Bangkert #4 - CCF Student Magazine - 2024

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β€œI never had a vision of what CCF would look like when I first started. It was all about the individual needs.”

αž‘αžŸαŸ’αžŸαžŸαž“αžΆαžΆαžœαžŠαŸ’αžαžΈαžΈοΏ½αž™αž»αž»αžœαž‡ αž“αžΆ αžŸαŸ’αžŸοΏ½αž» αžŸαŸ’αžŸοΏ½αž» αž’αŸοΏ½αž αŸ’αžœαžœ ្០្ៀ αžŸαž˜αŸ’αžšαžΆοΏ½αžΆαž”αŸ‹αŸ‹αž™αž»αž»αžœαž‡αž“ αžŠαŸ„οΏ½αŸ„ αž™αž» αž™αž»αž»αžœαž‡αž“ αž™αž»αž»αžœ វ αž™αž» រ αž”αŸ‹αžŸ αŸ‹αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½ CCF YOUTH MAGAZINE 2024 FOR YOUTH BY YOUTH MY YOUTH β€œαžŠαŸ†αŸ†αž”αžΌαžΌαž„αžαŸ’αž‰αž»αŸ†αŸ†οΏ½ αž˜αž·αž·αž“αžŠαŸ‚ αžŠαŸ† αž›αž˜αžΆαžΆαž“αž‘αžŸαŸ’αžŸαžŸ αž“ ៈវិិ αžŸαŸ’αžŸ αŸαž™ αžŠαŸ‚αžœαž· αž„αž†αŸ’αž„αžΆαžΆ αž™ αžŸαŸ’αžŸ αž˜αŸ’αžšαžΆ មអ αž”αžΌ αžŸαŸ’αžŸ αžŸαŸ’αžŸ αžΈοΏ½αž’αŸοΏ½αž αŸ’αžœαžœ αž’αŸαž‘ αž€αžΆαžΆαž›αž–αžΈ οΏ½αž’αŸαž–αžΈ αž›αžŠαŸ‚ αžŠαŸ† αž›αžαŸ’αž‰αž»αŸ†αŸ†οΏ½ αŸ†αž”αžΌαž’αŸαž„ αžαžœαžΆαžΆαŸ” αž˜αŸ’αžšαžΆ οΏ½ αž”αžΌ αŸ‹αž™αŸ‰αžΆαžΆ αž„ οΏ½ αž’αŸαžŠαŸ†οΏ½αž˜αž· ី� αžŠαŸ‚αž αž‡αž½αž½αž™ οΏ½ αž“αž€αžŠαŸ‚ αžŠαŸ† αž›αžαŸ’αžšαžΌ ត វិ αž€αžΆαžΆαžš αž‡αž½ αž“ αž½αž™ αžŠαŸ‚αžαž”αžΌαžΆαžΈαž’αŸ οΏ½αŸ‡ οΏ½αŸ”β€

Celebrating two decades of life-changing impact by Cambodian Children’s Fund (2004-2024) αž’αž”αž’αžšαžŸαžΆαžΆαž‘αžšαžαž½αž½αž”αž›αžΎοΏ½αžΎαž€αž‘αŸ’αŸ 

αž“αŸƒοΏ½αž’αž„αŸ’αž‚αž‚αž€αžΆαžΆαžšαž˜αžΌαžΌοΏ½οΏ½αž’αž·αž·αž€αž»αž˜αžΆαžΆαžšαž€ αž˜αžΌαž»οΏ½αž‡αžΆαžΆ (្០០ៀ-្០្ៀ)

Editorial

Design

αžœαž·αž…αžΌαžΆαžšαžŽαŸŒαž€αžαžΆαžΆ

I have been in CCF since 2013, and till now it has been 11 years already. CCF is just like a breath for me and the other kids in Steung Meanchey because CCF has supported us since we were young. They have provided us with a good school for us to study, a good environment for us to live in, good education, food and many more that I can’t describe. I can’t imagine myself without CCF, especially Pa Scott. I don’t know how my life will be and what I would be right now.

Today is the 20th anniversary of CCF, and in this magazine, we will show you guys some of the achievements and activities that CCF have done over these last 20 years. My team and I hope you enjoy our magazine that we have made for you from the bottom of our hearts. αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž”αžΆαžΆαž“αž…αžΌαžΌαž›οΏ½αž€αžŸαž»αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœαžαžΆαŸ†αžΆοΏ½αž„αž–αžΈαž†αŸ’αž“αžΆαŸ†αŸ†αžΆ

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αž”αžΆαžΆαž“αžŠαŸ„οΏ½αŸ„αž™αž»αžŠαŸ„αž™αž»αžΎαž„αžŠαŸ„αžšαŸ€αž“αžŠαŸ„αž“αŸ…αžŸαžΆαž›αžΆαžŠαŸ„αžšαŸ€αž“οΏ½αž›

αž€αžΆαžšοΏ½αž”αŸ‹αŸ‹αžšαž› αž…αžΌοΏ½αž“οΏ½ οΏ½αžΆαž αŸ’αžœαžΆαžš

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αž‘αŸƒαžαžΆαžŠαŸ„αž“αŸ‡αž‚αžΆαž‡αžΆαžαŸ’αž‰αž»αŸ†αž”αŸ‹αŸ’αŸ αž†αŸ’αž“αžΆαŸ†αŸ†αžΆοΏ½αžšαž”αŸ‹αžŸαžŸαž»αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœ αžŠαŸ„αž αŸ’αžœ

αžŠαŸ„αž“αŸ‡ αž–αžΈαž½αž€αžŠαŸ„αž™αž»αžΎαž„αž“αžΉαž„αž”αŸ‹αž„αžΎαžΆαž‰οΏ½αŸ†αž€αž‘αžΆοΏ½αž„οΏ½αžŸαž‚αžΆαŸ†αžΆοΏ½οΏ½

αžŸοΏ½αž‘αž•αŸ’αžŠαž› αž“αž·αž„αžŸαž€οΏ½αŸαž—αžΆαžΆαž–αžΈοΏ½αž™αž»αž…αžΌοΏ½αž“αž½αž“αžŠαŸ‚οΏ½αž› αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœαž”αžΆαžΆαž“αžŠαŸ„οΏ½αžœαžΎαž€αŸ†οΏ½αž„αžšαž™αž»αŸˆαžŠαŸ„αž–αžΈαž›αŸ’αŸ αž†αŸ’αž“αžΆαŸ†αŸ†αžΆοΏ½αž€αžŠαŸ„αž“ αž˜αŸ’αžšαžΆαž€οΏ½αž€αžΆαžšαž„αžΆαžšαžšαž”αŸ‹αžŸαŸ‹αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½

αž“αžΉαž„αžŠαŸ„αž–αžΈαž‰αž…αžΌαžαžΆαŸ†αžΈαž‘αžŸαžŸαž“αžΆαžœοΏ½αžŠοΏ½αžšαž”αŸ‹αžŸαžŠαŸ„αž™αž»αžΎαž„αžŠαŸ‚οΏ½αž› αž”αžΆαžΆαž“αž”αŸ‹αžŠαŸ„αž„αž»αžΎαžαžΆαŸ†αžŠαŸ„οΏ½αžΎαž„αžŸαž˜αŸ’αžšαžΆοΏ½αžΆαž”αŸ‹αŸ‹οΏ½αŸ†αž€αžŠαŸ„οΏ½αŸ„αž™αž»

្០៑៣ αžŠαŸ„αž–αžΈαž›αžŠαŸ„αž“αŸ‡αž”αžΆαžΆαž“αžšαž™αž»αŸˆαžŠαŸ„αž–αžΈαž› αŸ‘αŸ‘αž†αŸ’αž“αžΆαŸ†αŸ†αžΆ αžŠαŸ„αž αŸ’αžœαž™αž»αŸ” សុ οΏ½αžŠαŸ„αž„αžΎοΏ½αžšαž”αŸ‹αžŸαŸ‹αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½
αž“αž·αž„αžŠαŸ„αž€αŸαž„αŸ—οΏ½αž‘αŸƒαž‘αžŠαŸ„αž‘αŸ€αžαžΆαŸ†αžŠαŸ„αž“αŸ…αžŸαž„
αž•αŸ’αžŠαžŠ
αž“αž·αž„οΏ½αžœοΏ½αŸ—αž‡αžΆαžŠαŸ„αž˜αŸ’αžšαžΆαž…αžΌαžΎαž“αžŠαŸ„αž‘
αž“αž·αž„αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½ αžŸαž„αžΉαžΉοΏ½αžαžΆαžΆοΏ½αŸ†αž€
αžŠαŸ„αž…αžΌαž‰αž–αžΈοΏ½αžŠαŸ„αž”αŸ‹αŸ‡οΏ½αžΌαž„αŸ”
αž“αž·αž·αž–αž“αž· αž“αž·αžΉαž„ αžšαž…αž“αžΆαžΆαžŠαŸ„οΏ½αž™: αž˜αŸ‰αžΌαžΌοΏ½αž“αž·αžΈαž€αžΆαžΆ
Remembering Hoin ...................................... 06 Pursuing My Dream And Passion ................ 08 5 Generations Of CCF ................................ 10 Painting Kindergarten ...................................13 Granny Archive Project ............................... 14 STEAM Sharing Session ............................... 16 Best Experience In My Life .......................... 18 Cammie’s Interview ...................................... 20 Tomorrow Academy ..................................... 24 Interview With Scott Nesson ........................ 26 20 Achievements Of CCF Education ............ 32 Ean Chhayna’s 20 Achievements ................ 36 Favorite Dish At CCF5 .................................. 37 Memorable .................................................. 40 What’s Inside Designed by Sreykim Cover design by Kimlang αž’αŸαž“αžΆαŸ…αž€αŸ’αž“αž»αž»οΏ½αž„αž’αŸαž“αžΆαŸ‡αž˜αžΆαžΆαž“αžΆ αž€αžΆαžšαž…αžΌαž„αž…αžΌαžΆοΏ½αž–αžΈ αž αŸ’αžœαŸαž“ .............................................................. 06 αžŸαžŠαŸ„αž˜αŸ’αžšαžΆοΏ½αž…αžΌαž€αžŠ αžŸαž”αŸ‹ αž“αžΈαž“αž·αž„αž…αžΌοΏ½αžŽαŸŒαž„αž…αžΌοΏ½αžŽαŸŒαžΌαž›αž…αžΌ αžαžΆαŸ†αžΈαžšαž”αŸ‹αžŸαŸ‹αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½ ............ 08 សុ សុ αžŠαŸ„οΏ½αž αŸ’αžœαžœαž‘αžΆοΏ½αž„αŸ₯αž‡οΏ½αž“αžΆαž“ ............................................... 10 αž‚αžΆοΏ½αž“αžΌαžšαžŠαŸ„αž“αŸ…αžŸαžΆαž›αžΆοΏ½αžŠαŸ„αžαžΆαŸ†αžΈαž™αž»αž™ ................................................. 13 αž€αž˜αŸ’αžšαžΆοΏ½αž„αž‡οΏ½ αžœαž˜αŸ’αžšαžΆαž”αŸ‹αžœαžαžΆαŸ†αžΈαžŠαŸ„αž›αŸ„αž€αž™αž»αžΆαž™αž»αžŠαŸ„αž›αŸ„αž€αžαžΆαŸ†αžΆ ............................... 14 αžœαž‚αžΆαžŠαŸ‚αž…αžΌαž€αžš αžŠαŸ‚αž›αž€αž–αžΈ STEAM ............................................... 16 αž”αŸ‹αž‘αž–αžΈ αžŠαŸ„αžŸαŸ„οΏ½αž“ οΏ½ αž›αž”αŸ‹οΏ½αž•αŸ’αžŠαžαžΆαŸ†αžšαž”αŸ‹αžŸαŸ‹αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½ .................................... 18 αž”αŸ‹αž‘αžŸοΏ½αžΆαžŸαž“ αž‡αžΆοΏ½αž™αž» αžŠαŸ„αž›αŸ„αž€αž˜αŸ’αžšαžΆαžŸοΏ½ αžŠαŸ„αžαŸ’αž‰αž»αŸ†οΏ½οΏ½ ............................. 20 Tomorrow Academy ................................................ 24 αž”αŸ‹αž‘αžŸοΏ½αžΆαžŸαž“ αž‡αžΆοΏ½αž™αž» αžŠαŸ„αž›αŸ„αž€ αžŸαžαžΆαŸ† αž“οΏ½αžŸαž·αž“ ...................... 26 ស� αž‘αž’αž·αž•αŸ’αžŠαž›αž‘αžΆοΏ½αž„αŸ’αŸ αžšαž”αŸ‹αžŸαŸ‹αž€οΏ½αŸαžœ οΏ½οΏ½οΏ½αž”αŸ‹αŸ‹αžšαŸ†αžšαž”αŸ‹αžŸαžŸαž» សុ αžŠαŸ„οΏ½αž αŸ’αžœαžœ .......... 32 ស� αž‘αž’αž·αž•αŸ’αžŠαž›αž‘αžΆοΏ½αž„αŸ’αŸ αžšαž”αŸ‹αžŸ οΏ½αžΆαž“ αž‘αŸƒαž†αŸ’αž“αžΆαŸ†αžŽαŸŒαžΆ ........................... 36 �ើ αž”αŸ‹αžŠαŸ‚οΏ½αž›αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž…αžΌαžΌαž›αž…αžΌ αžαžΆαŸ†αžΈαžŠαŸ„αž“αŸ…αžŸαžΆαžαŸ’αž‰αž»αŸ†αžΆαž‘οΏ½ αŸ₯ ................................ 37 αž€αžΆαžšαž…αžΌαž„αž…αžΌαžΆ ...................................................................... 40

A big thank you to all our donors supporting the 20 Years of CCF celebrations

HOIN αž αŸ’αžœαž“αžΆ

Hoin is a man with a kind heart. Hoin is a man with an energy to help people. Hoin is a member of CCF’s staff that comes to CCF to help people in the Stueng Mean Chey area.

Huy Leanghoin is a man who graduated with his master’s degree, but he came to work for CCF to help people and the kids who have a difficult life in the Stueng Mean Chey area. He is a good role model for everyone to learn from and a good father to all the kids in CCF.

He shares his love and kindness to all the people around him. He always connects himself to the community by visiting every day. He cares about people and always helps them. All of the grannies and grandpas love him, and they always smile and create many good memories with each other.

We really thank you for all of your hard work in CCF. CCF built a small cafe called β€œHoin’s Cafe” to remind him of CCF. We all remember him and love all his kindness to CCF.

Hoin sadly died in 2020.

αžŠαŸ„αž αŸ’αžœαž™αž»αž‚αžΆαžΆαžαžΆαŸ†αŸ‹αž”αžΆαžΆαž“αžŸαžŠαŸ„αž˜αŸ’αžšαžΆοΏ½αž…αžΌαž…αžΌαžαžΆαŸ†αžΈοΏ½αž€αž”αŸ‹αžŠαŸ„αž˜αŸ’αžšαžΆοΏ½αžΎαž€αžΆαžšαžŠαŸ„αž“αŸ…αžŸαž»αžŸαž» αžŠαŸ„οΏ½αž αŸ’αžœαžœ

αž“αž·αž„αžŸαž“αžŠαžΆαž“αž…αžΌαžαžΆαŸ†αžΈαž›αž’αžšαž”αŸ‹αžŸαŸ‹αž‚αžΆαžΆαžαžΆαŸ†αžŠαŸ„αž‘αŸ…αž€αžΆαž“οΏ½αž“αžŸαžŸαž‘αžΆοΏ½αž„οΏ½αžŸαŸ‹αžŠαŸ‚οΏ½αž›αžŠαŸ„αž“αŸ… αž‡αž»αžœαž·αž‰αžαŸ’αž‰αž»αŸ†αŸ‡οΏ½αž“αž‚αžΆαžΆαžαžΆαŸ†αŸ‹αŸ”

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αž“αž·αž„αž”αŸ‹αžŠαŸ„αž„αž»αžΎαžαžΆαŸ†οΏ½αž“αžŸαžŸαžΆαžœαžšαž™αž»αž›αž’αŸ—αž‡αžΆαžŠαŸ„αž˜αŸ’αžšαžΆαž…αžΌαžΎαž“αž‡αžΆοΏ½αž™αž»αž‚αžΆαŸ†αžΆαŸ”

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Hoin Cafe

αž αŸ’αžœαŸαž“ αž‡αžΆοΏ½αž“αžŸαžŸοΏ½αžΆαž“αž…αžΌαžαžΆαŸ†αžΈαžŸαž”αŸ‹αž»οΏ½αžšαžŸαŸ” αž αŸ’αžœαŸαž“ αž‡αžΆοΏ½αž“αžŸαžŸαžŠαŸ‚οΏ½αž›οΏ½αžΆαž“αž‘αžΉαž€αž…αžΌαžαžΆαŸ†αžΈαž…αžΌαž„αž‡αž™αž»οΏ½αŸ†αž€οΏ½αž‘αŸƒαž‘αŸ” αž αŸ’αžœαŸαž“ αž‡αžΆαž”αŸ‹αž‚αžΆαž›αž·αž€αžšαž”αŸ‹αžŸαžŸαž»αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœοΏ½αŸ†αžΆαž€αŸ‹αžŠαŸ‚οΏ½αž›οΏ½αž€
αžŠαŸ„αž›αŸ„αž€ αž αŸ’αžœαžΆαž»αž™αž» αž›αžΆαž„αž αŸ’αžœαŸαž“ αž”αžΆαžΆαž“αž”αŸ‹αž‰αŸ’αž…αž…αž”αŸ‹αŸ‹αžαžΆαŸ†αžΆαž€αž”αŸ‹αžšαž‰αŸ’αž…αžΆαž”αŸ‹αž˜αŸ’αžšαžΆαžαžΆαŸ†αž‡αžΆαž“αžαŸ’αž‰αž»αŸ†αžŸ
αžŠαŸ„οΏ½αžΎοΏ½αž»
αž‚αžΆαžΆαžαžΆαŸ†αž‚αžΆαž‡αžΆαž‚αžΆοΏ½αžšοΏ½αž› αžŸαž˜αŸ’αžšαžΆοΏ½αžΆαž”αŸ‹αŸ‹οΏ½αŸ†αž€αž˜αŸ’αžšαžΆαž‚αžΆαž”αŸ‹αŸ‹αž‚αžΆαŸ†αžΆ αž™αž»αž€αžαžΆαŸ†αž˜αŸ’αžšαžΆοΏ½αžΆαž”αŸ‹αŸ‹αžαžΆαŸ†αžΆοΏ½
αžŠαŸ‚αž…αžΌαž€αžšαžŠαŸ‚αž›αž€αž€αž˜αŸ’αžšαžΆαžŸαž›αžΆαž‰
αž‚αžΆαžΆαžαžΆαŸ†αŸ‹αž”αžΆαžΆαž“
αžŸαž»αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœαžŠαŸ„οΏ½αžΎοΏ½αž»αž‡αž™αž»οΏ½αŸ†αž€αžšαžŸαžŠαŸ„αž“αŸ…αžαžΆαŸ†οΏ½αž”αŸ‹αž“αžŸαž„οΏ½αžΆαž“αž‡αž™αž»αŸ”
αž‡αž™αž»οΏ½αž›αž˜αŸ’αžšαžΆαž”αŸ‹αž‡αžΆαž–αžΈαž›αžšοΏ½ αž“αž·αž„αž€οΏ½αžΆαžšαžŠαŸ‚οΏ½αž›οΏ½αžΆαž“αž‡οΏ½αžœαž—αžΆαžΆαž–αžΈαž›οΏ½αž”αžΆαžΆαž€αžŠαŸ„αž“αŸ… αžαžΆαŸ†οΏ½αž”αŸ‹αž“αžŸαž„οΏ½αžΆαž“αž‡αž™αž»αŸ”
αžŠαŸ„αž αŸ’αžœαž™αž»αž‚αžΆαžΆαžαžΆαŸ†αž€αž‡αžΆαžͺαž–αžΈαž»αž€οΏ½αž›αž’αžŸαž˜αŸ’αžšαžΆοΏ½αžΆαž”αŸ‹αŸ‹αž€αžΌαž“αŸ— αž‘αžΆοΏ½αž„οΏ½αžŸαžŠαŸ„αž“αŸ…αž€αŸ†οΏ½αž„αžŸαž»αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœαŸ” αž‚αžΆαžΆαžαžΆαŸ†
αž αŸ’αžœαŸαž“ -
αžŠαŸ„αž™αž»αžΎαž„αž‘αžΆοΏ½αž„οΏ½αžŸαž‚αžΆαŸ†αžΆαž“αžΉαž„αž…αžΌαž„αž…αžΌαžΆοΏ½αž‚αžΆαžΆαžαžΆαŸ† αž“αž·αž„
αž‚αžΆαž½αžšαž²αŸ’αž™αž™αžŠαŸ„αžŸαŸ„αž€αžŸαžŠαžΆαž™αž» αž αŸ’αžœαŸαž“ αž”αžΆαžΆαž“αž‘αž‘αž½αž›οΏ½αžšαžŽαŸŒαž—αžΆαžΆαž–αžΈαžŠαŸ„αž“αŸ…αž†αŸ’αž“αžΆαŸ†αŸ†αžΆοΏ½αŸ’αŸ αŸ’αŸ αŸ” αž€αŸ’αž“αž»αžΆαžšαž…αž„αž…αžΆαŸ†αž– Remembering
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"αŸ”
αž˜αŸ’αžšαžΆαžŸοΏ½αžΆαž‰αžŠαŸ„αžŸαž…αžΌαž€αžΈοΏ½αžŸαž”αŸ‹αž»οΏ½αžšαžŸαžšαž”αŸ‹αžŸαŸ‹αž‚αžΆαžΆαžαžΆαŸ†αž…αžΌοΏ½αžŠαŸ„αž–αžΈαŸ„αŸ‡αžŸαž»αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœαŸ”

and Designed by

αž“ αž–αžΈαž“ αž“ αž·αž„αžš αž…αžΌαž“ αžΆαžŠαŸ„οΏ½αŸ„ αž™αž» αž˜αŸ’αžšαžΆαžŸοΏ½αž“ αž…αžΌ 07

Pursuing my dream and passion

At the age of 7, My father passed away, and 2007 was the year that I became a part of Cambodian Children’s Fund (CCF), which changed my life forever. In that year, my other two siblings also joined CCF. In CCF, I can attend school like other kids and get a lifetime experience that I didn’t expect.

