As summer ends and with autumn now upon us, it’s a good time to reflect on the year and start planning for the months ahead. It would be interesting to hear from some of you as to what business plans you have in mind for the ensuing year. Please do drop me a line and share your thoughts. Any support in that we can offer, we’ll only be too pleased to do so.
As you may know, The Procurement Act 2023 was finally enacted on 24 February 2025. This UK legislation overhauls public procurement rules to create a more flexible, transparent, and simpler system, with trade associations playing a role in educating their members on the changes and supporting broader cultural shifts needed for success. The government is currently working with trade associations to provide guidance and training for both public sector procurers and private sector suppliers to help them understand and adapt to the new regime, which aims to benefit smaller businesses by reducing barriers to procuring public contracts.
As a result of this legislation, we have noticed an increase in the number of large contractors seeking PDA membership. This appears to be due to one of the requirements within some procurement/tendering companies, who require proof that the company applying to tender has full membership of their relevant trade association For more detailed information on this subject, click on the Procurement Act 2023 tab on our website’s homepage.
The PDA has established a new initiative with the Department of Works and Pensions (DWP) in recent weeks. The scheme is called Building Skilled and Inclusive Workforces: Employer Support from DWP. The DWP provides a suite of free programmes and services to help employers recruit and upskill staff efficiently. Contact them at partnership.networkandprojectteam@dwp.gov.uk
The 2026 Premier Trophy Awards and Apprentice of the Year competitions are now available to enter using downloadable forms on our website homepage. Why not submit an entry into one or more of the seven different categories for next year’s awards? We look forward to seeing you at Plasterers’ Hall, London on 2 July 2026!
Just prior to this publication we held our National Networking and Gala Dinner event at the Chesford Grange Hotel, Kenilworth on Saturday 4 October. We also hosted the Apprentice Wallpaper Hanger of the Year Awards during the event. Once again this celebrated the skills and talents of our future decorators. Congratulations to all who achieved an award. Five apprentices picked up both junior and senior awards including one, who received my CEO Achievement & Recognition Award. A special thanks goes to Brewers Decorator Centres for being the sole sponsor once again this year. Their support is very much appreciated. Full details are on page 16.
I’d also like to thank all our event sponsors, as without your support, events like this would be impossible to execute. It’s aways good to see our members, Associate Partners and invited guests having such a great weekend. This year, we were pleased to welcome as our guests, Joe Ayers and Neil Whitmore of J&N Finishes, our 2025 Premier Trophy Awards winners of both the Highly Decorative Category and the Supreme Winner Award. The two Directors took part in the evening celebrations along with other members and Associate Partners. Thank you, everyone for attending. We do appreciate it and hope you all had a great evening with us.
The PDA staff and I hope to see some of you on Stand 94 at the National Painting and Decorating Show on 18 and 19 November at the Coventry Building Society Arena. Please do come along and say hello and have a chat with us.
Lastly, we are currently working on a major facelift for our website, so keep an eye out for the new look in a few weeks’ time.
Until the next time, stay safe out there, and dare I say it, December is not too far away, and the man with the red hat, and long white beard will soon be squeezing down your chimney!
Neil Ogilvie Chief Executive neil@paintingdecoratingassociation.co.uk
Painting & Decorating Association
32 Coton Road, Nuneaton, Warwickshire CV11 5TW
Telephone: 024 7635 3776
e-mail: info@paintingdecoratingassociation.co.uk
web: www.paintingdecoratingassociation.co.uk
Chief Executive Officer
Neil Ogilvie
neil@paintingdecoratingassociation.co.uk Autumn 2025 — Volume 94 No 3
The Decorator is published by Catherine Saint Publicity on behalf of the Painting & Decorating Association
PDA Editorial
Neil Ogilvie
Telephone: 07864 300 688
e-mail: neil@paintingdecoratingassociation.co.uk
Advertising and Editorial
Catherine Saint Publicity
Telephone: 07941 590 183
e-mail: catherine@the-decorator.co.uk
Artworking and Design empathicVisions
Telephone: 07789 725 074
e-mail: info@empathicvisions.co.uk
The views expressed in this magazine are not necessarily those held by the Association. Editorial items in this publication and the statements and opinions expressed thereon are published on the understanding that the author of the contribution is solely responsible for the opinions so expressed. Although every care is taken with advertising, no responsibility can be accepted by the published for their products, services and other matters advertised. The publisher will not be liable for any loss or damage consequential or otherwise occasioned by error, late publication or the failure of an advertisement to appear in any cause whatsoever.
NOTICE
news
SEE YOU AT THE SHOW!
The National Painting and Decorating Show returns this year on the 18 and 19 November at the Coventry Building Society Arena, and looks to be a celebration of all that is best in this vibrant industry, both at home and abroad, and the PDA will be on Stand 94
CEO Neil Ogilvie, and Membership Services Manager Denice Harper will be there to discuss the benefits of PDA Membership and pick up any queries, along with the rest of the team from PDA Head Office. We look forward to seeing you all there!
A SPECIAL NIGHT FOR BOB
LONGSTANDING PDA MEMBER Bob Smith received the CEO Special Award for services to the Association at the Gala Dinner event on 4 October in Warwick.
Bob has had a long career in the painting and decorating sector, joining the family firm after leaving school in 1956. He attended Leeds College of Art on a day-release basis, three evenings per week, to achieve C&G Advanced Craft and Full Technological Certificates. He then went on to teach painting and decorating evening classes for four years in the 1960s while working.
Bob has held many positions with the BDA and the PDA. Within the region, he served as the Leeds branch’s Junior Vice President in 1976 and was elected Branch President in 1978, he was subsequently elected as Regional President in March 1980. He served as Honorary Treasurer of the PDA’s North-East Region from 2003 to 2020.
At a national level, he was elected onto the Association’s National Executive Committee in 1983. From 2009, he has served the PDA as National Honorary Treasurer for various time periods. The latest being when he stepped in again from September 2023 as 'Acting National Treasurer' and continued in the role right up to March 2025.
The PDA is very thankful to Bob for all the hard work he has put into the Association over the years.
DWP PROVIDES A suite of free programmes and services to help employers recruit and upskill staff efficiently. As industries adapt to meet future demands, the need for skilled, diverse, and resilient workforces continues to grow.
Employers can access support through local teams, which includes assistance to create job adverts, use of local Jobcentre facilities for interviews (where space is available) and opportunities to attend local job fairs.
Through the free programmes, partnerships, and platforms, employers can access free practical tools to strengthen workforce capability and community engagement. For further support of help or advice contact partnership.networkandprojectteam@dwp.gov.uk
AGM 2025
PDA Annual General Meeting to take place online again this year! 21 NOVEMBER 2025
After being forced to go virtual in previous years, it has proved to be a much better way to give the opportunity for members to participate!
All members will be sent an e-mail containing the AGM information. You will be able to download supporting documents and there will be an opportunity to feedback any questions or queries.
The following items will be covered:-
1. Financial Report
2. Subscription recommendation
3. Current Management Board
4. Election of Management Board Officers
5. Management Board Chair
6. Appointment of Accountants for the ensuing year 2026
7. Appointment of Trustees for the ensuing year 2026
8. PDA Overview – Chief Executive Officer, Neil Ogilvie
9. Any other (relevant) Business
Members wishing to raise Items for discussion should notify PDA Head Office at least seven days in advance of the Annual General Meeting. Un-notified proposals should be framed as a recommendation to the Management Board for discussion at its next meeting on 9 December 2025.
Point four of the meeting will be to elect members to the Management Board, of which there are four vacancies to represent categories 1, 2, 3 and 4, plus one vacancy to represent categories 5 & 6.
If you want to put yourself forward, nominations must be made to neil@paintingdecoratingassociation.co.uk by 31 October 2025.
After voting online the successful candidates will be notified and the details will be sent out as part of the AGM. We urge all members to take part in the voting process.
Please make sure that we have an up to date e-mail address for you, and keep an eye on our social media channels for further notifications.
Introducing Flat Eggshell:
ADVICE for our Members
TR AVEL TIME PAY FOR EMPLOYEES
Employers should be aware that employees, including employed tradespeople, who travel between client sites may be entitled to be paid at least the National Minimum Wage for time spent travelling between jobs.
IN A LANDMARK ruling on the National Minimum Wage legislation, the Court of Appeal has ruled in the case of HMRC v Taylors Services Ltd (Dissolved) that; time spent by workers travelling between their homes and their place of work is not working time for the purpose of payment of the National Minimum Wage.
This ruling applies to both the National Minimum Wage for workers in the UK (the minimum rate payable to workers from school leaving age until aged 21 years), and the National Living Wage, which is the minimum statutory rate payable to workers in the UK aged 21 years and over.
Those who are genuinely self-employed are not eligible for the National Minimum Wage or other statutory employment payments.
For National Minimum Wage (NMW) purposes, ‘time work’ refers to situations where a worker is paid based on the length of time they work, for example hourly paid workers.
National Minimum Wage legislation creates a general rule, that, if a worker is travelling for the purposes of time work and at a time when they would otherwise be working, that time is treated as hours of time work for the purposes of the NMW.
Where workers are required to travel between different workplaces during their working hours, the time spent travelling between workplaces is treated as time work.
The exception to this general rule is that time spent travelling between the worker’s home and their place of work and back, or a place where an assignment is carried out, is not treated as time work.
To access the Law Hub where PDA Members will find additional practical DIY templates and guidance around topics such as employment and health and safety law, get a token code from the PDA office and sign up for free on www.markellaw.co.uk/registration
In this court case, the workers were sent to work at clients’ farm premises to undertake their duties, which included providing injections, grading, loading and unloading poultry. Their employer provided a minibus to collect the workers from home and transport them to their first assignment. In this case, journeys could take up to eight hours per day, which meant the workers often spent a significant amount of their time travelling for work. HMRC issued the employer with Notices of Underpayment, totalling around £62,000 arrears of pay plus penalties.
HMRC’s case, which the employment tribunal accepted, was that the time the poultry workers spent travelling from their homes to different farms in transport provided by the employer was working time because the time was not wholly their own:
they were making a journey, in transport provided by their employer and which they were obliged to use, for the purposes of doing work when they arrived at the farm. On appeal by the employer, the Employment Appeal Tribunal ruled in the employer’s favour and HMRC then appealed to the Court of Appeal.
The Court of Appeal’s ruling
The Court of Appeal dismissed HMRC’s appeal finding, that the Employment Appeal Tribunal was correct to find that the travel time was not ‘time work’ for the purposes of the NMW Regulations. The travel was neither during time the workers would otherwise have been working and, even if it were, it fell within the exception in the NMW Regulations that time spent travelling between the worker’s home and the place of work is not to be treated as time work.
The workers were not doing ‘actual work’ while travelling. They were not performing their duties and were free to use the time as they wished.
