Pro AV revenue forecast to reach $422 Billion by 2029
Pro AV revenue will grow from $306.4 billion in 2023 to $325 billion in 2024, a healthy growth rate of 6.1%, but down from 6.9% from the previous year, according to AVIXA’s 2024 Industry Outlook and Trends Analysis (IOTA). The market will add $98 billion over the next five years, with a 5.35% CAGR. While office upgrades and evolution continue, the experience economy is dominating growth in pro AV. AVIXA’s 2024 Industry Outlook and Trends Analysis presents data and analysis about the size of the pro AV industry with a global perspective – plus regional and vertical breakouts. The research covers product trends, solution categories, and vertical markets.
“Digging into the data, we see that growth has varied extensively across the broad landscape of pro AV. Technologies supporting conferencing and collaboration within enterprises are not performing as well as those positioned for entertainment and events,” said Sean Wargo, Vice President of Market Insight, AVIXA. “So, companies focused solely on collaboration may not be faring as well as those serving entertainment. IOTA helps provide greater visibility to where growth is strongest, highlighting opportunity for the AV channel.”
Pre-pandemic, the experience economy was one of the most influential trends, and now it has regained its strong position. From 2024 to 2029, global revenue for venues and events will grow to $57.2 billion, at a 6.3% CAGR, making it the fastest-growing vertical market. Anything related to in-person entertainment is growing fast. This includes content production and streaming, also known as broadcast AV.
The future of the corporate office remains secure. As pro AV’s largest vertical market, office spaces were a
The market will add $98 billion over the next five years, with a 5.35% CAGR. While office upgrades and evolution continue, the experience economy is dominating growth in pro AV.
source of anxiety during the pandemic. However, as trends have moved toward hybrid working, those concerns have diminished, unlocking new market possibilities and renewed confidence in this sector. Revenue from corporate spaces will reach $91.4 billion by 2029, fuelled by new construction, more opportunities in conferencing and collaboration, expanding content capture and production, as well as security, surveillance, and safety. Growth in this sector is nevertheless expected to decrease to just under 5% over the next five years
The Asia Pacific region continues to present robust growth in pro AV, despite a decline from 7.3% to 6.9% from 2023 to 2024, largely due to China’s decelerating growth rate. Within the region, India moves into the top as the fastest-growing AV market, though and China is the largest. In the Asia Pacific region, live events and security/surveillance/safety show strong growth rates of 10.8% and 8.3%, respectively.
Led by North America’s projected market size of $104 billion in 2024, pro AV in the Americas is a mature market that leverages innovation to sustain growth as well as offering a stabilizing effect on digital infrastructure, particularly in Latin America. The region as a whole is experiencing a surge in pro AV revenue in venues and events, with 8.5% growth in North America and 10.2% in Latin America.
In EMEA, the $86.4 billion market is bolstered by mature European markets with steady strategic investments and promising developing markets in the Middle East, where GCC countries are experiencing notable growth. The fastest-growing pro AV sectors in the region are live events, performance and entertainment, and security.
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Panasonic announces new company for projection
Panasonic Connect Co., Ltd. today announced that it has reached an agreement on a strategic capital partnership with ORIX Corporation in regard to the company’s projector business and related operations. The two companies plan to establish a new company to operate the business aiming for continued growth. This decision was made today at the board of directors meeting of Panasonic Holdings Corporation concerning the following details.
Together with ORIX, Panasonic Connect will establish a new company based on its Media Entertainment Business Division (MEBD), aiming for further growth of the business. Regarding the new company, ORIX will hold 80% of the shares, and Panasonic Connect will hold 20%. After the capital partnership, target products will continue to carry the Panasonic brand, and the new company will also use the Panasonic name for the time being.
Since the commercialization of its first cathode ray tube (CRT) projector in 1975, the company’s commercial projector and display business has launched a wide range of products utilizing proprietary device control technology*1. Over the past 50 years, the company has earned the trust of customers around the globe, and with a leading market share in the high-brightness projector market*2, the company has established a strong position in the visual solutions business.
On the other hand, in this market the importance of integrating software along with advanced hardware has increased, and significant changes in the competitive environment have arisen due to the emergence of applied technologies and the demand for immersive experiences. In order to achieve in-organic growth and further market expansion going forward, the company has deemed that it will be necessary to strengthen operations and make continual investments.
In light of these circumstances, Panasonic Connect and ORIX have determined that further growth can be achieved by leveraging the former’s technological expertise and customer base, along with the investment power ORIX holds and the knowledge and experience cultivated through business investments in numerous companies, including manufacturing and large corporations.
ORIX, with which the company has decided to form this capital partnership, is a corporation that engages in diverse financial services and is committed to business operations with a medium- to long-term perspective. Through this capital partnership, the company aims to leverage ORIX’s wealth of business investment experience and pursue strategies for in-organic growth, along with continuous investment for technological development in hardware technology and the construction and
execution of strategic alliances on a global scale. In April 2025, the new company will be established out of the Media Entertainment Business Division of Panasonic Connect. Additionally, overseas subsidiaries will be established from the sales functions of that division in North America, Europe, China, Australia, Singapore and other regions to be operated by the new company. In Japan, Panasonic Connect’s Gemba Solutions Company will continue to handle domestic sales.
Sony reveals corporates will pay more for sustainable solutions
Research from Sony Professional Displays and Solutions Europe offers a valuable glimpse into how corporate audiovisual (AV) professionals across Europe approach sustainability when buying AV equipment. The new report challenges popular preconceptions around companies’ unwillingness to pay more for sustainable products and solutions, illustrated by the finding that around eight in 10 businesses overall – and 90% in the UK - are willing to pay over 20% more for AV products that are either made more sustainably or operate with greater energy efficiency. Even more surprisingly, over a third say they would pay more than a 50% uplift for these more sustainable AV solutions.
84% of total respondents - compared to three quarters
in the UK - also said a provider’s sustainability practices were important when choosing an AV partner, with 79% saying a lack of sustainability practices from prospective providers would put them off. “Sony’s new research dispels the myth that sustainability is still seen as a nice to have,” says Rhea Horlock, Head of Corporate Social Responsibility at Kinly. “New regulation, combined with growing pressure from consumers and employees, has made a number of companies start to think more seriously about sustainability, but these ambitions need to be echoed in purchasing decisions in order to drive real change.”
The EU’s Corporate Sustainability Reporting Directive (CSRD) appears to significantly influence corporate AV professionals’ approach to procurement in the next two years. Over a third (34%) of respondents overall – and similar proportions in the UK - said CSRD would significantly impact them and that they’d prioritise AV providers with strong sustainability practices, while a further 35% said it would have a moderate impact. “We often hear that, while companies have an appetite to be more sustainable, most are unwilling to pay more for sustainable solutions. This research challenges that preconception,” said Rik Willemse, Head of Professional Displays and Solutions at Sony Europe. “It’s heartening to see corporations willing to ‘put their money where their mouth is’ on sustainability. In our view, the onus is now
on AV providers to bring more sustainable solutions to market and clearly explain their benefits to prospects – a mission we take very seriously here at Sony with our company wide road to zero initiative and sustainable product solutions such as the SORPLAS™ recycled plastic used in our BRAVIA screens.”
In tandem with Censuswide, the Sony research surveyed over 1000 corporate AV professionals across the UK, Germany, Italy, Poland, Spain, Sweden, Denmark and France. The research included views across multiple sectors across both public and private organisations.
The research also revealed that:
Respondents felt their own company’s ethical standards were the number one key influence behind ensuring sustainable operations, with them ranking influences in the following order:
Our company ethics – 41% (UK – 34%)
Customer demand – 37% (UK – 30%)
Investors – 34% (UK – 42%)
Regulators – 34% (UK – 33%)
Recruitment – 34% (UK – 30%)
NGOs – 29% (UK – 31%)
Corporate AV professionals are considering their environmental impact across the entire procurement process, with the ‘pricing and negotiation’ stage being the most common point to prioritise sustainability:
Pricing and negotiation – 43% (UK – 39%)
Vendor selection – 42% (UK – 37%)
Project initiation – 40% (UK – 43%)
Equipment specification – 39% (UK – 40%)
Post-purchase/implementation – 36% (UK – 22%)
At no stage – 0.5% (UK – 0%)
Eco-labels are seen as a valuable tool by many respondents, with the following considered important by decision-makers:
Energy Star – 42% (UK – 36%)
Carbon Trust – 41% (UK – 42%)
EcoVadis – 30% (UK – 28%)
MCSI (Morgan Stanley) – 27% (UK – 22%)
Epeat – 26% (UK – 27%)
None – 2% (UK – 0.8%)
“As we see more end-users looking for transparent and practical sustainability initiatives, it’s encouraging to see that Sony is driving this conversation forward as a manufacturer,” adds Shelley Townend, Marketing Manager at Universal AV. “While it is true that we are seeing sustainability crop up more and more in conversations during the purchasing cycle, especially with larger tenders, there is still work to be done. Unsurprisingly, despite best intentions, cost savings still often win out against eco-consciousness. The more we talk about this and manufacturers like Sony put weight behind the discussion, the closer our industry comes to positively impacting the health of our planet.”
Lightware announces Planetworld as new distributor
Lightware Visual Engineering has announced the appointment of Planetworld as its official distributor in South Africa. This strategic partnership represents a key expansion for Lightware, enhancing the availability of its high-fidelity signal management solutions within the South African market through Planetworld’s well-established distribution network.
Planetworld has a huge experience in providing audio visual solutions for the live event and rental market and in the education, corporate and enterprise business. For that reason, Planetworld is the ideal distribution partner for Lightware’s fast growing product portfolio. Through this collaboration, Planetworld will now offer South African customers access to Lightware’s innovative technologies, providing advanced audiovisual solutions that meet the highest industry standards.
“We are excited to partner with Planetworld and bring our cutting-edge technology to South Africa,” said Gergely Vida, CEO of Lightware. “Planetworld’s commitment to excellence and customer satisfaction aligns perfectly with our values. Together, we will deliver superior AV solutions to meet the diverse needs of our customers.”
With the addition of Lightware’s comprehensive product line, Planetworld will distribute a wide array of solutions for various applications, including corporate, education, live events, and more. Planetworld’s team of dedicated experts will provide full support, from product selection to installation and after-sales service, ensuring a seamless experience for all clients.
Runtech achieves Yealink Gold Partner status
Runtech has announced its recent recognition as a Yealink Gold Partner. This prestigious partnership underscores Runtech’s commitment to delivering exceptional communication solutions and highlights the growing collaboration between Runtech and Yealink, a global leader in unified communications and collaboration solutions.
