03 / 07 02 / 06 25
What did I do ?

The reading space are designed to create an intimate space between readers. Plantations are loacted in the middle to provide partitions. The bookshelves are allocated in this way to provide a specific path for people to distant themselves from others.

This site is the final stop of the progressive changes in the journey through the whole site. It is opened, welcoming yet safe and secured. As you could see in small facilities, It focuses on the communal activities that articulate through the whole site. The site is also designed in a way to to gain sense of safety through passive suvilance and constant thresholds.

18 19 26 COFFEE HOUSE
Tiny Hole Wall Cafe Reading Space
What did I do ? 03 / 07 Project: Eyes on the Street 02 / 06 27 The
Unfolded elveation of whole site
Spine
The Joint
Tiny Hole Wall Cafe Reading Space Inspired by the coffee culture in Melbourne, the cafe is embedded under the stairs. Pop out chairs are located on the walls to promote communal interaction. The slide is located next to the stairs to create another small playground for kids as well.

The facade acts as different layers of functions in the community and provides a visual contrast to the viewers. Seen in this axometric diagram, At first glance, people will see an opened facade with public use, but when they walk inside the site, they discovered that it’s private.

By establishing thresholds between private and public area, it creates a certain phenomena. Seen in this elevation, the ramp is the first thing to see in the site.

Starting with the ramp that connects the tunnel and the building, this is the first threshold the site created. The ramp links to semi private balcony of the social housing. It’s linked to another thresholds in the site as well, the bridge that links the social housing and the public buildibg at the front. And lastly connects to the roof Terrance in the public building to create a full loop circulation.

Meanwhile at the mezzanine floor, the tiny hole wall cafe slide is connected to the other end of the mezzanine reading space. The tiny wall cafe culture is inspired by the Melbourne city culture, in which the cafe is embedded under the stairs. Pop out chairs are located on the walls to promote communal interaction.

The whole building design has a hierarchy of passive suvilance, with the most private living space being the highest height and public part as the lowest height. This allocation creates a hierarchy of overview power from the enclosed area. This is important to the site as there is a natural topographic condition and the facade design has make use of this to create a natural eyes on the street condition.

20 21 28 What did I do ? 03 / 07 Project: Eyes on the Street 06 29
22 23 30 What did I do ? 03 / 07 Project: Eyes on the Street
02 / 06 31
Axometric drawing Axometric drawing Section
24 25 32 Axometric drawing What did I do ? 03 / 07 Project: Eyes on the Street 02 / 06 Axonometric Overview

Project: Readymade Chinatown

This is a study of precetion and architecture.

My architectural approach on this project can be concluded as “Transform”. By rearranging and defamiliarising the building design, it forms rooms for residents to interact with the streets.

This project is called Ready Made Chinatown. By studying Chinatown, it is also found that there are many dark alleys and less public open space. With regards to this, the other goal of the project is to create public engagement with the hotel in terms of experience and visual connection. The hotel attempts to explore new ways to express the site context by defamiliarization.

Brick not only exist in its own original form, it exists in various pattern and materials in this project. The neon light that wraps around the east and south side of the façade and forms a pattern; such pattern is a remembrance of the brick material found on the surrounding building. Moreover, it is found that China Town does not have any greenspace nearby, a small indoor garden is opened to public as a way to attract people to come into the café at ground floor. Besides, a seethrough brick pattern glass is put behind to elevated public space to allow people from the street can look through in and create a visual connection with the street.

26 27 12 What did I do ? 02 / 07
03 / 06 13
A series of juxtapositions between familiar and unusual experience; it is domestic, yet transient; it is banal, yet mysterious.

Night street overview

Brick not only exist in its own original form, it exists in various pattern and materials to create interaction both visually and physically in this project : pattern in the facade, stairs at the street, room interior decoration.

28 29 18 What did I do ? 02 / 07
/ 06 19

Restaurant entrance

In order to create a familiar but unexpected experience between the exterior and interior of the restaurant, a surreal environment was created for the interior. In this project, the hotel is designed as a journey into the unknown.

30 31 20 What did I do ? 02 / 07
03 / 06 21

The arch form are reimagined in two ways, resizing to form entrances and reimaging the directions. The swimming pool has an exceptionally large entrance compared with the changing room entrance next to it to make a difference. The swimming pool rails are also put in upright direction to erase its original function and serves an indication ornamental purpose now. Inside the swimming pool, it is divided into two zones by the extension of window frame in the middle, and separated into orange zone and green zone, one with arches that extend horizontally and one extend vertically. Hence, this creates two distinctive experience and create a visual shock

32 33 22 What did I do ? 02 / 07
03 / 06 23
Swimming Pool // Swimming Pool Entrance //

In remediation, my project aims to provide a connection within buildings in the site to provide opportunities of different functions interacting together. Most of the roof of the buildings are connected and cross programmed.

