Rendar takes its name from “Renda”, the Portuguese word meaning embroidery. Inspired by Brazil’s handcrafted tradition, we create elegant essentials for the home: tablecloths, sets, runners, towel trays, and bed sheets.
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TiPii is an urban glass studio entirely devoted to the art of glassblowing, where each single piece is carefully designed and mouth-blown by hand. Thibaut and his team breathe new life into this ancestral craft with poetry and passion, shaping timeless objects and eternal works of art.
Visit us at # maisonetobjet Craft sector, Hall 5A / Stand J17
100 LIBERTY REVERIE
VILLINO BY STUDIOTAMAT / ROME, ITALY 110 LAYERS OF LIGHT
TOWNHOUSE BY WER STUDIO / LONDON, UK
120 CULTURAL FLOW
APARTMENT BY ROHINI BAGLA / MUMBAI, INDIA
130 SERENDIPITOUS SPACE
APARTMENT BY STUDIO GAMEIRO / LISBON, PORTUGAL
140 BETWEEN STEEL AND SUNLIGHT
PENTHOUSE BY GURGEL D’ALFONSO ARQUITETURA / SÃO PAULO, BRAZIL
152 ALL OFFICIAL SOURCES
The living room of the Lisbon apartment designed by Studio Gameiro. Page 130
Dear Readers & Design Lovers,
This edition is dedicated to Craftsmanship. How we experience it today and how we are reshaping it for the future.
We welcome you to a harmonious Seasonal transition, rich in light, texture, and colors. On page 20, our Design Trends proposal explores this delicate change through warm tones and moods that embrace both the last glow of Summer and the grounding energy of Autumn.
At the heart of this issue (page 48), we take you to the Maison&Objet fair, where, in addition to the most exciting previews, we present a very special selection of 21 Artisans. 21 professionals who reinterpret the meaning of artisanship in their own personal way, blending tradition, contemporary visions, and eco-conscious approaches. Their works tell stories of passion, of culture, and of the timeless human need to create beauty with our own hands (page 64).
Following this thread, a series of Interior projects where craftsmanship becomes the true soul of design. Here, it’s not only about responding to client requests or selecting right furniture. It’s about pushing boundaries, rethinking spaces, and offering bespoke solutions that transform the way we live.
As seen on page 110, the project in Notting Hill, London, designed by the talented sisters of WER Studio, shows how they managed to maximize space by creating custom furniture in unused, unexpected corners, without ever compromising on aesthetics. Meanwhile, the apartment designed by Indian interior designer Rohini Bagla preserves and celebrates cultural heritage through thoughtful details that infuse the project with identity and warmth (page 120). While João Gameiro’s poetic project (which also graces our cover) revolves around the architectural power of the arch, which became the defining element throughout the entire home, page 130. These examples remind us that true design is what takes us beyond our mental boundaries and brings out the ingenuity that lies within us.
Hope you perceive the authentic creativity and inspiration woven into these pages. With passion,
ASecluded Hideaway in the Italian Alps Belgian couple Luna Lybeer and Wout Allegaert have opened Rifugio Val di Togno: a guesthouse perched at 1.317 meters in in the Italian Alps where all-inclusive stays with homemade vegetarian cuisine combine with seclusion, comfort, and access to scenic hiking trails
Roostiq Marbella
For the Marbella location, Astet Studio has envisioned a unique interior design concept that redefines Roostiq’s identity, blending contemporary elegance with the brand’s rustic roots.
Inspired by the London runways, this Autumn colour palette balances classic elegance with a fresh, dynamic spirit. Warm and enveloping hues take centre stage with a focus on cozy textures and layered elements, and the enduring appeal of curved furniture. Rooted in tradition but alive with sparks of new vision, these shades invite experimentation and the discovery of a truly personal style.
Ilex Stem Artificial flowers by
AN EXUBERANT SHADE OF RED THAT BRINGS SENSUALITY TO INTERIORS WHILE REMAINING BOLD AND FESTIVE. IT'S A PERFECT CHOICE FOR STATEMENT FURNITURE OR DECORATIVE DETAILS THAT ADD PASSION AND DRAMA TO ANY SPACE.
Praying Mantis Home accessory by MAMBO UNLIMITED IDEAS
Hot Chocolate
INTIMATE AND WELCOMING, THIS SHADE RECALLS DARK CHOCOLATE WITH WARM AND ENVELOPING UNDERTONES. AN ELEGANT AND VERSATILE NUANCE, IT CREATES DEPTH AND MOVEMENT, WHILE UNDER NATURAL LIGHT IT REVEALS SILKY, WARM REFLECTIONS THAT ADD A SOPHISTICATED TOUCH.
A RADIANT BLEND OF ORANGE AND BROWN, DESERT SUN IS PERFECT AS A TRANSITIONAL COLOR FROM SUMMER TO AUTUMN. FEATURED IN GEOMETRIC PIECES AND ENRICHED WITH LUXURIOUS FABRICS, IT REVEALS ITS FULL CHARACTER WHEN LAYERED WITH OTHER WARM TONES FROM THE SAME FAMILY.
French artist and designer Audrey Abbal -Duteille explores the balance between form, light, and matter, turning each creation into a dialogue between art and design. Her modular Switch & Match lighting series embodies this vision, offering endless possibilities for personalization where each user becomes the creator of their own luminous piece.
“I WANTED TO CREATE LIGHTING PIECES THAT INVITE EVERYONE TO BECOME THE ARCHITECT OF THEIR OWN DESIGN.”
www.zemonstadesign.com
Instagram: @atelierzemonsta
Maison & Objet: Hall 5A – Stand M
9 – 11 September 2025
Explore the latest trends, meet global interior brands, and connect with the design community shaping the spaces of tomorrow.
Flow Suspension by CASTRO LIGHTING
Toumèto
Ocre Jaune Tiles by Margaux Keller x CAROCIM
Eye Of The Tiger Mirror by REFLECTIONS COPENHAGEN
Lizard Dining table by ALVA MUSA
A SUBTLE BROWN, REMINISCENT OF A DELICATE HAZE INFUSED WITH THE WARM UNDERTONES OF AGED BRONZE AND A METALLIC SHEEN, EVOKING UNDERSTATED ELEGANCE AND REFINED NATURALISM, ACTING AS A BRIDGE BETWEEN EARTHY GROUNDEDNESS AND ETHEREAL LIGHTNESS. EASILY ADAPTABLE, IT CAN BRING A MODERN TOUCH WHEN PAIRED WITH THE RIGHT DETAILS.
Flow Floor lamp by UTU LAMPS
Diseño Contenido Pabellón DC x Audi
Parque Lincoln Parque Lincoln / Espacio CDMX
Chili Oil A WARM SHADE BETWEEN BROWN AND BURGUNDY THAT NEVER FADES FROM THE AUTUMN PALETTE. IT LENDS A MAJESTIC AND REFINED LOOK TO ROUNDED UPHOLSTERED PIECES, WHILE ALSO TURNING VIBRANT AND TRENDY WHEN PAIRED WITH BOLD GEOMETRIC PATTERNS. #AUTUMN2025
Bestiaire Tortue Cushion by LE MONDE SAUVAGE
€71,00
Get ready to refresh your home! Discover the latest arrivals infused with seasonal vibes: from bold animal and botanical prints to luminous glass reflections and the cozy warmth of new textiles.
3
Set of 2 dinner plates by MAISON BALZAC
€83,00
Siili
Linen
KANKURIT
€22,90
La Chapelle
Incense by MAISON BALZAC
€47,00
Ritournelle Anvers
Quilt by LE MONDE
SAUVAGE
€590,00
Totoro Owaka
Cushion by LE MONDE
SAUVAGE
€65,00
€37,90
Nocturnal King
Fragrance sculpture by MABOU
€129,00
€22,90
Mushrooms Magik Life III
Cushion by MY FRIEND PACO €35,00
Toffee
Linen towel by Teemu Järvi x LAPUAN KANKURIT
€22,90
Arya
Aperitif Jug by MAISON BALZAC
€180,00
SAUVAGE
Swan
Set of 2 napkins by MAISON BALZAC
€125,00
29 Sep. — 2 Oct. 2025
Feria Internacional del Mueble e Iluminación de València.
Valencia International Furniture & Lighting Fair.
f e r i a h a b i t a t v a l e n c i a . c o m
The Italian company Donato Engineering System® works with passion and mastery in the sector of Car Lifts and Automated Parking with latest generation technologies, creating unique and customised products and designs, in symbiosis and harmony with the most modern architectural and environmental requirements.
REQUEST A FREE CONSULTATION
Fyra has designed a 400 m² space for the Brasserie Lionne, a contemporary reinterpretation of the classic French bistro, located on Pohjoisesplanadi in the heart of Helsinki. The interior unfolds in warm, layered compositions that create a visually rich atmosphere, effortlessly transitioning from morning brightness to evening intimacy. The design draws inspiration not only from the timeless charm of French bistros but also from the character of the 19th-century building itself. Its original architectural features have been carefully preserved and celebrated: exposed brick walls and cast-iron beams ground the restaurant in its history, while allowing refined details to take centre stage. Address: Pohjoisesplanadi 37, 00100 - Helsinki, Finland www.fyra.fi
Astet Studio proudly presents Roostiq Bar striking new hospitality concept on the iconic Calle Barquillo in Madrid. The design narrative revolves around joy, accessibility, and visual storytelling, with every space carefully crafted to evoke warmth and wonder. A rich material palette and custom details, such as bubble-inspired forms and organic lighting, set the tone, seamlessly blending natural textures with a contemporary sensibility
Address: C. del Barquillo, 40, Centro, 28004 - Madrid, Spain www.astetstudio.com
Commissioned by M·A·C Cosmetics, Li Xiang, founder and chief designer of X+Living, was invited to reimagine the brand’s spatial identity through a bold, art-driven concept. Drawing inspiration from the structure and emotional resonance of the piano, the new M·A·C’s store at Deji Plaza in Nanjing transforms its product language into an immersive, symphonic experience where color, sound, and form converge into a poetic architectural narrative.
Address: 18 Zhongshan Rd - Nanjing, China www.xl-muse.com
Pietro Franceschini unveils his first rattan furniture collection, Rotella. Realized through a close and fruitful collaboration with the Indonesian manufacturer CVP, the collection reflects a shared commitment to innovation, quality, and respect for traditional craftsmanship. It reinterprets rattan, using a 2 cm black pipe that coils into minimalist and fluid forms inspired by the iconic 90’s Haribo liquorice wheel. www.pietro-franceschini.com
Cateto Cateto presents its latest interior design project: El Mar, a new restaurant in Lisbon created for renowned chef Kiko Martins. The space unfolds like a story, inviting guests to navigate between the Portuguese coast and the shores of Rio de Janeiro. It is both a visual and emotional tribute to the chef’s roots, weaving together the cultural essence of Portugal and Brazil. Every detail creates a fluid dialogue between the two shores: from the patterned cushions that echo the curves of the Carioca beaches, to the tiles in shades of white and blue that anchor the memory of Portugal.
