PMA Research (PMA) has published the latest sellthrough tracking reports on large-format (32-inch and larger) flat panel displays being sold by leading North American distributors and Pro AV dealers who typically serve commercial markets. The first four months of 2025 have shown a steady increase in sales of flat panel displays sold through the U.S. Distribution channel. Year-to-date, unit volume is up 5% and revenues up 9% compared with the first 4 months of 2024.
A look at the trailing 12-month revenue trend shows the sales improvements so far in 2025, particularly compared with the downward trends in the second half of 2024. The trailing 12-month analysis removes the seasonal highs-and-lows that occur frequently in the AV displays business. Tariff uncertainty continued to drive orders from customers looking to lock in prices before the expiration of the implementation pause. Inventories were low for many display brands due to a combination of unexpectedly higher orders and some intentional planning for lower inventory levels at the end of the quarter.
Some of the largest format product segments contributed to sales growth last month. Sales for 98-inch LCD displays grew in April, and year-to-date volumes were 1.5 times higher than January through April 2024. Revenues, however, rose just 3% as the average price has tumbled nearly 30% since April 2024.Single panel 100to 105-inch LCD Display sales also added to the year-todate growth. January 2025 to April 2025 volume was up more than 1.5 times last year’s volume. However, average street prices have been heavily affected by extremely competitive prices from several Chinese brands. While all this is good news for the display industry, it remains to be seen if this accelerated growth has borrowed from future months and quarters sales, as distributors, integrators, and end-users scramble to secure pricing in advance of the inevitable tariff-fuelled price increases the industry is expecting.
PMA Research (PMA) has published the latest sell-through tracking reports on flat panel displays being sold by leading North American distributors and Pro AV dealers who typi cally serve commercial markets. The first four months of 2025 have shown a steady increase in sales of flat panel displays sold through the U.S. Distribution channel. Yearto-date, unit volume is up 5% and revenues up 9% com pared with the first 4 months of 2024.
PlexusAV promises to revolutionize the AV industry at InfoComm 2025
PlexusAV, the professional AV division of Sencore, pro viding a suite of human-focused AV-over-IP solutions, announcing that they will be releasing and demonstrat ing a number of new cutting-edge products, alongside their existing range, at InfoComm 2025. This expansion underscores PlexusAV’s commitment to delivering seamless, interoperable AV-over-IP experiences that meet the evolving needs of modern collaboration and communication environments.
Steven Cogels, Global Director of Business Develop ment at PlexusAV, confirmed, “We are very excited to show a number of new additions and new features to our range on our booth 3581 at InfoComm. We are ex panding our IPMX ecosystem with a powerful lineup of next-generation AV solutions and even more connectivity. This expansion underscores PlexusAV’s commitment to delivering seamless, interoperable AV-over-IP experiences that meet the evolving needs of modern collaboration and communication environments.” Leading the showcase is the new P-AVN-HDBT-GTW, a flexible gateway device that integrates HDBaseT 3.0 wall plates, switchers, PTZ cameras, and more into the PlexusAV IPMX network, while also enabling output from IPMX to HDBaseT 3.0 for even more flexibility. Also debuting is the P-AVN-HDBT-WP3 HDBaseT 3.0 wall plate series, which supports HDMI and USB-C inputs, configurable auto-switching, and up to 60W laptop charging
Seamlessly design, deploy and manage custom AV solutions for Microsoft Teams Rooms of all shapes and sizes and deliver pristine audio quality with unmatched scalability, effortless integration, and simplified management. The Windows-based Compute with built-in IntelliMix® Room DSP and intuitive Touch Panel provide a powerful base kit optimized for flexible use with the comprehensive Microflex® Ecosystem portfolio of conferencing audio solutions.
EXPLORE THE INTELLIMIX FOUNDATION SYSTEM AT INFOCOMM 2025 VISIT BOOTH #2843
See www.shure.com/microsoft for Shure solutions certified for Microsoft Teams
PlexusAV, the professional AV division of Sencore, providing a suite of human-focused AV-over-IP solutions, announcing that they will be releasing and demonstrating a number of new cutting-edge products, alongside their existing range, at InfoComm 2025.
in a sleek US Decora style 2-gang design.
In addition, PlexusAV will preview the P-AVN-CL-100, a one-wire USB-C connectivity hub designed to simplify meeting room connectivity. It features both a full-featured USB-C input and HDMI input, USB ports for camera and speakerphone peripherals, charging up to 100W, and an Ethernet bridge for network access, delivering a true single-cable solution for modern collaboration spaces. PlexusAV will be showcasing a live demonstration of the PlexusAV P-AVN-SCG - Stream Conversion Gateway - Designed to address a critical challenge in the AV industry, this device serves as a bridge between legacy and emerging technologies, offering unparalleled flexibility. Boasting a new and updated range of supported input and output protocols such as MPEG-IP, IPMX, NDI-HX, RTSP, SRT and RTMP the device is a true powerhouse for AV over IP protocol conversion.
Also on show will be the PlexusAV P-AVN-VA - Visual Array - The Visual Array makes the PlexusAV system truly turn-key by providing Bulk deployment, with the ability to configure a large number of units quickly and is super easy to drive. The system’s dashboard provides device statistics, alarm aggregation and even handy tools such as IGMP auto detect and IP Conflict detection. The Visual Array brings up the full PlexusAV system quickly and will auto-configure transceivers, create video walls, and monitor content with live video thumbnails from one screen, ensuring a user-friendly experience. The platform supports routing of AVN-4, AVN-2 and Stream Conversion Gateway signals, next to 3rd party IPMX devices.
Completing the InfoComm lineup will be the Plexus AVN-4 and PlexusAV AVN-2 transceivers. The Plexus AVN-4 is a 1GB IPMX-based encoder and decoder of video and audio signals. The AVN-4’s newest software release adds advanced features such as the High Compression stream, AAC/LC audio encoding and decoding, as well as extended resolution support. These new features complement the product’s impressive standard offering that includes Dante audio and JPEG-XS with Flawless Imaging Profile (FIP/TDC). The PlexusAV AVN-2 is for AV professionals balancing bandwidth limitations with high-performance needs. PlexusAV’s P-AVN-2 offers a compelling solution. Combining the efficiency of HEVC and H.264 compression with IPMX’s advanced capabilities, the P-AVN-2 delivers ultra-low latency, high-quality streams in bandwidth-constrained environments and at a very aggressive price point.
Shure to debut IntelliMix Foundation at InfoComm 2025
Shure, a leading manufacturer of audio solutions for collaboration, will be landing in Orlando, Florida 11th –13th June as a headline partner for InfoComm 2025. Celebrating 100 years of innovation, Shure demonstrates its continuous dedication to the AV industry by revealing groundbreaking solutions for all professional environments. Ahead of the show, Shure is announcing two new conferencing solutions that will enable AV and IT integrators to better support varied meeting spaces. In January, Shure introduced its IntelliMix Room Kits: complete, Certified for Microsoft Teams Room Kits with class-leading audio and video performance for small to large meeting rooms. Now, the company announces that the powerful compute and touch panel included in the room kits will be offered as a standalone base kit— the IntelliMix Foundation System - enabling qualified AV professionals to mix and match with Shure’s versatile Microflex Ecosystem portfolio of microphones and loudspeakers and complementary third-party camera and control products. “Shure has been offering superior, durable, and state-of-the-art technology that addresses unique user demands for 100 years. We maintain continuous conversations with our customers and partners, enabling us to integrate their input into our solutions, as we have done with the new IntelliMix Foundation System,” said Sam Sabet, Chief Technology Officer, at Shure. “With the new base kit, AV installers have even more flexibility to build their dream team of conferencing products to create people-centric meeting experiences, which is what organisations are looking for.”
The IntelliMix Foundation System is Certified for Microsoft Teams, with the compute featuring comprehensive,
Shure is celebrating 100 years of innovation at InfoComm 2025, the company will demonstrate its continuous dedication to the AV industry by revealing groundbreaking solutions for all professional environments.
built-in IntelliMix Room digital signal processing (DSP) optimised for Shure solutions, and the high-resolution touch panel providing intuitive meeting control. Paired with Microflex Ecosystem solutions and effortlessly configured using Shure Designer software, the system delivers pristine and secure audio quality, while being quick to install and scale. Integrators and AV professionals are able to easily manage bespoke Shure solutions from anywhere via ShureCloud.
Making its first appearance at InfoComm 2025, the Microflex MXN-6 Networked Pendant Loudspeaker offers high-quality speech reproduction for AV conferencing and is the latest addition to the Microflex Loudspeaker lineup, expanded at ISE 2025. Combined with Microflex Advance Array Microphones and IntelliMix DSP solutions, the PoE-powered MXN-6 fits perfectly in a Shure-networked conferencing audio system and delivers premium audio performance, while eliminating the need for an additional outboard amplifier. The new loudspeaker supports standards-based security protocols for managing access and protecting data, including 802.1X authentication and AES audio encryption. With the Designer 6 System Configuration Software, users can design and deploy every device within the Microflex Ecosystem signal chain and remotely manage device status through ShureCloud. The MXN-6’s pre-tuned frequency response is optimized for voice intelligibility in AV conferencing applications. Best of all, the sleek, attractive industrial design of the MXN-6 complements a wide variety of open-ceiling installation types often found in today’s collaboration spaces.
