Issuu

Kim D. Burns Portfolio

• 20,575 GSF, 16,500 NSF

• Occupancy: 275 maximum

• One floor

• Ceiling Height: 16' (IBC 1003.2)

• Code 1006.3.3 Exits 4 (IBC 1006)

• Exit Calculations: 75/250 ft with sprinkler system IBC 903 (Egress: 49 max occupancy load/75 sq ft. travel distance)

• Plumbing ADA: 403.1 Urinals: (male: 1 per 125, female: 1 per 65), Lavatories: (male/female: 1 per 200), Drinking Fountain: (1 per 500)

ART3620 Studio IV

Alden Library, 3rd Floor

Art Library of the Future

Week Two: Space Plan, Criteria Matrix, Concept Statement October 26, 2023

Kim Burns

Small Office Rooms

Storage

Lounge/Seating Areas

Kiosks

Garden Areas

Stacks

Move/Immersive Room

Large Table Area

Large

Stacks

Storage Area

Lounge/Seating Areas

Garden/Water Areas

Move/Immersive Room

Various Size Office Rooms

Kiosk

Book Tables

Small Office Room

Large Table Area

Garden/Pond Areas

Lounge/Sitting Area

Stacks

Restrooms/maintenance

New Lobby Below

Concept Statement

Be transformed and unwind as you stroll through the many immersive and innovative options at Alden Art Library. This design, with an interior palate of tranquil blue, sea glass green and sandstone, promotes serenity while you engage with the plethora of books and art collections. As you walk along a calm, nurturing area of a biophilia atmosphere, an arcadian rhythm of natural lighting and natural air circulation will be infused throughout the design. You can unwind in a large room with a movie or an immersive experience. Or you can take off your shoes, recline and relax in one of the smaller offices for an even more immersive experience while reading, studying, listening or watching a remarkable story. Any way you choose to spend your time at the Alden Art Library, you will leave centered, rejuvenated and calm.

• Library of the Future

• Immersive

• Private/Public

• Go to the beach

• Coastal

• Wayfinding

• Design: front, middle, back

• Welcome desk

• 345 sf

• ADA

• Custom Metal lines

• Wayfinding

• Lounge Area

• 1000 sf

• Art gallery

• Sitting options

• Wayfinding

• Design inspired

• Southeast corner

• 7900 sf

• Private study rooms

• Wayfinding

• On-line search

• Shoes

Michelle Jennings

Coastal Blue

• North and South

• 2400 sf

• Restrooms, entrance/exits, help desk, kiosks

• Unique chairs

• Glass dividing walls

• Wayfinding RCP

• Northwest corner

• 2900 sf

• Cascading platforms

• Ramps

• Murals

• West

• 621 sf

• Wayfinding

• Kiosks

• Signs

• Southwest

• 3472 sf

• Wayfinding

• Public Areas

• Alone spaces

• Private public spaces

• Sitting options

• Storage • 3472 sf

• Electrical component

• Coastal breeze

Conclusion

Listing parts of a boat was a fun way to label the library. It was through the process of designing a library of the future, the coastal waters drove the design. I feel this design encourages and supports opportunities for visitors to sit alone, have dialogue with peers and inevitably immerse themselves while spending time at the library any way they choose to do so. I also feel this design will encourage visitors to unwind and leave rejuvenated, centered and calm which will promote health and wellbeing to a busy work life.

ART4600 IA Holistic Solutions

Studio, Spring 2024 February 2, 2024 REVISED 2/6/24

Kim Burns

• 11,000 sq. ft. with Mezzanine Level

• 30 ft ceiling

Location for New Design Team: 2601 Victory Avenue, Suite 300 Dallas, TX 75201

• Architecture & Design Staff – 31 people

• Reception Area

• Architects – 8

• Interior Designers – 19

• Design Researcher – 1

• Workplace Strategist & Consulting – 1

• Intern – 2

• Management – 8

• Managing Director – 1

• Studio Director – 1

• Design Director – 3

• Sustainability Director – 1

• Support Team – 7

CriteriaMatrix

Concept Statement

Take a moment and sit. Share a journey of time in a place filled with stories of strength and courage. Or play in an array of collaborative spaces. Either way, this design is at the heart of connections and flexible spaces while you drink shirling hues of blue, green, red, yellow and orange. On the first floor, take a turn and mingle while you dine in the creative café or take a swing in the pickle shack. Then when you need to come together, unwind and rejuvenate, the mezzanine hosts soft cotton or leather in quiet pods. At every unique and special opportunity to unite, you will build experiences of heart bringing creative energy and innovative strategies to life.

Dallas-Fair Park, Dallas, TX

SpacePlan

Space Plan

2 Resource Centers 150 sq ft each 1 Design Library

Wildcard Space, 1000 sq ft

Innovation Lab & Model Shop

Space Plan

A Mezzanine Level, 4000 sq ft Monumental Connecting Staircase, 215 sq ft

Main Floor Bubble Diagram One REVISED

Main Floor Bubble Diagram Two

Main Floor Bubble Diagram Three REVISED

Week Three Block Diagrams

February 2, 2024

Kim Burns

RCP Under the Mezzanine

LF Lighting strip

• Lift/Resource Area

• Reception/Visitor Area

• Teaching Room

Canned Recessed Lighting

• Under Entire Mezzanine

• Elevator Hall

• Reception/Visitor Area

Third Floor Level One: 11,000 SF

Egress Path of Travel

NOTE 1

• Egress path of travel are the result of a Revit analysis for best results in life sfety exiting and without obstacles.

• NEXT third floor path of travel lines are from areas with occupants traveling from a location to the elevators and a second path of travel from the elevators to an exit door on the southwest corner.

• NEXT mezzanine path of travel lines are from the wellness pod to the stairs and one to the lift.

