The Professional Painter & Decorator – Spring 2025
Welcome to the Spring Edition of the Professional Painter and Decorator Magazine, a great time of year for interiors, exteriors and redecorating projects.
Spring is also a great time to revamp your business practices. Decorator Mat Marek of Groni Ecological Decorators has some great practical tips on integrating sustainability into your operations. There’s sound advice from Coo-Var on how to effectively apply their Anti-Vandal paint to keep your property and premises safe. Dave Elson from BoSS examines the need to check access tower components. Specialist Decorator Gary Burton shares his tried-and-tested techniques and highly recommended products for period exterior renovations.
As 2025 marks an incredible milestone — the centenary of leading brush brand Purdy — don't miss the chance to win a luxurious getaway for two to their headquarters in Portland, Oregon... Full details are on page 8!
In our Design section, expert decorative painter Cait Whitson gives design ideas and application techniques for Polished Plaster, which offers a striking alternative to traditional wall finishes.
As always, the latest new and updated products are in the Marketplace Section. Check out the twelve new fabulous colours added to the signature palette by Farrow and Ball.
Plan ahead and register for your free tickets to the Painting and Decorating Show on 18-19 November at the CBS Arena in Coventry. The showcase for new products and best-sellers it’s the go-to event for those working in the sector.
Don't hesitate to get in touch and share your own experiences and projects with us at ppdeditorial@saintpublicity.co.uk – We would love to hear from you!
Catherine Saint, Editor
P&D Show ’25
Heading for a full house!
THE UK’S NUMBER one show for professional painters and decorators will be returning to the CBS Arena in Coventry this November after a runaway success in 2024. The 2025 National Painting and Decorating Show has already sold 70% of the stands for 2025 with 10 months still to go.
More than 3,000 visitors are again expected, drawn by the action-packed two days featuring new product launches, practical demonstrations, fantastic show-only deals, fun competitions, raffles and prize draws, hands-on trials and free samples from an array of the major manufacturers from the UK, Europe and North America.
The event is a showcase for new products as well as proven best sellers. Stockists will tempt the professional visitor with attractive discounts from 100 stands packed with a wide selection of tools, ancillaries and workday essentials.
Two Products in Practice demonstration areas located in the heart of the exhibition hall will feature a continuous programme of 30-minute presentations by experts covering a myriad of topics such as preparation and finishing tips, brush and roller techniques, abrasives innovations, spray demonstrations, new decorative effects, timber repair and much, much more.
It's a great day out that the professional, and their business, cannot afford to miss so pre-register today for your FREE ticket at www.paintshow.co.uk n
Foundation restoration
THE BREWERS FOUNDATION were delighted to support the work of The Millrace Foundation by donating the paint needed to redecorate their offices inside and out.
15 litres of Bedec Multi Surface Paint was donated to the organisation who help improve lives and the local community by providing a safe and structured work-based learning environment, teaching craft skills and furniture restoration, developing a sense of social inclusion for their beneficiaries.
The Millrace Foundation was originally set up as a small project to help with the rehabilitation of people the 1990s and became a small community-based business. In 1995 they became a City & Guilds approved training centre, offering accredited courses to their beneficiaries and to members of the public. They have just been granted charitable status and continue to offer free places to people with mental health and social isolation issues.
Millrace provides a safe, supportive work environment for those who may not have been able to undertake traditional courses or education, providing a supportive environment to socially excluded and disadvantaged people recovering from mental health problems, or with disabilities. The beneficiaries take part in training and gain experience working alongside experienced furniture restorers. The project makes a real difference to the individuals involved and, more broadly, a contribution that benefits the community. n
Recycling centre stays open during refurb thanks to HMG
A NORTH DEVON environmental and recycling centre has been able to keep functioning because a revolutionary process from HMG Paints for treating rust and lead contamination, where previously painted structural steel was showing signs of corrosion and tests revealed lead to be present in previously applied coatings.
One option would have been to shot blast the rusted areas and completely remove of existing and previous coatings. This would have required a complete shut down of the affected part of the centre, disrupting its recycling function and adding considerable cost to the remediation work.
Isca Decorating Company received detailed technical advice from HMG Paints, who manufacture a suite of products able to deal with just such an issue, and products for the job were supplied by decorators’ merchants Rabart in Plymouth.
A first degreasing was carried out using a good quality water-based foaming degreaser, followed with application of HMG’s solvent degreaser 2801.
Next, areas showing rust were treated with HMG Ferrozinc Rust Convertor, which is brushed on as a white coating and then turns navy/black indicating that the rust has been completely neutralised. Lead contaminated areas to be overpainted were then primed with HMG’s BDX Anti Corrosive Primer and a topcoat of HMG C71 Speedline which gives a tough, hardwearing finish.
Lee Perrott, Isca Decorating Company’s managing director said, “This is the first project where we have used the full system. It is very easy to use and apply, similar to standard undercoats and gloss systems. The C71 Speedline topcoat covers particularly well and looks very nice in the satin finish. We will certainly be using and recommending it for future use.”
The completed job complements North Devon Council’s revamp of the Brynsworthy centre so it can speed up the processing of waste materials, provide improved facilities for staff and enhance the movement of pedestrians and vehicles. https://shop.hmgpaint.com/ n
This year marks Purdy’s 100th anniversary. We take a look back at the brand’s history and find out what Purdy is doing to celebrate its big centenary.
Where it all began
EVERY PAINTER AND decorator has heard of Purdy. For years, the brushes with the distinctive yellow branding and pale hardwood handle have been a firm favourite for many. But do you know where it all began?
It’s 1925 in Portland, Oregon and S. Desmond Purdy is handmaking a paintbrush in his garage. He has already invented and patented a number of innovative brush designs in both the USA and Canada, but this act is going to spark the growth of his own brush business –Purdy Brush Company. From its inception, the company showed immediate signs of growth. Dedicated to quality, a brush was developed for every eventuality – even shaving – and ‘Purdy’s “Good” Brushes’ went from strength to strength.
However, by 1940, the materials commonly used to manufacture paint brushes were in short supply as a result of World War Two. This led to the development of the paint roller system, patented in the USA by Richard Adams. At the time, Adams was an employee of Sherwin-Williams, the company that would go on to purchase Purdy much later in 2004. As the roller system was taking off, Purdy was developing into a national brand, sold coast-to-coast in the USA, and working to adapt to deliver this new painting solution.
For years, the brand successfully built on the foundations of its applicators and handmade brushes, until its expansion into prep and finish tools in 2008. From that point on, Purdy continued to develop its product range at pace, launching new roller system products, buckets, tools and brushes in quick succession. Transportation solutions like the Painter’s Backpack followed, along with the much-anticipated Painter’s Storage Box, the latest Purdy product to launch to the UK market, just last year.
While Purdy’s tools and accessories range has grown considerably in the 21st Century, its brushes have rightfully
remained the staple of the brand. To this day, every Purdy brush is handmade in Portland by a team of brushmakers, many of whom have more than three decades’ experience handcrafting brushes. They use the same quality materials and attention to detail that S. Desmond Purdy used to craft his very first brush, identifying each one with a signed sticker – a personal touch that illustrates their pride and belief in the quality of the product to this day.