Avocor and AUO Display Plus next-generation innovation
Avocor is set to make a powerful impact at InfoComm 2025 in Orlando with a dynamic showcase driven by its strategic partnership with AUO Display Plus (ADP). At Booth 2181, attendees will experience first-hand how Avocor and ADP are redefining modern work and learning environments through cutting-edge technology and seamless integration. One of the centrepieces of the booth will be the award-winning E92 ultra-wide display, paired with a Neat video bar and the newly launched T1V Story platform, demonstrating how the 21:9 format can transform ideation, collaboration, and presentation in hybrid work environments. The showcase will also feature ADP’s advanced display technologies, including the FindART 4K display and the aecoPost e-paper solution, highlighting the company’s commitment to sustainability and high-impact digital experiences.
“Avocor’s acquisition by AUO in 2024 and our integration into the AUO Display Plus division marked a pivotal moment in accelerating our shared vision,” said Dana Corey, General Manager of Avocor. “Together, we combine deep market expertise with technical innovation to empower organizations across corporate, education, and government sectors. InfoComm 2025 is the perfect platform to demonstrate the strength of our collaboration.”
Product highlights at InfoComm 2025 include:
E92 Series (21:9 Ultra-Wide Display)
The E92, purpose-built for the future of hybrid collaboration, will be demonstrated in a 21:9 setup with the Neat video bar and T1V Story software. Expect immersive, high-performance group collaboration tailored for Microsoft Signature Rooms and other ultra-wide environments.
X Series (138” dvLED Display)
Designed for large-scale corporate communication and collaboration, the X Series delivers stunning visuals in a modular, easy-to-install format. At InfoComm, it will be
featured with the Urben Media Wall frame, offering a turnkey, scalable media wall solution that’s sleek, reliable, and impactful.
K Series (Non-Interactive QLED Display)
The K Series combines exceptional image quality with flexible connectivity, making it ideal for corporate meeting rooms. Built for government and enterprise environments, it’s also featured on the Neat booth, demonstrating the deepening integration between Avocor and its ecosystem partners.
H Series (Premium Collaboration Display)
With an ultra-thin bezel and intuitive plug-and-play setup, the H Series is perfect for hybrid working. Remote management, multiple mounting options, and compatibility with leading peripherals, such as Jabra and Log-
itech, make the H Series a go-to choice for professional meeting spaces.
FindART 4K Display
Debuting at ISE and now on show at InfoComm, FindART brings digital art to life with breathtaking realism. Capable of reproducing texture and brushwork as if on canvas, this 4K display is ideal for immersive exhibitions, corporate lobbies, and public installations.
aecoPost E-Paper
An eco-conscious alternative to traditional signage, aecoPost delivers long-lasting visuals with extremely low power consumption. Customizable content is easy to update, and its battery can last up to six months, recharged via wireless charging. Now part of the ADP family, Avocor is extending its
reach and impact across global collaboration spaces— delivering integrated display solutions that empower businesses, educational institutions, and public sector organizations to thrive in hybrid environments.
Avocor is set to make a powerful impact at InfoComm 2025 in Orlando with a dynamic showcase driven by its strategic partnership with AUO Display Plus (ADP).
Ascentae announces new distribution partnership with PointGrab
Ascentae has announced a new distribution partnership with PointGrab, This strategic partnership will bring PointGrab’s occupancy intelligence solutions to the UK market, offering system integrators and end-users a future-ready platform for interoperability and seamless integration. PointGrab’s Sensors Data System, which includes its CogniPoint edge-AI sensors, delivers highly accurate, real-time occupancy data while adhering to privacy-by-design principles. With an open API architecture, this unique data source can be easily integrated into various market-leading workplace platforms, including room and desk booking systems, environmental control platforms, and workplace analytics dashboards. Jon Knight, Managing Director at Ascentae commented: “At Ascentae, we’re committed to delivering forward-thinking technology that enables better workplace experiences. PointGrab’s open-architecture solutions are a perfect match for our portfolio and our mission. We’re making it easier by giving our reseller partners access to best-in-class sensing technology that integrates with their clients’ systems.” This open approach empowers organisations to take full advantage of their smart building investments and adapt to evolving hybrid work strategies without being locked into a single ecosystem. The data can then be leveraged for actionable insight regarding space utilisation optimisation, enhancing employee workplace experience, and improving facility operations costs and sustainability.
Amir Einav, CEO of PointGrab said:” We’re delighted to partner with Ascentae to expand PointGrab’s reach across the UK. Their deep understanding of the AV channel landscape gives the AV integrators community a powerful tool to grow their business by delivering integrated, innovative solutions that align perfectly with our customer-first approach. Together, we will enable organisations to unlock new levels of space efficiency, sustainability, and employee experience. Ascentae will offer dedicated support, training, and enablement re-
sources to help its reseller partners quickly bring PointGrab solutions to market. The partnership also paves the way for new collaborative opportunities between PointGrab and Ascentae’s existing ecosystem of bestin-class vendors.”
ADA-AMC becomes WSDG Berlin GmbH
Acoustics and media technology consultancy ADA Acoustics & Media Consultants GmbH (ADA-AMC) has officially been renamed WSDG Berlin GmbH, marking the next step in the company’s evolution and deeper integration into the international WSDG network. The change took effect at the end of March 2025. Founded in 1990 by renowned acoustician Prof. Dr. Wolfgang Ahnert as ADA – Acoustic Design Ahnert, the company has been a pioneer in the fields of electroacoustics,
acoustic simulation and AV system design. Since 2017, WSDG has held a majority stake in the Berlin-based firm and has played a key role in shaping its development.
The name change underscores the continued collaboration and alignment with the global WSDG organisation, while preserving the engineering excellence and values established over more than three decades. “This new name reflects a new chapter, but not a departure from our roots,” says Prof. Dr. Ahnert, Founding Director of ADA-AMC and a globally respected figure in the world of acoustics. “It represents continuity - of our mission, our values, and our commitment to innovationwhile highlighting our active role within WSDG’s international family of experts.” WSDG Berlin GmbH will continue to operate as a limited liability company based in Berlin, with no changes to contracts, contact persons or ongoing projects. Only company branding and email addresses will be updated. Clients and partners can expect the same high standards of technical expertise and project delivery, now under the WSDG Berlin name.
Prof. Dr. Ahnert’s legacy is firmly embedded in the DNA of the company. A former professor, author, and software innovator, he was a driving force behind EASE (Enhanced Acoustic Simulator for Engineers), a tool now used in over 150 countries, and a key figure in major international projects, including the Deutsche Oper Berlin, the Turkish Parliament in Ankara, and the ongoing development of Al Maktoum International Airport in Dubai. He also co-founded AFMG Technologies GmbH, which develops and distributes acoustic measurement and simulation software including EASE. “As WSDG Berlin GmbH, we are proud to continue building on the foundation Prof. Dr. Wolfgang Ahnert created,” concludes Dirk Noy, Partner and General Manager of WSDG Europe. “His scientific contributions and leadership have played a defining role in the field of acoustics, and this renaming not only honours that legacy, but also reflects our unified, global vision for WSDG. It strengthens our commitment to delivering world-class solutions at the intersection of architecture, acoustics, and AV technology.”
Datapath adds additional UK Aetria training facility
Datapath has added to its demonstration and training facilities in the UK with a full Aetria suite installed at onemedia’s impressive new premises in Bracknell. Onemedia cemented its claim as the UK’s fastest growing technical AV distributor with the grand opening of its new Arlington Square offices and ‘onespace’ experience centre. Far more than just operational offices, onemedia’s state of the art facility will also be home to sales and technical training, hosting hands-on product demos & social events and providing hot desking facilities for partners and those who need a space to work. Along with Datapath’s Aetria demo suite, the stunning facility includes hands-on experiences from onemedia’s manufacturer partners including Unilumin, Uniguest, Plexus, Vogel’s, Panasonic, Rethink AV and more.
The main Aetria area has a full Aetria system with two Unilumin LED walls (1.2mm all-in-one and a 0.9mm 3840x1080) running from a VSN V3-11-slot videowall controller. This area also has an Aetria Workstation (VSN300-AWS) which provides KVM control to various sources connected to AligoQTX100s. Feeds from the IPTV system (TV channels) can also be displayed on the LED walls as the ActiveSQX2 cards are able to decode the RTSP streams. Also included in onemedia’s Aetria environment is a VSNMicro 600, connected to a large LCD display within the onemedia Service Desk area. This is used as an operating area which can also form part of a demonstration. Feeds from both VSNs can be shared between each other using the Vision Re-Streaming feature.
Along with KVM functionality, instant control of both areas is provided by Datapath’s Aetria Touch technology, which can change layouts, templates and inputs at the touch of a screen. For creative signage, there are two setups utilizing Datapath’s renowned Fx4. Once of the setups sees two Fx4s running a creative wall made up of seven Bluefin displays. The second area uses a single Fx4 connected to a creative Unilumin LED setup. With tours and presentations from onemedia’s management team, the open day demonstrated the distrib-
utor’s mission to unite leading brands across digital signage, content creation, display technology, mount and brackets as the company continues its path of strong growth. Adam Marsden, UK and Ireland Sales Manager for Datapath, said: “Thank you to the onemedia team for providing a fantastic day at their impressive new premises. It was great to see so many faces and to make valuable new contacts. Having our full Aetria system installed at Arlington Square offers us another facility to demonstrate the power of our platform and how it can be scaled for control room and multi-end point video content projects of any size.”
Datapath has added to its demonstration and training facilities in the premises in Bracknell.
the UK with a full Aetria suite installed at onemedia’s impressive new
PlexusAV signs a distribution agreement with Village-Island
PlexusAV, the professional AV division of Sencore that offers a range of human-focused AV-over-IP solutions, has announced a new distribution agreement with Village-Island, a leading Broadcast and AV distributor, to cover Japan and East Asia. Founded in 2005 and based in Tokyo, Village-Island is a prominent distributor in the broadcast and Pro-AV markets across Japan and East Asia. The company is renowned for its technical expertise and commitment to ProAV technology.