NOTE 2

• NEXT third floor longest path of travel is from the Northwest corner (Huddle Room 1) to the Southwest corner exit door.

o Length: 137’

o Time: 51.377s

o Speed: 3.000 mph

• NEXT mezzanine longest path of travel is from the wellness pod to the lift.

o Length: 208’

o Time: 47.240s

o Speed: 3.000 mph

NOTE 3

• Clearances on the furniture plan:

o Spaces between tables and chairs are 3’6 from the corner of the table to wall.

o Middle of tables to wall are at least 5’ in length in meeting rooms

o All corridors and aisles are at least 36” wide

o Door openings are 3’6” wide with at least 12” clearance to push and 18” clearance to pull a door.

Furniture Schedule

• ART4600 IA Holistic Solutions Studio

• Week Four, Spring 2024

• February 16, 2024

• Kim Burns

Third Floor

Level One: 11,000 SF

Mezzanine: 3199 SF

Third Floor Level One: 11,000 SF

Egress Path of Travel

NOTE 1

• Egress path of travel are the result of a Revit analysis for best results in life sfety exiting and without obstacles.

• NEXT mezzanine path of travel lines are from the wellness pod to the stairs and one to the lift.

NOTE 2

• NEXT third floor longest path of travel is from the Northwest corner (Huddle Room 1) to the Southwest corner exit door.

o Length: 137’

o Time: 51.377s

o Speed: 3.000 mph

• NEXT mezzanine longest path of travel is from the wellness pod to the lift.

o Length: 208’

o Time: 47.240s

o Speed: 3.000 mph

NOTE 3

• Clearances on the furniture plan:

o Spaces between tables and chairs are 3’6 from the corner of the table to wall.

o Middle of tables to wall are at least 5’ in length n meeting rooms

o All corridors and aisles are at least 36” wide

o Door openings are 3’6” wide with at least 12” clearance to push and 18” clearance to pull a door.

Third Floor Level One:

Reception and Visitor Workstation

Third Floor Level One:

Client Meeting Room Walls

Two Small Meeting Room

Third Floor Level One:

Four

Phone Booths Mother’s Room Innovation Lab

Level One:

Five Huddle Rooms

Third Floor Level One:

Work Cafe

Kbc90 Swing Door Cabinet Flooring Walls

Café

Ceiling

Third Floor Level One:

Training Classroom

Steelcase Collaborate 416Series

Third Floor Level One:

Resource Center Design Library

Workstations

Third Floor Mezzanine

Eight Private Offices

Desking

Adjustable heights

Office Chair with lumbar and Airback

Blue short pile carpeting for quiet and calming environment

Steelcase

Private Office Walls

Bolia Armchair in dreamy tan leather

Ten Workstations

Steelcase Desk DashMini

Third Floor Mezzanine

Wellness Pod

For accent lighting and a place to put your items down

Steelcase drapery for soft absorbing quietness

Coalesse lounge and lumbar pillow for rest and relaxation

Bolia small sideboard

Teal velvet wall covering for soft and quiet environment

Blue short pile carpeting for quiet and calming environment

Coco Side Table

Coalesse Free stand Desk

Rubber Fig Plant

Boila Armchair in dreamy tan leather

Third Floor Lighting

Recessed Lighting

Under Mezzanine

• Teaching Room

LF Lighting strip

• Lift/Resource Area

• Reception/Visitor Area

• Elevator Hall

• Reception/Visitor Area

Gracie Sofa by Bolia

Steelcase Turnstone Chair

Steelcase Desk DashMini

Furniture Schedule – Page One of Three

Furniture Schedule – Page Two of Three

Furniture Schedule – Page Three of Three

Take a moment and sit at any one of the workstations with a Steelcase ergonomic chair. Share a journey in an environment filled with courageous presentations in one of the large or medium size client meeting room. Or play in an array of collaborative spaces with multiple monitors and whiteboards. Either way, this design is at the heart of connections and flexible spaces while you drink shirling palettes of blue, green, red, yellow and orange. On the first floor, take a turn and intermingle while you dine in the creative multifunctional café or take a walk in the naturally lit, indoor garden. Then when you need to pause, unwind and rejuvenate, the mezzanine hosts soft cotton and leather seating in a private wellness pod. At every unique and special opportunity to unite in a healthy workplace environment, you will build experiences of heart bringing creative energy and innovative strategies to life.

Steelcase Project ART4600 Final Presentation Week Seven, Spring 2024

February 29, 2024

Kim D. Burns

Inspirational Images:

1 - Dallas Fair Park Dallas, TX

2 - Lea Bridge Library

3 - Kris Lin International Design

4 - Children’s Playground

5 - Collaborative Spaces

Hand Drawing Ideas: Wellness Room and Workstations

Examples of Space Planning

Concept Development:

Concept Development

Through research, and reading what NEXT was looking for in their office space in Dallas, TX, I was drawn to several aspects of their ideas on an office atmosphere.

I was drawn to the idea of play, collaborative spaces and a wellness room. To incompass these ideas, I first thought of using board games as inspiration, which changed to an intermingling of spaces and people. When you come to an office to work, you also mingle, chat and collaborate. It’s a braiding of several aspects of life. This became my inspiration. A braid or twist.

My design has a twist of play, of collaborative open spaces along with focus work spaces .

Examples of Bubble Diagrams

Examples of Block Diagrams

Rendered Floor PLan

Mezzanine

3rd Floor

Reception/Lobby

Work Stations

FFE:

Monumental Stairs

Wellness Pod

Mezzanine Offices

Steelcase Project ART4600 Final Presentation Week Seven, Spring 2024

February 29, 2024

Kim D. Burns

RCP Legend:

Mezzanine Ceiling: 12’

Main Floor Ceiling: 27’ 4”

RCP

(#10: Lobby/Reception Area

#12: Cafe)

Rendering: Lobby

Private Office Mezzanine

Client Meeting Room

Workstations

Mezzanine, stairs, Wellness Pod

The newly designed building will recharge you as you step into timehonored spaces and traditions of Ohio. You’ll walk in luxurious soft colors of cream, tan, rust and grays which will set you down in safe places. With poetic lines, romantic enclaves, adventurous hues and dramatic fabrics, you’ll be transported to a place of literary sounds, smells and sights. This will be where you’ll stay and continue the story of your life.

