Design Insider Trend Report: Clerkenwell Design Week 2024

Written by Alys Bryan, Managing Editor designinsiderlive.com

CLERKENWELL

DESIGN WEEK 2024

IT’S EXCITING TO CELEBRATE THE GROWTH OF CLERKENWELL DESIGN WEEK AND THE VIBRANCY OF THE COMMERCIAL INTERIORS SECTOR, EVEN IF THERE IS A SLIGHT FRUSTRATION THAT, NO MATTER HOW HARD WE TRY, WE SIMPLY CAN’T SEE EVERYTHING THIS FESTIVAL HAS TO OFFER IN JUST THREE DAYS. DESPITE THIS CHALLENGE, CDW 2024 WAS A RESOUNDING SUCCESS, ESPECIALLY IN THE FACE OF RAINY WEATHER.

Every year, we relish Clerkenwell in the May sunshine, and while the rain this year undoubtedly had an impact, the people, products, and discussions still shone brightly.

We understand that even if you attended CDW, it was impossible to see everything. This Trend Report aims to bring you what you missed, celebrate what you loved, and inspire you to join the conversation in the future. We’ll offer our insights into the event’s achievements and challenges, and we invite you to engage by commenting on our Design Insider LinkedIn posts or reaching out via email at alys@designinsiderlive.com.

We are pleased to announce that contract fabric specialists, Panaz, are sponsoring the 2024 Clerkenwell Design Week Trend Report.

Cover image: Duffy London

This page, clockwise from top left: Old Sessions House, Alys Bryan, WeWantMore + McDonalds at Muuto, 2LG

OBSERVATIONS

DESPITE THE UNPRECEDENTED WEATHER, THE SPIRIT OF CLERKENWELL DESIGN WEEK 2024 REMAINED UNDETERRED. FRIENDS AND COLLEAGUES SPENT TIME TOGETHER ENJOYING VIBRANT CONVERSATIONS AND CELEBRATIONS, OUR ENTHUSIASM AND CONNECTION SHINING BRIGHTLY EVEN IN THE RAIN. THE FESTIVAL MAINTAINED ITS JOYFUL AND CELEBRATORY ATMOSPHERE, REMINDING US ALL WHY CDW IS KEY EVENT IN OUR DESIGN CALENDAR.

This year we enjoyed seeing participation levels raise to an alltime high, achieved through an increase in workshops alongside the expanded talks programmes hosted in showrooms and on multiple event stages. These hands-on interactive workshops provided invaluable opportunities for learning and collaboration, bringing together a diverse range of voices and perspectives, and drew us back to the first years of Clerkenwell Design Week when workshops and creative opportunities were a stronger thread through the event.

The depth and breadth of the seminar discussions were a testament to the festival’s growing influence and its dedication to nurturing a vibrant design conversation, we’ve highlighted several within this report including an overview of WeWantMore’s conversation with McDonalds and Konig + Neurath’s look into AI driven design. Notable highlights also included discussions around products and projects delivering all-sector outcomes, emphasizing the increased conversation around commercial sectors.

Clerkenwell Design Week continues to be a prime platform for new product launches, with many designs making their UK debut just a month after being unveiled in Milan. This is a clear indicator of a successful industry event. Our report highlights more than 40 commercial interior product launches, a selection, including ‘Reme’ by Boss and the ‘Assembly Sofa’ by

Very Good and Proper driving forward successful sustainable furniture design.

While sustainability remained a crucial topic of discussion, it didn’t dominate the conversation as it has in previous years, nor was it the core focus for many of the product launches, rather an increasing ingrained requirement for business, design and production through our sector.

The installations at this year’s festival truly expanded the remit of the event, showcasing a level of conceptual creativity that was both inclusive and inspiring. We published insights into a selection of these designs prior to the event and it was a pleasure to experience them in person and speak with the designers and their collaborative partners. This report shares art advisor, public art curator, and founder of Artistic Statements, Zoë Allen’s opinion on the role these installations play in the success of the event.

As we reflect on the successes and highlights of Clerkenwell Design Week 2024, we invite you to join the conversation. Share your thoughts and experiences with us on our Design Insider LinkedIn posts or reach out via email at alys@designinsiderlive. com. Together, we can continue to celebrate and push the boundaries of design.

1. Mariana Anelli, Senior Associate at M Moser Associates

2. Ege ice cream

3. Scoop and Drop by Russell Bamber

4. Modus & Teknion circular factory competition

A POSITIVE SHIFT: MCDONALD’S SUSTAINABLE FUTURE WITH WEWANTMORE

OUR TEAM ESCAPED FROM THE RAIN, ALONG WITH OVER 100 OTHER DESIGN HUNGRY ATTENDEES, TO ATTEND A THOUGHT-PROVOKING DISCUSSION WHERE INDUSTRY LEADERS DELVED INTO THE IMPORTANT TOPIC OF SUSTAINABILITY IN DESIGN.

THE PANEL FEATURED SILKE KORPORAL, DIRECTOR OF DESIGN INTEGRATION AT MCDONALD’S, AND RUUD BELMANS, CO-FOUNDER AND CREATIVE DIRECTOR AT WEWANTMORE, MODERATED BY JOEL BUTLER, DIRECTOR OF HOTEL INTERIORS EXPERIENCE (HIX), WITH MUUTO HOSTING THE EVENT.

Shifting the Sustainability Narrative

Ruud Belmans highlighted, “There is often negative communication on sustainability. This is a great opportunity to remind everyone that we are now the first generation to create climate-negative environments and technology; there is a positive message we need to amplify.” This sentiment set the tone for the session, emphasizing the need for a more constructive and actionable approach to sustainability.

A New Blueprint for Sustainable Design

The project in focus was a ground breaking initiative by McDonald’s in France, aiming to redefine what it means to build a sustainable restaurant. Silke Korporal remarked that this project demonstrates how a global organization can dissect the smallest of details to deliver a world-leading sustainable scheme. A new blueprint for the sector!

The French McDonald’s team asked, “What does it take to build a sustainable restaurant?” This query initiated a thorough assessment of the company’s current sustainability standings and the setting of ambitious targets, including carbon usage.