Steven Cogels, Global Director of Business Development at PlexusAV, stated, “We are delighted to have secured our first major distributor in Asia. This strategic appointment is a critical step in establishing comprehensive coverage for PlexusAV across the APAC region.” Michael Van Dorpe, CEO of Village-Island, added, “We have already enjoyed a long and successful partnership
with Sencore, the parent company of PlexusAV. After closely monitoring the development of IPMX and PlexusAV, we recognize the significant potential in introducing open-standard AVoIP solutions to our region. PlexusAV will be a key component in delivering these next-generation solutions and we are very excited to be part of the future of AV.”
Steven Cogels, Global Director of Business Development at PlexusAV: , “We are delighted to have secured our first major distributor in Asia. This strategic appointment is a critical step in establishing comprehensive coverage for PlexusAV across the APAC region.”
Alfalite and wTVision join forces to offer an integrated LED and graphics solution
Alfalite has signed a strategic agreement with wTVision to offer a fully integrated LED and content management system tailored for the broadcast, media, and immersive production industries. The partnership combines Alfalite’s high-performance LED panels with wGWall, wTVision’s platform for managing graphics and video content across LED walls. The solution is designed to streamline production workflows by allowing creative and technical teams to control the entire content lifecycle—from design to playout—directly on the LED screens.
Suitable for television studios, sports venues, corporate events, and immersive spaces, the combined system allows for the display of dynamic, real-time graphics, video, and data visualizations across any LED setup, regardless of shape or resolution. wGWall also supports augmented reality features, enabling virtual elements to blend with physical environments and extending the creative possibilities for production teams. This collabo-
ration allows customers to work with a single integrated system, reducing complexity during deployment and operation, and avoiding the need for ongoing support from LED specialists after installation. It also enhances production autonomy and shortens delivery times.
Luis Garrido, Executive Director of Alfalite, said: “It is a pleasure to collaborate with wTVision on a solution that brings together our LED technology with their expertise in real-time graphics. We believe this agreement will open new opportunities in broadcast and beyond.” Alex Roriz, VP, Global Partner Business Strategy & Growth at wTVision, added: “This alliance represents a strategic step forward for wTVision, combining our real-time graphics innovation and workflow expertise with Alfalite’s industry-leading LED technology. With wGWall at the centre, we’re enabling clients to manage complex visual environments with an integrated visual solution. This partnership unlocks powerful new creative possibilities while laying the foundation for joint global growth.” With this agreement, both companies aim to address growing demand for flexible, high-performance visual solutions in sectors including broadcast, events, retail, and corporate communication.
Solstice AV partners with i3CONNECT to streamline UK distribution
Solstice AV has announced a new strategic UK partnership with i3CONNECT, one of the world’s leading brands of large-format touch displays and interactive technologies for collaboration and education. With Solstice AV now handling local distribution, resellers across the UK will benefit from faster delivery times, enhanced availability and a more efficient ordering process. Born from the merger of i3-Technologies and CTOUCH, i3CONNECT combines cutting-edge technology with a strong commitment to sustainable innovation. From classrooms to boardrooms, i3CONNECT brings meaningful solutions designed to shape the future of learning and collaboration, with a portfolio that includes touchscreens, interactive boards, wireless presenting and more. “We’re excited to join forces with Solstice AV,” said Kurtis Oliver, Country Sales Manager UK at i3CONNECT. “This partnership is a key milestone in our UK growth strategy. By working with a trusted and service-driven local distributor, we can offer our partners a smoother and more responsive experience: exactly what the UK market deserves.”
Solstice AV will carry the full range of i3CONNECT solutions, offering UK resellers access to local stock and dedicated support. The partnership underscores a shared commitment to delivering quality, reliability and seamless service. “We’re delighted to welcome i3CONNECT to our portfolio.” Commented Chris Jones, Sales Director at Solstice AV. “Their focus on innovation and user-friendly technology aligns perfectly with our mission to support resellers with high-quality, in-demand
Alfalite has signed a strategic agreement with wTVision to offer a fully broadcast, media, and immersive production industries. Pictured: (From egy & Growth at wTVision; João Bastos, Chief Solutions Officer at wTVision;
Solstice AV has announced a new strategic UK partnership with i3CONNECT, displays and interactive technologies
solutions. We’re looking forward to helping grow their presence in the UK and giving our customers faster, easier access to the i3CONNECT range.” The partnership is effective immediately, with UK resellers now able to place orders through Solstice AV.
Absen expands global presence with 20 showrooms
Absen has launched 20 showrooms across key locations worldwide, available for scheduled visits by appointment. The state-of-the-art showrooms are strategically situated in; China (Shenzhen, Huizhou, Beijing, Shanghai, Chengdu, and Hong Kong), the United States (New York, Orlando, and Los Angeles), the United Kingdom, Germany, Brazil, Russia, Mexico, Saudi Arabia, the Middle East, Japan, Singapore, Malaysia, and Thailand. This global expansion underscores Absen’s ongoing commitment to offering cutting-edge solutions and exceptional localised services. Now with a grand total of 78 showrooms (incl. channel partners’ showrooms) across five continents, Absen continues to strengthen its global footprint, ensuring customers receive top-tier products and localised support.
As part of its continuous global service development, Absen opened its newly upgraded showroom in Germany in February 2025. The advanced display area is designed to provide a seamless integration of pre-sale consultations, after-sales support, and technical training, with a focus on delivering efficient and professional services to the European market. Breaking away from traditional showroom formats, this upgraded facility offers immersive, scenario-based displays developed in collaboration with ecosystem partners. It highlights Absen’s state-of-the-art LED solutions for Pro AV, DOOH (Digital Out-of-Home), high-end rental and staging (AbsenLive), as well as custom home cinema and creative commercial display applications. This innovative setup enables industry professionals to experience firsthand how Absen’s technologies are specifically tailored to meet regional requirements.
The New York showroom, located at 525 7th Ave., Manhattan serves as a hub for AV professionals to explore Absen’s latest direct-view LED technologies. It offers product demonstrations, technical training, and collaborative opportunities with key technology partners. Featured displays include the Absen K V3 Series, Absen KLCOB V2, and the Absen X108 for corporate and educational use. Other highlights include the N Series, PL V2 Series, and the AX Pro Series for high-end visualisation, along with curved solutions such as the Absen K V3 Series 1.8mm. In partnership with Yealink, TSI Touch, Rocket Alumni Solutions, Haivision, B-Tech AV Mounts, tvONE & Green Hippo, and Brompton Technology, the centre offers an immersive experience of Absen’s cutting-edge technologies.
Absen’s newly opened showroom in Singapore is located at Ubi Vertex, a hub for technology and AV solutions. The innovative centre showcases Absen’s latest
fully integrated LED and content management system tailored for the (From left to right): Alex Roriz, VP of Global Partner Business StratwTVision; and Luis Garrido, Executive Director at Alfalite.
LED products, with a focus on rental, Pro AV, and outdoor applications. Key highlights include the indoor P1.9 small-pitch display for rental purposes, as well as the flagship LR series for concert stages. The Pro AV section features advanced COB (Chip on Board) technology, offering superior energy efficiency and colour performance compared to traditional SMD solutions, with wide-ranging applications. The showroom also features interactive all-in-one touch solutions for professional meeting rooms and educational environments. Beyond operating as a demonstration space, the Singapore Experience Centre also provides expert repair services and technical training, offering comprehensive support for clients across the region.
The opening of these new showrooms and service centres represents a pivotal step in Absen’s strategy to strengthen its global service capabilities, while maintaining a customer-centric focus. By offering localised solutions and expert guidance from regional teams, Absen ensures that clients can directly access the latest LED technologies and specialised services. All 20 showrooms are available by appointment only, offering clients a personalised and in-depth tour of Absen’s products and services.
Follow-Me announces Central London meeting and demo space
Follow-Me has announced the opening of its new meeting space and demonstration room in the heart of London’s vibrant Soho district. Located within the technically advanced Underbelly Boulevard Soho, the facility will serve as a hub for designers, operators, and potential Follow-Me users to experience the system’s capabilities firsthand. The new demo space will be overseen by Luke Edwards, Designer Relations Liaison UK at Follow-Me, who will be available on-site to provide demonstrations, consultations, and system training on request.
Underbelly Boulevard Soho - the first permanent location from the world-leading live entertainment company Underbelly - provides an ideal technical environment for showcasing Follow-Me’s innovative remote follow-spot and performer tracking technology. With convenient access to public transportation, the space is positioned to become a central meeting point for the UK lighting design community. Known as a vibrant entertainment destination featuring theatre, comedy, variety, and cabaret performances, along with bar and restaurant facilities, its technical infrastructure makes it an excellent showcase for Follow-Me’s technology, which offers an alternative to traditional follow-spots in modern performance spaces.
In this new demo space, Follow-Me can showcase its complete product lineup. This includes the advanced Follow-Me 3D TWO and SIX system for comprehensive three-dimensional tracking, along with the versatile Follow-Me Track-iT auto tracking solution, to transform any
Absen’s newly opened showroom in Singapore is located at Ubi Vertex, showcases Absen’s latest LED products, with a focus on rental, Pro
Located within the technically advanced Underbelly Boulevard Soho, tential Follow-Me users to experience the system’s capabilities firsthand.
a hub for technology and AV solutions. The innovative centre AV, and outdoor applications.
fixture into a remote follow-spot, provide 3D positioning data to immersive audio and mapped video systems, and to integrate with stage automation systems. Follow-Me will also start running regular training sessions several times a month, allowing operators to gain handson experience with their systems in a professional setting.