Win a trip to Portland USA!
Your name
To celebrate its 100-year anniversary, Purdy is offering one lucky winner and a guest a trip to where it all began to meet the brushmakers and make your very own Purdy brush. The winner will get a seven-night stay with bed and breakfast at Portland’s 5-star Ritz Carlton Hotel, plus flights and transfers from a UK or Irish airport. As well as a tour of the Purdy factory there will be plenty of time to explore everything Portland has to offer at your leisure.
Each month, one runner-up will also win a loaded Purdy backpack. Entries close on the 31 July 2025. To enter, please visit www.purdy.co.uk/purdy-factory-competition/ where you will be asked why you would like to visit Purdy. The competition is only open to professional painters and decorators who are based in the UK or Ireland. Visit the Purdy website for full terms and conditions.
FLEX now instore and online at CDC
FLEX, THE AWARD-winning power tool manufacturer, is set to launch in 30 Crown Decorating Centres across the UK and online, underscoring a continued commitment to the UK market by FLEX Power Tools, making its extensive range of products available to a wider audience.
The CDC stores will stock five dry wall and decorating power tools from FLEX, and abrasives from the comprehensive FLEX Power Tools catalogue. A more extensive range of FLEX products will be available online via the Crown Decorating Centres website.
Leading the charge is the GE 6 R carbon composite wall and ceiling sander, the lightest Giraffe of all time from FLEX. Making easy work of even the toughest sanding tasks, the unique, lightweight GE 6 R has been developed by professionals to guarantee perfect results. In addition, a range of three corded FLEX sanders will be offered at the selected Crown Decorating Centres (ORE 5-150, OSE 2-80 and ODE 100). For flawless surfaces on every project, the random orbit, delta and orbital sander are powerful, innovative and durable machines, featuring brushless motors with variable speeds and vibration-free running.
Every FLEX sander can also be mated to a FLEX or workshop vacuum. The VCE 26 L MC safety vacuum cleaner will also be available to CDC customers, it features a manual filter cleaning system and 25-litre capacity. Handy and compact, this vacuum is easy to use and transport, its high-performance turbine ensures high suction capacity and excellent results, wet or dry.
Benjamin Warcup, Managing Director FLEX (UK), said, “The partnership between FLEX and Crown Decorating Centres represents an important step as FLEX continues to expand its presence in the UK. FLEX remains a key player with trade professionals and DIY enthusiasts throughout Europe and North America, following massive investment, including the introduction of a UK warehouse and domestic warranty and service support, more and more UK customers are discovering the award-winning premium power tools and accessories from FLEX.”
Danny Griffiths, Buying Manager, Crown Decorating Centres added, “We’re thrilled to have FLEX in store and online in 2025. It’s all part of Crown’s mission to continue to raise the bar for painters, decorators and dry wall professionals.”
Visit www.flex-tools.com/en-gb to learn more about FLEX, and bookmark www.crowndecoratingcentres.co.uk n tesaEasyCover®Y
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Tool theft still a big concern for UK trades
NEW RESEARCH BY On The Tools has revealed that tool theft takes a toll on the mental health of all tradespeople, not just those who have been directly affected.
While 75% of UK tradespeople have had their tools stolen in the past, an even greater figure (86%) worry about the crime, highlighting the widespread anxiety and stress caused by this ongoing issue.
The research coincided with Trades United’s second tool theft rally in London on 3 February, supported by On The Tools, to campaign for government support, as well as a planned parliamentary reception by On The Tools in collaboration with MP Amanda Martin.
The survey was conducted for the November 2024 edition of the ‘Monthly Insight’ reports offered exclusively to those subscribed to On The Tools’ TradeBrain Membership Programme. November’s topic covered the pressing issue of tool theft, two years after the release of On The Tools’ multi-award-nominated research: the Tradespeople Against Tool Theft white paper.
In 2022, the white paper revealed that four in five tradespeople in the UK had experienced tool theft, with two-thirds worrying about it daily. On The Tools also found that the average UK tradesperson is likely to have between £1,000 and £5,000 worth of tools stolen from them in just one tool theft incident. Two years on, it’s clear the problem persists.
Scale
76% of UK tradespeople reported having their tools stolen in 2024: 2% down from the 2022 figure. However, the frequency of theft has shifted since 2022, where 43% of tradespeople reported having their tools stolen once, 37% twice, and 12% three times. 2024 data shows a rise in repeat thefts.
Now, 23% have experienced theft three times, with an alarming 15% of tradespeople reporting more than three incidents of theft – a significant increase from previous findings.
Targeted areas
In the 2022 Tradespeople Against Tool Theft White Paper, 39% of respondents reported their tools being stolen from vans parked outside their homes, 28% from building sites, and 15% from customers’ homes. The remaining thefts occurred in garages or storage, inside their homes, or elsewhere. By 2024, there has been an alarming rise in thefts across multiple locations.
Support
Two years ago, nearly a quarter of tradespeople admitted they did not report their thefts to the police, often because they didn’t expect meaningful action – an expectation shaped by widespread dissatisfaction with police responses.
Fast forward to 2024, and it is evident that little has changed. When asked if they received adequate support from the police, 87% of UK tradespeople said they did not, reflecting a widespread lack of confidence in law enforcement’s ability or willingness to tackle tool theft effectively.
Commenting on the findings, CEO and Co-founder of On The Tools, Lee Wilcox, said, “Tool theft isn’t slowing down. These findings prove just how urgently action is needed. If this crime were happening in any other industry, at such a scale, it’s hard to believe it would be ignored. So why are tradespeople left to their own devices?
“We need everyone’s support, whether you’re in the trade or not, to amplify this issue. We want action, and we won’t stop until we get it.” n
Find out more about TradeBrain Membership https://bit.ly/TradeBrainMembership
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Bradite’s busybodyshop boost
A BUSY EAST of England vehicle repair specialist has a tough, bright new bodyshop floor, thanks to discovering one of Bradite’s top coatings.
The Bodycentre is a major automotive repair shop in Norwich, handling an average of 60 vehicles weekly for bodywork and structural repairs, paintwork refinishing and a wide range of other treatments.
“After some trouble with other floor products in the past we decided to speak to a local paint supplier, called PaintWell,” says Jake Masters, The Bodycentre’s Digital Marketing Executive. “After much discussion about our previous attempts at doing the floor with no great success, they advised that we use Bradite Floor-it.”
The job was undertaken by a team made up of The Bodycentre’s own staff, including technicians, the general manager and one of the directors. “The application was very straightforward,” says Jake, adding, “recoat time was exceptional. It took us about a day to prep the floor ready for the product to be applied, but once this was done and all necessary objects were masked up, it took us just under ten hours to apply three coats.”
The verdict? “It makes the workshop look so much brighter and cleaner. We are over the moon with the final finish.”