I gained a lot of knowledge from CCF throughout my stay there. Computer and Physical Education are two of my favourite subjects. I was inspired to become a technician in computer science after seeing staff members use computers to communicate and operate without any issues.

I am therefore putting a lot of effort into my computer class and have always paid closer attention to what the staff is working on. I had always assisted them with computer-related tasks so that I might learn more from them. When my high school finished, I got a full scholarship from CIMB bank to study computer science at the Royal University of Phnom Penh. After all my hard work and passion for technology, I’m now a graduate student studying computer science at the Royal University of Phnom Penh.

As for my passion for football, I started playing women’s football for the Cambodian Children’s Fund when I was very young; most of the players were girls in eighth or ninth grade. I had to get up at five in the morning to prepare for the training, which began at six every Sunday. While most individuals want to be strikers, I like to be defenders. I was, therefore, beginning to acquire defence techniques and other skills.

DesignbySreynoiy

I competed against other high schools in Phnom Penh when I joined the girl squad for Chea Sim Samaki High School in the seventh grade. Chea Sim Samaki wins every game almost every year, and we rank #1 each year. After winning in Phnom Penh, I also joined the women’s squad to compete with another province as well. I have always been an 11-squad member who will compete first, and my position always be a defender.

Unfortunately, I had to work on my final two years of high school. I was forced to give up playing football and haven’t attended a game since. I was given the chance to work as a coach assistant and assist with other things as an intern at HFCA (Happy Football Cambodia Australia) in 2020 after I graduated from high school. I started working with HFCA part-time in 2022.

The HFCA had a tournament in Singapore in April 2023. There are five employees, including HFCA founder Paraic Grogan, and I am also one of them. I have gained a lot of experience working with other experienced people and have learnt how to manage players well.

I am still pursuing my dream and passion after putting all my time and energy into technology and football. I currently work as a communication and IT support employee for a Cambodian nonprofit that promotes speech therapy (OIC Cambodia), and in my free time, I continue to work as a coaching assistant.

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Sokmean’s Generation:

What is it like being born into poverty?

Sokmean, who was born really tiny and had health problems, is one of triplets facing a tough start because their parents are splitting up. They now live with their mom and grandparents, and things are hard because their grandpa, Thun Mao, is the only one bringing in money.

In March 2023, Scott Neeson stepped in when he saw how tough things were for the young girls. They were enrolled in CCF's Yeo's Kindergarten and now get help from the CCF Food Program.

β€œEducation is the most important thing for everybody,especially for (the) young generation,” says Sokmean’s grandfather. αž‡αŸ†οΏ½αžΆοΏ½αŸ‹αžšαž”αžŸαŸ‹αžŸαž»αžαž½αž˜αžΌαžΆοΏ½αŸ–

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αž”αž‰αŸ’αž αžΆαžΆ αžΆαžŸαŸ‹αžαŸ’αž‰αž»αŸ†αž—αžΆαžΆαž–αž‡αžΆαžΆαžŠαŸ„οΏ½αž…αžΈαž“αž·

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αžŠαŸ„οΏ½αž™ οΏ½αž‚αžΊαž”αŸ‹αž™αŸ‰αžΆαžΌαžΆαž„αž˜αžΆαžΆαž“αž·αž€αžΆαžΆαžšαž›οΏ½αž”αžΆαžΆαž€ αžαžΆαžΆαžΆοΏ½αž„αžŠαŸ„οΏ½αž™οΏ½αžΆαžšαžŠαŸ‚αž αž‡αžΈαžΈαžαžΆαŸ†αžΆαžšαž”αžŸαŸ‹αŸ‹ αž–αž½αž€αžŠαŸ„αž‚αžΊ αž‚αžΊαžΊαžŠαŸ„αž›αžΆαžΆαž€αžαžΆαŸ† αž’αž·αž“αž· αžŠαŸ„οΏ½ ូអ αž‡αžΆαžΆ αž’αŸ†αž€αžšαž€αž›αž»αž™αžŠαŸ‚αžαž˜αžΆαŸ†αžΆαž€αž‚αžΊαžαž€αŸ†οΏ½αž„αžαŸ’αžšαžΌαž‚αžΊοΏ½αžΆαžšαŸ” αž€αžΆαžΆαž›αž– αžŠαŸ‚αžαŸ’αž‰αž»αŸ†αž˜αŸ‰αžΌαžΈαž“αžΆαžΆαž†αŸ’αž“αžΆαŸ†αŸ† �្០្៣ αžŠαŸ„αž›αžΆαžΆαž€ αžŸαŸ‹αžΎοΏ½αž αž“αž·αžŸαŸ‹αž“αž· αž”αžΆαžΆαž“αž· αž‡αžΈαž½αž™αž–αž½αž€αžŠαŸ„αž‚αžΊαžŠαŸ„οΏ½αž™οΏ½αžΆαžšαžšαžŠαŸ‚αžαžŠαŸ„αž›αžΆαžΆαž€αž”αžΆαžΆαž“αž·αžŠαŸ„αž˜αŸ‰αžΌαžΈαž› αžŠαŸ„οΏ½αž‰αž—αžΆαžΆαž–αž›οΏ½αž”αžΆαžΆαž€αžšαž”αžŸαŸ‹αŸ‹ αž–αž½αž€αžŠαŸ„αž‚αžΊαŸ” αž€οΏ½αž“αž·αžŠαŸ„αž—αžΆαžΆαžΆοΏ½αž‘αžΆαŸ†οΏ½αž„ αž”αžΈαž”αžΆαžΆαž“αž·αž…αž»οΏ½ αžŠαŸ„οΏ½ αŸαžΆοΏ½αž…οΏ½αž›αžŠαŸ„αžšαŸ€αž“αž·αžŠαŸ„οΏ½αžΆοΏ½αžΆαž›αžΆαžΆαž˜αŸ‰αžΌαžŠαŸ„αžαžΌαž™αžΌαž™αžΌοΏ½αžŸαŸ‹ β€œYeo’s” αžšαž”αžŸαŸ‹αŸ‹ αžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈαžŠαŸ„αž’οΏ½ αžŠαŸ„οΏ½αž™αžŸαŸ‹αž–αž‘αŸƒοΏ½αŸƒαžŠαŸ„αž“αž·οΏ½αž–αž½αž€αžŠαŸ„αž‚αžΊαž‘αž‘αž½αž› αž”αžΆαžΆαž“αž·αž’αžΆαžΆαž αžΆαžΆαžšαžšαžšαžΌαž” αžαžΆαž˜αŸ‰αžΌαž– αž’αž„αž‚αž€αžΆαžΆαžšαžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈαžŠαŸ„αž’οΏ½οΏ½αž„αžŠαŸ‚οΏ½αžšαŸ” αž‡αžΈαžΈαžαžΆαŸ†αžΆαžšαž”αžŸαŸ‹αŸ‹ αžŸαŸ‹αžαŸ’αž‰αž»αŸ†αž˜αžΆαžΆαž“αž· αž˜αžΆαžΆαž“αž·οΏ½αž”οΏ½αžŸαŸ‹αž“αž·αžαŸ’αž“αžΆ β€œαž€αžΆαžΆαžšαž’αž”αžšοΏ½αž‚αžΊαžΊαžŸαŸ‹οΏ½αžαžΆαžΆαž“αž· αž”οΏ½οΏ½αž»αžαžŸαŸ‹οΏ½αž˜αžΆαž”αž˜αŸ‰αžΌαž“αž·αžŸαŸ‹αžŸοΏ½αž‚αžΊαž”αžšαžΌαž” αž‡αžΆαžΆ αž–αžŠαŸ„αžŸαŸ‹αžŸαŸ‹αžŸαŸ‹οΏ½αž˜αžΆαž”αžŠαŸ„αž€αŸαž„αŸ— αž‡αžΈοΏ½αž“αžΆαžΆαž“αž·αžŠαŸ„οΏ½αž€αžΆαžΆαž™β€αŸ” GENERATIONS OF CCF αžŸαž»αžΎαžŸαž»αžΎαž›αžΎαž’ αž αŸ’αžœαžœαž‘αžΆαŸ† αžΆαŸ†αž„αŸ’αž‚ αŸ₯ αž‡ αŸ†αž“αžΆαžΆ οΏ½ αž“αžΆαž·αž–αž“αžΆαž’αŸαžŠαŸ’αžαžΈαŸ„αž™αž» αžŸαŸ’αžšαžΈαžŸαŸ’αžŸοΏ½ αž€αŸ’αž“αž»αž„ αž“αžΆαž·αž„ ឌី αž˜αžΆαž™αž»αž‚αžΆαžΆ Written and Designed by
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αž…οΏ½αžŠαŸ„αžŽαžΆαžΆαž˜αŸ‰αžΌαž€οΏ½αž“αž·αžŠαŸ„αž—αžΆαžΆαžΆοΏ½αž‘αžΆαŸ†οΏ½αž„αž”αžΈαŸ” αžŸαŸ‹αž–αž‘αŸƒοΏ½αŸƒ αž–αž½αž€αžŠαŸ„αž‚αžΊαžšαžŸαŸ‹αŸ‹ αžŠαŸ„οΏ½ αž‡αžΆαžΆαž˜αŸ‰αžΌαž½αž™αž˜αžΆαžΌαžΆαž™αž“αž·αž·αž„αž‡αžΈαžΈοΏ½οΏ½αž“αž·αž‡αžΈαžΈαžαžΆαŸ†αžΆαžšαž”αžŸαŸ‹αŸ‹ αž–αž½αž€αžŠαŸ„αž‚αžΊ
SREYKORNG

Kunthea’s generation: Why does Kunthea like the CCF class?

Pheak Sokunthea is 9 years old, and she is one of the CCF students studying in Grade 3. She studies at CCF school in the morning and public school in the afternoon. The subjects that she has learned at CCF are ICT, English, Khmer, Math and PE. She said she likes English class so much. She says she is happy to study at CCF and has good friends, they always support and give her good advice.

Last but not least, the deep meaning of CCF for Kunthea is Education, and they keep her warm and safe.

Mean MengHeang’s generation: What are the new things for Meng Heang in Secondary School Life?

Currently, Meng Heang is studying in Grade 8 at the Neeson Cripps Academy. He said if we look back to when he studied in primary school and now, it is not the same. In Secondary school, we need to study a lot of subjects and have a lot of chances to join the events outside of the school. There are opportunities to explore new things that he never knew existed, and he gets to develop new skills. too. He joined the Angkor Math competition, and he won a gold medal. This is his first achievement in Grade 8. Apart from joining competitions he likes to volunteer in community work too. He has done many projects, but there are two projects he likes to do the most are the evening Food Program and Tom Shoes distribution.

(Neeson Cripps Academy)αŸ” αž‚αŸ’αž˜αžΆαžαŸ‹αž”αžΆαžΆαž“αž·αž“αž·αž·αž™αŸ‰αžΆαžΆαž™αžαŸ’αž“αžΆ αž€αžΆαžΆαž›αž‚αŸ’αž˜αžΆαžαžŠαŸ„αžšαŸ€αž“αž·αžŠαŸ„οΏ½οΏ½αžΆαž›αžΆαžΆαž”αž‹αž˜αŸ‰αžΌ αžŸαŸ‹αž€αžΆαž“αž·αž·αž„αž₯αž‘αžΌοΏ½αžœαž·αžœαž·αž·αž‰αž‚αžΊαžΊ αž˜αŸ‰αžΌαž“αž·οΏ½οΏ½αž…αž‚αŸ’αž˜αžΆαŸ†αžΆαžŠαŸ„αž‘αŸ” αžŠαŸ„οΏ½αž’αž“αž·αž»αžœαž·αž·αž‘οΏ½αžΆαž›αŸαž™ αžŠαŸ„αž™αžΈαž„αžαŸ’αžšαžΌαžοΏ½αžœαž·αžŠαŸ„αžšαŸ€αž“αž· αž˜αŸ‰αžΌαžαŸ’αž‰αž»αŸ†αžœαž·αž·αž‡αžΆαž‡αžΆαžΆαžŠαŸ„οΏ½αž…αžΈαž“αž· αž“αž·αž·αž„αž˜αžΆαžΆαž“αž·αž±αž€αžΆαžΆαžŸαŸ‹αž…οΏ½

αž€αž˜αŸ‰αžΌαŸαžœαž·αž·αž’αž·αžŠαŸ„οΏ½οΏ½αžΆαžŠαŸ„αž˜αžΆαžΌαžΆαž„αžŸαŸ‹αž€αžΆαžΆαžŠαŸ„οΏ½αžŸαž„αŸ—αŸ” αž˜αžΆαžΆαž“αž·αž±αž€αžΆαžΆαžŸαŸ‹ αž‡αžΆαžΆαžŠαŸ„οΏ½αž…αžΈαž“αž·αžŠαŸ„οΏ½αžΈαž˜αŸ‰αžΌαžΈαžΈαžŠαŸ‚αžŸαŸ‹αžœαž„αž™αž›αž–αž’αžœαžΈοΏ½αŸαžΈαŸ—αžŠαŸ‚οΏ½αž› αž‚αŸ’αž˜αžΆαž αž˜αŸ‰αžΌαž“αž·αž’αžΆαžΆαž”οΏ½αžΉαž„αž–αž˜αŸ‰αžΌαž“αž·αž˜αŸ‰αžΌαž€ αžŠαŸ„οΏ½αž™αžŠαŸ‚οΏ½αž˜αŸ‰αžΌαž‘αžΆαŸ†οΏ½αž„αž”αžΆαžΆαž“αž· αžŠαŸ„αžšαŸ€αž“αž·αž‡αžΈοΏ½αž“αžΆαžΆαž‰οΏ½αŸαžΈαŸ—αžŠαŸ„αž‘αŸ€αžοΏ½αž„αŸ” αž‚αŸ’αž˜αžΆαžαŸ‹αž”αžΆαžΆαž“αž·αž…οΏ½αž›αžšαž˜αŸ‰αžΌ αž€αžΆαžΆαžšοΏ½αž”αž€αž½αžαž‚αžΊαžŽαž·αžαžœαž·αž·αž‘οΏ½αžΆαž’αž„αž‚αžš αžŠαŸ„οΏ½αž™αž‚αŸ’αž˜αžΆαž αž‘αž‘αž½αž›αž”αžΆαžΆαž“αž·αžŠαŸ„αž˜αŸ‰αžΌοΏ½αžΆαž™αž˜αžΆαžΆαžŸαŸ‹αž˜αŸ‰αžΌαž½αž™αŸ” αžŠαŸ„αž“αž·οΏ½αž‡αžΆαžΆ αž‡αžΈαŸαž™ αž‡αžΈοΏ½αž“αž·οΏ½αžŠαŸ„αž›αžΈαž€αž‘αžΈαŸ‘αžšαž”αžŸαŸ‹αŸ‹ αž‚αŸ’αž˜αžΆαžαžŠαŸ„οΏ½αžαŸ’αž“αžΆαŸ†αžΆαž€αž‘αžΈαŸ¨αŸ” αžŠαŸ„οΏ½οΏ½αžΆαž–αž…οΏ½αž›αžšαž˜αŸ‰αžΌαž€αžΆαžΆαžšοΏ½αž”αž€αž½αžοΏ½αž”αžŠαŸ‚αž‡αžΈαž„

αž‚αŸ’αž˜αžΆαžαž‚αžΊαž·αžαžαŸ’αž“αžΆαž‚αŸ’αž˜αžΆαžαŸ‹αž˜αžΆαžΆαž“αž·αžŸαŸ‹οΏ½αžŽαžΆαžΆαž„αž“αž·αž·αž„αžšοΏ½αžŠαŸ„αž—αžΌαžΈαž”αžŠαŸ‚οΏ½αž›αž‚αŸ’αž˜αžΆαžαŸ‹αž”αžΆαžΆαž“αž·

In his opinion, he feels lucky and really excited that he has been studying at the NCA. It seems to be a rare chance for other students.

αž‡αŸ†αž“αžΆαžΆοΏ½αžšαž”αžŸ αž‚αž“αžΆαŸ– αžαžΎοΏ½οΏ½αž»αž’αŸ’αžœαžΈαžΈ αž‚αž“αŸ’αž’αžΆαžΆ αž…αžΌαž›αž…οΏ½αžαžαŸ’αž“αžΆαž»αžΆοΏ½αžαžΎαžšαŸ€αž“αžšαž”αžŸαžŸαž»αžΎαžŸαž»αžΎαžαžΎαž’αŸ’αžœαžΈοΏ½αžΈ? αž—αžΌοΏ½αž€ αžŸαŸ‹αž‚αžΊαž“αžΆαž’αžΆ αž˜αžΆαžΆαž“αž·αž’αžΆαžΆαž™αž»αŸ©αž†αŸ’αž“αžΆαŸ†αŸ† αžŠαŸ„οΏ½αž™αž“αžΆαžΆαž„αž‡αžΆαžΆαžŸαŸ‹αžŸαŸ‹αžŸαž˜αžΆαŸ†αžΆαž€ αžšαž”αžŸαŸ‹αŸ‹ αžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈαžŠαŸ„αž’οΏ½αžœαžŠαŸ‚οΏ½αž›αžŠαŸ„αžšαŸ€αž“αž·αžŠαŸ„οΏ½αžαŸ’αž“αžΆαŸ†αžΆαž€αž‘αžΈαŸ£αŸ” αž‚αŸ’αž˜αžΆαžαžŠαŸ„αžšαŸ€αž“αž·αžŠαŸ„οΏ½ οΏ½αžΆαž›αžΆαžΆ αžšαž”αžŸαŸ‹αŸ‹ αžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈαžŠαŸ„αž’οΏ½αžŠαŸ„αž–αž›οΏ½αž–αžΉαž€ αž“αž·αž·αž„αžŠαŸ„οΏ½αžΆαžŠαŸ„αžšαŸ€αž“αž·αžŠαŸ„οΏ½ οΏ½αžΆαž›αžΆαžΆαžšοΏ½αžŠαŸ„οΏ½αžΆαžŠαŸ„αž–αž›αžšαžŠαŸ„αžŸαŸ‹αŸ€αž›αŸ” αž˜αŸ‰αžΌαžαŸ’αž‰αž»αŸ†αžœαž·αž·αž‡αžΆαžŠαŸ‚οΏ½αž›αž‚αŸ’αž˜αžΆαž αžŠαŸ„αžšαŸ€αž“αž·αžŠαŸ„οΏ½αžΆαžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈαžŠαŸ„αž’οΏ½αžœαž˜αžΆαžΆαž“αž·οΏ½οΏ½αž…αž‡αžΆαžΆ αž€αž»αž–αžΌοΏ½αž‘αŸαžš αž’αž„αžŠαŸ„αž‚αžΊαžΆαžŸαŸ‹ αž—αžΆαžΆοΏ½αžΆαžšαžŠαŸ‚αžαŸ’αž‰αž»αŸ†αŸαžš αž‚αžΊαžŽαž·αžαžœαž·αž·αž‘οΏ½αžΆ αž“αž·αž·αž„αž€αžΈαž‘αžΆαžΆαŸ” αž‚αŸ’αž˜αžΆαžαŸ‹αž“αž·αž·αž™αŸ‰αžΆαžΆαž™αžαŸ’αž“αžΆαž‚αŸ’αž˜αžΆαžαž…οΏ½αž›αž…αžαžΌαžαŸ’αž“αžΆαŸ†αžΆαž€αž—αžΆαžΆοΏ½ αž’αž„αžŠαŸ„αž‚αžΊαžΆαžŸαŸ‹αžαžΆαžΆαžΆοΏ½αž„αžŽαžΆαžΆαžŸαŸ‹αŸ‹αŸ” αž‚αŸ’αž˜αžΆαž αž”αžΆαžΆαž“αž·αž“αž·αž·αž™αŸ‰αžΆαžΆαž™αžαŸ’αž“αžΆ αž‚αŸ’αž˜αžΆαžαžŸαŸ‹αž”αžΆαž™αž…αžαžΌαžŠαŸ‚οΏ½αž›αž”αžΆαžΆαž“αž·αžŠαŸ„αžšαŸ€αž“αž·αžŠαŸ„οΏ½αžΆαžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈ αžŠαŸ„αž’οΏ½ αž“αž·αž·αž„αž˜αžΆαžΆαž“αž·αž˜αŸ‰αžΌαžαžΌαž—αžΌαž€αžΈαž·αž›αžΌ αŸ— αžŠαŸ„οΏ½αž™αž–αž½αž€αžŠαŸ„αž‚αžΊαžŠαŸ‚αžαž„ αžŠαŸ‚αžαž‡αžΈαž½αž™ αž“αž·αž·αž„οΏ½αžΌαž› οΏ½οΏ½αž”οΏ½αž“αžΆαŸαžΆαž“αž· αž›αžΌ αŸ—οΏ½αž›αŸ‹αž“αžΆαžΆαž„αŸ” αž‡αžΆαžΆαž…αž»αž„αžŠαŸ„οΏ½αž€αžΆαžΆαž™ αž’αžαžΌαž“αž·αŸαž™ οΏ½αžŸαŸ‹οΏ½αžαžΆαžΆαž“αž·αŸ‹αžšαž”αžŸαŸ‹αŸ‹ αžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈαžŠαŸ„αž’οΏ½αžŸαŸ‹οΏ½αž˜αžΆαž” αž‚αžΊαž“αžΆαž’αžΆαžŠαŸ„αž“αžΆαžΆοΏ½αž‚αžΊαžΊαž€αžΆαžΆαžšαž’αž”αžšοΏ½ αžŠαŸ„οΏ½αž™αžœαžΆαžΆαž”αžΆαžΆαž“αž·οΏ½αžΈαž›αžŠαŸ„οΏ½αž—αžΆαžΆαž–αž€αž€αžŠαŸ„οΏ½ ីអ αž“αž·αž·αž„αžŸαŸ‹αžœαž·αžαžΆαž·αž—αžΆαžΆαž–οΏ½αž›αŸ‹αž“αžΆαžΆαž„οΏ½αž„αžŠαŸ‚οΏ½αžšαŸ”
αž‡αŸ†αž“αžΆαž“αŸ‹αžšαž”αžŸαŸ‹ αž˜αŸ€αž“ αž˜αŸ‰αž„αž αŸŠαž„αŸ– αžαžΎοΏ½αžΎαž˜αžΆαžΆαž“αž’αŸ’αžœαžΈαžΈ αžαŸ’αž˜αžΈαžΈαžαŸ’αž›αŸ‡αŸ‡οΏ½αžŸαž€αŸ’αžšαžΈαž˜αžΆαž” αžαžΎαž˜αŸαž„αž αŸŠαžΆαžΆ αž„ οΏ½αž»οΏ½αž„αž‡αžΈ αžΎαžœοΏ½αž‡αžΆαžΆαžŸαžŸαžŸ αž’αŸ’αžœαžΈαž“αžœαž·αž‘αŸ’αž™αžΆοΏ½αžΆ αž›αŸαž™? αž”αž…αŸαž”αžΈαž“αž·αŸ† αžŠαŸ„αž˜αŸ‰αžΌαžΌ αž„αž αžΆαž„ αž€οΏ½αž–αž»αž„αžŠαŸ„αžšαŸ€αž“αž·αžαŸ’αž“αžΆαŸ†αžΆαž€αž‘αžΈαŸ¨ αžŠαŸ„οΏ½αžΆοΏ½αžΆαž›αžΆαžΆ αž“αž·αžŸαŸ‹αž“αž· οΏ½αž‚αžΊαžΈαž” αž’αžΆαžΆαžŠαŸ„αžαŸ’αž‰αž»αŸ†αžŠαŸ„οΏ½αž˜αŸ‰αžΌ
αž›αžšαž˜αŸ‰αžΌ
αž‚αŸ’αž˜αžΆαžαž€αž…οΏ½αž›
αž‚αŸ’αž˜αžΆαžαž”αžΆαžΆαž“αž·αž…οΏ½αž›αžšαž˜αŸ‰αžΌαžŸαŸ‹αž€αž˜αŸ‰αžΌαŸαž—αžΆαžΆαž–αžŸαŸ‹αž„αž˜αŸ‰αžΌαž‡αžΆαžΆαžŠαŸ„οΏ½αž…αžΈαž“αž· αž”αžΌαž»αžŠαŸ‚αž“αž·αžΌ αž€αžΆαžΆαžšαž„αžΆαžΆαžšαžŠαŸ‚οΏ½αž›αž‚αŸ’αž˜αžΆαž αž…οΏ½αž›αž…αžαžΌαž‡αžΆαžΆαž„αžŠαŸ„αž‚αžΊαž‚αžΊαžΊαž€αž˜αŸ‰αžΌαŸαžœαž·αž·αž’αž·αžŠαŸ‚αž…αž€αž’αžΆαžΆαž αžΆαžΆαžš αžŠαŸ„αž–αž›αž›αžΆαŸƒαžΆαž… αž“αž·αž·αž„αž€αžΆαžΆαžšαžŠαŸ‚αž…αž€αžŠαŸ‚αžŸαŸ‹αžΈαž€αžŠαŸ„αž‡αžΈαžΈαž„ TomαŸ”
αž…αžαžΌαžŠαŸ„αž’αž·αžœαžΈαž€αžΆαžΆαžšαž„αžΆαžΆαžšαžŸαŸ‹αŸαŸοΏ½αž‚αžΊαž…αžαžΌαž‡αžΈαž½αž™αžŸαŸ‹οΏ½αž‚αžΊαž˜αŸ‰αžΌαž“αž·οΏ½αž„αžŠαŸ‚οΏ½αžšαŸ”
αž˜αŸ‰αžΌαž€αžŠαŸ„αžšαŸ€αž“αž·αžŠαŸ„οΏ½ NCAαŸ” αžœαžΆαžΆαž‡αžΆαžΆαž±αž€αžΆαžΆαžŸαŸ‹οΏ½αŸαž€οΏ½αž˜αŸ‰αžΌαž˜αŸ‰αžΌαž½αž™αžŸαŸ‹οΏ½αž˜αžΆαž” αžŸαŸ‹αžŸαŸ‹αžŸ αžŠαŸ„οΏ½αžŸαž„αŸ—αžŠαŸ„αž‘αŸ€αžαŸ” 11