“It’s great to have this wonderful space to use in Central London, that’s conveniently located for public transport,” says Edwards. “Given that Underbelly Boulevard Soho is filled to the brim with technology and doesn’t have space for traditional follow-spots, it makes it the ideal place for us to use as a demo and training room. Showing LD’s, specifiers, and rental companies what Follow-Me can do in person is incredible. Seeing really is believing.” The company is issuing a ‘save the date’ for its first open day at Underbelly Boulevard Soho, set to take place on June 17th.
Avocor and WORKTECH Academy offer roadmap for Hybrid Collaboration
As organisations navigate the complexities of hybrid work, a new report from Avocor and the global research platform WORKTECH Academy offers a crucial guide. Their whitepaper, “Collaboration Reimagined: Five Emerging Trends Shaping Collaboration for Hybrid Work,” provides actionable insights into the fundamental shifts required to cultivate thriving teamwork in flexible work environments. The insightful report highlights several key trends essential for successful hybrid collaboration. One critical shift, Connection Capital, emphasises the strategic imperative of intentionally designing both physical and digital spaces that spark spontaneous encounters and foster the development of new, meaningful relationships across teams and silos –ultimately boosting engagement and productivity. Furthermore, the whitepaper underscores the necessity of Tech-Enabled Parity, advocating for strategic investments in advanced digital tools and immersive technologies that create equitable and engaging collaboration experiences for all participants in hybrid meetings, ensuring every voice is heard regardless of location. “Effective hybrid collaboration isn’t just about having the right tools; it’s about a fundamental shift in how we approach teamwork,” says Dana Corey, GM and SVP at Avocor. “This whitepaper provides a practical framework for organisations to rethink their collaborative practices and intentionally build a more connected and productive future of work.” The report also delves into Coordinated Collaboration, highlighting the power of leveraging AI and workplace analytics to gain valuable insights into team dynamics and optimise in-office time for purposeful connection around shared goals, moving away from ad-hoc interactions. Addressing the pervasive issue of meeting fatigue, Meeting Moderation em-
Vertex,
Soho, the facility will serve as a hub for designers, operators, and pofirsthand.
phasises the importance of streamlining meeting formats, protecting valuable focus time through policies like meeting-free days, and fostering more purposeful and inclusive real-time communication.
Finally, the whitepaper explores the Post-Collaboration Mindset, acknowledging the increasing role of AI-assisted collaboration and the need for organisations to provide training and support to help teams confidently navigate this evolving dynamic, ensuring AI enhances rather than replaces human connection and creativity in asynchronous co-creation and decision-making. The whitepaper underscores the need for a balanced approach that strategically integrates technological advances with empathetic leadership. By prioritising quality and intention over sheer volume in collaborative practices, organisations can cultivate environments that foster meaningful interactions, drive innovation, and secure long-term success.
Key Insights from the Avocor
WORKTECH
Whitepaper 2025:
•Foster Spontaneous Connection (Connection Capital): Prioritise the design of both physical and digital environments that encourage unplanned interactions and the formation of new, meaningful relationships across teams, enhancing engagement and productivity.
•Ensure Equitable Hybrid Experiences (Tech-Enabled Parity): Invest in technologies that create fair and immersive meeting environments for all participants, regardless of their location, guaranteeing that all voices are heard and valued.
•Optimise Collaboration with Data (Coordinated Collaboration): Utilise workplace data to understand team dynamics and strategically schedule in-office time for intentional collaboration around shared objectives, moving beyond ad-hoc interactions.
•Cultivate Purposeful Interactions (Meeting Moderation): Reduce meeting fatigue by streamlining formats, protecting focus time, and embracing asynchronous work, ensuring meetings are goal-oriented and inclusive.
•Embrace AI-Powered Collaboration (Post-Collaboration Mindset): Recognise the evolving role of AI in teamwork and provide the necessary training and support to help teams confidently leverage these tools to enhance asynchronous co-creation and decision-making.
Digital accessibility is a priority for 84% of organisations Applause survey reveals
Applause, a leader in digital quality and crowdsourced testing, released the results of its fifth annual State of Digital Quality in Accessibility survey, revealing growing
awareness and adoption of inclusive design practices ahead of the European Accessibility Act (EAA) deadline in June, as well as interest in adopting AI’s accessibility-related capabilities. An overwhelming 84% of respondents said that digital accessibility is a priority for
Dana Corey, GM and SVP at Avocor. “This whitepaper provides a practical practices and intentionally build a more connected and productive
practical framework for organisations to rethink their collaborative future of work.”
(32%), website incompatibility with screen readers (30%) and error alerts that are not descriptive (27%). The global survey of 1,500+ developers, engineers and QA, UX and legal professionals, revealed that 80% of organisations have a person or group responsible for ensuring products are accessible – up from 52% in 2022. Meanwhile, 86% are employing inclusive design principles at the planning stage.
However, the survey found gaps in relevant expertise and QA processes that would help ensure optimal experiences for all users. Even with dedicated roles and teams overseeing accessibility efforts, 68% of respondents still reported that they lack the expertise and resources to test for accessibility independently, on an ongoing basis. 48% do not have, or do not know, if they have processes in place to stop the release of inaccessible features into production. And only one-third of respondents said they directly engage with people with disabilities (PWD) in digital accessibility efforts.
Despite this, there is excitement around AI-powered accessibility and automated tools. 47% of respondents said AI currently provides significant value to accessibility testing, while another 37% believe it will in the next two years. However, half of organisations testing AI and Gen AI products do not include underrepresented viewpoints including those of PWD, contributing to biased results. Looking forward, 40% of respondents plan to use AI to solve accessibility issues within their organisation– while 31% don’t know if they’ll use AI in this way. Similarly, 59% indicated that they use, or plan to use, automated tools, which can help identify up to 40% of accessibility issues.
Fortunately, organisations are aligning with new and upcoming standards, including the EAA that mandates digital products and services, including websites and mobile apps, are accessible to PWD. The EAA does not directly apply to the UK, but it significantly impacts UK businesses selling products or services in the EU. Besides EAA compliance, 54% of respondents reported their company meets Web Content Accessibility Guidelines (WCAG) 2.2 standards – a 24% increase since 2022. 70% of respondents know their WCAG 2.2 status, versus 58% last year.
their company. The vast majority (94%) are preparing for the EAA by the June 28 2025 deadline versus only 58% in 2024.
Regardless, mistakes still slip into production. The top issues cited by users include videos lacking captions
“Our latest survey reveals an increasingly inclusive mindset among the software development community,” said Bob Farrell, Vice President, Solution Delivery & Accessibility, Applause. “Organisations want to optimise digital experiences for all users – not just check the compliance box, though the upcoming EAA deadline is certainly on their radar. Organisations are creating dedicated teams to help ensure digital experiences are inclusive – but unless they have access to testing experts and end users with disabilities for feedback, it will be a significant challenge achieving this goal. Ultimately, they want to give all customers an amazing experience that lives up to their high standards for digital quality –ensuring usability for all.”
Boom Collaboration will unveil a series of new connectivity and conferencing solutions at InfoComm 2025.
Boom to unveil new Pro AV innovations at InfoComm 2025
Boom Collaboration will unveil a series of new connectivity and conferencing solutions at InfoComm 2025, focused on simplicity, adaptability, and user experience. The Texas-based company has developed the Boom ARC smart bridge for seamless host switching between in-room and Bring Your Own Meeting (BYOM) deployments. Key highlights also include its own dedicated wireless content sharing solution as well as an innovative expandable speakerphone with advanced AI noise cancelling capabilities – that can link up to a further seven devices.
In addition, Boom will showcase its ‘meeting room ina-box’ video kit range, at the three-day Orlando show from June 11-13th. The all-in-one solutions feature video and audio hardware plus its one-cable-connection ZYGO station – designed to simplify installations and capitalize on high demand for Bring Your Own Meeting deployments. “The video conferencing world moves fast, and we know we have to move even faster to stay ahead,” says Co-Founder Fredrik Hörnkvist. “Our focus has always been on creating solutions that simplify collaboration while delivering an exceptional experience, based on any device across any platform in any room. The ARC is designed for the hybrid reality we all work in. It offers automatic switching between room-based and personal devices, while providing USB-C power delivery and versatile I/O options - including HDMI, for seamless flexibility.” He added: “InfoComm is the perfect place to demonstrate how far we’ve come and what’s ahead. These launches reflect our mission to simplify confer-
encing and create intuitive tools for modern work.” Fellow founder Holli Hulett says Boom will display its complete range of video, audio and connectivity solutions, which are also available from boom.co. “Simplicity is our compass. Our meeting room in-a-box kits for example make it easier to choose the right equipment for any space while delivering the high-quality features teams need to work effectively. They’re practical, efficient, and designed to take the hassle out of getting your stuff done.” Visitors can also witness the company’s HALO videobar which boasts ultra-HD 4K performance, a wide angle 120° field of view, AI Auto-framing and speaker-tracking, 10x ePTZ, six digital array mics plus the option of up to 8 additional expandable mics. It’s available in black or white colours. “Every InfoComm is a bigger stage for us,” Hulett added. “We’re here to solve real problems - whether it’s streamlining setups or making BYOM seamless. We’ve grown fast, but the most exciting part is what’s next. We can’t wait to share it all from booth #3329 as more than 30,000 global attendees converge in Orlando.”
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Creativity, technique, intuition, and knowledge come together to turn everything into theatre with 3D mapping. Part of that formula is the support of the Christie team and Pandoras Box solutions.
