19.05.2025 FINE ASIAN ART PART I at Dore & Rees Auction Salerooms, Frome UK

Cover illustrations Front: Lot 215

Fine Asian Art

Monday 19 May, 2025

11:00am Lots 101-227

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See details on page 3

Head of Sale

Lee Young lee young@doreandrees com 01373 462257 / 07825 426555

Enquiries enquiries@doreandrees.com

Catalogue

£10 (including p&p)

Dore & Rees

Auction Salerooms Vicarage Street Frome BA11 1PU 01373 462257 w w w.doresandrees.com

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Collection and Shipping

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Viewing

London

Sunday 11 May 12:00 to 17:00

Monday 12 May 10:00 to 17:00

Tuesday 13 May 10:00 to 14:00

at Asia House, 63 New Cavendish Street, London W1G 7LP

The nearest underground stations are Great Portland Street (6 minutes walk), Oxford Circus (7 minutes), Bond Street (8 minutes); the closest bus route is No. 88.

Frome

Friday 16 May 10:00 to 16:00

Saturday 17 May 10:00 to 16:00

Sunday 18 May 10:00 to 16:00 at Dore & Rees Auction Salerooms

The salerooms are centrally located in Frome, Somerset, approx 10 minute walk from the station with direct trains from London Paddington, operated by Great Western Railways

Photography : Dominic Brown and Sam Walton

Layout & Design: Eddie Hams Printing: Quay Digital, Portishead

The Day’s Auctions

The Eva & Aubrey Sweet Collection: Part I

Monday 19 May at 9:30am

Lots 101-85 Jade

Lots 186-94 Bronzes

Fine Asian: Part I

Monday 19 May at 11:30am

Lots 101-142 Hardstones

Lots 143-152 Bronzes

Lots 153-177 Early Wares

Lots 178-208 Ceramics

Lots 209-216 Paintings

Lots 217-227 Works of Art

Fine Asian: Part II

Monday 19 May: to follow Par t I

From lot 301

Catalogue available on online at w w w.doreandrees.com

A101

A LAVENDER JADEITE WATER DROPPER

20TH CENTURY

淡紫玉壶 二十世纪

the scroll handle carved with peonies and the cover surmounted by a frog, with a fitted hardwood and strand and box

13cm wide, 7 5cm high

Provenance: From the Hemington House Collection

£500-£1000

102

AN ARCHAISTIC CELADON JADE RITUAL WINE VESSEL AND COVER

20TH CENTURY

青白玉仿古玉壶 二十世纪

with a carved dragon handle and lion finial, the sides carved with stylised taotie masks, on a fitted carved hardwood stand and box

16cm high

Provenance: From the Hemington House Collection

£400-£600

103

A JADEITE ‘QILIN’ GROUP

20TH CENTURY

翡翠麒麟摆件 二十世纪

well carved as the rampant Qilin holding a lotus stem in its mouth which is surmounted and a “chilong’ bi-disc, fitted wood stand in a box

11cm high

Provenance: From the Hemington House Collection

£300-£500

104

A GOOD PALE-CELADON JADE ‘MYTHICAL BEAST’ CENSER AND COVER 20TH CENTURY

白玉瑞兽摆件 十二世纪 with a wood stand and fitted box 11cm high

Provenance: From the Hemington House Collection.

£500-£1000

105

A WOODEN RUYI SCEPTRE 18TH / 19TH CENTURY

白玉紫檀如意 清 十八十九世纪 inset with three jade plaques of sanduo, peach, pomegranate and finger citron.

56cm long

Provenance: Formerly in an English Private Collection

Note: A similar example is in the permanent exhibition at the Suzhou museum in China

£2000-£3000

Each lot is subject to a buyer’s premium of 30% inclusive of VAT@ 20%

106

A BLUE GROUND CIRCULAR BOX

THE JADE 18TH CENTURY; THE BOX 19TH CENTURY

铜嵌玉盒盖两件 十八/十九世纪

cast with the bajixiang, the cover inset with a white jade oval plaque from the centre of a ruyisceptre and carved with two scholars on a rockwork bridge in the mountains, besides a staircase beneath overhanging pine branches and above a waterfall

Jade 11cm long

Provenance: From the Collection of James Basil Wilson and Julia Wilson and thence by descent, England and

A CHINESE SILVER BOX INSET WITH A CIRCULAR WHITE JADE PLAQUE

THE JADE 18TH CENTURY, THE BOX 19TH CENTURY

Jade 13cm long

Provenance: Formerly in a French Private Collection

£1000-£1500

107

A SMALL JADE CARVING OF A RECUMBENT BUDDHIST LION

MING / QING DYNASTY, 17TH CENTURY

青白玉狮 及青白玉鹿

with two horns and head turned back, holding in its mouth an openwork ruyi-cloud supporting a book with upright trefoil tail, the four feet neatly tucked underneath, the stone pale celadon and slightly mottled on one side with russet hind quarters and tail

5.7cm long

Provenance: From the Collection of John Edwards, Hong Kong and A CHINESE SMALL JADE CARVING OF A STAG

18TH/19TH CENTURY

the stag lying forward, with two horns an its hooves tucked underneath its body

5.5cm

Provenance: From the collection of Lady Emma Roll, prior to 1936 and thence by descent

£600-£800

108

A WHITE JADE PEACH-SHAPED OPENWORK PIERCED BELT PLAQUE

WANLI PERIOD (1573-1619)

白玉镂雕摆件 万历 1573-1619

intricately carved with an open mouth dragon in a lozenge shape frame amongst scrolls and branches, the scales of the dragon minutely incised, all within a peach-shaped flat edge border Wood Stand 5cm wide

Provenance: From an American Private Collection

Note: A complete belt consisting of nineteen plaques of which six are very similar to the above piece, in the Qing Court collection is illustrated by Zhou Nan-quan in Jadeware (II) - The Complete Collection of Treasures of the Palace Museum, VOl 41, no 166, pp 204/5, where it is also dated to the Wanli period.

£1000-£1500

109

A WHITE JADE CARVING OF A RECUMBENT HORSE

CIRCA 1800

白玉马 清 十九世纪初

with its head turned biting its hoof, with detailed hair work to the mane and tail Wood stand 4.8cm long

Provenance: Formerly in an English Private Collection

£1000-£1500

110

A PALE CELADON AND RUSSET JADE CARVING OF A KNEELING BOY

QIANLONG PERIOD (1736-1795)

青白玉童子像 乾隆 1736-1795

beside a vase of flowers

4cm high

Provenance: Formerly in the collection of a gentleman from Cheltenham, England, and thence by descent from his father who lived in Hong Kong in the early 20th century.

£1000-£1500

111

A JADE ARCHAIC STYLE BELT BUCKLE

QIANLONG PERIOD (1736-1795)

白玉龙头带钩 乾隆 1736-1795

carved with scrolls, ruyi-heads and fretwork within a recessed panel, the dragon’s head hook with fretwork on its nose and forehead, the button on their underside carved as a flower head, the stone white 11.3cm long

Provenance: Formerly in an English Private Collection.

£1000-£1500

112

A WHITE JADE PENDANT

QIANLONG PERIOD (1736-1795)

白玉瓜瓞绵绵吊坠 乾隆 1736-1795

carved as a melon with leafy tendrils and a butterfly Gilt mount

4 5cm long

Provenance: From an old English Private Collection

£1000-£1500

113

A PALE CELADON AND RUSSET JADE CARVING OF T WO MUSHROOMS

QIANLONG PERIOD (1736-1795)

白玉灵芝 乾隆 1736-1795 with double branch pierced for attachment, the underside with circular indentations imitating the button of a mushroom 6cm long

Provenance: From the collection of the late Michael Sherrand QC CBE (1928-2012)

£1000-£1500

114

A PALE CELADON JADE CARVING OF A CRANE

QIANLONG PERIOD (1736-1795)

青白玉鹤衔灵芝 with its head turned back holding a branch of fruit in its mouth.

5 3cm

Provenance: Formerly in an English Private Collection Sold by Sotheby’s London 7th December 1995, lot 345

£1000-£1500

115

AGREY AND WHITE JADE CARVING OF A PEA POD

18TH / 19TH CENTURY

灰白玉豆荚 十八/十九世纪 with stems and leaves, a cricket resting on the top.

8 5cm long

Provenance: From the collection of an English gentleman

£1000-£1500

116

A PALE CELADON JADE CARVING OF A RECUMBENT

CAT WITH INSECT

QIANLONG PERIOD (1736-1795)

白玉猫 乾隆 1736-1795 the underside carved with a leaf

4cm long

Provenance: From the collection of the late Michael Sherrand

QC CBE (1928-2012)

£1000-£1500

A HARDSTONE INLAID LACQUER HANGING PANEL

QING DYNASTY, 19TH CENTURY

百宝嵌屏风 件 清 十九世纪

the panels inset in soapstone, jade and hardwood with elegant arrangements of antique vessels holding flowers and plants, inscribed ‘May you enjoy eternal Longevity’ 133cm x 62cm

£3000-£5000

118

A FINE CARVED PALE-CELADON AND RUSSET JADE SNUFF BOTTLE

POSSIBLY MASTER OF THE ROCKS SCHOOL, QING DYNAST Y (1750-1820)

白玉俏雕洒金鼻烟壶 乾隆 1736-1795

the flattened ovoid sides finely carved with a scholar seated at the water’s edge above crashing waves

5 5cm high

Provenance: From a Private London Collection

£500-£800

119

A FINE YELLOW AND RUSSET JADE DOG

MING DYNASTY OR EARLIER

褐玉狗 明或以后

modelled recumbent with its head turned backwards resting on its tail, fitted hardwood stand

7cm wide

£1500-£2500

120

A FINE PALE-CELADON JADE CAT

QING DYNASTY, 18TH / 19TH CENTURY

青白玉猫 清十八/十九世纪

modelled recumbent resting on a lotus leaf, with a fitted hardwood stand

6cm wide

Provenance: From a Prominent Private European Collection

£1000-£1500

A RARE ARCHAISTIC JADE ‘CHILONG’ LIBATION CUP

SONG DYNASTY (960-1279)

螭龙仿古褐玉杯 宋 of flattened cylindrical form, deftly carved with a wide band of archaistic scrolls, within two further smaller twisted rope bands, the handle in the form of a chilong-dragon, on a later wooden base 16cm high

Provenance: From a Prominent Private European Collection, acquired from Sydney L Moss, London

Ex Robert Charles Bruce, MC, Collection (1898-1953)

Exhibited: Victoria & Albert Museum, Chinese Jade Throughout the Ages, May-June 1975, No 317 Oriental Ceramic Society, 1948, No 91

£10000-£15000

122

A CARVED WHITE JADE ‘LOTUS AND BIRDS’ GROUP

QIANLONG PERIOD (1736-1795)

白玉莲藕笔架山 清 乾隆 1736-1795

finely carved with two swallows amidst blossoming lotus pads above crashing waves, on a naturalistic hardwood stand

18cm wide, 6cm high

Provenance: From a Prominent Private European Collection, acquired from Marchant, London, 13th November 1972

£800-£1200

123

A RUSSET JADE MYTHICAL BEAST

MING DYNASTY (1368-1644)

褐玉瑞兽把件 明 1368-1644

the recumbent beast is carved with its head turned inward resting on its left shoulder, with a bifurcated tail and underside carved with four legs tucked under its body, the stone of a yellowish-russet tone with dark brown inclusions, on a fitted hardwood stand

6cm wide, 4 5cm high

Provenance: From a Prominent Private European Collection

£1500-£2500

124

A LARGE BLACK AND GREENISH JADE SQUIRREL MING DYNASTY (1368-1644)

清灰玉松鼠 明 1368-1644

modelled as the animal recumbent on a fruiting vine leaf, on a fitted hardwood stand 10 5cm long

Provenance: From a Prominent Private European Collection

£2000-£3000

125

A BLACK AND CELADON JADE TOAD MING DYNASTY (1368-1644)

墨玉蟾蜍 明 1368-1644

carved as a large, plump toad with beady eyes and webbed feet tucked beneath its body, the back with raised bumps, resting on a fitted hardwood stand 7cm long

Provenance: From a Prominent Private European Collection.