ART3600 Studio III

F2022, Kim Burns

CHAPEL HILL NORTH CAROLINA

ART 3600 Studio III

Week 1 Benchmarking

Group D:

Kim Burns, Kim DeWitt, Rachel Patterson

ABOUT THE COMMUNITY

Southern Village, Chapel Hill, NC

Community size:

312 acres:

• 230 acres developed,

• 92 acres of open, green space

60+ businesses

“A stroll down Southern Villages postcard-pretty town square is, in one sense, a tour of modern neighborhood planning.”

- Chapel Hill Magazine (White, 2019)

HOME RANGE AND WALKABILITY

• Community green space, the hub of activity

• Market District

• Café style outdoor seating

• Seven streets branch out into the housing district.

• “Livable streets and beautiful trails”

(Southern Village Events, Dining, Movies and More., n.d.)

• Quiet Streets

HOME RANGE AND WALKABILITY

200 Copperline Drive, Chapel Hill Nc, n.d.)

Market Pocket Park, 101 Winston Ridge Dr Fan Branch Pocket Park, 900 Edgewater Cir

Fan Branch Trail

Southern Community Park, 1000 Sumac Rd

HOUSING OPTIONS – FOR RENT

from $1,685

from $1,799 (usually $1895-1901)

$1899 (usually $2,183)

250 total apartment units (Development Concepts, Inc., 2010, p. 33)

1,145 single and dual family households “Southern Village.” ULI Case Studies, 17 Dec. 201

692 SF homes – 349 of which were built between 2000 and 2003. (Development Concepts, Inc., 2010, p. 24, 73)

HOUSING OPTIONS – RECENTLY SOLD

Homes are very close together here, which is desirable to foster community, but a deterrent to those who enjoy more privacy.

3.5

Bed 1 Bath Condo/Loft sold for $252,000

Bed 2 Bath Condo sold for $401,300

Bed 2.5 Bath Townhouse sold for $470,500

Bed

Bath Detached Single Family Home sold for $750,000

SOCIALLY-MINDED DESIGN

AMENITIES

“We’ve worked very hard to attract businesses and services that will enhance the lives of our residents and make the daily experience more convenient.”

- D.R. Bryan

(The Chapel Hill Historical Preservation Society, 2006, p. 3)

“La Vita Dolce Photos.” Yelp, https://www.yelp.com/biz_photos/la-vita-dolce-chapelhill?select=zcoVamS852D9yHgPFai0HA. Accessed 16 Oct. 2022.

Amenities:

Pool and tennis center, elementary school, middle school and high school in an adjacent neighborhood, greenways and bike paths, dry cleaners, paved trails, pharmacy, coffee shop, movie theater, grocery store, market, daycare center, bookstore, church, various medical offices and practices, various business offices, real estate offices, salon services, various health and wellness offices, bookstore, clubhouse, soccer fields, disc golf, Southern Community Park with Dog Park

Restaurants:

Als Burger Shack, La Vita Dolce, The Town Hall Grille, Rasa Malaysia, Subway, Pazzo, Market and Moss

ACTIVE ENGAGEMENT OPPORTUNITIES

Pros:

Year-Round

• Southern Village Club: A recreational facility

Seasonal

• Music on the Village Green: Sundays at Sundown, Thursday Night Music, open mic and karaoke, Kids Rock Live Music

• Summer Farmers Market

• Fall Fest Block Party

• And More: Outdoor movies, Wine Down on Wednesdays, Annual Fundraisers, ARTS on Market, Blessing of the Animals hosted by Christ Church

Cons:

• No volunteer opportunities advertised.

• Library is not adjacent to the green.

• Median age is 40.

• Little is done to encourage senior citizens or people with disabilities to move into the area.

• No senior centers.

LANDMARKS

Pros:

• The Green Space and the outdoor amphitheater

• Carr Mill Mall

• West Side Plaza

• Christ Community Church

• Awnings

• Streets:

• Market Street

• Layout

Cons:

• Visitors may get lost

Sources:

200 copperline drive, chapel hill nc. (n.d.). Walk Score. Retrieved October 16, 2022, from https://www.walkscore.com/score/southern-village-chapel-hill

Chapel hill apartments | southern village. (n.d.). Retrieved October 12, 2022, from https://www.southernvillageapts.com/

Creating new neighborhoods based on time-honored traditions. (2021). https://www.bryan-properties.com/

Development Concepts, Inc. (2010). Residential Market Study for the Town of Chapel Hill, North Carolina https://www.townofchapelhill.org/home/showpublisheddocument/8970/635485371912800000

Everything you need to know about charleston-style homes. (2020, August 21). Pam Harrington Exclusives. https://pamharringtonexclusives.com/blog/charleston-stylehomes/

Howell Wright, M. (2022). Southern village Chapel hill neighborhoods. Marianne Howell Wright-Triangle Area Real Estate. https://chapelhillneighborhoods.com/southern-village/ Kolle, J. (2018, March 9). Charleston single house: Built to last. This Old House. https://www.thisoldhouse.com/charleston-houses/21019124/charleston-single-housebuilt-to-last

“Southern Village.” ULI Case Studies, 17 Dec. 2015, https://casestudies.uli.org/southern-village-5/

Southern village events, dining, movies and more. (n.d.). Southern Village Events, Dining, Movies and More. Retrieved October 13, 2022, from https://www.southernvillage.com

The Chapel Hill Historical Preservation Society. (2006, November 12). Southern Village; A new Old Neighborhood [Internet archive image]. Real Estate Is Hungry Work; The Wayback Machine. http://realestateishungrywork.com/wp-content/uploads/2010/11/Southern-Village-History.pdf

U.S. Census Bureau Release date (2020) for Census Tract 122.02 Orange County, North Carolina (37135012202) White, M. (2019, January 9). What we love about living in...Southern Village. Chapel Hill Magazine https://chapelhillmagazine.com/southern-village/

Wine Down Wednesday. https://www.visitchapelhill.org/event/wine-down-wednesday/27351/. Accessed 16 Oct. 2022.