DIRK VAN POPPEL 3D mapping artist
Artist DIRK VAN POPPEL
Partner SAHARA BENELUX
Venue ST. JAN, DEN BOSCH
A vision for the future of music festivals
Music festivals have always been more than just stages, sounds, and lights. They are modern rituals — ephemeral communities where strangers meet up and soon enough become like family, where music morphs into a language that speaks across cultures, and where time seems to dissolve into one big shared emotional experience. Paul Cales, CEO of Naostage, shares his vision for the future of music festivals.
“Today, as I reflect on the incredible evolution of this industry and the road ahead, I feel a deep sense of responsibility — and excitement — for what’s to come.”
“At Naostage, we believe the next era of festivals will be defined by connection: between the artist and the audience, between technology and emotion, between creativity and sustainability. Festivals are becoming living, breathing ecosystems — and it’s time we treat them as such.”
From mass to meaningful
“The future of festivals isn’t just about getting bigger; it’s about getting better. The era of chasing ever-larger crowds is giving way to a demand for deeper, richer experiences. Tomorrow’s festivals will curate emotions, not just lineups.”
“We envision spaces where technology acts invisibly to empower magic - where tracking systems like ours allow artists and creatives to weave real-time visuals, lights, and soundscapes around human movement. Imagine performances where every gesture, every step across a stage, triggers immersive effects that react organically - not with pre-programmed scripts, but with real, live energy.”
“In this future, each performance is unique — an authentic, unrepeatable dialogue between the artist, the environment, and the audience.”
“We dream of festivals where every individual feels seen, every performance where strangers still share water bottles, lift each other on shoulders, Cales, CEO & Founder. Naostage.
Human-centric technology
“At Naostage, our mission has always been to keep technology human-cantered. We do not build machines to replace creativity; we build them to amplify it. Our vision is for technology to fade into the background, becoming as natural as breathing for artists and technicians alike.”
“Tracking every performer and participant opens up new dimensions of storytelling. Lighting, video, special effects - all will be able to adapt in real time, no longer locked into rigid sequences, but breathing and living with the performers’ emotions.”
“Festivals will become not just places you attend, but places you co-create - living stages where everyone plays a part.”
Sustainability as a pillar
“Innovation is meaningless if it ignores sustainability. The festivals of tomorrow must be built with the planet
performance feels personal, and every moment feels alive. Festivals shoulders, and find new lifelong friends in the dust and the lights.” Paul
in mind. Smart, energy-efficient technologies, autonomous systems that optimise power usage, and intelligent infrastructure will no longer be luxuries - they will be necessities.”
“Imagine stages that can self-optimise their energy consumption based on real-time performance needs. Crowd flows managed dynamically to avoid unnecessary infrastructure strain. Installations that react to natural light and weather conditions to minimize waste.”
“At Naostage, we are committed to pioneering solutions that make festivals not just spectacular, but sustainable - ensuring that the magic we create today doesn’t cost the world tomorrow.”
A platform for emerging talent
“The democratisation of creation is another pillar of the future we envision. As tools like ours become more accessible, new artists and creatives -from every corner of the globe - will be empowered to push boundaries.”
“Festivals will increasingly become launchpads for the next generation, offering not just stages, but immersive canvases. With real-time, adaptive technologies, artists will be able to experiment, to dream bigger, and to redefine what a live performance can be.”
“By lowering technical barriers, we can unlock an explosion of creativity - and we can ensure that the spirit of innovation remains at the heart of festival culture.”
An unbreakable community
“Finally, and perhaps most importantly, festivals will continue to be about community - real, human connection in an increasingly digital world.”
“Yes, technology will enhance the experience, but it will never replace the soul of it. Our mission at Naostage is to build systems that protect that spirit, that encourage shared experiences rather than isolated ones.”
“We dream of festivals where every individual feels seen, every performance feels personal, and every moment feels alive. Festivals where strangers still share water bottles, lift each other on shoulders, and find new lifelong friends in the dust and the lights.”
“Because at the end of the day, technology is just a tool. Music is the heart. And people are the soul.”
In closing
“As CEO of Naostage, I see a future where technology disappears into magic, where sustainability is a starting point, not an afterthought, and where the line between performer and audience blurs into something wholly new and beautiful.”
“We are just at the beginning of this journey. But the path ahead is clear - and it’s lit by the same thing that has always driven music festivals: the human desire to connect, to create, and to celebrate life, together.”
“Let’s build that future — one unforgettable moment at a time.”
All you need to know about podcasts!
The global podcast market grew in value to $30.03 billion by December of last year and is continuing to grow at a compound annual rate (CAGR) of 27.6% the end of 2030. Listener numbers, ad revenues and the expansion of podcast platforms fuel this growth are fuelling this growth. Content creation is also growing at pace, in the last calendar year. Podcast production has increased by 1.67%. Some 548 million people are absorbing podcasts - a number expected to rise to 630.9 million by the end of this year. For consumers of podcasts, the choice of content extends to more than six million podcasts. with more than 75 million episodes. An important factor supporting these growth figures is the accessibility of podcasting technology, and the widespread availability of distribution and reach of podcast platforms. We look at these stats in detail and consider the emerging technological factors driving the podcast phemomenon.
The key to podcast’s status as one of the fastest-growing digital media trends is their almost universal accessibility of the tools of creation. Reaching a potential audience of millions is entirely possible using basic consumer technology, such as a mobile phone, a laptop or a tablet computer. The content creator’s only unique requirement is a good or at least a poplar idea and the talent to execute it. With potential to reach millions of listeners, and viewers for video enhanced podcast content, across multiple genres. Individuals, organisations and businesses have adopted the medium of the podcast to address previously hard to target including groups including young people (the majority of podcast listeners fall within the 12-34 age group) and women (45% of women now listen or watch podcasts on a monthly basis and the gap between the sexes is rapidly closing).
The podcasting industry has experienced significant growth, with more than 4.36 million podcasts available globally as of 2024. Several factors contribute to this growth, including the ease of entry for creators, the diverse range of topics covered, and the rise of niche podcasts. Podcasting has appeal as a medium for both professional and amateur content creators, keen to target
growing audiences ranging from 68% of the population listening to podcasts for an hour or more each week, down to 10% in Japan where is clearly room for growth. The majority of podcast listeners and viewers use mobile devices, with some 73% of listeners using smartphones to access podcast content.
The podcast advantage
Podcast audiences are highly engaged, with the average listener subscribing to multiple shows and spending several hours per week consuming content. The length of a podcast episode plays a crucial role in listener retention and engagement. The average podcast episode length is 41 minutes, with most successful podcasts ranging between 20 to 40 minutes. Shorter episodes (under 20 minutes) are popular in genres like news and daily updates, while longer episodes are common in storytelling and in-depth interviews. The average podcast length varies, with episodes between 20 to 40 minutes the most popular, aligning with the typical listener’s commute or workout time. Podcasting is a global phenomenon, with significant growth in Asia, Europe, and Latin America.
Apple compliant podcasts continue to be the dominant player in podcasting commanding over 70% of all podcast episode download requests. This dominance can be attributed to Apple Podcasts’ long-standing presence and integration with Apple’s ecosystem, which facilitates easy access for users across iPhones, iPads, and Macs. The platform’s user-friendly interface and extensive library contribute to its leading position in podcast downloads. The concentration of download requests on Apple Podcasts reflects broader trends in consumer behaviour, with many preferring the convenience and integration offered by Apple’s ecosystem. For podcasters, this means focusing efforts on platforms with higher download potential while exploring ways to increase visibility and engagement on emerging platforms. As the podcast industry continues to evolve, download trends will provide valuable insights into listener behaviour, preferences, and the shifting dynamics of platform performance.
Niche market podcasts have become increasingly popular as listeners seek content tailored to their specific interests. The surge in the podcast audience can be attributed to the fact that, unlike other forms of media, podcasts often foster a deeper connection with their consumers, particularly when targeting niche groups or topics. These podcasts often have smaller but more dedicated audiences, making them attractive to brands and businesses looking for targeted marketing opportunities. Niche market podcasts are proving to be highly profitable, often achieving higher Cost per thousand listeners (CPM) rates due to their targeted audiences. The primary revenue source for podcasts is advertising, which includes direct response ads (prompting listeners to use a promo code or visit a website) and brand awareness campaigns. CPM rates typically range from $18 to $50, with higher rates for podcasts with engaged or niche audiences. Niche podcasts are thriving due to their ability to engage highly dedicated audiences with tailored content, resulting in deeper connections and higher engagement rates. This popularity makes them particularly attractive to businesses, as they often command higher CPM rates. The success of niche podcasts emphasizes the importance of high-quality and specific content, which 98% of podcasters agree is crucial for achieving profitability and sustaining listener loyalty.
Quality productions
It is this advertising focused high quality niche that provides professional content producers with the greatest opportunities. The intimate nature of podcasting, combined with high listener engagement, makes it an effective platform for brands. The global podcast advertising market is poised for substantial growth, with revenue hitting $4.02 billion last year. The market is forecast to maintain a steady annual growth rate of 7.76% reaching an estimated $5.03 billion by 2027. This growth is driven by the rising number of podcast users, which is projected to reach 616.5 million by 2027. Some 54% of podcast consumers say they are more likely to consider buying from a brand after hearing it
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advertised on a podcast as opposed to alternative media. This behaviour is attributed to the trust and credibility that listeners place in podcast hosts. One of the most notable trends is the increasing use of ads that are voiced by the podcast hosts. These ads tend to be more effective and engaging than traditional pre-recorded ads, as they feel more natural and authentic.
There is a rising trend towards the use of algorithms to automate the buying and placement of podcast ads. This form of advertising uses real-time, algorithm-driven ad transactions that optimise performance and ROI. This ‘programmatic advertising’ is set to grow, fuelled by mobile adoption, increased digital ad spending, and trends like privacy-first technologies and new entrants like telcos. Programmatic podcast advertising shows promise, doubling its market share to 11% in 2023, with dynamic ad insertion and audience-based buying strategies driving growth.