Dy Mouykea’s Generation: What opportunities are there for CCF Youth?

In my generation, the chance to take part in national and international programs is a truly inspiring opportunity. By exploring diverse perspectives and cultures, we can grow and improve ourselves while also shaping and making a positive impact on our community. Through such programs, we can strive to make a positive difference in the world around us, making it a better place for all. Moreover, we had wonderful opportunities to start projects that bring positive changes to those around us and encourage people to come together to solve the problems in our community.

αžœαž·αž·αž’αž·αžΈαž‡αžΆαžΆαžαž·αž“αž·αž·αž„αž’αž“αž·αžΌαžšαž‡αžΆαžΆαžαž·αž‚αžΊαžΊαž–αž·αžαž‡αžΆαžΆαž±αž€αžΆαžΆαžŸαŸ‹οΏ½αŸαžœαž·αž·αžŠαŸ„αžŸαŸ‹αžŸαŸ‹αžœαž·αž·οΏ½αžΆαž›αŸ” αžαžΆαŸ†αž˜αŸ‰αžΌαžšαž™αŸˆαž€αžΆαžΆαžšαžŠαŸ‚αžŸαŸ‹αžœαž„αž™αž›αž–αžΈαž‘αžŸαŸ‹αžŸαž“αž·αžœαž·αž·αžŸαŸ‹αŸαž™αž“αž·αž·αž„

αžŠαŸ„αž™αžΈαž„αž’αžΆαžΆαž…αž‘αž‘αž½αž›αž”αžΆαžΆαž“αž·αž—αžΆαžΆαž–αžšαžΈαž€αž…

Bong Nhan’s Generation: What is it like when we end high school life?

Heuv Nhanh is one of the CCF students who graduated in film. After he finished high school, he wanted to learn about law, but when he interned in the media, he became interested in Film. The root cause that he chose as a film major is his Father because he saw his father drink alcohol every day, and he has thought about how he can change and get out of this situation and help other people avoid drinking alcohol. He wants to inspire a lot of people and share his knowledge by creating a short educational film. Currently, he is a filmmaker and he is also a director's assistant. He has his own studio named Prika. He can now change the living conditions of the family and help his family members.

αž…αžΆαžΆαž” αž’αžΆαžΆαžšαž˜αŸ‰αžΌαŸαžŽαžŠαŸ„αž›αžΈαžœαž·αž·αžŸαŸ‹αŸαž™αž—αžΆαžΆαž–αž™ αž“αž·αžΌαŸ” αž˜αŸ‰αžΌοΏ½

αžŸαŸ‹αžŠαŸ„οΏ½αž˜αŸ‰αžΌαž…αžŠαŸ„οΏ½αž‡αžΈαžΈαžŸαŸ‹αžŠαŸ„αžšαžΈαžŸαŸ‹αž‡αžΈοΏ½αž“αžΆαžΆαž‰αž—αžΆαžΆαž–αž™αž“αž·αžΈαžŠαŸ„αž“αž·οΏ½αž‚αžΊαžΊαžŠαŸ„οΏ½αž™οΏ½αžΆαžš

αž‚αŸ’αž˜αžΆαž αžŠαŸ‚οΏ½αž›οΏ½αžΉαž€οΏ½οΏ½αžΆαž‡αžΆαžΆαžŠαŸ„αžšαŸ€αž„αžšαžΆαžΆαž›αž‘αŸƒοΏ½αŸƒ αžŠαŸ„οΏ½αž™ αž‚αŸ’αž˜αžΆαžαŸ‹αž”αžΆαžΆαž“αž·αž‚αžΊαž·αžαžŠαŸ„οΏ½αž‰αž–αžΈαžœαž·αž·αž’αž·αžΈαžŠαŸ‚οΏ½αž›αž’αžΆαžΆαž…αž‡αžΈαž½αž™αžŠαŸ„αž’αžΆαžΆαž™ αž˜αžΆαžΆαž“αž·αž€αžΆαžΆαžšαž•αŸ’αž›αžΆαžΆ αžŸαŸ‹αŸ‹ αž”αžΈοΏ½αžšαž“αž·αž·αž„αžšαžαžŠαŸ„αž‚αžΊαž…αžŠαŸ„αž…αž‰αž–αžŸαŸ‹αž—αžΆαžΆαž– αžŠαŸ‚αž”αž” αžŠαŸ„αž“αžΆαžΆοΏ½ αž€οΏ½οΏ½αž…αž‡αžΆαžΆαž‡αžΈαž½αž™αž’αŸ†αž€οΏ½αž‘αŸƒαž‘αž±αžΌαžŠαŸ„αž‡αžΈαŸ€αžŸαŸ‹αžœαžΆαžΆαž„αž€αžΆαžΆαžš

In the future, he said he wants to become a famous filmmaker in Cambodia as well as overseas. He prefers to show Khmer's ability to other countries that Khmer can be good at filmmaking.

αž‡αŸ†αž“αžΆαžΆοΏ½αžšαž”αžŸ ឌី αž˜αžΌαž½αž™αž‚αžΆαžΆαŸ– αžαžΎοΏ½αžΎαž˜αžΆαžΆαž“αž±αž€αžΆαžΆαžŸαž’αŸ’αžœαžΈαžΈ αžαŸ’αž›αŸ‡αŸ‡οΏ½αžŸαž€αŸ’αžšαžΈαž˜αžΆαž”αž™αž»αžœαž‡αžΈαž“αžšαž”αžŸαžŸαž»αžΎαžŸαž»αžΎαžαžΎαž’αŸ’αžœαžΈοΏ½αžΈ? αž€αŸ†οΏ½αž„αž‡αžΈοΏ½αž“αžΆαžΆαž“αž·αŸ‹αžšαž”αžŸαŸ‹αŸ‹ αž‚αŸ’αž˜αžΆαž αž€αžΆαžΆαžšαž‘αž‘αž½αž›αž”αžΆαžΆαž“αž·αž±αž€αžΆαžΆαžŸαŸ‹αž…οΏ½αž›αžšαž˜αŸ‰αžΌαž€αŸ†οΏ½αž„ αž€αž˜αŸ‰αžΌαŸ
αžœαž·αž”αžΈαž’αž·αž˜αŸ‰αžΌαŸŒαž…οΏ½αž˜αŸ‰αžΌαž»οΏ½
αžŠαŸ„οΏ½αž˜αŸ‰αžΌαžΈαž“αž·αž“αž·αž·αž„αž’αžΆαžΆαž…αžŠαŸ‚αž€αž›αž˜αŸ‰αžΌαžΌαžαŸ’αž‰αž»αŸ†αžΆ αž“αž· αžŠαŸ„αž™αžΈαž„ αž‘αž“αž·αžΆαžΉαž˜αŸ‰αžΌαž‚αŸ’αž˜αžΆαŸ†αžΆαž“αž·αžΉαž„αž€αžΆαžΆαžšαžŠαŸ‚αž€αžŠαŸ‚οΏ½αž”αž“αž·αž·αž„αž”αžŠαŸ„αž„αžαž—αžΆαžΆαž–αžœαž·αž·αž‡αžΈαžΆαž˜αžΆαžΆαž“αž· οΏ½αž›αžŸαŸ‹οΏ½αž‚αžΊαž˜αŸ‰αžΌαž“αž·αŸαžšαž”αžŸαŸ‹αŸ‹
αžαžΆαŸ†αž˜αŸ‰αžΌαžšαž™αŸˆ αž€αž˜αŸ‰αžΌαŸαžœαž·αž·αž’αž·αžΈαž‘αžΆαŸ†οΏ½αž„αžŠαŸ„αž“αž·οΏ½
αž‡αžΈοΏ½αž“αž·οΏ½αžŠαŸ„αž’αžΆαžΆαž™ αž˜αžΆαžΆαž“αž·αž€αžΆαžΆαžšαž•αŸ’αž›αžΆαžΆ αžŸαŸ‹αŸ‹ αž”αžΈοΏ½αžšοΏ½αŸαžœαž·αž·αž‡αžΈαžΆαž˜αžΆαžΆαž“αž·αž˜αŸ‰αžΌαž½αž™αžŠαŸ„οΏ½αžΆαž€αŸ†οΏ½αž„ αž–αž—αžΌαž–αžŠαŸ„αž›αžΆαžΆαž€αž‡αžΈαž»οΏ½αžœαž·αž·αž‰αžαŸ’αž‰αž»αŸ†αžΆ αž“αž·αžŠαŸ„αž™αžΈαž„ αžŠαŸ„αž’αž·αžœαžΈαž±αžΌαžœαžΆαžΆαž€αžΆαž™αž‡αžΆαžΆ αž€αžŠαŸ‚αž“αž·αžΆ αž„αž˜αŸ‰αžΌαž½αž™οΏ½οΏ½αž”αžŠαŸ„αžŸαŸ‹αžΈαžšαžŸαŸ‹οΏ½αž˜αžΆαž”οΏ½αž‚αžΊαž”αž‚αŸ’αž˜αžΆαŸ†αžΆαŸ”
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αž…οΏ½
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αžͺαž–αž»αž€αžšαž”αžŸαŸ‹αŸ‹

I’m Nhev Sreynith. I was involved in the 2023 ASEAN Youth Exchange Project to paint at the Yeos’s kindergarten of CCF. I was taught how to paint at the kindergarten by Sean Duffel. He is a Graphic Artist and a Professional Muralist.

I painted with the different youth from all the ASEAN countries. It was a good opportunity for me to communicate with other people from other countries and it helped me to improve my leadership skills because we discussed the idea of finding a good idea to send to the kids by the painting.

It was a good experience for me and it really makes me happy to help my community by being involved in painting for the young children at the Kindergarten.

Painting

Kindergarten

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αžŠαŸ„αžαŸ’αž‰αž»αŸ†αžαžΆαŸ†αžΈαž€οΏ½αž–αžΈαžαžΆαŸ†αž‚αžΆαž‡αžΆοΏ½αž“αžŸαžŸαžΆαžœαžšαž™αž»αŸαžŠαŸ‚οΏ½αž›αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αžŠαŸ„αž–αžΈαž‰αž…αžΌαžαžΆαŸ†αžΈαž”αŸ‹αž“αžΉαžΆαž”αŸ‹αŸ‹αž–αžΈ αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž”αžΆαžΆαž“αž…αžΌοΏ½αžŽαŸŒαžΆαž™αž»αžŠαŸ„αž–αžΈαž›αž”αŸ‹οΏ½αž‘αŸƒαžαžΆαž‡αžΆοΏ½αž™αž»αžŠαŸ„αž›αŸ„αž€αž™αž»αžΆαž™αž» αž“αž½αž“ αžŠαŸ„αž™αž»οΏ½αž“ αžŠαŸ„αž“αŸ… αž‘οΏ½αžŠαŸ„αž“αŸ„αŸ‡αŸ” αž€αžΆαžšαžŠαŸ‚οΏ½αž›αž”αžΆαžΆαž“αžŠαŸ„αž‘αŸ…αžŠαŸ„αž›αž„αž•αŸ’αžŠαžΉαŸ‡αžšαž”αŸ‹αžŸαžŠαŸ„αž›αŸ„αž€αž™αž»αžΆαž™αž»

αž€αžŠαŸ‚αž“αŸ‡αž„αžŠαŸ‚οΏ½αž›αž‚αžΆαžΆαžαžΆαŸ†οΏ½οΏ½οΏ½αžΆαžαžΆαŸ† αž‚αžΆαž‡αžΆαž±αž€αžΆαžŸοΏ½οΏ½αžŸαž…αžΆαžšαž™αžŸαž˜αŸ’αžšαžΆοΏ½αžΆαž”αŸ‹αŸ‹οΏ½αžαžΆαŸ†αžΈαžšοΏ½ αž˜αŸ’αžšαžΆαž€οΏ½αžšαž”αŸ‹αžŸαŸ‹αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½

αž–αžΈαž½αž€αžŠαŸ„αž™αž»αžΎαž„αž”αžΆαžΆαž“αžŠαŸ„αžšαŸ€αž“αžŸαž˜αŸ’αžšαžΆαžαžΆαŸ† αž“αž·αž„αž‘αž‘αž½αž›

αž”αžΆαžΆαž“αž…αžΌοΏ½αžŠαŸ„αžŽαŸŒαŸ‡οΏ½αžΉαž„αž‡αžΆαžŠαŸ„αž˜αŸ’αžšαžΆαž…αžΌαžΎαž“αŸ” αžŠαŸ„αž™αž»αžΎαž„αž”αžΆαžΆαž“αžŠαŸ„αžšαŸ€αž“αž–αžΈοΏ½αž€αžΆαžšαžαžΆαžαžΆαŸ†αžœαžŠαŸ„οΏ½οΏ½ αž“αž·αž„

αž”αŸ‹αž‘αž–αžΈαžŠαŸ„αžŸαŸ„οΏ½αž“ αž‡οΏ½αžœαžαžΆαŸ†οΏ½αž™αž»αž…αžΌοΏ½αž“αž½αž“αž–αžΈοΏ½αžŠαŸ„αž›αŸ„αž€αž™αž»αžΆαž™αž»αŸ” αž‚αžΆαžΆαžαžΆαŸ†αŸ‹αž”αžΆαžΆαž“ αž”αžΆαžΆαžαžΆαŸ†αž”αŸ‹αž„αž˜αŸ’αžšαžΆαž‚αžΆαž”αŸ‹αŸ‹αž™αž»οΏ½αžΆαž„αž€αŸ†οΏ½αž„αž”αŸ‹οΏ½αž·αžœαžαžΆαŸ†αžΈαž“αžŠαŸ‚αžαŸ’αž‰αž»αŸ†αŸαžšαž˜αŸ’αžšαžΆαž€αž αŸ’αžœοΏ½αŸ” αž‚αžΆαžΆαžαžΆαŸ†αŸ‹αž”αžΆαžΆαžαžΆαŸ†αž”αŸ‹αž„ αž‘αžΆοΏ½αž„αž˜αŸ’αžšαžΆαž‚αžΆαžŸαžΆαžšαž“αž·αž„αžŸαžœαžΆοΏ½οΏ½αŸ” αž‚αžΆαžΆαžαžΆαŸ†αžŠαŸ„αž“αŸ…αžŸαž›αžŠαŸ‚αžαžΆαŸ†αž€αžΌαž“αž˜αŸ’αžšαžΆαžŸοΏ½οΏ½αŸ†αžΆαž€αŸ‹αžŠαŸ‚οΏ½αž› οΏ½αž·αž“οΏ½αžΆαž“αžŸαžαžΆαŸ†αž›οΏ½αž…αžΌοΏ½αŸ†αž€οΏ½αž‘αŸƒαž‘αŸ”

αžŠαŸ„αž›αŸ„αž€αž™αž»αžΆαž™αž»αž”αžΆαžΆαž“αžŸαžŠαŸ„αž˜αŸ’αžšαžΆοΏ½αž…αžΌαž…αžΌαžαžΆαŸ†αžΈαž…αžΌαžΆαž€αžŠαŸ„αž…αžΌαž‰αž–αžΈοΏ½αžŠαŸ„αžαŸ’αž‰αž»αŸ†αžαžΆαŸ†αžΈαžŠαŸ„αž‘αŸ…αž‘οΏ½αž˜αŸ’αžšαžΆαž€αž»αž„ αžŠαŸ„οΏ½αŸ„αž™αž»αžŸαž„αžΉαžΉοΏ½αžαžΆαžΆαž‡οΏ½αžœαžαžΆαŸ†αžšαž”αŸ‹αžŸαŸ‹αž‚αžΆαžΆαžαžΆαŸ†αž“αžΉαž„αž˜αŸ’αžšαžΆαž”αŸ‹αžŠαŸ„αžŸαžΎαžšαžŠαŸ„οΏ½αžΎαž„αŸ”

αž˜αŸ’αžšαžΆαžŸαž›αŸ‡ αž‚αžΆαžΆαžαžΆαŸ†αŸ‹αžšαžŸαžŠαŸ„αž“αŸ…αž›οΏ½αž”αžΆαžΆαž€αžŽαŸŒαžΆαžŸαŸ‹αŸ”

αžŸοΏ½αžΆαžŸαžŠαŸ„αž›αŸ„αž€αž™αž»αžΆαž™αž»αžŠαŸ„οΏ½αžΎοΏ½αž» αž•αŸ’αžŠαž›αžαžΆαŸ†αž”αžΆαžΆαž“αž‡αžΆαžŸαžΆαž…αžΌαžŠαŸ„αžšαžΏαž„αŸ” αž–αžΈαž½αž€αžŠαŸ„αž™αž»αžΎαž„οΏ½αž·αž“αžŠαŸ‚οΏ½αž“αžŠαŸ„οΏ½αžœαžΎαž€αžΆαžšαžŠαŸ‚αžαžΆαŸ†αž―αž„αžŠαŸ„αž‘αŸ” αžŠαŸ„αž™αž»αžΎαž„οΏ½αžΆαž“αž˜αŸ’αžšαžΆαž€οΏ½αžŠαŸ„αž•αŸ’αžŠαžŸαž„αŸ— οΏ½αž€αž‡αž™αž»αžŠαŸ„αž™αž»αžΎαž„αŸ” αžαžΆαŸ†αžΆοΏ½αžšαž™αž»αŸˆαž€αžΆαžšαž„αžΆαžšαžŠαŸ„αž“αŸ‡

αž”αžΆαžΆαž“αž•αŸ’αžŠαŸ‡αžΆαžŸαž”αŸ‹αžŠοΏ½αžšαžαŸ’αž‰αž»αŸ†αŸ‡οΏ½αž“αž―αž„αŸ” αžŠαŸ„αž›αŸ„αž€αž™αž»αžΆαž™αž»αž”αžΆαžΆαž“αž˜αŸ’αžšαžΆαž”αžΆαžΆαž”αŸ‹αŸ‹αž–αžΈαž½αž€αžŠαŸ„αž™αž»αžΎαž„ αžŠαŸ„οΏ½αŸ„αž™αž»αžŠαŸ„αžšαŸ€αž“αžšαžŸαžŠαŸ„αž“αŸ…αžαžΆαŸ†αžΆοΏ½αž”αŸ‹αžšαž”αŸ‹αž‘αžšαž”αŸ‹αžŸαž–αžΈαž½αž€αžŠαŸ„αž™αž»αžΎαž„αŸ”