£1500-£2500

126 A FINE CARVED SOAPSTONE FIGURE OF A LUOHAN

QIANLONG PERIOD (1736-1795)

褐玉狗 乾隆 1736-1795 the figure with serene expression seated with legs crossed, wearing loose robes falling in folds around his body with incised hems, on a fitted hardwood stand 8cm high

Provenance: From a Prominent Private European Collection Acquired from Christie's London, Fine Chinese Porcelain Carvings in Hardstones and Objects of Art, The Property of His Royal Highness The Duke of Gloucester, K.G., 20 May 1954, Lot 46

£800-£1200

127

A WHITE JADE ‘CATFISH’ GROUP

QING DYNASTY, 19TH CENTURY

白玉‘莲鲇有余’ 清 十九世纪

formed as two fish forming a yin-yang symbol, centred with lingzhi sprays, on a fitted hardwood stand

6 5cm wide

Provenance: From a Prominent Private European Collection

£600-£900

128

A PALE CELADON JADE BUFFALO

QING DYNASTY, 18TH CENTURY

青白玉牛 清 十八世纪

crisply carved with its head turned backwards over the body holding a lingzhi spray in its mouth, the legs neatly tucked beneath its body, on a fitted hardwood stand

6 5cm wide

Provenance: From a Prominent Private European Collection

£1000-£1500

129

A CARVED WHITE JADE ‘MANDARIN DUCK’ GROUP

QING DYNASTY, 18TH CENTURY

鸳鸯衔荷花 清 十八世纪

carved as two conjoined mandarin ducks, the larger duck with a lotus stalk in its mouth

4 5cm high

Provenance: From a Prominent Private European Collection

£800-£1200

130

A FINE WHITE JADE ELEPHANT

QIANLONG PERIOD (1736-1795)

青白玉象 乾隆 1736-1795

the elephant is shown standing four square with head slightly turned to the right and trunk curled onto the right foreleg, its back carved in relief with a lingzhi spray and hung with a tasseled coin, the stone with subtle russet inclusion 5 5cm high, 6 5cm long

Provenance: From a Prominent Private European Collection

£800-£1200

132

A RARE ROCK CRYSTAL BEAR

YUAN / MING DYNASTY OR EARLIER

水晶熊 元/明或更早

131

A SMALL CARVED PALE-GREEN JADE BUDDHA

QING DYNASTY (1644-1911)

玉雕佛像及木座 清

seated in dhyanasana, both hands resting on his lap holding a cup, with a fitted hardwood double-lotus carved stand 5cm high

Provenance: From a Private German Collection and thence by decent Note: For a jade Buddha of similar size and quality sold at auction see: Bonhams London, Fine Chinese Art, 5th Nov 2020, lot 175; in the notes it is compared with a similar pale green jade carving of Buddha, 18th century, which again was sold by Bonhams London, 7 September 2011, lot 240

£500-£1000

modelled standing standing on all fours the head turned very slightly to one side, and is detailed with slightly tapering snout, with circular eyes and flattened coiled ears

8 5cm long

Note: A few similar example of white jade bear sold in the auctionhouses, such as Sotheby’s Hong Kong, Important Chinese Art, April 8, 2023 lot 3832, A White Jade Bear, Western Han Dynasty. Another example also sold in Sotheby’s Hong Kong,Beasts of Antiquity: Important Jade Animals from the Chang Shou Studio, October 3, 2017 Lot 3317

£1000-£1500

133 A BEIGEISH-WHITE JADE ELEPHANT

MING DYNASTY OR EARLIER

青白玉象 明或更早 modelled recumbent with the head turned backwards, the legs are neatley tucked beneath its body, raised on a fitted double-lotus carved hardwood stand 6cm wide

Provenance: From a Private English Collection

£2000-£3000

134

A CARVED INKSTONE IN BELL SHAPE WITH ZITIAN BOX AND COVER QING DYNASTY (1644-1911)

端砚及紫檀盖盒 清

inscripted with Song Xi Jing mark, the side carved with ‘May the prosperity to the descendants” 14 5cm long

£400-£600

135

A PAIR OF CHINESE EXPORT SILVER-GILT, ENAMEL AND HARDSTONE COVERED TEA CADDIES EARLY 20TH CENTURY

银镶嵌半宝石盖盒 二十世纪早期

the lobed filigree sides and covers finely worked in coloured enamels, turquoise and coral ‘jewels’ with with birds perched amongst blossoming branches 17.5cm high

£2000-£3000

136

A CELADON AND RUSSET JADE MANDARIN DUCK

LATE MING DYNASTY

褐玉鸳鸯衔荷花 晚明

modelled as the duck facing forwards holing a lotus stalk in its mouth with the legs neatly ducked beneath its body

8cm wide

Provenance: Private English Collection

£1500-£2500

A LARGE CELADON AND DARK RUSSET JADE LIONS

GROUP

MING DYNASTY (1368-1644)

褐玉狮母子 明1368-1644

modelled a s a lion and cub 6cm high, 8cm wide

Provenance: Private English Collection

£4000-£6000

139

138

A PALE-GREEN JADE ‘DUCK AND LOTUS’ SNUFF BOT TLE

QIANLONG PERIOD (1736-1795)

青白玉雕鸳鸯荷花鼻烟壶 乾隆 1736-1795

well carved as a mandarin duck resting on a lotus leaf 7cm long

£2500-£3500

A FAMILLE ROSE SNUFF ENAMEL GLASS BOTTLE

IMPERIAL WORKSHOPS, QIANLONG SEAL MARK IN IRON-RED AND OF THE PERIOD

玻璃胎料器粉彩鼻烟壶

of spade form, the sides finely decorated in coloured enamels with a continuous landscape scene of figures in boats 6cm high

Provenance: From a Private Somerset collection

Note: Compare with an example sold by Christie’s, Hong Kong, 30th May 2012, lot 4196

See also Bonhams Hong Kong, 28th May 2010, lot 210

£500-£1000

140*

A R ARE RUBY GLASS SCROLL WEIGHT QING DYNASTY, 19TH CENTURY

宝石红玻璃瑞兽镇纸 清 十九世纪

finely modelled as a ferocious mythical beast 8 5cm high

Provenance: Private Swedish Collection.

Note: Compare with an amber glass model of a lion, sold at Christie’s London, 9th Nov 2012, lot 1033

£800-£1200

141

AN 18 CAR AT GOLD JADEITE JADE AND DIAMOND NECKLACE , EARRING S AND RING PARURE

20TH CENTURY

翡翠项链及耳坠，戒指 组 二十世纪

the necklace set with a central oval cabochon jadeite jade within a scrolling ribbon bow surround set with brilliant cut diamonds, suspended from further oval cabochon jadeite jade in similar settings, with a concealed clasp, largest cabochon 1.5cm approximately; with an ensuite ring and pair of ear pendants, stamped 18k largest cabochon 1 5cm approx

£3000-£5000

142

AN APPLE-GREEN JADEITE CARVED PENDANT QING DYNASTY, 19TH CENTURY

翡翠‘喜上眉梢’项链 清 十九世纪

carved with a bird perched on a plum blossom, suspended on a jadeite bead necklace, with gold and diamond set mounts pendant 4cm high

Provenance: Property of a Titled Lady

£1000-£1500

143

A RARE LACQUERED GILT BRONZE FIGURE OF THE DEITY SAMANTABHADRA

MING DYNASTY, 16TH /17TH CENTURY

莲普贤菩萨鎏金铜像

seated with her right knee raised on the back of a recumbent elephant, wearing an elaborate jewelled necklace and holding branches in each hand, and wearing a high crown, all on a relief lotus base

26 1cm high

Provenance: Formerly in an American Private Collection.

£3000-£5000

AN ARCHAIC BRONZE LIBATION RITUAL VESSEL, JUE LATE SHANG DYNASTY (13TH-11TH CENTURY BC)

青铜爵杯 商代晚期，十三/十 世纪

the U-shaped body raised on three tall tapered legs of triangular section and centred by a decorative band stylised geometric band, one side has a loop handle decorated with a taotie mask the lip typically flaring at one end and with a long curving spout between two upright posts

23cm high

Provenance: From the Hemington House Collection

£3000-£5000

145

A GOOD BRONZE ‘LION AND GRAPEVINE’ MIRROR

TANG DYNASTY (618-907)

瑞兽葡萄纹铜镜 唐 618-907

cast in high relief in the center with a crouching animal -form loop surrounded by six animals crawling and leaping amidst fruiting grapevine encircled by a raised border and an outer field filled with birds, and animals racing amidst further grapevine below a band of scrolling tendrils at the rim

19cm wide

Provenance: English Private Collection

£6000-£8000

146

A BRONZE LARGE VASE OF HU FORM

YUAN DYNASTY (1279-1368)

双龙耳铜壶 元 1279-1368

the pear shaped body decorated with a hand of key-fret and a buddhist lion mask, the dragon handles with two loose rings.