Address: Avenida António Augusto Aguiar 31 - Lisbon, Portugal www.catetocateto.com
Conceived to accommodate different heights and body types, Marta Delgrado is glad to present the Devergent bar stool. Its captivating geometry and faceted surfaces create an intriguing interplay between base and backrest. The long, deep seat is generously soft, while the precise piping defines its edges with sharp elegance. Designed as a celebration of those who defy the norm, it honors the divergent spirits. www.martadelgadostudio.com
Matteo Zorzenoni has designed the colorful Sune side tables for Scapin Collezioni’s Colorama collection. With a modern design and soft, rounded forms, the tables feature a cylindrical base that gradually widens toward the top to form the tabletop, creating a fluid silhouette. www.scapincollezioni.com
inspired by organic forms. Two graceful twigs intertwine, meeting at the center in an ethereal crown, creating a sculptural statement. Crafted from durable aluminum, this oversized door pull brings both character and a touch of woodland charm to any interior. www.pullcast.eu
Bliss Coffee table by Koket artistic flair with refined craftsmanship, showcasing sweeping marquetry atop a fluid matte base. A sculptural statement piece for elegant, modern interiors. www.bycoket.com
Rockwell Group has unveiled the interiors of La Tête d'Or, a New York-French steakhouse led by Michelinstarred Chef Daniel Boulud. The restaurant pays homage to Boulud’s upbringing in Lyon, the French culinary capital, and takes its name from the city’s iconic park, La Tête d’Or, symbolically bridging the chef’s two homes: New York and France. The design celebrates the heritage and theatricality of the woodburning grill, with an open kitchen showcased across five distinct dining rooms. The interiors combine deep blues, mirrored surfaces, dark marble, and wood and leather paneling, creating a luxurious yet inviting atmosphere where tradition meets modernity. Address: 318 Park Ave S - New York, USA www.rockwellgroup.com
from 4 to 8 September 2025
PARIS ONCE AGAIN BECOMES THE BEATING HEART OF INTERNATIONAL DESIGN WITH MAISON&OBJET, CELEBRATING ITS THIRTIETH ANNIVERSARY THIS YEAR. RECOGNIZED AS A GLOBAL REFERENCE POINT FOR INTERIOR DESIGN, DECORATION, AND LIFESTYLE, THE FAIR CONTINUES TO ANTICIPATE TRENDS AND ACT AS A PRIVILEGED OBSERVATORY FOR THE FUTURE OF THE INDUSTRY.
Marybeth Ting elevates the centuries-old art of verre églomisé, fusing genuine gold leaf, precious metals, and mother-of-pearl inlays into bespoke masterpieces that embody timeless elegance and exclusivity. Featured at Maison & Objet Paris 2025, Ethereal Horizons transforms natural landscapes into a surreal dreamscape where artisanal heritage meets contemporary imagination. Available for bespoke commissions and exclusive collaborations.
At the heart of M&O September 2025, the concept of ‘Renewal’ finds its boldest expression through the creative vision of Amélie Pichard, the artistic director of this edition.
Renowned for her unclassifiable and avantgarde spirit, Amélie Pichard is widely regarded as one of fashion’s most subversive minds. Radical and unconventional, she has built her career by dismantling conventions and venturing into the unexpected. From her iconic handbags to immersive boutique experiences, Amélie has always treated fashion as a playground where aesthetics, meaning, and irony converge. Today, her universe extends far beyond accessories: she is a curator, consultant, and collaborator, exploring new design territories and pushing the boundaries of creativity with relentless energy and determination.
For Amélie, the theme of Renewal resonates deeply with the transformations of the past fifteen years. Rather than clinging to outdated models, she has chosen to trust her instincts and establish her own rules launching her creative studio, Bureau Synthétique, precisely to explore uncharted paths. This mindset perfectly mirrors the spirit of the September edition of M&O: a laboratory of
experimentation, bold ideas, and new forms of expression. This year’s official poster embodies that ethos in the form of a hybrid object: part teapot and part house, inspired by a ceramic piece spotted by Amélie in 2024. Through this work, she conveys the idea that tradition and innovation are not opposites but complementary forces in contemporary design. The enigmatic phrase, “This is not (yet) a teapot", further underscores the ongoing dialogue between concept and
“By transposing the methods of traditional metal-shaping into furniture and sculpture, I aim not only to preserve this craft but also to give it new relevance in today’s worldI love combining tradition and innovation, craftsmanship and new technologies, as I did with M&O by integrating AI into the creation process of the fair’s poster.”
materiality. Created in collaboration with ceramist Blumen and enhanced with artificial intelligence, the poster illustrates AI not as a substitute for craftsmanship but as a help-partner in dialogue. By merging digital innovation with traditional savoirfaire, it reveals how renewal emerges precisely at the intersection of past and future. In addition, during the fair, Blumen will bring this AI-generated design to life, crafting an actual teapot-house that will later be auctioned.
Through this Amélie’s audacious vision, the fair becomes a stage that invites us to rethink how we inhabit spaces, the role objects play in our lives, and the power of design as a cultural bridge. ameliepichard.com
At Maison&Objet 2025, diversity is not just celebrated – it is meticulously curated. This edition unfolds across six distinct sectors, each one a chapter in the fair’s narrative, weaving together the threads of design, lifestyle, and innovation. Together, they create a panorama where every discipline finds its voice, and where synergies between creativity and commerce are amplified
The table becomes a stage for conviviality. From culinary design objects to innovative dining concepts, this sector blends tradition and experimentation, celebrating the art of gathering around food – a universal ritual transformed into a design statement. At the heart of the sector, the Gourmet space will spotlight gourmet creations and culinary savoir-faire: an ode to craftsmanship where taste becomes an experience and hospitality.
• Décor & Design
Decoration in all its forms: moving, questioning, and transforming ideas into objects.
Studio Signature stands at the core of the sector. It's an elevated stage for meeting people and a podium for exceptional pieces; it brings celebrated architects, interior designers and iconic brands together in an environment projected for the bold and exclusive concepts. Here, the avant-garde spirit meets singular exclusivity.
The celebration of craftsmanship in all its nuances. Artisans and makers reinterpret tradition through contemporary language, blurring the line between heritage and innovation. Unique pieces, limited editions, tailor-made creations and responsible design. Each object is a piece of art, sculptured by the dedication and precision of the hand. For professionals, retails and trendsetters, this area also guarantees the ability to stand out with distinctive selections that bear the maker's personal touch.
Maison&Objet extends its gaze into style beyond interiors through a conversation in which the on-trend object gives meaning to a constellation of functional compositions and aesthetic assortments adapted to new uses. This zone showcases materials, lines and textiles: from jewelry to fashion statements. The wardrobe becomes part of home interior reflecting the identity of the wearer. It’s a crossroads where lifestyle and design merge seamlessly.
• Gift & Play
Objects that are inspired and inspiring, from clever customizable solutions to playful surprises. In this sector, the art of gifting is reimagined with precision and wit: from design-driven stationery to magical toys. The Kids environment stimulates the imagination of children adding a layer of enchantment and joy across generations. Caring, well-intentioned and meaningful things like the softest cuddly toy, the latest scooter and toys bursting with magic.
Home fragrance and personal care: the invisible becomes tangible. Through acts of care, the home is a true reflection of the self. The wellness products express a more mindful approach to the home and create immersive sensory experiences; every daily contribute holistic intimacy,
Hype TV is a premier global media company, headquartered in the United Kingdom and Spain, With a passion for storytelling, Hype TV crafts stunning audiovisual content that captures the essence of travel, adventure, gastronomy, culture, and technology.
Embark on a journey to discover breathtaking destinations, thrilling experiences, exquisite culinary creations, and the most inspiring lifestyle trends.
www.hypetv.es
www.hypetv.co.uk
This year Maison&Objet has invited Hall Haus head the artistic direction of the Design District, the fair’s brand-new incubator dedicated to the freshest voices in contemporary design. Conceived as a living laboratory of ideas, the space is not only a showcase of tomorrow’s trends but also a meeting ground for visionaries who are shaping the future of creativity.
Mini Bench. For the occasion, Hall Haus will unveil a limited-edition furniture collection that reflects their innovative and thoughtful approach.
Founded by Abdoulaye Niang, Sammy Bernoussi, Teddy Sanches, and Zakari Boukhari, Hall Haus is more than a design studio, it is a multidisciplinary collective where architecture, art and social commentary converge. Their practice explores identity, community, and inclusivity, translating cultural narratives into bold, tactile forms.
For the Design District, Hall Haus presents a striking installation that functions both as a manifesto and a playground. Using vivid colors, modular structures, and sculptural furniture, the collective creates an environment that blurs the line between utility and cultural statement. From vibrant
benches to sculptural seating systems, their products invite visitors to engage, interact and reflect. Each object becomes a symbol of how design can act as a catalyst for connection, echoing the collective’s belief that creativity must be shared and lived in community. Through their curatorial direction, Hall Haus transforms the Design District into a beating heart of emerging creativity. Their vision is not limited to aesthetics: it is about fostering dialogue, questioning conventions, and making design accessible to all. By doing so, they embody the spirit of M&O as a platform where ideas, innovation and inclusivity intersect.
G&G Magazine presents a curated selection of the Best 21 Artisans debuting at Maison&Objet From designers and artists to ceramists and metalworkers, these creators stand out for their mastery of craftsmanship, innovative exploration of materials, and a thoughtful approach to design Each work reflects a balance between creativity, functionality, and sustainability, showcasing the new horizons of contemporary craft.
“Glass possesses a special magic: it allows us to freeze a moment in time, shaped by gestures and hues. Each gesture becomes a line, and each line an emotion.”
Originally from eastern France, the cradle of glassmaking tradition, Thibaut Nussbaumer discovered the art of molten glass at the age of 18. After ten years of training in glass workshops across Europe, he settled in Toulouse in 2017 and founded TiPii Studio, a creative hub dedicated to glassblowing, collaboration, and exploration.
Through TiPii, Thibaut and his team bring a fresh perspective to traditional glassblowing, infusing their work with playfulness, poetry, and passion. Alongside the studio’s collections, he also develops more intimate creations inspired by his close observations of the natural world: the incandescent hues of a sunrise, the grainy textures of a riverbed, or the mineral imprints of a forgotten rock become inspirational material. These more intimate works explore the human relationship with time and transience. For Thibaut, the complexity of nature is a reminder of our humility and our transience, inspiring him to capture ephemeral impressions in glass. Through the material, he sought to suspend time and inscribe upon it a trace, infinitely fragile and precious. Indeed, his pieces are not simply objects, but vessels of memory and emotion unique works of art that preserve a sense of eternity within the fragility of glass. thibautnussbaumer.com
APNÉES #019. Free hand glass balancing, sealed breaths inside.