αž–αžΈαž½αž€αžŠαŸ„αž™αž»αžΎαž„αžŠαŸ„οΏ½αŸ„αž™αž»αžαŸ’αž‰αž»αŸ†οΏ½αž˜αŸ’αžšαžΆαž”αŸ‹αžΉαž„αžŠαŸ‚αž˜αŸ’αžšαžΆαž”αŸ‹αž„αŸ”

αž‚αžΆαŸαžΆαž“οΏ½αžœοΏ½αž™αž»αžŠαŸ‚οΏ½αž›αžŠαŸ„αž‡αŸ„αž‚αžΆαž‡αž™αž»αžŠαŸ„οΏ½αŸ„αž™αž»οΏ½αž·αž“αžαŸ’αž‰αž»αŸ†οΏ½αžŠαŸ„αž“αŸ„αŸ‡αžŠαŸ„αž‘αŸ” αžŠαŸ„αž‡αŸ„αž‚αžΆαž‡αž™αž» αž‚αžΆαžΊαž”αžΆαžΆαž“οΏ½αž€αž–αžΈοΏ½αž€αžΆαžšαžαŸ’αž‰αž»αŸ†αžαžΆαŸ†αžαŸ’αž‰αž»αŸ†οΏ½αž˜αŸ’αžšαžΆαž”αŸ‹αžΉαž„αžŠαŸ‚αž˜αŸ’αžšαžΆαž”αŸ‹αž„αŸ” αž‚αžΆαžΆαžαžΆαŸ†αž˜αŸ’αžšαžΆαž”αžΆαžΆαž”αŸ‹αŸ‹αž–αžΈαž½αž€αžŠαŸ„αž™αž»αžΎαž„αžŠαŸ„οΏ½αŸ„αž™αž» αžŠαŸ„αž˜αŸ’αžšαžΆαž€αŸ„αž€οΏ½αžš αžαžΆαŸ†αžαžΆαŸ†αžΆοΏ½αž„αž‡αžΆοΏ½αž™αž»αž”αŸ‹αž‰αŸ’αž…αžΎαžΆ αžŠαŸ„αž˜αŸ’αžšαžΆαž€αŸ„αž€οΏ½αžšαžŠαŸ„οΏ½αŸ„αž™αž»οΏ½αž·αž“

οΏ½αžαŸ’αž‰αž»αŸ†αž“αž·αž„αžŠαŸ„αž˜αŸ’αžšαžΆαž€αŸ„αž€οΏ½αžšαžŠαŸ„οΏ½αžΎαž„αž‚αžΆαžΊαž”αžΆαžΆαž“αžŠαŸ„αž›αžΎαž€αž‘αžΉαž€αž…αžΌαžαžΆαŸ†αžΈαž‚αžΆαžΆαžαžΆαŸ†

αž‘αžΆοΏ½αž„αžŠαŸ„αž“αŸ‡αžŠαŸ„αž αŸ’αžœαž™αž»αž‡αžΆοΏ½αžœοΏ½αžŠαŸ‚οΏ½αž›αž“αžΆαžŠαŸ„οΏ½αŸ„αž™αž»αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž‚αžΆαžαžΆαŸ†αžαžΆαžΆαž‚αžΆαžŠαŸ„αž˜αŸ’αžšαžΆοΏ½αŸ„αž„αž…αžΌαž„αž˜αŸ’αžšαžΆαž€αž„ αž‡οΏ½αžœαž˜αŸ’αžšαžΆαž”αŸ‹αžœαžαžΆαŸ†αžΈαž·αžŠαŸ„αž›αŸ„αž€αž™αž»αžΆαž™αž»αžŠαŸ„αž“αŸ‡αž‚αžΆοΏ½αžŸαž…αžΆαžšαž™αž”αŸ‹οΏ½αž•αŸ’αžŠαžαžΆαŸ†αžŸαž˜αŸ’αžšαžΆοΏ½αžΆαž”αŸ‹αŸ‹αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αŸ”

αž“αž·αž„αžšαž”αŸ‹αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αŸ”
αžαŸ’αž‰αž»αŸ†αž»αžŸ
αž”αŸ‹οΏ½αž»αžŠαŸ‚αž“αžΈ
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αžŸαžΆαž…αžΌαžŠαŸ„αžšαžΏαž„αžŠαŸ„αž“αŸ‡ αžŠαŸ„αž™αž»αžΎαž„αž”αžΆαžΆαž“αž•αŸ’αžŠαž›αžαžΆαŸ†αž‡αžΆαžœαžŠαŸ„οΏ½οΏ½αžŠαŸ„οΏ½αžΎοΏ½αž»αž”αŸ‹αž„αžΎαžΆαž‰αž–αžΈ οΏ½οΏ½αžŠαŸ„αžŽαŸŒαžΎαžšαž‡οΏ½αžœαžαžΆαŸ†αžšαž”αŸ‹αžŸαŸ‹αž‚αžΆαžΆαžαžΆαŸ†αŸ‹αŸ” αž€αŸ†οΏ½αž„αžœαžŠαŸ„οΏ½οΏ½αžŠαŸ„αž“αŸ‡ αž–αžΈαž½αž€αžŠαŸ„αž™αž»αžΎαž„αž”αžΆαžΆαž“αžαŸ’αž‰αž»αŸ†αžαžΆαŸ†αžαŸ’αž‰αž»αŸ†οΏ½
αžαžΆαŸ†αžΆοΏ½αžšαž™αž»αŸˆαž€αžΆαžšαž•αŸ’αžŠαžŠαž›αž•αŸ’αžŠαžΉαŸ‡αž“αž·αž„οΏ½αžΆαž αŸ’αžœαžΆαžšοΏ½αž›αžŠαŸ„αž›αŸ„αž€αž™αž»αžΆαž™αž»αŸ”
αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž”αžΆαžΆαž“αžŠαŸ„αžšαŸ€αž“αžŸαž˜αŸ’αžšαžΆαžαžΆαŸ† αž“αž·αž„
αž‚αžΆαžΆαžαžΆαŸ†αž˜αŸ’αžšαžΆαž”αžΆαžΆαž”αŸ‹αŸ‹
αž”αŸ‹αž“αžΉαžΆαž”αŸ‹αŸ‹ αž–αžΈαž‚αžΆαžΆαžαžΆαŸ†αŸ‹αž”αžΆαžΆαžαžΆαŸ†αž”αŸ‹αž„ αž˜αŸ’αžšαžΆαž‚αžΆαž”αŸ‹αŸ‹αž™αž»οΏ½αžΆαž„ αž‚αžΆαžΆαžαžΆαŸ†αžŠαŸ„αž“αŸ…αžŠαŸ‚αžαžΆαŸ†αžαžΆαŸ†αžŸαžΆαžΌαžšαž αŸ’αžœαžαžΆαŸ†αž‚αžΆαžΆαžαžΆαŸ†οΏ½αŸ†αŸ‡αŸ” αž€αžΆαžšαž”αŸ‹αž“αžΈαžŠαŸ„οΏ½αžΎαžšαžŠαŸ„αž‘αŸ…
αžαŸ’αž‰αž»αŸ†αŸ‡οΏ½αž“αž―αž„αŸ”
αžŠαŸ„αž”αžΆαŸ„αŸ‡αž”αŸ‹αž„αŸ‹αŸ” αž‚αžΆαžΆαžαžΆαŸ†αŸ‹αž”αžΆαžΆαž“αž˜αŸ’αžšαžΆαž”αžΆαžΆαž”αŸ‹αŸ‹αžŠαŸ‚αž”αŸ‹αž”αŸ‹αžŠαŸ„αž“αŸ‡αžαžΆαžΆ
αž“αž–αžΈαž“αž’αžŠαŸ„οΏ½αŸ„αž™αž» αžŠαŸ„αž”αŸ‹οΏ½αž“ αžŠαŸ„αž αŸ’αžœαž„ αžšαž…αžΌαž“αžΆαžŠαŸ„οΏ½αŸ„αž™αž» αž˜αŸ’αžšαžΆαžŸοΏ½αžŽαŸŒαž™αž» 14

Archive GrannyProject

Kampot Province is my favourite memory after I spent three days with Granny Noun Yen. Visiting Granny’s home, where she grew up, was an amazing opportunity for my teammates and me. We have learned and gained much experience. We learned videography and some life lessons from the granny experience. She lost everything during the Red Khmer Revolution; she lost her family and her husband; she just had one daughter to live with; she didn’t get a good nation like others.

She decided to leave the province and walk to the city, hoping her life would be better, but different from that, she has a hard way to live. She earned money daily by picking up trash or recycling anything she could. Not too long later, Scott Neeson saved her by giving her a home and food. In this story, we made a video that demonstrated her life. In this video, we worked hard to interview and create her life story.

We were not alone; we had the other teams come to support us. From this, I have learned and changed myself. Because Granny told us how to survive our consequences, she told us to keep moving forward; she said nothing can increase success for no reason; success always comes from effort. She said β€˜Stand up’, meaning to face your issues, to stand up and never give up. She says this after losing everything. Even though she has nothing, she keeps trying until she won. Keeping moving forward and standing up is enough to motivate my life. That’s why I feel the Granny video project was an amazing chance for me.

Scan/Click To watch videos

αžŠαŸ„αžŸαž»αž“/αž…αžΌαž…αžΌ αžŠαŸ„οΏ½αžΎοΏ½αž»αžŠαŸ„οΏ½αžΎαž› αžœαžŠαŸ„οΏ½οΏ½
15

STEAM Sharing Sessions

αžœαž‚αžΆαžŠαŸ‚αž…αžΌαž€αžšαžŠαŸ‚αž›αž€οΏ½οΏ½αž–αžΈ STEAM
αž“αžΆαž·αž–αž“αžΆαž’αŸαžŠαŸ’αžαžΈαŸ„αž™αž» αžŸαŸ’αžšαžΈαžŸαŸ’αžŸοΏ½αž“αžΆαž·αž… / αžšαž…αž“αžΆαžΆαž’αŸαžŠαŸ’αžαžΈαŸ„αž™αž» αžŸαŸ’αž”αŸƒαžŸαŸ’αžŸαžΈ αžŠαŸ’αžαžΈαžΆαžœαž“αžΆ 16

αžœαž‚αžΆαžŠαŸ‚αž…αžΌαž€αžšαžŠαŸ‚αž›αž€οΏ½οΏ½αž–αžΈ STEAM (STEAM Sharing

Sessions)αŸ” αž€αŸ‡αžΉαž”αŸ‹οΏ½αž™αž»αžŠαŸ„αž“αŸ‡αž“αžΉαž„αž•αŸ’αžŠαžΈαž›αž–αžΈαžαžΆαŸ†οΏ½αžΆαž“

αž‘αžΆαž€αŸ‹αž‘αž„αž–αžΈοΏ½οΏ½αžΆαž‡οΏ½αž–αžΈ STEM/STEAM αžŠαŸ„αž‘αŸ…οΏ½αž› αžŸαžŸαžŸαžΆαž“ αžŸαžŸαžŸαžαžΆαŸ†αžΆοΏ½αžšαž™αž»αŸˆαž€αžΆαžšαž”αŸ‹αž€αž˜αŸ’αžšαžΆαžŸαžΆαž™αž»αžšαž”αŸ‹αžŸ

αžœαžΆαž‚αžΆαŸαž·αž“αž“αžΆαž“αžΆαŸ”

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αž”αŸ‹αžŠαŸ„αž„αž»αžΎαž“αž‡οΏ½αž“αžΆαž‰αž—αžΆαžΆαž–αžΈαž‡αžΆοΏ½αŸ†αž€οΏ½αžΉαž€αž“αžΆ

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αž‡αžΆαž˜αŸ’αžšαžΆαž€οΏ½οΏ½αžΆαž“αžŸαžΆαžšαŸˆαžŸοΏ½αžαŸ’αž‰αž»αŸ†αžΆαž“ αžŽαŸŒαžΆαžŸαŸ‹αžŸαž˜αŸ’αžšαžΆοΏ½αžΆαž”αŸ‹αŸ‹αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αŸ”

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αžšοΏ½αž‘αžΆοΏ½αž„αž€αžΆαžšαž“αž™αž»αžΆαž™αž»

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αž”αŸ‹αž‚αžΆαž›αž·αž€ αž“αž·αž„οΏ½αžΆαžŠαŸ‚οΏ½αž›αž‡αžΆαž˜αŸ’αžšαžΆαž€οΏ½αž˜αŸ’αžšαžΆαž”αŸ‹αž€αž”αŸ‹αžŠαŸ„οΏ½αŸ„αž™αž»

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αž€αŸ†οΏ½αž„αž€αžΆαžšαžŠαŸ„οΏ½αžšαž‚αžΆαžŠαŸ„αž˜αŸ’αžšαžΆοΏ½αŸ„αž„οΏ½αž™αž»αžŠαŸ„αž“αŸ‡αŸ”

Sessions STEAM

I’m Sreynich Vy, and I’m studying in Grade 12 Science. I am the coordinator of the STEAM Sharing Sessions club. The club provides information about STEM/STEAM careers to students with guest speakers.

I’ve learned a lot from joining the STEAM Sharing Sessions club. I can improve my leadership skills, particularly communication and teamwork with guest speakers. Teamwork is very important to me. I can also improve my English skills, including speaking, writing, and reading. Furthermore, I have learned to send emails to staff and group emails effectively. It has been a valuable experience for me to be part of this project.

αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αžŠαŸ„οΏ½αŸαŸ„αŸ‡ វ αž˜αŸ’αžšαžΆαžŸοΏ½αž“αž…αžΌαŸ” αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αžŠαŸ„αžšαŸ€αž“αžŠαŸ„αž“αŸ…αžαžΆαŸ†αžΆαž€αž‘οΏ½αŸ‘αŸ’ αžαŸ’αž‰αž»αŸ†αžΆαž„ αžŠαŸ‚αž•αŸ’αžŠαŸ†αž€αžœαž‘αž™αžΆαžŸαžΆαž˜αŸ’αžšαžΆαžŸαžΈαŸ” αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž‡αžΆοΏ½αŸ†αž€αžŸαž˜αŸ’αžšαžΆοΏ½αž”αŸ‹αžŸαž˜αŸ’αžšαžΆοΏ½αž½αž›αž€αŸ‡αžΉαž”αŸ‹
αŸ” αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½οΏ½αžΆαž…αžΌ
αžšαž”αŸ‹αžŸαŸ‹αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½
17

Best Experience Of My Life

The Global Youth Leadership Summit (GYLS) is an event I have heard of since I was in secondary school. But what is it, and why is it so important?

The GYLS program provides participants with an environment to boost leadership skills that will change lives and communities. The most exciting thing about it was that it took place in the USA, so if I could join that event, I could fly on a plane and get out of my country for the first time.

In 2023, I was among nine CCF students selected to join the GYLS event.

I have learned many things from the event, like meeting new people and getting to know their lifestyle. Also, in the conference, I learned a lot of leadership skills, which also helped me to change myself, walk out of my comfort zone, and become more confident and braver.

The most favorite thing I have learned from GYLS is about the speakers sharing their own experiences with us. It was very meaningful and motivated me, like when Kathy Backley told us her story about when she had cancer, but she didn’t give up on her life, and she fought for it.

Everyone has the same chance, but it depends on you whether you want it or not, and if you want it, just go for it before it is too late.

αž“αž·αž·αž–αž“αž· & αžšαž…αž“αžΆαžΆαžŠαŸ„οΏ½αž™ : αž˜αŸ‰αžΌαžΌοΏ½αž“αž·αžΈαž€αžΆαžΆ 18

αžŸοΏ½οΏ½αžŠαžΉαž‹αž’αžΆαžΆαžšαŸ€αž˜αŸ’αž˜οΏ½αž€αž·

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αž€αžΆαžΆαž›αž–αžΌοΏ½

GYLS αŸ”

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Backley)

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GYLS αžšαŸ€αž“αžΆαŸ†αžΆοΏ½αž‚αžΊαžΊαž€αžΆαžΆοΏ½αžŠαŸ‚αž…αŸ’αž…αž€αž·οΏ½οΏ½αžŠαŸ‚αž›αž€αž·οΏ½αž‘αŸ’αž™αžΆαž–αžΌαžšαŸ€αžŸαžΆαžΆαž’αžΈαž“αž•αŸ’αž›αžΆαžΆαž›αžαŸ’αž‰αž»αŸ†οΏ½οΏ½αž“οΏ½οΏ½αžŸαŸ‹αžœαžΆαžΆαžαŸ’αž‰αž»αŸ†αž˜αž·αž“αŸ”
οΏ½αŸ†αžŠαŸ‚αž“αŸ‚αžœαžΆαžΆαž’αžΆαžΆαž”αŸ’αžšαžŸαž™αž»αžšαŸ€οΏ½αžΆαžšαŸ€αž›οΏ½αž’αŸ’αž“αž“αž€αž·αžαžΆαžΆαžšαŸ€οΏ½αž’αŸ’αž“αž“αž€αž·αž…αŸ’αž…αž„αž”αžΆαžΆαž“αžœαžΆαžΆαž¬αž€αž·αž’αŸ’αž“οΏ½ αžšαŸ€οΏ½οΏ½αž™αž»αž”αŸ’αžšοΏ½αžŸαž·αž“ αžšαŸ€οΏ½αž’αŸ’αž“αž“αž€αž·αž…αŸ’αž…αž„αž”αžΆαžΆαž“ αž‚αžΊαžΊαžαŸ’αžšαžΌοΏ½αž½αžœαžŠαŸ‚οΏ½οΏ½οΏ½αž™αž»αž€αž·αž±αž€αžΆαžΆαžŸαžšαŸ€αž“αžΆαŸ†αžΆοΏ½αž€αž·αŸ†οΏ½αž²αŸ’αž™αž™αž™αž»οΏ½αžšαŸ€αž–αžΌαž›αŸ” Presenters at the GYLS 2023
αžŸαŸ‹ ិ αžŸαŸ‹αžŸCCFαžŠαŸ„οΏ½αž€αž˜αŸ‰αžΌαŸαžœαž·αž·αž’αž·αžΈGYLS2023 αž’αŸ†αž€αžŠαŸ„αž’αž·αžœαžΈαž”αž‘αž”αž„αžΆ អ αž‰αžŠαŸ„οΏ½GYLS 19
CCF studens at the GYLS conference 2023

CAMMIE’S INTERVIEW

αž”αŸ‹αž‘αžŸοΏ½αžΆαžŸαž“αž‡αžΆοΏ½αž™αž»

We asked long-time supporter and board member Cammie Rice about her experiences with CCF αž–αž€αŸ’αž“αž»αž’αŸαž™αž»αžΎαž„αž”αžΆαžΆαž“αžΆαžŸαŸ’αžŸαž˜αžΆαžΆαžŸαŸ’αžŸαž“αžΆαž˜αžΆαžΆαžŸαŸ’αžŸαž‡αž“αžΆαž™αž»αž‡αžΆαž™αž»αžΌαžšαž†αŸ’αž“αžΆαŸ†αž»αžΆαŸ†αž“αžΆαž·αž„αž‡αžΆαžŸαŸ’αžŸαž˜αžΆαžΆαž‡αž€αŸ’αž“αž»αžŸαŸ’αžšαžΈαž€αŸ’αž“αž»αž˜αžΆαžŸαŸ’αžšαžΈαž”αž€αŸ’αž“αž»αžŸαžΆαž—αž·αž·αž”αžΆαžΆαž›αžΆ

Why are you interested in helping the Cambodian Children’s Fund organization?

There are many wonderful charities to invest in, and personally I love the connection with my sponsored children. Seeing them grow and flourish, a sponsor truly gets to see their impact they are making first hand.

How did you get to know the Cambodian Children’s Fund Organization?

My husband and I moved to Hong Kong from the US and we were intentionally looking for a charity to get involved with. I visited multiple countries in Asia, many different charities. However, when we toured CCF we were impressed with the ecosystem that supports the entire family.

Why did you decide to build the Rice school? What was your aim?

We wanted to make a generational impact. CCF has a committed team and we saw first hand how the other 5 schools were being managed properly.

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αžŠαŸ„αž›αŸ„αž€αž˜αŸ’αžšαžΆαžŸοΏ½ αžŠαŸ„αžαŸ’αž‰αž»αŸ†οΏ½οΏ½ 20

What positive impact came from your donation and how do you feel about it?

We have received our return on our investment x 10 and have witnessed children going to college and making a difference!

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αžŠαŸ„οΏ½αžΆαžŠαŸ„αžšαŸ€αž“αž·οΏ½αž›αž˜αŸ‰αžΌαž αžΆαžΆαžœαž·αž·αž‘οΏ½αžΆαž›αŸαž™

Why did you choose CCF?

We saw the impact, I mentioned previously in addition we saw CCF outstanding ranking as a global charity.

leader whose vision, passion and dedication for the people of Cambodia has led to the creation of the CCF we celebrate today!