44 3cm high

Provenance: Formerly in the Collection of Lip Keong Tai

£2000-£3000

147

A RARE AND LARGE GILT-BRONZE FIGURE GROUP OF SHANCAI TONGZI (SUDHANA)

MING DYNASTY (1368-1644)

铜鎏金善财童子像 明 1368-1644

modelled standing atop of rockwork and holding a vase with a crane by his side 35.5cm high

Note: Cast in the form of Prince Suddana standing atop a rocky outcrop, this exceptional and rare gilt-bronze incense burner presents an unusual iconographic composition. To his right, a crane is elegantly poised on a protruding rock, symbolizing longevity and wisdom Most notably, the prince holds a vase, an extremely rare feature that distinguishes this piece from other known examples

The figure is finely cast with flowing robes and a serene expression, embodying the spiritual depth associated with Buddhist imagery of the period The naturalistic rendering of the rocky base and the poised crane suggests influences from both religious and scholarly traditions. The surface bears a blackened patina, the result of accumulated incense residue, indicative of prolonged ritual use

£1000-£1500

148

A LARGE ARCHAISTIC GOLD AND SILVER INLAID BRONZE VASE

MING DYNASTY, 17TH CENTURY

兽耳铜壶 明 十七世纪 of baluster form, the sides decorated with a repeating band of dragons, the shoulders with applied mythical -beast handles 43cm high

Note: A finely cast bronze vase of elegant proportions, featuring mythical beast form handles at the shoulder. A wide decorative band encircles the body, adorned with stylized dragons, their eyes inlaid with silver and gold Inspired buy archaic Shang and Zhou dynasty ritual bronzes, this piece reflects the period’s admiration for antiquity The rich, dark patina enhances its striking presence

£800-£1200

149

A GOOD ARCHAISTIC BRONZE TRIPOD CENSER

LATE MING / EARLY QING DYNAST Y 双龙耳铜炉 晚明/清早 of compressed globular form, the sides cast in relief with stylised taotie masks and dragons, applied with two well cast dragon handles, all raised on three lions mask cast feet, apocryphal Xuande character mark 19cm high, 20cm wide

Note: This elegant bronze tripod incense burner features a bulbous body richly adorned with archaic designs, evoking the artistic traditions of ancient China. Mythological animals, intricately cast, grasp the rim, forming striking handles that enhance the vessel’s grandeur The cabriole legs, each joining the legs to the body with finely detailed mythological animal heads, provide a sense of strength and stability The base bears a meticulously rendered Xuande mark, executed with remarkable precision The exceptional piece reflects the refined craftsmanship and reverence for antiquity characteristic of Chinese bronze work.

£2000-£3000

150

A FINE GILT-BRONZE BUDDHA

17TH CENTURY

铜鎏金佛像 十七世纪

well cast seated crossed legged on a double-lotus petal throne, his left hand resting in the meditative pose and the right reaching forward over his leg in the earth-touching gesture (bhumisparsa mudra) 21 5cm high

Provenance: Private English Collection £3000-£5000

A GILT-BRONZE FIGURE OF BUDDHA

K ANGXI PERIOD (1662-1722)

铜鎏金菩萨像

shown seated in dhyanasana, with right hand in dhyanamudra and left hand in bhumisparsamudra, and wearing a dhoti tied above the waist, and a patchwork priest’s robe that falls in graceful folds on the double-lotus throne 17 5cm high

Provenance: From a Private Dorset Collection

£2000-£4000

152

A RARE GOLD ‘DOUBLE-PHOENIX’ VASE

TANG DYNASTY (618-907)

唐 錾花凤凰金瓶 the ribbed slender neck with flower head rim, the baluster body finely engraved with two phoenix amidst blossoming leafy tendrils 15 5cm high 122grams

Provenance: English Private Collection

£4000-£6000

AN IMPRESSIVE PAINTED POTTERY MODEL OF A PR ANCING HORSE TANG DYNASTY (618-907)

陶俑马 唐 618-907

the elegantly prancing horse finely modelled with the right foreleg raised high and the head cocked slightly to the left 45 5cm high

Provenance: From the Hemington House Collection.

£2000-£3000

154

AN IMPRESSIVE PAINTED POT TERY FIGURE OF A CAMEL TANG DYNASTY (618-907)

陶俑骆驼

standing foursquare on a rectangular plinth and its large saddle bags are modelled as lions’ heads, with a later perspex stand and case

58.5cm high

Provenance: From the Hemington House Collection.

£2000-£3000

155

A LARGE SANCAI-GLAZED POT TERY BACTRIAN CAMEL

TANG DYNASTY (618-907)

三彩骆驼 唐 618-907

modelled standing foursquare on a rectangular base with its head is held high and its mouth open, with a blanket draped over its humps, the saddle-cloth and the throat are covered in a cream glaze, with the body and legs an amber glaze, all highlighted with splashes of green, amber and cream glazes

66cm high

Provenance: From a Private Northumberland Collection

Note: Together with an Oxford Thermoluminescence Analysis report, No. C205g58.

£2000-£3000

157

A SMALL DING WARE BOWL

NORTHERN SONG DYNASTY

定窑盏 北宋

the well potted shallow bowl covered in a translucent ivorywhite glaze

11cm diameter

Provenance: From the Private Collection of a retired North Somerset Jeweller

Bluett & Sons, London.

£3000-£5000

156

A FINE CARVED DING WARE ‘LOTUS’ DISH

NORTHERN SONG DYNASTY

划花定窑碟 北宋

the well potted deep dish fluidly carved to the with a single lotus spray issuing from a leafy stem, covered all over in a translucent ivory-white glaze 12cm diameter

Provenance: From the Private Collection of a retired North Somerset Jeweller.

£4000-£6000

158

A DING-T YPE BRUSH WASHER

NORTHERN SONG DYNASTY

定窑水盂 北宋 of compressed lobed flora-form, covered in a transparent ivorywhite glaze

8cm diameter

Provenance: From the Private Collection of a retired North Somerset Jeweller

£2000-£3000

159

A CARVED DING -TYPE ‘LOTUS’ BOWL

NORTHERN SONG DYNASTY

定窑花口盏 北宋

the deep well potted lobed bowl covered all over in a translucent-white glaze

11cm diameter

Provenance: From the Private Collection of a retired North Somerset Jeweller

£2000-£3000

160

A RARE NEAR PAIR OF ‘HARE’S FUR’ WHITE-RIMMED TEA BOWLS

NORTHERN SONG DYNASTY

建盏 对 北宋

each covered with a thick, lustrous black glaze finely streaked ‘hare’s fur’ marking, beneath rims covered with a band of white-glaze, one inscribed with a date “963 AD, 4th month’ 9cm & 9 4cm diameter

Provenance: From the Private Collection of a retired North Somerset Jeweller

£4000-£6000

161*

A ‘GUAN’ LEAF-SHAPED BRUSH WASHER

YUAN/MING DYNASTY

‘官’ 窑笔洗 元/明

the pale greyish-brown glaze covered throughout with a black-stained crackle, divided into seven sections, together with a wooden stand 16cm long

Provenance: Private Swedish Collection Laborartory Ralf Kotalla Thermoluminescence Report No : 39200312a £3000-£5000

162

A RARE AND IMPORTANT PAINTED WOOD OX

HAN DYNASTY (206BC-220AD)

木雕牛 汉代

45cm long x 23cm high (approx)

Provenance: From a Private Japanese Collection

Note: This magnificent and rare wooden figure of an Ox was discovered in the desert regions of western China near Lanzhou in Gansu Province Such few pieces to have survived were usually carved in separate sections for the head, ears, body, legs and tail and then glued together

These rare pieces are carved with a strong sense of solidity and are invigoratingly succinct in the manner they have been decorated in minimalistic styles in black and red pigments together with traces of a stucco wash which, given the arid conditions in which they have been discovered seem like new despite the fact they have been buried underground for over two thousand years

There is little doubt that their lively and vivid modeling, together with fine carving, rates them as wonderful representatives of Han Dynasty creativity. £3000-£5000

163

A RARE MOULDED QINGBAI VASE ON INTEGR AL STAND

YUAN DYNASTY (1279-1368)

青白净瓶 元 1279-1368

the sides relief decorated with flowering stems, the neck rising to an open flowerhead terminal, all above a stiff leaf band, all set on an open work base and five applied short feet

20 5cm high

Provenance: From a Prominent Private European Collection, acquired from Marchant & Sons, circa 1960’s

Note: For a similar example see: Horniman Musuem & Gardens, London ref: 24.1.63/1.

Bears Marchant & Sons label

£800-£1200

164*

A QINGBAI-GLAZED COSMETICS BOX AND COVER SOUTHERN SONG DYNASTY (1127–1279)

青白划花粉盒 南宋 1127–1279

the circular box with cover crisply moulded with a large blooming peony with scrolling foliage, the interior fitted with three small circular compartments, each linked by delicately moulded floral sprays and leafy tendrils, all covered in a bluish white glaze, the glaze stopping neatly above the foot to expose the fine white porcelain body. 12 5m diameter

Provenance: Private Swedish Collection Laboratory Ralf Kotalla Thermoluminescence Report No :72080812

£2000-£3000

165*

A YUE WEAR CELADON JAR WITH TAOTIE MASKS

WESTERN JIN DYNASTY (AD 265–317)

“饕餮”耳瓶 越窑 西晋 265-317

finely potted with a compressed globular body rising to a short waisted neck and an everted rim, the shoulders applied with a pair of taotie masks, each modeled The body is covered overall with an olive-green celadon glaze, thinning over the raised areas and pooling attractively in the recesses, stopping neatly above the foot to reveal the fine-grained, buff-coloured stoneware body

14cm high

Provenance: Private Swedish Collection

Laboratory Ralf Kotalla Thermoluminescence Report No :10210312

£1200-£1800

166*

A GILT-SILVER SEASHELL-FORM COSMETIC BOX

TANG DYNASTY (618–907)

银鎏金贝型盖盒 唐 618–907

of naturalistic seashell form, finely worked in repoussé and partly gilded with a pair of geese amidst dense and blossoming sprays, the naturalistic hinge subtly incorporated into the form, the surface intricately detailed with elegant motifs in relief 6.5cm wide approx

Provenance: Private Swedish Collection

£3000-£5000

167*

A QINGBAI-GLAZED ALMS BOWL, PROBABLY ONCE MOUNTED WITH A SILVER RIM SOUTHERN SONG DYNASTY (1127–1279)

青白莲纹钵 南宋

finely potted with deep rounded sides rising from a slightly countersunk base to a wide mouth rim, the exterior crisply moulded with a continuous band of upright lotus petals, covered overall with a translucent pale bluish glaze pooling attractively in the recessed areas, the midsection showing traces of an original silver rim, now probably corroded 11cm diameter

Provenance: Private Swedish Collection

Note: This alms bowl, with traces of an original silver rim around the top section, reflects the elegant practical aesthetic during the Southern Song dynasty. Qingbai-glazed vessels of this type, often associated with monastic or ritual use, were sometimes enhanced with silver or gilt-bronze mountings to elevate their status. Such mountings not only reinforced the vessel but also imbued it with a sense of preciousness, resonating with the

168*

Buddhist tradition of offering alms bowls made of valuable materials

The softly moulded lotus-petal decoration, combined with the bluish white glaze, evokes the refined taste of the period and the quiet sophistication of Southern Song material culture