The court ruling is relevant to tradespeople including painters and decorators who are employees as it reinforces that they are not automatically entitled to NMW pay for their daily commute, even when transport is provided by the employer or travel is extensive, but they may be entitled to receive pay for time spent travelling between jobsites (or where their employment contract entitlements them to pay for time spent travelling).
celebrate the work of the talented apprentices who made the finals, full details of the winners are on page 16.
It was then time to move on to the Apprentice Paperhanger Competition, and the worthy winners were announced and received their prizes. It was also an opportunity to give thanks and celebrate Bob Smith, a long-standing stalwart of the Association at the local, regional, and national levels, with a special award for Services to the PDA, see the Noticeboard on page 4 for more.
Guests were entertained throughout with live music from the ever-popular Daniel Morgan-Hayes and Tony Benedict. There was also a special guest performance from PDA Member Anthony Wade (pictured dancing second from the left), who performed his ‘hit’ Tiktok dance!
CEO Neil Ogilvie offers his thanks to the sponsors, Purdy and Solvite, the event would not be possible without this continued and valued industry support.
Kit out you and your team with our wide range of PDA branded quality workwear. Our range of affordable work clothing includes Painters Bib N Brace, long sleeve polo shirt and bodywarmer, all in a wide range of size* and colour options too! Login to the Member’s Area of the PDA website and click on ‘PDA Store’
*Please refer to each individual size guide before purchasing.
“They look very smart when you turn up for a job. The fleece jackets are lightweight, comfy to drive in and with white overalls, really looks sharp. I would highly recommend them.” – Michael Graham Decorators Ltd
£10.99 Bib’n’Brace £27.9 9
“I recently purchased the new long sleeve t-shirt for this cold spell, it’s very good quality, decently priced and good service.” – P B Painting & Decorating
£11.99
19.9 9
£23 .9 9
Welcome TO THE ASSOCIATION...
FOR OVER 20 years, Urban Hygiene Ltd has been helping decorators, contractors, and local authorities protect the spaces that matter most. Specialising in anti-graffiti coatings, graffiti removers, and surface cleaning products, the company has become a trusted name across the UK and beyond... Known for solutions that combine durability, ease of use, and real value for professionals.
Decorators face daily challenges in keeping finishes looking their best. Graffiti, pollution, and general wear can quickly spoil even the finest work. That’s where Urban Hygiene steps in. Its market-leading Easy-On® Anti-Graffiti Coating is designed to safeguard painted and decorated surfaces for up to 20 years, resisting not only graffiti but also scuffs, stains, and everyday dirt. Unlike traditional finishes, it creates a barrier that allows repeated cleaning without damaging the underlying decoration, saving time, money, and unnecessary redecoration.
Alongside coatings, Urban Hygiene supplies a comprehensive range of graffiti removers that cut through paint, ink, and marker without harsh scrubbing or damage to the substrate. Its cleaning products are widely used in schools, housing, transport, and commercial spaces, supporting professionals who need results they can rely on.
With sustainability in mind, Urban Hygiene develops products that minimise waste and extend the life of surfaces, helping decorators deliver long-lasting results their clients
appreciate. By protecting finishes against graffiti and grime, the company supports communities in maintaining clean, welcoming spaces.
Urban Hygiene isn’t just about products, it’s about preserving craftsmanship and protecting public spaces for the long term. If you have any enquires don’t hesitate to get in touch with them.
HAT-TRICK FOR HAYMARKET
STORY DECORATING GROUP achieved a third success for The Haymarket Project at the prestigious 2025 Construction News Specialists Awards in London, which represent the UK’s best specialist contractors, celebrating extraordinary talent, innovation and expertise driving the specialist contracting sector. The shortlisting’s from over 200 entries took place following a rigorous judging process of detailed submissions and a presentation to a select judging panel in London.
Story were shortlisted for the Project of the Year by a Specialist Contractor (subcontract from £2m to £5m) category, for their work at Haymarket Square B4/B5 in Edinburgh, before being awarded the ‘Highly Commended’ prize at a glitzy ceremony at The Royal Lancaster in London.
The Haymarket project, in collaboration with main contractor, Sir Robert McAlpine and client, Quartermile, included the painting and decoration of two state-of-the-art, eight-storey office blocks plus an impressive central atrium, totalling some 110,000ft2 Many highly specialised works and finishes were required to create the stylish and bold vision, achieving a spectacular overall result.
Commenting on Story Decorating Group’s entry, the judges said, “The panel was impressed by the presenters’ personable and passionate approach, commitment to local employment and sustainability solutions, and pride in delivering high-quality work on a high-profile project. The clear desire to innovate through digital solutions was noted.”
Rob Story, Managing Director of Story commented, “Having already picked up two other significant accolades for the project earlier this year, the recognition from the CN Specialists Awards further solidifies what we accomplished at Haymarket Square. The team involved are rightly proud of the project and it has meant a great deal to receive such positive feedback.
“To be selected not only within the decorating industry, but across the wider UK construction industry will hopefully raise the profile of the hard work we do and attract people to work both for us and with us.”
For more about the project see page 38, or visit www.storydecoratinggroup.com
Kerry(akaMurphy Decorella)
TOOLS down A QUICK Q&A WITH
How long have you been a painter and decorator? 36 years, started on YTS scheme in 1989.
Do you have a specialist area? No, I do all areas of decorating including wallpapering and murals, paint effects.
How long have you been a member of the PDA? 8 years
How do you market your business
I market myself as a creative and meticulous painter and decorator. My clients find me through recommendation mainly. My website is my shop window that I direct potential clients to, so they can see the standard before quoting.
Do you have tips on maintaining a successful business?
Open communication, be honest with the client they will respect you for it. Only take on the projects that you will enjoy. Don’t be afraid to pass on a job if you can’t fit it in or it doesn’t feel right for you.
Too many times, we often don’t want to disappoint the possible client but add pressure onto ourselves and can we forget how much we love our work.
How would you encourage young people to join the trade?
A MEMBER OF THE PDA
As part of the GoConstruct STEM Ambassador scheme, I go into schools to talk about careers in construction. I often point out that decorating and many trades will never be replaced by AI or future technologies.
Once you have the training and skills and put in the effort, you have the option to work for a firm or go it alone, and if you are a practical thinker or dyslexic like me, you can shape your own career.
Are you currently training any apprentices?
I don’t have an apprentice, but have offered placements for trainees or different ages and different backgrounds that are interested in finding out more before applying for apprenticeships.
What are the most annoying problems at work?
In the early years it felt like a struggle trying to prove myself or worrying that one day the work may dry up. Now it’s mainly the admin side that’s dull and a struggle, but QuickBooks has helped!
What do you most like about your job?
I love the creativity and trying out new products or trends. I am lucky that the length of time I have been in the career has meant that most of my clients return and recommend others that want the same, and are now good friends. Together we often work on the ideas and make them real, the wilder the better! It makes my job exciting and terrifying, and I love that.
What are you most proud of?
This year has been amazing. Being shortlisted for the Top 100 Influential Women at the Construction Awards was lovely.
I’ve provided a safe place to experience work, especially for those overcoming challenges or, that like me, struggled with confidence and the education system in earlier years.
It has also been so rewarding helping out on some DIY SOS projects, and would encourage any decorators to do the same if they see one local to them. I have made some great fellow decorating friends. I would also encourage any decorator that would like to encourage the next generation into our profession, to look into becoming a GoConstruct STEM Ambassador at www.goconstruct.org
Murphy is a Member of the PDA working across London and Essex, visit www.decorella.co or social media /decorella.co @decorella.co
Kerry
BANGGON Y. BANG DURA GON BILIT G ON BUDG . GE G ON T
BAGNALLS TO PUT NEXT GEN ON SHOW
FOR THE FIRST time at The National Painting and Decorating Show, taking place on 18-19 November at the Coventry Building Soeciety Arena, the trade’s top apprentices will be taking to the stage in a non-stop demonstration of decorative and broken colour paint techniques.
The Interactive Decorative Skills Hub, will be hosted by the Association of Painting Craft Teachers, and aims to show just what standards are necessary to achieve national curriculum level qualifications.
The work of the apprentices, all employees from PDA member firm Bagnalls and students at South and City College Birmingham, will be interactive too... Visitors will be invited to have a crack at the various decorative effects – all under the watchful eye of the young trainees!
www.bagnalls.co.uk
The Aims and Objectives of the Association of Painting Craft Teachers are to advance education and training throughout the painting and decorating industry, including technology and related skills associated with interior and exterior decorating, industrial finishing and signwork.
APCT also seek to further the interest of all engaged in teaching, including enhancing or promoting the skills associated with the industry, and to act as informed and expert representative bodies with which national, regional or local training organisations, both public and private may consult on all matters connected with the teaching of painting, decorating and allied technical, artistic and commercial skills.
www.apct.co.uk
AS PART OF their Make it Visible tour, Ian Williams was delighted to welcome Lighthouse, their Charity of the Year to their Plymouth offices. The business has nominated Lighthouse to support their work in addressing mental health in the construction industry and the event provided an opportunity to spread awareness of health and wellbeing support available, a commitment that is central to Ian Williams’ strategy.
The visit was led by Lighthouse representatives Lee Anderson and Andy Bishop, who delivered an informal talk to everyone on site. Drawing on their own lived experiences of mental health challenges within the construction industry, the pair encouraged open and honest conversations amongst the team.
Jason Gorin, Ian Williams’ People Director comments, “Having the Make It Visible team visit one of our sites is an important milestone in building our relationship with the charity who have already supported us with training over 30 colleagues in Mental Health First Aid. With several visits booked to our other sites, our aim is to roll this out across the whole business. Hearing Lee and Andy sharing their own lived experience was incredibly powerful.
“With shocking statistics showing that every single working day in the UK, two construction workers take their own lives, and every year there are over 82,000 work-related illnesses directly contributed to working in the sector, we want to do as much as we can do to help.
“The Make it Visible campaign is brilliant. It’s aimed directly at frontline construction workers and raises awareness of the free, confidential support provided through the Lighthouse Charity, including importantly, a
24/7 Helpline offering free and confidential support to anyone who works in the construction sector. In addition, people can access a free self-support app, counselling, financial support and help with illness and legal advice, with services extended to families too.
“Ian Williams’ partnership with Lighthouse reflects our ongoing focus on doing as much as we can to support our teams and maintain a high welfare culture at Ian Williams. In parallel, we’re looking forward to raising even more funds for the charity across the business, supporting their unique vision that no construction worker or their family should ever be alone in a crisis.”
Sarah Bolton, CEO of the Lighthouse Charity added, “We are delighted to have Ian Williams’ on board as Company Supporters. Not only are they supporting us financially, their pro-active stance on promoting a positive mental health culture will ensure that their teams know how to reach out for support if they need it and encourage open conversations where people feel supported.”
www.ianwilliams.co.uk
Sponsored by
2025 APPRENTICE
PAPERHANGER
APPRENTICES HONING THEIR craft were recognised at the recent PDA Gala Dinner and Paperhanger Awards, sponsored by Brewers
In June apprentices from across the country gathered at Doncaster College to take part in the annual Paperhanger Competition hosted by Painting and Decorating tutor Glen Galbraith.