αž”αž•αžαž»αžŠαŸ‚οΏ½οΏ½αž‡αžšαž‰αŸ‹αž‘αž€αž…αžαž»αžšαž”αžŸαž’αž“αž€αž€αž“αž„αŸ’αž‚αž€αžΆαžΆαžš

αž”αž‘αž–αžŠαŸ„οΏ½αžΆαž’αž·αž“αž·αžŠαŸ„οΏ½αžΆαžŠαŸ„αž–αž›αž”αžΆαžΆαž“αž·αžŠαŸ„οΏ½αžšαž—αžΌοΏ½αž˜αŸ‰αžΌαžŠαŸ„αž–αž›αž™αž”

What is the most interesting part of CCF that inspired you

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αž˜αžΌαž»οΏ½αž‡αžΆαžΆ?
αž‡αž½αž™ οΏ½οΏ½αž€αž»αž˜αžΆαžΆαžšαž€
αž‡αžΆαžΆαž˜αŸ‰αžΌαž½αž™οΏ½αž”αž“αž·αž·αž€αžšαž”αžŸαŸ‹αŸ‹ αžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈαžŠαŸ„αž’οΏ½ αžŠαŸ„αž›αžΆαžΆαž€ αžŸαŸ‹αžΎοΏ½αž αž“αž·αžŸαŸ‹αž“αž· αž‚αžΊαžΊαž‡αžΆαžΆαž€αžΆαžΆαžš αž•αŸ’αž›αžΆαžΆ αžŸαŸ‹αŸ‹ αž”αžΌοΏ½αžšαž‡αžΈαžΈαžœαž·αž·αžαž˜αŸ‰αžΌαž½αž™αŸ” αžŠαŸ„αž›αžΆαžΆαž€αžŸαŸ‹αžΎοΏ½αž αž‡αžΆαžΆαž’αŸ† αž€οΏ½αžΉαž€αž“αžΆαžΆοΏ½αž‚αžΊοΏ½αžšαž˜αžΆαŸ†αžΆαž€αŸ‹αžŠαŸ‚οΏ½αž›αž˜αžΆαžΆαž“αž·αž…αž€αŸ†οΏ½αžœαž·αž·αžŸαŸ‹αŸαž™αž‘αžΉαž€αž…αžαžΌ αž“αž·αž·αž„αž€αžΆαžΆαžšαž›οΏ½αž”αž„οΏ½αž‚αžΊαž”αŸ‹αž™αŸ‰αžΆαžΌαžΆαž„ αžŸαŸ‹οΏ½αž˜αžΆαž” οΏ½αž”αž‡αžΆαžΆαž‡αžΈαž“αž·αž€αž˜αŸ‰αžΌαž»οΏ½αž‡αžΆαžΆ αžšοΏ½οΏ½αžαž”αžΆαžΆαž“αž·οΏ½αž“αž·αžŠαŸ„οΏ½αžΆοΏ½αž› αž€αžΆαžΆαžšαž”αžŠαŸ„αž„αžαžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈαžŠαŸ„αž’οΏ½αžœαžŠαŸ‚οΏ½αž›αžŠαŸ„αž™αžΈαž„οΏ½αžΆαž‘αžš αžŸαŸ‹αž–αž‘αŸƒοΏ½αŸƒ αžŠαŸ„αž“αž·οΏ½αŸ”

When you first donated or sponsored CCF, what was your expectation? Was the result of your contribution what you expected?

Sponsoring children and the Granny program has been and continues to be life changing. We are so grateful for the relationships we have built over the years. Even though there is a language barrier, the love is real. Exceeded our expectations in every way.

αž›αžΎοΏ½αžΆαž›αžΎοΏ½οΏ½αž’αž“αž€αž”αžšαž…αžΆαž‚αž¬αž§αž”αžαž»αž˜αžΌοΏ½οΏ½αžŸαž»αžΎαžŸαž»αžΎαž›αžΎαž’αž αŸ’αžœαžœαž‡αžΆαžΆ αž›αžΎοΏ½αžΎαž€οΏ½αž”αž„αŸ’αž‚ αž›αžΎαžαž»αž’αž“αž€αžšοΏ½αž„αŸ’αž‚αž’αžœαžΎαžαž½αŸ‡οΏ½? αž›αžΎαžαž»οΏ½αž‘αžΆαž•οΏ½αž‘αž‘οΏ½

αž”αžΆαžΆοΏ½οΏ½αžΎαž€αžΆαžΆαžšαž”αžšαž…αžΆαž‚αžšαž”αžŸ αž’αž“αž€οΏ½αžΌαž…αž€αžΆαžΆαžš

healthcare that is desperately needed. The clinic is one of the last places that our son, Christopher visited before his passing. We are beyond honored that CCF has named the clinic Christopher’s Hope in his memory.

4. The Granny program is amazing, being able to provide experiences for the Grannies has been rewarding and we love them!

5. The spiritual culture of the organization, infectious joy and enthusiasm from the children. CCF is our forever family

αž›αžΎαžαž»αž’αž“αž€αž’αžΆαžΆαž…αž›αžΎαžšαŸ€αž”αžšαŸ‰αžΆαž”οΏ½αžΎαž’αžœαžΎαžŠαŸ‚οΏ½οΏ½αž’αž“αž€αž…οΏ½αž…αžαž»αž…οΏ½οΏ½αŸ₯αž…οΏ½αž»αž…

αž‡αžΆαžΆαžαžΆαžΆαžΆοΏ½αž„αž…οΏ½αžŠαŸ„αž–αžΆαžΆοΏ½αž€αžΆαžΆαžšαž‘οΏ½αž“αžΆαžΆαž€αž‘οΏ½αž“αž·αž„αžŠαŸ‚οΏ½αž›αžŠαŸ„αž™αžΈαž„αž”αžΆαžΆαž“αž·οΏ½αžΆαž„αžŠαŸ„αž‘αžΌαžΈαž„ αž€αŸ†οΏ½αž„αžšαž™αŸˆαžŠαŸ„αž–αž›αž”αžΌαž»αž“αžΆαŸαžΆαž“αž·αž†αŸ’αž“αžΆαŸ†αŸ†

αž™αŸ‰αžΆαžΌαžΆαž„αž–αž·αžοΏ½αž”αžΆαžΆαž€οΏ½αŸ”

Please mention your 5 favourite things you like about the CCF Programs?

1. Scott, his vision, passion and commitment to the children. His strategy is a proven 20 year success.

2. An outstanding leadership team.

αžαž”αžŸαŸ‹αŸ†αž„αž˜αŸ‰αžΌαž€αžœαž·αž·αž‰αžŠαŸ„οΏ½αž™ αžŠαŸ„οΏ½αž™αž–αž½αž€ αžŠαŸ„αž™αžΈαž„οΏ½αžŸαŸ‹αž‘αžΆαžΆαž‰αž–αž½αž€αž‚αŸ’αž˜αžΆαžαŸ‹αžŽαžΆαžΆαžŸαŸ‹αŸ‹! 5. οΏ½αž½αž„οΏ½αž–αž›αžΉαž„αžšαž”αžŸαŸ‹αŸ‹αž’αž„αž‚αž€αžΆαžΆαžš

αžšοΏ½αž„αŸ’αž‚αž‘αž»αž€αž‘αžΆαŸ†αžΆαŸ†αž„αŸ’αž‚οΏ½αžŸαž„αŸ’αž‚
αž“αž·αž·αž„αž€αž˜αŸ‰αžΌαŸαžœαž·αž·αž’αž·αžΈαž…αžΆαžΆαžŸαŸ‹αŸ‹ αž‡αžΈαžšαžΆαžΆ αžαŸ’αžšαžΌαžοΏ½αžœαž·αž”αžΆαžΆαž“αž·αž”αž“αž·αžΌαžš αž“αž·αž·αž„αž•αŸ’αž›αžΆαžΆ αžŸαŸ‹αŸ‹ αž”αžΌοΏ½αžšαž‡αžΈαžΈαžœαž·αž·αžαžšαž”αžŸαŸ‹αŸ‹ αž–αž½αž€αžŠαŸ„αž‚αžΊαŸ” αžŠαŸ„αž™αžΈαž„αž˜αžΆαžΆαž“αž·αžŠαŸ„αžŸαŸ‹αž…αž€αžΈαž’οΏ½αžŽαžš
αžŠαŸ‚οΏ½αžšαžšαž›αžΎαž‘? αž€αžΆαžΆαžšαž§αž”αžαžΆαž˜αŸ‰αžΌοΏ½αž›αž€αž»αž˜αžΆαžΆαžš
αžŠαŸ„αž‘αžΆαŸ†αžΆοΏ½αž”αž‡αžΆαžΆαž˜αžΆαžΆαž“αž·αž§αž”αžŸαŸ‹αž‚αžΊ
αž˜αŸ‰αžΌαž€αžŠαŸ„αž“αž·οΏ½αŸ”
αžαžΆαžΆαž„αž—αžΆαžΆοΏ½αž€αžŠαŸ„οΏ½αž™ αž€αžŠαŸ„αžŸαŸ‹αž…αž€οΏ½αžŸαŸ‹αž‘αžΆαžΆαž‰αŸ‹αžšαž”αžŸαŸ‹αŸ‹ αžŠαŸ„αž™αžΈαž„αž˜αžΆαžΆαž“αž·
αžŠαŸ„αž™αžΈαž„οΏ½αž‚αžΊαž”αŸ‹αž™αŸ‰αžΆαžΌαžΆαž„!
αž›αž‘οΏ½αž›αžŠαŸ‚οΏ½αž›αž‘αž‘αž½αž›αž”αžΆαžΆαž“αž·αž–αžΈαž€αžΆαžΆαžšαž”αžšαž…αžΆαŸαžΆαž€ αž‚αžΊαžΊαžŠαŸ„αž›αžΈαžŸαŸ‹αž–αžΈαž€αžΆαžΆαžšαžšοΏ½αž–αžΉαž„αž‘αž»αž€αžšαž”αžŸαŸ‹αŸ‹
ស�ួរ αž›αžΎοΏ½αž™ οΏ½αžŸαžΎαž›αžΎοΏ½
/ αžšαž…αž“αžΆαžΆαž›αžΎοΏ½αž™ αŸ– οΏ½αžŸαžΎαž€αž„αŸ’αž‚
1. αž…αž€αŸ†οΏ½αžœαž·αž·αžŸαŸ‹αŸαž™ αž‘αžΉαž€αž…αžαžΌ αž“αž·αž·αž„αž€αžΆαžΆαžšαžŠαŸ„αž”αžΌαž‡αžΆαŸ†αžΆαž…αžαžΌαžšαž”αžŸαŸ‹αŸ‹ αžŸαŸ‹αžΎοΏ½αžαž…οΏ½αžŠαŸ„αž–αžΆαžΆοΏ½ αž€αž»αž˜αžΆαžΆαžšαž€αž˜αŸ‰αžΌαž»οΏ½αž‡αžΆαžΆαŸ” αž™αž‘οΏ½οΏ½αžŸαŸ‹αžΌαžšαž”αžŸαŸ‹αŸ‹ αž‚αŸ’αž˜αžΆαžαŸ‹αž‚αžΊαžΊαž”αž„αžΆαž‰αž– αžŠαŸ„αž‡αžΆαžΆαž‚αžΊαž‡αžΈαŸαž™ αž’αžŸαŸ‹αŸ‹αžš αž™οΏ½αžŠαŸ„αž–αž›αŸ’αŸ αž†αŸ’αž“αžΆαŸ†αŸ† αž˜αŸ‰αžΌαž€αžŠαŸ„αž“αž·οΏ½αŸ” 2. οΏ½αž€αž˜αŸ‰αžΌαž’αŸ†αž€οΏ½αžΉαž€αž“αžΆαžΆοΏ½αžŠαŸ„οΏ½αŸ†αžΈαž˜αŸ‰αžΌαŸ” 3. οΏ½αž‚αžΊαžŸαŸ‹ αžŠαŸ„οΏ½αžœαžΈοΏ½οΏ½αž”
αž‚αžΊαžΊαž‡αžΆαžΆαž‚αžΊαžΆαžΈαž“αž·αž·αž€ αžŠαŸ„αžœαž·αž‡αžΈαžΆοΏ½οΏ½αžŸαŸ‹αžΌαžŠαŸ‚οΏ½αž›οΏ½αžΌαž›αžŠαŸ„αžŸαŸ‹αžœαžΆαžΆοΏ½αž›αžαŸ’αžšαžΌαž‚αžΊοΏ½αžΆαžšοΏ½αž€οΏ½αž€αžšαž”αžŸαŸ‹αŸ‹ αžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈαžŠαŸ„αž’οΏ½αžœαž‘αžΆαŸ†οΏ½αž„αž’αžŸαŸ‹αŸ‹αŸ” αž”αž‚αžΊαž›αž·αž€αžŠαŸ„αž–αž‘αžΌαž”αžΆαžΆαž“αž·αžŠαŸ„αž”αžΌαž‡αžΆαŸ†αžΆοΏ½αžΌαž› αž€αžΆαžΆαžšαžŠαŸ‚οΏ½αž‘αžΆαŸ†αžŸαŸ‹αžαŸ’αž‰αž»αŸ†αž—αžΆαžΆαž–οΏ½αž›αž–αž½αž€αžŠαŸ„αž‚αžΊαžŠαŸ‚οΏ½αž›αžαŸ’αžšαžΌαžοΏ½αžœαž·αž€αžΆαžΆαžšαž‡αžΆαžΆαž…αžΆαžΆοΏ½αž”αžΆαžΆαž… αž”οΏ½οΏ½αž»αžαŸ” αž‚αžΊαžΆαžΈαž“αž·αž·αž…αžŠαŸ„αž“αž·οΏ½ αž‚αžΊαžΊαž‡αžΆαžΆαž€αžŠαŸ‚αž“αž·αžΆ αž„αž…αž»αž„αžŠαŸ„οΏ½αž€αžΆαžΆαž™αž˜αŸ‰αžΌαž½αž™αžŠαŸ‚οΏ½αž› αž€οΏ½αž“αž·οΏ½αž”αžŸαŸ‹αžšαž”αžŸαŸ‹αŸ‹ αžŠαŸ„αž™αžΈαž„ αž‚αžΊαžΊοΏ½αž‚αžΊαžŸαŸ‹ αžŠαŸ„οΏ½ (Christopher) αž”αžΆαžΆαž“αž·αžŠαŸ„οΏ½αžΆαž˜αŸ‰αžΌαž“αž·αžŠαŸ„αž–αž› αžŠαŸ„αž‚αžΊοΏ½αžΆαž”αŸ‹αŸ” αžŠαŸ„αž™αžΈαž„αž–αž·αžαž‡αžΆαžΆαž˜αžΆαžΆαž“αž·αž€αžαžΌαž·αž™αžŸαŸ‹ αžŽαžΆαžΆαžŸαŸ‹αŸ‹αžŠαŸ‚οΏ½αž›αžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈαžŠαŸ„αž’οΏ½αžœαž”αžΆαžΆαž“αž·οΏ½αž€αžŠαŸ„οΏ½ αŸαžΆοΏ½αž‚αžΊαžΆαžΈαž“αž·αž·αž€αžŠαŸ„αž“αž·οΏ½αžαŸ’αž“αžΆ οΏ½αž‚αžΊαžŸαŸ‹ αžŠαŸ„οΏ½αžœαžΈοΏ½οΏ½αž” αžŠαŸ„οΏ½αžΈαž˜αŸ‰αžΌαžΈαž‡αžΆαžΆαž€αžΆαžΆαžšαž…αž„αž…αžΆαžΆαž–αž‚αŸ’αž˜αžΆαžαŸ‹αŸ” 4. αž€αž˜αŸ‰αžΌαŸαžœαž·αž·αž’αž·αžΈαž…αžΆαžΆαžŸαŸ‹αŸ‹ αž‡αžΈαžšαžΆαžΆαž‚αžΊαžΊαž’οΏ½αŸαžΆαžšαžΌαžŽαžΆαžΆαžŸαŸ‹αŸ‹ αž€αžΆαžΆαžšαžŠαŸ‚οΏ½αž›αž’αžΆαžΆαž… οΏ½αžΌαž›αž“αž·οΏ½αžœαž·αž”αž‘αž–αžŠαŸ„οΏ½αžΆαž’αž·αž“αž·αŸαž‡αžΆαžΆαžŠαŸ„οΏ½αž…αžΈαž“αž·αžŠαŸ„οΏ½αžΆοΏ½αž›
αž’οΏ½αžΎαž€αž˜αžΌαž˜αžœαž·αž·αž’αž·αžΎαžšαž”αžŸαžŸαž»αžΎαžŸαž»αžΎαž›αžΎαž’αž αŸ’αžœαžœαž”αžΆαžΆοΏ½αžŠαŸ‚οΏ½αžšαžšαž›αžΎαž‘?
(Christopher’s Hope)
αž–αž½αž€αž‚αŸ’αž˜αžΆαž αž‚αžΊαžΊαž‘αž‘αž½αž›αž”αžΆαžΆαž“αž·οΏ½αž›
αž€ αžŠαŸ„οΏ½αžΆαž˜αŸ‰αžΌαž“αž·αžŸαŸ‹αžŸ αž“αž·αž·αž„αž—αžΆαžΆαž–αžšαžΈαž€αžšαžΆαžΆαž™αžšαž”αžŸαŸ‹αŸ‹ αž€αž»αž˜αžΆαžΆαžšαŸ” αžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈαžŠαŸ„αž’οΏ½αžœαž‚αžΊαžΊαž‡αžΆαžΆαžαŸ’αžšαžΌαž‚αžΊοΏ½αžΆαžš αžšαž”αžŸαŸ‹αŸ‹ αžŠαŸ„αž™αžΈαž„αžšοΏ½οΏ½αžαžαžŠαŸ„οΏ½αŸ”

Meet SreyLatt

αžŸαŸ’αžšαžΈοΏ½αžΈαž‘αžΆαžΆαžαŸ‹αŸ‹ αž”αžΆαžΆαž“αžšαž€αžƒαžΎοΏ½αž‰αžαžΆαžΆαž“αžΆαžΆαž„αžŸαŸ’αžšαžΈοΏ½αž‘αžΆαžΆαž‰οΏ½αž·αž›αŸ’αž”αŸˆαŸˆοΏ½ αž“αž„αž€αžΆαžΆαžš

αžŸαŸ’αžšαžΈοΏ½αžŒαž·αž·αžαŸ‹αž€αŸƒοΏ½αž„αž“αžΆαžΆαž˜αž‡αžΆαžΆαž“οΏ½αž·αž·αžαŸ‹αžƒαžΎοΏ½αž’αž„αž‚αž€αžΆαžΆαžšαž˜αž›αŸ’αž”αŸˆαž“αž’αž·αž·αž€αž»αž˜αžΆαžΆαžšαž€αž˜αž»οΏ½αž‡αžΆαžΆ (CCF)αŸ” αž“αžΆαžΆαž„αž”αžΆαžΆαž“αž’αž·αŸ†αž’αžΆαžΆαžαŸ‹αŸ‹ αžƒαžΎοΏ½αž‡αž“οΏ½αž‘αžƒαžΎοΏ½αž™αž‡αžΆαžΆαž€αžΌαž“αž˜αžΆαŸƒαžΆαž€ αž€αŸƒοΏ½αž„οΏ½αžƒαžΎοΏ½αž˜αž€αžΌαž“αžŸαŸ’αžšαžΈαž”αžΆαžΆαŸ†οΏ½αžΈαž“αžΆαžΆαž€

αž“αž„αž‘αž‘αž›αŸ’αž”αŸˆαž”αžΆαžΆαž“αž€αžΆαžΆαžšαž’οΏ½αžšαžƒαžΎοΏ½αž‰αžƒαžΎαž˜αžΆαž„αž‡αžΆαžΆαžƒαžΎαž›αŸ’αž”αŸˆαžΈαž€οΏ½οΏ½αžΌαž„αŸ”

αžŸαŸ’αžšαžΈοΏ½αžΈαž‘αžΆαžΆαžαŸ‹αŸ‹

αž’αžΆαžΆαž™ 25 αž†αŸ’αž“αžΆαŸ†

αžƒαžΎοΏ½ Bay of Lights Entertainment αž“αž„αž‡αžΆαžΆαžŸαžΆαžΆοΏ½αž“αž€αž…αŸ’αž“αŸƒαž“αžŸαŸ’αžšαžΈαž€αž»αž˜οΏ½αž“ αžšοΏ½αž“αžΆαžΆαž•αŸ’αž‘αžΆαž‘αžΆαž›αŸ’αž”αŸˆαžαŸ’αž–αŸ‚οΏ½αž“αžšοΏ½οΏ½αŸ‹αž“αžΆαžΆαž„ Totte οΏ½αž„αžŠαŸ‚οΏ½αžšαŸ”

αž’αžαŸ‹αžαŸ‹αž“οΏ½αž·αž·αžαŸ‹ CCF αžŸαŸ’αžšαžΈοΏ½αžΈαž‘αžΆαžΆαžαŸ‹αŸ‹ αž”αžΆαžΆαž“αžšοΏ½αž“αžΆαžΆαž’αžΆαžΆαžœαž™αžαŸ‹αžŠαŸ‚οΏ½αž›αŸ’αž”αŸˆαž˜αžΆαžΆαž“

αž‡αžΆαžΆοΏ½αžƒαžΎοΏ½οΏ½ αžƒαžΎοΏ½αžΈαž˜αŸˆαžΈαžšαž›αŸ’αž”αŸˆαžΉαž€αžαŸ’αž–οΏ½αžƒαžΎαž›αŸ’αž”αŸˆαžΈαž€αž‘ ្០ αž…αŸ’αž“αŸƒαž“ αž’αž„αž‚αž€αžΆαžΆαžš CCF αŸ” αž€αžΆαžΆαžšαžšοΏ½αž“αžΆαžΆαžšοΏ½οΏ½αŸ‹αž“αžΆαžΆαž„οΏ½οΏ½αž€αžŸαŸ’αžšαžΈαžŸαžΆαžΆαž™οΏ½αžΈαž—αžΆαžΆοΏ½αžšαžΈαž€αžšαžΆαžΆαž™ αž“αž„αž˜αžΆαžΆαž“ αžšοΏ½αž—αžΆαžΆοΏ½οΏ½αž·αŸ†αž‚αŸ’αž“αžΆαŸƒαžΆαžƒαžΎοΏ½αž·αž„αŸ— οΏ½οΏ½αž‡αžΆαžΆαž›αŸ’αž”αŸˆαžƒαžΎοΏ½αžŠαŸ’αž‹αžΆαžΆ αž“ αž“αž„αž€αžΆαžΆαžšαž’οΏ½αžš

αž”αžΆαžΆαž“αžšαž½αž˜ οΏ½αžŠαŸ‚οΏ½αž€οΏ½αž›αŸ’αž”αŸˆαŸ‹αž—αžΆαžΆοΏ½αžƒαžΎαž‡αžΆαžΆοΏ½αž‡αŸαž™αžš οΏ½οΏ½ CCF αž€οΏ½οΏ½αž‡αžΆαžΆ

αž†αŸ’αž›αž»αŸ‡αŸ‡οΏ½αž‰αŸ’αž‰αžΆαž…αžΆαŸ†αž„οΏ½αžŸαŸ’αžšαžΈαž‡αž»αž„αž˜αž½αž™οΏ½αžΈαžœοΏ½αŸˆαž’αž·αž˜αžƒαžΎοΏ½αž€αž˜αž»οΏ½αž‡αžΆαžΆοΏ½αž„αžŠαŸ‚οΏ½αžšαŸ”

αžƒαžΎαž‚αŸ’αž“αžΆαžΆαž›αŸ’αž”αŸˆοΏ½οΏ½αž„αžšοΏ½οΏ½αŸ‹αžŸαŸ’αžšαžΈοΏ½αžΈαž‘αžΆαžΆαžαŸ‹αŸ‹ οΏ½αžƒαžΎοΏ½αžΈαž˜αŸˆαžΈαž’οΏ½αž’αžšαžŸαžΆαžΆαž‘αžšαž‡αžΆαžΆαžšαž½αž˜

αžαŸ’αž–αŸ‚αžΉαž˜αžŸαžΆαžΆαžšαž…αŸ’αž“αŸƒαž“ CCF αž“αž„οΏ½αž›αŸ’αž”αŸˆαž‡αžΆαžΆαžœαž‡αž‡αž˜αžΆαžΆαž“αžƒαžΎοΏ½αžΆαžƒαžΎαž›αŸ’αž”αŸˆαžΈαž€αž»αž˜αžΆαžΆαžšαžšαžΆαžΆοΏ½αŸ‹αž–αžΆαžΆαž“

οΏ½αžαŸ‹αž‡αžΆαžΆαž”αžΆαžΆαž“αž•αŸ’αž‘αžΆαŸ‚αžΆοΏ½οΏ½αžΌοΏ½αžšαž‡αžœαžαŸ‹αžšοΏ½οΏ½αžαŸ’αž–αŸ”

αžαŸ‹αž‡αžΆαžΆαžšαžƒαžΎαž—αžΌαžΈοΏ½οΏ½αžαŸ‹αžΌαž€αŸƒοΏ½αž„αž€αžΆαžΆαžšαžƒαžΎαž’αž·αž·αžΈαž€αžΆαžΆαžšαž‡αžΆαžΆαž˜αž½αž™ CCF αžƒαžΎοΏ½αž™αžœαžΆαžΆ αž”αžΆαžΆαž“οΏ½αž›αŸ’αž”αŸˆαžŸαŸ’αžšαžΈαžαŸ‹αž›αŸ’αž”αŸˆοΏ½αŸ‹αž˜αž€αžœαž·αž‰

SreyLatt discovered her love for art and creativity as a student at Cambodian Children’s Fund (CCF). She grew up in rural Cambodia as one of eight children and had to help her family sell fruit on the side of the road. At age 10, she joined CCF and had access to full-time education for the first time.