£1000-£1500

A FINE QINGBAI-GLAZED BOWL WITH INCISED FLORAL DECORATION

SOUTHERN SONG DYNASTY (1127–1279)

青白卷草纹碗 南宋 1127-1279

thinly potted with deep, rounded sides rising from a short foot, the interior finely incised with a central flowerhead and grass surrounded by gently scrolling foliage. The incised lines, fluid and spontaneous, are softly blurred beneath a translucent, bluish Qingbai glaze that pools within the carving The exterior left plain, covered with the same glaze that stops neatly above the foot to expose the fine, white porcelain body typical of Hutian wares 20cm diameter

Provenance: Private Swedish Collection

£800-£1200

169*

A WHITE-GLAZED MELON FORM JAR

NORTHERN SONG–JIN DYNASTY (10TH–12TH CENTURY)

白釉罐 北宋

finely potted with a compressed, lobed body resembling a ripened melon, rising from a neatly short foot to a slightly everted rim, the surface covered overall in a ivory-white glaze pooling softly in the crevices between the lobes, accentuating the rhythmic swelling form

The glaze stops just above the foot to reveal the pale grey stoneware body, with characteristic firing imperfections

8.5cm high

Provenance: Private Swedish Collection

Note: The simple sophisticated silhouette reflects the Song aesthetic for naturalistic, organic forms rendered with quiet restraint and technical precision

Laboratory Ralf Kotalla Thermoluminescence Report No :67080812

£2000-£3000

171*

A QINGBAI-GLAZED WINE POT AND COVER

SOUTHERN SONG DYNASTY (1127–1279)

影青酒壶 南宋 1127-1279

170*

A FINE QINGBAI-GLAZED WATER DROPPER WITH CARVED LOTUS PETAL DECOR ATION

SOUTHERN SONG DYNASTY (1127-1279)

青白莲纹水注 南宋

finely potted with a compressed, rounded body, the exterior carved with many lotus petals extending upward from the foot toward the shoulder A curved handle is applied to one side, opposite a short spout rising gently from the shoulder The vessel is covered overall with a Qingbai glaze of pale blue tone, a brownish glaze on the spout and handle The glaze stops neatly above the foot, revealing the fine, white porcelain body characteristic of the Jingdezhen kilns

7cm high

Provenance: Private Swedish Collection

£600-£900

elegantly potted with a compressed globular body rising from a short foot to a narrow waisted neck, fitted with a domed cover surmounted by a pointed knop, set with a slender curved spout opposite a loop handle, the body lightly carved with stylised floral scrolls beneath a luminous, pale bluish glaze pooling to a slightly deeper tone in the recesses, the glaze stopping neatly above the foot to reveal the fine white porcelain body. 10cm high approx

Provenance: Private Swedish collection

£1000-£1500

Each lot is subject to a buyer’s premium of 30% inclusive of VAT@ 20%

172*

A BRONZE FIGURE OF A PHOENIX

EASTERN HAN DYNASTY

铜凤凰嵌宝石 西汉

cast standing proudly on a circular base, the bird modeled with slender legs, a hooked beak, and a flamboyant crest formed of bifurcated curling plumes, the wings extended and the long tail rendered with intricate openwork scroll motifs, with traces of inlay still visible, the surface encrusted overall with mottled green and brown patina

22cm high

Provenance: Private Swedish Collection

£4000-£6000

173*

A BRONZE OPENWORK FINIAL WITH ANIMAL FIGURE EASTERN HAN DYNASTY

铜兽钮 汉

the finely cast openwork finial of conical form, the shaft pierced with wide vertical slits, surmounted by a standing animal, possibly a deer, rendered with upright ears and a curled tail, the surface encrusted overall with a variegated green patina, fitted with a hollow cylindrical socket for attachment 23cm high

Provenance: Private Swedish Collection £3000-£5000

174

A

CELADON GLAZED FIGURE OF A RECUMBENT LION

SONG DYNASTY OR LATER

青釉卧狮像 宋或以后

the figure of lion modeled in a recumbent pose with head raised and mouth open in a fierce yet playful expression, the beast displays a powerfully ribbed torso and detailed mane with incised fur lines, the limbs tucked beneath its body Covered overall in a rich olive-green celadon glaze that pools in the recesses to accentuate the fine detailing, stopping neatly at the base to reveal the buff-coloured body typical of Yaozhou ware.

Length: 10cm

Provenance: English Private Collection

Note: This sculptural piece evokes the aesthetic and technical achievements of the Yaozhou kilns during the Southern Song to Yuan dynasties, celebrated for their elegant forms and distinctive celadon glazes Animal figures of this type, possibly used as paperweights or scholar’s desk ornaments, were favored in literati culture for their symbolic associations the lion/ tiger representing courage and protection

£2000-£3000

175

A CARVED WHITE-GLAZED FOLIATE-RIM DISH

SONG/JIN OR LATER

白釉模印花口碟 宋/金或以后

finely potted with a shallow, circular body rising to a gently flared foliate rim with neatly scalloped edges, the interior crisply carved with a central design of a sinuous dragon amidst scrolling clouds, encircled by a band of radiating petals extending to the rim. The translucent ivory glaze is evenly applied, pooling in the recesses of the carving to enhance the intricate detailing 15 2cm diameter

Provenance: English Private Collection

Note: This elegant dish exemplifies the refined artistry of Ding ware, one of the Five Great Kilns of the Song dynasty The combination of delicately carved decoration, scalloped petalform rim, and lustrous white glaze reflects the aesthetic ideals of the Northern Song court The presence of a dragon motif, often symbolizing imperial power and auspiciousness, suggests the piece may have been intended for elite or ceremonial use

£2000-£3000

176

A MARBLE GLAZED BOX AND COVER

TANG DYNASTY OR LATER

绞胎罐 唐或以后

small circular box with matching cover, made of stoneware. The exterior surface is decorated with a marbled glaze, white and brown creating a swirling and geometric pattern The glaze is glossy and thinly applied, typical of marbling techniques developed in Henan kilns during the Tang dynasty The interior decorated with amber glaze.

7cm diameter

Provenance: English Private Collection

£2000-£3000

177

A SANCAI GLAZED GLOBULAR JAR AND COVER

TANG DYNASTY OR LATER

三彩盖罐，唐或以后

well -potted globular form the body and matching domed cover richly decorated in a sancai glaze of amber, green, and blue colour, the glaze applied in free-flowing streaks and pools, revealing the buff earthenware body beneath in places The cover fits neatly over the mouth, both exhibiting the characteristic glaze drips and run-off associated with high-fired Tang sancai wares.

8 5cm high

Note: Produced for the tombs of the elite, sancai-glazed vessels exemplify the cosmopolitan spirit and technical brilliance of Tang ceramic production, with this jar representing a particularly harmonious balance of form and colour

£2000-£3000

178

A COPPER-RED INSCISED ‘DR AGON’ DISH

JIAQING SEAL MARK AND OF THE PERIOD

清紫金釉刻划龙纹碟 大清嘉庆年制 款

the exterior finely incised with two striding five-clawed dragon in pursuit of the flaming pearl amidst flame scrolls, and above crashing waves 14 5cm diameter

Provenance: From a Private English Collection, acquired at Bukowskis in Stockholm, circa 2002

£3000-£5000

179

A PAIR OF PEACHBLOOM-GLAZED AMPHORA VASES K ANGXI MARK, LATE QING DYNASTY

豇豆红釉瓶 对 晚清 of inverted pear-shape form with waisted necks and wide flaring rims, covered all over with a rich raspberry red and pale green mottled glaze, the deep recessed base bearing the sixcharacter marks in underglaze blue, with an old fitted wood box 15cm high

£800-£1200

180

A LARGE LONGQUAN CELADON BOWL MING DYNASTY, 16TH CENTURY 划刻花龙泉碗 明 十六世纪 the exterior carved with lotus blooms and leafy tendrils beneath a stylised band, the interior with scrolling peonies 30cm diameter

Provenance: From the Private Collection of a retired North Somerset Jeweller £3000-£5000

181*

A SMALL DEHUA TRIPOD CENSER QING DYNASTY (1644-1911) 德化三足炉 清 1644-1911 in the Archaic-style 7 5cm wide

Provenance: Private Swedish Collection £600-£650

182

A FINE WHITE-GLAZED STONEWARE DISH, NORTHERN CHINA

NORTHERN SONG DYNASTY OR LATER

方形模印白瓷碟 北宋或以后 of square form with indented sides and upturned rim, the dish is molded with a central Chrysanthemum medallion within a recessed field framed by scrolling corner motifs The finely potted body is covered overall in a lustrous ivory-toned glaze pooling slightly in the recesses, accentuating the incised decoration and highlighting the purity of the form Width:13cm

Provenance: English Private Collection

Note: This eleFgant dish exemplifies the refined aesthetic of Northern Song white wares, likely from the Ding kilns of Hebei province, renowned for their thinly potted vessels and restrained yet sophisticated decoration The recessed design and fluid glaze application are characteristic of Ding ware pieces intended for the scholar’s studio or elite table

£2000-£3000

183

A LARGE BLUE AND WHITE ‘LANDSCAPE’ TRIPOD CENSER

17TH / 18TH CENTURY

青花三足炉 十七/十八世纪 the compressed sides decorated with a continuous design of a mountainous river landscape with pavilions, fishermen and figures crossing bridges, all beneath a lappet band, raised on three short scroll feet 26cm diameter

Provenance: From the Hemington House Collection

£800-£1200

184

A BLUE AND WHITE ‘DRAGON’ CENSER

QING DYNASTY, 18TH CENTURY

青花龙纹炉 清 十八世纪

the waisted cylindrical sides well painted in tones of underglaze blue with two confronting dragons chasing a flaming pearl, amidst clouds and flames scrolls, all raised on three short feet

21.5cm diameter, 17cm high

Provenance: From the Hemington House Collection.

£2000-£3000

185

A FINE AND IMPRESSIVE PAIR OF CHINESE PORCELAIN BLUE & WHITE JARDINIERES AND COVERS

TRANSITIONAL, CIRCA 1640

松竹纹青花盖碗 对 过渡期1640

each painted with different flowering branches including lotus, camellia, bamboo, morning glory, prunus and pomegranate flower together with the fruit, between tai hu rocks, the covers with magnolia, camellia, prunus and morning glory with brown washed finials.