The day-long challenge that involved a wallpapering task designed to test their precision, stamina and skill.
Under timed conditions the apprentices had to demonstrate their ability in measuring, planning and applying paper within a room setting. The work was once again judged by the PDA’s Chairman of the Board, Stuart Yates, and PDA CEO Neil Ogilvie.
Top scorers were then invited to the Gala Dinner where last year’s Junior Winner, Tyler Fletcher of N Hirst Decorators and Doncaster College, was named Senior Winner.
Tyler said, “I’m incredibly grateful for the opportunity to participate in the Paperhanger competition for the second time. When my lecturer Glen Galbraith approached me about entering again, I was initially anxious about the challenge, but I quickly remembered how much fun I had the previous year and the great people I met.
Senior runner-up was Romilly Oliver, apprentice at Scott Oliver Decorating and studying online with MT Training
The Junior Winner was Lauren Burnett, apprentice at Craig Smillie Painting and Decorating and student at Forth Valley College, “I participated in the competition with a view of gaining experience and knowing what to expect next time round as the calibre of competitors was high and I did not think I would win.
“I was amazed to find out I made it as a finalist and ecstatic to find out that I had won the category. The competition was stressful, but I enjoyed it. This has opened my eyes to the possibilities in the future.”
Runner-up in the Juniors was Jazzmin Smith, of D&D Decorating and Hull Training and Adult Education
Neil Ogilvie also presented the PDA CEO Recognition and Achievement Award to Mia Williams, an apprentice at Ian Williams studying at Riverside College, Widnes.
“This years’ experience lived up to every expectation and I’m truly thankful to Glen for sharing his knowledge and experience. His guidance gave me the confidence to perform under pressure and really enjoy the moment.”
Neil said, “Congratulations to all the apprentices who have been recognised for their achievements at this award ceremony. The winners and runners-up can be proud of getting the very top scores out of all the entrants in their categories, while the Chief Executive Recognition and Achievement Award is presented to someone who stands out during the competition event for their perseverance and professionalism.
“The PDA extends its thanks to Brewers for once again sponsored the competition.”
Left; Senior Runner-Up Romily Oliver Right; Junior Runner-Up Jazzmin Smith
Neil Ogilvie with winner of the Chief Executive Recognition and Achievement Award, Mia Williams
A NEW DIGITAL gateway into construction has arrived, with the launch of Go Construct Careers (GCC). The online platform, recently unveiled by the Construction Industry Training Board (CITB), is designed to connect construction employers with the next generation of skilled workers. The upgraded portal serves as a central hub for job vacancies, apprenticeships, and entry-level opportunities across England, Scotland and Wales.
GCC is a free-to-use feature within the Go Construct website and is tailored to support individuals at every stage of their journey – whether they’re entering the industry for the first time, interested in learning new skills, or switching careers. The platform enables users to create profiles, upload CVs, search and apply for roles, and even get discovered by employers actively seeking new talent.
For employers, GCC offers a streamlined way to advertise vacancies, build talent pools, and promote events such as career fairs and competitions. It also supports training providers and educators by offering tools to help students explore construction careers and check CSCS cards.
The launch comes at a critical time for the construction industry, which is rapidly evolving thanks to digital innovation and adopting more sustainable and modern methods of construction. GCC will help employers to attract a more diverse workforce also, while giving people a user-friendly portal to explore opportunities and engage with employers.
GCC is designed to be inclusive and accessible, with case studies and content that reflect the full spectrum of people working in the industry. It aims to attract young people, career changers, and individuals from underrepresented backgrounds, helping the industry to attract a broader range of people into the industry.
Stephen Carter-Saunders, Product Developer (Careers) at CITB, said, “Go Construct Careers is a direct response to what the sector told us they needed – clearer pathways into construction and tools to help individuals take the next step with confidence, either through applying for new entrant opportunities, or being discovered by potential employers.
“Prospective new entrants can see the breadth of opportunity in the industry via GCC – it is designed to meet employers and prospective employees where they are and provide guidance.” Visit the new platform at https://careers.goconstruct.org/
We have been very busy this year with the launch of a number of innovative products, designed to make the painting and decorating process more efficient than ever before, we have focused on delivering real solutions that meet the evolving needs of our customers – you.
Each new product reflects our commitment to quality and continuous improvement, ensuring that you can achieve outstanding results with greater ease and confidence.
What we have delivered for you so far:
•Large area protection film and paper
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AJ Decor
A full refresh across several key areas of Hogarths Hotel in Solihull, known for its luxury feel and idyllic setting, so every element needed to reflect the high standards that guests and visitors expect. Entrance areas, conference and meeting rooms, and guest bathrooms were decorated to balance style and practicality.
Bagnalls
This Handley Page Victor XL231 at the Yorkshire Air Museum was restored to its former glory, following the precise paint pattern of a 1980s RAF Victor K2, this is the first time in 40 years that this aircraft has featured the distinctive camouflage design!
Douglas Gillie & Son
Exposed to the elements, this pagoda was brought back to life and protected for years to come with Sadolin Extra Woodstain, Sikkens Satura on lattice work, and Sadolin Decking Stain.
Decorative Decorators
A beautiful transformation of the entrance hall, staircase, and kitchen at this London home. Now glowing with Farrow & Ball Estate Emulsion, Off-White walls and Slipper Satin ceilings, bring subtle elegance and warmth.
Before
On the Cover
Davison Solutions www.davisonsolutions.co.uk
Davison Solutions Ltd assisted in the restoration of the spectacular grade II listed building and creation of new state of the art facilities at The Story in Durham. Areas included ceremony rooms, grand staircase and new build extension all using Johnstone’s Trade paints.
Within the existing historic building there were ornate features such as ceiling roses, cornices and the grand staircase woodwork that required extensive restoration before the redecoration.
All empty paint tins were packaged up and returned to the local Johnstone’s Decorator Centre. Any left-over paint was advertised on social media to the public for a small donation to Macmillan Cancer Support Charity
A great, historically sympathetic project completed by Davison Solutions – £100 of vouchers for use at Brewers are now on the way!
JC Painting and Decorating
Just a typical bedroom makeover with a less typical curved wall for the JC team. Zoffany wallpaper, and paints from Little Greene and Dulux Trade work beautifully together for a classical finish.
Islandmagee Painting & Decorating
Ken and his team completed the hallway, stairs and landing of this small care home with Dulux paint in Cobble Cove and Dried Sage providing a calm environment for the residents.
P&Dnews
FINALISTS REVEALED
THE BRITISH COATINGS Federation (BCF) are pleased to announce the shortlisted entries for the 2025 Awards.
Following a series of judging days conducted by an independent panel of judges in each category, they have reached a carefully selected shortlist from a wide variety of high-quality entries.
BCF CEO Tom Bowtell commented, “The competition was incredibly strong again this year, perhaps one of the most impressive showings we’ve ever seen, with over 70 submissions from across the industry. Each shortlisted company should be proud of their achievements. It was especially encouraging to see such strong entries across all 13 categories, highlighting the sector’s diversity, innovation, and commitment to sustainability.
“As usual, there has been a large number of entries for our individual awards, with the Apprentice, Student and Young Leader of the Year categories. As part of our continued commitment to nurturing future leaders through the Coatings NextGen Council, it’s great to see the quality of emerging talent coming through in the industry.
“This year, we’re also proud to introduce a new category, Rising Star, in memory of our young colleague,
his footsteps.”
The shortlist for the BCF Coatings Care Awards will be announced in the coming weeks.
The winners will be announced at the Awards dinner on 12 November 2025 at Carden Park in Chester.
Bookings are now open. Information on the Award categories and how to book can be found at https://coatings.org.uk/BCFAwards2025
The BCF would like to thank everyone who has submitted entries for this year’s Awards, and also the judges and this year’s sponsors: Stort Group, BASF, Verlingue, Xyntra, Fenton Packaging, Tronox Pigments, PALEUS Acrylics, Dacrylate Paints and Lisam for their support.
Sustainable Innovation
Alberdingk Boley
PPG Architectural Coatings UK
Sherwin-Williams Consumer Brands
Sun Chemical
Venator
Race to Net Zero
Becker Industrial Coatings
Crown Paints
Inktech
Customer Service
AkzoNobel Decorative Paints
AkzoNobel Powder Coatings
Crown Paints
H2 Compliance
Excellence in Training
Belzona
Crown Paints
Diversity and Inclusion
AkzoNobel Decorative Paints
Becker Industrial Coatings
PPG Architectural Coatings UK
Venator
Young Leader of the Year
Connor Knowles, PPG Architectural Coatings UK
Danielle Wheeler, PPG Architectural Coatings UK
Elizabeth Nierop, AkzoNobel Decorative Paints
Jack Harrison, Venator
Steven Hughes, Azelis
Corporate Social Responsibility
AkzoNobel Decorative Paints
Crown Paints
HMG Paints
Marketing Campaign of the Year
AkzoNobel Decorative Paints
Dulux Decorator Centre
Crown Paints
Inktech
PPG Architectural Coatings UK
Apprentice of the Year
Ethan Burns, Becker Industrial Coatings
Jack Starkie, AkzoNobel Decorative Paints
Luis Beaumont, HMG Paints
Lisa Figueira-Cartwright, AkzoNobel Decorative Paints
Student of the Year
Marcus Wheatley, Indestructible Paints
Violaine Mendez, Indestructible Paints
Oliver Williams, Thermaset
Rising Star (new for 2025)
Chris Richardson, PPG Architectural Coatings UK
Emily Clarkson, PPG Architectural Coatings UK
James Lund, Venator
Luke Czarnobay, HMG Paints
Luke Chadbourne, Inktech
NEXT-GEN PAINT SPRAYERS AT NATIONAL P&D SHOW
GRACO IS TO showcase its latest innovation in airless spray technology at the Painting and Decorating Show, introducing the all-new Ultra Small Electric Sprayer Series – a breakthrough range engineered for professional decorators demanding performance, portability, and productivity. The new Ultra lineup sets a bold standard for entry-level spray systems, delivering best-in-class performance in the lightest full-performance professional sprayer on the market. Designed with on-site agility in mind, these compact sprayers are easy to transport and store, making them a perfect fit for today’s mobile tradespeople.
Visitors to stand 64 at the P&D Show will get hands-on with the new Ultra models, including the 390 and 395, and see just how fast and easy maintenance can be with ProConnect pumps, RAC X Low Pressure SwitchTips, and the Contractor PC Gun ’s replaceable cartridge system.
Callum Plummer, whose passion and enthusiasm left a lasting impact on all of us. This award will shine a light on promising individuals who are already making a mark and inspire the next generation to follow in
BCF 2024 Award winners on stage at the ceremony at The Milner in York.