The Brief: Defining Sustainable Comfort

The brief from McDonald’s included specific requirements: customer comfort, maintainable furnishings, authenticity in sustainability (no greenwashing), and scalability across the organization. Silke pointed out the prevalent issue, “There is a general problem in discussing sustainability, with too much talk and not enough action.” The project needed a fresh, actionable approach.

Concept and Development: A Rigorous Approach

Ruud shared the initial excitement and the gravity of the project, “With over 44,000 global restaurants, no other current project could have the same impact.” The WeWantMore team took on the challenge, driven by a shared vision and Ruud’s industrial design background. “Simplicity, disassembly, materiality, and recyclability were all key touch

points in the development of the project,” Silke

Ruud’s approach was meticulous, “We took design.” The emphasis was on circularity, ensuring for recycled content and end-of-use opportunities. sustainable design that seamlessly integrates compromising on aesthetics.

Sustainability Highlights

Key sustainability measures included:

- Over 80% of the wood used is PEFC certified.

- Removal of laminates from all furniture and service elements.

- Elimination of powder coating to enable greater - 100% of the plastic used in tabletops and

Silke elaborated.

every product detail apart to assess and reensuring that every material was scrutinized opportunities. The objective was clear: create a integrates into the McDonald’s portfolio without certified. and décor elements, except for some generic

greater reuse of steel components. low stools, and at least 80% of the plastic

in chairs, is recycled content.

- Energy-efficient lighting with reusable fittings and replaceable LED chips.

- Floors that are 70% Cradle-to-Cradle certified and ceilings that are 100% certified.

The Finished Scheme: Positive Energy and Vibrancy

The result was a series of interiors that embodied sustainability while telling a unique story. The concept aimed to deliver spaces filled with “positive energy on a sunny day,” using vibrant colours and light to create a positive atmosphere. “The finished interiors must be sustainable but with their own narrative,” Silke explained, highlighting the bespoke tabletops as an example of the team’s rigorous evaluation process.

With one project installed in Brussels and two in France, the initiative is already making waves. Ruud noted, “There was no compromise between addressing both sustainability and creativity, we utilised the skills and knowledge within our studio.” The team is now developing a sustainable data tool for designers, marking another step forward.

Continuous Improvement and Expansion

Silke acknowledged the project as a significant learning curve, stressing the importance of transparency within the industry. “This project was a steep learning curve, which needs to be transparent within the industry to help others implement the same changes and results,” she said. McDonald’s commitment to continuous review and improvement ensures that the project will keep evolving.

Both Ruud and Silke are enthusiastic about expanding the project into the ‘heart of house,’ promising even greater sustainability and innovation in the future.

The discussion at CDW highlighted a pivotal shift in the sustainability narrative, showcasing McDonald’s and WeWantMore’s collaborative efforts to pioneer new standards in sustainable design. The project not only sets a new blueprint for the sector but also serves as a beacon of positive, actionable change. As the industry continues to evolve, such initiatives underline the critical role of creativity and rigorous evaluation in achieving sustainable success.

SILKE KORPORAL, DIRECTOR DESIGN INTEGRATION, MCDONALDS

RUUD BELMANS

CO-FOUNDER & CREATIVE DIRECTOR WEWANTMORE

Ruud Belmans is co-founder and Creative Director of WeWantMore, an independent design studio specialized in interior design and branding founded in 2006 and based in Antwerp, Belgium. He strongly believes spaces influence how people feel, behave and interact.

Under his creative lead, WeWantMore explores the junction of design, art and entertainment to create spaces that make people feel. Since 2006, Belmans has built up a vast amount of experience in hospitality, retail and office design. As a result, WeWantMore’s interior designs have been rewarded with AHEAD, Architizer and Design Week awards.

It never gets boring.” Silke has helped change the way McDonald’s restaurants look and feel around the world for 35+years. She started her McDonald’s career as a restaurant crew member in Hamburg, Germany at age 18. “I wanted to buy designer jeans, and I needed a job,”

She worked at the restaurant throughout her time at university, and ultimately landed a job with the German McDonald’s development department after graduating and becoming a trained architect and urban planner.

A highlight of Silke’s career has been helping McDonald’s become more sustainable. She helps discover building efficiencies that reduce greenhouse gas emissions and sources more sustainable materials that help McDonald’s improve its carbon footprint.

Being a certified Yoga teacher help her to keep herself & things in balance and stay grounded and positive when things go crazy.

NEW PRODUCT LAUNCH

THROUGHOUT THE YEAR, A SELECTION OF KEY INDUSTRY EVENTS IN THE UK, EUROPE, AND THE US OFFER SUPPLIERS A LAUNCH PLATFORM FOR THEIR NEW PRODUCTS, PROVIDING OPPORTUNITIES TO ENSURE THEIR DESIGNS REACH TARGET CUSTOMERS.

These events come at a considerable cost and represent a significant investment in the success of new product development, making the decision on which events to participate in a complicated one.

Clerkenwell Design Week has long been a preferred launch platform for new designs by UK suppliers, and this year was no exception. Many suppliers also use the event as their UK launch platform after showcasing new designs in Milan.

This year, design consultancy Jones and Partners launched five new designs with t UK suppliers. We spoke with Director Craig Jones about the importance of this event in supporting new design:

“Jones and Partners are big fans and love the industry buzz created at CDW, especially when the sun is shining. With a rich history of successful launches at the show, we always look forward to the direct and immediate feedback from our customers. With numbers up this year, we are pleased to say it has been another great year.”

The success and vibrancy of this year’s event underline its continued importance as a showcase of new design.