21cm diameter of jardiniere

Provenance: From the Collection of Desmond Heyward, Haseley Court, Oxfordshire

£3000-£5000

186

A LARGE PAIR OF BLUE AND WHITE HEXAGONAL JARDINIÈRES AND STANDS

JIAQING / DAOGUANG PERIOD

青花山水纹花盆一对 清 嘉庆/道光

each well painted in tones of underglaze blue with continuous mountain landscape scenes

41cm wide

£1000-£2000

187

AN IMPERIAL BLUE AND WHITE ‘PALACE’ BOWL DAOGUANG SEAL MARK IN BLUE AND OF THE PERIOD

青花荷苜纹碗 清 道光

painted on the exterior with six lotus flowerheads on a continuous scrolling branch amongst leaves above lappets, all between underglaze-blue double lines, the interior of the well similarly painted 16 7cm diameter

Provenance: From the Collection of Henry Mazot (1882-1956) who lived and worked in Beijing for the bank of Indochina where he became Chairman The family left Beijing in 1946, the pieces were rediscovered at the family home, where they were stored in tea-chests in the attic until Christmas 2015

£5000-£7000

188 A BLUE AND WHITE INSCRIBED SQUARE-SECTION ‘ODE TO THE RED CLIFF’ VASE

KANGXI PERIOD (1662-1722)

青花赤壁赋四方瓶 康熙 1662-1722

two sides of the body are finely painted with scenes depicting figures and boats within idyllic landscape scenes, the other two sides decorated with long inscriptions

53 5cm high

£10000-£15000

189

A FINE TR ANSITIONAL BLUE AND WHITE “EIGHT IMMORTALS” DISH

SHUNZI (1644 – 1661) CIRCA 1650

青花八仙祝寿纹盘 顺治 约1650

the shallow but broad dish is heavily potted with rounded sides leading up to a brown dressed rim It is decorated to the interior with a mountainous landscape scene which includes the Eight Daoist Immortals with their attributes beneath swirling clouds, and with the Star God Shoulao seated beside a deer with an incense burner emitting smoke in the shape of a “Shou” character. The base bears a four-character mark reading “ yu tang jia qi” - fine vessel for the Jade Hall – within a double circle 36cm diameter

Provenance: Anthony Lovett Collection

Ex Property of a private Swedish collection

Note: For a similar example see “An Era of Inspiration: 17th Century Chinese Porcelain from the Collection of Julia and John Curtis”, Christie’s New York, 15th March 2015, Lot 3560.

£6000-£8000

190

A GOOD PAIR OF BLUE AND WHITE ‘LOTUS-PETAL’ MOULDED VASES

K ANGXI PERIOD (1662-1722)

青花凤尾尊 对 康熙1662-1722

decorated throughout with panels of flowers and idyllic scenes

44cm high

£5000-£8000

191

A LARGE DEHUA VASE OF GU FORM

17TH CENTURY

德华白釉花觚 十七世纪

the central band in relief surrounded by carved leaf lappets, the mouth and foot widely flared, the base glazed in white.

45 3cm high

Provenance: Property of a distinguished English gentleman. Sold by Jan Van Beers, 10th January 2012, stock no 4714

£5000-£7000

192

A PORCELAIN COR AL-GROUND BOT TLE AND FAMILLE

ROSE BOT TLE VASE

19TH /20TH CENTURY

粉彩珊瑚红釉瓶 十九/二十世纪

慎德堂款

decorated with flowering peonies and leaves emanating from stylised rockwork, the base with a four-character mark of Shenede Tang Zhi in iron-red

22cm high

£2000-£3000

193

A PORCELAIN FAMILLE ROSE BOWL

19TH / 20TH CENTURY

粉彩八吉祥碗 十九/二十世纪

decorated with the buddhist emblems (bajixiang) on a white ground, all between a key-fret border at the rim and a ruyi border above the foot, the base with a six-character seal mark of Qianlong 12 6cm diameter

Provenance: Formerly in an important U.K. Private Collection.

£1000-£1500

194

A FINE FAMILLE ROSE ‘DRAGON’ BOX AND COVER

GUANGXU FOUR CHARACTER MARK AND OF THE PERIOD

方形矾红龙纹盖盒 清 光绪年制

the cover painted with two iron-red confronting dragons, chasing a flaming pearl and amidst clouds and flame scrolls, the base with a band of waves

14 5cm wide

Provenance: From the Hemington House Collection, acquired from C. Y. Tse, Hong Kong.

£800-£1200

195

A PAIR OF PORCELAIN WUCAI STANDING FIGURES OF SMILING BOYS, HEHE

SHUNZHI, CIRCA 1650

素三彩童子像 清顺治 1650

each holding a vase of lotus, their waist bands with flowers and foliage and mirrors on the reverse, their shoulders with ruyi heads, their arms and legs with precious objects, all on a square pedestal base painted with a peony bloom

27cm high, base width 6 5cm

Provenance: From a Swedish private collection

Note: For a similar example, see Treasures of Chinese Export Ceramics, by William R Sargent, no 265, p 477.

£2000-£3000

196

A PAIR OF FAMILLE VERTE BISCUIT PORCELAIN FIGURES OF THE STANDING IMMORTALS

KANGXI, CIRCA 1680

素三彩八仙人物像两件 康熙 1680

Lan Caihe holding a flower basket and Zhang Guolao holding a musical instrument, they wear green robes decorated with fruits and flowers, they stand on openwork rectangular plinths decorated with a diaper pattern

29cm and 19 2cm high

Provenance: Formerly in a French Private Collection purchased in the 1960’s

£1000-£1500

197

A GOOD FAMILLE VERTE DISH K ANGXI PERIOD (1662-1722) OR EARLIER 郭子仪祝寿图 康熙或更早

the sturdily potted dish with gently rounded sides rising to a flaring rim, supported on a short tapered foot, decorated with a narrative scene of scene of ‘Guo Ziyi Paying Birthday Respects’ 32 5cm diameter

Provenance: Ex Anthony Lovett Collection, acquired from Christies London, Chinese Ceramics and Works of Art, 14th May 2013, lot 215

Note: The scene of the Tang Dynasty warlord Guozi Yi’s birthday, symbolizes loyalty, longevity, and the blessings of family and honor. In Chinese culture, it’s often used to illustrate the ideal of living a full life with both success and virtue, and it’s a popular theme in traditional Chinese art and performances £6000-£8000

198

AN ARMORIAL OPENWORK CHESTNUT BOWL AND COVER

LATE QIANLONG, CIRCA 1795

粉彩鎏金镂空盖盒 1795

decorated on the exterior with an oval pink ground medallion bearing the arms of Peter van Hemert (1735-1810), mirrored by a portrait medallion of Minerva, beneath a green-ground gilt jewelled band, all between two double-rope twist handles with iron-red and gilt leaf terminals, the cover with similar bands beneath a moulded iron-red and gilt chrysanthemum flowerhead crown and bud form finial

25 7cm handle to handle, 19cm high

Provenance: From the Collection of Dr Hardouin, Nantes, western France

Note: Published by Marchant in their 90th Anniversary Exhibition of Chinese Export Porcelain, 2015, no 51, pp 80-81

A round butter tub and cover from this service is illustrated by Bredo L Grandjean in Dansk ostindisk Porcelaen Fig 79, P 64; a plate from this service was sold by Sotheby’s London in their auction of Fine Chinese Export Porcelain, The Hervouet Collection, Part II, 3rd November 1997, lot 917

£2000-£3000

199

A FAMILLE ROSE PORCELAIN AND GILT BRONZE MOUNTED

SNUFF BOX

QIANLONG PERIOD (1736-1795)

粉彩人物镶嵌粉盒 乾隆 1736-1795

finely decorated with court scenes and scholars, the gilt interior painted with an elegant lady and attendant 6 5cm diameter

Provenance: From a Private Wiltshire collection

Note: For a similar example sold at auction see; Christie’s New York, Chinese Export Art, 18th Jan 2017, lot 398

£300-£500

200

A PORCELAIN WUCAI SLENDER VASE

SHUNZHI PERIOD (1644-1661)

五彩仕女婴戏图 顺治 1644-1661

painted on the body with two ladies amongst eight boys at various pursuits, all amongst trees, rockwork and clouds in ironred, the neck decorated with flowers amongst rockwork, the base unglazed.

40 5cm high

Provenance: Property from an important Private Collection, South Carolina

£3000-£4000

201

A PAIR OF FAMILLE ROSE SGRAFFIATO RUBY-GROUND MEDALLION DISHES

JIAQING SEAL MARK AND OF THE

PERIOD

each finely painted with four medallions of flowers and antiques, reserved against a ruby-red ground finely incised with scrolling tendrils, the reverse with sprays of lingzhu fungus, fruit and flowers, with fitted hardwood stands

24 5cm diameter

Provenance: From a Private London Collection

£2000-£3000

202

A LIME-GREEN GROUND FAMILLE ROSE ‘LOTUS’ VASE

JIAQING SEAL MARK IN IRON-RED AND POSSIBLY OF THE PERIOD 粉彩‘连年有鮽“缠枝花卉纹天球瓶

大清嘉庆年制 款

enamelled with four large lotus blossoms borne on scrolling tendrils, flanked a divided by double-catfish symbols between ruyi and lappet bands, the neck is decorated with similar lotus blooms beneath bats and a stylised pink rim

39 5cm high

Provenance: Private collection, England

Ex private London collection, acquired prior to 1920 and thence by descent within the family until acquired by the current owner in 2010

Note: This vase was acquired from Lyon & Turnbull Scotland on the 3rd June 2021, lot 249 It was subsequently offered for sale with China Guardian Beijing, 27th June 2022, lot 2838 The above provenance was provided by Lyon & Turnbull at the original sale

The vase is now being re-offered for sale by the family.