G&G _ Magazine: How do you approach design?
Thibaut: Design was my first field of study before I discovered glassblowing. For me, design is like a language; it teaches me how to translate feelings and emotions into lines, curves, and volumes. A sketch is often the first step, but the real dialogue begins with the material itself.
G&G: What guides your design choices?
T: I always begin with a sketch to capture a global vision, then I let the glass play its part. I see myself as a humble guide rather than a master of the material. The process is a journey where balance lies between control and surrender.
G&G: What is the role of traditional craftsmanship in your contemporary work?
T: I’m fortunate to belong to a millennia-old tradition that has changed little over the centuries. Glass gives me the ability to crystallize gestures and emotions, transforming them into works of art that endure through time.
G&G: How important is sustainability to you?
T: As a designer, I consider production and waste but also see them as opportunities for innovation. Because glass is fully recyclable, I repurpose old electrical insulators, transforming them into a new raw material for creation.
AUBE #011 (LUEURS series).
Free hand gradient glass, walnut touch-sensitive base.
FLORAISON DES SOUFFLES (Blooming Breathes).
Collaboration with Laurentine Perilhou, Free hand glass and 18k gold thread macramé.
G&G: How do you balance functionality with the poetry of craftsmanship?
T: I never force poetry into a piece; instead, I seek harmony, vibration, and visual balance. Over the years, my practice has become a dialogue between the brain, the hands, and the heart. Designer, craftsman, and artist each part of me knows how to work together.
G&G: Do you draw inspiration from trends, or do you follow a personal aesthetic?
T: I often feel out of sync with trends, and I prefer it that way. My work grows from instinct and emotion. It feels more authentic, more meaningful.
G&G: What do you want to convey with your design?
T: My work questions our relationship with time and memory concepts that can sometimes feel unsettling. To face them with serenity, I offer timeless shapes and subtle, coloured patterns, inviting viewers to find beauty in the fleeting and the eternal.
#MaisonEtObjet
Sector: CRAFT Hall 5A Stand J17
#MaisonEtObjet Sector: CRAFT
Hall 5A Stand F31
Eclosions. Porcelain sculpture with organic, marine-inspired forms and shades of turquoise, deep blue, and lavender. Each piece is entirely hand-shaped, making it a unique addition to any interior or ceramic art collection.
A master craftswoman, Sophie Luline shapes stoneware and porcelain into singular works of art, each infused with the rhythms of nature. Fourteen years ago, she opened her studio in Savoie, France, between lakes and mountains, blending the magic of the landscape, the wisdom of clay, and the spirit of the handmade. At times described as baroque for their intertwining lines, layered forms, and floral volumes, her creations stem from a pursuit of pure, simple gesture. Working with only a rolling mill, a knife, and a roughing table, Sophie lets the hand take centre stage, leaving its mark and breathing life into the clay. Her gestural approach embraces spontaneity, allowing each piece to emerge with its own quiet vitality.
sophie-luline-ceramiste.com
G&G _ Magazine: Your work seems to carry a strong emotional and narrative dimension. What guides your creative choices?
Sophie: My goal is to create objects that last, that touch, that provoke reflection, and that tell
“Through the material, the gesture, the glazes, the movement, I try to evoke a form of nature's presence. For me, beauty often lies in accepted imperfection, in controlled accident.”
a story. As far as I’m concerned, ceramics is a language. I chose porcelain for its softness and translucency, which allow me to express myself in a deeply personal way. This material holds the traces of life, preserving a sense of connection and vitality in each piece.
G&G: How does traditional craftsmanship influence your creative process?
S: Personally, traditional craftsmanship is not about decoration or effect it’s a root. I draw on ancient gestures and slow techniques to shape my own contemporary approach. I put my hands in the spotlight, setting aside most tools to work in a different rhythm, one that belongs to the hand and the mind. It’s in this slowness that attention emerges and, sometimes, a form of discreet beauty.
G&G: What role does sustainability play in your creative process?
S: I design pieces that are sustainable not just for their durable materials like porcelain, but because they fit naturally into everyday life without overwhelming it. Sustainability means creating objects we keep, cherish, and pass on. Pieces that never tire the eye.
G&G: How would you describe your aesthetic and what you want your designs to communicate?
S: My aesthetic is deeply personal and organic, inspired by nature and its elements. I listen closely to the material, to fire, and to intuition. I want my objects to bring calm and connection, to slow us down, and to reconnect us with nature and ourselves
SOLENA lamps: when light becomes art. Handcrafted by Sophie Luline in France, each piece blends exceptional craftsmanship with poetic design. Awarded the ARTINOV prize, Solena brings warmth and contemporary elegance to any space.
“Miroir, mon beau miroir ”. At the heart of the coral-like frame, the image stands out. The human face merges with a flowing element emerging from a dreamlike nature.
Morgane Adam, a product and user designer, and Geoffrey Gaillard, a mechanical engineer, from Studio MoA&G, a hands-on artisan team specializing in design and engineering support. Based in Grenoble since 2019, they combine craftsmanship with technical expertise to guide clients from research to market-ready products. Offering full support, including design, co-creation workshops, certification, they bring a deeply practical, artisanal approach to innovation. Morgane and Geoffrey help clients analyze real needs, carry out design assessments, and bring ideas to life with skill and care. moa-g.fr
G&G _ Magazine: How would you define your personal approach to design?
Morgane: At the studio, design is a way to offer objects that convey meaning, stories to be built, joy, and comfort. Comfort is essential because, to be widely accepted, it must include all bodies and people in the creative process. We also aim to create worlds that can evolve with demand, never fixed or truly finished. This vision of design drives us: affirming that we are first and foremost a design studio helps us maintain our identity as a human-centered testing ground.
G&G: What guides your design choices?
Geoffrey: Our starting point is always the human being and how they will use the object.
Sometimes we invent new functions; sometimes we remove them. By focusing first on the users, we strive to be as inclusive as possible, ensuring everyone feels comfortable with our creations. Then we explore aesthetics to bring joy to the product without compromising functionality.
Collection MoGeo. Comfortable bergère with fabric inlay, wide sloping backrest, and spacious seat. Made from French plywood, steel, and stain resistant European fabrics, finished with VOC-free epoxy paint
#MaisonEtObjet
Sector: DECOR & DESIGN Hall 5A Stand M98
G&G: What is the role of traditional craftsmanship in your contemporary work?
M: To best meet our customers' needs, we produce all orders on demand. This allows us to tailor finishes and colors to each project. To achieve this, we collaborate with small businesses based in France.
G&G: How important is sustainability to you in the creative and production process?
M: Sustainability is central to our thinking. We aim to minimize material waste during production. Additionally, we design products that can be easily dismantled by users to extend their lifespan, making them repairable, upgradable, and adaptable throughout their life. Finally, we only use ethically and sustainably sourced materials, such as wood from French forests, European fabrics, and metals like steel and aluminum.
G&G: How do you choose materials? Is there one that represents your studio?
“For me,
G: No single material represents us, but we enjoy experimenting with combinations of materials, textures, and finishes. Our choices depend on the intended use and feasibility of small-batch production. Depending on the collection, we mix metal, wood, fabric, and some plastics. Personally, we like to work with multiply wood and sheet metal.
G&G: Do you draw inspiration from trends, or do you follow a personal aesthetic?
M: We are always influenced by trends. Sometimes we consciously follow current movements, other times they shape us unconsciously. Occasionally, we take a contrarian stance by revisiting and blending vintage styles.
G: Our studio draws heavy inspiration from the 1970s and 1980s, particularly Danish and Northern European design. We love working with vibrant colors combined with natural materials and exploring aesthetics based on curves and fluid forms to encourage physical movement.
craftsmanship enhances the purpose of our objects Manufacturing techniques refine aesthetics and highlight materials, making objects more appealing and desirable. Our main goal is to create pieces that many people can use and enjoy for a long time, with poetry playing a key role.”
Morgane Adam
TLS Collection. Pendant light made from PA12 plastic processed in France, aluminium, and finished with free epoxy oil paint.
Sabine Vanden Broeck is a Belgian selftaught ceramicist and visual artist, known for her hands-on creativity and artisanal approach. Her studio, Rose et Violette, specializes in creating unique objects that blend art and nature. She produces planters, lamps, and various decorative items in clay-paper, carefully fired and glazed, drawing inspiration from the forms and textures found in the natural world. Each piece is crafted with passion, celebrating the organic beauty of the materials.
Her work also includes light fittings and lampshades made from artificial flowers that complement her ceramics, resulting in truly unique, organic creations that bring nature’s essence into everyday life. roseetviolette.com
“I find inspiration in the small wonders around us the curve of a leaf, the play of light on water, the texture of bark. My work is an invitation
to pause, to notice details we often overlook. Each object is a little universe, shaped with care and curiosity, where art and imagination meet the tactile joy of making.”
G&G _ Magazine: How would you define your personal approach to design?
Sabine: It’s about creating something unique, original, and useful, while highlighting craftsmanship in everyday objects. I have always enjoyed exploring flea markets, where I find much of my inspiration, as well as in nature. It’s about experimentation: making, modifying, remaking, and searching for the right mix of different materials until I find what truly pleases me.
G&G: What guides your design choices: function, aesthetics, materials, or something else?
S: It’s primarily aesthetics, because I rarely find what I want in mass production. Then come the materials: I love working with clay, which can be shaped however you like, and incorporating paper or natural materials such as stone, bronze, and glass. Color also plays an important role, especially lime tones like ochre, olive, and brown. I follow my instincts; I often look at the work of other artists. It is not about a specific material; it can be anything and everything.
G&G: How do you choose the materials for your creations?
S: Mostly natural materials, especially clay for shaping, paper, and pigments. But I also use more contemporary materials like resin and plexiglass. I like mixing them and seeing the final result.
G&G: How do you balance functionality with the poetry of craftsmanship?
S: It’s a complex exercise because the piece must be shaped while respecting constraints such as height, form, thickness, and most importantly firing finding the right clay mix, the right color, and asking myself: do I like it? Is it useful?
Sometimes it’s purely decorative, objects we love to surround ourselves with to create an original decor.
G&G: Do you draw inspiration from trends?