ELECTRIC TRUCKS AND HVO FUEL TO CUT EMISSIONS BY OVER 50%
AKZONOBEL HAS ANNOUNCED the deployment of its first 100% electric trucks and urban trailer fleet together with a nationwide hydrotreated vegetable oil (HVO) powered fleet in partnership with XPO Logistics. The initiative will cut the company’s transport emissions by over 50% and save approximately 3,000 tonnes of carbon emissions annually, directly supporting AkzoNobel’s SBTi to reduce Scope 1 emissions by 50% by 2030, against a 2018 baseline.
Measurable environmental impact
In this landmark move, AkzoNobel will become the first paint brand in the UK to deploy large-scale electric heavy goods vehicles (eHGVs) under the government’s ZEHID programme. The transformation will deliver annual carbon savings in three key areas:
• Vehicle efficiency improvements:
300 tonnes CO2 reduction
• Euro 6 engines and electric vehicles:
700 tonnes CO2 reduction
• HVO fuel adoption:
2,000 tonnes CO2 reduction
These combined savings of 3,000 tonnes annually equate to removing more than 650 average passenger cars from UK roads for a year.
Two fully electric trucks will operate from AkzoNobel’s Slough site to serve London and the surrounding areas.
These vehicles will deliver a 100% reduction in direct CO2 emissions while in operation and contribute to lower noise
fleet will operate nationwide, ensuring significant reductions in carbon footprint across both long and shorthaul journeys.
Paint the Future
The fleet investment is the latest milestone in AkzoNobel’s Paint the Future initiative, which places sustainability-driven innovation as a key pillar of the business. Building on existing progress, with 100% of purchased electricity used in its UK own operations throughout 2024 being renewable and achieving a 41% reduction in scope 1 carbon emissions that same year, this step demonstrates how AkzoNobel is delivering on its commitment to a more sustainable future.
What’s more, the fleets will deliver new cutting-edge low-emission products, including 99.9% VOC-free Dulux Easycare and Dulux Walls & Ceilings alongside improved water-based One Coat Satin, helping customers to improve their environmental credentials too.
Kathryn Ledson, MD Decorative Paints UKI at AkzoNobel comments, “The launch of our new fleet is a proud milestone in our sustainability journey. At AkzoNobel, we are committed to painting the future by taking bold forward-thinking action, not only though the innovative and sustainable products we create for our customers, but also through how we function as a business. This investment is a clear demonstration of how we are delivering on our science-based targets and taking responsibility for our impact. The announcement builds on our strong history of embedding sustainability at the heart of our operations, product portfolio and partnerships”.
AkzoNobel’s fleet changes are being delivered in partnership with XPO Logistics, a leading provider of innovative and sustainable end-to-end logistics across Europe. XPO is at the forefront of decarbonising freight, offering advanced multimodal transport solutions and expertise in alternative energies to help customers build more sustainable supply chains. Their proven track record in sustainable logistics makes them an ideal partner for AkzoNobel as it transforms its transport operations to cut emissions and support their journey to net zero.
Dan Myers, Managing Director UK and Ireland of XPO Logistics, comments, “AkzoNobel and XPO Logistics are united by a belief that real progress is built on action, not aspiration. By delivering measurable, large-scale emissions reductions through our logistics partnership, we’re turning shared values into shared results.”
For further information on AkzoNobel’s sustainability goals, visit www.akzonobel.com/en/about-us/sustainability
CRISIS BANK ON BREWERS SUPPORT
THE REFURBISHMENT OF an old bank into a fabulous new centre for the homelessness charity, Crisis, has now been completed thanks in part to the ongoing support from Brewers Colindale. The store has been donating paint for the Skylight Brent centre for around two years as their decorating progressed.
For the last stage, the branch donated 100 litres of colour matched Albany and Dulux finishes plus some woodcare to decorate the rear stairs, kitchen, shower corridor, interview suites, garden room and paint the roof/skylights with reflective paint to reduce heat.
Area Development Manager, Faye Addison, added, “We have been supporting this for a long time and it’s great to see it, now it has been completed. They have completely reconfigured the building into a lovely space with craft rooms, consultation rooms and a garden.”
Crisis is the national charity dedicated to ending homelessness in the UK and Brewers have had a close relationship with them for a number of years, including helping with the redecoration of their flagship service centre, London Skylight.
See how Brewers help make the world a brighter place at www.brewers.co.uk/about/community.
Administration and Facilities Manager for Crisis, Justin Salmon said, “The donation worked immediately to reduce heat in the communal spaces, which everyone was very happy about. Members commented on how bright and new the area felt and your support galvanised us to look at how else we can improve the area.”
“Thank you once again to Brewers, for all the personal help and the continued support the Colindale branch give us. It makes us feel valued within our community and is a morale booster for us and those we work with.”
Branch Manager, Mo Khammal, said, “It is such a nice building now. I have been following the refurbishment from when it was just a shell, midway through and then finished so I have watched it be transformed. I’m from this area so it’s meant a lot to be involved with it and I am so happy to give something back to the community. I’m really grateful that Brewers have given it so much support.”
SWIMMING IN PAINT?
THE COMMUNITY!
NEW RESEARCH FROM Dulux and the Community RePaint network has revealed that the average UK home has over four cans of unused paint – collectively enough paint to fill 20 Olympic-sized swimming pools
The research comes as Community RePaint opens its 100th network member, with ten members having joined this year, making it more accessible than ever before and enabling more people across the country to donate their leftover paint and benefit the local community.
With one third of homeowners purchasing paint in the last six months, 65% have either accidentally or purposely bought more paint than required. This is despite tools like the Dulux Paint Calculator which quickly and accurately estimates exactly how much paint you need. The average leftover paint can remains unused for 4.3 years, with one in ten leaving paint cans for over a decade. Additionally, nearly a quarter (23%) do nothing with leftover paint whilst nearly a fifth (17%) of respondents admit to keeping old paint simply because they do not know what else to do with it.
However, there is appetite for change: over three quarters (77%) would love to see their surplus paint used in a community project. Despite this, the majority (79%) are unaware of local reuse schemes that could benefit from unused paint. As paint waste is clearly a growing issue in the UK, it is important to educate consumers on how they can give their leftover paint a new life by encouraging circularity and reuse.
Since its inception, Community RePaint has redistributed 5.4 million litres of paint to individuals and community projects and it continues to grow nationwide. The network
was originally launched through funding provided by Dulux in 1993 and has been solely sponsored by the brand for over two decades. Alongside redistributing paint, the network also remanufactures it to produce its own ReColour paint.
Peter Howard, Sustainability and CSR Lead at AkzoNobel, commented, “We know many UK households still have reusable leftover paint gathering dust in cupboards and sheds instead of being put to good use. That’s why our longstanding partnership with Community RePaint is so important. It offers a simple, circular solution that redistributes paint to good causes and helps brighten lives.”
Community RePaint was established to tackle these challenges and encourage greater re-use of leftover paint by recovering and redistributing paint waste to individuals and groups in the wider community at affordable prices, reducing paint going to landfill. According to the British Coatings Federation, 50 million litres of paint are wasted every year in the UK. In 2024 alone, Community RePaint helped colour 356,800 lives through redistributing 366,538 litres of paint, positively impacting 2,500 community groups, 44,500 individuals and families, whilst saving the equivalent of 989,625kg of CO2 emissions.
Lilian Graves, Community RePaint Communications Coordinator, commented, “What sets Community RePaint apart is our commitment to sustainability, to see the impact our networks have on helping the UK reduce paint waste is really heartening. If every unwanted, forgotten can of paint was donated to the network, that’s a lot of a little actions that add up to create a massive difference.”
Use the postcode search on the Community RePaint website to find out how and where to pass on surplus paint. Or if you need 60 litres or more of affordable high-quality paint delivered to your organisation, consider ReColour as an option. With over 17 colours available and ranges in emulsion, masonry, chalk furniture, and garden paint, there is sure to be a paint solution for your organisation or home. www.communityrepaint.org.uk
MAKEOVERS CAN BE CHILD’S PLAY
A SHOPFRONT IN the Buckinghamshire town of Stony Stratford has a vibrant new look thanks to a thorough makeover using Bradite One Can.
Painter and decorator Michael Johnson transformed the worn, flaking frontage to provide a bright, welcoming look for a new business taking over the premises for the Tots and Dots children’s play café.
“There was a lot of preparation needed with filling and other repair work, and then I used One Can ”, explained Michael, who took full advantage of the coating’s all-in-one formulation as primer and finish.
He had discovered One Can on an earlier, smaller job, but recognised its qualities for providing a durable, protective finish on the town centre shopfront, selecting a pastel pink for the contract. Touch dry in 30 minutes and with recoats possible after just 1 hour, it’s the ideal water-based, single-pack product for exterior projects like these.
“One Can is just lovely to use and dries so quickly,” he says, “I’m so pleased how it turned out and I can’t wait to visit Tots and Dots with my family.”
www.bradite.com
SEE BRITAIN’S MOST VALUABLE PROPERTY
IN THE LEAD up to World Mental Health Day, Crown Paints listed five community centres for a symbolic £500million each, which featured on property websites and an estate agent’s window, to highlight their true value, and call for urgent investment to stop closures of these vital mental health lifelines.
It comes as a nationwide survey of 2,000 adults revealed that over a third of Brits say these spaces help them escape loneliness, and having access to community spaces has a positive impact on their mental health and wellbeing.
Community spaces under threat
The campaign spotlights buildings in regions among the hardest hit by local authority cuts, drawing attention to the real value of the UK’s shared spaces. The warning is clear. Unless the UK unlocks the funding needed for shared spaces at pace, libraries, youth clubs and community halls will disappear, and with them, the beating heart of our communities.
In a bid to get policymakers to recognise the value of shared spaces, the campaign, launched in partnership with mental health charity, Mind, saw listings of the five community centres hijack property websites, feature in classified ads and even popping up in an estate agent’s window for sale.
Youth & Community Centre listed for £500m in Liverpool Echo
A building that has been serving Bootle since the 1800s, now a lifeline in one of the most deprived areas in the UK. Today St Leonard’s Youth & Community Centre is a go-to hub in times of crisis - from floods to food poverty - offering food, advice, classes and care to hundreds each week. Its true value lies not in the size of its hall but in the dignity restored, the crises averted, and the community rebuilt within its walls.
Debbie Shelley, Centre Manager, said: “St Leonard’s has always been more than a building – it’s the place our community turns to when they need connection or support. Listing it as one of
Britain’s Most Valuable Buildings is a reminder that the services we provide are priceless to the people who rely on them.”
The study also found that nearly nine in ten say vibrant community spaces are important, with 41% expressing concerns for future generations if these places disappear altogether, but the current outlook for community spaces is bleak. Freedom of Information data shows that local funding has fallen 18% since 2022, and more than 4,000 public buildings being sold off every year.
Amanda Bolton, a spokesperson for the campaign at Crown Paints said, “When we talk about mental health, we often overlook the walls that quietly hold us up. These
are the spaces where real life happens. The toddler groups, the art classes, and those evening drama clubs. Places that offer comfort, connection and community. By listing them as Britain’s Most Valuable Buildings, we’re shining a light on the everyday spaces that hold our communities, and wellbeing, together.”