The globular vase, known as a tianqiuping originated during the Yongle and Xuande periods of the Ming dynasty at the imperial kilns of Jingdezhen Inspired by similar forms in West Asian metalwork, the tianqiuping quickly became a classic object of imperial display, admired and emulated by subsequent generations

During the Yongzheng and Qianlong reigns of the Qing dynasty, in addition to reproducing Ming blue-and -white examples, the imperial workshops also innovated new varieties of tianqiuping in underglaze red, monochrome glazes, famille rose (fencai), and doucai techniques, in various sizes to suit courtly taste Among these, the famille rose examples with coloured grounds were among the most prestigious and highly esteemed. Bold and sumptuous, this superb tianqiuping exemplifies the technical and artistic brilliance of the imperial kilns at Jingdezhen during the early Jiaqing reign

The elegant globular body, surmounted by a tall slender neck, rises from a recessed foot, all brilliantly enamelled against a lustrous celadon-green ground The design is meticulously rendered in famille-rose enamels: bats fluttering amidst lotus scrolls encircle the neck, while the body is adorned with passionflowers entwined with auspicious fishes and treasure motifs, forming the rebus liannian youyu (连年有余), conveying wishes for blessings and abundance

The interior and recessed base are covered in a vibrant turquoise glaze, and the rim and foot are gilded, highlighting the vessel’s courtly opulence A six-character iron-red seal mark reading Da Qing Jiaqing nianzhi is inscribed on the base

This splendid vase features a straight mouth, a long slender neck, and a full globular body, all resting on a neatly recessed foot The rim and foot are gilded, enhancing its luxurious and noble appearance. The interior mouth and base are covered in a rich turquoise glaze of a luminous, jade-like quality The exterior is fully decorated in famille rose enamel against a bright celadon-green ground: the neck is encircled with lotus scrolls interspersed with bats; the body is adorned with a luxuriant design of passionflowers entwined with fishes and auspicious emblems, conveying the wish for “abundant blessiFgs and prosperity” The shoulder and lower body are further embellished with peony scrolls on a pink ground and stylized lotus petal panels

The six-character reign mark “Made during the Jiaqing reign of the Great Qing” (Da Qing Jiaqing nianzhi) is inscribed in iron red in seal script within three vertical lines on the recessed base The entire composition is characterized by meticulous linework, rich and vibrant colours, and masterful layering of enamels Though highly ornate, the decoration is arranged with perfect balance and order, demonstrating the extraordinary technical prowess of the imperial workshops The bats (fu) combined with the pendant fishes (yu) under the passionflowers form a rebus for “abundant blessings and surplus,” embodying the Qing dynasty’s deep preoccupation with auspicious symbolism. The pursuit of auspicious themes reached a zenith during the Qianlong period, where “every decoration must bear an auspicious meaning ” Imperial archives, such as the Palace Memorials and Drafts, record that in the 12th year of Qianlong

(1747), palace officials were instructed:

“During New Year offerings, works using yangcai (foreign enamels) and auspicious new motifs may be freely submitted ” This decree underscores Emperor Qianlong’s special favor toward yangcai innovations incorporating auspicious themes Yangcai (literally “foreign colours”) refers to porcelain painted in famille rose enamels using Western-inspired painting techniques, a precious artistic innovation born from cultural exchanges between the Qing court and Europe during the 18th century

The introduction of coloured -ground famille rose tianqiuping dates from the Qianlong reign According to the Archives of the Imperial Workshops, an edict issued in 1737 (Qianlong 2nd year) commanded the production of large vases modeled after yangcai examples with flower scroll designs Similarly, in 1738, orders were placed to create enlarged versions of Xuande-style globular vases.

A comparable green-ground famille rose tianqiuping is recorded as having been submitted to the Ningshou Palace in 1784 (Qianlong 49th year).

By the Jiaqing reign, the imperial kilns at Jingdezhen no longer had a dedicated supervisor; production was overseen by local officials Though the scale and quantity of output diminished, stylistic continuity with the Qianlong era was rigorously maintained Early Jiaqing porcelain sometimes continued to bear Qianlong reign marks, and the high technical standards of the Qianlong period were largely preserved, giving rise to the term “Qian-Jia ware”

Nonetheless, reflecting the gradual decline of Qing imperial strength, production budgets were reduced: records show that by 1799, the annual kiln budget was cut from 10,000 to 7,000 taels of silver, and later to just 5,000 taels By 1806, it was decreed that the quantity of porcelain offered to the court should be halved

Despite these constraints, the production of highly challenging and costly pieces such as this green-ground famille rose tianqiuping with the auspicious “abundance” motif continued during the Jiaqing era a testament to the court’s enduring fondness for these luxurious, symbolically charged creations Surveying both public and private collections, it is notable that among Jiaqing yangcai wares, examples with green grounds appear in relatively greater numbers, suggesting that this colour was particularly favored by the Jiaqing emperor

This magnificent vase, crafted according to imperial specifications and rooted in the courtly aesthetics of the Qianlong era, reflects both adherence to tradition and the artistic ingenuity of Jingdezhen potters Judging from its form, decoration, and reign mark, it likely dates to the early Jiaqing period Its refined shape with a longer neck and slightly tapering lower body, enhancing the globular fullness lends it a stately yet graceful air

The lush decoration, rich in auspicious symbolism, and the exceptional quality of the enameling mark this as an outstanding example of early 19th-century imperial porcelain, fully worthy of the highest appreciation

£20000-£40000

203

A RARE PAIR OF DOUCAI BOWLS

JAIQING/DAOGUANG PERIOD (LATE 18TH/19TH CENTURY)

清 斗彩花鸟盏 对 嘉庆/道光 （十八世纪晚期至十九世纪）

‘玉慶堂制’款

finely painted underglaze blue and over glaze enmal with four season flours and birds, with four charaters of undergalze blue ‘Yu Qing Tang Zhi‘ hall mark or Hall of Jade Felicitation mark.

11 5cm diameter

Provenance: English Private Collection Formerly from the collection of Zhang Yunchong CCY Art Gallery, Taiwan 台湾寄畅园旧藏

Zhang Yunchong

Founder of Jichang Garden ( 寄畅园), Taiwan; Renowned Art Collector

Note: Mr Zhang Yunchong was born in Fengyuan, Taiwan, into a family with a deep appreciation for art and antiques From a young age, he developed a strong passion for Chinese art, particularly in the fields of ceramics, jade, and calligraphy Throughout his life, he was actively involved in the art markets of Taiwan, Hong Kong, and internationally, earning a reputation

for his discerning eye, rigorous scholarship, and refined taste

In 1994, Mr Zhang established the Jichang Garden ( 寄畅园) in Taiwan, naming it after the famed Suzhou garden to symbolize the ideals of harmony with nature and the cultivation of one’s spirit through art.

Jichang Garden served not only as a private collection space but also as a platform for the promotion, study, and appreciation of Chinese traditional art. Mr. Zhang’s collection became widely respected for its exceptional quality, spanning Song to Qing dynasty ceramics, ancient jades, calligraphy, and paintings.

In his later years, Mr Zhang gradually withdrew from the public art scene, and the stewardship of Jichang Garden passed to his descendants, who continue his legacy of collecting and promoting Chinese art

Note: A similar mark sold in Christie’s Hong Kong 29th May 2013 Lot 2020 In the The Yiqingge Collection of Chinese Ceramics

‘Yu Qing Tang Zhi’ Hall mark was unusual, it has appread during Qiaqing period, and until Daoguang period, probably specially commosioned by aristocracy

£2000-£3000

204

AN IRON-RED ‘DRAGON’ BOWL

DAOGUANG MARK AND PERIOD (1820-1850)

矾红彩龙纹碗 清 1820-1850

大清道光年制款

the exterior decorated in iron red with a pair of five-clawed dragons each chasing a flaming pearl amongst clouds, the base bearing a six-character Daoguang seal mark

11 8cm diameter

Provenance: Private English Collection purchased in 1960s

Note: A simlar pair of bowls sold in Bonham’s London Knightsbridgem Asian Art 30 October 2023, Lot 62

£600-£800

205

A YELLOW GROUND ‘BIRTHDAY’ BOWL GUANGXU MARK AND OF THE PERIOD

黄釉“万寿无疆‘碗 清 大清光绪年制款 decorated with four roundels enclosing the characters ‘wan shou wu jiang’, which can be translated as ‘ten thousand birthdays without end’, separated by four beribboned wan symbols between clouds and crashing waves 17 5cm diameter

£2000-£4000

206

A RARE GRISAILLE-DECORATED ‘DUCK POND’ CUP

QIANLONG RED SEAL MARK AND OF THE PERIOD

墨彩芦雁纹杯 清 乾隆

the flared sides finely decorated with duck amidst reeds and bull rushes, the interior with a turquoise-glaze, later wood stand 8cm high

Provenance: From a Private London Collection

£2000-£3000

207*

AN AMBER AND BLUE-GLAZED COSMETIC BOX WITH FLORAL AND SCROLLING CLOUD MOTIFS

TANG DYNASTY (618–907)

三彩粉盒 唐

of lobed quatrefoil form, the cover molded with a central stylized flowerhead enclosed within a diamond -shaped cartouche, framed by scrolling cloud motifs set against a densely dotted ground The surface decorated in a rich palette of amber, creamy white,and dark cobalt blue glazes, the colours sections create a vivid contrast. The sides of the box are predominantly glazed in an amber tone The cover and base fit precisely, demonstrating the refined technical mastery of Tang sancai ceramic production

10cm wide

Provenance: Private Swedish Collection

£800-£1200

208*

AN AMBER AND GREEN GLAZED COSMETIC BOX WITH PHOENIX AND RIBBON DESIGN

TANG DYNASTY (618–907)

三彩凤纹粉盒 唐618 - 907

of lobed quatrefoil form, the cover molded in relief with a phoenix soaring amidst undulating ribbons, all beneath a rich amber and green glaze that pools into the recessed areas, The sides of the box are covered in a deep translucent green glaze The box and cover fit together, exemplifying the refined craftsmanship and aesthetic sophistication of Tang sancai wares

8 5cm wide

Provenance: Private Swedish Collection

£1000-£1500

Paintings

209

IRENE CHOU (1924 - 2011)

ABSTRACT

周綠雲 1924-2011

抽象 ink and colour on paper

138cm x 68cm

Provenance: From the Hemington House Collection

Note: An abstract ink painting by Irene Chou (Zhou Luyun) during 1970 to 1980. She was one of the most influential exponents of the New Ink Painting movement in Hong Kong She was the leading artist in the New Ink Painting Movement, Chou was at the forefront of reinventing traditional ink paintings into a contemporary art form. Her contribution to ink paintings has made an impact both regionally and internationally, making way for modern ink paintings in the global art scene

£2000-£3000

*This lot is subject to additional import VAT of 5% on the hammer price and an administration fee

210

BUI HUU HUNG (VIETNAMESE B 1957)

STILL LIFE OF BOOKS

裴友雄 1957

Lacquer on board

Signed lower right corner

Galerie du Monde label verso

120cm x 120cm

Provenance: From the Hemington House Collection

£1500-£2500

211

AN ABLUM LEAF PAINTING ON SILK, FISHING IN THE AUTUMN SONG/ YUAN PERIOD

归渔图

attributed to Zhao Gan, ink on silk

Depicts a lone fisherman stands beneath a tall, weathered tree, its bare, twisting branches extending into the misty upper space of the painting He gazes toward his modest boat, moored beside a simple river pavilion set against an open, atmospheric background Executed with delicate, dry brushstrokes for the tree and figure, and softer ink washes to suggest the riverbank and distant haze, the composition emphasizes stillness, solitude, and the natural flow of space The fine linear brushwork captures the wiry texture of the tree bark and the figure’s modest garments, while diluted ink tones create a subdued, ethereal atmosphere With an inscription and two red seals to the upper right Later mounting during the Qing dynasty Zhao Gan ( 趙幹) was a famous painter of the Five Dynasties period (907–960), especially known for river landscapes, fishermen scenes, and quiet, misty settings

29cm x 22 5cm

Provenance: English Private Collection

£6000-£8000

212

CHEN YIFEI (CHINESE 1946-2005)

WISDOM

智者 陈逸飞（1946-2005）

colour and chalk on paper, signed

63cm x 48 5cm

Provenance: From the Hemington House Collection, acquired from Marlborough Gallery, New York, stock No. NOL 38.892.