SreyLatt graduated from the Royal University of Phnom Penh with a degree in Graphic Design. Now 25, she is a Senior Graphic Designer at Bay of Lights Entertainment and the founder of her own design company, Totte.

Former CCF student SreyLatt has designed this special limited edition T-shirt to commemorate the 20th anniversary of CCF.

Her design is a fun and unique interpretation of various elementssuch as housing and education that have contributed to CCF’s success,as well as Cambodian culture.

SreyLatt’s intention was to celebrate the essence of CCF and its impact on thousands of children, families, and community members, including herself.

She says, β€œCCF truly changed my life. I am thrilled to work with CCF and it brings back many happy memories. I hope people will feel as happy as I do when they wear or look at this T-shirt.”.

αž…αŸ’αž“αŸƒοΏ½αŸƒ
αžŠαŸ‚οΏ½αž›αŸ’αž”αŸˆαžαŸ’αžšαžΌαžαŸ‹αžΌαžœαž‡αž½αž™αžαŸ’αžšαžΌοΏ½αž½αžŸαžΆαžΆαžšαž›αŸ’αž”αŸˆαž€αžŠαŸ‚οΏ½αŸ‚ αžƒαžΎοΏ½
10 αž†αŸ’αž“αžΆαŸ† αŸƒαžΆαŸ† αž“αžΆαžΆαž„αž”αžΆαžΆαž“αž˜αž€αž€αžΆαžΆαž“
αžƒαžΎοΏ½αžΆοΏ½αž„αžαžΆαžΆαž„οΏ½αŸ‚οΏ½αžœαŸ” αžƒαžΎοΏ½αž’αžΆαžΆαž™
CCF
αž˜αž“αž—αžΌαŸƒαŸ†αžƒαžΎοΏ½αž‰αŸ” αž₯αž‘αžΌαžœαžƒαžΎαž“αŸ‡αž“αžΆαžΆαž„αž˜αžΆαžΆαž“
αŸƒαžΆαŸ† αž“αž„αž‡αžΆαžΆαž’αŸƒαž€αžšοΏ½αž“αžΆαžΆαžŸαŸ’αžšαžΈαž€αžΆοΏ½αž€αž‡αžΆαžΆαž“αžαŸ’αž–αž»οΏ½
αž”αžΆαžΆαž“οΏ½αž‰αŸ’αž…αž…οΏ½αžαžΆαŸƒαžΆαž€οΏ½αžšαž·αž‰αŸ’αž‰αžΆαžΆ αžΆοΏ½αžŸαŸ’αžšαžΈαžαŸ‹αžŠαŸ‚οΏ½αž€αžšοΏ½αž“αžΆαžΆαžŸαŸ’αžšαžΈαž€αžΆοΏ½αž€οΏ½ αžŸαžΆαžΆαž€αž›αŸ’αž”αŸˆαžœαž‘οΏ½αžΆαž›αŸ’αž”αŸˆαŸαž™αž—αžΌαžΌ
αžŠαŸ‚οΏ½ αž›αŸ’αž”αŸˆ
οΏ½
αž“αžΆαžΆαž€ αžαŸ’αžšαžΌοΏ½αž½αžŸαžΆαžΆαžš οΏ½αž˜αžΆαžΆαž‡αž·αž€οΏ½οΏ½οΏ½αž˜αž“ αžšαž½αž˜αž‘αžΆαŸ† αž„αžαŸ’αž–αŸ‚οΏ½αž“αž“αžΆαžΆαž„οΏ½αž„αžŠαŸ‚οΏ½αžšαŸ” αž“αžΆαžΆαž„αž“αž™αžΆαžΆαž™αžαžΆαžΆ β€œCCF
αž“αžΌαžœαž’αž“οΏ½αžΆαžœαžšαž™αžšαžΈαž€αžšαžΆαžΆαž™αž‡αžΆαžΆ αžƒαžΎαžŸαŸ’αžšαžΈοΏ½αž“αŸ” αžαŸ’αž–αŸ†οΏ½αž„αžΉαž˜αžαžΆαžΆαž’αŸƒαž€αž‘αžΆαŸ†αž„αž’οΏ½αŸ‹αž‚αŸ’αž“αžΆ αŸƒαžΆ αž“αž„αž˜αžΆαžΆαž“αž’αžΆαžΆαžšαž˜οΏ½οΏ½οΏ½αžΆαž™ αžšαžΈαž€αžšαžΆαžΆαž™ οΏ½οΏ½αžŠαŸ‚οΏ½αž›αŸ’αž”αŸˆαžαŸ’αž– αžƒαžΎοΏ½αžΆαžƒαžΎοΏ½αž›αŸ’αž”αŸˆαžŠαŸ‚οΏ½αž›αŸ’αž”αŸˆοΏ½αž½αž€αžƒαžΎοΏ½αž–αžΆαžΆαž€αŸ‹αž¬αžƒαžΎαž˜αžΈαž›αŸ’αž”αŸˆ αž’αžΆαžΆαžœαž™αžαŸ‹αžƒαžΎαž“αŸ‡Β»αŸ”
αžαŸ’αž–αŸ†οΏ½

An area full of rubbish, poor families and many children who do not go to school. CCF has seen hardships and uneducated children, so they set up schools.

The Toul Ampil (TA) school was established in 2007 and has been in operation for 17 years, developed from just two classrooms to many classrooms. We studied in public school and at TA, but there was always a shift in schedule to suit the public school. But now, our TA School has developed a full-time schedule for students at CCF with their own uniforms. The school is now called the Tomorrow Academy.

At present, we have eight classrooms and a computer room and more.

In the past, I used to have difficulty with the changing shifts.

αžŸαžΆαž›αžΆαž’αžΌαž˜αŸαŸαžšαžšαžΌαž’αžΆαžαžΆαžŠαžΆαž˜αŸ

TOMORROW ACADEMY

The children did not pay attention to the public school teachers because there were many students. But now at our school, everyone is very attentive because each class has a small number of students, the teacher is easy to teach and knows what subjects we are weak in and strong in, making it easier to teach so we can all learn together.

I’m so excited because I am a Tomorrow Academy (TA) student. I’ve been studying at TA for five years.

I’m very happy with a good school that the teachers take care of; there are enough study materials, and the classrooms are comfortable. All the students have confidence in sharing with friends and other people.

24

αž”αžΆαžΆαž“αžŠαŸ„αž”αŸ‹αžΎαž€οΏ½οΏ½αžŠαŸ„αžŽαŸŒαžΎαžšαž€αžΆαžšοΏ½αžŸαŸ‹αžšαž™αž»αŸˆαžŠαŸ„αž–αžΈαž›

αžαžΆαŸ†αžΆαž€αžŠαŸ„αžšαŸ€αž“αž˜αŸ’αžšαžΆαžαžΆαŸ†οΏ½αŸ’αž”αŸ‹αž“αžΉαž”αŸ‹αŸ‹

TA αžšαž”αŸ‹αžŸαžŠαŸ„αž™αž»αžΎαž„αž”αžΆαžΆαž“αž”αŸ‹αžŠοΏ½αžšαžŠαŸ„αž‘αŸ…αž‡αžΆαžŠαŸ„αžšαŸ€αž“αžŠαŸ„αž–αžΈαž‰αžŠαŸ„οΏ½οΏ½αŸ„αž„

αž”αŸ‹οΏ½αž»αžŠαŸ‚αž“αžΈαžŠαŸ„αž–αžΈαž›αžŠαŸ„αž“αŸ‡αžŠαŸ„αž“αŸ…αžŸαžΆαž›αžΆαžšαž”αŸ‹αžŸαž–αžΈαž½αž€αžŠαŸ„αž™αž»αžΎαž„αž–αžΈαž½αž€αžŠαŸ„αž™αž»αžΎαž„οΏ½αžΆαž“αž€αžΆαžšαž™αž»αž€αž…αžΌαžαžΆαŸ†αžΈ

αžŠαŸ„αž αŸ’αžœαž™αž»αž‚αžΆαžΆαžαžΆαŸ†οΏ½αžΉαž„αžαžΆαžΆαžŠαŸ„αž™αž»αžΎαž„αžŠαŸ„αžαŸ’αž‰αž»αŸ†αžŸαŸ„αž™αž»οΏ½αžαŸ’αž‰αž»αŸ†αžœαž‡αžΆαžŽαŸŒαžΆ

αžŠαŸ„οΏ½αŸ„αž™αž»αž‚αžΆαžΆαžαžΆαŸ†αž„αžΆαž™αž»αž˜αŸ’αžšαžΆαžŸαž½αž›αž€αŸ†οΏ½αž„αž€αžΆαžšαž”αŸ‹αžŠαŸ„αž˜αŸ’αžšαžΆαž„αŸ€αž“

αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž–αžΈαžαžΆαŸ†αž‡αžΆαžšαžŠαŸ„αž—αžΆαž”αŸ‹αžŽαŸŒαžΆαžŸαŸ‹αž–αžΈοΏ½αžŠαŸ„αž˜αŸ’αžšαžΆαž–αžΈαŸ„αŸ‡αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž‡αžΆαžŸαžŸαžŸοΏ½αŸ†αžΆαž€αŸ‹αžšαž”αŸ‹αžŸ αžŸαžΆαž›αžΆ Tomorrow AcademyαŸ”

αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αžšαžΈαž€αžšαžΆαž™αž»αžŽαŸŒαžΆαžŸαŸ‹αžŠαŸ‚οΏ½αž›οΏ½αžΆαž“αžŸαžΆαž›αžΆαž› αžŠαŸ„αž›αŸ„αž€αž˜αŸ’αžšαžΆαž‚αžΆοΏ½αŸ†αž€αž˜αŸ’αžšαžΆαž‚αžΆαžŠαŸ„οΏ½αžΎαž›αžŠαŸ‚αžαžΆ

αž–αžΈαž½αž€αžŠαŸ„αž™αž»αžΎαž„αŸ”

οΏ½αžΆαž“αžŸοΏ½αžΆαžšαŸˆαžŸαž€αžŸαžΆαž˜αŸ’αžšαžΆαž‚αžΆαž”αŸ‹αŸ‹αž˜αŸ’αžšαžΆαž‚αžΆαžΆαž“ αž“αž·αž„αžαžΆαŸ†αžΆαž€αžŠαŸ„αžšαŸ€αž“οΏ½αžΆαž“

αž“αž–αžΈαž“αž“αž·αž„αžšαž…αžΌαž“αžΆαžŠαŸ„οΏ½αŸ„αž™αž» αž‚αžΆοΏ½ αž…αžΌαž“αžΉαž˜αŸ’αžšαžΆαžŸοΏ½αž‚αžΆοΏ½οΏ½
αž˜αŸ’αžšαžΆαž‚αžΆαžŸαžΆαžšαž˜αŸ’αžšαžΆαž€οΏ½αž˜αŸ’αžšαžΆαž€ αž“αž·αž„αž€οΏ½αžΆαžš
αžŠαŸ„αžšαŸ€αž“αŸ” αžŸαž»αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœ αž”αžΆαžΆαž“αžŠαŸ„οΏ½αžΎαž‰αž€αžΆαžšαž›οΏ½αž”αžΆαžΆαž€ αž“αž·αž„αž€αžΆαžšοΏ½αž·αž“αž”αžΆαžΆαž“αžŠαŸ„αžšαŸ€αž“αžŸαž˜αŸ’αžšαžΆαžαžΆαŸ†αžšαž”αŸ‹αžŸαžŠαŸ„αž€αŸαž„αŸ— αž‘αžΆοΏ½αž„αžŠαŸ„αž“αŸ‡
αž˜αŸ’αžšαžΆαžαžΆαŸ†αžΌαžœαž”αžΆαžΆαž“αž”αŸ‹αžŠαŸ„αž„αž»αžΎαžαžΆαŸ†αžŠαŸ„οΏ½αžΎαž„αž€αŸ†οΏ½αž„αž†αŸ’αž“αžΆαŸ†αŸ†αžΆοΏ½αŸ’αŸ αŸ αŸ§ αžŠαŸ„αž αŸ’αžœαž™αž»
αžαžΆαŸ†οΏ½αž”αŸ‹αž“αŸ‹αžŠαŸ‚οΏ½αž›αžŠαŸ„αž–αžΈαŸ„αžšαžŠαŸ„αž–αžΈαž‰αžŠαŸ„αž‘αŸ…αžŠαŸ„οΏ½αŸ„αž™αž»αžŸοΏ½αžšαžΆοΏ½
αž‡αžΆαžŠαŸ„αž˜αŸ’αžšαžΆαž…αžΌαžΎαž“αžŠαŸ‚οΏ½αž›οΏ½αž·αž“οΏ½αžΆαž“αž›αž‘αž’αž—αžΆαžΆαž–αžΈαžŠαŸ„αž‘αŸ…αžŸαžΆαž›αžΆ
οΏ½αžŠαŸ„αž…αžΌαŸ†αŸ‡αžŠαŸ„αž αŸ’αžœαž™αž»αž–αžΈαž½αž€αž‚αžΆαžΆαžαžΆαŸ†αž€αŸαž”αžΆαžΆαž“αž”αŸ‹αžŠαŸ„αž„αž»αžΎαžαžΆαŸ†αžŸαžΆαž›αžΆαžŠαŸ„αžšαŸ€αž“αŸ” αžŸαžΆαž›αžΆαž‘αž½αž›οΏ½οΏ½αž–αžΈαž·αž› (TA)
αŸ‘αŸ§αž†αŸ’αž“αžΆαŸ†αŸ†αžΆοΏ½αž€αžŠαŸ„αž αŸ’αžœαž™αž»αŸ” οΏ½αž—αžΆαž·αžœαžŒαŸ’αžαžαž“αŸαž–αžΈ
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αžŠαŸ„οΏ½αŸαŸ„αŸ‡αžŸαžΆαž›αžΆαžŠαŸ„αž–αžΈαž›αžŠαŸ„αž“αŸ‡αž‚αžΆ αžŸαžΆαž›αžΆ Tomorrow
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Academy
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αžŸαžŸαžŸαž‘αžΆοΏ½αž„οΏ½αžŸοΏ½αžΆαž“αž—αžΆαžΆαž–αžΈαžŠαŸ„αž‡αžΏαž‡αžΆαž€αž€αŸ†οΏ½αž„αž€αžΆαžšαžŠαŸ‚αž…αžΌαž€ αžšαžŠαŸ‚αž›αž€αž…αžΌοΏ½αžŠαŸ„αž“αŸ‡οΏ½αžΉαž„αž‡αžΆοΏ½αž™αž»οΏ½αžαžΆαŸ†αžΈ αž“αž·αž„οΏ½αŸ†αž€οΏ½αž‘αŸƒαž‘αŸ”

Magazine editor Monika and project adviser Vocuhnea recently sat down with Scott Neeson to discuss the 20 years of CCF, his time in Cambodia and his vision for the future.

αž’αŸƒ αž€αžŠαŸ‚αž€οΏ½αžαŸ’αžšαžΌαž˜αž›αŸ’αž”αŸˆαž‘οΏ½αž·αž“αžΆαžΆαžœοΏ½αžΌαžΈ αž˜αŸ„αžΌαž“αž€αžΆαžΆ αž“αž„αž‘αžŸαŸ’αžšαžΈοΏ½αžΉαž€αžΆ οΏ½αžƒαžΎαžŸαŸ’αžšαžΈαž˜αžΆαžΆαž„ αžœοΏ½αž“αžΆαžΆ αž€αžΆαžΆαž›αŸ’αž”αŸˆοΏ½αžƒαžΎοΏ½αž›αŸ’αž”αŸˆαžαŸ’αž˜αžΈαŸ—αžƒαžΎαž“αŸ‡αž”αžΆαžΆαž“αž’αž„αž‚οΏ½αž™ οΏ½αž·αž—αžΆαžΆαž€αžΆ αž‡αžΆαžΆαž˜αž½αž™αžƒαžΎοΏ½αž€ οΏ½αžαŸ‹ αž“οΏ½αž·αž“ ធ� αžšαž™οΏ½αžƒαžΎοΏ½αž›αŸ’αž”αŸˆαŸ’αŸ αž†αŸ’αž“αžΆαŸ†αŸƒαžΆαŸ†αžšοΏ½οΏ½οΏ½αž»αžΈοΏ½αž»αžΈαžƒαžΎαž’οΏ½αž· αžƒαžΎοΏ½αž›αŸ’αž”αŸˆαžƒαžΎαžœοΏ½ αžšοΏ½οΏ½αž‚αŸ’αž“αžΆαžΆαžαŸ‹αŸ‹ αžƒαžΎοΏ½αžΆαž€αŸƒοΏ½αž„αžŸαŸ’αžšαžΈοΏ½αžƒαžΎαž‘οΏ½αž€αž˜αž»οΏ½αž‡αžΆαžΆ αž“αž„οΏ½αž€αžœοΏ½αŸαž™ រ�� αž‚αŸ’αž“αžΆαžΆαžαŸ‹αŸ‹ οΏ½αžŸαŸ’αžšαžΈαž˜αžΆοΏ½αŸ‹αž’αž“αžΆαžΆοΏ½αžαŸ‹αŸ” 26

How do you feel about your organization from the past 20 years until now?

Oh my. I think today especially it’s phenomenal. The education is one of the best I think in the country, including private schools.

We’ve got terrific staff all through CCF. Both in education and in the management team. The people that run it. The fundraising is really good operation now. I’m very proud of it.

What do you like most about Cambodia?

It’s the beauty of the country. You go maybe 45 minutes outside of Phnom Penh and it’s so green out there. And you can get lost in the back roads so quickly. Meet the local people. I like that. Also, the culture here. the heritage, I should say.

The heritage of Angkor Wat is just amazing. There’s nothing quite like it in the world. The people are very friendly.

The most important thing for me now, the real wonderful thing, is the community that I’m working in. Steung Meanchey. I know the families and the grandmothers, the children. And I love the people and how they interact with each other.

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Do you have any advice for the next generation who wants to help poor kids or do charity work like you?

I personally would love to see people set up charities for the right reasons. It’s not to get a salary, of course. And to have a charity where the management is on the ground. They know the locals. They’re talking to them, understanding what they need, what they want and building it from there.

Being able to get that depth of knowledge has to be done from compassion. And compassion, I think, is essential to understanding people’s needs.

Once you get to care about a person, you have a better idea of how to help and a bigger motivation, serious motivation.

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αžšαž…αž“αž·αžΆοΏ½αŸ„αž™ : αžŠαŸ„αž’αž·αžΏαž“αž· αž˜αŸ‰αžΌαžΌοΏ½αž“αž·αžΈαž€αžΆ

CCF 20 YEAR MAZE

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αžŠαŸ‚οΏ½αž„αžšαž€αŸ₯αžƒαžΎαžšαžΏαž„αžŠαŸ‚οΏ½αž›αŸ’αž”αŸˆοΏ½αž»αžΈοΏ½αž»αžΈαžƒαžΎαž’οΏ½αž·αž‡αž½αž™ οΏ½αž›αŸ’αž”αŸˆοΏ½οΏ½οΏ½αž˜αž“οΏ½αž‘αžΉαž„αž˜αžΆαžΆαž“αž‡αŸαž™!
Can you find 5 things CCF provides to help the Steung Meanchey community!
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Maze created by Sbai Davin

20 Achievements of CCF Education Program

Kram Sokchannin is one of the model staff at CCF. She has stayed with CCF for 20 years. She has learned a lot, such as gaining extensive knowledge and skills in education, enhancing her adaptability and responsibility, and enabling her to address and overcome challenges effectively.

As a staff member, she has described CCF in three words: Care, Transparency and Prosperity.