LAMMHULTS

Tension Trolley

Designed by Gustav

FORA FORM

Bud Chair

Designed by Skogstad & Wærnes

LUUPS

Tableware collection

MORGAN

Barricane

Designed by Magnus DISCOVER

Indoor air quality monitor

Designed by Andreas Kofoed Sørensen & Hans Høite Augustenborg

MORE - CLICK HERE

BIRDIE

Trolley Gustav Winsth Magnus Long

Donegal Collection

Made from pure wool

DISCOVER MORE - CLICK HERE

LD SEATING

Lotus Designed by Martin Ballendat

Roxs Chair & Table

Table components produced from cutouts from the chair arm

ULTRAFABRICS

woven

DISCOVER

Volar Bio

Certified REPREVE®

ECOVERO™ propanediol biobased

GRESHAM

AGUA

Zephyr

Two-tone

MOON

ULTRAFABRICS

REPREVE® recycled polyester, viscose, & introduces Susterra® biobased resin

GRANITE & SMOKE

Luxury throws and cushions are made with premium, ethically sourced, and sustainable materials

woven indoor-outdoor fabric

DISCOVER MORE - CLICK HERE

Includes designs by 2LG

CLERKENWELL DESIGN WEEK 2024 SHOWCASED A WEALTH OF INNOVATIVE MATERIALS AND SUSTAINABLE SOLUTIONS, HIGHLIGHTING THE INDUSTRY’S ONGOING COMMITMENT TO ECOFRIENDLY PRACTICES.

Mater and Luups introduced a remarkable side table made from a mix of biodegradable plastic combined with coffee shell or wood waste. Tabitha Bargh’s Poly Collection caught the eye with its five designs crafted from repurposed estate agent advertising boards, demonstrating a creative approach to reducing waste.

Innovation extended beyond materials to clever methods of communication, exemplified by the Birdie indoor air quality monitor. This device smoothly drops from its perch when air quality is poor, providing an intuitive and immediate visual cue about the environment’s health.

Seasonal colours were celebrated in flooring, notably with Milliken’s Printed Garden collection, whilst textile and wallcovering brands focused on pattern, with Camira’s Patternmaker collection, Kirkby Design’s contract print service, and Muraspec’s Mural Collection.

Upholstered furniture pushed the boundaries of sustainable production, exploring the balance between price impact and sales volumes. This exploration aimed to create eco-friendly designs without compromising on quality or aesthetics.

The beauty of timber was prominently displayed through Ercol and Orangebox’s collaboration to bring archive designs back into the contemporary market, as well as Morgan’s launch of the Barricane, designed by Magnus Long.

DARE CONTRACT

Clyde Collection

Solid timber coffee and side tables

TIMOROUS

JAMES

ILIV

Nova Stretch with Elba & Porto

DISCOVER MORE - CLICK HERE

Stucco

Designed by Paul DISCOVER

BOSS Beau Sofa System

Paul Simmons and Alistair McAuley

MORE - CLICK HERE

BOSS

Reme Lounge Chair - The form is rendered in BioPur® injection moulded polyurethane foam, 75% lower carbon footprint 7 than fossil fuel PU foam DISCOVER MORE - CLICK HERE

VESOM

Vescom showcased 3 new collections - Ofelin, Lynn and Concreed

ERCOL + ORANGEBOX

Archive Ercol designs re-mastered to meet contemporary ergonomics and needs by Orangebox

WORKSTORIES

Alta Table Collection Designed by Jones & Partners

DAVISON HIGHLY

Elements Collection

Organic modular seating

KIRKBY DESIGN

Contract grade print service, utilising 14 base cloths and an extensive library of designs

MILLIKEN

Printed Garden Collection (shown with reflections from Milliken’s decorated showroom windows)

Rich and complex textures layered with floral brush strokes and small dashes of seasonal colour to define the artistic intent. ‘Nuanced palettes of flora combine with abstracted styling to bring the calm tranquillity and beautiful fascination of a painted landscape.’

MATER

Alder Collection

Designed by Patricia Urquiola

Mater’s first collection of biodegradable Matek. The side table is made with a mix of biodegradable plastic and either coffee shell or wood waste – all natural materials that can eventually decompose back into nature.

MURASPEC

Mural Collection

FLOKK + CONNECTION

Connection Harp Collection with additional desking, showcased with Flokk Hag Chair

Collection

DISCOVER

Hushwood Collection

Acoustic slatted panelling in two thicknesses

DISCOVER

PANAZ

Parisienne

HAVWOODS

CAMIRA

Camira celebrates launch of Patternmaker, Crosshatch, Dot

DISCOVER MORE - CLICK HERE

celebrates their 50th birthday and the Patternmaker, four timeless designs, Dot Dash, Hula and Speckle.

DISCOVER MORE - CLICK HERE

Celebrating our Vichy collection and Kasthall’s 135th anniversary.

KASTHALL

VERY GOOD & PROPER

Assembly Sofa System

Designed

by Team VG&P

The Assembly Sofa System is a foam free modular design using sustainable alternatives to conventional upholstery foams. The upholstery filling is 100% natural and made up of coco-fibre, natural latex rubber and wool - sustainable alternatives to conventional petrochemicalbased foams. 100% made in the UK.

Poly Collection

The Poly Collection features five designs that are formed from disused estate agent advertising boards. Crafted from Correx, a typically unsustainable and non-biodegradable polypropylene, Bargh has explored how the material can be creatively re-used and transformed into something new and unexpected.

TABITHA BARGH

TOM KIRK LIGHTING

Reed Wall Installation

SPARK & BELL

LLADRÓ

Night Bloom

Designers by Marcel Wanders

POOKY

COLDHARBOUR LIGHTS

The Rio Collection

ABALON

Designed by Ana Bridgewater

SEAN DARE LAUNCHES DARE CONTRACT

DESIGN INSIDER MANAGING EDITOR, ALYS BRYAN, HAD THE PLEASURE OF SITTING DOWN WITH SEAN DARE ON HIS STAND IN THE BRITISH COLLECTION. WE WERE PRIVILEGED THAT SEAN WOULD TAKE TIME OUT OF THE BUSY EVENT TO SPEAK WITH US ABOUT THE EXCITING EVOLUTION OF DARE. SEAN SHARED HOW DARE CONTRACT IS ABOUT CREATING HONEST PRODUCTS BUILT WITH INTEGRITY AND DESIGNED FOR LONGEVITY!

Could you tell me about the journey of your studio from its conception to this milestone point?

Sean Dare: We launched Dare Studio (myself and sister Emma) in 2009 at 100% Design following a career designing furniture for leading retailers and manufacturers. My most memorable experience was when I was a design consultant for Ercol working directly with Edward Tadros, his passion and commitment gave me the vision to start something on my own.