Andrew Berrie, Head of Corporate Partnerships at Mind, added, “Community spaces are important for our mental wellbeing. They provide accessible, welcoming places to connect with others and help reduce loneliness, which can have a negative impact on mental health.
“Crown’s research shows the public feel their loss deeply, with many worried about the impact on future generations. Protecting these spaces must be part of the national conversation on mental health.”
As part of the campaign, Crown Paints has launched an online hub with fundraising tips for community centres. This forms part of Crown’s wider Project Possible commitment to supporting communities through the power of paint, with the ambition of donating 50,000 litres of paint or more to support community projects nationwide.
Amanda continued, “From creating more joyful paces through the power of colour, to supporting community regeneration with uplifting murals and paint projects, we’re helping communities to grow and thrive. This campaign builds on our Project Possible commitments, showing how we can play a meaningful part in the places that matter most.”
https://about.crownpaints.com/projectpossible
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Making difference
Wby Charlie Budd
hen we do things with a clear purpose, we’ll not only do them better, but we’ll also get a lot more satisfaction from doing them. And the more that purpose aligns with making a difference to people’s lives, including our own, the better. But how can we really make a difference in our work, and in our lives?
What we do and how we do it can make a real difference to people. On the face of it our job is simple – to make good-looking and durable surfaces. So how does that really make a difference in people’s lives?
We are employed because someone either cannot or doesn’t want to do a painting and decorating task. That applies whether it’s a domestic, commercial or industrial job.
Many homeowners will DIY their decorating, and some commercial and industrial outfits will have property teams who do similar. We’re brought in when there isn’t the capacity for the client to do it themselves, whether that’s skills-based or time-based or can’t-be-arsed-based.
That means we’re taking the hassle out of people’s lives. As I’ve written before, what’s tied up in that is getting the basics right: communicating well, being on time, being well-prepared with the right kit and consumables, and a friendly, kind and professional attitude.
Giving opportunities
When I was a decorator, and even more so now I’m a photographer and videographer, I’ve given work experience opportunities to young people.
It’s such a brilliant way for youngsters to find out whether the job is right for them.
There are so many different opportunities for young people these days, that anything that helps them to make informed choices can only be a good thing.
In a digital age it’s not just a case of being a jobbing decorator either, it’s about being good at business, good at marketing, possibly creating a social media or YouTube channel to diversify income and opportunities beyond the physical decorating work.
Passing on skills
That brings me to the difference we can make by passing on our skills to others. Whether it’s taking on a trainee or apprentice, or writing blogs, or educating others online. Many decorators work on their own, so passing on those skills really is a great way to make a difference to others. It can take a bit of confidence to put your head above the parapet and show the world what you do, but the rewards for yourself and others can be really worth it.
Charity work
Like Liam Neeson, we all have a very particular set of skills, and those skills can be really useful to those in need. It could be a local scout hut, a community centre, someone in particular need. And how many of us have taken part in people’s lives, as well as inspiring millions of viewers?
We can also give regular donations to our favourite charities straight from our business. It’s good to know that we’re giving back, and it can be good marketing too.
Support great suppliers
Whether you use local or online suppliers, where you spend your money on materials and kit can make a big difference to those suppliers. It creates jobs with companies who offer great products and great service. Support those who are supportive and they’ll likely support you back.
Support other decorators
Speaking of being supportive, one of the biggest impacts on my life as a decorator was the support of other decorators. Whether it was local decorators with whom I might collaborate on jobs, or those whom I mainly chatted with online and perhaps only met annually at the Painting and Decorating Show.
It can be tough as a decorator, especially if you own your own business. Having the advice and support of other decorators can make a huge difference to mental health as well as business success, and that back up is even more important when things go wrong.
Being fair to yourself
Environmental impact
There are two main ways we can lower our environmental impact. Firstly, by reducing the materials and energy we use and by choosing products with a lower environmental impact, we are reducing the load on the environment of the actual decorating. This even applies to travelling in energy efficient ways to and from jobs and being organised so we’re making fewer trips to merchants.
As part of our job is to protect surfaces, if our work is long-lasting, we’re increasing the decorating cycle and therefore reducing the number of times a property needs decorating – saving clients’ money and saving on the environmental impact of redecorating more frequently.
Last, but not least, we make a difference by making sure that we’re earning a decent living for ourselves and our loved ones. I have to admit, I’ve been guilty of undercharging for jobs, and that’s not fair on me, nor my family. I’ve not had clear payment structures, such as part invoicing to buy materials and secure a time slot, part invoicing through the job, and last invoice on completion. All of these are crucial for cashflow, and ensuring we are earning a fair wage.
Making a difference as a decorator, or as a supplier, or whatever you do is about being thoughtful about people and planet. We all have the power to influence others, support others, show a side of professionalism which impresses and delights customers. Every single one of us can make a difference.
Purdy: Marking a century
This year marks 100 years of Purdy. We spoke to Rob Davies, National Account Manager at Purdy about what makes it different and why its products remain the go-to for so many professionals.
Can you tell us a bit about your role?
I am a National Account Manager and have been with Purdy for nine years. I work closely with the decorator centres across the country to ensure we can meet the needs of customers.
Why do you enjoy working for Purdy?
One of the things that became very clear to me when I joined is the passion that many professionals have for Purdy. I’ve met decorators with Purdy tattoos and last year we had a bride whose bouquet was made from our Pro Extra brushes. Painters and decorators will often proudly show us the brushes they’ve been using for many years and have carefully cared for. This kind of enthusiasm is infectious and makes the work I do so much more enjoyable.
What do you think sets Purdy apart?
Professionals demand quality and products they can trust as their reputation among customers and success as a business depends on it. Our approach is to bring out a new product only if it either improves the finish that can be achieved or helps decorators work more efficiently, ultimately making their business more profitable.
I think another factor that sets Purdy apart is our work to support young professionals joining the industry. One of the ways we do this is through our Mentor of the Year awards, which is now in its fifth year and shines a spotlight on the vital and sometimes lifechanging role that college lecturers and professional painters and decorators have as mentors to the next generation.
These often-unsung heroes of the industry inspire young people, help foster a sense of pride in their work and provide the guidance and support that many need. Similarly, we have been a proud sponsor of the Painting and Decorating Association Apprentice of the Year competition for the last 20 years. This is a highly demanding competition that highlights the very best apprentices the trade has, with the awards given at the PDA Trophy Awards ceremony in front of hundreds of industry professionals, which is a real accolade for these young people.
Why is Purdy a brand that has endured?
This is a special year for Purdy as it marks 100 years since the company was founded in Portland, Oregon USA. I think the reason why our products remain so popular is that there has always been innovation to make the highest quality painting and decorating tools, but some things have remained unchanged. Our brushes are still handcrafted by professional brush makers in our Portland factory, using the highest quality materials and designed with the needs of painters and decorators in mind.
The UK Purdy range has been designed specifically for this market, why is this so important?
Paints manufactured in the UK differ from those in other parts of the world so it is important that the brushes and rollers are optimal for the formulations that professionals will be working with every day. When Purdy first entered the UK market
a rigorous testing process was undertaken to understand which products would be most suitable for the most widely used brands of paints and coatings.
As a result of this testing, a carefully selected UK range was created with the aim of making it as easy as possible for professionals to select the right product for the job. Paints and coatings are always evolving so we continue to test our products to ensure they still deliver the best experience for customers.
How can a professional select the right product for a job?
It depends on what type of work is being carried out. For some jobs, such as in domestic properties, the very highest quality finish might be the focus. Therefore, our White Dove roller sleeve might be just what they need as it delivers an ultra-smooth finish. Meanwhile for painting contractors working on large scale jobs, productivity may be the key. Our poles and roller frames, among the lightest you can buy, are valuable as they help minimise user fatigue and allows them to continue working comfortably. This can be enhanced by pairing it with the Colossus sleeve that picks up and lays off much more paint than a standard roller for greater efficiency.
As a professional decorator with decades of experience, hand painting kitchens has been a long-standing passion of mine. My journey began in London during the late 1980s and early 1990s, where I worked as a ‘prep painter’, meticulously preparing and painting kitchen cabinets with oil-based eggshell finishes. This was a time when detailed faux finishes like dragging and ragging were the height of interior fashion, and I had the privilege of being part of that era.
Fast forward to today, I hand paint dozens of kitchens each year and still get genuinely excited by each new project. There’s something deeply satisfying about transforming a kitchen – the heart of the home – with a durable, elegant hand-painted finish.
My client had a bare wood kitchen newly installed, crafted by Handmade Kitchens of Christchurch, and wanted a high-end, hand-painted finish that would stand the test of time, both in aesthetics and durability. They were looking for a timeless, classic look with an eggshell finish
– something that would integrate beautifully into their home while remaining practical for everyday use. Over the years, I’ve developed a meticulous system for hand painting kitchens, one that I’ve refined through experience and know will deliver lasting results...
A FLAWLESS FINISH HAND PAINTING A NEW ‘NAKED’ KITCHEN
1 Apply floor protection to the whole floor I use Trimaco X•Board, which is very easy to use, breathable and no paint will seep through it.
2 Make a drawing of the kitchen
Number accordingly each removable item that is taken off.
3 Remove all doors, drawers and plinths
This is so that I can paint and protect every edge of each item and also to avoid any paint contact with hinges, magnetic catches etc. Every screw, hinge and magnetic catch is put into a sealed bag and numbered to correspond with each door or drawer.
All timber is lightly sanded
Using a 320-grade abrasive to flattens any grain that may have slightly risen, this is always done using either Mirka and Festool dust free sanders or hand sanders, with either Mirka Abranet or Goldflex pads.
5 Lightly oil
I apply two thin coats of Osmo Raw oil, as I find this doesn’t colour the veneer, and keeps it natural looking. When the oil is fully dry, I mask off the joint between the framework and the veneer with 36mm tesa 4334 Precision Mask, as it leaves a very crisp neat line and there is never any paint bleed with this tape.
7 Final preparation
By Matt Lemon
8 First coat
Any knots are wiped with methylated spirits to clean any excess resin or oil, this will help prevent bleeding through at a later date, a thin coat of shellac knotting is then applied to the knot, and once dry I spray B-I-N Shellac sealer from Zinsser.
I ALWAYS use Tikkurila paints for this, either Otex or Ultra Primer, depending on the colour the customer has chosen. I paint the doors, drawers, and plinths flat, then stack them to fully dry on a drying rack.
9 Carcasses and frames
I repeat steps 4–8 on the fixed parts of the kitchen, before then caulking any gaps between the frames and walls/ceiling, plus any gaps in doors etc. Before once again vacuuming and tack cloth off.
I have a selection of Staalmeester brushes in varying sizes –This allows me to pick the perfect tool for each element of a project.
Why hand painting?