Bradite Floor-it is a single-pack, high performance coating ideal for general shopfloor usage. The water-based acrylic floor paint has no odour and is suitable for use on suitably prepared concrete, as well as wood, metal or asphalt surfaces. The semi-gloss finish is extremely durable with excellent adhesion. www.bradite.com n
E ? Y FASTER WORK ES S
New Paint Shed store now open in Perth
THE PAINT SHED opened its newest store recently in Perth selling a wide range of trade paints, designer paints and accessories to both independent painters and decorators and retail consumers via its website and through its network of stores across Scotland and the North of England.
Michael Rolland, MD of The Paint Shed, said, “We’re delighted to be opening our brand-new store in Perth. Over the last decade we have added stores in locations all across Scotland and Northern England where we think customers can benefit from our multibrand offering, with everything they need under one roof.
“Perth perfectly connects our store network across Scotland allowing local customers to get everything they need for their project or job within 24 hours. With the new Cross Tay link road (CTLR) coming to fruition, we believe our location at Inveralmond will be accessible and convenient for Perthshire residents.”
The Perth store has had mixing machines installed from leading paint manufacturers including Dulux Trade, Farrow and Ball, Jotun, Benjamin Moore, Zinsser, Osmo, Little Greene and Tikkurila.
The Paint Shed Perth is at Inveralmond Trade Park, PH1 3TT. For further details, visit www.thepaintshed.com n
Polished Plaster
By Cait Whitson
In Italy, its origin, decorative plaster application falls under the realm of decorators. Many decorators find it easier to master the technique, as they don't need to overcome ingrained gypsum plastering habits and have a defter touch. They also deal with the business of colour and texture or pattern choices far more readily as they already handle this every day, helping customers with design decisions.
The term ‘polished plaster’ encompasses a variety of finishes, from shiny and smooth to matt and textured, all derived from marble and lime. The proportions of these ingredients, along with aggregate size and other additives, determine the final appearance. The
Preparation
The first step is priming the surface with a lime-compatible primer. Lime interacts negatively with most modern materials, necessitating a specialised primer. For Marmorino Carrara Medium, a quartz primer is recommended, as it provides a better grip and facilitates even plaster application. Allow the primer to dry for 2-4 hours.
Marmorino family of plasters are all traditionally polished to a shine – some shinier than others.
Marmorino Carrara Medium is an excellent starting point for beginners. Its forgiving nature, manageable grain size, and extended working time make it easier to handle than finer finishes. This two-coat system, unlike the typical three-coat smooth finish, allows for a textured, yet elegant look suitable for various spaces.
Italian plasters are very versatile, and it is worth experimenting as a lot of very cool finishes can be achieved. These seamless, decorative finishes are a wonderful alternative to wallpaper and paint and are a profitable addition to your portfolio.
Mixing and colouring the plaster
Traditional Polished Plaster comes with a separate colour pack. Alternatively, lime-compatible pigments can be used for custom tints. Mix the pigment thoroughly into the plaster using a drill mixer, and let it rest before application.
Tools
A quality polished plaster trowel is essential. While a small trowel is ideal for small areas and samples, a medium sized trowel is a versatile choice for most projects. These trowels are designed with bevelled edges, crucial for the polishing process.
The application process...
1
Apply a generous, even coat, avoiding straight lines and ridges that will show through subsequent layers. Maintain a low trowel angle (25-30 degrees) and avoid excessive pressure. Allow the first coat to dry until it lightens and feels cool to the touch, typically around an hour.
2
Apply the second coat using a ‘skip’ trowel technique, creating a random, pattern. Smooth and compress the plaster, then let it set for 10-20 minutes before polishing.
Waxing for protection
Once dry, the plaster will exhibit a combination of smooth, shiny high spots, and matt textured areas, the polished areas will be a tone darker than base coat. Apply a coat of natural bee's wax, a water-based liquid that penetrates and protects the plaster and remove the excess. If you like this finish as it is, buff the wax to a lustrous sheen.
3
Polishing involves using the trowel at a steeper angle with increased pressure, employing a slicing motion. During polishing you want to apply more pressure in an even fashion, but don’t overdo it otherwise the plaster may delaminate. If the plaster is too wet to polish, allow it to dry further.
4
Finish the polishing with a Stucco Polishing Cloth TNT or a microfiber cloth, and allow the finished plaster to dry overnight.
For an enhanced finish
After the clear wax dries, apply a coat of metallic gold bee's wax. This will highlight the texture, leaving a subtle gold accent on the texture. The underlying clear wax will extend the drying time of the gold wax, allowing ample time to remove excess and correct any imperfections. Once hardened buff the wax.
Colour trend: Brown Grounding your space
In recent months we have noticed the colour brown stepping back into the spotlight as one of the most stylish interior design trends, with wallpaper taking centre stage.
Pantone's Colour of the Year 2025, Mocha Mousse, embodies the essence of this rich, earthy revival, offering a warm, velvety hue that brings both sophistication and comfort. Whether in deep, chocolate tones or the subtle warmth of neutral taupes, brown wallpaper designs create spaces that feel intimate, inviting, and speak to the desire for natural and grounding aesthetics.
When the Wallpaperdirect team teamed up with their friends at Morris & Co. to reimagine and re-colour classic designs from their iconic archive, they knew a rich, chocolaty brown would breathe new life into the timeless Marigold pattern (see above).
This vibrant reinterpretation of the 1875 classic remains faithful to its engraved origins, showcasing a delicately intricate two-tone design of marigold blooms and foliage. With its elegant undulating vertical stripe effect, Marigold embodies the craftsmanship and artistry that defines Morris & Co.
Marigold from Morris &
Seen on the previous page in the sumptuous Chocolate colourway, it’s a design steeped in history yet perfectly suited to contemporary interiors.
In a kitchen, with open-plan shelving against a small-scale, Edvin from Sandberg (see pevious page) is a gorgeous example in balancing old and new. We love the nostalgic charm and homely warmth of the trellis pattern and the earthy brown tones which bring a cosy, organic feel. The minimalism of Scandinavian design paired with the open shelving allows the wallpaper to create a curated, layered look that is both on-trend and very inviting.
Stitched Birds from Josephine Munsey (pictured somewhere) offers so much style impact – it’s a contemporary twist on a classic folk design which beautifully blends tradition with modernity. The intricate, stitched birds are inspired by the delicate artistry of ornamental needlework, with each feather carefully detailed to capture a sense of craftsmanship.
The red-brown colourway brings a rich, earthy tone, creating a warm, welcoming atmosphere.
One of the most exciting collaborations we have seen in recent years has been the one produced by Disney and Sanderson, a celebration of both nostalgia and artistry in equal measure. There is an unexpectedly sophisticated charm when these images of childhood are interpreted in more gown-up settings, such as this kitchen which shows the Alice in Wonderland wallpaper in the Chocolate colourway—a digital reimagining of original Disney artwork. Showcasing beloved characters in these designs whilst adding rich, earthy palettes adds depth and maturity, making it a striking choice for a grown-up space. n
www.wallpaperdirect.com
Stitched Birds from Josephine Munsey
Alice in Wonderland from Disney Home x Sanderson
Victorian Lineal in Clay from Coordonné
Summer Fields in Soft Brown from Majvillan
Animal Kingdom in Pea from Little Greene
Are you watching your wasteline?