S: Not at all. Inspiration comes from observing the world around me or even from a simple photograph. I start with a shape and develop it gradually, giving it a function, or not, and then I add elements found in flora and fauna. After that comes reflection on color, glazing, patina, or resin. I adore the seasons and nature. I also draw inspiration from Art Nouveau, Art Deco, and the Roaring Twenties
Bambou Round planter. Pistache Tall planter. Artichaut Decorative object
Fabrice Champenois is the founder of NixieFab, a French atelier dedicated to the creation of unique Nixie clocks where craftsmanship and technology meet. After many years working in a large company, he realized that this path was not truly his. His deepest desire was to create tangible objects with his own hands pieces capable of awakening the senses through sight, touch, and even smell. Passionate about wood, noble materials, and modern technologies, he discovered his true vocation by chance when he encountered a Nixie clock while watching a Netflix series. From that moment, the passion was born. He left his job and devoted months to studying the fascinating history of Nixie tubes, building his own wooden workshop from scratch and training with master cabinetmakers to perfect his skills. Unlike many enthusiasts who focused mainly on electronics, Fabrice envisioned the Nixie tube as a jewel deserving of an exceptional setting. He began creating cases from premium materials such as elm burl, Cuban mahogany, carbon fibre, and resin. This unique combination, enhanced by a French touch, gives his clocks a refined duality of time and aesthetics.
This passion led him to establish NixieFab France, with the ambition of sharing his vision and offering timeless, one-of-a-kind creations to those who seek exclusivity. His tailor-made clocks are designed to adapt perfectly to each interior, while businesses can commission elegant world time panels and luxury hotels can enhance their spaces with astonishing, bespoke designs. Today, Fabrice continues to blend tradition, innovation, and artistry in every piece, bringing a touch of sophistication and emotion to the art of measuring time. nixiefab-france.fr
G&G _ Magazine: How would you describe your approach to design?
Fabrice: I’m a craftsman and creator of unique Nixie clocks. My approach to design is above all sincere and intuitive: I aim to highlight the beauty of materials and the history carried by Nixie tubes.
G&G: What guides your creative choices?
F: It’s always a balance between function and aesthetics. A clock must be precise and reliable, but at the same time its design gives it character. Materials also play a major role working with wood, resin, and sometimes carbon, as each brings a different soul to my creations.
G&G: How important is craftsmanship in your work?
F: Traditional craftsmanship is essential. Manual know-how, patience, and attention to detail give my clocks an authenticity that industrial production simply cannot achieve.
G&G: What role does sustainability play in your creations?
F: It’s very important to me. I carefully choose high-quality materials so that each piece lasts over time, and I give new life to vintage components such as Nixie tubes, which have not been manufactured for decades.
G&G: What do you want people to feel when they experience your work?
“i
redefine the idea of timepieces: not just functional objects, but design statements where precision meets artistry. Each clock is conceived as a jewel, with settings that highlight the beauty of the Nixie tubes while reflecting a distinctive French elegance.”
F: My design does not follow trends. I pursue a personal aesthetic inspired by the encounter between vintage technology and contemporary elegance. What I want to convey through my creations is emotion: the idea that time can be read through a unique, poetic, and timeless work of art.
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Makkha Design Studio is a collective of designers weaving together craftsmanship, philosophy, and innovation to create objects and spaces with a unique identity. Founded by Parit Niruttisard, who uses art and philosophy as lenses to shape designs that tell both personal and universal stories, and Sopanut Somrattanakul, a fine craft designer with expertise in developing products that merge traditional know-how with innovation, the studio explores new pathways between design, Eastern culture, and sustainability.
The name ‘Makkha’, from the Pali language meaning “path,” embodies their mission: to act as a route that brings people closer to craft, art, and philosophy, reinterpreted for modern society. From luxury accessories to interior styling, material research, and handcraft experimentation, every project reflects their commitment to creating a poetic and lasting dialogue between aesthetics, culture, and everyday life. makkhadesignstudio.com
G&G _ Magazine: What guides your design choices: function, aesthetics, material, or something else?
Sopanut: At the beginning of each project, we often ask ourselves: ‘What if we try this… with that material?’ That ‘this’ could be a technique, a design element, a concept, or even a story we want to tell. We believe that every object carries its own narrative, and as designers, our role is to act as storytellers, shaping forms that allow those stories to emerge.
G&G: When approaching a new project, how do you select and interpret the materials you work with? Do you see them as tools, or as partners in the creative process?
Parit: When it comes to materials, we lean toward letting them speak for themselves. We see ourselves not as creators who impose, but as guides who refine and polish the material so it can express its true identity. A material is not defined only by its function—it is the sum of its properties: its capabilities, its limitations, its texture, and its beauty.
G&G: How do you balance functionality with the poetry of craftsmanship?
P: Handcraft isn’t simply tradition. It is innovation from another time, passed down through generations. By reinterpreting these age-old techniques, we give them new life as functional art that resonates with modern society, blending utility with cultural depth.
G&G: Do you draw inspiration from trends, or do you follow a personal aesthetic?
S: Trends, in our view, are reflections of people’s interests, and as such they are important to observe. They provide a mirror of the cultural moment, helping us understand how society shifts and what resonates with people at a given time. But for us, trends are never a rule. Our true compass lies in philosophy and cultural beliefs: intangible ideas that are universal, human, and timeless. We try to transform these abstract notions into tangible objects, creating works that not only serve a function but also invite reflection, spark dialogue, and build a connection between people and the stories behind the design.
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Niki Stylianou is a sculptor and designer whose work is deeply inspired by nature and the mysteries of life. Trained in both science and fine arts, she explores materials such as clay, plaster, bronze, and hemp to capture what she calls the ‘quintessence of life’. Her creations evoke entire ecosystems echoes of pagan rituals, homages to Mother Earth, or fragments of lost worlds like Atlantis. With her latest series, The Chrysalises of Gaia, Stylianou envisions a rebirth of consciousness through sculptures that merge organic forms with metaphysical reflections. nikistylianou.com
G&G _ Magazine: Your work often draws directly from the forces of Nature. What role does Nature play in your creative process?
Niki: Nature is not only inspiration it’s origin. It carries within it both memory and prophecy. When I sculpt, I don’t simply represent a tree, a wave, or a stone; I try to capture the energy that makes them alive. My work is an attempt to connect with that primordial essence, as if each piece were a fragment of Earth’s own voice.
G&G: You have experimented with clay, plaster, bronze, and now hemp. How do you choose the right material for a work?
N: Each material is like a living entity with its own language. Clay speaks of earth and transformation; bronze has the permanence of memory; hemp carries lightness and renewal. When I begin, I don’t impose an idea onto the material, instead, I listen. I let its limitations, textures, and inner energy guide me. In this dialogue, the material reveals what it wants to become, and my role is to shape that revelation.
G&G: Your latest series, The Chrysalises of Gaia, presents hemp threads and transparent cocoons. What is the message behind these works?
N: The chrysalis is a symbol of metamorphosis, of a life form that has not yet revealed itself. With The Chrysalises of Gaia, I wanted to suggest the possibility of a new beginning a renewed connection with the Earth and perhaps even a shift in human consciousness. The transparent forms are both fragile and powerful: they embody the tension between vulnerability and the immense potential for transformation.
G&G: Do you see your work as part of a larger dialogue: cultural, spiritual, ecological?
N: Absolutely. My sculptures and paintings are not isolated objects; they are invitations to reflect on our place in the natural order. They echo ancient myths and pagan rituals, but they also address contemporary concerns about ecology, sustainability, and consciousness. If my work can make someone pause, or reconnect with the Earth, then it has fulfilled its purpose.
French designer Agathe Toulemonde is the creative force behind Clovi Paris, a young French brand that blurs the boundaries between furniture and couture. At the heart of her vision lies a desire to create sculptural objects that are as sensual and tactile as they are generous. Each piece is upholstered in exquisite fabrics, sourced from artisanal weavers or reclaimed from dormant luxury stocks, making every series unique and limited. Agathe’s approach reflects her belief that design should be meaningful and enduring: objects that invite touch, carry emotion, and enrich everyday life. Through Clovi Paris, she reimagines furniture not only as functional pieces but as timeless companions: where craftsmanship, artistry and material come together in harmony. clovi-paris.com
G&G _ Magazine: How would you define your personal approach to design?
Agathe: For me, design is a way of offering emotion. With Clovi, I bring the world of textiles into dialogue with that of furniture. I often begin with a fabric that carries its own story and let it shape the silhouette. My inspiration comes from the fluidity of haute couture and the sensual, natural gestures of the body. The result is intimate, unapologetically feminine design, always anchored in comfort.
G&G: What is the role of traditional craftsmanship in your contemporary work?
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A: Our fabrics come from the finest weavers in Italy, France, and Belgium, or from dormant luxury stocks that allow us to reduce environmental impact. Each piece is then made in small European workshops. This craftsmanship makes it possible to explore complex forms, couture-inspired details, and a level of quality that endures.
G&G: What guides your design choices: function, aesthetics, material, or something else?
A: It’s a dialogue between fabric and feeling. The texture and character of a textile suggest the form, while function keeps the piece grounded in everyday life. I strive for balance: a seat must be both inviting to the eye and to the body.
G&G: When selecting materials for your creations, what qualities do you look for?
A: I seek textiles that spark emotion: jacquards, tweeds, velvets with depth and presence. If I had to choose one, it would be tweed. It’s timeless, tactile, and embodies the couture spirit at the core of Clovi a Parisian soul infused with sensuality.
G&G: How do you balance functionality with the poetry of craftsmanship?
A: By keeping the structure simple, sometimes with a vintage inflection, and letting the fabric express itself. The seats have generous, feminine proportions, ergonomic backrests, and resilient foams that ensure comfort. To me, touch is as important as sight. Every piece should be a sensory experience, where quality and storytelling are inseparable.
G&G: Do you draw inspiration from trends, or do you follow a personal aesthetic?
A: I follow my own rhythm. I’m nourished more by fashion, architecture, travel, and encounters than by interior trends. Colour and texture guide me far more than seasonal dictates.
G&G: What emotions or experiences do you hope people will have when they encounter and live with your designs?
A: A sense of intimacy and delight. I want people to rediscover the feeling of a ‘favourite chair’ like an object that welcomes, cradles, and lasts. Above all, I want to show that sustainability and beauty can exist in harmony.
“A crazy desire to dare! Dare to express yourself through small seats that all have a rock identity and a poetic soul. Like little companions, they will be a guarantee of audacity, personality and intimacy.”
“I try to keep things simple, clear, and timeless. For me, design is about finding the right balance between function and emotion, so that a lamp is not just useful, but also meaningful.”
LN1 – Radian Collection. A sculptural floor lamp in olive ash wood from sustainably managed Moselle forests. Handcrafted in limited series, each piece is unique, numbered, and marked by the wood’s natural grain. Featuring warm LED light with adjustable intensity by remote control.
French designer Lucas Peyre works primarily with solid ash wood. Guided by a search for balance between function and emotion, he creates sculptural lighting pieces that combine timeless forms with the warmth of traditional craftsmanship. In his atelier, Loumy Lab, based in Metz, each lamp is handcrafted in small series, transforming spontaneous ideas into unique objects that carry both simplicity and presence. loumylab.com
G&G _ Magazine: What guides your design when bringing an idea to life?