“Achieving Yealink Gold Partner status is a significant milestone for Runtech. Yealink offers flexible, state of the art conference solutions with advanced AI technology that gives us more opportunities to meet our clients’ evolving needs. Their BYOD (Bring Your Own Device) options are among the best in the market, providing unparalleled versatility and ease of integration.” -said Chris Liebrand, Runtech’s CEO
The Gold Partner status grants Runtech access to Yealink’s extensive range of innovative products, including their latest wireless and BYOD solutions. This partnership enables Runtech to offer enhanced communication systems that are reliable, scalable, and tailored to various business environments. Customers can expect superior performance, user-friendly interfaces, and seamless connectivity from these products, empowering organizations to optimise their communication infrastructure. Runtech’s alignment with Yealink’s mission to provide user-centric, high-quality solutions marks a significant step forward in Runtech’s growth strategy.
Exertis AV shapes up to deliver!
Exertis AV has undergone significant changes over the past three years. We spoke to Jamie Brothwell, Chief Sales and Commercial Officer about how things were shaping up and what else she had planned for the future.
BD - For readers who don’t already know you, can you please provide a little background on yourself and what you do?
JB – I am Jamie Brothwell, Chief Sales and Commercial Officer for Exertis AV. I recently celebrated ten years at Exertis AV overall and have been in my current position for around three years. Prior to that, I worked for Samsung and Midwich for a combined 12 years.
BD - Exertis AV is a significant business and also part of a larger group, DCC (https://www.exertis.co.uk/). What have been the main challenges you have encountered since starting your new role?
JB – The first area I looked at was our culture and team. I am passionate about DEI and the AV business overall, and I wanted people on board who shared my passion and vision for the business. Therefore, I asked Al Coyne to join me as Commercial Director. Al and I had worked together previously at Midwich. After that, Al and I built out a whole team of new product specialists and salespeople, and we now have our own dedicated AV marketing team as well.
BD – It certainly sounds like you have been busy. In terms of infrastructure, what else has changed?
JB – After many years of work, we rolled out our SAP operating system, which, alongside our impressive warehouse in Burnley, is achieving a 99.4% next-day delivery rate on our shipments. To put that into perspective, the Burnley warehouse is 550,000 square feet, which is the same size as 5 football pitches and
four double-decker buses high, which we are incredibly proud of within the business.
BD – 99.4% next-day delivery is a staggering number; how did you achieve this?
JB - Since Al joined, he has reduced the number of brands we carry to give a more focused approach. He has also worked with our key vendors to ensure we had more stock availability of the faster-moving products. Exertis AV has always had a phenomenal offering of tier 1 display and UC & C brands. We wanted to work with those to ensure we had what our customers required in stock and ready to ship for their End User projects.
BD – Is it really just as simple as having the right vendors and stock profiles?
JB – Yes, that is the basics of distribution; to ensure you have what the customer requires and can deliver when they want it. However, what has driven our growth is the higher level of overall support we now offer the system integrators and VARs we deal with in terms of technical support and product specialists. All of the above is made possible by our people and underpinned by our aspiration to deliver excellent customer service.
BD – Can you tell us a little more about that?
JB – We have focused on building a whole new team to support the vendors, SIs, and VARs we deal with. We no longer list a brand unless we have a complete
strategy and internal product specialism to support it. We also undertake a considerable amount of training before we launch any new product or brand. We further support all these brands and our SIs and VARs with our in-house demo facilities and a large amount of demonstration stock available for them to use for their end clients. We even have an in-house 24x7 365 TAC and NOC that provides channel services from the presales stage to deployment, ongoing support, and fully managed services. We are a very different business from when we started all this three years ago.
BD – Can you tell us more about the demonstration facilities and demonstration stock?
JB – I think our investment in demonstration stock and facilities has also helped our SIs and VARs win more business. We now have over 50 demo rooms installed across various UK locations, all utilising the brands and products we stock. We have also invested over £100k in demonstration stock from our key manufacturers that can be loaned out to the reseller and their end clients. We’ve also created a new credit facility for our resellers via Chubb.
BD – So, how does that credit facility work?
JB – One of the most significant issues for resellers is often obtaining credit to help service their clients, especially for larger projects. The deal we have with Chubb is exclusive for the AV sector, which means credit limits are not shared across other distributors in our sector. This means that we can typically get a higher level of credit for our customers than most of the other distributors. Also, if the resellers wish to advise who the end user is, then we will also consider that in any credit limit decision. It’s been a great partnership and driver for the AV division.
BD – So, what is next for Exertis AV?
JB - We are currently working on ISO14001, the ISO standard for sustainability. We already have ISO9000 for process and ISO27001 for cyber security, and so all these independent accreditations provide a super solid supply chain and yet more reasons for our resellers to win business via Exertis AV.
BD – How much has all the work you and your team put in affected sales?
JB - While the UK AV market itself has been mainly stagnant, and indeed, some reports say it has contracted by up to 10%, we have had phenomenal results over the past year. In 2022, we were 25% up, and in 2023, 15%, and we are up again this year
BD - What would you say to our readers who used to work with Exertis AV but haven’t done as much with you recently?
JB - All I ask is that they come and talk to us. We have come a long way in a relatively short period and now offer all our suppliers and customers a truly specialist AV and UC & C business, backed up by industry-leading logistics and the best technical support.
BD - It’s been an absolute pleasure talking to you today, Jamie. I wish you luck in the future.
JB – Many thanks, Bryan
Nureva appoints MadisonAV distributor in Australia
Nureva Inc has announced the appointment of MadisonAV as a distributor in Australia. A trusted AV solutions provider, MadisonAV will enhance the visibility and deployment of Nureva’s breakthrough line of audio-conferencing systems in business and education, where hybrid working and learning models are thriving. A 2024 blog article by Jobgether highlights that remote work remains popular in Australia, most notably with employees in professional, administrative and support services, along with education and training.
This trend continues to impact the Australian workforce, increasing the need for reliable audio-conferencing products. Addressing this demand, MadisonAV is strategically positioned to expand the adoption of Nureva’s revolutionary audio-conferencing solutions by Australia’s business enterprises and education institutions.
Nureva continues to grow its global channel. In addition to MadisonAV in Australia, the company has recently added distributors in Saudi Arabia, Türkiye, Philippines, Ireland and Iceland. These distribution agreements aim to accelerate the adoption of Nureva systems, including the HDL pro series of audio-conferencing systems. Fully certified for larger Microsoft Teams Rooms and Zoom Rooms, these systems deliver pro AV performance in larger spaces without the costs and complexities of traditional solutions, making them easy to deploy and manage at scale. Powered by Microphone Mist technology, all of Nureva’s systems deliver the reliable fullroom audio pickup and clarity required for an inclusive meeting experience, regardless of where participants are located or facing.
“Nureva audio solutions are ideal for the Australian market, offering outstanding audio clarity and unparalleled coverage with their cutting-edge Microphone Mist technology at a disruptive price point,” said Ken Kyle, CEO at MadisonAV. “This innovation addresses the critical need for high-quality audio in hybrid work and
Nureva Inc has announced the appontment of MadisonAV as a distributor in Australia.
flexible learning environments, giving our customers a competitive edge through superior audio experiences.” “Gaining access to MadisonAV’s broad channel enables us to convey the benefits of Nureva audio solutions to a wide audience across Australia,” said Nancy Knowlton, Nureva’s CEO. “Our plug and play systems provide the superior audio quality needed for larger modern workspaces and educational environments, making them a valuable addition to any organization’s AV strategy.”
Sony Electronics and PSNI enter Preferred Vendor Partnership
PSNI Global Alliance, the world’s most recognized network of AV integrators, manufacturers, distributors, and service partners, announces the addition of Sony Electronics as a preferred vendor partner. This strategic collaboration aims to enhance the technology solutions offered to customers of PSNI Global Alliance and its Certified Solution Providers (CSPs), providing them with unparalleled access to Sony’s state-of-the-art professional display solutions.
As a trusted name in professional display technology, Sony’s inclusion in PSNI Global Alliance is set to benefit customers with innovative and reliable solutions tailored for a wide range of applications, including hybrid workspaces, collaborative classrooms, immersive exhibits, command and control centres, transportation hubs, houses of worship, and retail spaces. The Alliance’s customers will enjoy seamless installation and support, leveraging the collective expertise of PSNI’s CSPs and Sony’s cutting-edge technology.
“We are thrilled to welcome Sony as a preferred vendor partner,” said Tom Roberts, Director of Vendor Programs for PSNI Global Alliance. “Sony’s commitment to excellence and innovation aligns perfectly with our mission to provide best-in-class technology solutions to our
TVC Opens Samsung Showcase
North
.TVC Technology Solutions invites both new and loyal customers to explore firsthand Samsung’s latest innovations in commercial and corporate display technologies with the launch of its Samsung Showcase North as part of its new TVC Experience Centre.
Delivering a fully bespoke and interactive Samsung experience in the North of England, TVC’s Technology Showcase exemplifies Samsung’s solutions across Custom Installation and Home Cinema, Hospitality TVs, Digital Signage, High Bright Displays, Interactive Displays featuring the innovative Samsung Flip, and a diverse array of Indoor/Outdoor LED Solutions.
Headlining the Samsung Showcase North is the brand’s 110-inch ‘The Wall’ MircoLED display designed for indoor installation. As the flagship display in the Showcase’s “boardroom” setting, this high bright 4K UHD screen is demonstrated as the ultimate video conferencing tool for corporates but is equally suitable for high-end home cinema or flagship display signage applications.
After a £600,000 investment in its expansive industrial park headquarters in Bolton, TVC’s state-of-the-art Experience Centre opened last year to showcase the full range of the company’s offerings designed for businesses aiming to elevate their brand with cutting-edge technological enhancements such as digital signage, commercial screens, LED and more! Given Samsung’s role as a key partner, it was essential to feature a selection of their latest commercial display technologies. This initiative marks a truly unique experience in the North of England.
Mat Brown, Co-Founder and Director of TVD Group, the parent company of TVC Technology Solutions,
clients. Our Certified Solution Providers have rigorously vetted Sony’s professional display products, and we are confident that this partnership will bring immense value to our network and the customers we serve.”
Rich Ventura, Vice President of Professional Display Solutions at Sony Electronics also shared his thoughts
commented, “We are extremely pleased to create an unrivalled experience centre highlighting Samsung’s leading solutions in the north of England. The showcase provides an interactive and engaging environment for visitors to explore and envision the future of display technology in their own businesses.”
The Samsung Showcase forms the core of TVD Group’s multi-room experience centre, which itself hosts products from brands such as LG, Philips, Vestel, TVs from Mitchell & Brown, and premium commercial and CI audio products from the likes of KV2 and Audac and Symetrix. Innovative technologies on show include Philips’ power-free Tableaux ePaper displays and Accenta hanging digital posters.