After launching at 100% Design, we exhibited in Milan in 2010, showcasing the Katakana collection which included a desk, dining chair and lounge chair. The collection was really well received by the global press, leading to inquiries from all over the world, this helped establish the company on a solid footing. We had retailers approaching us wanting to stock the collection, including Liberty and Conran. The response was overwhelming and the reality that we had to gear up and create a proper business kicked in. We were very fortunate, as that kind of instant success is rare. Now in our 14th year business is as strong as ever, we are increasing our reach on a global basis and developing new contract specific products.

What was the vision for the company at its inception?

SD: Having designed furniture for various manufacturers and retailers for a long time, I wanted to create something that would allow full creative freedom. Inspired by the family involvement at Ercol, I also wanted to create something that hopefully my children could be involved with as they grew up, perhaps taking the reins later on in life. I wanted to create something lasting and inclusive.

How has DARE evolved over the years?

SD: As a company we have proudly embraced a more environmental approach to all facets of the business.

We’ve collaborated with other designers who share the same ethos so the brand’s signature aesthetic has evolved. our core focus has been to create pieces with integrity with an honest use of carefully selected sustainable materials.

The original aim still remains; to create beautiful, lasting furniture that can be passed down through the generations, furniture which is timeless that isn’t defined by fleeting fashion statements. During Covid we decided to rebrand to DARE, refining and defining more who we are. We also decided to create an environmental agreement between our suppliers and subcontractors working towards meeting specific milestones on our shared journey to reduce our impact to the planet.

This year we introduced DARE CONTRACT at CDW in a conscious effort to define our contract products more clearly to a market we’ve been in for a long time. I like to think of our products as crossover products. Our designs have always had a residential aesthetic but are all built to contract specifications. A lot of people see the product and assume it’s for residential use only, By defining it, it reduces any confusion.

At CDW we launched a number of new ranges focussing purely on the contract market including the Katai collection, Kizuku collection, and DC1 collection, targeting fast-moving, high-traffic environments including cafes, restaurants, and universities.

Has the entire DARE portfolio moved under Dare Contract?

SD: There are several crossover products between DARE and Dare Contract. DARE will primarily focus on the more

residential aesthetic, while Dare Contract will specialise in more robust pieces with a contract aesthetic less suited to the home environment. They will run in parallel, each catering to their specific markets.

Why is 2024 the year to make this change and bring clarity to the brand?

SD: The fundamental reason is that for several years, typically during an exhibition, people would visit our stand and not realise we produced contract pieces. This change adds clarity and definition to our offerings. On a business scale, it opens up new markets that didn’t know about our contract products, giving us more flexibility in design and a wider audience. The contract pieces can be produced in greater volume, allowing us to scale up more effectively.

So, this clarity allows you to target different markets more efficiently?

SD: Yes, exactly! Dare is now a group of companies, DARE, DARE CONTRACT and also DARE EDITIONS.

Dare Editions targets another market; high-end residential with

gallery-quality pieces. This approach allows us to cater to three very different market segments under one umbrella. Each very different but with one golden thread that links them all, the inherent passion for furniture!

Having our own workshop in Sussex allows us the space to create bespoke pieces, prototypes and batch production for all three entities. Our manufacturing partners across the UK and Europe allow us to produce in greater volumes with the same exceptional quality.

Have you also looked at how your visual branding aligns with these changes?

SD: Yes, all three divisions will have very different identities with the Group acting like the glue that bonds them all together.

How will you address that sort of workflow change?

SD: Our team is growing to accommodate the new direction. It is still early days and we have a lot to do but we are expanding in all departments to manage all of the additional work.

EGE + FORPEOPLE

WEAVING WORKSHOP

WHEN CLERKENWELL DESIGN WEEK BEGAN 15 YEARS AGO, IT BROUGHT OUR COMMUNITY TOGETHER WITHIN EXHIBITION SPACES AND SHOWROOMS. INITIALLY, THERE WAS AN ABUNDANCE OF HANDS-ON WORKSHOPS, WHICH HAVE NOW EVOLVED INTO A VARIED TALKS PROGRAM. BEING AN ACTIVE PARTICIPANT IN CDW IS ONE OF ITS JOYS, AS EACH PERSON CONTRIBUTES TO DELIVERING A SUCCESSFUL EVENT.

This year, it was a pleasure to see workshops returning in greater numbers. Design Insider was delighted to join ege and global creative studio forpeople for their conceptual weaving workshop. Inspired by ege’s recently launched SHE collection, the group created interpretive weavings depicting moments spent with influential women in their lives.

Senior Design Director at forpeople, Fiona Hurst, welcomed the workshop participants and introduced one of the methods she and her team use to spark creativity: weaving. Fiona explained how translating a moment, feeling, or event into a hands-on process like weaving helps generate ideas and vision, something her team explores monthly.

Ellsley Syme, Creative Strategist at forpeople, shared her woven example, depicting tea in the garden with her grandmother. She then encouraged participants to think about influential moments and spaces with important women in their lives, which could be translated into their woven creations.

Fiona guided the group through the initially complicated weaving technique, which quickly became second nature, much like knitting. Participants selected colours that would bring their narratives to life. They discussed the women they had chosen and enjoyed time together perfecting their technique.

At the end of the hour, each participant was gifted their weaving tool and enough wool to complete their rug at home. They were encouraged to submit their finished creations into a competition to win a SHE rug.

THE SHE COLLECTION

SHE is ege’s new WOOL100 carpet collection crafted from the finest 100% pure new wool with extra-long and durable fibers, perfectly matching the durability of mixed wool/nylon qualities.

Laura Bilde and Linnea Blæhr, the design duo behind SHE, work in the tension between functionality and sculptural expression. With backgrounds in interior design and a conceptual approach, they create designs that experiment with materials and shapes while combining tactility, sensuousness, and enticement. Their design philosophy is to create iconic, simple, and timeless items.

Following a fascination with the techniques of 1930s and 1940s artists, all six SHE patterns are made by hand to embrace the unique expression of lines that are either drawn, cut, or assembled from physical materials. The designs stem from interpretations of distinctive patterns created by various weaving techniques, experimental expressionistic shapes, or simple and graphic paintings. These imperfect details in carpet design, combined with a simplistic yet organic look, add a sense of naturalness and artistic freedom to each carpet.