Lucas: It’s quite a natural process. When I have an idea, I try to give it form quickly, otherwise spontaneity gets lost. Light balances between function and emotion; adding solid wood enhances it with warmth and presence. From there, it becomes a dialogue between imagination and technical possibilities, where materials and solutions must respond to both.
Triptyque – Radian Collection.
A striking 180 cm lamp in solid ash, featuring three deliberately offset luminous squares. Warm, original, and full of character.
G&G: What is the role of traditional craftsmanship in your work?
L: Craftsmanship is what gives true value to each piece. I rely on woodworking techniques that respect the integrity of the material, while pushing the forms toward something more contemporary. There’s always a sense of excitement in turning a fleeting idea into something real an object that people can touch, use, and live with.
G&G: How important is sustainability to you?
L: Sustainability is less a constraint than a natural way of working. Local sourcing and material simplicity are at the core of my practice. I mainly use solid wood from nearby forests and keep production small-scale: they’re choices that make sense both ecologically and creatively.
G&G: Which materials do you prefer to work with, and why?
L: Working with solid wood is a true pleasure.
The smell, the touch, the warmth. Ash is the material I use most often: its grain is playful, with variations that make every piece unique. It’s also a wood that grows in my region, in eastern France, so it feels very natural to work with it.
G&G: How do you balance functionality with the poetry of craftsmanship?
L: Light has a clear function, but it also creates atmosphere and emotion. Craftsmanship adds another dimension. It makes each lamp unique, with details that invite you to slow down and look closer. My goal is to design pieces that work well in everyday life, while also bringing a quiet presence to a space.
Bérengère Cochet, trained in mosaic art under Michèle Massiou, a student of Riccardo Licata, explores the expressive potential of matter through her work. She uses mosaic to engage directly with color, light, and the sensuality inherent in the creative process. Her practice reflects an ongoing exploration of intuition, material, and the unexpected, embracing accidents as a path to revealing the essence of her work. Bérengère reinterprets traditional craftsmanship by giving new roles to ancestral tools and materials, creating pieces that resonate with both history and contemporary expression. berengerecochet.fr
G&G _ Magazine: What role does traditional craftsmanship play in your work?
Bérengère: The relationship with tools is essential to my work. I discovered mosaic through its ancestral tools, the marteline and the tranchet, and I still use them to cut my tesserae on a wooden block. I also give mortar a new role: traditionally it fixes marble, but I pigment it and bring it to the forefront in my totems and paintings. I love being part of a long artisanal tradition. Just as a musician relies on music theory, I rely on my tools to create.
: What do you want your work to express?
: I love the idea of nature offering itself as both mirror and consolation. By finding the rhythm of a heartbeat in rustling leaves and whispers, I pay tribute to the silence of nature a silence that is never truly silent. Through the material and the light of mosaic, I aim to reveal a glimpse of that universal pulse.
: Do you follow trends, or do you follow a personal aesthetic?
: My creations highlights the material’s accidents, revealing its essence. Inspired by Cynthia Fleury’s Pretium Doloris, I see flaws as a path to truth and identity, letting masks fall away. The mineral embodies resilience, and my unique ‘trend’ comes from walks and readings.
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“My approach is guided by feelings and emotions. For me, everything revolves around love, in its broadest sense.”
Raffaella Faccioli, born in based in Paris, blends two through her brand Romeo studying Artistic Techniques Arts at Cà Foscari University graduating in Interior Decoration École Boulle, in Paris she decade shaping spaces Drawn to a more intimate she apprenticed with mastering ancestral techniques. Today, her candles and fragrances to tell a light, love, and cultural heritage romeoegiulietta.love
G&G _ Magazine: Where do you find inspiration?
Raffaella: Much comes from Shakespeare’s Romeo and Juliet and from the city of Verona itself. The pattern on my candle packaging, for instance, is the same one found behind Juliet’s bed in her house. Even beeswax connects back to the play, where honey and sweetness are symbols of love.
G&G: What role does traditional craftsmanship play in your work?
R: I deliberately learned two ancestral candlemaking techniques that require patience and time. In a fast-moving world dominated by technology, I like preserving and transmitting this ancient know-how. Many people don’t realize that candles can be made entirely without molds.
G&G: What about sustainability?
R: I primarily work with natural materials such as beeswax and rapeseed wax, which differ greatly in their plasticity (beeswax being my favourite). It comes from the mountains of Verona and is certified organic, sourced from a beekeeper who also supports solidarity projects in Africa. I also recycle discarded paper, transforming it into packaging and envelopes. Working with wax is wonderful because nothing goes to waste, it can
G&G _ Magazine: How would you describe your design approach?
Patrick: We approach design by considering products within a broader ecosystem. It’s not just about aesthetics or materials, but also where materials come from and what happens to them afterward. Our work involves designing products as part of larger systems, including disassembly for reuse or recycling, thoughtful product communication, and creating collaborative networks that encourage sharing and reduce costs, moving toward a more sustainable, sharing economy.
G&G: Do you draw inspiration from trends, or do you follow a personal aesthetic?
P: Our inspiration comes from a wide range of sources: nature, daily conversations, art, pop culture, or even a simple material. We focus on cultivating our own aesthetic rather than trends.
Patrick Henry Nagel and Nils Körner from Haus Otto form an artist and design duo creating new ecosystems around furniture and objects. Their work spans industrial and object design, spatial concepts, and creative direction. By bridging diverse disciplines, Haus Otto explores the environmental and contextual dimensions of contemporary design, producing transformative, often humorous interventions. Rather than focusing solely on objects, they examine entire systems: investigating production, distribution, ecological cycles, and material research. Their approach highlights the broader context of everyday objects, emphasizing the interplay between design, environment, and human experience.
hausotto.com
AL13 Lounge chair, made from laser-cut and bent aluminium sheets. The chair can be used both indoors and outdoors and fits into different spatial environments without losing its very own typology. The highlighted armrest allows for flexible use and can serve as a side table or temporary workspace that meets today‘s needs.
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The La Dré Light. Its circular shade clips seamlessly onto the bulb, creating a luminous sphere that can be tilted, rotated, and adjusted thanks to a ball-joint mechanism. Direct or indirect, focused or diffused, the light adapts effortlessly to any setting. Crafted from stainless steel, the lamp is made of just a few laser-cut parts and requires no screws or tools for assembly.
G&G : How do you choose the materials for your creations?
Nils: Material choice depends on context. We select what best suits the company’s infrastructure and design for easy disassembly or mono-material approaches. Currently, we are drawn to stainless steel for its rawness, durability, corrosion resistance, and subtle patina over time. Its precision and detail make it ideal for high-quality production. For example, we are launching a new stainless steel light series with Nils Holger Moormann at Maison&Objet.
G&G: What does craftsmanship play in your design process?
N: Craftsmanship is central to our approach. We collaborate closely with artisans, exploring new materials and production methods while challenging traditional techniques. For instance, the Zooom Rug we designed for Bottone combines traditional weaving with a scaled-up, almost cartoon-like form, creating a fresh context and aesthetic while honouring the craft.
Aurorae Collection. A tribute to the first breath of light and the silent poetry of dawn. Each piece, crafted entirely by hand, reflects the balance between structure and spontaneity, tradition and vision. Shaped in rhythm with Onofrio Acone’s hands and inspired by a place where light defines everything, these works capture the essence of dawn in clay.
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Italian ceramicist Onofrio Acone grew up in his family’s workshop on the Amalfi Coast, where a passion for clay took root early. Alongside ventures in design, furniture, gastronomy, and winemaking, ceramics have always remained his true focus. Onofrio crafts every piece entirely by hand, working without machinery and using rudimentary, often found tools (wood, fabric, metal) to shape and texture the clay. Glazes are applied with sponges or fingertips, ensuring each piece is unique and unrepeatable, what he calls ‘perfect imperfections’. Living and working on the Amalfi Coast, he creates expressive ceramics deeply tied to place, memory, and the intimacy of touch.
onofrioacone.com
G&G _ Magazine: How would you define your personal approach to design?
Onofrio: My approach is purely instinctive, rooted in the tactile world of my family’s workshop. I work by hand, without machinery, shaping forms through direct connection with the material. Clay responds to touch, to improvisation and I embrace its raw, unpolished beauty.
G&G: What guides your design choices: function, aesthetics, material, or something else?
O: More than function or aesthetics, it’s the impulse of the moment and the material itself that guide me. The feel of the clay, the emotion of working it, and the inspiration that arises in the process are what shape the piece.
G&G: What role does traditional craftsmanship play in your work?
It’s central. I reject industrial methods in favour of hand-building, coiling, and glazing with simple, rudimentary tools. Each piece carries the energy of its making: personal, singular, and rooted in tradition.
G&G: How does sustainability manifest in your creative process?
O: It is inherent. I use minimal tools, reduce waste, and create through low-impact, manual methods. For me, sustainability lies in valuing time, material, and the uniqueness of the handmade.
G&G: How do you choose your materials? Is there one that represents you?
O: Clay, in its purest form, represents me. Its tactile richness and raw potential align with my process. I often choose red clay for its warmth and combine it with simple white enamel bases, applied with organic gestures reminiscent of coastal traditions.
G&G: What do you hope people feel when holding one of your pieces?
O: The beauty of imperfection, the intimacy of the handmade, and a connection between artist, material, and landscape. Each piece is a gesture frozen in clay, a fragment of memory, a moment you can hold.
“In my ceramic work, I don’t seek perfection I seek truth. Truth in the rawness of the material, in the instinctive gestures that shape each form. Every piece begins with a physical dialogue with clay, revealing rough marks, imperfect textures, and untamed beauty.”
G&G _ Magazine: How would you define your personal approach to design?
Joachim: Our approach is hybrid and exploratory. We see design as a dialogue between poetry and tangibility, translating fluid, ephemeral ideas into solid forms, whether through light, ceramics, or furniture. We like to merge opposites: intuitive gestures with precise systems, technology with handcraft, and industrial languages with sculptural ones. This duality allows us to create objects that are not only functional but also carry a narrative and a presence in space.
G&G: What is the role of traditional craftsmanship in your contemporary work?
Carla: Craftsmanship is central. Even with technology, the hand remains essential. Our MOCA Dripping Machine explores porcelain in new ways, but pieces are still refined by hand. The Archetype collection draws from classical Roman craft traditions, reinterpreted with modern materials. Tradition provides vocabulary and anchors our work in timelessness, while technology allows us to push it into the present.