Based in Waters Meeting Industrial Estate in Britannia Way Bolton, The TVC Experience Centre, incorporating Samsung’s Showcase of the North, is open Tuesday to Friday, 9:30am-3pm, for walk-in access. For a personalised appointment or to discuss your project, simply book online on the TVC.uk.com website.
on the collaboration: “We are excited about the opportunities this partnership with PSNI Global Alliance provides. PSNI is committed to the highest operational standards worldwide and, like Sony, has a no-compromise approach in delivering these standards. We look forward to working closely with PSNI’s Certified Solution Providers to deliver exceptional experiences and transformative solutions to organizations worldwide.”
Today, PSNI Global Alliance boasts a global network of 113 integrators, known as Certified Solution Providers (CSPs) from across the AV/IT and UCC spectrum. PSNI’s Preferred Vendor Partner program connects manufacturers with the Alliance network of CSPs to jointly pursue market opportunities by enabling Vendors to design programs in sync with PSNI CSPs. All vendors are pre-screened by PSNI’s CSPs to ensure that only the best technology providers are represented in The Alliance.
Digital signage: genuinely sustainable?
‘Sustainable signage’ is about more than energy efficiency. The term embraces the end-to-end processes of; design; manufacturing; installation; operation; and disposal or recycling. Sustainable signage may include signage that uses renewable materials and finishes. It may also incorporate recycled metals, sustainable woods, and other eco-friendly materials to reduce environmental impact. However, system designers and integrators will not accept compromises on quality, durability or performance when creating solutions for end-user clients. AV News quizzed leading suppliers of signage solutions about their green credentials and their progress towards sustainability.
Building sustainable solutions
From the outset, digital signage was position as an inherently ‘green’ solution, replacing all that printed oldschool stuff, with its innate inflexibility and inability to change in line with the users’ needs. Today, businesses and organizations are continuously seeking ways to enhance their environmental responsibility while maintaining effective communication and advertising strategies. The transition from traditional signage to digital
signage significantly reduces the environmental impact associated with traditional print materials.
Unlike traditional signage, which relies on static posters or print materials, digital signage utilizes dynamic and interactive elements to engage audiences. Digital signage is now commonplace in public spaces, retail stores, corporate buildings, and transportation hubs, providing a versatile platform for advertising and communication. Digital displays are controlled and updated remotely through digital signage software, allowing for real-time content management and seamless integration with other digital solutions.
The production of print materials used in traditional promotions involves the use of paper, ink, and various chemicals. Therefore, traditional signage has an unfavourable environmental impact, contributing to deforestation, waste generation, and energy consumption. Additionally, the disposal of traditional signage creates a considerable amount of waste, further exacerbating the environmental toll.
Furthermore, the production and transportation of printed signage consume substantial amounts of energy, increasing the carbon footprint associated with conventional advertising methods. This makes traditional signage a less sustainable option in the context of growing environmental concerns.
Positive impacts of digital signage
The lower environmental impact of digital signage compared to traditional print promotions gives the technology a winning advantage from the ’get go’. Aside from the reduction in paper usage, waste generation and carbon emissions, digital signage has some killer commercial advantages. First, it offers greater flexibility and adaptability than traditional signage. Content can be updated quickly and easily, without the need for new print materials. This reduces waste and allows
businesses to respond to changing market conditions more effectively.
While the competitive advantages offered by digital signage are increasingly well understood, the competitive market for digital signage solutions can now offer a genuine saving against the traditional signage option. Digital signage eliminates the recurring costs associated with printing and distributing traditional signage, often making it a more cost-effective option in the longer term. Digital signage eliminates the need for paper and other print materials, reducing waste and conserving natural resources. In addition, the production, transportation, and disposal of traditional signage contribute to a substantial carbon footprint. In contrast, digital signage, when powered by energy-efficient technologies, can help lower carbon emissions.
Refining the digital option
So, it is true to say that digital signage has both environmental and competitive advantages from the outset but is a very competitive market and various manufacturers are seeking to gain a bigger market share by bigging-up their green credentials. Energy efficiency is very much the order of the day. Advances in technology have led to the development of more energy-efficient digital displays. LED screens, for example, are known for their low power consumption and long service life. They pro-
vide bright, high-quality displays while using less energy than some other display technologies. LED digital signage is widely regarded as a sustainable choice for businesses looking to reduce their energy usage.
Many digital signage solutions are equipped with smart power management features that optimise energy usage. These features include automatic dimming (based on ambient light conditions) and scheduled power on/ off cycles.
Durable and recyclable displays
Traditional print materials, once used, often end up in landfill, contributing to environmental pollution. Digital signage, on the other hand, can be updated and reused indefinitely, drastically cutting down on waste. Digital displays are designed to be durable and long-lasting, reducing the frequency of replacements and further minimising waste. UnlikeWhere traditional signage, which may wear out or may become obsolete, digital signage can remain effective and relevant with regular content updatesrefreshes. Suppliers are exploring various ways to make their digital signage more eco-friendly, from using renewable energy sources to implementing sustainable business practices,
This starts with the screen manufacturing process. The use of eco-friendly materials in the construction of digital signage hardware is an important consider-
ation. This includes using recyclable or biodegradable materials and avoiding harmful substances that can have a negative environmental impact. Innovations in eco-friendly digital signage are not only reducing environmental impact but also enhancing operational efficiency and lowering costs. The use of recyclable and sustainable materials in the manufacturing of digital signage components is gaining traction. Companies are increasingly focusing on creating signage enclosures and mounts from eco-friendly materials such as recycled plastics and metals. This approach minimises waste and promotes a circular economy within the digital signage industry. For instance, some manufacturers now offer products made from up to 70% recycled content, significantly reducing the environmental impact of their production processes.
Pioneering solutions
CTouch has acted as pioneers in the development of sustainable technologies, culminating in the award of an EcoVadis Gold Medal in recognition of its outstanding sustainability performance. This places CTouch in the top 5% of companies rated worldwide by EcoVadis in the last 12 months. EcoVadis is the world’s most trusted provider of business sustainability ratings with a global network of more than 130,000+ rated companies. It evaluates companies on a comprehensive set of criteria across four themes: environment: labour
and human rights, ethics and sustainable procurement. CTouch scored the highest on the environment theme with a score of 80/100, representing a platinum score (top 1% of companies rated by EcoVadis in the last 12 months).
CTouch developed a proof-of-concept of the most sustainable touchscreen possible, with 41% less power consumption. The company also sells refurbished touchscreens in conjunction with its established takeback program. CTouch offer longer lifetimes for its products: “We aim to keep you a happy user of our products, even after 10 years of use”. The CTouch commitment extends to production, packing and shipping: “We make great effort to lower our CO2 footprint and increase the use of recycled materials during production, packaging and transportation.” Company policies extend to the mantra ‘Reduce, re-use, recycle’: “We’re committed to increase the circularity of our products and improve the recyclability and re-use at the end-of-life to prevent any unnecessary waste.”
Competing technologies
Investing in durable and long-lasting digital signage solutions is a key aspect of sustainability. High-quality displays and components reduce the need for frequent replacements, lowering waste and resource consumption. Companies are increasingly focusing on creating robust signage solutions designed to withstand various
environmental conditions. For example, weather-resistant and vandal-proof displays are now available, ensuring longevity even in challenging outdoor settings.
The design of current digital signage displays has energy efficiency to the fore. Modern LED and OLED screens consume significantly less power compared to traditional displays. This reduction in energy usage translates into lower operational costs and a smaller carbon footprint. According to industry data, LED displays can be up to 80% more energy-efficient than their LCD counterparts, making them a preferred choice for eco-conscious businesses.
Advanced power management is being integrated into digital signage solutions to further enhance sustainability. Features like automatic brightness adjustment based on ambient light conditions help reduce energy consumption, while remote management tools enable operators to schedule power usage and maintenance efficiently. This intelligent approach ensures that digital signage systems operate only when needed, thereby conserving energy and extending the lifespan of the components.
Sustainable enough?
Sustainable practices are becoming fundamental to the future of digital signage. By adopting energy-efficient displays, using recyclable materials, and implementing smart power management, the industry is making significant strides toward reducing its environmental footprint. As these practices continue to evolve, digital signage will play a crucial role in promoting sustainability while delivering impactful communication solutions. While CTouch can be seen as a pioneer, the entire digital signage industry is starting from a winning position, as the eco-friendly alternative to traditional signage media. Technical developments have seen a response to the energy crisis with lower power and even ‘no power’ options (see the box below). The future of digital signage is undeniably bright! and sustanable.
Forget low power – meet no power!
At InfoComm 2024, PPDS announced the latest evolution of its multi-award-winning ePaper with Android SoC signage range, launching the new 13” Philips Tableaux 4150. The landscape mountable 13” Philips Tableaux 4150 Series has been designed to deliver greater choice and new opportunities for businesses looking to introduce or expand a digital signage network, using revolutionary and highly sustainable, full colour ePaper displays.
Driven by feedback from customers across a range of market verticals – including retail, corporate, hospitality, food and beverage, healthcare and transportation – the new 13” Tableaux display marks the latest evolution of PPDS’ growing ePaper portfolio, adding to the acclaimed 25” 4150 and 32” 5150 models launched at ISE 2023 and 2024 respectively.
Available globally, and featuring a white bezel design, the 13” Philips Tableaux 4150 – developed with PPDS’ longstanding technology partner, E Ink – brings the innovative, ‘zero power’ features and Android powered functionality enjoyed with the 25” and 32” Philips Tableaux displays, widely recognised as the world’s first ePaper digital signage offerings from a global manufacturer.
An ideal energy saving solution for businesses looking to digitise their paper-based signage and communications – whether for wayfinding in a corporate building, promoting the latest offers in a retail store, displaying live transport information, or as a menu board in a café, restaurant or kiosk – the 13” Philip Tableaux 4150 provides vivid sunlight readable imagery, which can be displayed without using a single kilowatt of electricity indefinitely, only requiring super low power during image changes.
Displaying with a 1600 x 1200 resolution, the 13” Philips Tableaux 4150 ensures clear and confident messaging. What is more, with 16GB internal memory, there is no need for an external media player, keeping costs down and minimising additional future electronic wastage. Simply plug into a power source to upload new static content for instant play via USB, LAN or Wi-Fi connections.
Tailored around the needs of the customer and environment, the Philips Tableaux 4150 Series runs on Android 11 OS, optimised for native Android apps and the easy installation of web apps and software directly on the displays. For maximum versatility and flexibility, Philips Tableaux displays – designed for 24/7 usage – can operate entirely unplugged, making it ideal for locations with limited or no access to power sources. Weighing just 1.3kg, the 13” 4150 is light enough to be easily transported and used in other locations when required.
