MIhailo Trandafilovski - RIPPLE EFFECT

Ripple Effect (2010)

for solo piano

Mihailo Trandafilovski

Ripple Effect (1,2,3,4) (2010) for solo piano

Duration (total): ca. 12:20 Performance notes: Where a dynamic marking is preceded by poco, it should be understood as follows: poco f is softer than f but louder than mf.

The size of a written accent (>) indicates its intensity. Other articulation markings should be treated similarly throughout the piece.

Accidentals apply to notes within bars until cancelled. Cautionary accidentals are used at times.

Please see performance notes in score for further details.

Ripple Effect Mihailo Trandafilovski

-1q = ca.44

  

 

 



          p

mp

   

 

 

      

  

mp

 



     



    

sempre con Ped.

5

  





      

9

        



 

   

 

    

 

p

 



  

 



 



     

    



poco





    



 

(mp)

  





 



 



 

 



 

           mp

         

4

 

               

13

 

  





                

   

17

mp 

    

 

 

 

 





            

20

 

           

     



       



       

 

   



   

 

          

 

p

     poco mf



    

          poco f

 

 



poco ff

      

   

(mp)

(mf)

 

24

 



     





   

 

     

 

           f



    



   

                                          ff



    

  

 

 



 

5

27

                                    sim. sfz

sfz

     

sfz

 

sfz

 

sfz

 

sfz

 

     

 sfz





sfz



sfz

   sim. 

 

 

    sim.

 

 

sfz sim.

   

                        

gradually calming down (to end) 29

            () 

  

( sfz)

  

    

33





mf

      

36

 

poco f

 



poco mf



  



  



   

(l.v.)

 

   





(short fermata)

 

(long fermata)

p

 





mp

          

poco

          

       

poco mp

 

f



           ( )  

        

    (l.v.) 

Duration ca. 3:25

  













 

 

mf



 

     

   

 

6

-2q = ca.44 energetic, but grounded

   

        ff

 

  

3

sfz

 

 

     

    

sfz

 

 



sfz

 

 

sffz sffz sim.



sempre con Ped.

 6  

(a tempo)



  



calm

 

 

 3    

p

  



 

energetic, grounded



 



         sfz

    sim.

         sfz

sfz ff

sim.    

calm

    

   

        

 

 



 

p

   





 

energetic, grounded

          

10

3

sfz sfz ff

sffz

         3

calm

                        

 

p

                   

 

    

        

13

       (p)



   17  

   

sffz

       

3

3

      



3

(calm)





energetic, grounded

  

3

     ff sfz

sfz

    

 

    sfz

 

 

  



(poco p)

(a tempo)

    

21

    

p





sffz

 

 

   

sffz

 

 



 

3

 

sffz

 



 

 



(l.v.)

(l.v.)         una corda

   3

 

      



 poco mp

 



(l.v.)

    (l.v.) sfz

  

   

                      sim. ( )

calmer

 

sfz

f

(a tempo)

mp

 

  

)    sim.  (                          

sffz sffz sffz

3       



7

gradually calming down

         

25

  

  

   



p

     Duration ca. 2:10

8

-3q = ca.44 calm

                    

 

p

 

  



  

   

  

   



una corda sempre con Ped. (damper ped.)

       

    



5

 



 











     

mp



   

8

 

 

   

poco mp

           a tempo

11





     

 





 poco mp

 

       poco mp





 

      

  

 

 

            

    

(p) 

 



    





       poco mp

 

     

   

 

mp (both hands)

poco mp

 

 

      

mp

p



   



 

poco rit.

    

     

  

poco rit.



 

    

9

a tempo 14

     (calm)





p

 



18

 

 







   





   



      



  

 



      

 

  

 

 

 

(a tempo)

  

 



            (8vb all three notes)  





   

 

 

     



 

  

Duration ca. 2:30

11

-4q = ca.44

 

3     3   3   

 

poco mp

 3   3   

     

(tre corde) sempre con Ped.

           4           poco mp 

                  

pochiss. allarg.

back to

 

 (p)

    

poco mp

   

 

   3    



 

a tempo

3 3             

3



 

  3   3                   

3

1)

poco poco accel.

3 3 3 3 3                                                                                

6

(poco mp)

   

mp

   





3 3 3                 

poco mf

   

1) Accel. not excessive. Fluid pulse and somewhat gradual transition between changing rhythmic values (triplets and semiquavers).

allargando

         

energetic, but grounded

8



3

3

           



 





 



poco f 3

3

3

                    (  )       

12

Tempo primo 11

( q = ca.44 ) calm

 



p



 



  

    

 

  

   

poco rubato



 



   

  

    



  

  

2) 3

15

3

   

(poco allarg.)

gradually more energetic

                                              (same notes as previous bar

   

(

)



 )

cresc.

       3   3          (   )

 

2) Start slower than previous tempo, then accel. as before (fluid pulse etc.).

Tempo I

                  

16

poco f

   

poco allarg.

poco accel. (rubato) as before

       

5

 

        

cresc.

5   sim.

 

 

 

5

 

              5

  sim.

(f) 5

5

5

gradually change  to no 

(gradually change from repeated notes to tremolo between hands)

                                          sim. gradually change      to no 

13

Tempo I 18



(energetic) 





    

  

ff 3)

  







ritardando



   





  



 



(calming down)



(l.v.)



(l.v.)

( continue with tremolo between hands, changing pitches (without accents) as indicatd by rhythmic values.



 



 







  (8vb left hand only)







   

 

  



 

)

 (l.v.)  

 

(l.v.)



3) Unmeasured (but not excessively fast) tremolo.

a tempo 23

  

calm





  

     

p

 

   3   3 

(pochiss. ) allarg.

   

 3     

 

poco allarg.

       poco



 

 



a tempo poco allarg.

somewhat fluid (gradual transition between rhythmic values)     

26



 3   3    3   3             

p

   

poco

 

poco mp 

    

3 3                                  3

3

 

14

poco a poco accel.

4)

gradually more energetic

3 3             sim.                  

    

28

   p

poco f

            3

3

 ( 

3

3

                       sim.   )

4) As before, somewhat fluid, and accel. not excessive.

allargando (energetic)

3 3     3    sim.                     

 

31

 sim. 

3

3                



 sim. 

Tempo I

  

 



 

poco ff

f

33



 

3

   

(tremolo as before, between hands)

pp

         (8vb left hand only)











poco poco mp (both hands) (as before)

 



   



   





 





  

   

15

calmer



35

    

poco

 



(gradually add D & G in both hands simultaneously)

     

poco







 



 



 



 

   

(gradually add G in both hands)

pp

   

 











  

(a tempo) 37

  



    

pp

   

 

(calm)

(slower tremolo)

pp

    

  





    pp



 

 



 

 (

)

 Duration ca. 4:00