Studio Joachim-Morineau transforms poetic visions into tangible objects through a hybrid approach that merges tools, materials, and techniques to tell stories. Founded in 2018 by friends and designers
Carla Joachim and Jordan Morineau, the duo works four-handed to develop a contemporary design language expressed in objects crafted between their ateliers in Eindhoven, The Netherlands, and Nantes, France. Their signature lies in ‘making fluids solid’: while studying in Eindhoven, they created the MOCA Dripping Machine, a tool blending craftsmanship and technology. Refined at the European Keramiek Work Center (EKWC), it became the origin of a flowing visual language that continues to shape much of their work.
studiojoachimmorineau.com
G&G: How do you choose the materials for your creations? Any favourite materials?
C: We’re guided by materials that can hold both precision and expressiveness. Porcelain has been at the heart of our practice: fluid, delicate, yet incredibly strong, and it embodies this paradox we like to explore. Aluminium is another favourite: structural, industrial, and flexible enough to shape into poetic forms. Often, the material itself guides the work, its constraints shape the aesthetic. Porcelain perhaps represents us most: it is fragile yet resilient, rational yet organic, and it always surprises us in the making.
G&G: How do you balance functionality with the poetry of craftsmanship?
J: Function is our starting point, not the endpoint. A lamp must light, a table must support, a plate must serve food but beyond that, we see each piece as an opportunity to carry emotion. For example, Arceo Flow lamps remain functional while bringing movement and atmosphere to a room. Moca Tableware is usable yet unique, each piece bearing the trace of its making. We aim to create objects that bring poetry in.
ARCEO Flow – Simple tubular lamp. New light, fluidity, and movement exploration. Its curves evoke the fluidity of a freehand-drawn line while engaging in dialogue with the surrounding space. Each thermoformed plexiglass tubes hold a 360° LED neon, set into a precisionmachined aluminium base.
Moca Vases – Ten Thousand Drops. Earthenware with colored glaze on the exterior and transparent glaze inside. Limited edition of 100, numbered and signed.
Born into a family of ceramists, Hélène Raymond grew up surrounded by her parents’ sculptural work and the rhythm of wood-fired kilns. Her work draws inspiration from nature, especially trees, whose leaves she collects to imprint on her pieces. High-temperature wood firing gives each creation its unique colours, while wheel-throwing defines her forms. Today, her studio is based in Berry, near the village of La Borne. She regularly exhibits, notably with Ateliers d’Art de France, while continuing to explore forests and techniques with the same curiosity that has guided her since the beginning.
Very large sunset ginkgo vase.
G&G _ Magazine: How would you describe your approach to design?
Hélène: It’s quite instinctive. I’m curious about contemporary design, which inspires me, but the logic of my work and the materials always guide the development of forms.
G&G: What guides your choices: function, aesthetics, or materials?
H: Materials are essential. Stoneware, tree leaves and wood fire. Then come the shapes I explore at the wheel, the glazes I experiment with, and the leaves I collect each season for decoration.
G&G: How important is tradition in your work?
H: A central one. I use ancient techniques, turning, stamping, preparing glazes, rooted in tradition but reinterpreted in a contemporary way. I like to think these gestures connect me across time and cultures, especially with Japanese ceramic traditions.
G&G: Is there one material that represents you?
H: The tree. Its leaves inspire my decorations, and its wood fuels the kiln.
G&G: Do you follow trends or your own path?
H: I follow my personal taste. Of course, I observe contemporary ceramists, and certain shapes or techniques inspire me, but I always reinterpret them through my own language.
G&G: What do you hope to convey?
H: A deep love of nature and a fascination with the elements: air, water, earth, fire.
Very large maple cup on midnight blue.
G&G _ Magazine: What guides your design choices: function, aesthetics, material, or something else?
Matthieu: Above all is the emotion that emerges when one takes the time to look at my creations. I like to design simple shapes that, on closer observation, open into a contemplative universe.
G&G: How do you choose the materials?
M: I choose materials that speak for themselves, combining quality and fine craftsmanship. Optical glass, patinated metal, and gold leaf shine purely; they don’t need any artifice to be beautiful.
G&G: How do you balance functionality with the poetry of craftsmanship?
M: With objects, we touch, we handle, we take the time to observe from different angles. That’s when the beauty of craftsmanship is revealed. With furniture, the approach is different: it dresses an interior. From afar, one notices a reflection, then feels the urge to get closer, to dive into the thickness of the optical glass, and to discover a universe unique to each viewer. Functionality, in this sense, gives life to poetry.
G&G: How do you develop your design?
M: I rarely sketch my ideas. At most, I make 3D models to visualize proportions. But mostly I let the material guide me: experimenting, failing, and refining until it feels right.
The plate and the console from the Yugen collection. It is an invitation to travel; their thickness encourages the viewer to explore the material, allowing space for contemplation and the discovery of the rich details offered by optical glass.
Matthieu Gicquel is a French glass artist who began working with glass in 2018. Specializing in textured glass slabs, he develops a contemporary language that explores the dialogue between light, matter, and texture. His creations transform simple shapes into contemplative universes, balancing purity and emotion.
matthieugicquel.com
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Collection. The elegance of these pieces reflects a mastery that transforms difficulty into serenity. Beauty becomes ornament: subtle, liquid, undulating. Polished brass engages in a delicate conversation with light.
Founded by metal artist Victor Tison, Atelier Tison stands at the crossroads of furniture, sculpture, and design. His practice is both radically contemporary and deeply artisanal, rooted in precise technical mastery and a poetic vision of materials. A journey forged in craftsmanship With over a decade of experience in industry, fine metalwork, and bespoke bodywork, he has cultivated unique expertise in shaping and forming metals. Today, Victor channels this savoir-faire into the creation of sculptural furniture in mirror-polished brass. For him, brass is more than a noble material: it is a sensory medium. Hammered, folded, and polished entirely by hand, it comes to life through light, texture, and reflection. Each piece is the result of a meticulous process where raw metal is transformed into organic, fluid forms that interact with their surroundings, playing with shadows, movement, and atmosphere. atelier-tison.com
“By transposing the methods of traditional metal-shaping into furniture and sculpture, I aim not only to preserve this craft but also to give it new relevance in today’s world.”
G&G _ Magazine: How would you define your personal approach to design?
Victor: My approach is deeply intuitive. I rarely begin with a fixed idea; instead, I let the material, the gesture, and the encounter between my hands and the brass guide me. I seek to create objects that are not only functional but also capable of sparking contemplation, almost like sculptures that inhabit everyday life.
G&G: What guides your design choices: function, aesthetics, material, or something else?
V: The material comes first. Brass has its own language: its reflections, its strength, its ability to transform. From there, form emerges naturally, often balancing between usefulness and poetic presence. Function is important, but for me it is inseparable from emotion.
G&G: What is the role of traditional craftsmanship in your work?
V: Craftsmanship is the foundation of my work. I was trained in traditional metalworking techniques, and they remain central to my practice. But I reinterpret them with freedom, combining them with more experimental methods. Tradition gives me rigor and respect for the craft; contemporaneity gives me the space to innovate.
G&G: How important is sustainability to you in the creative and production process?
V: Sustainability is essential. Brass is an
infinitely recyclable material, and that resonates strongly with me. My objects are made to last, to age beautifully, and to be cherished over generations. I prefer to create few pieces, but with integrity, rather than pursue a model of overproduction.
G&G: How do you choose the materials for your creations? Is there a material that represents you?
V: Without hesitation: brass. Among all the metals I have worked with, brass is the one that speaks to me most. It reflects the world while distorting it, offering endless visual surprises. It is both solid and luminous, raw and delicate. It is, in a way, my mirror.
G&G: How do you balance functionality with the poetry of craftsmanship?
V: I see no contradiction between the two. A chair, a table, or a lamp must fulfil its role, but it can also invite us to slow down, to look differently, to feel something unexpected. For me, poetry resides in this subtle tension between the useful and the contemplative.
G&G: What do you want to convey with your design?
V: A sense of wonder. The idea that an everyday object can also be a source of poetry, that brass can reveal unexpected beauty. I want my pieces to invite contemplation, to create a dialogue between presence and illusion, between light and shadow. Ultimately, I want to offer not just objects, but experiences.
In the heart of Rome’s vibrant Trastevere district, architect Matteo Soddu and the creative team at STUDIOTAMAT have reimagined a 19th-century villino, breathing new life into its historic walls with a contemporary vision.
by Serena Eller
Long overlooked, a historic villino now emerges as an intimate urban refuge for two. Spread across three compact, interwoven floors, this 80 m² residence unfolds like a
layered narrative, culminating in a lush, verdant terrace that crowns the building with unexpected serenity. The project began by embracing the home’s most distinctive features, allowing them to guide the design process. By merging memory with material, and history with contemporary sensibility, STUDIOTAMAT has crafted a retreat that feels at once deeply rooted in its past and strikingly modern in its expression: a place where time-honored character and bold design coexist in perfect balance. Inside, the intervention focuses on reconfiguring the layout, previously fragmented by a tight spiral staircase, and on the perception of the spaces. The redesign is radical in gesture but sensitive in execution: by moving the kitchenette beside the veranda, space is opened up for a striking alternating-tread staircase in
chestnut wood. Its first step, clad in Verde Alpi marble, becomes the sculptural base of a custom bookshelf built into the understairs. Nearby, a mirrored chestnut storage unit conceals the laundry and enhances the sense of openness.
The living room gains new depth, framed by a soaring double-height window that looks out onto surrounding gardens, in quiet harmony with Munari’s iconic Falkland pendant lamps. A sofa without armrests or backrests defines the space with an essential, sculptural presence, while a pair of minimalist coffee tables introduces a note of quiet simplicity. Adding a vibrant touch of color, a deep blue volume anchors the composition on one side of the living area, while on the other it discreetly conceals a powder room, blending functionality with bold design.
Following the bold blue volume, which houses the fridge and pantry, the custom kitchen unfolds liberated from overhead cabinetry to emphasize openness. Its linear base, topped with Verde Alpi marble, is paired with shaded drawers that transition subtly from black to terracotta, echoing the beautifully preserved original terracotta floors and reinforcing the dialogue between past and present. From the living area, access to the veranda is now seamless, thanks to the removal of the old French door that once divided it from the house. The veranda flows effortlessly into the interior, extending the living space and bathing it in natural light that shifts subtly throughout the day.
The space has undergone a meticulous restoration: its delicate cathedral glass, in soft greens, pinks, and yellows, demanded for a mix of craft and technical precision. The original rhythm and hues were carefully respected, while the frame was reconstructed in steel with solar-control glass, ensuring both durability and elegance.