PANAZ’S COMMITMENT TO SUSTAINABILITY

FREQUENTLY DISCUSSED, OPEN TO INTERPRETATION AND SUBJECT TO MUCH MISINFORMATION, SUSTAINABILITY IS A COMPLEX ISSUE TO NAVIGATE WHEN DEALING WITH MULTIPLE PRODUCT TYPES. HERE’S HOW PANAZ CAN HELP, BY SHARING THEIR VIEW OF THE WORLD.

Sustainability is an umbrella term that covers many different facets of our environment, so what should you focus on? At the outset of their inception and continuing to this day, Panaz identified the priority environmental issues that face everyone.

1. Climate change

2. Biodiversity loss

3. Pollution

4. Deforestation

5. Water Scarcity

Most manufacturing businesses have the potential to negatively impact all these areas, so it is important that you choose suppliers that are putting in place steps to not only offset their impact but also have measures to mitigate their impact.

Below are examples of initiatives that Panaz have taken, some of which could be utilized in your business.

1. CLIMATE CHANGE

Renewable energy sources and energy efficient measures are fundamental here.

Consider Solar Panels - Panaz have installed Solar panels at their Head Office and Production and Warehousing facility North of Manchester which now powers much of their operation, saving on high energy costs.

EV’s – with the nationwide EV charging network much improved, Panaz are transitioning their company car fleet to EV and Hybrid vehicles.

Commuting – Consider a cycle to work scheme or carpooling, initiatives in place at Panaz.

Lighting – Panaz implemented changes such as motion sensor light switches, energy saving light bulbs and a policy of no IT equipment being left on standby. These may seem small but when added up globally make a big difference.

Supply route – choosing local suppliers, with before, with companies like Panaz offering the

Recycling – As well as looking for products Panaz’ Eco Twist, look also for suppliers like recycling service.

2. BIODIVERSITY LOSS

It is easy to make a difference here, Panaz recently and planted “Bee friendly” flowers creating by simply planting “Bee friendly” flowers in wildlife and protect habitats.

Look out for local (or national) initiatives that Ribble Rivers Trust, by planting tree saplings

3. POLLUTION

Historically a big concern for all manufacturers, important to identify suppliers that not only “tick also for companies that constantly innovate to minimize their impact on the environment 14001, which ensures businesses continually

A few tips on fabrics:

- Production and printing processes – ensure in their printing and production processes. Panaz in their production processes.

- FR treatment – try to avoid topical aftermarket

with no overseas transport is easier than ever the complete fabric solution.

products made from recycled materials such as like Panaz that offer a product end of life

recently introduced 3 bee hives to their HQ a new little eco system. Everyone can help gardens or window boxes that can support support habitats for example Panaz support each time they sell 100 metres of fabric.

manufacturers, including the textile industry. It is “tick the box” in terms of compliance but look innovate finding alternative methods of production environment and just as importantly comply with ISO continually improve their environmental performance.

ensure the suppliers do not use harmful chemicals Panaz have always had zero harmful chemicals

aftermarket FR treatments where chemicals can leach

into the environment, look for chemical free and halogen free. Panaz offer halogen free and inherent FR fibres.

- Stain resist – look for PFAS free options that do not compromise on performance.

- Anti-microbial – many contain heavy metals and leach into the environment, look for water based treatments that remain on the fabric – like Panaz’ Shieldplus.

4. DEFORESTATION

Go paperless! ensure recycling points in multiple locations, use recycled paper and source only from certified sustainable forestry, simple but effective measures in place at Panaz. Support plant a tree initiative – Ribble Rivers Trust.

5. WATER SCARCITY

Water efficiency – water saving technologies

Rainwater harvesting

Promote water conservation amongst customers and colleagues

Further reading:

ISO 14001 https://www.iso.org/standard/60857.html thetreeapp.org

COMMERCIAL INTERIORS UK INSPIRE AND SUPPORT THE GROWTH AND COMMERCIAL FURNISHING SECTOR. COMMERCIAL INTERIORS UK SUPPORTED AT CLERKENWELL DESIGN WEEK 2024, INCLUDING THROUGH OUR OWN

AND GLOBAL SUCCESS OF THE SUPPORTED 34 MEMBERS EXHIBITING EVENT MAP!

Our exclusive map led visitors through a curated trail to Clerkenwell Design Week’s must-visit showrooms, spotlighting Commercial Interiors UK members. Each stop on this Showcase Trail an opportunity to experience the quality and creativity that define our association’s members.

SPECIFY WITH CONFIDENCE!

WE WERE THRILLED TO HOST “SPECIFY WITH CONFIDENCE!” IN PARTNERSHIP WITH COMMERCIAL INTERIORS UK AND SUPPLIER FINDER ON MAY 22, 2024, FROM 10 AM TO 12 PM AT SPA FIELDS NEAR DESIGN FIELDS. ATTENDEES ENJOYED A SESSION OF LEARNING AND SOCIALIZING, CONTRIBUTING TO THE CONVERSATION SHAPING THE FUTURE OF COMMERCIAL INTERIOR DESIGN.

The talk covered the complexities of product specification essential for successful commercial interiors, focusing on sustainability accreditations, contract testing standards, and commercial fire retardancy regulations. Our expert panel included Mariana Anelli, Senior Associate at M Moser Associates; Jon Watts, Specification Account Manager at EGGER; Sarah Wakefield, Creative Director at Jolie; and Stephen Dobson, Head of Contract UK for Edmund Bell.

Key discussion points included:

- Managing stock availability and lead times for standard vs. bespoke products.

- The importance of clear, constant communication with suppliers and its impact on project timelines and outcomes.

- Experiences with ‘lunch and learn’ sessions within the commercial community.

- Strategies for managing budget constraints while maintaining quality.

- The significance of specifying products from accredited suppliers.

Key Takeaways:

- Communication and transparency are crucial for a successful designer/supplier relationship.

- Clear and detailed information is vital for accurate product specification.

Supplier Finder:

At Supplier Finder, our mission is to help you find the perfect commercial furnishing suppliers for your projects. We ensure confidence in the suppliers you specify through Commercial Interiors UK’s rigorous accreditation process. Our platform features over 200+ accredited suppliers with detailed profiles, providing an overview of their unique offerings, sustainability certifications, and product-focused editorial content by Design Insider. This wealth of information empowers you to make informed decisions, ensuring every specification aligns with your project’s needs and ethos.