For the professional, podcasting offers considerable potential already, but this is likely to grow as new technologies evolve that could outpace amateur and consumer level producers. Examples of new content elements include the integration of interactive elements like polls, Q&A, and live chat. Interactivity is expected to enhance listener engagement and create new opportunities for content creators. Close on the heels of interactivity, AI-driven recommendations and personalised content are set to revolutionize how listeners discover new podcasts. This technology will enable platforms to suggest content based on individual preferences, listening habits and even mood. Approximately 40% of podcasters now utilize AI tools to enhance their podcasts, particularly for tasks such as episode transcription and personalized content creation. Additionally, around 57% of podcast listeners have experienced AI-powered features like personalised recommendations or voice controls, which improve the listening experience and help maintain audience engagement.
Conclusion
Podcasting is no longer a niche medium but a mainstream form of entertainment and information. With its rapid growth, expanding audience, and increasing advertising revenue, the podcast industry shows no signs of slowing down. Podcast production and consumption are thriving, offering content that appeals to specific interests and communities. These podcasts, often led by passionate creators, attract dedicated audiences who seek specialised content. This trend highlights the opportunity for businesses across many industries to find success by catering to unique and underserved markets.
Podcasts: video v audio-only
Traditionally, podcasts were largely audio-only creations destined for consumption on mobile devices in the car, on public transport or by users on foot. To keep up with
current demand, one of the most critical decisions a producer will face is whether to add a visual element to an audio track. This choice impacts not only how, and where, your audience consumes your material but also the production process, marketing strategy and overall content distribution.
Current statistics show that adding a video element to a podcast is undeniably a growing trend. For example. 32% of all podcast users in the US prefer those with video. Of regular podcast users, 46% prefer video with their audio. More than 70% of viewers watch video podcasts in the foreground, limiting their appeal to drivers and other mobile consumers. When asked about different types of podcast followed, around seven in ten podcast listeners say they ever consume podcasts that also have video (69%), and over a third say they do so on a weekly basis (37%). But do audience in general prefer when presented with the choice of audio-only and audio-visual content. Of those who enjoy podcasts with video? Four in ten say they prefer to listen to podcasts as audio-only content (41%). However, of the remaining proportion, the majority prefer to watch a podcast with video if available (29%) while some are happy to play the video in the background but not actively watch it (23%).
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The phrase ‘a picture is worth a thousand words’ resonates deeply in the context of podcasting. Video podcasts combine the intimacy of audio storytelling with the immediacy of visual communication. Whether it’s showing facial expressions, props, or slideshows, video adds a whole new dimension to your content. Visual storytelling is undeniably powerful. Consider podcasts with interviews or guest appearances—viewers can connect more deeply by seeing body language, reactions, and interactions between hosts and guests. According to a recent study, video content is far more engaging than text or audio alone, with 82% of internet traffic expected to be driven by video by the end of this year. One major advantage of video podcasts is the ability to share them across a variety of platforms. Platforms like YouTube, TikTok, and even Instagram favour video content, giving creators additional avenues to grow their audience. Adding video to a podcast allows creators to cross-post content more effectively, maximising reach and increasing engagement. Sponsorship deals and advertising revenue are critical for podcasters looking to monetise their content. Video podcasts offer more attractive opportunities for advertisers, especially on platforms like YouTube, which is built for visual ads. Additionally, branded content and product placements become more natural within a video format.
For amateur and even some professional creators, audio-only podcasts remains a more practical choice, especially when it comes to cost and time. Producing a high-quality video podcast requires a full setup of cameras, lighting, editing software and often, a professional studio environment. In contrast, audio-only podcasts can be produced with little more than a quality microphone, headphones, and basic editing software. Many creators can even record remotely, enabling content to be produced on the go or in less-than-ideal environments. This lower production barrier allows more creators to enter the podcasting world and create content consistently without the logistical and financial hurdles of video. Audio-only podcasts also offer unmatched convenience for listeners. One of the greatest advantages of audio is that it can be consumed passively. Whether driving, exercising, or cooking, people can tune into podcasts without needing to focus on a screen. Research shows that 80% of podcast listeners consume content while multitasking.
A trend currently gaining momentum is the hybrid podcast format, where creators record both video and audio versions of their content. This strategy allows podcasters to reach two different audiences: those who prefer to watch on platforms like YouTube and those who prefer to listen on traditional podcast platforms. With a hybrid approach, content creators can repurpose content across multiple platforms without sacrificing quality. Full-length video podcasts can be uploaded to YouTube, while audio-only versions are distributed to Spotify and Apple Podcasts. Additionally, shorter video clips can be shared on TikTok, Instagram, and Twitter to drive traffic to the full episode. The hybrid format allows creators to cater to different types of listeners. Some viewers prefer the visual engagement of a video podcast, while others appreciate the convenience of listening to audio while commuting or exercising. By offering both formats, creators can enhance the listener experience and boost their overall reach
Technology for podcasting
When AV News produced its first podcasts, we used technology first originally acquired for musical performances and recording. Vocal mics, studio monitors and 32 track recording were all a bit over the top in retrospect, but the results were pretty good even if we do say so ourselves. AV News was an early adopter of hybrid techniques for some of its productions, with video shot on broadcast quality cameras.
If we were to do the same thing today, we would invest in a dedicated podcasting solution, designed for capturing and editing the podcast quickly and efficiently. A leading supplier of such solutions is Rode. Two years ago the company announced a tranche of seven new products specifically targeted to the podcast market At the NAB Show in Las Vegas, Rode announced firmware updates for the industry-leading Wireless GO II and RØDECaster Pro II, plus complete new products like the
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Streamer X, RØDECaster Duo and the PodMic USB.
Of these, RØDECaster Pro II and the RØDECaster Duo provided would-be podcasters with portable solutions for capturing and editing podcast content. The RØDECaster Pro II features a flexible array of audio inputs, including combo jacks for connecting both microphones and instruments, Bluetooth connectivity and dual-USB interfaces for connecting computers and mobile devices. With the new update, users will also be able to connect any RØDE Series IV wireless transmitter – including the Wireless GO II and Wireless ME – for recording pristine wireless audio directly to the RØDECaster Pro II.
The Streamer X is a revolutionary new product that combines a professional audio interface and video capture card in a compact, easy-to-use console. It features studio-grade audio inputs for XLR, line-level devices and headsets with an ultra-low-noise, high-gain Revolution Preamp and powerful APHEX audio processing delivering pristine sound quality. It also features the same compatibility with RØDE Series IV wireless microphones that will be coming to the RØDECaster Pro II in the next firmware update. For those with more modest budgets, the RØDECaster Duo is a compact and incredibly powerful all-in-one audio production solution for podcast-
ing, streaming, music-making and content creation. It offers the same unmatched feature set and peerless versatility as the revolutionary RØDECaster Pro II, including the upcoming compatibility with RØDE Series IV wireless microphones. It features the same high-power quad-core audio engine, Revolution Preamps, APHEX audio processing and endless customisability as the RØDECaster Pro II – now in an even more compact and portable form factor with fewer audio inputs.
Complementing RØDECaster Pro II and the RØDECaster Duo, the PodMic USB is an ultra-versatile, broadcast-grade dynamic microphone for podcasting, streaming and content creation. It offers the same incredible sound quality and compact yet rugged form factor as the best-selling PodMic, with a powerful new feature up its sleeve, with both XLR and USB connectivity. When using the analogue XLR output, the PodMic USB is the same as the original, albeit with a sleek new finish and studio-grade pop filter. When using the digital USB output, it offers a range of next-generation features that make it super flexible, including a Revolution Preamp and high-quality analogue-to-digital conversion for pristine audio capture, advanced DSP for adding professional APHEX voice processing to any recording, and compatibility with smartphones and tablets for use
on the go. It also features a zero-latency headphone output and on-board volume control and is compatible with the complete RØDE software suite, including RØDE Central, RØDE Connect, RØDE Capture and UNIFY, making it the most versatile microphone ever.
As something of a podcasting specialist, Rode has naturally kept up with trends in the industry. Introducing the RØDECaster Video. This unit mimics the design of more professional video switchers. with six video inputs (four HDMI and two USB-C), two HDMI outputs, two combo XLR/1/4” jack inputs, 20 possible audio sources (nine stereo channels simultaneously), and seven customisable scene buttons. The new console enables users to operate a near-full video production: from audio mixing to video monitoring to graphics triggering, scene building, recording, and chroma keying (green or blue screen!) for $1,199 USD. The price is steep for someone getting into video production, but Rode is on its way to becoming the go-to podcasting brand, which may convince creators to trust this machine.
Rode says the RØDECaster Video features a new video engine and “an extremely powerful and flexible CPU” which “allows for an innovative scene-based switching architecture that simply isn’t possible on a traditional FPGA-based system used by other video switchers.”
The RØDECaster Video can be controlled and configured via the updated Rode Central app on a computer but also can stream directly from the device via a network connection. The RØDECaster Video is also compatible with a bunch of its other podcasting products like Rode’s USB microphones and wireless mic systems, completing the solution for podcasters and other content creators looking to polish their productions.
RØDECaster Pro II and the RØDECaster Duo provide wouldbe podcasters with portable solutions for capturing and editing podcast content.
As technical partner of the Cercle Odyssey world tour, Panasonic is redefining how festivalgoers experience the spectacle of live entertainment, pushing the boundaries of 360° projection to levels unachievable in traditional concerts. The first large-scale touring concert of its kind, Cercle Odyssey utilises Panasonic’s 3-Chip DLP projectors to reimagine immersive, cinematic storytelling by synchronising stunning 4K visuals with live music. Between April and June 2025, Cercle Odyssey will play to over 150,000 spectators during 30 shows across 15 dates, in Mexico City, Los Angeles, and Paris.