Real Estate Images:

1B 1BA Cond/Loft

https://www.realtor.com/realestateandhomes-detail/700-Market-St-Unit-215_Chapel-Hill_NC_27516_M58614-88842

2B 2BA Condo

https://www.realtor.com/realestateandhomes-detail/700-Market-St-Unit-215_Chapel-Hill_NC_27516_M58614-88842

2B 2.5BA Townhouse

https://www.realtor.com/realestateandhomes-detail/700-Market-St-Unit-215_Chapel-Hill_NC_27516_M58614-88842

4B 3.5BA Detached Single Family Home

https://www.realtor.com/realestateandhomes-detail/411-Brookgreen-Dr_Chapel-Hill_NC_27516_M66932-77733

ORGANIZING SLIDE (TO BE REMOVED)

Each team will analyze the assigned benchmark community. The deliverables for this project include preparing one 11"x17” poster layout (either poster or landscape orientation) per team that includes the following information listed below. Additionally, your team will need to work together to create a brief PowerPoint presentation (~5-8 slides) featuring the images and information shown in your poster. Also, include a slide showing your completed poster as well. This presentation should be voiced over with an explanation of what you found.

•Community name

•Location

•Logo and branding

•Population check

•Community size (acres) check

•Brief summary of the community

•Number of housing units

•Types and Sizes of Residences (i.e. condominiums, attached single family homes, detached single family homes, etc.)

•Amenities

4:18 AM – Rachel is toast, signing off. Looks like slide 10 is the only thing left to attend to.

Change/modify/anything you want to! (I’m a terrible graphic designer!!)

•Description of primary social core layout and design including identification and description of the social space types found there (e.g. restaurants with indoor and/or outdoor seating, porches, recreation rooms, etc.)

•Identify strengths & weaknesses of the social core’s design. Address things such as:

• Active Engagement Opportunities

• Home Range & Walkability

• Levels of Territory (some areas with more privacy and other areas that are more public)

• Universal Design Features

• Sociopetal vs. Sociofugal Layouts

• Mystery Created by Partial Views - Format page

• Noticeable Landmarks - Format page

Will check in midday and make sure it’s ready to record. (Most slides have a scrip in the notes.) Then we each turn in a copy of the final presentation.

I think we rocked it!

Kim and I owe you! You rock!

Im here doing voiceovers 11:17 central

• https://www.point2homes.com/US/Neighborhood/NC/Chapel-Hill/Southern-Village-Demographics.html

Will import then to the slides when I finish

*NOTE: Key terms in this list are defined on the attached document above.

Had to do a quick tutorial this morn lol

The Ridges Literature Review

Topic: Personalization and Territory at Home

Important Points & Design

Recommendations:

Point one:

If you’ve ever watched an episode of the popular TV series The Big Bang Theory, you probably know that the character Sheldon has a ‘spot.’ For him, one end of the couch “is close enough to the radiator to remain warm and yet not so close as to cause perspiration,” and “faces the television at an angle that is neither direct, thus discouraging conversation, nor so far wide as to create a parallax distortion.” When one of his friends sits in his spot, Sheldon overreacts and demands that the person move immediately. But maybe we all have a spot (and dislike it when it’s taken).

Point two :

More specifically, territoriality involves (a) physical space, (b) possession, (c) defense, (d) exclusiveness of use, (e) markers, (f) personalization, and (g) identity (Edney, 1974). It could be argued, as Knapp (1978) does, that such behavior is also a form of preventative defense. By leaving my belongings on the table, I am anticipating infringement and acting to stop it before it occurs.

Point one:

Ways to apply this to your project:

Front door will have an overhand awning which can be adjusted. The awning over the door can be adjusted to suit how the owner wants it to look.

Point two

A lobby will occupy the space the door sits in can be personalized with personal plants/décor.

Quote one: “Hey, that’s my spot.” (p.1)

Direct quotes (with quote’s page #) that you may want to reference:

Quote two: “Feeling territorial over a place or thing comes about because of attitudes and behaviors based on control and perceived or actual ownership” (p. 1)

Important Points & Design Recommendations:

Point one

It was Oscar Newman when arguing about urban residential neighborhood stated it was possible to design the physical environment of residential environments in such a way to decrease crime levels by affecting the behavior of both residents and potential offenders and thus lead to lower levels of crime. More specifically, it was possible to create physical layouts of residential areas that allow residents to better control the areas. It was also possible to create physical layouts that would discourage or deter potential criminals from committing their offenses in these areas. There are four key concepts in his theory and design principles: territoriality, surveillance, image, and milieu. Newman suggests that physical space can be designed to create areas of territorial influence. Physical elements or markers can be used to define private or semi‐private spaces that encourage residents to assume more responsibility for the areas than they would if the areas were fully public spaces.

Point two

Physical subdivisions that create smaller spaces can encourage occupants to adopt proprietary attitudes which serve as deterrents to crime. Residents will come to see these areas are their own spaces, be more concerned for them, and exert more control over the activities occurring in them. The same elements or markers, whether real (e.g., fences, gates) or symbolic (e.g., signs, plantings) can deter or discourage outsiders from intruding into the areas to commit crime.

Point three

A study by Patrick Donnelly and Charles Kimble examined the effectiveness of a Newman‐directed plan that created small, distinct mini‐areas in one urban neighborhood by closing off streets that significantly reduced cut‐through traffic. Newman argued that these mini neighborhoods would see less crime since these areas would become more private, neighbors would get to know each other better, and look after their neighbors more closely.

Point one:

Ways to apply this to your project:

Create a space outside the door for personalization and ownership with a window and wall space to decorate or add personal information

Point two

Create sharing space/something to take care of together in a lobby they share.

Point three:

surveillance camera and a window to look out into the space before leaving or entering home

Direct quotes (with quote’s page #) that you may want to reference: See next slide

Direct quotes (with quote’s page #) that you may want to reference.