So, here are the 20 achievements that Channin has seen at CCF:

1. Beneficiary expansion: from 45 students to nearly 4300 students enrolled in education since the start of CCF

2. CCF Staff: from 6 staff to 420 staff

3. School Facilities expansion: from one facility to six schools, two kindergartens and one building for nursery kids.

4. CCF schools are located in the heart of the communities: bringing quality education directly to the most in need.

5. Individual care is integrated into our Education program: each student at CCF is supported with an individualized care package to address the barriers to education.

6. Operation Rescue program (Primary school level) helps children who have missed years of education catch up to their appropriate age level.

7. Award-Winning Education program: Awarded the WISE Award for our innovative solution and impact.

8. Education Programs: Develop from a Comprehensive program to a full-time Khmer General Education program

9. Pedagogy: Develop from traditional teaching to modern teaching and learning with lear pedagogy

10. Staff and teacher development: extensive professional development for education staff 11. Education Model: CCF has a unique education model focusing on deep learning covered by an innovative curriculum.

12. School Infrastructure: The Neeson Cripps Academy is a unique learning environment

13. Co and extracurricular: Leadership, career and life skill, art, sport, after-school projects and Saturday projects support traditional learning programs.

14. Learning support program: during COVID-19, special support is provided to most in need.

15. ICT Program: comprehensive development of ICT programs.

16. National and International scholarship: 23 students study at ISPP, 3 students study at ZISPP, 11 students received scholarships to study at Trinity College, University of Melbourne.

17. Student outcomes: Grade A results three years in a row and 100% pass rate of grade 12 in 2021-2022.

18. Develop students’ potential: our students are confident and brave and speak in public at international events.

19. Innovative Partnerships: NEP, Education Federation, MoEYS, Trinity College, University of Nottingham, Christ Church, ISPP, 20. 20 years of providing quality education to the most vulnerable children.

Designed by Khoem Sreypov 32
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9. οΏ½αžšαžΈαž’αŸαž€αžΆαžΆαžŸαŸ’αžŸαž›αž™αŸ– οΏ½αž—αžΆαž·αžœαžŒαŸ’αžαžαž–αžΈοΏ½αž€αžΆαžšοΏ½αž”αŸ‹αŸ‹αžšαžŠαŸ‚αž”αŸ‹αž”αŸ‹αž”αŸ‹αžšαžΆαžŽαŸŒαžŠαŸ„αž‘αŸ…αž‡αžΆαžŸοΏ½αž™αž»

αž“αž·αž„αž€αžΆαžšαžŠαŸ„αžšαŸ€αž“αžŸαž˜αŸ’αžšαžΆαžαžΆαŸ†αž˜αŸ’αžšαžΆαž”αŸ‹αž€αž”αŸ‹αžŠαŸ„οΏ½αŸ„αž™αž»αž‚αžΆαžšαžŠαŸ„αž€αŸ„αžŸαž›αž™

10. αž€αžΆαžΆαžšαž–αžΈαž˜αŸ’αžšαžΆαž„αž„αžŸαŸ’αžŸαž˜αž·αžαžαž—αžΆαžΆαž–αžΈαž”αžΌαžΈοΏ½αž›αž·αž€αž“αž„αžαŸ’αžšαžΌοΏ½αžΌαŸ– αž€αžΆαžšαž–αžΈαž˜αŸ’αžšαžΆαž„αžΉαž„αžœαž‡αžΆαž‡οΏ½αžœαŸˆαž™αž»οΏ½αžΆαž„αž‘αž›οΏ½αž‘αž›αžΆαž™αž»αžŠαŸ„αž‘αŸ…οΏ½αž›αž”αŸ‹αž‚αžΆαž›αž·αž€οΏ½αž”αŸ‹αŸ‹αžš

11. αž€αžΆαžΆαžšοΏ½αž”αžΌαžšοΏ½αžšαžΌαŸ–

αžŸαž»αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœοΏ½αžΆαž“αž€οΏ½αŸαžœοΏ½οΏ½οΏ½αž”αŸ‹αŸ‹αžšαž‚αžΆοΏ½αžšαžΌαžŠαŸ‚οΏ½αž›αžŠαŸ„αž•αŸ’αžŠαžŠαŸ„αžαžΆαŸ†αžŠαŸ„αž›αž€αžΆαžšαžŠαŸ„αžšαŸ€αž“αžŸαž˜αŸ’αžšαžΆαžαžΆαŸ†οΏ½αžŸαž»οΏ½αž‡αžŠαŸ„αž˜αŸ’αžšαžΆοΏ½αŸ…αžŠαŸ„αž›αžΎαž€οΏ½αŸαžœοΏ½οΏ½αžŸαž€αžŸαžΆ

αžŸαŸ’αžŸαž˜αžΆαž‘αž’αž·αž•αž›αžΆαž‘αžΆαŸ†αž„αŸ’αŸ αžšαž”αžŸαŸ’αžŸαž€αŸ’αž“αž»αž˜αžΆαžœαž’οΏ½οΏ½αž”αžšαŸ†αžšαž”αžŸαŸ’αžŸαžŸαŸ’αžŸαž»αžŸαŸ’αžŸαž»οΏ½αž’αŸοΏ½αž αŸ’αžœαžœ αž“αž–αžΈαž“αž’αžŠαŸ„οΏ½αŸ„αž™αž» αžŸαžαŸ’αž‰αž»αŸ† αžœαž…αžΌαž“αžΆ αž˜αŸ’αžšαžΆαž€αžΆοΏ½ αžŸαžαŸ’αž‰αž»αŸ†αž…αžΌαžΆαž“αž“οΏ½αž“ αž‚αžΆαž‡αžΆαž”αŸ‹αž‚αžΆαž›αž·αž€αž‚αžΆοΏ½αžšοΏ½αŸ†αžΆαž€αžŠαŸ„αž“αŸ…αžŸαž»αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœαŸ”
αŸ’αŸ αž†αŸ’αž“αžΆαŸ†αŸ†αžΆ οΏ½αž€
αž‚αžΆαžΆαžαžΆαŸ†αŸ‹αž”αžΆαžΆαž“αžŠαŸ„οΏ½αžœαžΎαž€αžΆαžšαžŠαŸ„αž“αŸ…αžŸαž»αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœαžšαž™αž»αŸˆαžŠαŸ„αž–αžΈαž›
αžŠαŸ‚οΏ½αž›οΏ½αžΆαž…αžΌαž±αž™αž‚αžΆαžΆαžαžΆαŸ†αžŠαŸ„οΏ½αŸ„αŸ‡αž˜αŸ’αžšαžΆαžŸαžΆαž™αž» αž“αž·αž„αž‡οΏ½αž“αŸ‡αž§αž”αŸ‹αžŸαž‚αžΆαž”αžΆαžΆαž“αž™αž»οΏ½αžΆαž„οΏ½αžΆαž“
αžŠαŸ„αž“αŸ„αŸ‡αž‚αžΆ αž€αžΆαžšαžŠαŸ‚αžαžΆαž‘αžΆ αžαžΆαŸ†οΏ½αŸ‡αžΆαž—αžΆαžΆαž–αžΈ
αžŠαŸ‚οΏ½αž›αž…αžΌαžΆαž“αž“οΏ½αž“αž”αžΆαžΆαž“αžŠαŸ„οΏ½αžΎαž‰αžŠαŸ„αž“αŸ…αžŸαž»αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœαŸ–
αž“αž·αž„αž—αžΆαžΆαž–αžΈαžšαžΈαž€αž…αžΌαžŠαŸ„αž˜αŸ’αžšαžΆοΏ½αžΎαž“αŸ” οΏ½αžŠαŸ„αž…αžΌαŸ†αŸ‡αžαŸ’αž‰αž»αŸ†αžΆαž„αžŠαŸ„αž˜αŸ’αžšαžΆαž€αŸ„οΏ½αžŠαŸ„αž“αŸ‡αž‡αžΆαžŸοΏ½αž‘αž’αž·αž•αŸ’αžŠαž›αž‘αžΆοΏ½αž„αŸ’αŸ 
οΏ½αž“αž€αž‘αž‘αž½αž›αž•αž›αŸ– αž–αžΈοΏ½αžŸαžŸαžŸαž…αžΌοΏ½αž“αž½αž“αŸ€αŸ₯αž“αžΆαž€ οΏ½αž›αž…αžΌοΏ½αž“αž½αž“αžŸαžŸαžŸαž‡αžαžΆαŸ†αŸ€αŸ£αŸ αŸ αž“αžΆαž€ αžŠαŸ‚οΏ½αž›αž”αžΆαžΆαž“αž…αžΌαž»αŸ‡αžŠαŸ„οΏ½αŸαŸ„αŸ‡
αž”αžΌαžΈοΏ½αž›αž·αž€οΏ½αž„αž‚αž€αžΆαžΆαžšαŸ– αž–αžΈοΏ½αž”αŸ‹αž‚αžΆαž›αž·αž€αŸ¦αž“αžΆαž€ αžŠαŸ„αž€αžΎαž“οΏ½αž› αŸ€αŸ’αŸ αž“αžΆαž€
αž–αžΈοΏ½οΏ½αž™αž»αžŸαžΆαžαŸ’αž‰αž»αŸ†αžΆ αžŠαŸ„αž‘αŸ…αž˜αŸ’αžšαžΆαž”αžΆαžΆοΏ½αž™αž»αžŸαžΆαžαŸ’αž‰αž»αŸ†αžΆ αžŸαžΆαž›αžΆοΏ½αžŠαŸ„αžαžΆαŸ†αžΈαž™αž»αž™αž–αžΈαžš αž“αž·αž„οΏ½αžΆαž‚αžΆαžΆαžšαž‘αžΆαžšαž€οΏ½αž‹αžΆαž“οΏ½αž™αž»
αž–αžΈαž˜αŸ’αžšαžΆαž„αž€αžŸαžΆαžΆαžαžΆαžΆαžŸαžΆαžΆαž›αžΆαžΆαŸ–
αž”αžΌαžŸαŸ’αžŸαžŸαŸ’αžŸαž αŸ’αžœοΏ½αž˜αž·αž“αŸ–
αž‚αžΆαžŽαŸŒαž—αžΆαžΆαž–αžΈαžŠαŸ„αž‘αŸ…οΏ½αž›αžŠαŸ„αž€αŸαž„αžŠαŸ‚οΏ½αž›αžαŸ’αž‰αž»αŸ†αžœαŸ‡αžαŸ’αž‰αž»αŸ†αžΆαžαžΆαŸ†αŸ”
αžŠαŸ†αž›αž’αŸοΏ½ αžΆαžΆαžαž’αŸαž›οΏ½αž”αžΌαžΈοΏ½αž‚αž›αžαŸ’αžšαžΌαžαžœαž·αž”αžΆαžΆαž“αž”αžΌαž‰αŸ’αž…αžΌαžΌοΏ½αž›αž€αž“οΏ½αž„αž€αž˜αž·αž˜αžœαž·αž·αž’αžΈοΏ½οΏ½αž”αžΌαžšαŸ†αžš αž”αžΌαžŸαŸ’αžŸαž’αŸαž™οΏ½αž„αŸ– αžŸαžŸαžŸαž“οΏ½οΏ½αž™αž»αŸ— αžŠαŸ„αž“αŸ…αžŸαž»αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœ αž˜αŸ’αžšαžΆαžαžΆαŸ†αžΌαžœαž”αžΆαžΆαž“
(αžαŸ’αž“αžΆαž“αžΆαž€αž”αžΌαž‹αž˜αž·)αŸ– αž‡αž™αž»αžŠαŸ„αž€αŸαž„αŸ—αžŠαŸ‚οΏ½αž›αž…αžΌαžΌαž›αžŠαŸ„αžšαŸ€αž“αž™αž»αžαžΆαŸ† αžŠαŸ„οΏ½αŸ„αž™αž»αž†αŸ’αž“αžΆαŸ†αžΆαž”αŸ‹αŸ‹αžαžΆαŸ†αžΆοΏ½αž‘αžΆαž“αžœαž™αž»αžŸαž€αžŸαžΆαžšαž”αŸ‹αžŸαž–αžΈαž½αž€αžŠαŸ„αž‚αžΆαŸ”
αž”αžΆαžΆαž“αž‘αž‘αž½αž›αž–αžΈαžΆαž“αžšαž„αžœαžΆαž“ WISE αžŠαŸ„αž›αž€αžΆαžšοΏ½αž”αŸ‹αŸ‹αžšαž˜αŸ’αžšαžΆαž”αŸ‹αž€αž”αŸ‹αžŠαŸ„οΏ½αŸ„αž™αž»αž—αžΆαžΆαž–αžΈαž‘αŸƒαž†αŸ’αž“αžΆαŸ†αŸ†αž˜αŸ’αžšαžΆαž”αŸ‹αžŒαŸ’αžαžαžΆαŸ† αž“αž·αž„αž₯αž‘αž’αž·αž–αžΈαž›αŸ” 8. αž€αž˜αž·αž˜αžœαž·αž·αž’αžΈοΏ½οΏ½αž”αžΌαžšαŸ†αŸ– οΏ½αž—αžΆαž·αžœαžŒαŸ’αžαžαž–αžΈαž€οΏ½αŸαžœοΏ½οΏ½αž‘αžŠαŸ„αž‘αŸ…
αž…αžΌαž»αžΆαžŸαž›αžΆαžŸ
αž˜αŸ’αžšαžΆαž”αŸ‹αž€αž”αŸ‹αžŠαŸ„οΏ½αŸ„αž™αž»αž—αžΆαžΆαž–αžΈαž‘αŸƒαž…αžΌαŸ†αž˜αŸ’αžšαžΆαž”αŸ‹αžŒαŸ’αžαžαžΆαŸ†αŸ” 12. αž’αŸαž αŸ’αžœαžŠαŸ’αž‹αžΆαžΆ αžšαž…αŸ†αž“αžΆαžΆαžŸαŸ’αžŸαž˜αž·αž“αžŸαžΆαžΆαž›αžΆαžΆαŸ– αžŸαžΆαž›αžΆαž“οΏ½αžŸαž·αž“αž˜αŸ’αžšαžΆαž‚αžΆοΏ½αž”αŸ‹ αž‚αžΆαž‡αžΆαžŸαžΆαž›αžΆαžŠαŸ‚οΏ½αž›οΏ½αžΆαž“αž”αŸ‹αžšαžŸαžΆαž“αžŸαž€αžŸαžΆαžŠαŸ‚αž”αŸ‹αŸ‡αž€αž–αžΈοΏ½αžŠαŸ„αž‚αžΆ 34

αžŸαžΆαž›αžΆ αž“αž·αž„αž€οΏ½αŸαžœοΏ½οΏ½αž‘αŸƒαžαžΆαžŠαŸ„αžŸαŸ…αžšαŸαžŠαŸ‚οΏ½αž›αž‡αž™αž»οΏ½αž›αž€αžΆαžšαžŠαŸ„αžšαŸ€αž“αžŠαŸ‚αž”αŸ‹αž”αŸ‹αž”αŸ‹αžšαžΆαžŽαŸŒαŸ”

14. αž€αžΆαžΆαžšαž’αŸαžšαŸ€αž“αžŠαŸ‚οΏ½αž˜αž·αž’αŸαž˜αžΆαžΆαžΆαž„αŸ–

15.

16. αž’αžΆαžΆαž αžΆαžΆαžšαžšαž”αžΌαž€αžšαžŽαŸαŸαž‡αžΆαžΆαžαž“αž„οΏ½αž“αžαžšαž‡αžΆαžΆαžαž·αŸ– αžŸαžŸαžŸαŸ’αŸ£αž“αžΆαž€αŸ‹αž”αžΆαžΆαž“αžŠαŸ„αžšαŸ€αž“αžŠαŸ„αž“αŸ…αžŸαžΆαž›αžΆοΏ½αž“αžΈαžšαž‡αžΆαžαžΆαŸ† οΏ½αžΆαž™αž»αžŠαŸ„οΏ½αžŸαž—αžΆοΏ½αž—αžΆοΏ½ (ISPP)

αŸ‘αŸ‘αž“αžΆαž€αŸ‹αž”αžΆαžΆαž“αž‘αž‘αž½αž›οΏ½αžΆαž αŸ’αžœαžΆαžšαžšαž”αŸ‹αž€αžšαžŽαŸŒαžŠαŸ„αž‘αŸ…αžŸαž€αžŸαžΆαžŠαŸ„αž“αŸ…αžŸαžΆαž›αžΆαž˜αŸ’αžšαžΆαž‘οΏ½αž“οΏ½οΏ½

(Trinity College) αžŸαž€αž› αžœαž‘αž™αžΆαž›αž™αž»αžŠαŸ‚οΏ½αž›αž”αŸ‹αžΆοΏ½αž“ (University of Melbourne)

17. αžŸαŸ’αžŸαž˜αž·αž·αž‘αŸαž•αž›αžšαž”αžΌαžŸαŸ’αžŸαžŸαŸ’αžŸαž·αžŸαŸ’αžŸαžŸαŸ– αž‡αžΆαž”αŸ‹αŸ‹αž“αžŠαŸ„αž‘αžΉαžŸ

αž‡αžΆαž”αŸ‹αŸ‹αž‘οΏ½αŸ‘αŸ’ αž€αžΆαž›αž–αžΈαž†αŸ’αž“αžΆαŸ†αŸ†αžΆ ្០្៑-្្

18. οΏ½αž—αž·αž·αžœαž·αžŒαŸ’αžαžαžŸαŸ’αžŸαž€αžΆαžαžΆαž“αžΈαž–αžΈαž›αžšαž”αžΌαžŸαŸ’αžŸαžŸαŸ’αžŸαž·αžŸαŸ’αžŸαžŸαŸ–

αž‘οΏ½αž“αž»αž€αž…αžΌαžαžΆαŸ†αžΈ αž€αŸ‡αžΆαž αŸ’αžœαžΆαž“

αžŠαŸ„αž“αŸ…αž―αž˜αŸ’αžšαžΆαž–αžΈαžαžΆαŸ†αžΈαž·αž€αžΆαžšαžŽαŸŒοΏ½αž“αžΈαžšαž‡αžΆαžαžΆαŸ†αž·αŸ”

19. αžŠαŸƒαžŠαŸ†οΏ½αžŸαŸ’αžŸαž αŸ’αžœαž€αžΆαžΆαžšαž˜αŸ’αžšαžΆαž”αžΌαž€αž”αžΌαž’αŸαžŠαŸ’αž‹αžΆαžΆαž™αž—αžΆαžΆαž–αžΈαžŠαŸƒοΏ½αž“αž˜αŸ’αžšαžΆαž”αžΌαžŒαŸ’αžαž·αžαŸ– αž—αžΆαžΆαž–αžΈαž‡αžΆαž‘αŸƒοΏ½αž‚αžΆ

οΏ½αž”αŸ‹αŸ‹αžšαž‘αŸƒαž“οΏ½αž„αž€αžΆαžšαžŠαŸ„αž˜αŸ’αžšαžΆαž€αŸ…αžšοΏ½αž‹αžΆαž—αžΆαž·αž”αžΆαžΆαž› αžŸαž αŸ’αžœαž–αžΈαž“οΏ½αž”αŸ‹αŸ‹αžš

οΏ½αž”αŸ‹αŸ‹αžš αžŸαžΆαž›αžΆαž˜αŸ’αžšαžΆαž‘οΏ½αž“οΏ½οΏ½ (Trinity College) αžŸαž€αž›αžœαž‘αž™αžΆαž›αž™αž»αžŠαŸ‚οΏ½αž›αž”αŸ‹αžΆοΏ½αž“ (University of Melbourne) αžŸαž€αž›αžœαž‘αž™αžΆαž›αž™αž»αžŽαŸŒαžαžΆαŸ†οΏ½οΏ½αž„αž αŸ’αžœαžΆ (University of Nottingham) αžŸαžΆαž›αžΆ Christ Church, αžŸαžΆαž›αžΆ ISPP

20. αžšαž™αŸˆαžŠαŸ„αž–αž›

13. αž€αž˜αž·αž˜αžœαž·αž·αž’αžΈοΏ½αžŸαŸ’αžŸαž€αžΆαžΆαž€αž“οΏ½αž„αž“αž„αž’αŸαž˜αŸ’αžšαžΆοΏ½αžΆαž’αŸαž˜αžΆαžΆαžΆαž„αžŸαŸ’αžŸαž€αžΆαŸ– αž—αžΆαžΆαž–αžΈαž‡αžΆοΏ½αŸ†αž€οΏ½αžΉαž€αž“αžΆ αž€αžΆαžšαž„αžΆαžšαž“αž·αž„αž”αŸ‹οΏ½αž“αž·αž“αž‡οΏ½αžœαžαžΆαŸ† αžŸαž›αž»αŸˆ αž€οΏ½οΏ½αžΆ αž‚αžΆαžŠαŸ„αž˜αŸ’αžšαžΆοΏ½αŸ„αž„αžŠαŸ„αž˜αŸ’αžšαžΆαž€αŸ…αžŠαŸ„οΏ½οΏ½αŸ„αž„
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A αž”αŸ‹οΏ½αž†αŸ’αž“αžΆαŸ†αŸ†αžΆαž‡αžΆαž”αŸ‹αŸ‹αž‚αžΆαŸ†αžΆ αž“αž·αž„ ៑០០%
αžŸαžŸαžŸαžšαž”αŸ‹αžŸαžŠαŸ„αž™αž»αžΎαž„οΏ½αžΆαž“
សអ�អរណ៌ៈ
αž“αž·αž„αžŠαŸ„οΏ½αžΎαž„αž“αž™αž»αžΆαž™αž»αžŠαŸ„αž›αžŠαŸ„αžœαž‘αž€αžΆαžš
αž˜αŸ’αžšαžΆαž€αžŸαž½αž„
αž€αŸ†οΏ½αž„αž€αžΆαžΆαžšοΏ½αžΈαž›αŸ‹αž€αžΆαžΆαžšαž’αž”αžšοΏ½αžŠαŸ„οΏ½αž€αžΆαžΆαž“αž·αžŠαŸ„αž€αŸαž„αŸ—
αŸ’αŸ αž†αŸ’αž„αžΆαž“αžΆαŸ†
αž„αžΆαžΆαž™αžšαž„αžŠαŸ„οΏ½αž‚αŸ’αž˜αžΆαžΆοΏ½αŸ”

Chhaina’s 20 Achievments

Hi! My name is Chhayna. I am currently a full-time employee in the field of architecture and was once a student of Cambodian Children’s Fund (CCF) from 2012 to 2020. Interestingly, I experienced the best version of my teenage years thanks to a phenomenal opportunity provided by CCF, which played a crucial role in shaping who I am today.