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As part of PPDS’ growing Android SoC family, content updates on the 13” Philips Tableaux 4150 can be managed manually (including USB), or entirely remotely via a range of certified third party professional display control and management partners, as well as PPDS’ cloud-based Wave remote device management platform. Developed in house, and regularly updated with new features, functionality and partner solutions, PPDS Wave offers fleet managers advanced levels of control for all Philips Android SoC displays, whether just a few screens in a single location, or thousands spread around the world.
With Wave on Philips Tableaux, businesses can securely switch out content at any time and from any location, with firmware upgrades, playlist creation and management, power scheduling and much more, all managed on Wave’s tailored and highly intuitive interface, saving on time, energy, and environmental impact.
As with many innovations in AV, PPDS is not the only player in the no-power display market. Sharp NEC Display Solutions Europe has announced the launch Sharp ePaper 13” and 25” displays, marking a new era in energy-efficient signage solutions. As a digital alternative to paper posters, the ePaper displays are ideal for applications requiring static content with regular updates, such as POS promotions, menu boards, allergen information in retail and hospitality environments, timetables, or check-in and gate information in transportation environments.
Taking a substantial step forward towards the carbon-neutral era, the Sharp/NEC ePaper displays operate with zero power consumption during content playback, only drawing minimal power when updates are necessary. The displays ensure unimpaired readability even in the brightest environments, presenting static digital images with a low-reflection and paper-like quality. With full-colour capability enhanced by ACeP colour performance, they deliver outstanding visual performances with excellent contrast, wide viewing angles, and fine resolution for an ergonomic content presentation that looks remarkably like paper. The paper-like appearance is easy on the eyes with no reflections or blue light, underlining Sharp/NEC’s commitment to sustainability and viewer comfort.
The Sharp/NEC ePaper displays offer quick and flexible installation options. Their slim design, which supports landscape, portrait, face-up, and face-down operation, not only enhances aesthetics but also provides space for an optional battery for versatile power solutions. In addition, the ePaper displays feature an integrated System on a Chip (SoC) for a seamlessly intelligent and future-proof operation. It effortlessly delivers content through selected Content Management System (CMS) partners or offers a user-friendly experience with the simplest content management options via USB, WiFi, or Bluetooth.
Barco refreshes mid-range LCD video wall range
Barco has announced the refreshment of its OverView range of tiled LCD video walls. The new OverView LVD5521D and OverView KVD-5521D are 55” 500-nit LCD video walls, part of the ENB 1.8 mm and UNB 3.5mm bezel generation respectively. The panels build further on the existing range, featuring automatic colour and brightness calibration and noiseless operation. Barco’s OverView range of mid-range LCD video walls perfectly complements the premium Barco UniSee platform. These new generations of OverView video walls showcase significant advancements in seam width reduction and uniformity enhancements. The narrow bezel (Extreme Narrow Bezel 1.8 mm generation for LVD, Ultra Narrow Bezel 3.5 mm generation for KVD) makes sure that the inter-modular seams are minimised for a smooth visual experience. Additionally, Barco’s signature innovative Sense X algorithm – the unique automatic and continuous calibration system − ensures that a perfectly balanced image is consistently produced across the entire wall, delivering superior visual uniformity and performance.
The Barco OverView LCD portfolio is designed to meet the needs of mission critical applications. The absence of cooling fans not only minimises noise, but also eliminates moving parts (which are susceptible to wear), optimising both the lifetime and the total cost of ownership (TCO). This makes the range suited for use in critical applications, including control rooms, television studios
and corporate boardrooms.
The OverView LVD-5521D and OverView KVD-5521D use the Video wall Manager software to make it easy to install and control the video wall, while enhancing user-friendliness. The integration of DisplayPort v1.2, which makes it possible to feed 4 displays in loopthrough with 4K@60Hz content, is vital for easy connection with a limited number of cables. Both products are cobranded with a Barco ecoscore A. Compared to the previous model, the KVD-5521D consumes 20% less energy, representing a significant improvement in energy efficiency. By minimising energy consumption, businesses can lower operational costs while actively contributing to environmental conservation in alignment with their commitment to sustainability. This dual benefit of cost efficiency and eco-friendliness makes the next-gen OverView video walls an ideal choice for forward-thinking organizations.
“The refreshed Overview LCD video wall range offers customers even more value for money”, says Gerrit Vermeire, Director R&D Displays at Barco. “Complemented with our flagship Barco UniSee range, this creates a complete LCD portfolio – which allows us to always suggest the solution that best answers the users’ needs and budget.” Both the OverView LVD-5521D and OverView KVD-5521D are now available in stock for orders. Contact your local sales representative for all details.
Digital Projection projector-based autocalibration
Digital Projection has created an all-new software tech stack that allows users to design and implement an entire installation all within the company’s bespoke software platforms. Thanks to the company’s next generation electronics platform, Nexus, customers can now benefit from automatic projector calibration including advanced align, warp and blend tools without the need for third party applications. This precise pixel blending and warping is done directly in the projector hardware something totally unique to Digital Projection, providing the most accurate warping on the market, seamlessly integrated not only in the projectors but also with export functionality.
The tech stack is split into two distinct areas: pre-installation, for users’ design needs, and installation tools, which enables them to realise their vision. When a user needs to design complex applications with multiple projectors, they need Multi Projection Simulator Pro. Used internally by Digital Projection staff and now being released to the market, Multi Projection Simulator Pro gives users the ability to design and deploy their environments completely from within the Digital Projection tech stack. With advanced features such as automatic layout assist, situation simulation and imports of 3D objects, Multi Projection Simulator Pro is one of the most powerful projection design tools on the market today.
Built into the latest version of Digital Projection’s Projector Controller II software is the ability to automatically align, blend and warp multiple projectors using a camera. The Projector Controller II program interfaces directly with Nexus, Digital Projection’s new electronics platform, eliminating the need for third party auto-calibration software.
Projector Controller II allows the management of multiple projectors from a single, centralised PC based application. Ideal for use in large installations or where projectors are in multiple locations in a building, the software can dramatically reduce the time required for setup and configuration. There are two versions of Projector Controller II’s auto-calibration tools:
•Smart Align is a free add-on ideal for simple flatscreen calibration using only a mobile phone
•Advanced Align is a camera-based solution for complex, multi-channel surfaces.
Advanced Align is a (a paid solution with a 30-day free trial) that makes full use of the capabilities of the Nexus chip to offer users an advanced calibration solution, including 2D and 3D content mapping, warp and blend, and full integration with media servers and presentation switchers, via the projector hardware. With Advanced Align, the warp/blend is carried out in the projector hardware to provide the most accurate pixel-based
blend. This reduces overhead on the server, eliminating the need for expensive third-party image generators. Additionally, the output is uncompressed when autocalibration and warp/blend is performed by the projector hardware, unlike the inferior compressed output from a computer’s graphics card. While many similar products only refer to individual projector warp, Advanced Align captures the whole screen and provides edge blending and content distribution with the highest accuracy across multiple projectors – all inside the projector, minimising latency while ensuring optimal image quality.
VSN V3 from Datapath now available with Xeon processor
Datapath has introduced Intel’s powerful Xeon CPU to its VSN V3 video wall processor to meet the demand for today’s high resolution, high demand Control Room applications. Datapath’s VSN systems are used by governments and organisations around the globe, in industries ranging from defence and network security to utility and blue-light services.
Already available with Core i9 or i7 processing power, the addition of a Xeon processor now gives the VSN V3 a further CPU option, with a clock speed of 4.8GHz and a 16MB cache. Memory options are the highest in the Datapath range - up to 128GB, with USB 3.0 included to support high transfer speeds and connectivity to the latest devices.
Along with a choice of processing power, each VSN V3 can be preconfigured with Datapath Image graphics, Vision capture and SQX IP decode cards for specific project requirements of any size. Adding to its efficiency credentials, the VSN V3 chassis boasts a revolutionary
award-winning design - optimizing airflow to improve heat management and reduce noise. This design, along with a new platinum rated redundant power supply, makes this the most efficient VSN to date.
The latest VSN backplanes are designed by Datapath engineers to ensure stability and cool operating temperatures. The chassis also includes unique hot-swappable fan technology, enabling uninterrupted 24/7 use and maintenance in the most critical installations. Trusted by governments and organizations across the world, Datapath’s VSN V3 video wall controller has been designed for use in demanding control room environments. Each component has been rigorously tested to ensure high levels of performance and reliability. Diag-Suite is available on all Datapath systems and provides real time information on the performance of the controller and can be used by system administrators and support teams to quickly identify and rectify any unlikely system issue.
Biamp Parlé VBC 2800 4K conferencing video bar
The Parlé VBC 2800 is an all-in-one conferencing bar featuring Biamp Audio Intelligence and Biamp Video Intelligence that delivers high performance AV experiences across all meeting spaces up to and including large conference rooms.
The VBC 2800 features a new dual 50 MP + 8 MP ePTZ camera system that clearly sees everyone, even further down long conference tables. The ePTZ system also features up to 16x digital zoom, and AI auto framing technology automatically switches between telephoto and wide-angle cameras for the best shot. With inte-
grated Acoustic Echo Cancellation (AEC) and AI Noise Reduction, the VBC 2800 uses a 27-microphone array and Biamp Beamtracking technology to actively track and intelligently mix conversations from around the room.
Avocor Google Certified EDLA OPS
Avocor will introduce the Avocor EDLA OPS to its comprehensive lineup of professional interactive displays. The new feature will enhance educational and professional environments by providing seamless access to Google Mobile Services (GMS) and robust performance when working with the Google suite of educational and productivity tools.
The Avocor EDLA OPS Android PC is a modular slot in the compute platform that fits into each Avocor interactive display and is certified under Google’s Enterprise Device Licensing Agreement (EDLA) program. This EDLA OPS offers new and enriched capabilities for Avocor interactive displays via integration with GMS. End users benefit from quick and easy access to apps via the official Google Play Store and native integration with Google Tools, including Google Docs, Sheets, and Slides. Moreover, Google Play Protect offers improved app and device security.
“We are excited to introduce the Avocor EDLA OPS, designed to enhance interactive learning and productivity in classrooms and personal workspaces. By integrating Google’s suite of tools, our OPS elevates the functionality of Avocor displays for a more immersive user experience,” explains Dana Corey, General Manager and SVP of Global Sales at Avocor.
With seamless access to the Google Play Store, educators can use a vast library of resources to enhance classroom interactivity and learning experiences. Educators can confidently and securely download apps and games, while Avocor interactive displays make it easy for students to engage with content. Google Classroom also streamlines the management of assignments, grading, and communication to improve efficiency.