Designed and directed by Derek Barbolla, founder and artistic director of Cercle, Cercle Odyssey fuses the creativity of globally-renowned musicians – including Moby and Empire of the Sun – and visual artists. Inspired by Homer’s epic poem within Greek literature, Odyssey, Cercle Odyssey reimagines the concert format as an unparalleled immersive artistic journey that explores the intimate bond between humans and nature.
Cercle Odyssey is the brainchild of Cercle, a multidisciplinary artistic movement that creates concerts, festivals, and immersive experiences, which innovatively showcases the work of renowned artists in unique global locations, including UNESCO World Heritage Sites. “Cercle Odyssey’s partnership with Panasonic showcases our shared ambitions: to push technological boundaries and reinvent immersive experiences that emotionally resonate with and unite audiences – whilst making them as accessible as possible to global audiences,” comments Derek Barbolla. “The 360° projections delivered by Panasonic – synchronised with live music – enables spectators to experience live entertainment and visual storytelling like never before.”
To bring this ambitious, large-scale immersive experience to life in each concert, Cercle Odyssey will utilise 2,300m² of projection space across the walls and ceil-
ing of each venue. Immersive event production specialists, ETC Onlyviewl, will install 20 Panasonic PT-RQ50K 50,000lm 3-Chip DLP 4K laser projectors, equipped with Panasonic’s wide-angle, short-throw ET-D3QW200 lens for projecting 360° visuals onto the walls. Two RQ50Ks will be stacked together in each panel and rear projected, surrounding up to 5,000 spectators per concert with 100,000lm of brightness and stunning visuals. The RQ50K delivers unmatched brightness and native 4K resolution (4096 x 2160), offering unrivalled cinematic image quality, and rich and vivid colours, without any distortion. The RQ50K offers up to 20,000 hours of maintenance-free operation, and is easy to install, transport, and adjust when compared to LED screens – perfect for large-scale, live immersive events. Cercle Odyssey will also use six compact PT-RQ35K projectors, offering 30,000lm of brightness, which are discreetly positioned by the stage to project 4K images onto the ceiling.
Sustainability is key for Cercle Odyssey, with the entire tour designed and implemented to minimise its overall carbon footprint. All sound, lighting, and projection equipment is locally sourced, significantly reducing transport-based emissions. By choosing projectors instead of traditional LED screens, energy consumption is significantly reduced, especially for the large projection areas utilised in each concert. Hartmut Kulessa, Head of Marketing at Panasonic Visual Europe, adds: “We believe images have the power to connect and move people. As Cercle Odyssey’s technical partner for video projection, Panasonic is pioneering new frontiers in immersive storytelling. Our industry-leading 4K projectors bring these moments to life, enabling audiences to engage with the future of large-scale, sustainable events, today.”
CrimsonAV and LED Experts Group unveil dvLED solutions at InfoComm 2025
CrimsonAV and the LED Experts Group, are set to debut four performance-elevating dvLED display solutions at InfoComm 2025, expanding its Image Point and V-Sight product families to meet the growing demand for seamless, high-impact digital visual experiences across industries. From immersive video walls to mobile LED kiosks, these new products deliver clarity, flexibility, and ease of use-empowering AV professionals to bring their boldest visions to life.
The Launch Lineup Includes:
•V-Sight Indoor LED Advertising Kiosk
A sleek, high-visibility LED poster for indoor environments.
Ideal for retail, transportation, corporate, and healthcare applications, the V-Sight LED Advertising Kiosk is a turnkey solution for eye-catching digital signage. Featuring high-resolution LED technology, ultra-slim design, and built-in wireless connectivity, it offers asynchronous and synchronous playback modes for seamless content management from anywhere.
Key Features:
•Pixel pitches from P1.25 to P2.5
•Front maintenance access
•Cloud-based control and remote management
•Three mounting options: wall, lift, or mobile stand
•Integrated audio and low power consumption
•Image Point All-In-One COB LED Display (AIO)
An integrated, UHD-ready collaboration display with touch-enabled options. Built for boardrooms, control centres, and immersive environments, the new Image Point AIO combines COB flip-chip LED technology with a smart OS, multi-device screen mirroring, and optional infrared touch. Available in 108”, 135”, 163”, and
216”, this all-in-one solution features dual OS compatibility, seamless wireless collaboration, and cinematic visual performance.
Key Features:
•DCI-P3 color gamut with 1,000,000:1 contrast
•Built-in Android OS with optional Windows switching
•16:9 format, front serviceable
•Up to 4-way screen sharing and wireless casting
• Image Point 43” LED Cabinet
Ultra-lightweight, precision-aligned cabinet for scalable video walls.
The 43” cabinet offers a robust, slim form factor perfect for professional AV installations. With six-way alignment, front access serviceability, and pixel pitch options down to P0.9, it’s engineered for ease of installation and flawless visuals. Ideal for: Control rooms, broadcast studios, retail showrooms, and training centres.
•Image Point 55” LED Cabinet
Bigger format, same ultra-light design with enhanced impact.
Designed for larger-scale installations, the 55” cabinet supports HD to FUHD walls with fewer seams and a stunningly smooth appearance. Like its 43” counterpart, it features six-way alignment and COB/SMD options for vibrant, energy-efficient imagery. Perfect for: Convention centers, hospitality venues, large lobbies, and virtual sets.
“We’re proud to be bringing solutions to InfoComm that are not only high-performance, but also smart, streamlined, and adaptable,” said William Bear, Vice President of Sales and Marketing at CrimsonAV. “Each new product was designed with the integrator and end-user in mind, helping them create vivid experiences - whether
it’s a single poster or a full-scale immersive wall.” All four products will be showcased live at InfoComm Show, Booth #2171 in Orlando, FL from June 11-13. Attendees can experience hands-on demos and explore how
CrimsonAV and LED Experts Group are pushing the boundaries of LED technology for today’s most demanding environments.
Datapath adds five-slot V3 option to VSN video wall controllers
Datapath has added further options to its multi-award-winning video wall controller range with the introduction of a new five-slot, high end processor. Designed for demanding but compact video wall projects, the VSN3-5 is a cost effective, high performing video wall controller option, alongside its 11-slot ‘big brother’ variant – the VSN V3. Complementing Datapath’s Aetria solution for Control Room and multi-video source management, the VSN V3-5 offers all the benefits of its larger brethren, while delivering considerable cost saving for customers who don’t require a larger volume of graphics and capture cards. Available from May 2025, Datapath’s latest video wall controller is built with improved chassis design for optimum cooling, hot-swappable fans for 24/7 uptime in mission critical environments, and the same rigorous reliability testing as the award-winning, 11-slot V3.
Replacing the VSN400N, the VSN V3-5 is the latest addition to a comprehensive video wall controller offering from Datapath. Released last year, Datapath’s revised VSNMicro 600 video wall controller is available with an updated motherboard and processor and is an
ideal choice for small to medium sized projects where a compact footprint is a premium requirement. Also, for use either as a Personal Video Wall controller and/or Workstation within an Aetria environment, the VSNMini 300 offers a powerful and flexible workstation solution to manage medium-sized, multi-source video projects. Mark Slinger, VP Product Management at Datapath, said: “Our range of VSN video wall controllers are used and trusted to power multi-content video walls across the globe. The introduction of the VSN V3-5 allows our customers to further specify Datapath hardware and software that is perfectly fitted to their requirements. Like all models in the VSN range, it is fully configurable - and with the addition of a five-slot V3 variant, we now offer even greater adaptability to suit video wall projects of all sizes.”
Datapath has added further options to its multi-award-winning video wall controller range with the introduction of a new five-slot, high end processor.
Epson’s projectors now compatible with Apple AirPlay 2 and Apple HomeKit
Epson specialises in manufacturing compact, versatile, high brightness 3LCD and 4K laser projection technology for homes, offices, schools, retailers and for largescale installations in entertainment venues, museums, galleries, outdoor events and visitor attractions. Epson 4K high lumens laser projectors are used to create immersive and experiential environments at major venues and visitor attractions across the world. Epson visual technology can improve the productivity of learning environments, enhance retail experiences, facilitate virtual meetings and help a range of industry sectors with remote assistance and training.
Epson has now announced that its latest projector lineup now fully supports Apple AirPlay 2 and Apple HomeKit functionality, with these features pre-installed and ready to use on selected models. This enhancement addresses the growing demand for effortless streaming of content on large, vibrant displays in educational institutions, corporate environments, and home settings. Apple AirPlay 2 allows users to stream video and audio directly to a projector from their iPhone, iPad
Epson has now announced that its latest projector lineup now fully supports Apple AirPlay 2 and Apple HomeKit functionality, with these features pre-installed and ready to use on selected models.
or Mac. Users can watch movies and shows from their favourite apps or Safari, share photos with everyone in the room, or play music and podcasts on the projector and other AirPlay speakers - all in perfect sync. Furthermore, users can easily and securely control projectors compatible with Apple Home, enabling functions such as powering the projector on and off using the Apple Home app and Siri on their iPhone, iPad, Apple Watch, HomePod, HomePod mini, or Mac, thanks to Apple HomeKit technology. “The integration of Apple AirPlay 2 and Apple HomeKit features into our projectors demonstrates Epson’s commitment to enhancing user convenience and connectivity,” said Massimo Pizzocri, Vice President, Video Projector Sales & Marketing Division, Epson Europe. “We understand that educators, corporate professionals, and home users alike are seeking seamless ways to share content and control their environments. With these updates, our latest projectors deliver stunning visuals while integrating flawlessly into today’s smart ecosystems.”