Quote one:

“It’s was possible to create physical layouts of residential areas that allow residents to better control the areas” (p. 2)

Quote two:

“physical space can be designed to create areas of territorial influence. Physical elements or markers can be used to define private or semi-private spaces that encourage residents to assume more responsibility for the areas than they would if the areas were fully public spaces. (p. 2)

Quote three:

“Residents will come to see these areas are their own spaces, be more concerned for them, and exert more control over the activities occurring in them. The same elements or markers, whether real (e.g., fences, gates) or symbolic (e.g., signs, plantings) can deter or discourage outsiders from intruding into the areas to commit crime” (p. 3)

Please see the following slide Source Three: Privacy and Crowding

Topic: Privacy and Crowding in Residential Environments

o Point one

Crowding can become a concern if residents have too many people to interact with. The negative impacts of feeling crowded include increases in stress and social withdrawal (Valins & Baum, 1973). Feelings of crowding should be mitigated; increasing privacy should not result in isolation. Many students report that they consider traditional residences to be crowded (Valins & Baum, 1973).

o Point two

Important Points & Design Recommendations:

Ways to apply this to your project:

By fostering new relationships through interactions during informal and common shared activities in secondary territories, architectural design can provide instances for social interaction to occur passively through different types of physical barriers (Altman & Chemers, 1993). Although these barriers cannot guarantee that friendship and socialization will occur. Rather, architecture divides spaces into those with either more or less privacy. Open spaces are designed to encourage association and socializing, whereas enclosed spaces are designed to strengthen in-group formation (Al-Homoud & Abu-Obeid, 2003).

o Point three

According to Altman (1975), “primary territories are owned and used exclusively by individuals or groups” (p. 112) on a reasonably permanent basis, are part of their daily activities, and their ownership can be perceived by others. However, in the examination of usage of a built space, a distinction of density between an individual, a pair of people and a group must be made, since the ability to exert control varies between these categories.

o Point one

Design lobby space just outside residential doors to be used to interact and share in ownership

o Point two

Design bigger lobby spaces groups of residences can occupy and spend time together relaxing and socializing.

o Quote one:

Direct quotes (with quote’s page #) that you may want to reference:

“Students can achieve the amount of privacy that they desire by going into different spaces allowing them to balance feelings of isolation (due to excessive privacy) and feeling crowded (due to insufficient privacy; Altman, 1975).”

o Quote two:

Topic: Privacy and Crowding in Residential Environments

, M. M., & Sulaiman , A. B. (2005, April). Personalization as a sustainable approach to mass housing: The fundamental theory. In Conference on Sustainable Building South East Asia (Vol. 11, p. 13).

Important Points & Design Recommendations:

o Point one:

Standardized house design is commonly employed in current mass housing in Malaysia. Although all completed houses are assumed to have met the building and planning regulations, the current renovation works indicate the ‘failure’ of the design to meet the expectation of users of different backgrounds. The paper propagates “personalization” as a sustainable means of achieving sustainable living environment. Personalization is an act of marking and changing in order to impose control on one’s territory. The act ranges from furniture rearrangement, putting up displays to structural modification of living units.

o Point two:

“Personalization” is essential and a continuous process in housing because people’s physical and psychological needs are ever changing.

o Point three:

Personalization is a way to establish user meaning of built environment (Rapoport, 1982). It is also a process of generating environmental meaning that lead towards achieving one’s values and goals.

o Point four

o Point one

Offer residences a backdrop to manipulate and add own personality to this space (a wall or lobby)

Ways to apply this to your project:

Direct quotes (with quote’s page #) that you may want to reference:

Help residences make their own decisions with moveable furniture so they can change their living environment to what best suits them. Maybe provide furniture packages they can choose from. Each package has a different price point and various furniture.

o Quote one:

“Building houses is a natural human activity. A Chinese proverb says “the day the man stops building his house is the day that he dies”” (p 506)

o Quote two:

“There is a belief that today we shape the environment and tomorrow the environment will shape us. Therefore, the users must have a say in their future” (p 506)

Primary Views Acoustic Privacy Traffic Pattern

ART3600 Studio III

F2022, Kim Burns

First Floor:

• Coffee/Wine Shop

• Sitting Room

• Game/Card Room

• Manager and Guard

• Bakery

• Gift Shop

• Banking

• Business Center

• Presentation and Performance Room

• Library

• Manager and Guard

• Gift Shop

• Banking

• Business Center

• Library

• Game/Card Room

• Sitting Room

• Coffee/Wine Shop

• Presentation and Performance Room

• Bakery

Second Floor:

Emergency Exit

• Studio 600 sq ft.

• Shared Small Lobby

• Elevator

• Stairs

• Emergency Exit

• Egress

• Studio 600 sq ft.

• Shared Small Lobby

Public/ADA restrooms share a community sink.

Studio Plan View:

• ADA 5’ clearances:

• Entrances

• Living Room

• Kitchen

• Bathroom

• Bedroom

• Closet with sliding

• Doors

• Washer/Dryer with

• Sliding doors

• The Ridges is a community of BRICKS: a Building for Renewal, Inclusion, Collaboration, and Knowledge. This design will bridge old with the new by uniting expansive, vibrant areas of living with quiet, smaller areas. The building will acknowledge its place within Ohio by using brick and historicallyinspired aesthetics but soften the effect with refreshing natural materials. Vertical lines, symmetry, and saturated colors reflect both the firm foundation the community lives upon and the inclusive, energetic future its residents will create.

Symmetry

Energetic Future

Refreshing Natural Materials

Residents can sit at the many tree lined sitting areas to gather with friends or with their own thoughts and be transported to a safe place which is provided by the trees.

The newly designed building will recharge you as you step into time-honored spaces and traditions of Ohio. You’ll walk in luxurious soft colors of cream, tan, rust and grays which will set you down in safe places. With poetic lines, romantic enclaves, adventurous hues and dramatic fabrics, you’ll be transported to a place of literary sounds, smells and sights. This will be where you’ll stay and continue the story of your life.

Wine and Coffee Café for residents to gather, “network” and recharge.

A business center for all ages to connect.