Hand painting offers something no factory spray finish can; character, craftsmanship, and customisation. It's an artisanal process that brings warmth and individuality to your kitchen, and with the right system, it's a finish that doesn’t just look beautiful, it lasts.
11 Coating time
10 Fully primed
When the caulk has had plenty of time to dry, I like to leave this overnight, the second coat of tinted primer is applied to build the colour and provide a solid base for the subsequent top coats. I always use a 4” roller sleeve and Staalmeester One brushes, which are beautifully designed and perfect for laying off paint with their ultra-soft and flexible 100% synthetic fibre composition. When dry, everything is lightly abraded with a 320 grade abrasive, vacuumed and tack clothed off.
The first coat of Tikkurila Helmi paint is now ready to be applied. This comes in three sheen levels, 10, 30 or 80%, with the vast majority of customers choosing the Helmi 10. This is my personal favourite too, Helmi is a water-based acrylic paint and dries to an incredibly hard and scrubbable finish. I always paint the back side of all doors and drawer fronts first, whilst these are laid flat on a drying rack I paint the framework, doors are then flipped over to paint the front side. When dry, everything is lightly abraded again with a 320 grade abrasive, vacuumed and tack clothed off.
12 Once more, for the perfect finish
Each item and framework is very lightly abraded with a 420/600 grade abrasive, again vacuumed and tack clothed to remove any dust that may be left. The final top coat is then applied in the same manner as the first, a 4” Staalmeester roller and brush to apply the paint in a nice even full coat, then very lightly laid off using a Staalmeester One brush.
13 Final touches
If possible I leave the doors and drawer to dry for a full day before refitting. When I do refit the kitchen, I take all masking tapes and floor protection up, thoroughly vacuum everywhere and leave the kitchen clean and tidy.
The result is a beautiful, handpainted kitchen that enhances the natural beauty of the cabinetry while offering a hard-wearing, wipeable finish that will last for years. The client was thrilled with the transformation... Not just with the aesthetic outcome, but with the attention to detail and level of care put into the work.
Whether it’s a newly installed naked kitchen or an older one in need of revitalisation, I bring the same level of passion, precision, and pride to every job. Hand-painted kitchens stand out for their timeless appeal and enduring quality, and I’m proud to continue offering this craft to clients who appreciate the difference.
Mapperton A modern restoration
Britain’s oldest family-run paint manufacturer has brought a fresh palette of colour to a Jacobean manor in Dorset, part of a bold and beautiful restoration project...
Mapperton has long been recognised for its unique architectural and cultural significance. Today, it is undergoing a modern revival, one that blends traditional English heritage with contemporary sensibilities.
At the forefront of this transformation is Julie Montagu, and through her YouTube channel, Julie offers insight into life at Mapperton, sharing the challenges and triumphs of restoring and living on an historic estate. As part of this journey, she discovered Mylands while researching heritage-quality paints with contemporary flair.
Incorporating the paints throughout the house and estate, she has chosen timeless hues to bring depth and elegance to a range of interior spaces. Julie’s go-to shade is Cadogan Stone No.59, a soft neutral which serves as a grounding colour across the buildings onto which stronger colours can be layered.
Historic buildings often present renovation challenges, especially with worn or uneven woodwork and aged walls requiring breathability. Mylands’ Marble Matt Emulsion played a key role; its high breathability
makes it especially suitable for historic properties with lime plaster or original walls, allowing moisture to escape and preventing damage over time. Its Plant-Based Multi-Surface paint range also provided a convenient solution, offering excellent adhesion and a smooth finish that enhances the different surfaces.
Highly pigmented, Mylands’ paints allow for vibrant colour without compromising the natural texture of original features, a perfect fit for heritage properties such as Mapperton.
Mylands’ signature shades were thoughtfully selected for key rooms in the main house. The Piano Room features John’s Pantry BH. 24, a soft, nostalgic yellow, complemented by the rich, velvety Dulwich Red in the bookshelves. The Media Room, a personal space not open to visitors, is painted in the pale olive green of Serpentine No. 192 on the walls, the cabinetry and bookcases are in a deeper green Brompton Road No. 205, with a dramatic pop of Huguenot red lining the bookcases' interior.
Photos by Beth Davis
Far left: Egyptian Grey No.154 (Woodwork), Cadogan Stone No.59 (Walls and Ceilings)
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YOUR FIND
Making Haymarket
Atruly remarkable project to be involved with, Story Decorating Group were appointed by Sir Robert McAlpine (SRM) to undertake internal painting and decorating works to B4/B5 Building, Haymarket, Edinburgh, over a period of 24 months.
The contracted works comprised taping and jointing, preparation and application of decorative and specialist finishes to the two, eight-storey office blocks including offices, café and kitchen facilities, meeting and events spaces, reception areas, corridors, staircores, a bicycle storage area, and the striking central atrium covering some 110,000ft2
With a challenging programme to meet, Story worked closely with SRM and other trades to mitigate delays and ensure timely phase-by-phase handovers for client inspections.
Specialist preparations included extensive areas of taping and jointing to plasterboard ceilings and walls, as well as to more intricate ceiling details and bulkheads, using needle guns on steelworks, using scissor lifts and spider training to reach challenging areas of up to 30 metres in height, and using vacuum-controlled diamond grinders on concrete floor areas.
Story also undertook specialist cradle works in the atrium, requiring their operatives to receive on-site training for accessing high-level steelworks within the atrium.
After much careful preparation, the Story Decorating Group team set about bringing to life the stylish and bold vision for the internal design specification, requiring over 15,000 litres of Johnstone’s paint products across a multitude of different finishes and shades.
Throughout the project, all required standards were met, completing on time and within budget, and providing anticipated benefits for the end user. The project stands as a testament to the power of collaboration and meticulous planning, setting a high standard for future developments.
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Manchester bar The Morris has unveiled an eye-catching design scheme created by Up North Architects, which elevates its cocktail bar concept inspired by Crown Paints’ vivid Quick Kiss colour.
Located on Thomas Street at the heart of Manchester’s vibrant nightlife scene, The Morris occupies a compact site but packs an impressive creative punch. The venue spans two levels, with a traditional ground floor pub leading to an experimental first-floor cocktail bar offering the UK’s first sub-zero cocktails and next-generation carbonated creations.
Up North Architects was tasked with ensuring guests felt an immediate transition from the classic pub environment to the innovative cocktail bar above, the solution for which was colour. The practice discovered the perfect shade on Crown Paint’s stand at Material Source Studio, a hub for northern architects to collaborate and interact with partners and suppliers.
Patrick Thomas, Director at Up North Architects said, “We were looking for a ‘candy’ style shade to reflect The Morris’ playful, vibrant cocktail menu. We knew instantly that Crown’s Quick Kiss was right for the project. It’s vivid, fun and it announces the cocktail bar’s presence in an unforgettable way.”
Quick Kiss is part of Crown Paints’ Co palette, one of five Colour Insights 25/26 palettes designed to influence the creation of harmonious spaces, bringing a balance that can foster both productivity and relaxation. The full Colour Insights report was curated by Crown Paints to support architects and designers with evidence-based colour forecasting rooted in social and design shifts. Despite the venue’s compact scale, the colour was used strategically to make a bold statement, wrapping around the
The trendiest cocktail bar in the north
staircase to signal the magical experience awaiting up the stairs and continuing into the cocktail bar itself.
The paint was specified in Crown Trade’s Clean Extreme Scrubbable Matt, a premium, stain-resistant emulsion. The paint allows for stains to be wiped away with ease, which is ideal for a busy bar environment. It can also withstand regular cleaning, whilst maintaining its rich colour and clean finish– ultimately reducing maintenance costs.
Richard Bailey, Architectural and Design Consultant at Crown Paints, said, “Quick Kiss is a fantastic example of how impactful colour can be in transforming a space. Our Colour Insights palettes are designed to help decorators, architects and designers feel confident making bold, future-focused decisions, and it’s brilliant to see Up North Architects bringing this to life so vividly at The Morris.”
Colours of the Year THE RHYTHM OF BLUES
For the first time ever, Dulux has unveiled three Colours of the Year. For 2026, the paint manufacturer is asking decorators and their customers to dance to the Rhythm of Blues™ with a harmonious collection of signature indigos that can be used to create spaces that feel harmonious and free.
THE RYTHM OF BLUES ™ COLLECTION
Over the last three decades, the Dulux Colour of the Year has been chosen through extensive trend research by colour experts at the AkzoNobel Global Aesthetic Centre and international design professionals. The 2026 selection, Rhythm of Blues™, has been chosen to provide a versatile trio of colours that reflect any customer’s needs.
The three tones capture the expansive nature of blue to help decorators create spaces that make customers feel connected and comfortable. From the timeless, soothing qualities of Mellow Flow™ to the meditative, calm and grounding nature of Slow Swing™, and the vibrant, exciting and uplighting Free Groove™ there is a shade to suit any brief. Used individually or in combination, the Colours of the Year 2026 offer decorators and their customers inspiration and the flexibility to bring colour to any space.
To help decorators and their customers embrace the Rhythm of Blues™, Dulux has created three complementary palettes that provide effective and versatile colour combinations for interior projects. Each palette is designed to reflect a specific mood and can therefore be used anywhere in the home to bring the customer’s vision to life.
A Slow Colour Story
Natural shades of blue and brown, this family of wintery earth tones can help create calm spaces that quieten the mind and feel restorative. This palette works particularly well in spaces where people need respite from noise and stress. The meditative dark blue is the hero in this palette.
The Colour of the Year is chosen through extensive trend research by Dulux colour experts at the AkzoNobel Global Aesthetic Centre, and consultation with international design professionals.
A Flow Colour Story
Here, the family of blues, with airy sky blue as the hero, is joined by warm and tactile earth shades of terracotta, brick and clay. These familiar, natural colours can help create spaces that feel comfortable and harmonious. They work well in areas where people want to come together.
A Free Colour Story
A combination of multicolours with the balancing blues, this palette feels young, energetic and uplifting. It can help bring momentum to a space and create a fun, ‘anything-goes’, forward-looking feel. It works well in settings where people seek stimulation and fresh ideas. The energising colour in this palette is the cobalt blue. Dulux has also created three additional exterior colour palettes of the same names to support decorators working on exterior projects.
Dawn Scott, Dulux Trade Senior Colour Designer at AkzoNobel said, “With the Rhythm of Blues™ collection, we have captured the different ways colour shapes people’s needs. From creating moments of quiet reflection to sparking energy and creativity, each of the three colour stories offers decorators and their customers inspiration.
“For example, the Flow Colour Story lends itself perfectly to residential spaces. When it comes to making a house a home, it's important to create an inviting, warm and cosy feel in a space. The natural earthy tones balance with indigo blues for a contemporary take on cosy, making them perfect for creating welcoming spaces where people can relax and entertain family and friends.”
Marianne Shillingford, Dulux Creative Director and Colour Expert at AkzoNobel, explains, “Blue has been the world’s favourite colour for years, but it’s far from one note. It delivers a sense of fluidity, relief, stillness and freedom, which is exactly what’s needed in today’s fast-paced world.