In remediation, my project aims to provide a connection within buildings in the site to provide opportunities of different functions interacting together. Most of the roof of the buildings are connected and cross programmed. Contamination not only of sediment, groundwater, soil and air; but contamination of form and conceptual ideas.

Typology Plan

Based on the typology research conducted earlier, I have decided to have the programs cross contaminate each other in various moments, for example: the residential and commercial programs are almost completely cross contaminated. Inside the apartments building, commercial programs are located on the ground floor. This was done to integrate the building designs and programs more fluidly throughout the site.

// The big native gum tree in the middle of the conservatory acts as an element to visually connect each floor between the office and the roof garden. This activates the “green heart” of the office and encourages staff to go out.

The big native gum tree in the middle of the conservatory acts as an element to visually connect each floor between the office and the roof garden. This activates the “green heart” of the office and encourages staff to go out.

COMMERCIAL

Different zones of the opened office are made in different colours and plant themes to create a “greenwood” in different seasons to further extend the ideas of the nature idea

// Meeting Pots // COMMERCIAL // CONSERVATORY

Different zones of the opened office are made in different colours and plant themes to create a “greenwood” in different seasons to further extend the ideas of the nature idea.

34 35 6 What did I do ? 01 / 07
Project: Remediation
What did I do ? 01 / 06 Project:
Site Cross Programming Diagram, 2020
Remediation
What did I do? 01 Office and Commercial Typology
S c a n f o r V i d e o
Site Cross Programming Diagram, 2020
04 06 7
// Conservatory //

Project:

Remediation Museum Typology - Main Entrance

36 37 8 What did I do ? 01 / 07
04 / 06 9

Project:

Remediation Museum Typology - Side Entrance

Roof pathways and skylight are used as connective elements to integrate the pedestrian flow of the park with the new circulation for museum visitors. The path extends the experience internally and externally. The museum merges into the landscape as the form of concrete wall that splits and carves into the ground to form an entrance. The void in the side entrance attempts to create a transition experience from an opened space into a confined space.

38 39 10 What did I do ? 01 / 07
04 / 06 11

RMITNew Media Building

DESIGN BRIEF:

Our design is a new Media Building for RMIT. Our design intention is to respond to the neighbouring context. There is a residential building behind the new Media Building. With respond to this context, we don’t want to block the residence’s view. Therefore, our building becomes a vertical garden where the façade is wire mesh and permeable to see.

Our school is in the heart of Melbourne Carlton, our media building is an innovative and dynamic educational institution that is dedicated to inspiring their students. We’ve also aimed to incorporate nature within the design to assist with a peaceful and calm intention for the users.

The renders provided are to help visualise this intention. In addition to this we also have a ETFE façade to allow film projection of the students work to create opportunities for the building to interact with the public. The following render also shows a glimpse of the vertical garden and different articulation of all levels and how they can interact and open together in its individual uniqueness.

It is a 10-storey high building that is also sustainable with water tanks, strategic sunlight approach and a double façade system with passive ventilation that optimises the temperature throughout the year.

40 41 What did I do ? 05 / 06 Project:

Our goal was to create a projectable façade that faces the main streets of Bouverie and Queensberry. This façade not only showcases the media building but also emphasizes transparency to reflect the openness of our concept

Our goal was to create a projectable façade that faces the main streets of Bouverie and Queensberry. This façade not only showcases the media building but also emphasizes transparency to reflect the openness of our concept

RMIT NEW MEDIA

Our concept revolves around creating a vertical garden city within a city. We prioritize passive ventilation and openair techniques while fostering interaction among study spaces. Additionally, we incorporate a natural study space and ensure smooth circulation throughout the building.