Leave a book, take a book to share and network with residents.

Second Floor Shared Lobby:

This small lobby joins three entrances for separate residences. The lobby is accessed from the mail hallway. The three residences have ample room to decorate or add personal items near their entrances allowing for home range.

Second Floor Studio

Second Floor Studio Living Space and Kitchen

Studio Bedroom door to bathroom, closet with sliding doors

Rendered Perspective Studio Bedroom with mirrored sliding door. Glass doors will help enlarge the room. *

* Rendering did not turn out well. This took two hours, not finished, and the image was not getting better!

The Ridges, Building Two

Athens, Ohio

Sidewalk into The Ridges is step free.

The Ridges Social Core

The Ridges is a community of BRICKS: a Building for Renewal, Inclusion, Collaboration, and Knowledge.

The building will acknowledge its place within history by using Ohio brick, articulated arches, and detailed millwork. Vertical lines and symmetry define the firm foundation the community lives upon, but the effect is softened with refreshing natural materials. This design will bridge old with the new by uniting expansive, vibrant areas of living with quiet, smaller areas. Finally, by appealing to the senses, the community is fully enveloped in a supportive atmosphere to Meet, Grow, and Thrive.

The newly designed Building Two, at the Ridges, will recharge you as you step into spaces of time-honor traditions of Ohio brick, stucco and glass. You’ll walk in luxurious soft colors of cream, tan, rust, and grays which will set you down in safe places. With poetic lines, romantic enclaves, adventurous hues and dramatic fabrics you will be transported to a place of literary sounds, smells and sights. This will be where you’ll stay and continue the story of your life.

Kim B 2 Supporting Social Interaction. "Networking" Meet

delightful, pure, easy, nurturing, curiosity, discovery, learning, expanding Curvilinear, organic, brick, stone, symmetric, Fireplace Arches

Room

The Coffee and Wine Cafe

The Business Center

The newly designed building will recharge you as you step into timehonored spaces and traditions of Ohio.

You’ll walk in luxurious soft colors of cream, tan, rust and grays which will set you down in safe places. With poetic lines, romantic enclaves, adventurous hues and dramatic fabrics, you’ll be transported to a place of literary sounds, smells and sights. This will be where you’ll stay and continue the story of your life.

First Floor

First Floor:

• Gift Shop Bakery

• Banking • Library

• Coffee/Wine

• Presentation Room

Performance and Presentation Room for book signing, solo performances presentations

Business center for residents of all ages to connect.

Wine and Coffee Café for residence to gather, “network” and recharge.

Leave a book, take a book at The Ridges Library

Sidewalk with zero steps

Main hallway on first floor is lined with trees in sitting areas for well-being and a sense of safety.

Second Floor

Secluded sitting accessed at end of hallway.

Plant boxes to help residents create home with plants or personal items into a shared space.

Private Lobby for three residents who share the space with planters.

Long hallway with natural lighting and egress from elevator and stairs to two exits.

TheDublinBubbleRestaurant...

• Second Studio Interior Architecture (IA) Course, seven-week course

• Investigation of basic interior design/architecture processes including design ideation, programming, and spatial problem solving. Addressed aspects of interior spaces including volume (positive and negative), form, texture, pattern, light and shadow. Content explored, developed and presented through diagramming, sketching, model making and other media.

The Dublin Bubble Dine-In Cafe

Owner: Andy Doll

Ohio

Gather at the backyard with family and take a journey in one of the three dine-in seating areas. Sit in a leather booth and watch culinary experiences as seen from a chef’s point of view.

Sit at a wood grain picnic table and enjoy bubbling oozing drinks. Or sit close to the “Bubble Dome” and see a fun-filled room pop with pure joy.

Any seat you take you will be surrounded by glass windows, beautiful cement flooring and delicious hanging artwork from the community.

Concrete Floors Booth Paneling

Concrete Walls

Wood panel on Carry Out Counter

Chair Fabric

Bubble Pla y Area

Bar Stool Fabric Couch and Booth Fabric

Dublin

ART2620, Studio II

KONA CRAFT KITCHEN

NEW AMERICAN RESTAURANT

MEZZO RESTAURANT AND BAR

DUBLIN, OHIO

SPIRITED CUISINE AND LOCAL TASTE

DUBLIN, OHO

A ROOFTOP EXPERIENCE AND UNIQUE SPANISH-STYLE TAPAS MENU

DUBLIN VILLAGE TAVERN WHERE LOCALS GATHER AND VISITORS ARE ALWAYS WELCOME

DUBLIN, OHIO

VASSO

Entrance

Lounge Sitting soft green linen fabric

Tall bar stool that swivel

Traditional table seating and seats

Round swivel stools no seat back

Bakery with glass case

Community Fire Pit and Community Booth

Restrooms

Private and/or Conference Room

Kitchen or Barista Area

Bar and Seating

Area – Main

Focus

Leather Booths

High fabric backs with leather seats

Entrance

This sketch shows only one area of the main floor. This sketch does not include the top balcony level or the lower floor.

Main Bar and focal point

Old wood tables and traditional seating Entrance

Restrooms

Glass Railing and main focus

Leather seats and sitting area. The sitting area continues along the glass railing.

Cabana Area Seating

Entrance

Bar Area with Tall White Bar Stools Fire Pit with Lounge chairs. There are two more fit pit areas to sit.

Flooring example

White leather Seating

Tall round white tables

The Dublin Bubble A Dine-In Cafe

The Design Project Restaurant

ART2620, Studio II

Week Two Kim Burns

This Photo

Concept and Sample Menu

Concept:

Gather here beneath a shady tree to live and play where bubbles tickle your nose, culinary treats surprise your mind and backyard tastes delight your mouth. This is a place for the very young and old to engage, interact and be enchanted from beginning to end.