Access to Google’s suite of robust collaboration tools provides various solutions for businesses navigating the hybrid work environment. Remote and on-site teams can collaborate on Google Docs and Sheets in real-time, access documents locally, and make edits simultaneously without needing additional devices. The Avocor EDLA OPS can provide centralized management of meeting room devices for IT managers. Features such as remote updates, configuration settings, and device monitoring help streamline the maintenance process and ensure all devices are optimized. The Avocor EDLA OPS will now be available as standard on Avocor 16:9 interactive displays, shipping from Autumn 2024.
Vivitek NC-X500 cost-effective
wireless presentation and collaboration
Vivitek announces the launch of the NC-X500, a wireless presentation device designed to facilitate seamless collaboration in professional and educational settings. Developed to transform how teams present and discuss content, the NC-X500 is engineered for seamless integration and control, offering great operational features while setting a new benchmark for performance and versatility; all at a price that offers exceptional value.
Engineered to meet the diverse needs of professional and educational environments, the NC-X500 supports high-resolution mirroring of videos, photos and documents. This ensures that presentations and collaborations are conducted with exceptional clarity and vividness, making them memorable for audiences while enhancing the overall end user experience.
With built-in NovoConnect wireless presentation and collaboration tools, the NC-X500 supports connections from up to 64 participants, enabling up to four to share their screens simultaneously. This feature is made available to users free of charge, aiming to facilitate dynamic and interactive engagements in meetings and classrooms, making it easier to present and discuss content in real-time.
Utilising the USB plug-and-play LauncherPlus, users can establish wireless connectivity between their laptops and the NC-X500, delivering instant screen mirroring without the need for physical cables. This plugand-play feature simplifies the setup process, making it quick and easy to start presentations and keep meetings productive. NC-X500 empowers users to wirelessly link their computers to in-room AV devices such as cameras, microphones, and speakers, which ensures seamless participation in online meetings. Compatible with both Windows and MacOS, BYOM ensures a smooth integration of personal devices into the meeting environment.
The NC-X500 enables screen duplication over the corporate network, so that the main screen can be duplicated across different rooms. This feature is ideal for large groups split across multiple breakout rooms, ensuring that everyone can share and view the same content.
The NC-X500 supports SysControl, a function that sees device control commands sent over the network. Typical commands include standby, wakeup, setting audio volume, and switching video sources. The NC-X500 offers a comprehensive cloud-based device management system, providing a dashboard, device snapshot, and remote-control capabilities. Features include firmware updates, remote assist for viewing and clicking on the device screen in the cloud and managing devices by group. This cloud-based system enhances the ease of
managing and maintaining the NC-X500, ensuring optimal performance and functionality.
“The user experience lies at the heart of Vivitek solutions,” said Holger Graeff, General Manager, Vivitek EMEA. “The NC-X500 is true to Vivitek’s values of offering a simple to use solution that delivers on value and performance, without compromising security or flexibility.” The NC-X500 is available now for £499.00 ex VAT.
Boom simplifies conferencing connectivity
Conferencing manufacturer Boom Collaboration has developed a powerful new multi-connectivity hub designed to create better meetings, simply.
The Boom ZYGO offers one cable connection, multiple 4K screen and camera connectivity plus the ability to charge individual devices.
The compact docking station has been developed to address growing demand for BYOD (Bring Your Own Device) and plug-and-play conferencing trends, as well as in-room PC deployments.
Boom Co-Founder, Fredrik Hörnkvist, is hailing the ZYGO as the ultimate connectivity hub, from simple to more sophisticated room installations.
It combines ease of use with triple 4K display connections plus legacy options. It’s platform agnostic, helps cut cable clutter and boasts extensive device capacity of 2x USB-C 10G ports and 4x USB-A 5G ports. A 1GbE
LAN port ensures fast internet connection.
“Our whole ethos is around creating better meetings simply and the ZYGO is another important step forward in what is a continuing pursuit of excellence,” he added.
“It’s the ultimate hub for seamless meeting connectivity and in many ways the missing link for simple and streamlined conferencing deployments, with a wealth of connectivity. Furthermore the ZYGO gives the user complete control rather than being locked into a specific system with a narrow set of options.”
The ZYGO comes with a mounting kit and ensures wherever people are working they have quick and instant access to high performance collaboration.
That’s the view of fellow founder Holli Hulett who emphasised: “Gone are the days of a big clunky piece of conferencing hardware sat gathering dust in the corner of a boardroom because no one knew how to use it.
“The market is definitely maturing now with some organisations having to replace their previous equipment bought during the mad rush of Covid. USB connectivity is the way forward for many and is becoming widespread across our product portfolio.
“We like to bring something different to the table and are ideally suited to help customers capitalise on the latest market trends. Easy connectivity and high performance hardware helps create better meetings, simply.”
Sony Professional partners with Xibo on remote displays and signage
Sony Professional Displays & Solutions has partnered with Xibo, a leading provider of open-source digital signage software solutions. The partnership combines Sony’s Cloud API and Zero-Touch Provisioning with Xibo’s software solution to make it quick and easy for businesses to deploy, scale, and manage their entire signage network remotely.
Traditionally, digital signage and interactive display networks have been costly and challenging to manage without the right technical expertise, particularly when the network starts to scale. The Sony-Xibo partnership is said to solve this. The integration with Xibo lets non-technical users deploy, scale, and manage their displays and signage remotely from the Xibo CMS. This eliminates the need for tools such as remote controller operations and USB sticks, dramatically reducing the effort and cost of system integration.
“With the industry’s growing focus on remote scaling and management, we’re thrilled to expand our partnership with Xibo,” said Thorsten Prsybyl, European Retail Sales Manager at Sony Professional Displays & Solutions. “Our new features integrate perfectly with Xibo’s CMS, offering clients unprecedented control over their signage networks. It’s another step towards the standards our clients have come to expect.”
“Xibo is excited to be the first digital signage partner to integrate Sony’s Cloud API & Zero-touch Provisioning globally,” added Dan Garner, Director of Engineering at Xibo. “We already had significant demand for these services, so the timing was perfect. We’re delighted to deepen our partnership with Sony and provide our customers with the exact solution they’ve been asking for.”
To install and set up BRAVIA Professional Displays and Xibo, users can simply enter a 6-digit code on their Xibo account.
MC audio at Arcadia’s Dragonfly stage
This year’s Glastonbury festival saw performance art collective Arcadia Spectacular inaugurate the sensational Dragonfly stage, featuring a giant metal insect built from a former navy helicopter and repurposed machinery. Founded by creative engineers Bert Cole and Pip Rush, Arcadia debuted at Glastonbury in 2007, and has been given a permanent area since 2014. Supporting music festivals and cultural events around the globe, the collective hosts the world’s biggest DJs to its oldest indigenous communities, and draws talent from across the arts, theatre, and circus disciplines. Supporting the visual spectacle was Sennheiser’s Evolution Wireless Digital EW-DX system, delivering crystal-clear, detailed sound for the Dragonfly Stage.
Kevin Gwyther-Brown, Sennheiser’s Business Development Manager, has always been fascinated by Arcadia’s extravagant shows and met Cole earlier this year.
“When Glastonbury was approaching, Bert reached out to see if Sennheiser was interested in supporting Arcadia’s new project. We definitely were! He then introduced me to Jacob [Kuenzler-Byrt, Deputy Technical Manager at Arcadia], at which point I also involved Marcus [Blight, Technical Application Engineer at Sennheiser] for additional support,” says Gwyther-Brown.
The stage design included MCs on podiums, requiring a large RF coverage area. Sennheiser based the specifications around this, giving Arcadia full coverage across their area within the Glastonbury festival site. The MM 445 capsules were chosen because there was a potential that the microphones would be used in front of the main PA. “The biggest challenge was getting coverage for both in-ears and microphones across such a large area,” Gwyther-Brown explains.
Working with Arcadia’s rental partner, AF Live, the team provided a total of four channels of EW-DX with MM 445 capsules, and six channels of the 2000 series IEM, which was used for MC foldback and monitoring. Blight specified and prepared the equipment to be deployed by AF Live. “EW-DX offers uncompromised audio quality, ease of setup, and a small form factor. Battery
run time was a key factor, given how long Arcadia runs through each day and night of the festival. The high input dynamic range of the handhelds ensured that any loud MC would not overload the transmitters, avoiding the need to set transmitter sensitivity, which would be required with legacy systems,” said Blight. “Additionally, Sennheiser’s MM 445 dynamic capsule allows for the highest sound source inputs whilst providing incredible feedback rejection. It perfectly captures vocal details, making each performance even more enveloping.”
AF Live’s Director, Paul Rose, expressed his gratitude for Sennheiser’s support on the new Arcadia Dragonfly project, stating: “It was great to have Sennheiser with us this year. It’s a complex setup with the mics being situated in the middle of the sound field and inside the Dragonfly’s head itself. We have stocked Sennheiser products for years, and the EW-DX, combined with MM 445 capsules, delivered excellent performance with good vocal clarity across the arena. The EW-DX system was complemented by 2000 Series IEMs, offering clear monitoring for the artists performing within the spectacular structure.”
“Sennheiser has been massively supportive of the
This year’s Glastonbury festival saw performance art collective Arcadia Spectacular a former navy helicopter and repurposed machinery [Photo credit: Matt Eachus
Dragonfly Stage,” says Kuenzler-Byrt. “They provided us with expert advice and high-quality RF equipment. It’s an incredibly loud environment inside the Dragonfly’s head, and we were all very impressed by EW-DX with the MM 445 capsules. It provided excellent rejection while maintaining high audio quality.”
Arcadia’s range of recycled stages create unique sculpted environments for crowds of up to 50,000 and host the world’s finest DJs and musicians “Working with Arcadia and AF Live exemplifies the power of collaboration,” Gwyther-Brown notes. “Such partnerships are crucial in pushing the boundaries of what’s possible in live performances.”
Bert Cole, Director & Co-founder of Arcadia Spectacular, echoes Gwyther-Brown’s sentiments and concludes: “We were really grateful for the support from Sennheiser on this groundbreaking project, the technology really enabled us to push the boundaries!” Jacob Kuenzler-Byrt, Deputy Technical Manager at Arcadia: “It’s an incredibly loud environment inside the Dragonfly’s head, and we were all very impressed by EW-DX with the MM 445 capsules. It provided excellent rejection while maintaining high audio quality.”