Each person who joined us will left with a wonderful goody bag which amongst items gifted by Lincrusta, Edmund Bell& Co and Revivalist, included a sweet treat from Vescom, a pen from Newmor Wallcoverings with a notebook from Camira, a Kronospan water bottle, and a handy on desk power module from CMD.

ULTRAFABRICS’ 25TH ANNIVERSARY DINNER

DESIGN INSIDER WAS DELIGHTED TO ATTEND ULTRAFABRICS’ 25TH ANNIVERSARY CELEBRATION DURING CLERKENWELL DESIGN WEEK. THE EVENT, HELD AT THE CLERKENWELL KITCHEN, FEATURED A DELECTABLE MEAL THAT PERFECTLY COMPLEMENTED THE EVENING’S CELEBRATORY VIBE.

The theme, “Peach Fuzz,” embraced Pantone’s nurturing colour of the year, creating an inviting and warm atmosphere. The evening was a testament to Ultrafabrics’ dedication to innovation and luxury, celebrating their journey of crafting unparalleled comfort.

As Ultrafabrics looks to the future, their revitalized collections, now in vibrant shades, continue to inspire creativity and redefine the standards of comfort in design.

AI-DRIVEN DESIGN: INNOVATING THE CREATIVE FRONTIER

DURING CLERKENWELL DESIGN WEEK, AFTER A LONG AND EXHILARATING DAY, A CONVERSATION ON AI, FOLLOWED BY A GLASS OF WINE, WAS THE PERFECT END TO DAY TWO. THE TALK, TITLED “AI-DRIVEN DESIGN: INNOVATING THE CREATIVE FRONTIER,” BROUGHT TOGETHER EXPERTS WHO DELVED INTO THE TRANSFORMATIVE POTENTIAL OF AI IN THE DESIGN INDUSTRY.

Speakers

- Katie Burke, Global Thought Leadership, Accenture Song

- Paulo Ribeiro, Head of Innovation, UHA

- Richard Benson, Creative Director & Founder, ape designs (website)

- Daniel Gava, Board Advisor to the Design Industry

The event was hosted by Konig + Neurath in partnership with Balsan, Cantarutti, and Greenmood. Konig + Neurath Sales Director Luke Richardson explained that this was the first talk in the brand’s new series:

“We are excited to launch this series of talks to explore how emerging technologies like AI are shaping the future of design. Our aim is to foster dialogue and innovation within the industry.”

Exploring AI’s Potential

Katie Burke kicked off the conversation by explaining the leap between traditional AI and generative AI. She described AI tools as ‘averaging engines’ that generate responses based on prompts. “AI has been consistently used behind the scenes for some time; the big change is Open Source, the swelling of widespread capability,” Katie remarked. Building on this, Richard Benson shared his insights on experimenting with AI and how it builds expertise. He emphasized that AI helps designers digest vast amounts of information, removing the challenge of facing a blank slate. “Through

experimentation, outputs can differ between

Paulo Ribeiro discussed the impact on creativity, closer to us, delivering previously unachievable available to us as designers.”

Communicating AI to Clients

Daniel then steered the conversation towards and whether they had been asked to disclose hadn’t specifically discussed AI with him. Conversely, frequently inquire about AI. “There is much about AI. Clients often speak with me about AI differs between clients,” Richard explained.

Katie added that clients usually ask about questioning the authenticity of images. “For workflows, including data processing. Our clients she added.

AI and Economic Efficiency

The topic of profitability and time efficiency that while AI is efficient, maintaining quality

users,” Richard noted.

creativity, highlighting that “Creativity is getting unachievable outputs. We now have new creativity

towards how AI is communicated with clients disclose AI use. Paulo mentioned that his clients Conversely, Richard noted that his clients much misinformation, negativity, and skepticism AI to educate themselves, but communication about AI at the pitch project stage, often “For us, AI is a tool, an assistant to existing clients are curious, asking about capabilities,”

“Over-dependency on AI can reduce quality. Clients increasingly push for faster project turnarounds,” he warned.

Paulo emphasized that AI’s time efficiency allows more focus on creativity and sustainability. “Increased time efficiency through AI tools gives more time for creativity,” he said. He also shared a fascinating slide showing the tools his team has integrated into their workflow alongside further tools they are experimenting with, expressing excitement about the speed from idea to finished design.

Balancing AI with Human Input

Daniel questioned whether AI creates more time for human input. Richard affirmed, “Yes, more time for teamwork! For service design, there must be an understanding of the problem; AI as a visual tool can’t answer that brief.”

Katie noted that AI tools are still immature, with high abandonment rates due to unmet expectations. “When outcomes repeatedly fail, it creates more work rather than being time efficient. We must exercise caution between promise and delivery,” she advised.

Considering the Negatives of AI

efficiency was introduced next. Richard responded quality as project timelines shorten is crucial.

Daniel pushed the conversation to consider potential downsides of AI. Katie shared her concerns about the broader implications, highlighting the proliferation of deep

fakes and scams. She called for regulation and litigation, stressing, “Vulnerable people are being targeted. It’s important to understand the context and risk of AI.”

Richard added that the rapid launch of generative AI tools has left us without necessary ethical codes.

Paulo noted that due to fast AI progression, early adopters tend to be researchers rather than implementers. When asked if structure is needed for control, Paulo questioned its effectiveness given the pace of change.

Richard provided an example of using AI to build his library of assets, demonstrating how he could create over 500 visual concepts in less than 20 minutes. “The AI tool was working as my muse,” he said.

Katie described her use of AI for creating presentations and text as a “sparring partner to expand thinking.”

AI and Talent Attraction

Daniel then asked whether AI played a role in attracting talent to their studios. Paulo believes talented people always have a competitive advantage, including their skills in using AI tools.

Richard shared that younger designers may view AI as a form of plagiarism and hesitate to use it. Katie emphasized that designers should build their skills and expertise before utilizing AI tools, stating, “Craft is a foundation, AI is a tool.” Paulo concluded that a studio’s brand and process are key to attracting talent.