FACADE

COMPLEX 80 BOUVERIE STREET

FACADE SECTION A303

13-XXX

CIRCULATION SECTION A300

340082025808202580820258082025808202580820258082025801059 OPEN STUDY GARDEN CW-01 4500 340082025808202580820258082025808202580820258082025801059 SCREENING ROOM 23260 CP-01 STAFF ROOM OPEN STUDY GARDEN EDITING ROOMS OPEN STUDY AREA RECORDING STUDIO WM-01 EE-01 CW-01 CW-01 CW-01 CW-01 CW-01 CW-01 CW-01 CW-01 DRAWING No. REVISION JOB No. DRAWN CHECKED SCALE -01 DRAWING TITLE Architecture Design Firm NORTH CONSTRUCTION MANAGER DHP 666 Bourke Street Melboune, Victoria, 3000 T (61) 53377899
1 : 100@A1
13-XXX
BOUVERIE STREET A300 SECTION-CIRCULATION 2
RMIT NEW MEDIA COMPLEX 80
00 GROUND FLOOR FFL FFL 14.447 01 FIRST FLOOR FFL FFL 17.847 LEVEL 01 FCL FCL 17.03 02 SECOND FLOOR FFL FFL 21.247 03 THIRD FLOOR FFL FFL 24.647 04 FOURTH FLOOR FFL FFL 28.047 05 FIFTH FLOOR FFL FFL 31.447 07 SEVENTH FLOOR FFL FFL 38.247 08 EIGHTH FLOOR FFL FFL 41.647 09 NINTH FLOOR FFL FFL 45.286 06 SIXTH FLOOR FFL FFL 34.847 LEVEL 09 FCL FFL 44.227 LEVEL 08 FCL FFL 40.827 LEVEL 07 FCL FFL 37.427 LEVEL 06 FCL FFL 34.027 LEVEL 05 FCL FFL 30.627 LEVEL 04 FCL FFL 27.227 LEVEL 02 FCL FFL 20.427 LEVEL 03 FCL FFL 23.827 A B E F G I D C H 1059 2580 820 2580 820 2580 0 820 3400 3400 2580 820 2580 820 2580 820 33839 20002640 2660 2930 1912 3388 19730 21002100 EE-01 WM-01 SP-01 CW-01 CW-01 CW-01 CW-01 CW-01 CW-01 CW-01 CW-01 CW-01 DRAWING No. REVISION JOB No. DRAWN CHECKED SCALE -01 DRAWING TITLE Architecture Design Firm NORTH DHP 666 Bourke Street Melboune, Victoria, 3000 T (61) 53377899 1 :
100@A1
STUDY AREA FLEXIBLE GALLERY ENTRY OPEN STUDY SPACE BALCONY SPACE BALCONY SPACE BALCONY SPACE STAFF OFFICE OUTDOOR STUDY AREA GARDEN CLASSROOM 01 COMPUTER LAB OUTDOOR STUDY SPACE RECORDING STUDIO FLEXIBLE STUDY SPACE RECORDING STUDIO STUDIO LOADING BAY MEETING ROOMS PANTRY A303 section -facade 2
00 GROUND FLOOR FFL FFL 14.447 01 FIRST FLOOR FFL FFL 17.847 B1 BASEMENT FFL FFL 11.447 LEVEL 01 FCL FCL 17.03 02 SECOND FLOOR FFL FFL 21.247 03 THIRD FLOOR FFL FFL 24.647 04 FOURTH FLOOR FFL FFL 28.047 05 FIFTH FLOOR FFL FFL 31.447 07 SEVENTH FLOOR FFL FFL 38.247 08 EIGHTH FLOOR FFL FFL 41.647 09 NINTH FLOOR FFL FFL 45.286 06 SIXTH FLOOR FFL FFL 34.847 LEVEL 09 FCL FFL 44.227 LEVEL 08 FCL FFL 40.827 LEVEL 07 FCL FFL 37.427 LEVEL 06 FCL FFL 34.027 LEVEL 05 FCL FFL 30.627 LEVEL 04 FCL FFL 27.227 LEVEL 02 FCL FFL 20.427 LEVEL 03 FCL FFL 23.827 A B E F G I D C H GROUND FLOOR FCL FCL 13.63 1059 2580 820 2580 820 2580 0 820 3400 3400 2580 820 2580 820 2580 820 2180 33839 20002640 2660 2930 1912 3388 19730 21002100 EE-01 WM-01 SP-01 CP-01 CW-01 CW-01 CW-01 CW-01 CW-01 CW-01 CW-01 CW-01 CW-01 DRAWING No. REVISION JOB No. DRAWN CHECKED SCALE -01 DRAWING TITLE Architecture Design Firm NORTH T (61) 53377899 1
100@A1
:
A303 13-XXX
COMPLEX
BOUVERIE STREET 1 100 A303 FACADE 1 STUDY AREA FLEXIBLE GALLERY ENTRY OPEN STUDY SPACE BALCONY SPACE BALCONY SPACE BALCONY SPACE STAFF OFFICE OUTDOOR STUDY AREA GARDEN CLASSROOM 01 COMPUTER LAB OUTDOOR STUDY SPACE RECORDING STUDIO FLEXIBLE STUDY SPACE RECORDING STUDIO STUDIO LOADING BAY BIKE STORE STUDY AREA MEETING ROOMS PANTRY A303 section -facade 2
SECTION
RMIT NEW MEDIA
80