AV Stumpfl supplies world’s tallest screen
AV Stumpfl supplied the tallest screen in the world – a 40m-high projection surface from its new Flex Contrast PRO range of high-end projection screens – to the Gasometer Oberhausen, a former gas holder-turned-exhibition space in the Ruhr, Germany. The record-breaking installation forms part of Planet Ozean (Planet Ocean), a new exhibition focusing on the beauty of the world’s seas which opened at the Gasometer on 15th March. Undoubtedly the highlight of Planet Ozean is the largescale immersive work Die Welle (The Wave), centred on a custom AV Stumpfl Flex Contrast PRO projection screen that rises 40 metres into the sky from the Gasometer’s central gallery. Conceived and implemented by Ars Electronica Solutions, Die Welle allows visitors to experience a photorealistic ocean world featuring gigantic crashing waves, life-sized whales and sea jellies, and huge schools of ocean fish. Ars Electronica Solutions conceives, designs and implements interactive and multisensory worlds of experience, including public exhibitions, brand landscapes, trade fairs and events.
“The Wave sculpture that we have developed here, in close collaboration with Ars Electronica Solutions and the composer Rupert Huber of Tosca, enables a completely new, immersive experience that would only be possible here in the Gasometer,” comments Nils Sparwasser, curator of Die Welle.
The computer-generated content for Die Welle was created from scratch by Ars Electronica Solutions, which began by simulating a virtual oceanic basin with a volume of over six million cubic metres of water. Using seven 30,000-lumen Epson laser projectors, the final product is projected onto a vast interlocking screen surface. “The initial research, as well as the initial technical planning and concept of The Wave, was done by Ars Electronica Solutions,” confirms Patrick Müller, head of technical operations for Ars Electronica Solutions. Müller and his team also came up with the idea to split the 40m × 20m L-shaped screen into five sections, each the right size for the projected video content.
Sigma System Audio-Visuell GmbH (SIGMA AV) was responsible for integrating the AV equipment, oversee-
inaugurate the sensational Dragonfly stage, featuring a giant metal insect built from
APPLICATION
ing projector positions and housings, cabling, sound, and installation according to Ars Electronica Solutions’ specifications, while geo – Die Luftwerker planned and constructed the ‘Wave’ itself, handling the trussing, static calculations, and installation and positioning of both screen surfaces (again according to Ars Electronica Solutions’ spec).
All project partners also benefited from the expertise of AV Stumpfl, whose Austrian team were on hand to provide assistance and support from the inception of the installation to its completion. Jan Walter, global sales director, screens for AV Stumpfl, comments: “Flex Contrast PRO is the perfect material to show off the breathtaking images to their best advantage. The projection screen manages to reproduce the full power of the projectors – the improved colour accuracy speaks for itself. We are delighted to be able to contribute to this unique experience.”
Jeanette Schmitz, managing director of Gasometer Oberhausen GmbH and curator of Planet Ozean, explains why the Gasometer is the perfect venue for the visual splendour of Die Welle: “The Gasometer Oberhausen is known as the ‘cathedral of industrial culture’. The 100-metre-high airspace offers a unique spatial experience and plenty of space for extraordinary installations, which are the visual highlight of every exhibition.
“We were immediately won over by the concept of The Wave, as it plays on this gigantic space and casts a spell over visitors to the exhibition – where else would you get the chance to go on a hunt with sharks or marvel at humpback whales in their original size? The Wave is also an important pillar of our fundamental concept, as our new exhibition opens-up as an overall model with various communicative approaches providing an unrivalled insight into the world of the ocean.”
In addition to being the site of the tallest screen in the world, Planet Ozean is the Gasometer Oberhausen’s most successful show to date, Schmitz adds: “In the first four weeks, we welcomed more than 150,000 visitors to the exhibition. This makes Planet Ozean the most successful exhibition in terms of visitor numbers in the Gasometer’s 30-year history as an exhibition hall.”
AV Stumpfl supplied the tallest screen in the world – a 40m-high projection surface from eter Oberhausen, a former gas holder-turned-exhibition space in the Ruhr, Germany. Oberhausen GmbH]
The brand-new, state-of-the-art Terminal A is now open. The one million square foot Port Authority’s history.
Newark Airport’s Terminal A airport renaissance
The brand-new, state-of-the-art Terminal A is now open. The one million square foot facility with 33 gates represents the largest single investment in New Jersey in the Port Authority’s history. The terminal boasts 21st-century technology, inspiring public art, world-renowned retailers, and locally inspired concessions. Complementing the public art program is an immersive digital journey that captivates passengers with the Garden State’s renowned landmarks, art, and innovations through a series of permanent large-scale multimedia installations designed to prioritize the New Jersey sense of place that is distinct to the aesthetic and design of Terminal A. Replete with all the bells and whistles, Terminal A at the New Jersey transit hub received the World’s Best New Airport Terminal Award by Skytrax, the preeminent industry ratings firm. Completed in 2023, Newark’s Terminal A now joins LaGuardia’s Terminal B as the only two airport terminals in North America awarded the highest Skytrax rating. The terminal served 15 million passengers in its first year, greatly outperforming yearly passenger totals from the previous Terminal A, and part of what makes Terminal A stand out is the crystal-clear audio served from AtlasIED’s GLOBALCOM communications platform.
When the Port Authority began planning the renovations for Terminal A, they turned to long-term integration partners MKJ Communications to help design the complex paging system that would serve the massive complex. MKJ had previous experience outfitting airport terminals as part of LaGuardia Terminal B’s AV overhaul and was well-suited to tackle a project of Terminal A’s scale.
“Airports generally have very high noise floors,” said Ylli Dika, Project Manager for MKJ Communications. “From travellers to vehicles to machinery, it adds up to significant audio fatigue in a short amount of time. We knew we needed a system that would provide the necessary audibility and intelligibility for sharing critical travel announcements, which is why we recommended GLOBALCOM.”
MKJ’s implementation team chose the AtlasIED TitanONE T112 smart mainframe power amplifiers to provide signal automation, processing, and amplification in a single modular solution. When fully populated with amplifier cards, it offers 12 main channels of amplification and two backup channels for redundancy. If an amplifier card fails, the digital signal processing is automatically switched to the backup amplifier card.
The T112 is also equipped with SystemAssured Supervision for entire system monitoring and fault detection to ensure worry-free 24/7 operation. It incorporates At-
from its new Flex Contrast PRO range of high-end projection screens – to the Gasom-
foot facility with 33 gates represents the largest single investment in New Jersey in the
lasIED’s patented smart technology called AlwaysHEAR, which ensures that the audio levels are automatically adjusted to the perfect sound level. 48 TitanONE T112s were used to power over 2300 in-ceiling, pendant, and surface mount loudspeakers installed throughout the terminal.
Paging throughout Terminal A is initiated from any of the 120 Dante-enabled AtlasIED IED570DDT-H digital communication stations deployed at the gates, ticket counters, and central operations. The devices have a fully programmable touchscreen user interface and a handheld microphone. The handheld microphone assembly contains an omnidirectional electret condenser microphone cartridge that eliminates the proximity effect of creating a “boomy” sound when a user speaks close to a microphone.
The Port Authority also wanted to integrate the GLOBALCOM platform with the airport fire evacuation and alarm system to better coordinate communication activities with passengers. Whenever a fire alarm is triggered in the terminal, the paging system is muted with the exception of the fire command mic station in central operations. MKJ used IP-1522LR logic/relay modules to integrate the fire alarm and paging systems together. The PoE-powered programmable relay device can be used for a wide variety of remote control and automation applications and is equipped with two electro-mechanical relays and two optically isolated inputs.
“Integrating the fire alarm and paging system was challenging, but the GLOBALCOM platform helped simplify the installation while also making it easy to create and modify paging zones as requirements evolved,” said Dika. “Our partnership with AtlasIED and experience with its products made the installation go smoothly, and we’re very proud of our role in making Terminal A a world-class experience for travellers.”
Feedback from passengers traveling through Terminal A has been overwhelmingly positive. The attention to detail is evident in every aspect of the terminal — there’s even a children’s lending library curated by a local fifth grader and an indoor playground. Passengers visiting this award-winning terminal can hear audio and receive instructions from airport personnel with clarity, reducing travel-related stress and helping terminal operations run smoothly and safely.
Christie HS Series projectors illuminate Osmania University’s Arts
Christie DWU23-HS laser projectors play a pivotal role in a new light and sound show at Osmania University, transforming the façade of its iconic Arts College building into a canvas for breathtaking visual displays. Located in Hyderabad, Osmania University is one of India’s oldest and most prestigious institutions of higher education. The university undertook this large-scale nighttime spectacle to celebrate and preserve its rich history and foster pride and appreciation for its heritage among students, faculty, and visitors. The project is designed to enhance the educational experience by offering an innovative and engaging way to explore Osmania University’s journey since its founding in 1917.
Aura Bright Light India Pvt Ltd integrated the project and was instrumental in bringing this amazing display to reality. Its expertise in integrating advanced AV technologies with historic architecture ensured a seamless blend of modern visuals with the university’s history.
Aura Bright Light India meticulously managed the installation, testing, and commissioning of the Christie DWU23-HS projectors, ensuring optimal performance and reliability.
“Using the Christie DWU23-HS projectors, we achieved outstanding visual clarity and colour accuracy that brought the light and sound show to life,” said Shailesh Vasani, managing director of Aura Bright Light India. “This project is our first large-scale endeavour combining both visual and audio technologies, and we are proud to deliver high-resolution images with remarkable detail. Our team’s dedication to seamlessly merge advanced technologies with the university’s iconic architecture was crucial in creating an immersive and captivating experience.”
Rishubh Nayar, sales director for India, Enterprise, Christie, added, “We are thrilled that our DWU23-HS projectors were chosen for this prestigious project. The superior performance and reliability of the HS Series projectors make them the perfect choice for such a significant installation. It’s an honour to contribute to a project that blends technology with culture and history so effectively.”
The Christie DWU23-HS projectors are strategically positioned to deliver colourful, lifelike imagery on the Arts College’s façade, which spans 350 feet in length (107 metres) and 60 feet in height (18 metres). With guidance from Rhino Engineers Pvt Ltd, which managed the project and provided design consultancy, and the creative content expertise of Knownsense Studios, the project was executed seamlessly and completed
on schedule. “We’re very pleased to have been a part of this major project that brilliantly brought Osmania University’s rich history and achievements to life,” said Narendra Naidu, chairman and managing director of Rhino Engineers. “The collaboration between all teams has resulted in a truly fascinating and educational experience for all.”
The show features music by Indian composer and playback singer Vandemataram Srinivas, and voiceover by renowned South Indian actor Sai Kumar. Inaugurated by India’s Tourism and Culture Minister, G Kishan Reddy, the 20-minute performance runs on weekends, delighting spectators with its immersive visual and auditory experience. “This synergistic partnership makes Osmania University’s light and sound show a standout feature, successfully preserving and celebrating its rich heritage while creating a lasting impact on the university and the community,” Vasani added.