Decorator Mat Marek offered a range of practical suggestions in a talk at November’s National Painting and Decorating Show. As a founder member of Groni Ecological Decorators, a firm set up as the country emerged from the Covid lockdown, Mat was concerned with promoting sustainability and sourcing products less harmful to the environment.
Mat steers clear of ready-mixed fillers, because of their list of ingredients, some very toxic. His preference was for Toupret interior and wood repair fillers but he looked forward to the day when decorators could purchase refillable tubes and decant fillers direct from the supplier.
When choosing paint he researched how far the product had to travel, its formulation and packaging, waste management and price. Some ‘green’ products had increased drying and curing times and this added to labour costs.
“My personal favourite is Graphenstone,” he said. “I don’t know of anyone with more sustainability certificates and they also have solid technology when it comes to durability. They are very transparent when it comes to the manufacturing processes, transportation, packaging, raw materials sourcing, carbon offset etc. They have thought of everything.”
Protective sheets are something that can produce a great deal of waste, he described the most commonly available cotton ones as “low density rubbish”, but being based in Yorkshire, Mat contacted textile mills around Bradford to obtain some 300 metres of surplus heavy cotton sheets and cut them to size. “They don’t wear out,” he said, “plus they were manufactured 20 miles away, instead of in China.”
With tools he tried to find those sold with as little packaging and plastic content as possible. Hammers, chisels, scrapers and filling knives could all be bought second hand. He also chose
Trade waste is a major issue worldwide and authorities can impose strict penalties for improper disposal. The UK Government calls on businesses to minimise waste and re-use, recycle or recover items wherever possible. But how practical is that and how does it impact the bottom line?
metal buckets and used compostable sponges from Seep, which specialises in biodegradable, plastic-free products.
Groni tackled paint wastage with its Paint it Forward Scheme, where leftover paint was collected, its coverage calculated and entered into a digital catalogue, and then made available to all customers. “If they were happy with the colours on offer and there was sufficient quantity, then it would be used on a job, saving the customer money and reducing waste.”
Lastly, turning to transport, Mat looked at cycling as a practical form of getting round city jobs. He still has a van to transport him to the outskirts, and then loads his materials onto a cargo bike for the final part of the journey, beating congestion, saving time and, of course, limiting harmful emissions.
Tradespeople had voiced their concerns that they would be unable to carry all the tools they required on a bicycle.
“This can be solved by being a bit more organised”, Mat says, “carry one of each instead of three of each. It also keeps you fit physically and mentally.” n
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Falls from height accounted for 50 deaths in UK workplaces in 2023/24, an increase from 41 in the previous year.
Here, Dave Elson, Compliance Manager at BoSS, the UK’s leading provider of access tower solutions, examines the need for access tower construction to be better understood among painting and decorating professionals.
A t ow er of t rouble
The risks of mixing and matching access tower equipment
A new year is the perfect opportunity for tradespeople of any profession to brush up on safety protocols and ensure they are complying with the latest safety guidance for the equipment they use.
Painters and decorators typically use access towers for a host of everyday tasks and so this should definitely be a primary area of focus for safety.
Indeed, it is little known that mixing and matching different branded access tower components can pose a risk to decorators. Therefore, education and training is much needed on the subject.
Access tower standards
The European Product Standard for access towers was first laid out back in 2004. Known as EN 1004, this standard sets out the practices that all mobile tower access towers must follow, covering key metrics such as safety requirements, materials, design loads and dimensions.
In 2021, EN 1004-2:2021 was established. This most recent update includes the guidelines for the preparation of instruction manuals for all mobile access and working towers.
What workers need to know
Recently, the Prefabricated Access Suppliers and Manufacturers Association (PASMA) established a compatibility protocol outlining the criteria that must be met in order to construct and use a hybrid tower. This new protocol states that instruction manuals for hybrid towers need third-party certification to the latest standard - EN 1004-2:2021. Within this, it states
> that this certification must be delivered by a UKAS or EA accredited body and that the body should have a facility included within its UKAS or EA scope of accreditation.
The protocol goes on to say that the certifying body should be authorised to issue the certification included in its UKAS or EA scope of registration.
In addition, the instruction manual that is provided with the access tower should contain sufficient information to clearly describe any operational differences between a ‘compatible’ and ‘other’ tower.
Constructing a tower safely
It is not only the components that are approved according to EN 1004-1:2021, but the complete tower structure. This structure is made up of the individual access components.
Access towers failing to use the components that are listed within the manufacturer’s manual cannot gain valid certification required to be safe.
This is because the tower hasn’t been built to the requirements listed in the manufacturer’s manual and
hasn’t been independently tested by an accredited UKAS or EA third-party to the required standard. Not only is this unsafe for workers, but it may also deem the liability insurance taken out against the products invalid.
There are various guides available to better understand access tower safety requirements available online at www.bossaccesstowers.com/literature
Learning more
It is clear that falls from height are a real threat to workers in the construction industry. Therefore, more should be done to reduce the risks including those associated with mixing and matching tower components. Training is a must to communicate best practices when working at height. With this, all employees using and constructing towers should undergo training around their safe construction and use. This training should cover the correct access equipment to be used when creating towers in a way that satisfies safety, compliance and insurance requirements.
Are you c overed?
Tradespeople are being urged to check they’re fully insured against claims from customers and the public.
While it’s not a legal requirement, they say all tradespeople should have public liability insurance in place to protect them against claims. In the UK last year, there were 58,933 public liability claims registered to the Compensation Recovery Unit (CRU) – a 10% increase from the previous year.
A recent survey by Quotezone revealed only a third of Britons know they could claim against a tradesperson for damages to themselves or their property, but given the surge in claims and compensations over the last 12 months, trade workers need to future proof their business and protect themselves.
Quotezone can help compare and find savings on business insurance and related products such as public liability insurance.
www.quotezone.co.uk
Public liability insurance covers the cost of compensation and legal fees if your business is sued for injury or damage to a third party. It includes personal injuries and loss or damage to a property, including the cost of replacing damaged property.
It could cover something relatively minor such as paint being spilt on a carpet or punctures caused by discarded nails, up to extreme cases such as death.
Some customers may also insist tradespeople have public liability insurance in place. Without it, they could be in breach of contract or may not get a contract at all.
Greg Wilson, CEO at Quotezone.co.uk said, “Public liability insurance isn’t required by law, but investing in it ensures peace of mind and increases professional credibility. Having the right insurance is not just about managing risk. It’s also about demonstrating responsibility and commitment to your customers and members of the public.”
Key reasons to take out public liability insurance:
Protection Against Legal Claims
Public liability insurance protects tradespeople from financial losses resulting from legal claims made by clients or third parties.
Peace of Mind
Knowing that you’re covered in the event of an accident or mishap allows tradespeople to focus on their work without the constant worry of potential financial repercussions. This peace of mind can enhance job performance and reduce stress.