Sample Menu:

• Bubble drinks (alcoholic and nonalcoholic)

• Bubble Breads and sandwiches

• Bubble Sides

• Bowls of Backyard hotdogs, hamburgers and pork Sandwiches

• Bowls of Vegetables

• Bowls of Fruit

The Dublin Bubble

Dublin, Ohio

Corner of 161 and Riverside A Dine-In Cafe

Restaurant Logo and Location

The Dublin Bubble

Dublin, Ohio

Corner of 161 and Riverside

A Dine-In Cafe

Additional Information:

Location: Dublin, Ohio

Type of Restaurant: Neighborhood Communal and Open

Target Market: Children and Families

Square Footage: 3,782 sq. ft

Suite 119 and 120

Existing Restaurant: Montgomery Inn

Seating Capacity: 75

Inspirational Images: The Dublin Bubble

Dublin, Ohio

Corner of 161 and Riverside

A Dine-In Cafe

The Dublin Bubble

A Dine-In Café

Owner: Andy Doll Dublin, Ohio

Art2620 Restaurant Bubble and Block Diagrams

Week Three Kim Burns, July 2022

Block Diagram One

Bubble Diagram

Block Diagram

Bubble Diagram

Block Diagram

Occupancy Ratings: 76.92%

• 13 (Total Rooms/Areas) divide

10 (Total Rooms Occupied at any given time) = .7692 X 100 = 76.92%

Occupancy Square

Footage for Restaurants: 160

• Waiting Area (256) + Take Out/Pick Up Merch Area (128), standing = 384 @ 15” per standing occupant = 32

• Dining Room, 1600 sq ft (fixed and non fixed seating) = 112

• Bubble Play Area, 256 sq ft (standing) = 16

• Kitchen, 448 to 600 sq ft = 2 to 4 (200 sq ft per occupant = 1)

Plumbing Fixture

Calculations for Restaurants: IPC

• Water Closets: Male – 1 per 75

• Female – 1 per 75

• Lavatory: Male/Female – 1 per 200

• International Plumbing Code: 1 per 500

• Service Sink: 1

The Dublin Bubble

A Dine-In Café

Owner: Andy Doll Dublin, Ohio

Art2620 Restaurant Schematic Plan

Week Four

Kim Burns, July 2022

Three Furniture Protypes

= 1’.0”

Furniture Plan Test to Scale

The Dublin Bubble A Dine-In Café

Owner: Andy Doll Dublin, Ohio

Art2620 Restaurant RCP Week Five Kim Burns, July 30, 2022

The Dublin Bubble Ceiling

The Dublin Bubble Floor Plan

Ceiling Plan:

Ceiling is made up of absorbent ceiling tile and painted circles. The pink, grey and teal circles are made of wood. (colors tbd)

Ceiling Height: 12 ft.

Legend:

a. Ambient Lighting (40)

b. Pendent (3)

c. Pendant (1)

d. Pendant (5)

Floor

Dining Areas

Front Entrance View East Side View

Dimensions:

The light plan has meets some if not most of Andy Doll’s lighting needs by offering an eclectic array of pendants and ambient lighting. Andy wants fun bright lighting as well as natural lighting. (more windows will be installed).

There are 40 ambient lighting, three pendent lighting over bench seating, five pendent lighting over table seating, one pendent for the carryout and merchandise counter. An additional pendant lighting will be decided for the lounge area.

All lighting will be controlled from a dimmer switch.

The Dublin Bubble A Dine-In Café

Owner: Andy Doll

Dublin, Ohio

Art2620 Three Digital Perspective

Week Six

Kim Burns, August 3, 2022

Digital Perspective One: View from entrance. (South to Norh)

Digital Perspective Two: View West to East

Digital Perspective Three: View from back door (North to South)

Additional Digital Perspective: View from kitchen (East to West)

The Dublin Bubble Dine-In Cafe

Owner: Andy Doll

Ohio

Gather at the backyard with family and take a journey in one of the three dine-in seating areas. Sit in a leather booth and watch culinary experiences as seen from a chef’s point of view.

Sit at a wood grain picnic table and enjoy bubbling oozing drinks. Or sit close to the “Bubble Dome” and see a fun-filled room pop with pure joy.

Any seat you take you will be surrounded by glass windows, beautiful cement flooring and delicious hanging artwork from the community.

Concrete Floors Booth Paneling

Concrete Walls

Wood panel on Carry Out Counter

Chair Fabric

Bubble Pla y Area

Bar Stool Fabric Couch and Booth Fabric

Dublin

ART2620, Studio II

Kimberly Doll Burns

who are you?

Who am I at my core? I’d say I’m a multiple of things (see titles below). At my core, I am family-oriented, altruistic, and spiritual. I derive a great deal of pleasure and strength from being around my close friends and I value relationships which are genuine. At the same time, I enjoy turning strangers into friends. I value responsibility and naturally take ownership of every project I’m involved in while still collarborating and helping others succeed. I like that I’m easy to trust. I see potential in other people. Every person is alive with possibilities, and I’m thrilled when someone experiences success. I can be your biggest cheerleader. I value success not in money or prestige, but in the meaning of life and work satisfaction. This provides me with direction and consistency. I also find great satisfaction taking something from below average to above average. Transforming something strong into something superb is thrilling. I especially like capitalizing on the gifts with which I am blessed. It’s more productive and more fun.

The following pages will give you additional quick snipets into the life of…

Kim D. Burns.

A daughter, sister, cousin, aunt, mother, a friend, a neighbor, an inspiring interior designer, an artist, a student, a pet owner, a hiker/walker, an ex-spouse, a student of Christianity, an experimental gardner, a nature and animal lover. Through the CliftonStrengths assessment, I tested strong in belief, responsibility, developer, maximizer and relator.

daughter, sister, aunt, cousin, and mother …

I am a daughter and sister. The youngest of four children. My mom, Jean, is sitting in “Grandpa’s red chair”. My brother, Tom stands with his wife Rebecca behind my mom. My sisters, Lyn and Lee are sitting on the white upholstered chairs.

My fondest memory in my childhood is when we gathered at the dinner table and played games or watched TV in the family room or participated in sports activities or went to sporting events in my hometown of Portsmouth, Ohio. Both my parents were teachers. My mom taught the 4th grade talented and gifted program and my Dad, once the head basketball and golf coach, taught health and science.