Featuring BoldColor+ technology that enhances colour performance with deeper blacks and more natural, realistic onscreen visuals, the 23,650-lumen DWU23HS laser projector is known for its compact form factor and quiet operation, with noise levels as low as 35dBA. This makes it ideal for various applications ranging from live events to museums and boardrooms. Additionally, the DWU23-HS is compatible with Christie Mystique, an automated camera-based alignment and recalibration
software that allows for quick installation, alignment, calibration, and maintenance of multi-projection systems.
Christie DWU23-HS laser projectors play a pivotal role in a new light and sound show at Osmania University, transforming the façade of its iconic Arts College building into a canvas for breathtaking visual displays.
PPDS brings bright new wowfactor to Fersa Bearings
PPDS has announced the installation of two spectacular new dvLED walls inside Fersa Bearings’ newly opened HQ in Zaragoza, transforming communications between teams and visitors, while delivering more sustainable working environments. Founded in 1968, and present in over 85 countries – including offices in Spain, Austria, USA, Brazil, India, and China – Fersa Bearings is a global leader and innovator in the design, development, manufacturing, and supply of complete Tier1 bearing electromechanical components and solutions to the automotive industry.
Driven by its innovative nature, from its customer-centric approach to delivering dependable products and services, through to its extensive investment in research and development, Fersa Bearings is now a well-recognised brand of choice for some of the world’s leading vehicle manufacturers for selected models – such as Mercedes Benz – and is a go-to approved alternative to original equipment manufacturers (OEM) for the likes many others.
Continuing to experience exponential growth on a global scale, Fersa Bearings recently relocated to a stunning glass-walled HQ in Zaragoza and required a range of state-of-the-art visual solutions to communicate and showcase its position of excellence, while creating new innovative presentation opportunities and other corporate activities for its expanding workforce.
To turn their vision into reality, Fersa Bearings teamed up with PPDS and HubTech – a local Zaragoza-based AV system integration specialist to create two supersized bezel-free videowalls. The perfect match for the light and inspiring spaces, the Philips Public LED High Bright 7000 Series was quickly identified as the standout choice for the installation of the imposing 5 x 2.75m and 6 x 3.5m dvLED videowalls in the building’s main hall and auditorium spaces.
Tailored to meet their exact needs and requirements, the engaging Philips dvLED walls take centre stage from the moment of entering the building, delivering an instantly positive and professional impression of the business. In the main hall, the 6 x 3.35m display wall brings perfect opportunities for branded communications showcasing product innovations and corporate values, inspiring both visitors and staff alike.
Inside the company’s 40-seat auditorium, Fersa Bearings’ 5 x 2.75m videowall provides elevated presentations – whether as part of a team meeting or to existing or prospective customers – with every detail brought to life, from stunning video to detailed spreadsheets, with vibrant colour and extraordinary picture quality. With the main hall and auditorium featuring wall-to-wall glass windows, the Philips Public LED High Bright 7000
Series’ 1200 nits’ brightness ensures uncompromised viewing experiences at all times – including exposure to direct sunlight – key to the project’s success.
All panels used in the project come with built in cable management, keeping power and data wires tidy, while the display cabinets are daisy chained for both power and data to minimise clutter and speed up installation. For optimal performance, both videowalls feature Philips dvLED’s 24/7 Active Health Monitoring, helping Fersa Bearings’ AV/IT management teams to predict, pinpoint, and resolve any issues before they even occur. Adding further protection, the Philips dvLED videowalls include IP30 rated conformal coating, making them resistant to potentially harmful airborne pollutants, including dust, dirt, fungus, and moisture, reducing the risk of corrosion and short circuiting.
Mirroring PPDS’ own global strategy, Fersa Bearings has also placed sustainability and the impact of its products, processes, and actions on the environment as a key pillar of the business. Supporting the ISO 14001 Environmental Management Certification in all its facilities, the Philips Public LED High Brightness 7000 Series features ‘Dynamic Power Saving’ technology, allowing for up to 20 per cent lower running costs compared to other comparable market models. This helps to re-
duce the total cost of ownership without compromising on quality or performance, while also extending product lifetimes and cutting electronic waste.
Angel Alonso, Managing Director, HubTech commented: “It has been an honour to lead the design, execution and implementation of a unique project in Zaragoza for FERSA, which has been made possible by PPDS and the great teamwork, which I am fortunate to lead, and which has shown once again that with dedication, enthusiasm, and professionalism the result is better than expected.” Cesar Sanz, Sales Director Iberia and France at PPDS, commented: “Whether it’s outdoor, indoor, or All In One installations, PPDS has a dvLED portfolio to support the range of environments, purposes, and budgets. This fantastic project at Fersa’s head office in Spain demonstrated our ability to meet their precise needs and requirements, with the scope and freedom to evolve their displays to suit their needs into the future. PPDS continues to gather incredible momentum for LED projects around the globe and we’re delighted our Philips Public LED 7000 Series is making an incredible impact for such a prestigious client.”
University of Greenwich chooses Alfalite displays
Alfalite has announced that the University of Greenwich, located in the borough of Greenwich in London, England, is now using an Alfalite Modularpix Pro 1.5 ORIM VP XR LEDWALL for its new centre of excellence for education and research in audiovisual content and process. This centre, which has been named SHIFT (Shared Hub for Immersive Future Technologies), aims to be a pioneer in the study and development of advanced audiovisual technologies.
The choice of Alfalite technology underlines the university’s confidence in the innovative and high-quality solutions offered by the European brand. The Alfalite Modularpix Pro 1.5 ORIM VP XR LEDWALL will provide an advanced platform for the creation and display of XR content, which is central to the institution’s research and education activities.
Mo-Sys has been responsible for the supply and integration. In addition to Alfalite’s LEDWALL it has also integrated its StarTracker Max systems and other XR solutions for a complete VP XR solution. Through this new centre, the University of Greenwich will design virtual production training programmes for industry professionals, participate in research and knowledge exchange projects to identify new products in the sector, and offer employment and internship opportunities for students in the competitive film industry.
Luis Garrido Fuentes, managing director of Alfalite,
commented: “We are very proud that the University of Greenwich has chosen our solutions for their education and research reference centre. This project is a testament to the quality and performance of our LED technologies, and we look forward to seeing how our products contribute to the advancement of research and education in audiovisual content.”
The LEDWALL at the University of Greenwich is being managed by the Brompton SX40 and XD Unit LED video processors. This project therefore stands out as the only 100% European VP XR solution.
Alfalite has announced that the University of Greenwich, located in the borough of Greenwich in London, England, is now using an Alfalite Modularpix Pro 1.5 ORIM VP XR LEDWALL for its new centre of excellence.
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Julia Baumgartner joins Datapath
Datapath has strengthened its DACH operations further with the appointment of Julia Baumgartner as Business Development Manager for the region. Julia brings a strong audio-visual knowledge to the role, particularly in KVM and control. Her past roles include 8.5 years at kvm-tech electronic gmbh, where she rose from international sales roles to Managing Director.
Effective immediately, Julia’s new role will see her working closely with Datapath’s DACH and Western Balkans Sales Manager, Vladimir von Kendjelic-Gorcey, to drive new business – particularly solutions involving Datapath’s multi-award winning Aetria solution for control rooms and multi-source video management.
Germany continues to be the leading market across EMEA, with a GDP exceeding $4Trillion. With a strong investment in technology, Datapath is looking to reinforce its presence in the region by adding Julia’s sales and business skills to its Germany team.
“I very much look forward to driving new business for Datapath,” says Julia. “I am familiar with the technology from my time at kvm-tech and have been impressed with Datapath’s drive and commitment to improve Control Room operations. I have been closely monitoring the progress that Aetria has been making within the global Control Room market and I am really looking forward to continuing that momentum here in Germany and surrounding territories.”
Phil Davenport, Director of Sales and Operations EMEA, welcomed Julia to the Datapath team: “We are pleased to make this announcement and welcome Julia to the Datapath family. Julia brings a technical know-how and multi-lingual skills that make her the ideal choice for the role. DACH is a key territory for Datapath and, with Julia working alongside Vladimir, we have a strong sales team to ensure established and new customers in the region receive the highest levels of service.”
BCS senior appointment for new service
BCS has appointed Russell Willis to head up and develop its new Data and Delivery Intelligence Service which will provide clients with Data Driven Project Controls across all areas of a programme including risk, cost and health and safety. In his new role Russell will look to further develop bespoke solutions, catalysing Data Analytics, Business Intelligence, and PMO/Project Controls, under the collective banner of “Delivery Intelligence”, to fully optimise and automate performance reporting functionality and ensure that programmes remain on time and on budget. This will drive innovation at all stages of the project lifecycle, from initial dataflows, to the final close out and lessons learned.
Commenting on his appointment Chris Coward, Director of Project Management at BCS, said: ““Russell’s role will be to build on our current processes to drive efficiencies and mitigate risk for our clients on projects, programmes and portfolios, at all stages from tender to completion. His skills and expertise in this area will add value to the service we provide our clients, and we are excited to welcome him to the team.”
Peter Lee announces retirement after 24 years with Orban
Orban has announced that Peter Lee, Senior Vice President of Global Sales & European Operations, will retire from his position effective December 31, 2024. This marks the conclusion of a remarkable 24-year career with the company.
Peter’s journey with Orban began in 2000 when he joined Dialog4. He was instrumental in the asset purchase by Orban/CRL, which laid the foundation for his future contributions to the company. Following this acquisition, Peter took on the role of European Sales Manager and quickly advanced to Vice President of European Sales and General Manager of Orban Europe. Under his leadership, Orban successfully relocated its USA manufacturing operations to Germany, where Orban continues to produce its renowned OPTIMOD Digital Audio Processors.
In 2018, Peter expanded his leadership role to become Senior Vice President of Global Sales. During his tenure, he not only navigated the company through significant industry changes but also helped position Orban as a continued leader in broadcast audio processing. Peter’s work has had a lasting impact, ensuring that Orban remains at the forefront of the industry during a period of significant transition. Reflecting on his time with the company, Peter remarked, “Working for Orban has been an honour. The broadcast markets are going through a transition period, and I am confident that Orban has the tools to assist and remain successful.”
David Day, CEO of Orban, expressed his deep appreciation for Peter’s contributions: “We want to take this opportunity to extend our heartfelt gratitude for your valuable contributions to Orban during your tenure. Your efforts, dedication, and professionalism have not only been greatly appreciated but have also played a significant role in the success and growth of Orban. You have consistently demonstrated a high level of commitment
in your work, and your positive attitude and collaborative spirit have been an inspiration to your colleagues.” Peter’s leadership, vision, and unwavering commitment to excellence have been instrumental in shaping Orban’s success over the past two decades. As he enters retirement, the entire Orban team wishes him the best in his future endeavours.