Client Confidence
Having this insurance in place gives credibility and reassures customers that you are a professional who takes responsibility seriously.
Compliance with Contracts
Many contracts and projects require proof of public liability insurance before work starts. Being covered ensures you can meet these requirements and avoid losing out on potential business opportunities.
Coverage for Property Damage
Public liability covers personal injury and damage to property that might happen during the course of your work. This could include accidental damage which can be expensive to repair.
Financial Protection
Without insurance, you might have to cover legal claims, and compensation costs out of pocket.
Aura® Exterior provides the ultimate performance for rich, full colour and unprecedented durability, ensuring stunning results that stand the test of time on exterior surfaces such as doors and window frames.
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Security is a top concern for homeowners, business owners, and public property managers alike. As crime rates fluctuate and security systems evolve, people are constantly seeking innovative ways to protect their properties from intruders. One highly effective and non-invasive solution that’s gaining popularity is Anti-Climb paint.
The effective solution for det err ing trespass ers
What is Anti-Climb Paint?
Anti-Climb Paint, also known as anti-vandal paint or anti-intruder paint, is a specially formulated coating that is designed to make surfaces slippery, difficult to grip onto and therefore climb. When the coating is applied to fences, walls, or other surfaces that could potentially be scaled by a trespasser, it creates an unpleasant, almost impossible-to-grip surface.
This type of paint is most used as a deterrent to prevent burglars, vandals, or intruders from accessing private properties, and it’s particularly effective when applied to areas like boundary walls, gates, and high-risk entry points.
How does it work?
The key property of Anti-Climb Paint lies in its unique non-drying nature. Unlike typical paints that dry and harden over time, Anti-Climb Paint remains slippery.
This is due to a special blend of materials specifically designed to prevent the paint from curing or setting. The result is a surface that remains slick and smooth, making it extremely difficult, if not impossible, to maintain a firm grip.
When someone attempts to climb the painted surface, their hands or feet slip off, making it extremely difficult, if not impossible, to scale the wall or fence.
Anti-Climb Paint Benefits:
• Protecting Property: Reduces the risk of break-ins.
• Deterring Intruders: Visible signage reinforces its presence (A4 signs can be supplied).
• Highlighting Break-In Attempts: Clearly shows where climbing attempts have occurred.
• Visible locations, paired with signage for added deterrence.
• Specific areas used as handholds; covering large areas is not normally necessary.
• Wall tops, fence tops, flat roofs (or their edges), and downpipes above 7 feet.
• Can also protect lead flashing from theft.
Three popular uses of the paint are:
• Wall Tops: Black anti-climb paint has been applied, complementing the aesthetics while remaining visible.
• Downpipes: Coated in black anti-climb paint to deter access to a first-floor window.
• Flat Roofs: The system can be installed on flat roofs to monitor and deter unauthorised access, providing an added layer of security for vulnerable entry points. Proper placement ensures full coverage, reducing blind spots.
Key Features of Anti-Climb Paint
When Coo-var were developing their Vandalene anti-climb paint, to produce an effective solution several factors were considered to ensure optimal performance:
• Temperature Stability: The product must intact across various climate conditions. It won’t sag or run in hot weather when applied correctly.
• Eco-Friendly Composition: Free from mineral oils or waxes, making it environmentally safe and relatively easy to remove from clothing or unintended surfaces.
• Simple to Apply: using conventional tools –brushes and rollers.
How to apply Anti-Climb Paint
Applying Anti-Climb Paint is like painting, but attention to preparation is critical:
Prepare the Surface:
• Masonry: Clean thoroughly and seal with a suitable primer.
• Unpainted Metal: Apply a suitable oil- or water-based metal primer.
• Smooth, previously painted, or plastic surfaces: Roughen or sand to ensure adhesion, especially on vertical surfaces.
Application:
• Use a brush or painter’s mitt. The product is thick and non-pourable.
• Apply a thin layer (0.5–1mm). Excess application is unnecessary.
Monitoring:
• Regularly inspect the coating to identify wear and reapply if needed.
• If break-in attempts occur, review security measures. For instance, remove pallets or objects leaning against walls that could aid climbing.
Versatile security solution
Anti-climb paint is suitable for various locations, including commercial properties, homes, schools, leisure centres, sports clubs, and more.
For further guidance, head to www.coo-var.co.uk
In the world of trade jobs, from construction sites to domestic painting and decorating, the nature of the work is inherently demanding and, at times, risky – not only for your health, but also your financial stability.
Know your risks
By surveying 302 UK tradespeople who had been injured at work Markel sought to find out the most common issues they experience, the personal repercussions, and what they can cost your business.
Most common injuries
Faulty equipment or tools was reported by 44% of respondents as a cause of workplace injuries. Other common causes of workplace injuries include a lack of personal protective equipment (PPE) (38%) and poor safety regulations on site (36%).
This is a key point for employers to avoid a scenario where an employee could be hurt; taking enhanced safety measures, providing proper safety equipment and training staff can help to reduce these risks.
Common injuries on the job
Whether it’s falling objects, accidental slips and trips on uneven terrain or falls from a height, the survey showed that head injuries and concussions account for 37% of reported injuries. These can happen in the blink of an eye, so ensuring you and any staff are wearing head protection can help minimise the impact.
Right behind head injuries are minor broken bones, which include fingers, toes, and noses, with 33% of tradespeople stating they’ve broken something while on the clock.
And while many injuries are minor, Health and Safety Executive (HSE) data revealed that in 2023/2024 there was a rate of 1.74 fatal injuries per 100,000 employees in the construction industry, and a higher rate of 3.62 per 100,000 for self-employed workers. As such, it’s vital that all sizes of business – from the self-employed to large construction companies - take steps to prevent injuries, and more importantly, fatalities, from occurring.
Mental health in construction
42% of respondents reported that they experience symptoms of anxiety and stress. Throw in other factors like tight deadlines, long working hours in all weather
conditions, financial pressures and worries about job security, and the stresses can start to pile up.
Mental health can affect any trade – however, out of the 66% of tradespeople who reported they struggle with mental health issues, it was revealed that some trades are more likely to face challenges than others. The data showed that 80% of the plumbers surveyed said they had experienced mental health issues, followed closely by 79% of builders and 72% of both electricians and labourers and 51% of painters and decorators.
The cost of slip-ups and illnesses
The financial ramifications of not being able to work due to work-related illnesses and injuries can be severe. Based on an average day rate of £238, the potential loss of income is eyewatering. For instance, if a self-employed person had to take a four-month hiatus due to injury, they could face a staggering loss of up to £20,508 loss in earnings. This could have a substantially negative knock-on effect on their financial stability and overall wellbeing.
Arranging insurance cover such as Occupational Personal Accident Insurance can help support you financially if you can’t work because of an injury on the job, minimising the impact of lost days on your income.
Summary
It’s clear that the trade industry faces a plethora of challenges and risks, both physical and mental, that can impact the wellbeing and livelihood of tradespeople. But knowing what the challenges are and addressing them head on can foster a safer working environment.