“It’s roots in nature give us something to connect to, as well. When we see light blues like Mellow Flow™, we might think of soothing springs or sunrise skies, for example, or be reminded of the deep ocean’s chilled stillness with a dark blue like Slow Swing™. Whereas Free Groove™ offers a more intense heat, like that of summer pool parties. Some of us are slowing the beat to recharge and find balance, while others are looking to crank up the volume and create spaces that are simply fun.
“Rhythm of Blues gives us the opportunity to do both – it’s a family of colours that can soothe, steady or excite, depending on how you play it. This collection offers colours you can find peace in, and colours you can dance to, centred around three distinct rhythms to offer endless possibilities for changing the pace of your space.”
Now they don't get any more sexier looking than this slick black telescopic ladder from TB Davies. I love it, and so does everyone else when they see it on my job. They all want to use it!
For me to get on any telescopic ladder, it has to be well-made with a good brand that’s been around for a while. The is undoubtedly that... It's made from aircraft-grade aluminium, so it's sturdy and extremely strong. Each coupling is CNC machined for precision, which means it glides effortlessly up and down. This ladder is compact when in the closed position, measuring just under 1m with a base width of 618mm. The open height is 4.4m, with a maximum static vertical load of 150kg.
This top-of-the-range telescopic ladder features 15 flat rungs, with 14 of them having their own lifting rail. It features a lightning latch and auto-extending locking stabilising bars, which will show as green when locked. Twelve rungs have indicator windows, which are located to the left and right, directly under the rung above. These also show as green when locked (listen out for the sound when they are locked in place).
Each rail has traction grids that combine with its lip grip to ensure boots are held safely on the rung.
The stabilising bars are a must-have to give a wider contact with the floor and reduce side tipping. They are fitted with double-sided feet for a super grip on the terrain you’re working on. Each rail has traction grids that combine with its lip grip to ensure boots are held safely on the rung.
The top of the ladder has two chunky rubber bumpers that grip firmly to the surface they are placed on. The next four rungs have two rubber bumpers on the front and back of the ladder. It’s anodised in a matt black finish for easy cleaning and keeping hands clean.
Carrying, transporting, and storing are made easy with the padded carry handle, featuring four finger indents that fit my hand like a glove. A fully compliant ladder EN131-6: 2019 with a five-year warranty, it’s a heavy-duty ladder for professional tradespeople.
Features & Benefits
‘ 1m closed, 4.4m extended featuring the Lightening Latch
‘ Matt black anodised aircraft aluminium
‘ 15 flat rungs with lifting rails/additional foot grips
‘ Auto stabilising bars and double-sided feet
‘ A fully compliant ladder EN131-6: 2019
tool TALK
Products
Advance Super Cling Dust Sheet
One of each of the items recommended in this edition of Tooltalk (including the next page!) are available to one lucky PDA Member! For your chance to win, simply send an email to tooltalk@the-decorator.co.uk
Well done to our most recent winner, Chris Jones of CIJ Painting and Decorating.
@prodecdecorating www.prodec.uk.com
I remember when the good old-fashioned cotton dust sheets were always used to protect everything while decorating or doing other dusty work.
ProDec Advance Super Cling Dust Sheet is clear and statically charged, this means it sticks to both vertical and horizontal surfaces without needing tape. There’s no residue left behind, with the added bonus that the static charge attracts dust and fine paint overspray.
It comes in a handy cardboard dispenser, you decide how much you need and then simply pull it out and quickly trim off with the included safety cutter. As a rule of thumb, I make sure the branding is always on the outside when using it. Depending on the usage, I often reuse the larger bits I cut to save on waste. Remember to always dispose of it in the recycle bin.
You get a massive amount of Super Cling Dust Sheet in this dispenser – approximately 100 sqm (4m x 25m). If you need more, it is also available in 200 sqm.
Features & Benefits
‘ Flexible
‘ Easy clean
‘ Bevelled edges
‘ Angled corners
Features & Benefits
‘ Statically charged ‘ Cut to size
‘ Dispenser box
‘ Free safety cutter
‘ 4m x 25m
Repair Care
I recently performed a repair on some exterior putties on a 300-year-old property, where the old sash windows had water ingress. After cleaning the glass and suitable preparation/priming of the rebate where the replacement putty was to be applied, I used Repair Care DRY SEAL Putty Replacement Sealant, and tooled it in using this neat little applicator, which has a semi-rigid silicone feel to it and makes shaping the elastic glazing sealant easy peasy!
This tool has four bevelled edges and various angles for different scenarios. I found it very easy to clean, and it is reusable.
Features & Benefits
‘ Reusable, refillable body
‘ Tapered barrel
‘ Twin pack replaceable canisters available
‘ Hi-vis green non-permanent chalk
‘ Lanyard & pocket clip
I have been using Tracer Tools for many years because they offer exceptionally well-made, innovative, high-quality tools. The TrueShot deep hole chalk marker is no exception! In fact, I’m sure it will become their biggest-selling new tool worldwide!
TrueShot uses hi-vis, non-permanent green chalk, enabling you to mark through up to 100mm thick material.
The anti-roll end cap features a three-stage design: twist to lock, twist to spray, and twist to unlock. The latter opens the body to enable canister replacement. Use for marking for drilling or referencing purposes on any material or surface, even glazed tiles, all of which easily wipe off.
You can create a cross-hair mark by placing it on the surface and pressing the end cap, or hold slightly away and press to mark a dot.
Just remember to shake the tool a few times before use or after a few uses to loosen up any settled chalk dust.
The main grey body features ingenious knurled areas that provide a sturdy additional grip. The working end is double-tapered, enabling it to reach into those hard-to-reach areas.
A replaceable chalk canister provides around 250 puffs/shots, but to be honest, I have never counted them! Replacement twin-pack canisters are available separately, meaning you will always have a spare on hand, as it’s annoying when the tool is empty just when you need it.
Professional tools need to be tough, durable and built for purpose... This tool ticks all the boxes. Manufactured from ABS, reusable, boasting a sturdy, funky shark-toothed pocket clip that stays put with a lanyard hole built in. Win it
Cutting In & Framing Brush
@monarchpainting
When it comes to choosing paintbrushes, as every decorator knows, it is a very personal thing. While we always have our favourites, I’m always on the lookout for something better. I must say that the Monarch Cutting In & Framing Brush is fantastic.
The brushes are lightweight and have a thinner ferrule and shorter ergonomic bare timber handles. They have wonderful, rounded, and shaped painted ends that are extremely comfortable in the hand, and are made to a very high standard with premium synthetic blended filaments that hold and release paint really well, and wash out brilliantly, especially with a drop of Pretty Boy Cleaner in my WashBox.
I find that these shorter handles allow access to more confined areas and are perfect for use with paint kettles like my Wooster Pelican. The ABC-branded ferrule is made from finely brushed stainless steel and benefits from four matching pins, depending on brush size.
Features & Benefits
Ergonomic unvarnished handle
Angled, tapered & chiselled synthetic filaments
Suitable for water and oil-based products
The flat, thinner ferrule and angled, chiselled filaments, make cutting-in easier.
The brush is very responsive, enabling sharp lines with all paints, both water-based and oil-based. Available in 25mm, 38mm, 50mm, 63mm, and 75mm.
On some jobs, it is more efficient to remove and replace skirtings and architraves than spend a huge amount of time bringing them up to a top finish. For this job, I use the RollingDog Trim Pullerit’s so handy!
The 3.5” tool boasts a comfortable slip-resistant black and orange soft grip handle, which is further enhanced by a hammer end with a hanging hook.
Manufactured from 420 stainless steel and coated with a black satin protective coating, this heavy-duty tool has a chiselled edge, which enables it to get behind skirting and other trim when tapped with a hammer, causing minimum damage. In addition, it features a neat nail-pulling slot in the middle of the chiselled front edge, with an ingenious angled wedge that
www.permagrit.com be that for
Tungsten is incredibly hard, do list to share my user experience since I first got my hands on them in 2019. Their 8-piece Tool Roll is super handy.
floorboards and laminate, plus many
Features & Benefits
‘ Extremely hard-wearing 180 Grit
‘ Set of 8 files covers most uses
‘ Red canvas tool roll with Velcro strap
‘ Also available in 320 Grit
These 180 Grit tools come in a pocketed canvas tool roll with an incredibly strong Velcro fastening strap, consisting of two redhandled Tungsten Grit all-purpose files (7 mm square and 7mm diameter round), F102 Flat File, R102 internal grit 13mm Radius File, R200C external grit 13mm Radius File, R201C 75 degree Angle File, R202C 20mm Tube File, and R203C 14mm Tube File. The set is also available in Fine / 320 Grit.
Angled leverage wedge
Tough on the job, gentle on the planet.
ECOPRO Matt Emulsion proves you can have minimal impact on the environment without compromising on quality. It’s your go-to choice for walls and ceilings in domestic and commercial projects.
A step in the right direction
www.wernerco.com
Werner has launched the versatile AdjustaStepPRO ® Aluminium Step Ladder. This new hybrid step ladder adapts to a variety of challenging environments, allowing for safe use on uneven ground and steps. For ease-of-use and efficiency, the step ladder also offers a one-handed adjustment system for quick adaptability. Available in four and six tread sizes, the AdjustaStepPRO ® provides a safe working height of up to 2.62m and 3.03m, respectively. The ladder benefits from wide heavy-duty slip-resistant treads that provide both comfort and safety, while a large steel platform offers a robust and stable standing area. Other key features include an integrated tray for keeping tools secure and easy-toreach whilst on the job, as well as compatibility with Werner’s Lock-In System, allowing for the expansion of its work surface with optional accessories. Certified to the latest EN131 standard and maximum load of 150kg with a 10-year guarantee.
toolUP
Keep up to date with what’s available for the modern decorator
off the shelf
Going green doesn’t have to mean lowering your standards—and the Bedec Aqua Advanced Range is proof. Now, you can make greener choices in just one stroke!
Aqua Advanced has water-based technology, reducing the harsh odour and high VOC damage. That means a safer environment inside the home and a smaller impact outside of it. Aqua Advanced is formulated for both interior and exterior use, and it adheres beautifully to wood, metal, plastic, and even UPVC. Whether you’re refreshing a front door, skirting board or outdoor trim, one tin covers it—saving you time, money, and storage space.
Designed with breathability in mind, Bedec Aqua Advanced also protects your surfaces by allowing moisture to escape. That means less risk of rot, swelling, or fungal growth – especially important in changing climates or damp conditions. It will not yellow or fade and is touch-dry in under two hours and ready to recoat in just four.
Apply it your way – brush, roller, or spray – and enjoy a smooth, professional finish with minimal effort.
The Bedec Aqua Advanced range is available to buy online and in your local Brewers Decorator Centre in a range of sizes and colours for next day delivery.