Addressing Intellectual Property

When the conversation was opened to the audience, Design Insider Managing Editor Alys Bryan asked the panel about addressing intellectual property when using AI tools.

Katie boldly stated, “IP! Be ready for the lawsuits!” She clarified that consent is extremely important and that the conversation around IP and AI is just beginning.

Richard mentioned that some organizations are setting up guardrails to address IP and emphasized the need to stand against taking data without permission. Katie concluded, “Large tech companies are profiting from AI. IP is an ethical issue; a legal framework is desperately needed!”

Richard and Paulo advised designers to use their own input and data sets to drive AI tools to prevent IP conflicts.

This engaging discussion at CDW underscored the transformative potential of AI in design, balanced by the need for cautious optimism and continuous learning. As the industry navigates this new frontier, such conversations are vital in shaping a thoughtful and innovative approach to AI integration.

Matthew Hall, Country Manager UK & Ireland for Balsan, summarized the significance of AI in the commercial sector:

“AI is capturing a lot of interest right now! For us, it’s about staying ahead of innovation by understanding its mechanics and analytics to integrate AI into our business effectively. This talk provided great insights, and we’re excited to see how the AI develops as a tool within commercial interiors!”

WELCOME TO CLERKENWELL:

NEW SHOWROOMS

ALMOST 200 SHOWROOMS PARTNERED WITH CLERKENWELL DESIGN WEEK, OPENING THEIR DOORS TO WELCOME VISITORS AND INSPIRE THEM WITH DISCUSSIONS, WORKSHOPS, AND NEW PRODUCT LAUNCHES. CLERKENWELL IS AN ESTABLISHED HUB FOR COMMERCIAL INTERIOR FURNISHING SUPPLIERS.

We spoke with Elisabeth Else at Warwick Bookman & Associates, who helps many interior suppliers find homes in Clerkenwell.

Elisabeth explains that the area was founded by the commercial interiors sector: “Vitra was one of the first showrooms to open on Clerkenwell Road in 1999, and since then, the Clerkenwell/ Farringdon area has become a showcase for world-leading manufacturers of desks, technical fabrics, chairs, pods, flooring, and more.”

Addressing competition from other districts, Elisabeth clarifies: “While Chelsea is sought-after for consumer furnishings, Clerkenwell and Farringdon are the centers of commercial furniture, attracting British manufacturers and prestigious global brands.”

She further explains the area’s growth convenience for designers and suppliers: “The close proximity of high-quality showrooms means architects and designers can take clients to see many brands and products in a single trip. There is also synergy between brands, with fabric companies engaging with the businesses that use their products and complementary businesses collaborating within this vibrant area.”

Regarding the area’s future, Elisabeth notes, “While there was talk of movement towards Shoreditch, Clerkenwell shows no sign of losing its hub status. The combination of things working well, competition for space in Shoreditch, and the Elizabeth Line station at Farringdon have all contributed to continued growth.”

Elisabeth also highlights a potential threat: “Office occupiers from the West End and the City feel they can get better value space

in Clerkenwell. This makes specialized advice and knowledge crucial for securing the best terms on new showrooms.”

EGGER: Egger, a global manufacturer of materials for interior design, furniture, and construction, used their new showroom as a pop-up space ahead of a full refurbishment. Three familyowned companies with a united passion for innovative interior design solutions join together for their first common brand experience of Egger, Cleaf, and Blum.

The pop-up display showcased Egger’s Decorative Collection 24+, a rolling collection concept designed to meet the dynamic needs of designers, architects, and fabricators.

TIMOROUS BEASTIES: Timorous Beasties, the internationally acclaimed Glasgow-based design studio, previewed their latest stucco collection, a distinctive new range of fabrics and wallcoverings. The collection features Timorous Beasties’ unique patterns and signature style, with an unexpected color palette, natural and woven fabrics, and a mix of hand and digital printing techniques.

Timorous Beasties Co-Founders, Paul Simmons and Alistair McAuley, decorated their showroom windows with illustrations from the new collection.

PANAZ: Panaz received the keys for their Clerkenwell showroom only days before the 2023 event, making this their first real opportunity to maximize their permanent home. Embracing the festival vibe, Panaz hosted a sold-out presentation by Panaz Group Chairman Tony Attard OBE on everything you need to know about FR regulations!

Two new collections were launched: The Parisienne Collection, featuring intricate designs inspired by bold Art Deco floral and geometric motifs, and In Bloom, a print collection of four unique floral designs, each harnessing the vibrant colors of meadow flowers. In Bloom brought the showroom’s windows to life throughout the event.

DESIGN INSIDER LEADS THE CONVERSATION

EACH YEAR, CLERKENWELL DESIGN WEEK EXPANDS ITS TALKS PROGRAM, ENRICHING IT WITH A DIVERSE RANGE OF VOICES SHARING INSIGHTS ON DESIGN. THIS YEAR WAS NO EXCEPTION. DESPITE THE ABSENCE OF A STAND-ALONE PAVILION FOR DISCUSSIONS, ATTENDEES ENJOYED A WIDE ARRAY OF TOPICS AND INSIGHTS FROM LEADING FIGURES IN THE INDUSTRY.

The talks, including “Conversations at Clerkenwell” and “Design Meets,” highlighted the commercial community’s generosity in sharing knowledge and fostering growth in our sector.

The talks programme, expertly curated by Katie Richardson, kicked off with a much-anticipated discussion featuring Mary Portas, where she shared her life and career experiences with journalist Becky Sunshine.

One of the standout sessions was hosted by the Design Council, titled “Re-Industry: Designing a World of Mass Circularity.” Speakers Hugo Jamson, Sophie Thomas, Chris Lefteri, Paula Chin, and Barry Waddilove explored how design can drive the green transition by utilizing big data and AI to shape consumer behaviour and create circular business models. The session drew a large crowd, with standing room only, underscoring the importance of sustainable design practices.

This year marked the first time Design Insider took to the main stage at Clerkenwell Design Week. Our Managing Editor, Alys

Bryan, led an engaging discussion on “How the Hospitality Sector is Capitalizing on the Demise of the Office.” She was joined by industry experts Walter Craven, Angelle Champkin, Timothy Griffin, and Mbali Chaise. The conversation began with a provocative question: Is the office really dead? The panellists delved into how traditional office spaces are not disappearing but transforming, presenting opportunities for hospitality operators to capitalize on these changes.