Markel Direct, provide our tradesmen insurance policy holders with access to the Markel Business Hub, which contains sample health and safety policy templates for employers, as well as guidance and advice on maintaining a safe working environment. Additionally, policyholders receive access to a 24/7 legal advice helpline to help navigate any challenging situations they may experience in their job. n
PaintGuard™ Ultimate Paint Protection Range
PaintGuard™ is the new and secure way to despatch your tins and tubs of liquids.
Allpack guarantees the product is ‘UK Courier Approved’ to have no damages/ breakages/spillages or dented products during transit*.
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Available for next day delivery
Crown Paints has supported the award-winning restoration of community hub, Our Lady Immaculate Roman Catholic Church, in Lancashire.
IMMACULATE restoration
The church has provided a place of worship for residents in Ashton-in-Makerfield since 1903, but after a fire in 2022 caused significant smoke damage to the interior it was left unable to hold services.
It has since been restored by Story Decorating Group, who ensured its original character and ornate details were maintained with products from Crown Paints.
The successful renovation resulted in the project being awarded a Highly Commended in the Highly Decorative Category at Painting and Decorating Association Premier Trophy Awards.
To ensure a durable and lasting finish suitable for the high-traffic environment, 143 litres of Clean Extreme Scrubbable Matt were used to provide stain-resistant, washable surfaces, 53 litres of Sadolin Polyurethane Extra Durable Varnish was applied to the church’s floors for a robust and hardwearing finish, and Fastflow Quick Dry Gloss was used for a high-quality finish on the building’s joinery and metal work.
Recognising the importance of preserving the solemn nature of the building, a muted palette of grey, green and brown shades was chosen. On the altar, differing shades of grey were hand painted to create a depth effect upon gilding.
Claire Story at Story Decorating Group said, "It’s been an absolute privilege to preserve the legacy of Our Lady Immaculate after it was almost lost to a fire. I must extend a special thanks to the expert specification team at Crown Trade who ensured our hard work will stand the test of time and serve the community for generations to come. The Premier Trophy Award is just the icing on the cake of an already rewarding project." n
Large loads go f ur ther
new Renault Master E-Tech electric was engineered in a wind tunnel. Its silhouette and every single part were honed to perfection. The prototypes spent thousands of hours in the tunnel during development then, given the van’s size, certification tests were carried out in wind tunnel built for aircraft.
To address all professional users’ requirements, the Master E-Tech is powered by a 96 kW or 105 kW motor, in both cases delivering 300 Nm of torque and one of the highest ratios in the heavy electric van market. The first runs on a 40-kWh battery and has an approximately 124 mile WLTP range (pending certification), the second runs on an 87 kWh battery with an up to 285 mile WLTP range.
A 130 kW DC fast charge adds 150 miles of range in 30 minutes. A 22 kW AC home Wallbox tops up the battery from 10% to 100% in under 4 hours.
The dynamic braking system responds faster, which also improves the vehicle’s active safety. The system can turn the kinetic energy from the deceleration into electric power to charge the battery and extend its range. business.renault.co.uk
The system can harvest up to 95 kW of energy this way, plus the battery heat management system increases the battery’s performance and extends its useful life.
The New Master E-Tech electric range includes vans with a maximum authorised laden mass of 4 tonnes and towage muscle never seen before in the category, without compromising handling, even in the fast lane.
The cab air conditioning system (which comes as standard) also helps to keep indoor temperature at optimal levels and the van’s range as long as possible, in summer as much as winter.
The van also includes V2X capabilities, with Vehicle To Load (V2L) to charge other devices from an outlet in the cockpit or load area, as well as adaptors to plug power tools, computers and other devices into charger outlets, and Vehicle To Grid (V2G) to feed energy from the battery to the grid using a bidirectional charger.
The new Renault Master E-Tech also comes with several exclusive functionalities which provide a user experience that looks and feels a lot like a smartphone. Google Maps takes the user’s preferences into account and suggests optimised itineraries according to them, plus the My Renault app provides an array of additional services tailored for electric vehicles. n
The
Façade facelift
As we head towards warmer months, I’d like to introduce you to an exterior project that I completed in summer last year. The specification was to redecorate the entire front and back of the property, including the sash windows, masonry sills, front porch area and doors, the front door, all masonry, garage canopy and the original iron gate...
The front garden gate was discovered under the floorboards by builders as they changed the flooring on the ground floor just a few years ago. It had been hidden during the Second World War, more than likely to avoid it being taken as scrap metal to produce munitions, weapons, and tanks.
The gate had been refitted, which was my starting place for the project. I sanded back as much as possible to reveal the submerged detail in old gloss, before then repainting in black gloss from the Rust-Oleum CombiColour range. I find this to be a particularly user-friendly paint with its ease of application.
The front windowsills required some attention before painting as some areas had deteriorated. I used Toupret’s Rock Solid Repair Filler (Mur Ex) to rebuild the deep repairs. Once dry, I skim-coated the windowsills with Toupret Masonry Repair Filler.
I then used Zinsser Peel Stop to seal the surfaces after a gentle sanding, which I’m particularly fond of as Peel Stop is a breathable product, with topcoats of Johnstone’s Stormshield in Brilliant White.
The ground floor front window sashes suffered with rotting bottom rails, which needed replacing. In the areas of the windows that I was able to repair, I used
The porch doors we removed and existing paint was removed using a Spengar IR Paint Stripper. Toupret Wood Hardener was applied before cracks and damage were filled using Repair Care Dry Flex. Sikkens Rubbol Primer and top coats of Sikkens Satura provide a flawless finish
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Repair Care Dry Flex Resin Filler. The windows were finished using Sikkens Rubbol Primer, followed by Sikkens Satura in White.
I try to be mindful when painting exterior woodwork, by avoiding painting in the direct midday sunshine when it’s particularly hot weather. This is just something I’ve learned, and I time the application either first thing in the morning or later in the afternoon, depending on the position of the property.
The clients had opted to remove the pair of porch doors so I could work on them. All of the paint was removed using a Spengar IR Paint Stripper. A product that I’m yet to mention using is Wood Hardener, made by Toupret. I find this really works well to tighten the wood and, once dry, provides a superb surface on which to start painting. The cracks and repairs were addressed using Repair Care Dry Flex filler.
For both the front door and porch doors I used Sikkens Rubbol Primer and then top-coated them using Sikkens Satura in a pale blue colour. The finishing touch was to clean the window glass using glass cleaner from HD to give everything a sparkling finish. n
Gary Burton is passionate about painting and decorating, is always on the lookout for tools and products, and increasing his skill and knowledge. See more of his work on Instagram @grb_interiors or Bluesky @theofficialgrb.bsky.social Or visit his website www.grb-interiors.co.uk
The existing masonry paint on the columns at the front of the entrance was bubbling, this was removed and then cleaned down. Repairs were carried out using Masonry Repair Filler from Toupret, and sealed with Peel Stop before repainting.