I am a Mother, and my daughter Abby is sitting on the arm of “Grandpa’s red chair”. She is an art teacher, married and lives in Arizona.

I am an aunt. Starting from the left, Avianna with boyfriend Tonomi, Patrice, Me, Rebecca, Tom, Denver with his wife Tabby, Galen and Jenna. Denver and Tabby’s son, Killian, is two.

My Dad, now deceased, was a brother of five children and so I come from a large family with a plethora of cousins who I love and adore. (see cousins on page 15)

friend…

Hometown Friends at the Cincinnati Art Museum

Vista Friends gathered together

Neighbors at my daughter’s wedding.

thesis…

For my Senior thesis, I focused on community outreach. I believe offering a community building, in a diverse neighborhood, with a variety of spaces to unwind, get a beverage at the café and take an art or wellbeing class will inspire individuals to be part of a hub and community. There is a balance in nature which happens organically, like Fibonacci, and I wanted to design a center which inspires individuals to be part of a hub where they can spend time alone or with a friend in spaces which are quiet, secure and havens of natural light. The center offers open spaces with large windows for natural light and a place to walk among gardens and pathways. As the community enters, they see plants and earthtone colors in red, orange, blue and green throughout the spaces. I feel families and individual people in a community need a hub to gather and create lasting friendships which fosters wellbeing and balance. There is a game room, a community theater, locker rooms, art rooms, a yoga room, a gallery and a gift shop.

work experience …

In the Ohio University Interior Architecture program, I found success in both my art classes and interior architecture classes. They were challenging and I felt extreme satisfaction completing assignments and doing my best. In one perspective drawing assignment, it took six hours to complete, but it felt like fifteen minutes (see perspective drawing, page 15). When taking interior architecture classes, I was fascinated at the process of design and wanted to find out all I could at what the process looks like. I value the consistency a design process provides because it’s bigger than myself, and I can be its biggest cheerleader. Design process phases: Programming, Schematic Design, Design Development, Construction Documentation, and End of Project documentation and Critique.

When learning about Revit and using the tools to create designs, it wasn’t until Studio IV that I felt confident with the tools which then opened a door to poor my creativity into the design project. The Art Library of the Future was the project. I had so much fun! Portfolio

In the Ohio University Interior Architecture Program, I now have skills in Revit, Sketchup, Adobe Creative Cloud: Illustrator, Photoshop, InDesign, Premiere Pro, Fresco, After Effects, Bridge, and Lightroom. For past work experience see page 8.

past work experience…

I started working in data entry then switched to teaching preschool children. I spent ten plus years teaching children, ages 3-5, at church and in preschool settings. After I had honed my skills as a lead teacher, I wanted to pursue an administrative role in childcare and found myself running my own preschool in my home. As teacher, I found great satisfaction in putting together projects, arranging the room with materials and but I found myself more interested in room design, then teaching children.

Then I pursued a part-time assistant director’s position and found satisfaction assisting the director and processing daily paperwork using Microsoft and Google Office products. But the greatest satisfaction I had, was researching, designing and creating a closet out of plastic clapboard for one of the preschool rooms. Then again with I researched, designed and created a wall of activities to help children focus. The challenge I overcame is finding a way to create the activities without damage to the rug flooring in the hallway. I drew the activities on contact paper. As the children went through the hall, they could pop balloons, jump to touch leaves on a tree, swish rain drops, kick ants, jump over flowers, or trace a swiggly line with their finger.

skills…

hard skills….

soft skills….

education…

Ohio University, Interior Architecture Program BFA

Expectant graduation Summer 2025

University of Cincinnati, Early Childhood Program Associates

August 1992 – June 1994

University of Cincinnati, Data Processing Associates

August 1981 – March 1984

Portsmsouth High School, Graduation 1981

freelance…

Click image for links.

Through a few residential and commercial clients, I have been able to work directly with clients to identify the projects scope and direction. I approach projects with an inquisitive mind because the best I can be of service is to find out the actual problem. I love to transform something good into something uniquely better and the only way I can do this is by asking probing questions to clarify vision.

In experience, I have conducted research, created mood boards to convey and confirm the vision, and I have presented design solutions.

goals and aspirations…

 Graduate with a BFA in Interior Architecture from Ohio University

 Inspire and grow in community with co-workers, neighbors, and friends. Create Design Inspire Graduate

 Design interiors in a design firm

 Continue experimenting and creating various color and shape combinations in a garden

hobbies | pastimes | passions…

Journaling is a passion. I find it very therapeutic to write out my thoughts and enjoy the flow of my thoughts onto paper. I journal just about every day.

Hiking/walking is a passion. I enjoy hiking and walking with Luna whenever I need to get away and get into nature.

Gardening is a hobby because I so enjoy mixing a variety of flowers together. I enjoy the contrast of colors and shapes when they are maturing. They form interesting and dynamic relationships with each other.

Beading is a pastime. I can design and put together unique necklaces, bracelets, keychains and lamp hooks for hours.

inspiration…

“You employ stone, wood, and concrete, and with these materials you build houses and palaces. That is construction. Ingenuity is at work.

“But suddenly you touch my heart, you do me good. I am happy and I say, “This is beautiful.” That is architecture. Art enters in.

“My house is practical. I thank you, as I might thank Railway engineers, or the Telephone service. You have not touched my heart.

“But suppose that walls rise toward heaven in such a way that I am moved. I perceive your intentions. Your mood has been gentle, brutal, charming, or noble. The stones you have erected tell me so. You fix me to the place and my eyes regard it. They behold something which expresses a thought. A thought which reveals itself without word or sound, but solely by means of shapes which stand in a certain relationship to one another. These shapes are such that they are clearly revealed in light. The relationships between them do not necessarily have any reference to what is practical or descriptive. They are a mathematical creation of our mind. They are the language of Architecture. By the use of raw materials and starting from conditions more or less utilitarian, you have established certain relationships which have aroused my emotions. This is Architecture.” (Le Corbusier, 1927)