The bold block of color continues also upward, passing through the mezzanine and defining the main bathroom on the top floor, where Nouveau furnishings by Ex.t meet the textured surfaces of Patricia Urquiola’s Mater tiles for Mutina and fixtures by Formafantasma for Quadro Design. To bring in light and create a sense of airiness, the mezzanine has been partially opened, introducing a doubleheight void. Glass floor panels offer glimpses between levels, while mirrored panels below bounce reflections upward, visually expanding the space and
enhancing the blue volume. The remaining floors are finished in Foret parquet by Oscar Ono Paris, designed by Raphael Navot and preassembled oak slats with visible end grain, a nod to the pebble streets of 19th-century Paris and ancient Rome. A custom bed with drawer base and integrated headboard echoes the kitchen’s color gradient, creating visual continuity between the levels.
A second spiral staircase in raw iron with cherry wood treads connects the sleeping area to the upper level where we find the studio space.
In the study, a glass partition, echoing the veranda’s rhythm with alternating clear and ribbed panels, elegantly screens the bathroom: the door doubles as a backdrop for the shower, while a Verde Alpi marble sink slices through the glass, becoming a shared counter surface.
Outside, the terrace features compacted stone paving in two shades of green, blending into the surrounding vegetation and reflecting the palette.
“Discreetly nestled in one of Rome’s most characterful neighborhoods, this intervention captures the quiet charm of Trastevere. Just like the district itself, where modest façades often hide unexpected treasures, this project reveals the latent beauty of a neglected house.”
The architecture and design firm led by sisters Marina and Luiza Werfel, WER Studio renovated a 106 m² townhouse in London’s iconic Notting Hill, bringing a refined and thoughtful approach to historic residences.
by Fran Parente
Located in the traditional neighborhood of Notting Hill in London, this townhouse is part of a
terrace of houses built around 1840 as single-family dwellings. The Grade II listed property has been completely renovated and extended at the rear. The primary challenge was to preserve its original features while modernizing it for the new family.
Among the residents’ goals was to bring natural light indoors and to recreate the spaces by eliminating partitions and visually uniting them to accommodate the social program. The bedroom were moved to the lower ground floor giving space to an open space on the top floor where you enter into the apartment. So, the living room, dining area, and kitchen have been integrated into a continuous axis, emphasizing the physical and visual permeability between the different spaces. The open layout enhances natural light, and the furniture arranged to define the program. The material palette creates a sense of unity. The new hardwood flooring runs throughout all areas, while the tones and finishes of the cabinetry harmonize with the beams in the dining room.
A half-height white wainscoting surrounds the living room. On the main wall, a cabinet seamlessly integrated among the panels, with its base serving as a sideboard for decorative objects and hides a TV in the lift bracket. The curated furniture, lighting, and art highlight a few carefully chosen pieces that tell the clients’ stories: some antiques, some from their personal collection. Notable highlights include a 1960s vintage Scandinavian armchair, the Alky armchair by Giancarlo Piretti, and an Armitage floor lamp by Joe Armitage, inspired by Edward Armitage’s 1952 original design.
"We wanted to optimise the space and draw in as much light as possible, giving the highest ceilings to the open living area, while bringing charm and features. The goal was a contemporary home that honoured its Grade-listed heritage: minimal furniture, layered textures, and art pieces that bring character and blend naturally with the custom joinery and details that the architect had skillfully included."
Estelle Ayer, Client
“Light became the guiding element in this renovation.”
Marina Werfel
In the kitchen, new openings created to maximize natural light, including replaced windows that open to the rear patio and a new skylight. The main countertop extends across the entire space, unfolding to the limit as a countertop for quick meals. The composition features a pair of vintage bar stools by Charlotte Perriand designed for the ski resort Les Arcs with a chromeplated tubular frame and leather seating, and a Tassel sconce by Apparatus Studio. The cabinets feature retractable door panels: when closed, they create the feeling of a continuous panel; when opened, they reveal the conveniences inside.
A complex excavation was undertaken to lower the basement level and maximize ceiling height, addressing the challenges posed by groundwater levels and the city’s sewage system. This approach allows the bedrooms on the lower level to enjoy comfortable ceiling heights and direct access to the rear patio, ensuring an abundance of natural light. The tailor-made carpentry by WER Studio in the bedrooms features modular fabric panels within solid wood frames, elegantly forming the headboards. In the master suite, this design extends seamlessly from the headboard to the closet doors. This element introduces a subtle touch of color, creating a harmonious contrast with the earthy tones of the surrounding materials. The facades retain their original character, complemented by the landscape design by Sara Sall. In the rear patio, landscaping preserves garden beds that bring greenery indoors. A new metal staircase provides access to the main floor, but its design and materiality maintain a discreet intervention, even with a contemporary touch it appears to belong to the original architecture.
The new cabinets respect the building's conditions and previously unused spaces, such as corners and voids, stairs landings, adapting the design to the limitations imposed by the structure of the building. Intelligent solutions utilize wasted space, from drawers positioned beneath the dining room sofa to cabinets above the staircase walls, within the architectural voids, and built-in doors.
“The new portal framing, common stairs, and reinforced foundations were a structural challenge, carefully resolved by weaving steel elements between existing wooden beams. Custom joinery and thoughtful space divisions give the interiors a seamless and fluid character.”
Marina Werfel
The walls and floors of the bathrooms were fully clad in large marble slabs. The transportation and installation of the stone in a residence in this part of London involved a complex logistical operation. The result highlights the beauty of the natural materials.
Visionary designer Rohini Bagla has crafted a Mumbai apartment inspired by the rich traditions of South India, where family, culture, and contemporary living coexist in seamless harmony.
“A true celebration of South Indian heritage, infused with contemporary flair, it stands as a testament to the power of thoughtful design, where every detail is a reflection of the lives that inhabit it.”
Nestled in Powai, a serene residential enclave in the heart of the city, the 3BHK was crafted for a South Indian family seeking a
home that feels like a warm embrace rooted in tradition, yet vibrant with contemporary energy. Every corner reflects a thoughtful blend of heritage motifs and modern sensibilities, creating a space that is timeless, functional, and undeniably alive.
The living room invites you with its warm wooden furniture, each piece handpicked to evoke a sense of nostalgia and warmth. The curved TV unit, a modern marvel in design, serves as a bridge between past and present, while the brass pattis
embedded in the space bring a touch of South Indian heritage, grounding the entire room in tradition. The limewash-finished textured walls, with their subtle depth and character, add warmth and richness. The rug, a stunning fusion of bamboo silk, wraps the space in a tactile experience that feels both luxurious and organic. With its patterned color wooden tiles, a spacious, broad balcony becomes a serene escape for the family, a perfect spot for quiet reflection or intimate gatherings. Tucked away in the balcony, a hidden bar with a pocket door adds an element of intrigue and surprise, inviting the homeowner to savor life’s little indulgences in style.
The dining room is where function meets art. A unique wood-and-marble dining table serves as the centerpiece. The chairs, made of organic cotton, wood, and cane, are a testament to sustainability, while the bespoke veneer detailing on the sideboard and doors adds a layer of sophistication. This kitchen design blends warm, natural materials with a touch of modern elegance. The cabinetry deep, rich wood and soft cream balanced contrast subtle yet refined cupboards.
directly into the dining area, framed with speckled terrazzo-like stone. This clever architectural feature not only connects the kitchen with the adjoining space but also allows natural light to flow through, enhancing the sense of openness. The countertop in light marble-like stone complements the cabinetry and serves as both a practical worktop and a display for fresh produce, in this case, bananas arranged with a touch of rustic charm. Traditional brass and bronze vessels placed on the counter add cultural character and warmth, highlighting a blend of contemporary and heritage-inspired style.
In the master bedroom, a sense of serenity and sophistication reigns. The greyishbrown veneer on the walls and furniture adds an element of understated elegance, while intricate custom cabinetry and side tables introduce layers of texture and depth. The black and beige inlay tiles in the room create a striking contrast, grounding the space in a sophisticated palette. The custom wall paneling that flows through the room adds a touch of luxury, while a mini walk-in wardrobe with fluted glass and a dresser introduces an element of modern opulence.
The daughters’ room is a bold departure from the rest of the home, a reflection of their boho-chic spirit and vibrant personalities. Blue PU cabinets set the tone, while the interplay of beige accents in the headboard and inlay tiles creates a perfect balance of calm and creativity. The room feels like a breath of fresh air, with cane details that evoke an earthy, carefree
vibe. Every corner of the room tells a story. For example, the inlay tiles echo the beige flooring. While the soft, flowing tree branches behind the bed a tribute to beginnings, growth, and endless possibilities. It’s a space that feels entirely their own yet still anchored in the larger narrative of the home. The study unit flows effortlessly into a curved TV unit, creating a sense of fluidity and openness. The limewash walls continue the theme of warmth and texture, while the clever design of the study space encourages productivity, focus, and creativity. The room feels alive, with each detail carefully considered to inspire the mind and soul.
“Throughout the entire home, custom veneer panels and intricate detailing make every corner feel like a curated work of art. Every detail, from the carefully selected materials to the thoughtfully designed layouts, reflects a dedication to craftsmanship and design excellence.”
The grandparents' room is a sanctuary of warmth and tradition. Rich teak veneer, customized fabric panels, and a Jhoola space for relaxation create an atmosphere of peace and comfort. The headboard, adorned with Indian motif fabric, adds a pop of color and history, while the stone veneer TV wall creates a striking balance with the warmth of the wood. It’s a space that honors the past while providing a modern, restful retreat for the grandparents.
The en-suite bathroom, with its Englishinspired color scheme, combines terrazzo and subway tiles to create a serene, elegant space that feels both timeless and of-themoment.
In the heart of Lisbon, Studio Gameiro projected a 157 m² apartment for a cosmopolitan couple newly arrived in the city, creating a truly unique space that plays with and twists traditional notions of architecture and design.
Photography by Francisco Nogueira
The apartment is set within a singular building on the historic Rua de São Bento, a street that has witnessed
the ebb and flow of history unfold right at its doorstep. It is a living, breathing cosmos, a creative hive pulsating in the very heart of Lisbon’s historic core. But beyond this vibrant context, there is a story to be told about the arch that once shaped both the apartment and its inception. The perfect metaphor for this project lies in the way the apartment’s interior mirrors what the street itself has lacked for decades: the Arch of São Bento. Though the arch still stands today, proudly alone in another square, the marks of its ‘uncoupling’ remain visible on the street and along the rocky side that connects it to the National Parliament. This historic, grounded reference to arched forms became a source of inspiration, infusing the project with a sense of the unexpected and unusual.
In the living room, we find a tailor-made coffee table and a slab fireplace by Studio Gameiro, both defined by raw materiality and a pursuit of authenticity. Nearby, two original 1960s armchairs by José Cruz de Carvalho for Altamira introduce a layer of Portuguese heritage and craftsmanship their dark wood frames offering an elegant contrast to the room’s
soft, neutral palette. On the wall, an artwork by André Costa provides a strong yet discreet visual accent, adding depth without breaking the room’s serene harmony. The large, plush sofa together with the natural fiber rug enhances the sense of comfort and relaxation, anchoring the space in warmth and tactility. The social area opens seamlessly onto the dining area, where Studio Gameiro’s bespoke dining table with a Travertine Creme top occupies the center of the space. It rests on a solid Iroko wood structure which evokes the traditional style of centuries-old dining tables, and which is accompanied by six incredible restored chairs designed by Gianfranco Frattini for Cassina, a testament to timeless Italian design.