They discussed the rise of nomadic workspaces and innovative food and beverage offerings within office environments, responding to the evolving needs of today’s mobile workforce. The panel emphasized the importance of partnerships between workplaces and hospitality settings, describing successful collaborations and their benefits. Key elements that define elevated and consistent experiences in both sectors were highlighted, along with the impact of reimagined office spaces on talent attraction, retention, and productivity.

The discussion also touched on the design and function of

spaces in the era of hybrid working, particularly how these spaces can facilitate better connections among peers and support career growth. The panellists shared insights on how hotels are adapting their pricing and operational strategies in response to changing work patterns, with Thursday becoming the new Friday. They noted that workspace designs are increasingly inspired by members’ clubs to enhance the workplace experience.

Addressing the blurred lines between commercial sectors, the panellists explored creative solutions for spaces that meet the needs of both workplace and hospitality users. They also emphasized the importance of accommodating neurodiverse users through specific design elements to create inclusive environments. Finally, they discussed key product specifications for hospitality-based workspaces to effectively cater to professional needs.

Design Meets was somewhat open to the elements, and could have been larger to accommodate the audience it attracted, but this mini venue certainly delivered on the variety and quality of the discussions it hosted.

Design Insider hosted a discussion to launch our search platform, Supplier Finder, in partnership with Commercial Interiors UK. Our Editor also led a fascinating conversation with Marissa Wallder, Lee Robert, Thea Ingram, and Mitch James.

The discussion focused on the evolution of commercial sectors, influenced by changes in how we work, live, socialize, and shop.

Panellists shared examples of cross-sector projects, highlighting how design teams are responding to the integration of hospitality and retail services into workplaces. They discussed user-focused strategies and the importance of experiential design across the commercial sector. The conversation also covered the crossover within residential design, noting a trend where clients opt to sacrifice bedrooms for home offices and the associated design implications.

Supply chain management and project delivery speeds across different sectors were examined, with insights into how they differ between hospitality, retail, and workplace sectors. The panellists also discussed the influence of digitalization on physical environments and the growing demand for engaging, tangible spaces. They noted the diversification of design studios to adapt to less defined sectors, along with the challenges and opportunities this presents.

Wellbeing was another crucial topic, with discussions on how it is integrated into residential projects and the importance of considering both client and team wellbeing in design processes.

INSTALLATIONS BRING CLERKENWELL ALIVE!

AS WE WALK THROUGH THE STREETS OF CLERKENWELL, THE FESTIVAL’S ALLURE IS BROUGHT TO LIFE BY THE COMMISSIONED INSTALLATIONS. STRATEGICALLY PLACED, THEY CHALLENGE AND EXPAND OUR PERCEPTIONS OF DESIGN WHILE ACTING AS LANDMARKS THAT TIE THE EVENT TOGETHER. THESE INSTALLATIONS INSPIRE AND ENTERTAIN, TRANSFORMING CLERKENWELL INTO AN IMMERSIVE DESIGN JOURNEY.

Prior to the event, Design Insider was thrilled to present exclusive interviews with four of the talented designers behind these landmark creations.

Previously, we published in-depth conversations with:

- Jordan Cluroe and Russell Whitehead, co-founders of 2LG Studio.

- Lauris Svarups, Architectural Designer at Jestico + Whiles.

- Chris Duffy, Founder of Duffy London.

- Minnie Kemp, Design Director at Kit Kemp Design Studio.

- Benedetta Rogers and Daniel Marmot, Founders of Artefact.

Here, we share a glimpse of further installations that brought Clerkenwell to life this year. We spoke with art advisor, public art curator, and founder of Artistic Statements, Zoë Allen, about the role these installations play in the success of the event.

‘A place where the worlds of art, design and architecture collide… the sunny surrounds of Clerkenwell Design Week is one of the best events in the London design calendar for engaging with large scale, site specific art

installations. Especially those that offer the public a fully immersive experience.’

Set amongst the wonderfully eclectic architecture of Clerkenwell, (renowned for its high concentration of architects and designers) where trendy industrial spaces are interspersed with ancient listed beauties, slick design showrooms and incredible hidden crypts, the event already offers a feast for the eyes and a magical mystery tour of hidden surprises (almost it seems) around every corner. Yet CDW again and again encourages, provides spaces and supports the implementation of these installations - and it’s one of the many facets of the event that pulls people back again and again.’

By offering plentiful opportunities to artists, designers, architects and makers to showcase their extraordinary vision and skill they’re able to showcase the very best mediums, materials and manufacturing techniques. The installations at CDW are ingenious, often mind boggling… and most importantly playful. You want to touch, walk through, sit on, and photograph. This moment of engagement is key, the art activation isn’t about creating a monument, they’ve created a moment. I definitely had a few…’

KIT KEMP DESIGN STUDIO worked with Schotten & Hansen to one of a kind sculptural pieces like ‘Kit’s Kissing Bench’ hand carved from a single tree trunk and coloured to look like lichen growing on a tree as well as pieces that can be made to order like the bespoke Douglas Fir Veneer collection and the ‘PIT-A PAT’ table.

BENEDETTA ROGERS AND DANIEL OF ARTEFACT worked with Albion ‘Brick from a Stone,’ a celebration of the abundance beneath our feet.

DANIEL MARMOT, FOUNDERS

Albion Stone and Hutton Stone to create the variety of natural stone that lies in

LOIS O’HARA AND RONNIE CHAPPLE created Connection a new series of works adorning one of the brick walls near House of Detention aiming yo encourage interaction and conversation while demonstrating the significant effects of nature on our mental health.

Flexible acoustic partitions

The Texaa installation brought to live their Velio product. Velio acoustic curtains and sheers, with their respective specificities, with each other. Folded or deployed, adjustable at any time to the uses, Velio flexible walls contribute to the visual modularity

TEXAA

Velio

specificities, respond to numerous architectural situations. Made to measure, these curtain solutions can easily be combined modularity and acoustic and thermal comfort of spaces.