Chen Yifei (1946–2005) stands as a key figure in the evolution of modern Chinese painting, blending Western realist techniques with deeply Chinese subject matter. During the late 20th century, his Tibetan figure series garnered international acclaim for its profound emotional resonance and technical mastery Rendered in watercolour, these works capture the solemn dignity and inner strength of Tibetan subjects. Chen’s delicate handling of light and atmosphere in this medium imbues his figures with a haunting stillness and timeless gravity Several outstanding examples from this celebrated series were exhibited and handled by Marlborough Graphics, London, reflecting the growing international recognition of Chen’s artistry during this period The Tibetan paintings exemplify his unique ability to portray not only physical likeness but also spiritual depth, making them among the most sought-after works in his oeuvre

£3000-£5000

213

A HANGING SCROLL PAINTING OF ARHATS

MING DYNASTY OR EARLY

罗汉画像 明或更早

Anonymous artist

depicting an Arhat wears a flowing red robe with intricate gold patterns, He holds a tray with a small vessel on it, and there’s a glowing object (perhaps a lotus or spiritual flame) above it His expression is focused and serene Beside him sits another figure, dressed in blue and green robes, likely an attendant. The companion looks upwards, possibly in awe or devotion

The painting is mounted with traditional brocade silk borders in a greenishblue and gold floral pattern.

195cm x 8 5cm

Provenance: English Private Collection

£2000-£3000

214

A VERY LARGE INK PAINTING OF EIGHTEEN ARHATS

YUAN/MING DYNASTY

十六罗汉图，元/明

this monumental ink painting portrays a gathering of Arhats (Luohans), enlightened disciples of the Buddha, rendered in a highly expressive, linear style characteristic of Yuan and early Ming Buddhist art The composition features a group of elder monks, some standing and others seated, set within a sparse rocky landscape under large tropical trees, with stylized clouds and subtle architectural elements in the background

The Arhats are depicted with deeply individualized faces, each rendered with dynamic, fluid brushstrokes emphasizing both their spiritual authority and worldly detachment. Several attendants, including a scholar-official figure kneeling respectfully in the foreground, add to the sense of veneration and ceremony

The figures are outlined in strong, rhythmic ink lines with restrained use of shading, a hallmark of Yuan dynasty figure painting influenced by Chan (Zen) aesthetics Traces of gold and faint colour may still remain across portions of the background and robes, suggesting that the painting originally had rich decorative highlights

145cm x 157cm

Note: Large-scale Arhat paintings such as this were often commissioned for temple walls or important Buddhist halls, intended to inspire devotion and serve as meditative aids The combination of intense linearity and monumental scale situates this work firmly within the stylistic traditions of late Yuan and early Ming religious painting, sharing affinities with works attributed to artists like Yan Hui (active Yuan dynasty) or the “Chan painting” schools of the 14th century

£5000-£8000

215

A PAIR OF FRAMED CHINESE WALLPAPER PANELS

QING DYNASTY, 18TH CENTURY

耕织图墙纸 清 十八世纪

finely painted with peach shaped panels depicting scenes of rice and silk production beneath flowering hanging baskets

137cm x 73cm

Provenance: From the Hemington House Collection.

£2000-£3000

216

FANG HUI (CHINESE B.1965)

GOLDEN YOUTH 1, 2009

黄金年纪 oil on canvas, signed

180cm x 150cm

Provenance: From the Hemington House Collection, with certificate of authenticity from Wellington Gallery, Hong Kong

£1000-£2000

Works of Art

217

WANG KEPING (B 1949)

UNTITLED 19, 2003

王克平 maple

50cm high

Provenance: From The Hemington House Collection, acquired from 10 Chancery Lane Gallery, Hong Kong, 2010

£15000-£20000

218

LIU BOLIN (CHINESE 1973)

RED HAND 12, (2008)

红色男孩

Resin (painted)/wood 118cm high

Provenance: From the Hemington House Collection

£800-£1200

219

A BAMBOO BRUSH REST ON HARDWOOD STAND 17TH CENTURY

竹雕李白笔架山 十七世纪

modelled as the poet Li Bai holding a wine cup

9cm wide

£500-£800

220

A PAIR OF GILT-LACQUER WOOD FIGURES OF OFFICIALS

MING DYNASTY (1368-1644)

木雕人物漆金像 明代

the standing figures modelled wearing a hat and long flowing robes, holding a censer in both arms 22cm high

£2000-£3000

221

A RARE CARVED ZITAN ARCHAISTIC TRIPOD CENSER , DING 17TH / 18TH CENTURY

@Chinese:紫檀三足鼎 十七/十八世纪

in the Shang Dynasty style, raised on three slender columnar legs, and crisply carved with a large taotie mask with rounded eyes flanked by a pair of descending dragons, with a pair of bail handles rising from the rim

18cm high, 11 5cm wide

Provenance: From the Private Collection of a retired North Somerset Jeweller

£2000-£4000

Each lot is subject to a buyer’s premium of 30% inclusive of VAT@ 20%

222 A FINE RHINOCEROS HORN LIBATION CUP

K ANGXI PERIOD (1662 - 1722)

螭龙犀角杯 康熙 十七世纪

in the form of a lobed flowerhead, the handle of three chilong dragons, the body of the cup is tapering towards the lobed foot

8 5cm high x 12 5cm wide

Provenance: Formerly in the Palmer family collection

£10000-£15000

223

AN EXCEPTIONALLY FINE CARVED BAMBOO LIBATION CUP

QING DYNASTY, 19TH CENTURY

竹林七贤竹雕 清 十九世纪 the sides carved in fine detail with scholars and attendants on a mountain path with pine trees 15cm high

Provenance: From a Private Kent collection £5000-£10000

224

A RARE CANTON CARVED BOXWOOD CABINET

QING DYNASTY, CIRCA 1850

黄杨木箱 清 1850

well carved with panels of figures and trees in landscape scenes, the two doors enclosing six small drawers

27 5cm wide, 41cm high, 20cm deep

£500-£800

A RARE CARVED ZITAN HAT STAND

QING DYNASTY, 18TH CENTURY

紫檀帽架 清十八世纪

the later half-bowl top supported by four shaped legs carved with bats, lotus and scrolling tendrils, terminating on claw feet

50cm high

Provenance: From the Martin Laing Collection Part II

Literature: Included in ‘Chinese Rococo Furniture Fit for a Palace, The Martin Laing Collection’, published November 2024

Note: An exceptional and rare Qing Dynasty hat stand, distinguished by its unusual four-legged construction rather than the more commonly seen threelegged design. Each leg is exquisitely carved with scrolling foliage, bats, and flower vases, demonstrating the refined craftmanship of the period The legs elegantly curve outward from the top, flowing gracefully downward to terminate in robust square five-claw feet The substantial proportions and sturdy construction suggest that this stand may have been specifically made to support a military hat or helmet A rare and highly sought after piece of Qing Dynasty craftsmanship

£3000-£5000

226

A RARE MOTHER-OF-PEARL INLAID BLACK LACQUER TRAY MING DYNASTY, 15TH / 16TH CENTURY

depicting courtiers in a palace garden scene 36cm wide

Provenance: From a Private Japanese Collection. Ex the collection of Katagiri Sadamasa (1603-1673) an appraiser of the early Tokugawa collection who was both a scholar and Daimyo feudal Lord of Japan He founded the Sekishu School of tea ceremony and was tea instructor to the first great Shogun rulers of Japan Katagiri built the great Zen Temple Jokouin in Nara The wood box holding this tray has an inscription concerning Katagiri inside the lid.

Note: This black lacquered scroll tray is inlaid with Mother of Pearl and depicts a ‘palace’ garden with a typical in vogue scene of scholars in leisurely pursuit These scenes were immensely popular during the Yuan and Ming dynasties and can be found in paintings, wood block prints and even blue and white porcelain during the time of the Ming in the early 16th century.

The sketchy treatment of the fauna and other landscape elements reflects the influence of wood block prints, which in the mid Ming dynasty served as both illustrations to literary works and more importantly as Fhe Florence and Herbert Irving collection

The Provenance of this tray is extremely important It was once in the collection of Katagiri Sadamasa (1603-1673) an appraiser of the early Tokugawa collection who was both a scholar and Daimyo feudal Lord of Japan. He founded the Sekishu School of tea ceremony and was tea instructor to the first great Shogun rulers of Japan Katagiri built the great Zen Temple Jokouin in Nara. The wood box holding this tray has an inscription concerning Katagiri inside the lid £6000-£9000

227

A MOTHER OF PEARL DECORATED SQUARE BLACK LACQUER INCENSE TR AY

MING DYNASTY, 15TH / 16TH CENTURY

黑漆螺钿盘 十五世纪 together with a Japanese kiri-wood storage box

19cm wide

Provenance: From a Private Japanese Collection.

Note: Discovered in Japan, this very dramatic yet simply decorated lacquer tray showing a mounted warrior archer inlayed with mother of pearl still exhibits the undeniable taste influence of the Mongol Yuan dynasty following on into the early Ming dynasty

The construction of this dish in pieces is remarkable in that minute twisted metal wires have been used as reinforcement on all the edges and grooves to strengthen the dish against twisting out of shape

When the Mongols conquered Persia Chinggis Khan became intrigued by Persian miniature paintings so on his return to China he had Chinese artists follow Persian styles

The most famous Chinese artist of the period was Liu Guando who in 1280 was commissioned by the Yuan court to paint a portrait of Khublai Khan, his Empress and court hunting on the edge of the Gobi Desert. The painting is in the new Persian style

£3000-£5000

D O R E & R E E S

THE EVA & AUBREY SWEET COLLECTION

Part II: Japanese Works of Art 11 November 2025

VIEWING

LONDON

Sunday 2 November 12:00 to 17:00

Monday 3 November 10:00 to 17:00

Tuesday 4 November 10:00 to 14:00

Asia House, 63 New Cavendish Street, London W1G 7LP

FROME

Friday 7 – Sunday 10 November 10:00 to 16:00

Dore & Rees Auction Salerooms

TALKS

Monday 3 November

Highlights from The Sweet Collection with Rosemary Bandini

Conserving Historical Artefacts with Jeff Smith and Duncan Gates from Antique Conservation Ltd

Asia House, 63 New Cavendish Street, London W1G 7LP

AN EXCEPTIONAL NETSUKE SIGNED KOZAN LATE EDO PERIOD, MID-19TH CENTURY

Provenance: Acquired from Eszkenazi, London, 1998 and with original receipt

Eva & Aubrey Sweet Collection

Ex Gunther Collection

Ex Gilbertson Collection

Ex Walter Lionel Behrens Collection

Ex F J Kensington Collection

Ex M T Hindson Collection

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b Buyers may be requested to provide photographic ID and proof of address documentation in advance of the Auction in which they are bidding in order to meet the requirements of the regulations

18. The Purchase price

a As Buyer, you will pay:

i The Hammer Price;

ii. Buyer’s Premium of 25% of the Hammer Price

iii Any artists resale right royalty payable on the sale of the Lot

iv Any VAT due11

19. VAT

a. You are responsible for the payment of any VAT applicable on the Hammer Price and Buyer’s Premium due for a Lot

b We will charge VAT at the current rate at the date of the auction.