“The stone permeates all prominent areas like the arches which divide the spaces, the kitchen countertops and the bathroom sinks, while shiny brass represents a much more industrial character, alluding to the hooks that held lighting cables in the tunnels. We were keen observers throughout.”
The dining room is then seamlessly and smoothly connected to a beautiful breakfast corner, casual and chic as it could be. This small room, almost like a roundabout, gives one of the structural elements of this project: a strong character embedded with an almost floating, aethereal lightness. Here, Daumiller armchairs by Gubi anchor the space with their solid form, while still echoing that sense of suspension light as a feather, yet grounded in design heritage. The curved ceiling continues its graceful rhythm, leading naturally to the custommade kitchen, where Moleanos countertops, a brass pendant element and extensive storage units (which aesthetically and structurally follow the tone of the walls) stand out. Bespoke brass handles, in the shape of hooks, make magical appearances as playing hide and seek. Around the breakfast bar, Marbella stools by Sergio Rodrigues and Carl Malmsten add a timeless touch, balancing Brazilian and Scandinavian influences in a dialogue of craftsmanship and comfort. From the kitchen, doors open onto a small patio, a quiet retreat perfect for relax.
“The curved ceilings and arches guide you through the apartment like water flowing through the aqueduct, creating spaces that are playful, functional, and full of unexpected poetry.”
From the common areas of the kitchen and dining room, the same sense of openness extends naturally toward the sleeping quarters, accessed through another set of elegantly arched corridors. These passageways, remarkable for their scale and width, possess an almost cinematic visual drama, establishing what we considered the project’s foundational principle: space that is playful, yet fully functional. The arches and gently curved ceilings create layered 'levels', orchestrating smooth transitions between each area. These layers allow for intimate, quiet spaces, reminiscent of the basins in Roman aqueducts, designed to calm and redirect the flow of water. In the apartment, history is subtly echoed in the architecture, creating a 'free-flow' rhythm that guides residents effortlessly from room to room. Every journey begins and ends with a stone arch: a full circle; it is the perfect metaphor for the whole project. Indeed, the arches themselves are a nod to the technical design of the Aqueduto das Águas Livres, which for centuries carried water to Lisbon’s homes. Here, the curved ceilings and passages meander like the water once did, while soft, mysterious lighting recalls the cinematic atmosphere of those tunnels. In the sleeping quarters, one of the perfect examples of the creative dialogues the design team cultivates in every project emerges in the details: a dark wood baseboard subtly delineates the space, creating a striking contrast with the sections of repurposed original wooden flooring. This interplay between old and new, between warmth and refinement, gives the bedrooms a distinct personality while maintaining a sense of harmony. Custom-built wardrobes further define the rooms, keeping the design clean and minimal.
“Where most saw an arch that needed to preserve its suspension, we turned it upside down into a trampoline to jump higher. Constant craving, constant exploration.”
At the end of the corridor, the path opens onto the impressive entrance of the master suite, preceded by a subtle antechamber that sets the tone for the spaces beyond. Inside the bedroom, the pièce de résistance are the ‘Vault’ ceramic and brass wall lights by Studio Gameiro, which cast a warm, sculptural glow, emphasizing the intimacy and elegance of the room.
Adjacent to the sleeping area, a pair of custom-designed wardrobe doors leads to the suite bathroom, where the triangular stone basin, conceived by the studio, becomes the centerpiece. Every element here reflects Studio Gameiro’s commitment to tailor-made solutions, honoring the finest Portuguese craftsmanship while embracing playful experimentation. The careful mix of forms and textures invites the eye to linger, promising that water flowing over these surfaces will subtly shape them over the years: a dialogue between material, time, and design.
Brazilian studio Gurgel D’Alfonso Arquitetura renovated a São Paulo duplex penthouse for a young family of culinary YouTube creators, designing a versatile home that balances work, filming, and daily life with their two small children
Photography by Ricardo Faiani
Bringing together daily life, work, and the joy of hosting, the design of this 200 m² duplex penthouse reflects a project where material experimentation and social connection take center stage. The duo of architects Rogério Gurgel and Caio D’Alfonso completely restructured the apartment’s layout, introducing new spatial connections and design solutions. The unobstructed views, abundant natural light, and the double-height ceiling afforded by the gabled roof were decisive elements in shaping the intervention.
At the core of the project lies the kitchen conceived not only as a space for everyday family use, but also as the heart of hosting and filming activities. Walls were demolished to integrate it seamlessly with the social area, creating a continuous axis that links the cooking counter, prep area, and dining table.
Materiality plays a leading role throughout the design. Steel, stone, and wood interact in a dialogue without hierarchy, generating balanced yet expressive contrasts. The palette also fulfills the residents’ long-held desire to experiment with unconventional finishes, introducing industrial materials such as stainless steel and brass into a domestic setting, where they coexist with natural textures without compromising warmth and comfort.
The main countertop was built in selfsupporting stainless steel, composed of independent modules with different functions and accessories, assembled like a flexible system. Complementing this structure, a Vitória Régia quartzite surface provides support and houses drawers facing the working area. A solid wood table,
also used for pasta preparation, enhances the set’s functionality and allows for varied uses.
The mix of warm and cold surfaces meets different culinary demands, drawing inspiration from the functional logic of professional kitchens. The project thus balances sensory and technical aspects with equal precision.
At the back, a custom cabinetry volume finished in golden brass panels houses appliances and storage that are subtly concealed within the design. The reflective surface captures and disperses light throughout the space. The cabinetry follows a minimalist design, with metal groove handles and flat surfaces that reinforce the visual organization of the kitchen and its continuity with the living room. A secondary kitchen was also created, featuring an additional stainlesssteel counter and washing area, adjacent to the laundry room.
To ensure visual cohesion across the different environments, as well as a balance among varied materials, the flooring throughout the social area is made of terracotta ceramic tiles, whose tone brings warmth and a tactile comfort to the space.
The lighting design employs exposed ceiling-mounted spotlights that highlight the slab without the need for false ceilings, and linear pendants above the countertop. The artificial lighting, used mainly at night, efficiently complements the generous natural light that fills the space through large windows and concrete breeze blocks, significantly reducing the need for electric lighting during the day.
“The kitchen — conceived as a hybrid space for living, cooking, and filming anchors the design. A mix of stainless steel, brass, quartzite, and solid wood creates tactile contrast and visual continuity across the integrated kitchen, dining, and living areas.”
In the living room, a custom-built masonry bookshelf with niches for books and personal objects combines a fixed structure with freestanding furniture made from Sucupira wood at the bottom. The curved profile of the bookcase follows the air conditioning duct: an example of how visible infrastructure was adopted as part of the design. The windows are framed in the same wood species, with slatted screens that subtly filter light, creating shadow patterns that shift throughout the day. The furniture balances emotional heirlooms with signature design pieces. The Elle armchair by designer Luisa Attab and the Forma side table by Maximiliano Crovato from the Designers Group gallery add character. On the shelf, the Maija lamp by Spanish brand Santa & Cole, supplied by FAS Iluminação, provides a touch of delicate light.
The sense of continuity continues onto the balcony, where the same flooring links indoors and outdoors. A wooden bench lines the railing, complemented by planters that add greenery and versatility.
Upstairs are the main bedroom and home office, where the architectural language softens. The gabled roof structure was left exposed, enhancing the ceiling height and reinforcing the feeling of shelter. A light blue epoxy floor completes the composition with a soft, contemporary touch.
The suite is organized around a multifunctional, prefabricated unit that integrates the bed, headboards, storage, and lounge into one cohesive element. Produced in modules and installed before
the civil work was completed, this element streamlined both timing and finish a clear example of the strategy to combine construction efficiency with architectural identity. The base of the unit, lowered and carpeted in a neutral tone, serves as both a technical floor and a step between spaces, while discreet niches conceal electrical systems and house equipment. Stainless steel-finished Formica modules serve as bedside tables and support for personal items, maintaining aesthetic continuity with the lower level.
In the office, a custom Sucupira wood desk was designed specifically for the home. The layout includes the ‘(Sem)Capa’ chair by Wentz Design. A complementary workstation blends contrasting materials, combining carpentry and metalwork.
In the suite’s bathroom, terracotta-toned ceramic tiles envelop the onyx naranja countertop, while a monolithic floor in the same tone covers even the built-in concrete
soaking tub, shaped with smooth, curved edges. The ceiling retains the original roof slope, highlighted by natural light. The space is conceived as a sensory retreat, where textures and precisely aligned surfaces create a quiet, immersive, and contemplative experience.
“The choices reflect a pursuit of textures, finishes, and compositions that convey distinct sensations and elevate the experience of dwelling.”
Africa
donatoengineeringsystem.com
America
daniellevyporcelain.com designweekmexico.com gurgeldalfonso.com.br luxurylifestyleawards.com marybethting.com patriciacostajewelry.com rockwellgroup.com worldarchitecturefestival.com worldluxurychamber.com
Asia
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Europe agrestis.eu alfajar.es altaidea.uk alvamusa.com
ameliepichard.com astetstudio.com atelier-tison.com aura3d.eu berengerecochet.fr bloomingville.com bykoket.com carocim.com castrolighting.com catetocateto.com clovi-paris.com designlondon.co.uk dooqdetails.com edition169.com feriahabitatvalencia.com fyra.fi fumaci.be gandgmagazine.eu gardenglory.com gornceramics.com hausotto.com hypetv.es ionnyk.com interihotel.com klimchi.com lapuankankurit.fi lemondesauvage.com levantindesign.com livawards.com llab.design loumylab.com mabou-experience.com maison-objet.com mambounlimitedideas.com martadelgadostudio.com matthieugicquel.com
moa-g.fr myfriendpaco.com nikistylianou.com nixiefab-france.fr onofrioacone.com panoptikumcollections.com pietro-franceschini.com pinik.com.ua pullcast.eu reflections-copenhagen.com rendar-official.com romeoegiulietta.love roseetviolette.com rugsociety.eu scapincollezioni.com skarf.at sophie-luline-ceramiste.com studiogameiro.com studiojoachimmorineau.com studiorohinibagla.com studiotamat.com studiower.com thibautnussbaumer.com tipii-atelier.fr utulamps.com workspaceshow.nl za-za.com.ua zaditaly.com zannierhotels.com zemonstadesign.com zikzakarchitects.com Oceania maisonbalzac.com
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