*insert company logo*

AMENITIES LEGEND

44 45 TECH 4 PORTFOLIO DOROTHY TSE, HANNA COLLADO, PAIGE KYE LYN LOW 203 2105 1500 420 420 780 1050 2050 BA-01 BA-01 MR-01 CF-01 TB-01 TILE -01 MR-01 BA-01 JF-01 TB-03 804 430 1064 760 1000 U-01 U-01 PW-01 CF-01 TB-01 1610 520 520 1093 2105 1500 BA-01 JF-01 MR-01 TB-03 HR-01 HR-01 430 1295 760
Grey Matt Ceramic Stone Floor Tiles 500x500mm TILE-01 300mm Thick concrete Wall WL-01 Plaster Partiton Wall PW-01 Wall Faced Ceramic Toilet Suite TB-01 Wall Faced Ceramic Toilet Suite TB-02 Special Care Disabled Flush Toilet TB-03 White Ceramic Wall Mounted Men's Urinal U-01 Ceramic Wall Basin BA-01 Framed Mirror 1500mm x 1000mm MR-01 Toilet Partition Wall 2105mm x 25mm CL-01 Concrete Bench JR-01 DRAWING No. REVISION JOB No. DRAWN CHECKED SCALE -01 DRAWING TITLE Architecture Design Firm NORTH CONSTRUCTION MANAGER DHP 666 Bourke Street Melboune, Victoria, 3000 T (61) 53377899
As indicated@A1 TYPICAL AMENITIES ELEVATIONS Author Checker A0-206 13-XXX RMIT NEW MEDIA COMPLEX 80 BOUVERIE STREET 1 : 20 A0-206 TYPICAL FEMALE TOILET ELEVATION 1 1 20 A0-206 TYPICAL DISABLE TOILET ELEVATION 2 1 : 20 A0-206 TYPICAL MALE TOILET ELEVATION 3 1 : 20 A0-206 TYPICAL DIABLED TOILET ELEVATION 2 4 1 200 AMENTIES LEGEND
46 47 TECH 4 PORTFOLIO DOROTHY TSE, HANNA COLLADO, PAIGE KYE LYN LOW 31 300 774 76 225 50 2 A5-101 3 A5-101 04 FOURTH FLOOR FFL FFL 28.047 20 10 130 110 110 40MM DIAMETER POSTS WITH A RAILING OF 1100MM HEIGHT 10MM THICK SURFACE MOUNTING PLATE 130MM THICK CONCRETE GRASS 12MM DIAMETER M12 BOLTS 37 12 12 12 EXTERIOR INTERIOR 04 FOURTH FLOOR FFL FFL 28.047 150 10 30 5 105 150MM THICK GROWING MEDIUM 30MM THICK FORMULAR THERMAL LAYER 10MM THICK FILTER MEMBRANE 105MM THICK CONCRETE 5MM THICK WATERPROOF MEMBRANE DRAWING No. REVISION JOB No. DRAWN CHECKED SCALE -01 DRAWING TITLE Architecture Design Firm NORTH CONSTRUCTION MANAGER DHP 666 Bourke Street Melboune, Victoria, 3000 T (61) 53377899 As indicated@A1 BALUSTRADE DETAIL Author Checker A5-101 13-XXX RMIT NEW MEDIA COMPLEX 80 BOUVERIE STREET 1 : 5 A5-101 BALUSTRADE DETAIL -2 1 1 : 2 A5-101 BALUSTRADE DETAIL -2 Callout 1 2 1 : 2 A5-101 BALUSTRADE DETAIL -2 Callout 2 3

Project: Floating City

Strange Tales from a Floating City’ is by the celebrated Hong Kong novelist Xi Xi. Written in 1986, it is a fable about a city untethered, and its inhabitants.

48 49 44
What did I do ? 07 / 07
06 / 06 45
Floating City Performance, commissioned by HK University Black Box Theatre
5046 Remark #2. 00/ -//THANK YOU // Thank you for reading this folio. Hope you have a good time.
... ... ...

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