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Dulux Trade Ultra Matt
To ensure decorators have the right amount of paint for their project, Dulux Trade is now offering its popular Ultra Matt paint in 3-litre packs. The new pack size joins the existing 10L format, offering greater flexibility to suit different needs across domestic and commercial projects.
Ultra Matt perfectly complements the broader Dulux Trade range, offering a solution specifically formulated for ceilings. The new pack size can cover up to 48m2, making it perfect for smaller, single room jobs.
Dulux Trade Ultra Matt provides an anti-flashing formulation with a smooth and even finish, making it ideal for spaces with challenging light conditions or where ceilings have imperfections. It also offers excellent opacity, a smooth and low splatter application and near invisible touch-ups.
www.duluxtradepaintexpert.co.uk
INSL-X
Max Block and High Build Peel Bonding Primer
Benjamin Moore have introduced two new primers to the UK under their specialist brand, Insl-X® Insl-X Max Block™ is the next generation of water-based primers, formulated to provide advanced stain-blocking properties. Years of testing on multiple substrates in both interior and exterior environments have resulted in a product with proven effectiveness across multiple types of stains and tannin bleeding woods.
Insl-X High Build Peel Bonding Primer is designed to smooth and seal weathered surfaces with peeling, cracking or chalking paint. The waterbased acrylic primer is ideal for wood and masonry surfaces. This high build primer reduces preparation time by binding chalky residue, gluing down flaking edges and can be applied up to 0.5mm wet to ensure an even surface.
Both products will be available from Benjamin Moore and Authorised Stockists from early April.
www.benjaminmoorepaint.co.uk
BoSS QuickPod 1500
BoSS has unveiled an enhanced version of its leading low-level multi-application mobile podium with the launch of its brand-new 1500 model.
The QuickPod 1500 builds on the innovation and ease-of-use that is central the QuickPod 1000, with a platform height of 1.5m, making it the ideal product for jobs that require additional height. Designed and manufactured in the UK, the BoSS QuickPod 1500 prioritises 360° safety for users, including an auto-closing safety gate, guardrail, and pivoting stabilisers for ultimate solidity.
The QuickPod 1500 uses an ergonomic two-piece design with a podium frame and integrated ladder section with platform, with a Toe Board Kit available as an added extra. The foldable system is quick to set-up and easy to transport and store at 2.44m x 0.95m x 0.28m, tested and certified to the latest BS8620:2016 standard for safety.
www.bossaccesstowers.com/uk
GEAR GUIDE
25 years of Multi-Surface Paint
2024 was a milestone for BEDEC, celebrating 25 years since the launch of their groundbreaking multi-surface paint, MSP™.
The introduction of MSP in 1999 was met with considerable scepticism. Many within the industry questioned the possibility of a ‘one can’, internal and external water-based product possessing the ability to self-prime, self-undercoat, and adhere to virtually any surface, and be available in Gloss, Satin, Matt and Metallic finishes!
The development of MSP was the culmination of many years of hard work. BEDEC was founded in the 1970’s by two experienced paint chemists, Brian Higgins and Dave Horn. Their goal was to create water-based products that not only matched their solvent equivalents but out performed them.
BEDEC gradually accumulated a group of experienced paint chemists and production specialists all of whom had a passion for paint technology. With much work and access to cutting edge raw materials and techniques, BEDEC eventually created MSP. With little in the way of marketing, MSP was launched but initially many in the industry refused to believe that a ‘one can for all jobs’ product was feasible. Gradually, with word of mouth recommendation, MSP’s popularity grew.
The eventual success of MSP allowed BEDEC to invest in further research and development and they now have a range of specialist, high quality water-based products to be proud of.
Over the years, a number of products have been launched by other companies claiming to have similar properties to MSP, however none have been able to create a ‘one can’ product that can be used internally and externally that rivals the performance of MSP.
When MSP was released it was far ahead of environmental and health regulations, and without the need to make changes it still remains comfortably within modern day regulations.
Continued research and development means MSP remains the benchmark multi-surface paint for many in the painting and decorating world. BEDEC continue to make MSP at their facility in Essex and pride themselves on its quality and consistency. MSP can be applied by brush, roller or spray. It is touch dry within two-hours and re-coatable after four-hours. Available in various sizes from 250ml to 20-litres, as well as being multi-surface it dries to form a flexible coating which is microporous and durable, offering 100% UV protection, it is non-yellowing and has a exceptional weather resistance.
www.bedec.co.uk
The original packaging for BEDEC’s groundbreaking Multi-Surface Paint.
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Crown Paints
Colour Insights 2025
Crown Paints has launched its Colour Insights, a collection of five palettes designed to help painters and decorators confidently guide clients with their colour choices.
Developed by Crown’s team of colour experts, the palettes – Co, Choreography, Disrupt, G-local, and Faraway – are inspired by global trends and offer a practical toolkit for understanding how colours work together.
The ambition is to empower decorators to engage with customers at the colour selection stage and help them to elevate their expertise, enhance the service they provide, and increase customer loyalty and word-of-mouth recommendations.
Jemma Saunders, Colour Specialist at Crown Paints said, “Colour is so much more than a decorative tool. It shapes how we feel, work and interact within spaces. This year’s Colour Insights palettes are reflective of a world that’s constantly evolving, in which decorators need a framework to deliver creative, meaningful designs for their customers.
“To create this collection, we looked at everything from environmental changes to digital advancements, and how people interact with spaces. It’s the result of months of collaboration, pulling inspiration from a wide range of sources and perspectives. We’re very proud of the collection and can’t wait to see how decorators use our insights to bring their customers’ visions to life.”
Co influences the creation of harmonious spaces, bringing a balance that can foster both productivity and relaxation. A mix of calming green and grey tones serves as a foundation, while vibrant pops of yellow and red inject energy and joy.
Choreography
At the core of Choreography is a melody of organic shapes, curves and a rhythmic flow that emphasises sensory comfort. Featuring warm, muted tones like soft lilacs and greens, alongside deeper shades, for a calming and cocooning effect.
Disrupt
Dynamic and high-energy to provoke interaction and spark emotion, offering a bold contrast to quieter, more personal spaces. The digital-inspired palette features clashing colours including electric blues and vibrant orange and yellow accents.
Glocal
Read more about Crown’s Colour Insights, and see the full report detailing their creation at www.crownpaintsprofessional.com/colour/insights/
Emphasises the fusion of local craftsmanship with global perspectives, celebrating the intersection of traditional materials and new technologies. A neutral base palette is accented with subtle injections of synthetic green and orange tones.
Faraway
A futuristic, personalised design experience, where technology enables endless possibilities for individual expression, is at the heart of Faraway. Iridescent hues, with digital blues and purples balanced alongside warm greens.
Faraway
Farrow & Ball
New colours for Signature Palette
British paint and wallpaper maker Farrow & Ball has added 12 new colours to its signature palette, nine brand-new creations and, for the first time, three previously archived shades. All handcrafted in Dorset, the new paint colours have been carefully curated with the extraordinary ordinary in mind.