L-Acoustics restructures and expands EMEA sales team
L-Acoustics, experiencing record-breaking growth, announces a strategic restructuring and significant expansion of its Europe, Middle East, and Africa (EMEA) sales team. This move, led by recently appointed Director of Sales EMEA, Tim Völker, introduces a new ‘Head of
Sales’ management position and key hires designed to meet the increasing sophistication and scale of projects in the region. This restructuring reflects L-Acoustics’ commitment to meeting evolving market needs. The company’s increased investment in personnel over the past two years has been strategically directed towards enhancing client support, improving service quality, and providing closer account management. This client-centric approach has been well received across all market sectors, as evidenced by strong sales performance and growing market acceptance of L-Acoustics solutions. The cornerstone of this restructuring is the promotion of four long-standing team members to newly created Head of Sales positions, forming a robust leadership team crucial for meeting customer needs and service demand: Chris Mead (Middle East, India, Africa & Eur-
asia), Paul McMullan (Northern Europe), Tim McCall (South-Western Europe), and Steffen Luuk (Central & Eastern Europe). With a total of 28 years of experience at L-Acoustics and a proven track record in the professional audio industry, this sales management team is positioned to lead the company in the future. These promotions ensure strong leadership across the company’s diverse markets and will collaborate closely with Völker to drive the company’s growth strategy in the EMEA region.
Complementing the new leadership structure, L-Acoustics welcomes three new sales managers: Cyril Matar (Middle East), Thomas Williams and Tom Macklin (UK
& Ireland). This strategic combination of internal promotions, new talent acquisition, and the continued dedication of long-standing team members creates a dynamic and comprehensive sales force poised to capitalize on emerging opportunities while maintaining industry-leading customer support.
The Head of Sales teams will work in concert under the leadership of newly appointed Director of Sales EMEA Tim Völker, an industry veteran with a proven track record in driving sales growth and market expansion at dynamic companies like Sony Music Entertainment and Sennheiser. Völker joins L-Acoustics at a pivotal time;
the company has seen a remarkable 30% increase in its workforce over the past two years. This growth is mirrored by exceptional sales performance across all market sectors.
“Our growth strategy is two-fold,” Völker continues. “We’re deepening our relationships in established markets while expanding into new territories and applications. For instance, we’re seeing increased demand for our solutions in luxury residential projects and immersive entertainment experiences. Our expanded team has the expertise to drive growth in these exciting new verticals.” With its new leadership expertise and expanded presence, this strategic enhancement of the EMEA sales team is designed to create a solid and enduring structure that will drive the company’s continued success. As L-Acoustics continues to shape the future of sound through innovation and customer-centric approaches, these changes will play a crucial role in maintaining its position as a leader in the professional audio industry and beyond.
“The impressive trajectory of L-Acoustics speaks to the strength of our products and the trust our clients place in us,” said Völker. “Our expanded team is poised to support our existing partners better and drive growth in key emerging verticals and geographies. We’re capitalising on exciting opportunities in sectors such as high-end residential installations, and next-generation nightclubs. This proactive approach allows us to meet current demand while continuing to shape future trends in professional audio.”
Issues at IBC: the end of TV as we know it?
IBC IBC 13 - 15 SEPTEMBER 2024
Rai Amsterdam
The writing is on the wall for many of the UK’s hundreds of independent TV companies and even one or more of the core public service broadcast (PSB) channels that have been the driver of the UK’s creative media industry for decades, according to senior TV executives.
Hearing from panellists at the Edinburgh TV Festival session ominously titled ‘Back from the Brink: Reimagining The Future of Television’ it seems the only way to survive is to admit that the decline in viewing to traditional TV is irreversible and that contraction is inevitable Ros Atkins, Analysis Editor, BBC News, speaking during ’Back from the brink - Reimagining the future of television’ Patrick Holland, CEO, Banijay said: “Just in terms of the sheer economics there too many production companies for the amount of hours that are commissioned each year, too many.”
Dan McGolpin, Director, iPlayer and Channels agreed: “There are too many production companies and it going to be really challenging. You can’t sugarcoat that. People are going to have to move into other areas.
There isn’t perhaps the amount of demand, the money or hours to keep everybody alive.” Currently in the UK TV industry, an estimated 51% of those in TV drama are out of work. In unscripted, 57%. In commercials, 53%. Their situation raises a profoundly difficult question. How big can this industry be?
Fatima Salaria, Executive Chair of The Edinburgh TV Festival said: “While BBC, Channel 4, and Channel 5 do a completely different job, I think combining them all together on some kind of super iPlayer-type content platform would be an idea because I think that would ensure the survival of Public Service values. While Freely, the newly launched streaming service, is an attempt by the four UK PSBs to do just that, Salaria voiced concern that shows with a PSB remit, particularly documentaries and current affairs reflecting issues impacting the audience, will be lost. “There will be indies that will not be able to compete in the [streaming and social media] world because of the way their business is structured and I fear that you’re going to end up with an elite class of people who are going to be making elite type premium factual programs, and dramas who are going to be the winners and that shows about harder issues will get lost.”
Jordan Schwarzenberger, Co-Founder of Arcade Media and manager of The Sidemen works with digital creators to scale their portfolios and launch new businesses. He said he believed “attitudes among Gen Z and Gen A are drastically shifting away from PSBs and in reality, I can’t see the license fees sustaining at the same level unless there’s a greater shift towards how and where that audience are consuming, which is short form, which is on YouTube, which is on social.” He urged indies and broadcasters to “be brave and honest about the [decline in viewing] numbers because they are real. And it’s not going to come back.”
Earlier, Ros Atkins had given a typically astute summation of the state of UK TV. He explained how UK broadcast had gone from the heady heights of peak TV in the early 2020s - a time when producer revenues reached £6.8bn and the local industry employed over 90,000 people, to now where the freelance market is in a parlous state and serious questions are being asked about the future of PSB. “I’ve tried to understand this moment for UK television and keep coming back to four major shifts, all of them interconnecting, all of them taking TV somewhere new,” he said. The first is the shift in TV and video consumption. What people watch - and where they watch - are fundamentally changing. Last year, broadcast TV channels accounted for 62% of long-form programmes. That’s projected to be 28% by 2035. The BBC’s Director-General Tim Davie acknowledges: “A switch-off of broadcast will and should happen over time.” And already two types of platforms are taking its place. VOD streaming services and video-sharing platforms - like YouTube and TikTok. Together, they make up at least 30% of viewing minutes across
all devices in the UK. That is certain to go up..” The broader point is that the internet hasn’t just transformed the distribution of TV and video - it’s transformed what we watch and who is making it,” Atkins said.
As streaming and video sharing take more of the market - more content and distribution is controlled by a small number of international businesses. Amazon, Netflix, Disney, Apple, and Google – all based in America. And TikTok, which has a Chinese parent company.
AV News Awards 2025 – an industry highlight in the world’s biggest AV event!
The AV News Awards programme began as a recognition of excellence acknowledging achievements within the AV industry. What started as a simple certificate, distributed from the offices of AV News, soon evolved into a live event at ISE 2013. As the AV News Awards out-grew its allocated space in the Rai Amsterdam, Increasing demand resulted in further expansion with ISE’s move to Barcelona. The event continues to on grow, with record numbers of nominations year-on-year and hundreds of industry experts attending the Award Winners Presentation on the first day of ISE- the first event in the trade show itinerary even before the doors open.
Sponsoring the AV News Awards
The AV News Awards are hosted as a key element of ISE, the world’s largest AV technology event. The exclusive Award Presentation serves as a network-
ing opportunity and can enhance your business’s industry presence. Participating in the AV News Awards provides excellent exposure and offers a strong Return On Investment (ROI). It enables connections with non-cowmpeting businesses, fostering potential collaborations in the future. Event sponsorship boosts brand recognition before, during, and after the event, exposing your company to new audiences.
Why enter the AV News Awards?
Where innovation is the driving force, recognition and validation play a pivotal role. Impartially Judged Awards stand as a recognition of excellence, celebrating the groundbreaking contributions of individuals, organisations, projects and products that push the industry forward. Here we highlight the top 10 significant benefits that technology Awards bring:
1. Celebrate innovation and excellence in solutions and services
2. Boost industry recognition
3. Amplify visibility
4. Create networking opportunities
5. Build customer trust and confidence
6. Highlight benchmarking and improvement
7. Enhance end consumer confidence
8. Support sustainability
9. Underline community engagement
10. Inspire succeeding generations
Entering the AV News Awards is a strategic step that carries a multitude of benefits, both to individuals and organisations. These Awards not only validate your hard work and expertise but also differentiate you in a competitive landscape, enhancing your reputation, trustworthiness and visibility. Moreover, they motivate innovation, pushing the boundaries of what’s possible in the ever-evolving world of technology. Whether you’re an innovator, a tech company, or an aspiring professional, entering the Awards can be a game-changing move in your journey to success and recognition.
How to win an AV News Award?
As the AV News Awards programme has evolved so has the Award trophy - from a simple certificate to a custom glass trophy. Today the Award is showcased in many trophy cabinets across the world. To win one of these coveted trophies, the process is simple: First – Submit a nomination for each product, person, project or organisation in the appropriate Award categories by the deadline of the 1st December 2024. Second – Add supplementary information, images, videos or testimonials if you think it will help the judges reach a favourable decision.
AV News Awards categories include:
Technology, Project and Organisation Awards
AV Project of the Year (Education)
AV Project of the Year (Commercial)
AV Project of the Year (Live Events)
AV Project of the Year (Audio)
AI Innovation of the Year
Collaboration Innovation of the Year
Digital Signage Innovation of the Year
AV Sustainability Initiative of the Year
AV Organisation Awards
AV Reseller/Integrator of the Year
AV Manufacturer/Developer of the Year
AV Distributor of the Year
Personal Awards
AV Sales Professional of the Year
AV Support Professional of the Year
AV Marketing Professional of the Year
Submit your AV News Awards Nominations here! Submitting a nomination couldn’t be easier!
- The process is fully digital.
- Complete a separate nomination for each entry, in each category.
- Entries in the Personal Award categories are free of charge. Entries in every other category cost £140 (plus VAT where applicable) per entry. Entry fees will be invoiced on receipt of the nomination.
- The deadline for nominations is the 1st of December 2024. Judging will take place in December 2024 and the identity of the finalists published in the January 2025 issue of AV News magazine and posted on the avnewsonline.com website. Winners of the Awards will be announced at the presentation ceremony held at ISE 2025 Barcelona.