I will now highlight 20 achievements from my time as a student at CCF:

β€’ Achieved Grade 9: Student of the Year Second Place at Public School

β€’ Achieved 1st place: The best student of the year 2012 at Toul Ampil Satellite School

β€’ Achieved Grade 10: Student of the Year First Place at Public School

β€’ Achieved 1st place: The best student of the year 2013 at Back Block Satellite School

β€’ Won the "Bravo" competition at Bayon Television

β€’ Passed Global Youth Leadership Summit and joined the intensive class of 2014.

β€’ Attended Global Youth Leadership Summit 2014 at United State

β€’ Visited Disney California Adventure

β€’ Visited National Aeronautics and Space Administration (NASA)

β€’ Traveled to Hong Kong to represent CCF at a gala dinner

β€’ Achieved The Best Spirit of 2014

β€’ Achieved The Best Spirit of 2015

β€’ Passed Grade 12 in 2015

β€’ Gained an opportunity to study architecture and urbanism at Royal University of Fine Art

β€’ Jointly led the Youth Leadership Camping program from 2015 to 2017

β€’ Successfully led Annual Youth Leadership Events 2016

β€’ Graduated from the Australia Centre For Education (ACE) General Education Program in 2017

β€’ Completed the Street Life Study course by University of New South Wale and Royal University of Fine Art in 2019

β€’ Completed a one-year internship program for a conservation project at The Royal Palace Phnom Penh by VISPAN

β€’ Completed my thesis and graduated with a bachelor's degree in architecture and urbanism from Royal University of Fine Art in 2020.

Designed
Sok Vouchnea αžšαž…αž“αžΆαžΆ 36
by:

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10. αž”αžΆαžΆαž“αžŠαŸ„οΏ½αžœαžΎοΏ½οΏ½αžŠαŸ„αžŽαŸŒαžΎαžšαžŠαŸ„αž‘αŸ…αž‘οΏ½αž˜αŸ’αžšαžΆαž€αž»αž„αž αŸ’αžœαž»αž„αž€αž»αž„

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Street Life Study

αžŸαž˜αŸαž·αž‘αŸ’αž’αž·αž•αž›αž‘αžΆαŸ†αž„αŸ’αŸ  αžšαž”αžŸαŸ‹ αž’αžΆαž“ αž†αžŽαžΆ αžŸαŸ’αžŸ សី�!αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αžŠαŸ„οΏ½αŸαŸ„αŸ‡ αž‘αŸƒαž†αŸ’αž“αžΆαŸ†αžŽαŸŒαžΆαŸ” αž”αŸ‹αž…αžΌαž… αž”αŸ‹αž»αž“αŸ†αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž‡αžΆαž”αŸ‹ αž‚αžΆ αž›αž·αž€αžŠαŸ„αž–αžΈαž‰αžŠαŸ„οΏ½οΏ½αŸ„αž„αžŠαŸ‚αž•αŸ’αžŠαŸ†αž€αžŸ αžΆαž”αŸ‹αžαžΆαŸ†αž™αž€οΏ½αŸ αžŠαŸ„αž αŸ’αžœ αž™αž»αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž‡αžΆοΏ½αžαžΆαŸ†οΏ½αžαžΆαŸ†αžŸ αžŸαžŸαžšαž”αŸ‹αžŸοΏ½αž„ αž€αžΆαžš οΏ½αžΌαž›αž“οΏ½αž€οΏ½αžΆαžšαž€οΏ½αž– αž‡αžΆ (សុ αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœ) αž–αžΈαž†αŸ’αž“αžΆαŸ†αŸ†αžΆοΏ½αŸ’αŸ αŸ‘αŸ’ οΏ½αž› αŸ’αŸ αŸ’αŸ αŸ” αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž”αžΆαžΆαž“αž†αŸ’αž“αžΆαŸ†αŸ‡αž„αž€αžΆαžαžΆαŸ† αž‡οΏ½αžœ αžαžΆαŸ†αž™αž»αž»αžœαžœ αž™αž»οΏ½αž› αž”αŸ‹οΏ½αž•αŸ’αžŠαžαžΆαŸ† οΏ½αžšαž‚αžΆαžŽαŸŒοΏ½αž› αž±αž€αžΆαžŸοΏ½οΏ½αžŸαž…αžΆαžšαž™αž–αžΈοΏ½αžŸαž»αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœαŸ” αžœαžΆαž‡αžΆαž”αŸ‹αž‘αž–αžΈ αžŠαŸ„αžŸαŸ„οΏ½αž“αž™αž»οΏ½αžΆαž„αžŸοΏ½αžαŸ’αž‰αž»αŸ†αžΆαž“ οΏ½αž™αž»αžŠαŸ‚οΏ½αž›αžŠαŸ„αžšαŸ€αž”αŸ‹αž…αžΌοΏ½αžŠαŸ‚αžαŸ’αž‰αž»αŸ†αžŸαžšαž‡οΏ½αžœ αžαžΆαŸ†αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½ αž“αžΆαžŠαŸ„αž–αžΈαž›αžŸαž–αžΈ αž‘αŸƒαžαžΆαŸƒαŸ” αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž“αžΉαž„αžŠαŸ„αž›αžΎαž€αž™αž»αž€αžŸοΏ½ αž‘αž’αž· αž•αŸ’αžŠαž›αž…αžΌοΏ½αž“αž½αž“αŸ’αŸ  αž€αŸ†οΏ½αž„αžšαž™αž»αŸˆαžŠαŸ„αž–αžΈαž›αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž‡αžΆαžŸ αžŸαžŸαžŠαŸ„αž“αŸ…αžŸαž»αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœαŸ– αžŸαžšαž”αŸ‹οΏ½αž€αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½οΏ½αžΆαž…αžΌαž“αž™αž»αžΆαž™αž»αž”αžΆαžΆαž“αžαžΆαžΆαž€αŸ†οΏ½αž„αž€οΏ½οΏ½οΏ½αž„αžŠαŸ„αž–αžΈαž›αžŠαŸ‚οΏ½αž›αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αžŸαž» αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœ αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½οΏ½αž·αž“αž˜αŸ’αžšαžΆαžαžΆαŸ†οΏ½αžŠαŸ‚αžαžΆαŸ†αž”αžΆαžΆαž“αžšαžΈαž€αž…αžΌαžŠαŸ„αž˜αŸ’αžšαžΆοΏ½αžΎαž“αž€αŸ†οΏ½αž„ αž€αžΆαžšαžŸαž€αžŸαžΆαž“αž·αž„ αž—αžΆαžΆαž–αžΈαž‡αžΆοΏ½αŸ†αž€οΏ½αžΉαž€αž“αžΆαžŠαŸ„αž“αŸ„αŸ‡αžŠαŸ„αž‘ αž”αŸ‹οΏ½αž»αžŠαŸ‚αž“αžΈαžŠαŸ‚αžαžΆοΏ½αž‘αžΆοΏ½αž„αž‘αž‘αž½αž›αž”αžΆαžΆαž“αžΌαžœαž”αŸ‹αž‘αž–αžΈαžŠαŸ„αžŸαŸ„οΏ½αž“αž•αŸ’αžŠαŸ‡αžΆαžŸαž”αŸ‹αžΈοΏ½αžšαž‡οΏ½αžœ αžαžΆαŸ† αžšαžΆαž”αŸ‹αŸ‹οΏ½αž·αž“οΏ½αžŸαŸ‹αžŠαŸ‚οΏ½αž›αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž˜αŸ’αžšαžΆαž”αŸ‹αžŠαŸ‚αž αŸ’αžœαž›αž‡αžΆοΏ½αž·αž“οΏ½αžΆαž…αžΌ αžŸαžŠαŸ„αž˜αŸ’αžšαžΆοΏ½αž…αžΌαž”αžΆαžΆαž“αžŠαŸ„αž‘αžŠαŸ„αž”αŸ‹ αž‚αžΆαŸαžΆαž“αžœαžαžΆαŸ†αžΈοΏ½αžΆαž“αžšαž”αŸ‹αžŸ αžŸαž»αžŸαž»αžŠαŸ„οΏ½αž αŸ’αžœαžœαŸ”
αžŠαŸ„αž“αŸ…αžŸαžΆαž›αžΆαžšοΏ½
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( NASA )
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Wale

Do you know why we have a community kitchen?

αžαžΎαž’αŸ’αž“αž€αžŠαžΉαž„αž‘αžαžΆαž αžαž»αž’αŸ’αžœαžΈαž”αžΆαž“αž‡αžΆαž™αžΎαž„αž˜αžΆαž“αž•αŸ’αž‘αŸ‡αž”αžΆαž™αžŸαž αž‚αž˜αŸαž“αŸ?

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αžŠαŸ‚αžŸαŸ‹αž‚αž“αž·/αž…αž»αž…αž‘αžŠαŸ„αž“αž·οΏ½αžŠαŸ„οΏ½αžΈαž˜αŸ‰αžΌαžΈαžΈαžŠαŸ„αž˜αŸ‰αžΌαžΈαž›αžœαž·αžŠαŸ„οΏ½αž’οΏ½

The purpose is to provide food to CCF students who find it hard to go back home when they finish their classes, and it is also for staff.

I always eat lunch at the community kitchen when I finish class at 12 PM. My favorite dish is Coco Soup.

It is delicious. It makes me feel comfortable eating because our kitchen has expert cooks.

One more interesting explanation is about hygiene. The kitchen at CCF Community Centre has good hygiene. I don’t have to worry about my health when eating there.

To the chef at the CCF community kitchen, thank you so much for the delicious food, your hard work, and your care for students' health.

Favorite Dish at CCF5

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αž€αŸ’αž“αž»αžŸαŸ’αžšαžΈαž˜αžΆαž„αž€αŸ’αž“αž»αžΆαžš

Memorable

Interview by : Meng Ry

Design by: San Maichi Ling Kimlang

What is your most memorable moment of CCF that you will never forget?

Grandma SOMOUL VARY said: β€œI have been in CCF since 2016, and the memory that I will never forget is that before being here, I had no accommodation or food, and I got sick like an old person. One day I met Scott Neeson, and he knew my situation and he said, please don’t worry I will help you. I remember he said, β€œI will not abandon you.” This word gave me strength of mind and hope again that I will never forget. After that, I became a member of CCF, and I have gotten warmth from CCF. I have accommodation, enough food to eat, and have been taken care of with heart and love.

What is your best memory of CCF?

For me, the best story in CCF is about participating in a trip to the province in the countryside. When I go, they have games to play, which are like a kid’s game, but it’s really fun and happy for me because I have never played them before. When I know CCF, my whole life is full of meaning and begins to shine. If I have the opportunity to talk face-to-face with Scott Neeson, I will say I love you and thank you for everything. Your help has really deep meaning for me and the people in CCF.

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αžαŸ’αžšαžΌαžοΏ½αžœαž·αž”αžΆαžΆαž“αž·αžŠαŸ„αž‚αžΊαžŠαŸ„αž˜αŸ‰αžΌαžΈαž›αžŠαŸ‚οΏ½αžŠαŸ„οΏ½αž™αžŠαŸ„αž”οΏ½οΏ½οΏ½αž„αž“αž·αž·αž„αž€αžΈοΏ½αžŸαŸ‹αž›αžΆαžΆαž‰αŸ‹αŸ”

αž’αŸοΏ½αžΎοΏ½αžœαž’αŸαž‘αŸ…αž‡αžΆαž€αŸ’αž“αž»αžΆαžšαž…αž„αž…αžΆαŸ†αžŠαŸ’αžαžΈαž›αžΆαž’αžšαž”αžŸαŸ’αžŸαž’αŸαž›αžΆαŸ„αž€αŸ’αž“αž»αž™αž»αžΆαž™αž»οΏ½αž–οΏ½αžŸαŸ’αžŸαž»αžŸαŸ’αžŸαž»οΏ½αž’αŸοΏ½αž αŸ’αžœαžœ?

αžŸαŸ‹οΏ½αž˜αžΆαž”αŸ‹αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½

αžŠαŸ„αžšαžΏαž„αžŠαŸ‚οΏ½αž›αž›αžΌαžŠαŸ„αž–αž›αžŠαŸ„οΏ½αžΆαžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈαžŠαŸ„αž’οΏ½αžŠαŸ„αž“αžΆαžΆοΏ½αž‚αžΊαžΊαž€αžΆαžΆαžšαžŠαŸ‚οΏ½αž›αž”αžΆαžΆαž“αž·αžŠαŸ„οΏ½αžΆαžŠαŸ„οΏ½αžšαžŠαŸ„αž›αž„αžŠαŸ„οΏ½αžΆαžαžΆαŸ†αž˜αŸ‰αžΌαžŠαŸ„αžαŸ’αž‰αž»αŸ†αžαžΌ αžŠαŸ„οΏ½αžΆαžαžΆαŸ†αž˜αŸ‰αžΌ

αž’αŸοΏ½αžΎοΏ½αžœαž’αŸαž‘αŸ…αž‡αžΆαž€αŸ’αž“αž»αžΆαžšαž…αž„αž…αžΆαŸ†αžšαž”αžŸαŸ’αžŸαž’αŸαž›αžΆαŸ„αž€αŸ’αž“αž»αž™αž»αžΆαž™αž»αž’αŸαž“αžΆαŸ…αžŸαŸ’αžŸαž»αžŸαŸ’αžŸαž»οΏ½αž’αŸοΏ½αž αŸ’αžœαžœ αžŸαŸ’αž€αŸ‚αžŠαŸ’αžαžΈαž›αžΆαž‚αžΆαž˜αžΆαž“αžΆαžŸαŸ’αž”αŸƒοΏ½αŸƒοΏ½αžΆαž…αž”αž’αŸαž—αž·αŸαž…αž”αžΆαžΆαž“αžΆ?
វអអរ αž”αžΆαžΆ αž“αž·αžŠαŸ„οΏ½αž™αžαŸ’αž“αžΆ αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž”αžΆαžΆαž“αž·αž˜αŸ‰αžΌαž€αžšαžŸαŸ‹αŸ‹ αžŠαŸ„οΏ½αžΆαžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈ αžŠαŸ„αž’οΏ½αžœαžαžΆαŸ†οΏ½αž„αž–αžΈαž†αŸ’αž“αžΆαŸ†αŸ† �្០៑៦ αžŠαŸ„οΏ½αž™αž€αžΆαžΆαžšαž…αž„αž…αžΆαžΆοΏ½αžŠαŸ‚οΏ½αž›αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž˜αŸ‰αžΌαž“αž·αž’αžΆαžΆαž…αž”οΏ½αžŠαŸ„αž—αžΌαžΆ αž…
αžŠαŸ„αž›αžΆαžΆαž€αž™αŸ‰αžΆαžΆαž™αžŸαŸ‹οΏ½αž’αž»αž›
οΏ½αžŸαŸ‹οΏ½αžŠαŸ‚αž”αž„
αž‚αŸ’αž˜αžΆαŸαžΆαž“αž·αž’αžΆαžΆαž αžΆαžΆαžšοΏ½οΏ½αž” αžŠαŸ„οΏ½αž™αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αžˆαŸ’αž“αŸ‡αž‡αžΈοΏ½αž„αž˜αŸ‰αžΌαž“αž·αžŸαŸ‹αžŸαž…αžΆαžΆαžŸαŸ‹αŸ‹αŸ” αž‘αŸƒοΏ½αŸƒαž˜αŸ‰αžΌαž½αž™ αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž”αžΆαžΆαž“αž·αž‡αžΈαž½αž”αžŠαŸ„αž›αžΆαžΆαž€ αžŸαŸ‹αžΎοΏ½αž αž“αž·αžŸαŸ‹αž“αž· αžŠαŸ„οΏ½αž™αž‚αŸ’αž˜αžΆαžαŸ‹αž”αžΆαžΆαž“αž·οΏ½αžΉαž„αž–αžΈαž€αžΆαžΆαžšαž›οΏ½αž”αžΆαžΆαž€
οΏ½αŸ†αžΆαž€αžŠαŸ„οΏ½
αž‚αŸ’αž˜αžΆαžαž“αž·αžΉαž„αž˜αŸ‰αžΌαž“αž·αžŠαŸ„αž”αžΆαžΆοΏ½αž”αž„αŸ‹αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αžŠαŸ„αž…αžΆαžΆαž›
αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž“αž·αž·αž„αž€ αžŸαŸ‹αž„αžΉαžΉαž˜αŸ‰αžΌαž‡αžΆαžΆοΏ½αŸαžΈ
αž”αž“αžΆαžΆαž”αž–αžŠαŸ„αž“αžΆαžΆοΏ½αž˜αŸ‰αžΌαž€αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž€αŸαž”αžΆαžΆαž“αž·
αž“αž·αž·αž„αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž‘αž‘αž½αž›αž”αžΆαžΆαž“αž·αž—αžΆαžΆαž– αž€αž€αžŠαŸ„οΏ½αžΈαžΆαž–αžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈαžŠαŸ„αž’οΏ½αžœαŸ” αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž˜αžΆαžΆαž“αž·οΏ½αžΆοΏ½οΏ½αŸ†αžΆαž€αžŠαŸ„οΏ½ αž’αžΆαžΆαž αžΆαžΆαžšοΏ½αž‚αžΊαž”οΏ½αž‚αŸ’αž˜αžΆαž“αž· αž“αž·αž·αž„
αž‡αžΈαž“αž·αž”αž‘αŸ” αžŠαŸ„αž–αž›αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αžŠαŸ„οΏ½αžΆαžŠαŸ„οΏ½αžšαžŠαŸ„αž›αž„
αž„ αž”αžΌαž»αžŠαŸ‚αž“αž·αžΌαžœαžΆαžΆαžŸαŸ‹αž”αžΆαž™αžŽαžΆαžΆαžŸαŸ‹αŸ‹ αžŠαŸ„οΏ½αž™αžšαžΈαž€αžšαžΆαžΆαž™αžŽαžΆαžΆαžŸαŸ‹αŸ‹ αžŸαŸ‹οΏ½αž˜αžΆαž”αŸ‹αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž–αžŠαŸ„οΏ½αž–αžΆαžΆοΏ½αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž˜αŸ‰αžΌαž“αž·αžŠαŸ‚οΏ½αž›αž”αžΆαžΆαž“αž·αžŠαŸ„αž›αž„αžŠαŸ‚αž›αžΈαž„αžŠαŸ‚αž”αž”αž“αž·αžΉαž„αžŠαŸ„αž‘ αž–αž˜αŸ‰αžΌαž“αž·αž˜αŸ‰αžΌαž€αŸ” αžŠαŸ„οΏ½αžΆαžŠαŸ„αž–αž›αžŠαŸ‚οΏ½αž›αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž”αžΆαžΆαž“αž·αž…οΏ½αž›αž˜αŸ‰αžΌαž€αžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈαžŠαŸ„αž’οΏ½ αž‡αžΈαžΈαžœαž·αž·αžαžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž”αžΆαžΆαž“αž·αž•αŸ’αž›αžΆαžΆ αžŸαŸ‹αŸ‹ αž”αžΈοΏ½αžšαž‘αžΆαŸ†οΏ½αž„οΏ½αžŸαŸ‹αž»αž„ αžŠαŸ„οΏ½αž™αžœαžΆαžΆαž…αžΆαžΆαž”αžŠαŸ„οΏ½αžΈαžΈαž˜αŸ‰αžΌ αž˜αžΆαžΆαž“αž·αž–αž“αž·αžΆαžΊαŸ” οΏ½αž”αžŸαŸ‹αž“αž·αžŠαŸ„αž”αžΈαžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž˜αžΆαžΆαž“αž·αž±αž€αžΆαžΆαžŸαŸ‹αž“αž·αž·αž™αŸ‰αžΆαžΆαž™αž•αŸ’αž›αžΆαžΆαž›αžŠαŸ„οΏ½αž€αžΆαžΆαž“αž·αžŸαŸ‹αžΎοΏ½αž αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½αž…αž„οΏ½αž”αžΆαž”αž‚αŸ’αž˜αžΆαžαžαŸ’αž“αžΆ αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½οΏ½αžŸαŸ‹αž›αžΆαžΆαž‰αž‚αŸ’αž˜αžΆαž αž“αž·αž·αž„ αž’αžšαž‚αžΊαž»αžŽαž‚αŸ’αž˜αžΆαžαžŸαŸ‹οΏ½αž˜αžΆαž”οΏ½αž‚αžΊαž”αŸ‹αž™αŸ‰αžΆαžΌαžΆαž„αŸ” αž€αžΆαžΆαžšαž‡αžΈαž½αž™αžšαž”αžŸαŸ‹αŸ‹ αž‚αŸ’αž˜αžΆαžαž–αž·αžαž‡αžΆαžΆαž˜αžΆαžΆαž“αž·αž“αž·αŸαž™ οΏ½αž‡αžΆαžΆαž›αžŠαŸ„οΏ½οΏ½αžŽαžΆαžΆαžŸαŸ‹αŸ‹ αžŸαŸ‹οΏ½αž˜αžΆαž”αŸ‹αžαŸ’αž‰αž»αŸ†αŸ†οΏ½οΏ½ αž“αž·αž·αž„ αž’αŸ†αž€αžšαžΆαžΆαž›αž‚αŸ’αž˜αžΆαŸ†αžΆαžŠαŸ„οΏ½αžΆαžŸαŸ‹αž»αžΈαžŸαŸ‹αž»αžΈαžŠαŸ„αž’οΏ½αžœαŸ” 41
αž–αž½αž€αžŠαŸ„αž‚αžΊαžŠαŸ‚αžαž„αžŠαŸ‚αžαž˜αžΆαžΆαž“αž·αžŠαŸ„αžšαŸ€αž”αž…οΏ½αžŠαŸ‚αž›αžΈαž„αžŠαŸ„αž›αž„αž€οΏ½οΏ½αž“αž·αžΌαžŠαŸ‚οΏ½αž›οΏ½οΏ½αž…αž‡αžΆαžΆαžŠαŸ„αž€αŸαž„αŸ—αž’αž‰αŸ’αž…αžΆαžΉ

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