The new colours range from a deep terracotta to a crisp blue, an earthy green to a delicate pink, with inspiration including a dependable garden tool, folkloric fireplaces and even the humble duster. This grounded palette celebrates, illuminates and indulges in the everyday. The hidden heroes of our fondest memories and the special touches that make a moment an occasion.
Joa Studholme, Colour Curator for Farrow & Ball comments, “Over the last few years, we’ve relished living with colour. It’s opened our eyes to all the shades surrounding us, which we often don’t think about. The treasures right under our noses. Now, we’re ready to embrace more colour and celebrate these unsung heroes in our homes.
“Marmelo, named after the quince that inspired marmalade, is one of my favourite new colours. Who could fail to be comforted by that familiar orange reminiscent of warm, buttered toast and >
Lower panelling: Sap Green No.199 – Upper walls and woodwork: Sizing No.314
Walls: Douter No.318
Walls and Woodwork: Broccoli Brown No.198
Chimney Breast: Reduced Green No.313
Wall and fire surround:
No.312,
conversations around the breakfast table? I also have a real soft spot for Douter. It sits somewhere between Inchyra Blue and Green Smoke, but it was really inspired by traditional brass candle snuffers and I always think candlelight brings a magical quality, whether it’s a dinner party or just a cosy evening in.”
For the first time, Farrow & Ball is reintroducing shades from its well-established Archive, which includes every paint colour the heritage brand has made over its 78 years. The three returning shades are: Sap Green, Broccoli Brown and Etruscan Red.
Scallop
This lighter interpretation of Dead Salmon is inspired by both the soft hue and gentle, curved shape of the prized shellfish.
Charlotte Cosby, Creative Director comments, “I love delving into our Archive, there are some real treasures tucked away in there and I’m thrilled these three are getting another turn in the spotlight.”
The new colours will be available in selected interior and exterior finishes. n
www.farrow-ball.com
Kakelugn
A cleaner interpretation of Light Blue takes its name from the folkloric fires of Sweden, often decorated in this shade.
Dibber
Named after the tool gardeners use create holes for planting, this muddied green has a close association with the natural world.
Reduced Green
The green pigment in this dark neutral has been reduced so much that it’s barely there – some see brown, while others see green.
Sizing
A fresh neutral with distinctive blue undertones, this colour has a certain crispness like the starch it is named after.
Naperon
Inspired by the origins of the word apron, this is a familiar clay colour with a well-loved feel.
Marmelo
Named after the marmelo quince, the inspiration for marmalade, this is a thoroughly comforting shade.
Douter
Inspired by the soot and tarnished brass of traditional candle snuffers, this is a green interpretation of our beloved Inchyra Blue.
Duster
An aged yellow celebrating the ever so familiar cloth used to clean homes worldwide.
Etruscan Red
An earthy red inspired by an ancient civilisation, undoubtedly rich without being overwhelming.
Broccoli Brown
A dark, quiet colour that sits effortlessly alongside natural materials, such as weathered wood or flagstone floors.
Sap Green
An enticing olive shade, Sap Green is a true celebration of nature and feels wonderfully intense in small spaces.
Mirka is enhancing its tooling line-up with the launch of the new DecoSander, a versatile pole sander that has been developed with efficiency and ease of use at the forefront of its design. This innovative tool offers precision sanding for walls, ceilings, and tight corners, ensuring a flawless finish in any environment.
The DecoSander tips the scales at just 800g, which makes it easy to use for a sustained period, reducing fatigue and maximising comfort. In addition, the sander’s adjustable telescopic pole ensures high ceilings can be reached and the tool’s swivel assembly allows the sanding heads to access and sand at any angle. The DecoSander has interchangeable heads and is available in two options: DecoSander with 80x230mm head or with both the 80x230mm and 225mm head.
The DecoSander also has a stabilised sanding head, designed to prevent accidental tilting and flipping over at the edges. This allows the tool to provide a stable operation, no matter the surface or angle it is being used at. Additionally, when combined with Mirka’s dust-free net abrasives and suitable dust extraction, the DecoSander creates a virtually dust-free sanding work environment for the user.
Pete Sartain at Mirka says, “We recognised the need for a versatile, high-performance sanding tool that meets the demands of professionals, so the R&D team developed the DecoSander. This new tool is the next evolution in pole sanders and fills a critical gap in the market. We are excited to showcase its benefits and can’t wait to hear how it becomes an essential asset for our customers.”
www.mirka.com/en-gb/
Developed with care and continuous research in Greece, ISOMAT Premium Paints are the ideal solution for those who deal with painting as more than just a routine task.
Long-lasting durability, a commitment to sustainability reflected in its wide range of certifications, and an extensive colour palette and great emphasis on stunning whites that bring up the luminous Mediterranean aura to any space, ISOMAT products deliver outstanding performance.
ISOMAT Premium Paints at Brewers Decorator Centres
Elevate your painting experience
ISOMAT 2-in-1 Primer ensures excellent paint adhesion while offering high penetration and quick drying. But what makes the big difference? This white, tintable, water-based primer serves a dual purpose: it primes the substrate while also providing excellent coverage. It can even be used as an intermediate layer when transitioning between light and dark shades, reducing the total number of coats needed and minimising paint consumption.
ISOMAT 2-in-1 Primer is suitable for new or old interior surfaces made of plaster, concrete, masonry, gypsum-based plaster, aerated concrete, gypsum board, etc. and it can be tinted to a wide range of light colours through the ISOMAT Colour System tinting system.
Aiming to create the absolute ‘Home Beauty’ in every space, ISOMAT has developed Premium Colour, a nearly odourless, interior flat matt emulsion with a 3% sheen level featuring exceptional durability, and excellent surface coverage and opacity. Plus, thanks to its great workability and flow, it eliminates visible application marks and achieves effortless spot repair.
In addition, ISOMAT Premium Colour provides outstanding resistance to frequent washing and ageing, making it ideal for demanding spaces such as workspaces or children’s rooms, considering also the fact that it’s tested for toy safety (EN 71-3).
With sustainability as its core, ISOMAT develops products that prioritise both living conditions and the environment. ISOMAT Premium Colour has achieved the Eurofins Indoor Air Comfort Gold certification, the most stringent voluntary label on volatile organic compound (VOC) emissions, ensuring optimum indoor air quality and a healthier living environment. It has also received an Environmental Product Declaration (EPD) following an assessment of its life-cycle environmental impacts.
For spaces exposed to high moisture levels, specialised treatment is essential, this is where ISOMAT Bath & Kitchen comes into play! The premium interior flat matt emulsion with a 3% sheen level is expertly formulated with antimicrobial and antifungal properties to drastically prevent mould and fungal growth caused by excess moisture and condensation.
It is the ideal choice for kitchens and bathrooms, featuring excellent surface coverage, high opacity and whiteness, great workability and flow, and high resistance to frequent washing and ageing, making it perfect for both residential and commercial settings.
Create a modern and statement-making living space by choosing ISOMAT’s unique dark shades or boost the ‘clean & bright’ look by choosing a classic neutral shade or an elegant off-white through the ISOMAT Colour System, that beautifully highlights interior details!
