P O R T F O L I O ARCHITECTURE WORKS 2021 2022 DARYLL LIM EE JUARN


















Each section of the kiosk, serves its own individual purpose, such as selling the pots for the plant, selling the soil and fertilizer for the plant, a place to prepare and pack the plant, a space to grow the plant and a space to buy tools
De Aleatoire is inspired by its chosen plant, the Hoya In this building, the unpredictability and randomness of this viney plant is insinuated and expressed through this building This kiosk is meant to serve as a space for users to feel connected and merge with the structure, like how the hoya plant reaches out to attach itself and thrive. Additionlly this kiosk also serves as a space for the users to learn and appreciate gardening and the plant itself, and hopefully inspire them to bring one home themself In this kiosk, the process and preparing, nurturing and displaying of the plants is fully showcased for the users to experience The structure contains 7 sections, each section serving its own unique purpose, without one or the other, the process in incomplete, just like a hoya plant leaf, cut off one piece of leaf and it dies The middle piece acts as the root of the structure, bringing meaning and life to the surrounding sections. Lastly, this kiosk allows you to configure each of the sections in any way you, providing a sense of unpredictabilty in the kiosk
The curvy outer part of the structure is constructed to provide a sense of comfort in viewing the space, as compared to a sharped edge rectangle, a curved outer shape provides a sense of comfort
Each section of the kiosk contains flappable boards, which acts as a shading device, it also acts as a way to increase the volume and size of the kiosk, which makes it seem more spacious
The point of this structure is to allow users to immerse and connect themself with the structure, one way of doing this was to provide many access points to the kiosk This gives a sense of transparency and openness to the kiosk The upside down umbrella acts as a shading device and a water harvesting system, which collects rainwater and store it in the tank underneath it This water would then be used to water the plants grown within the kiosk












To design a Kebun Komuniti Plus within a suburban neighborhood The design should aim to provide knowledge, spread awareness and creating new relationships within the neighborhood





Due to this, people has lost touch of what its like to explore and immerse themselves into a loose setting
SpatialAccesibilityArangement Courtyard Blend Hierarchy
The organisation of spaces has drastically changed over the past ten decades, from a primitive settlement to a metropolis, the reason for this is to accommodate the exponential growth of a population From a loose, unorganized and unplanned distribution of spaces known as a primitive village to a more structured and functional city settlement organisation
The main design idea is to introduce a loose organisation of space in the rigid usj2 town to design a place where users are not confined by the rigid road structures whereas they are led by their curiosity to explore and seek the spaces in between spaces To design a personal village where the people can step away from the usual structured days of their life to a more loose, relaxed kebun komuniti






























ATMOSPHERE IN BETWEEN SPACES FLEA MARKET EVENT




TOOLWORKSHOPSHOP


“ I call architecture frozen music “ Johenn Wolfgang I’ll be introducing Klang City A city with rich ethnicities, where it was originally used as a tin mining zone by westerners, through the passage of time, the settlement turned into a city which is now mostly occupied by commercial buildings, due to rapid urbanization, the once densely populated city has seen rapid movement out of the urban area and the need for efficiency has left the city misshaped, where unoccupied spaces are unmaintained, urban spaces has been lost to carparks which ultimately turns into lost spaces and the mundane rhythm that exist within the city which is caused by the mass production of facades.