10. Artist’s Resale Right

a. From mid February 2006, living artists are entitled by law to receive a resale royalty each time their work is resold by or to and art market professional From January 2012, the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright) Royalties will be payable to the families and the beneficiaries of these artists

b. An artwork must be resold for more than 1000 euros Hammer Price (or equivalent) to qualify for the right The rates applicable are calculated as a percentage of the Hammer Price and are set out on a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. We reserve the right to pass all the cost to the Buyer of the qualifying artwork

11. The contract between you and the Seller

a The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

b You may directly enforce any terms in the Terms and Conditions of Sale - SELLER against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms and Conditions - SELLER

c If you breach these Terms and Conditions – BUYER, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who

wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

d We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot)

e In addition to any other rights we may have to cancel a contract for sale under these Terms and Conditions –BUYER, in the event:

i. You are in breach of your warranties in clause 3; or ii We have not completed our enquiries pursuant to the Money Laundering Regulations and related legislation to our satisfaction; or

iii. We have reason to believe that the transaction might be unlawful for any reason, or that the sale might put us under any civil or criminal liability, we may delay the completion of the sale, delay a release of a Lot or cancel the sale of a Lot.

12. Payment

a Immediately following your successful bid on a Lot you will:

i Pay to us the Total Amount Due by one of the following methods:

1 BACS

2 Debit Card

3 Cash – up to a limit of £8,000 in person

13. Title and Collection of Lots

a While you are bound by the contract for the purchase of the Lot from the fall of hammer on your successful bid, ownership in the Lot will not pass to you until you have paid us in full the Total Amount Due in cleared funds for that Lot;

b You may not claim or collect your Lot until you have paid for it and ownership has passed to you

c You will (at your own expense) collect any Lots that you have purchased and paid for either:

i Not later than 5 working days following the day of the auction

II Not later than 5 working days following the date that we have received payment of the Total Amount Due in cleared funds, if later

14. Storage of Lots

a If you do not collect the Lot within the time period set out in above, you will be responsible for any reasonable removal, storage and insurance charges in relation to the Lot.

b The risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot

c If you do not collect the lot that you have paid for within 90 days after the auction we may sell the Lot We will pay the proceeds of any such sale to you, we will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot

15. Remedies for non-payment or failure to collect purchases

a Please do not bid on a lot if you do not intend to buy it If your bid is successful, these Terms and Conditions of Sale - BUYER will apply to you This means that you will have to carry out your obligations set out in these Terms and Conditions of Sale - BUYER If you do not comply with these Terms and Conditions of Sale - BUYER, we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures:

i Take action against you for damages for breach of contract

ii Reverse the sale of the Lot to you and/or any other Lots sold by us to you;

iii esell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8

Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller;

iv Remove, store and insure the Lot at your expense;

v f you do not pay within 5 days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the Total Amount Due;

vi Keep that Lot or any other Lot sold to you until you pay the Total Amount Due

vii Reject or ignore bids from you or your agent at future auctions or impost conditions before we accept bids from you; and / or

viii. If we sell any Lots for you, use the money made on these Lots to repay any amount you owe us

b We will act reasonably when exercising our rights under clause 7 We will contact you before exercising these rights and try to work with you to correct any noncompliance by you with these Terms and Conditions

16. Forgeries

a A sale shall be cancelled and the Buyer shall be entitled to a refund of both the Hammer Price and the Buyer’s Premium if a Lot bought by the Buyer through our Auction is shown to our satisfaction and within 14 days of the Auction to be a forgery

17. Data Protection

a We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website.

18. Liability

a Save as set out in these Terms and Conditions, we exclude to the fullest extent permitted by law all warranties and conditions, whether express or implied by statue, common law or otherwise.

b Nothing in these Terms shall operate to exclude or limit the liability of a party in respect of death or personal injury resulting from that party’s own negligence, for fraud or for any liability that cannot be excluded or limited under applicable law

c No party to these Terms shall be liable to any other contract, tort (including negligence) or otherwise for any indirect or consequential losses, or for any loss of profits, loss of good will, loss of revenue, loss of business or loss of anticipated savings

d Subject to Clauses 10 b and 10 c, our liability to you shall not exceed £5,000, unless your claim relates to an item sold through an Auction in which case our liability to you shall not exceed the greater of £15,000 or the Hammer Price for the relevant Lot

e We will not be responsible or liable for errors and omissions to execute bids, caused by a loss of internet connection, a breakdown or interruption of the on-line bidding system, or a breakdown or failure of any internet connection, computer or IT system.

19. General

a. No party shall have any liability in respect of any delay in performance or non-performance of its obligations under these Terms (other than an obligation to pay) owing to Force Majeure If a party is affected by Force Majeure it shall notify the other parties as soon as reasonably possible, in any event within 5 days, and shall take reasonable steps to mitigate the effect of the Force Majeure Subject to Clause 4 b, risk in the Lot remains with you at all times until risk passes to the Buyer You will indemnify us and our employees and agents, and the Buyer (where applicable) against all losses, damages, claims, costs and expenses suffered or incurred as a result of any claim in respect of the Lot or proceeds of the sale of the Lot

b Every person on our premises shall be deemed to be there at their own risk and, subject to clause 9.b, shall have no claim against us in respect of accident or loss, however caused

c hese Terms are governed by in interpreted in accordance with the laws of England and Wales or the laws of Scotland or Northern Ireland if you live there) If you choose to bring proceedings in conjunction with these Terms you must do so in the courts of England and Wales, unless you live in Scotland, in which case you can choose to bring proceedings there, or in Northern Ireland, in which case you can choose to bring proceedings there

d Any or all part of any term of these Terms that is found to be unfair or unenforceable by a court of competent jurisdiction will be treated as deleted and the remainder of the Terms will continue to govern each of our respective obligations

e ny notice from you to us must be sent in writing to us at our address detailed on our website

f f you elect to collect the Lot from us you will bear all associated cost, expenses and duties

SELLERS

1 Our Status

a You appoint us to act as agent to sell the Lots on your behalf by auction.

b You will pay us the Sellers Commission together with VAT at the prevailing rate

c We will not include any Lots in an auction until they have been received by us

d We will pay the Hammer Price, with Seller’s Commission, Loss and Damage Warranty and any other charges incurred deducted and applicable VAT applied at the prevailing rate, to you at 28 working days following the Auction in which the Lots are sold, or if later, 7 days after payment by the Buyer

2 The Reserve

a We will agree with you the Reserve, which may be higher than the starting bid.

b We shall not publicise the Reserve

c We may bid on your Lot up to an amount equal to the Reserve You may not bid on your Lot under any circumstances, nor maySyou permit any person to bid on your lot on your behalf

3 Seller’s obligations and undertakings

a You warrant to us and to the Buyer that:

i you are the sole owner of the Lot and that you have full right, title and authority to sell the Lot;

ii you have no reason to believe that it is a Forgery;

iii all Lots sold by you are sold to the Buyer with full title guarantee and free from all encumbrances;

iv. you have provided to us all of the relevant information and documents in your possession or control concerning the Lot, including information about its authenticity, history, condition, prior ownership and all such information is complete to the best of your knowledge;

v if the Lot has been removed from a country outside the UK, all duties and taxes on the import of the Lot have been paid, all export and import declarations have been properly made;

vi you will pay any and all duties and taxes that may be due in connection with the sale of the Lot;

vii you have given us notice of any alterations to the Lot of which you are aware;

viii you may not withdraw a Lot from an Auction without our consent.

b If you withdraw a Lot from an Auction without our consent, you will pay to us 15% of the Lot’s estimate and any related costs within 14 days of such withdrawal

c. If the Buyer of your Lot decides to exercise their right to cancel, you agree that we shall be entitled to account directly to the Buyer for any applicable refund and we shall account to you for any sums retained on account of the Lot being damaged or tampered with by the Buyer.

d You will indemnify us and the Buyer in full on demand against all claims, costs or expenses incurred by us or the Buyer as a result of any breach by you of any of the obligations in this clause.

4 Loss and Damage Warranty

a All Lots held with us are covered by insurance against risk of fire, burglary, water damage and accidental damage except to glass For this we will charge you 1 5% plus applicable VAT of the Hammer Price for the Lot or the value the Lot would have achieved as assessed by the Auctioneer

b Subject to this, risk in the Lot remains with you at all times until risk passes to the Buyer You will indemnify us and our employees and agents, and the Buyer (where appliable) against all loss damage claims costs and expenses suffered or incurred as a result of any claim in respect of the Lot or the proceeds of the sale of the Lot

5 Anti-Money Laundering Regulations

a We are obliged to comply with Anti-Money Laundering regulations which apply to individuals and businesses who deal in the sales, purchases and storage of works of art with a value of €10,000 or more

b Sellers may be requested to provide photographic ID and proof of address documentation in advance of the Auction in which their Lot is to be offered in order to meet the requirements of the regulations

6. Images and Illustration

a We will take (or authorise others to take) photographs, video and/or produce images of the Lot and will own all intellectual property rights in any such images and may use them for any purpose, and you warrant that there is no restriction on our ability to do so

7. Unsold Lots

a. If at the end of the Auction, your lot is unsold (other than because it was withdrawn) the Lot will be available for After Sale offers

b Registered Bidders may contact us and offer to purchase a Lot after the Auction. If the bid meets or exceeds the Reserve, we may authorise the sale of your Lot without contacting you and the sale will be completed as if the Lot had been sold during the Auction If the bid is less than the Reserve, we will contact you If you accept the bid and wish to proceed, the sale will be completed as if the Lot had been sold during the Auction

c. You may contact us at any time after the Auction to remove your Lot from the After Sale process

d Subject to agreement with us, your unsold Lot can be reoffered at a future Auction at a revised Estimate and Reserve or can be collected by you, you are responsible for collection and transportation arrangements and costs

8 Withdrawn Lots

a If we withdraw a Lot from Auction, we will notify you and you will collect the Lot from us within 30 days of our notification

b You are responsible for collection and transportation arrangements and costs

9 Forgeries

A A sale shall be cancelled and the Buyer shall be entitled to a refund of both the Hammer Price and the Buyer’s Premium if a Lot bought by the Buyer through our Auction is shown to our satisfaction and within 14 days of the Auction to be a Forgery

b If this is the case, you shall refund to us on demand, the total amount paid to you in relation to the lot plus any costs incurred by us or by the Buyer