Polyvine have launched Mouldguard Fungicidal Cleaner, a ready-to-use, high-performance solution specially formulated to eliminate mould, mildew, algae, and bacteria on timber surfaces, specifically on wood. Mouldguard ’s thixotropic, water-based formula clings to both vertical and horizontal surfaces, making it ideal for preparing wood before painting or varnishing. It not only cleans but also sterilises surfaces to help prevent regrowth, ensuring a longer-lasting, cleaner finish. It also penetrates the timber to continue to protect from mould and mildew over time. Unlike traditional cleaners, Mouldguard is free from hazardous solvents and alkalis, making it safe to use on both hard and soft woods, without the risk of damaging the surface or causing efflorescence. Whether you’re treating garden furniture, decking, cladding, or interior timber, Mouldguard is a reliable and eco-conscious choice for professionals. Available now in 1L and 4L, order directly from their website or ask your local Polyvine stockist.
Mirka is introducing Abranet Yellow in two formats, 225mm discs and 80x230mm strips, and three grit options, coarse, medium and fine. The well-balanced combination of its softness and fast-cutting net structure ensures the abrasive is soft and flexible enough to deliver even, controlled sanding with an electric sander or hand sander. Especially suited for long-neck sanders, and performs exceptionally well with random orbital and rotary wall sanders, offering smooth compatibility across various sanding machines. The abrasive is designed to withstand contact with screws, nails, and uneven surfaces, making it well-suited for renovation sanding. The durable construction ensures reliable performance even in demanding areas such as corners and patchwork sections.
Earthborn ECOPRO Matt Emulsion, a professional grade paint designed to meet the real world demands of decorators while helping them meet the growing call for sustainable solutions. Built for both domestic and commercial projects, ECOPRO Matt Emulsion combines the practical benefits decorators rely on; easy application, excellent coverage, and low spatter; with an eco conscious formula that’s virtually VOC free, odour free, and kinder to the planet. Its thick formula offers low spatter and high control, resists drips and mess, and means faster clean-up once the job is done. Packaged in recyclable tins of 100ml, 5L, or 10L.
The new Makita MAKTRAK™ system provides a tough, secure and flexible modular storage for a wide range of tools and equipment. Built to meet the needs of trade professionals on site, each storage box can be opened without the need to unstack the system, allowing tools to be protected, transported and organised with ease. The unique 82-litre capacity and 113kg load rating Rolling Tool Chest, that forms the base of the MAKTRAK™ system, can accommodate even long tools and combined with the dual-hinged removable lid, it ensures full and easy access from both sides. There are six other components to choose from which can be attached with the track-mount, modular system, that can accommodate everything from the largest tools to the smallest parts, fittings, and fasteners. The lids are even gasket sealed so that tools stay protected from dust, dirt and water ingress.
From knot blockers to primers, undercoats to stabilising solutions, read on as Richard Palmer, Valspar Trade’s Head of Trade, breaks down the different prep products and how they work...
Prep like a pro
It’s no secret that delivering a quality job and ensuring a happy customer is about far more than just slapping some paint on a wall. Indeed, surface preparation is everything. No matter how good your topcoat is, if the surface underneath isn’t sound, clean and properly primed, your finish won’t last. It’s all about adhesion, durability, appearance and colour. Put simply – get the prep right and the rest will follow
Primers vs undercoats
manufacturers have developed products that can help you to tackle the prep in just one coat and one product, saving you both time and money.
Both deliver different functions, with primers designed to provide a strong base for your undercoat or topcoat to adhere to. Primers also help to block stains and limit bleed through. While undercoats, formulated to provide an even surface for your customer’s desired topcoat, promote good adhesion. It can also help to reduce the number of topcoats required to achieve the desired colour, resulting in a brighter and truer colour.
Best use cases for Knot Blockers
A primer developed specifically for wood applications, whether that be skirting boards, panelling or door frames, knot blockers prevent seepage from knots and minimise discolouration of the final finish. They are essential on resinous woods, like pine.
Look for acrylic, water-based formulations. Acrylic will provide exceptional adhesion to primed timber, as well as old oil-based coatings, preventing bleed through. While the water-base will result in a 30-minute touch-dry time and reduced visible brush strokes, providing a smoother surface for the topcoat.
When to incorporate stabilising solutions
Stabilising solutions are ideal for chalky, powdery or weathered masonry surfaces, working to seal the porous substrate and bind any loose material, creating a smoother, solid base for the paint. Look for tinted formulations that make it easier to track the solution application, ensuring complete coverage.
Tips for saving time on the prep stage
You’ll know all too well that some jobs can see you having to use multiple prep products, all before you can even think about applying the topcoat. This can add considerable time onto a project, especially with each individual coat requiring its own drying time. Fortunately, some paint
A great example is a combined primer and undercoat – ideal for jobs where you’re looking to apply a brightly coloured topcoat to a bare surface. Look for a product that can be applied to bare wood, walls or ceilings to help make your life easier. It’s also worthwhile considering a combined primer and undercoat that can be tinted to help prepare for any dramatic colour changes, as well as achieving an optimal appearance for vivid shades.
Preparing wood and metal
When it comes to painting over wood, consider using a primer that also incorporates a knot blocker. As well as providing you with a smooth and reliable surface to apply the paint onto, it can help to prevent cracking, peeling or any bleed through from wood knots.
Metal can be more challenging – a surface that is renowned for requiring the right prep in order to achieve a high-quality finish. However, there are now paint products available that can make this challenge a thing of the past, such as Valspar Trade’s Direct to Wood and Metal paint. As the name suggests, it can be applied directly onto the metal substrate, without the need for any primer at all.
How Valspar Trade can help?
At Valspar Trade, our focus is on making life easier for the applier (you), with a range of products designed to help you achieve the perfect finish. With a dedicated research and development team, we’re proud to offer a game-changing and expertly formulated range of high-quality trade essentials. Our Primer and Undercoat, Knot Block Wood Primer & Undercoat and Direct to Wood & Metal paint products combine multiple performance features into one product.
For painters and decorators, choosing the right finish isn’t just about aesthetics, it’s about performance, durability, and ease of application. Whether you're transforming a modern kitchen or restoring a heritage home, understanding the properties of each Farrow & Ball finish helps ensure the best results, every time.
Your essential guide to paint finishes
Flat Eggshell – New for 2025
Following the success of their pioneering Dead Flat finish, Farrow & Ball proud to introduce Flat Eggshell, a revolutionary new option for interior wood, metal, and even concrete. With a subtle 20% sheen, it offers understated elegance while delivering exceptional durability.
• Class 1 scrub rating
• Scuff-proof, stain-resistant, and scrubbable
• Perfect for skirting boards, cabinetry, bannisters, and floors Water-based and low in VOCs, it’s quick to dry, cures fast, and is suitable for both professionals and confident DIYers. Flat Eggshell is the flattest eggshell F&B have ever made and one of the toughest.
Dead Flat
An ultra-matt finish with just a 2% sheen, Dead Flat delivers a beautiful look with unmatched versatility. Suitable for walls, woodwork, and metal, the formula uses a breakthrough blend of ingredients that combine high-performance durability with Farrow & Ball’s signature depth of colour.
• Washable and wipeable
• Available in all F&B colours
• Ideal for seamless, full-room finishes
Modern Emulsion
Perfect for kitchens, bathrooms, and high-traffic areas. This robust emulsion has a 7% sheen and includes anti-mould ingredients for extra protection in humid spaces.
• Class A scrub rating
• Low-sheen, contemporary look
• Washable and moisture-resistant
Modern Eggshell
With a mid-sheen finish (40%), this hard-wearing paint is ideal for interior woodwork, kitchen cabinetry, and even floors. It offers reliable protection without compromising on style. Alongside the new Flat Eggshell this offers the same level of durability at a mid-sheen level.
• Suitable for wood, metal, and concrete
• Highly durable with a sleek, modern finish
Full Gloss
With its mirror-like 95% sheen, Full Gloss remains the most reflective and hard-wearing finish in our range. It is ideal for both interiors and exteriors.
• Use on wood, metal, or even walls when sprayed
• Achieve a high-style, lacquered look
• Prepping the surface is key as gloss highlights imperfection
Estate Emulsion
The original water-based emulsion that delivers a chalky matt finish with a delicate 2% sheen. Best for low-traffic areas and period properties.
Limewash
A breathable, traditional finish for lime-plastered or exterior walls. Applied in multiple coats, it creates a characterful, broken colour effect.
Casein Distemper
An ultra-matt, fully breathable finish made with natural ingredients. Ideal for historic buildings, ornate plasterwork, and decorative mouldings.
Looking Ahead
Clare Dunbar, Managing Director at Farrow & Ball concludes, “Looking to our future, I want us to focus on who we are as a brand, why people love Farrow & Ball, and how we can keep improving across product, service, and innovation.
“Painters and decorators are a vital part of our story. They use our products daily, and their feedback shapes our direction. Through trade shows, stockist partnerships, and social media, we’re listening more closely than ever. That insight helps us move forward, together.”
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Tackling mould step-by-step
When dealing with mould, it’s essential to use high-performance, reliable paint products you can trust. PermaWhite is the ultimate mould-resistant paint, specifically designed for high moisture areas like kitchens, bathrooms and laundry rooms. The tough, scrubbable formula resists cracking, peeling and blistering for up to 7 years, so there’s no need to return to a job at a later date. The quick-drying, water-based formula contains only trace VOCs (<0.1%), is touch dry in just 30 minutes and recoatable in two hours. As an added bonus, it’s tintable to any BS, NCS or RAL colour.
Prep the surface
In order to guarantee a long-lasting finish, proper paint preparation is key. After cleaning the surface with Zinsser Universal Degreaser & Cleaner, rinse with clean water and allow sufficient time to dry. Spray the stained area with Mould Killer & Remover and leave to dry. The water-based formula contains a fungicide that effectively removes dark stains caused by mould, fungus and algae, and is ideal for use in kitchens, bathrooms and other areas of high humidity. The Mould Killer & Remover has a handy trigger spray for hard-to-reach areas and can be used on tiles, wood, plaster, wallpaper and other interior surfaces.
2 Prime to perfection
Once the surface is prepared, apply B-I-N® AQUA, a groundbreaking, water-based high performance primer, that blocks stubborn water, mould and mildew stains, while acting as a barrier against all types of odours. With an ultralow odour, B-I-N® AQUA contains only trace VOCs (<0.1%) and offers easy soap and water clean-up. The primer-sealer provides exceptional adhesion, without the need for sanding, and is recoatable in just 45 minutes (two hours for stains and knots).
3 Decorate and protect
Once your surface is prepped and primed, apply two coats of PermaWhite, leaving two hours drying time between coats. PermaWhite stops mould in its tracks, as it contains a biocide that protects the dried coating against fungal degradation. Scrubbable, durable and hard-wearing, the unique formulation is designed to resist cracking, peeling and blistering making it perfect for high-humidity areas subject to wear and tear. PermaWhite also has a Class 1 Scrub Rating for easy cleaning and is touch-dry in just 30 minutes.