Limecraft launches 2025.3 release
Limecraft has announced the launch of its 2025.3 platform update – the third in a series of eight major releases planned for the year. The 2025.3 release significantly expands Limecraft’s Delivery Workspaces, reinforcing its role as the control centre for supply chain operations and partner collaboration. New capabilities include archiving and unarchiving of deliverables, as well as explicit locking and unlocking. Operations teams gain full control over the lifecycle and status of media assets once these have left the edit suite. This ensures better coordination with distributors, broadcasters and localization vendors, while preserving a verifiable audit trail of every action taken. Release 2025.3 also introduces a new layer of protection against accidental exposure of graphic or sensitive content. This solution protects edit producers and journalists from exposure to content that can be disturbing or harmful, particularly to staff who
have to process large volumes on a day-to-day basis. Another key upgrade is a major overhaul of platform usage reporting. Now available in private beta and rolled out on a case-by-case basis, the new analytics capabilities give content managers and producers a deeper understanding of how Limecraft is used across productions and teams. This allows for more effective planning, cost management and continuous improvement of media supply chain operations. “This is one of our most comprehensive releases to date,” said Maarten Verwaest, co-founder and CRO of Limecraft. “We’re doubling down on the visibility, control and accountability needed to run efficient media operations at scale. Delivery Workspaces are the backbone of distributed supply chains. This release elevates them to a new level.”
PPDS delivers ‘transformational’ communication and engagement
PPDS has announced its highly advanced and ultra-flexible suite of digital signage solutions has been selected to revolutionise communication and collaboration capabilities at The Putnam County School System (PCSS), in Cooksville, Tennessee. Located an hour’s drive east of Nashville and 100 miles west of Knoxville, the PCSS is one of the state’s largest public-school districts, employing over 1,700 staff and educating over 12,000 students. Boasting a 93 per cent graduation rate, PCSS is responsible for 22 schools in total, including elementary (x11), middle (x4), high (3), as well as virtual and adult learning.
With a commitment to providing best-in-class communication and collaborative experiences across all campuses, the use of display technology plays a critical role in the teaching and learning experiences for its students and faculty, but also inside its busy, multi-purpose central offices. An integral hub in supporting and shaping the future of the district and its students, the PCSS’ central offices are a hive of activity, with important meetings, events, conferences, and collaborations both in person and virtually, with other districts and educational offices hosted daily. With an ageing and inefficient digital signage system, the PCSS required a tailored, modern, flexible, and future-proof solution that would enable seamless, dynamic content management across its reception and common areas, conference rooms, and in the main boardroom. Key to its ambitions was the ability to display everything from event schedules and meeting agendas through to presentation materials and live feeds for virtual attendees, all in a visually appealing and professional format. Teaming up with Howard Technology Solutions – a national specialist in providing dedicated AV solutions and integrations in education – a selection of 10 x Philips Signage 3000 Series (Q-Line) displays – ranging from 55” through to 98” – were the standout choice to achieve the office’s ever evolving and widening range of communication needs and ambitions.
Meeting the brief and budgetary requirements, the Philips Signage 3000 Series supports the dynamic office needs of today and into the future, ensuring a consistent, reliable performance at all times. The Philips Signage 3000 Series deliver exceptional 4K resolution supporting a broad array of content types, from static images to dynamic video, and optimum visibility across a diverse set of lighting conditions. With a professional Android SoC built in, the Philips Signage 3000 Series delivers fully secure remote management options to the PCSS team, adopting PPDS’ evolutionary Philips Wave cloud platform. Built and designed to support any number of Philips Android SoC displays – including those located outside the office and across each campus, if required – the Philips Wave platform allows Putnam County staff to easily update content remotely (24/7), ensuring all displays showcase up-to-date, relevant,
and consistent information.
This flexibility empowers staff to manage announcements, schedules, and materials effortlessly, improving communication during both in-person and virtual meetings, while also allowing for immediate resolution of any issues that may arise. Patrick VanTreese, Director of Business Development at PPDS, commented: “The flexibility of the Philips Wave platform ensures that the district can continuously evolve and adapt its content to meet the needs of various events. With the implementation of Philips digital signage, the Putnam County School System has not only improved communication within its district, it has also set a new standard for how educational offices can leverage technology to engage staff, students, and external partners more effectively. This transformation showcases how the right tools can dramatically enhance an organisation’s ability to communicate, collaborate, and innovate.”
The installations of the Philips signage displays have had an immediate and overwhelmingly positive impact at the central offices, creating a more professional look and feel, while the capabilities have significantly enhanced the productivity and efficiencies for all meeting types. Staff have also seen increased levels of engagement during meetings and events, with the Philips signage creating a more interactive and collaborative experience for all involved, with dynamic content ensuring all attendees are involved and engaged at all times. The straightforward accessibility and user friendliness of the control system has been embraced by all team members, including those with minimal or no previous experience, allowing meetings and events to begin on time
and to be presented with confidence and professionalism. Sam Brooks, Future Ready Supervisor, Putnam County School System, added: “The new Philips digital signage solution has truly transformed our ability to communicate. Not only have we enhanced the presentation of information, we have also made our meetings more engaging and effective for all, whether in person or virtual.”
Johnny Sloan, Technology Supervisor, Putnam County School System, continued: “The flexibility and user friendliness of the Philips Wave platform has made it incredibly easy to manage our digital signage content, giving us complete control over the displays and creating dynamic content that better engages both in-person and virtual participants.” Corby King, Director of Schools at Putnam County School System, concluded: “With Philips Professional Displays we have enabled a seamless experience where anyone can enter our meeting room and, within just a few minutes, have their presentation ready to go. The straightforward accessibility and user friendliness of the control system not only saves time but also allows individuals to lead meetings confidently, even if they lack prior experience.”
Application fast facts
• Client: Putnam County School System
•Location: Putnam County, Cookeville, Tennessee, US
• Partner: Howard Technology Solutions
• Project: Transforming communication and engagement with Philips digital signage
• Products: 55”, 65”, 75” and 98” Philips Signage 3000 Series (Q-Line), Philips Wave RDM
Datapath selected for managing video content at new BetFred HQ
Online betting giant BetFred has come a long way since its 1967 inception. Founded by CEO Fred Done in a Salford betting shop, the company now sees an annual turnover of over £10 billion and is one of the largest sponsors of horseracing in the UK. As one of the largest online betting companies in Europe, Betfred.com offers a full range of sports betting, online casino, online games, bingo, lotto, online poker and virtual sports as well as pool betting - all running 24/7. The company recently undertook a multi-million-pound revamp of the 50,000-square-foot Spectrum building as its’ new HQ in Warrington, which is now enjoyed by more than 450 Betfred employees. With a wealth of video data and technology running round the clock, the company wanted to improve its digital signage messaging, with several displays in prominent positions throughout the building. Content was to come from a variety of sources, including employee messages, news, live TV and company information. Consisting of two 4x3 video walls in the main office area and a 3x2 video wall, plus a single display, in the reception area, the requirement was to use a single user interface for control of content across all displays, with Aetria from Datapath emerging as the standout solution for comprehensive content flexibility.
For Duncan McDonald, Head of Retail Support at BetFred, past experiences of working with Datapath made them the frontrunner for supporting technology following a considerable HQ investment. “When our CEO, Joanne Whittaker, decided to embark on a huge refurb for our head office operation, she invested about £10 million in turning this iconic building, which goes back to the 1970s, into something that was really going to appeal to our employees,” he said. “From a technology standpoint, it needed to spark innovation and stimulate growth and creativity among our teams. Our relationship with Datapath goes back nearly ten years – to when we asked them to help with our sportsbook installations in America. For us, Datapath was the obvious choice. We needed that wow factor. We needed, something that turned people’s heads and gave them a positive place to focus for employee news, for live TV, for information about the company and its goals as well as targets and things that we’re working on.”
At the heart of the video management, and working in tandem, are Datapath’s multi-award-winning VSN V3 video wall controller, along with a VSNMicro 600 supporting pixel management in BetFred’s reception area. Equipped with several Image 2K graphics cards and VisionSC-HD4 capture cards, the system allows for full ‘any content, anywhere’ capability, with Aetria-WC-PRO software allowing operators to easily switch content sources or display templates. Following installation, Datapath provided a comprehensive commissioning service to BetFred staff, giving them side-by-side support
Betfred recently undertook a multi-million-pound revamp of the 50,000-square-foot Spectrum building as its’ new HQ in Warrington. With a wealth of video data and technology running round the clock, the company wanted to improve its digital signage messaging, with several displays in prominent positions throughout the building.
to ensure optimal efficiency with bespoke templates and layouts, as well as ensuring operators had instant access to the tools required for full display control. During the commissioning phase, any pain points can be addressed, giving complete peace of mind to BetFred’s end users.
Furthermore, beyond the commissioning, Datapath provides three years of Premium Support service, staying readily available to assist and promptly address any issues or concerns. Adam Marsden, Datapath sales manager for UK & Ireland, said: “We are both proud and delighted to see our Aetria platform being utilised by the fine people at BetFred. The project has been a delight to be involved with from start to finish and the stunning transformation of Warrington’s Spectrum building has been a real eye-opener. Using Aetria, visitors and staff now have flexible digital content to keep them both informed and engaged in an environment that is fitting for one of the world’s biggest online bookmakers.”
With the project now up and running for several weeks, Duncan has high praise for both the installation process and the end result: “It does exactly what you expect it to do, and it does it very well,” he concludes. “The instal-
lation itself was seamless, and the operation of it since has very much ‘set it and forget it’ from the point of view of a technical install, which is ideally what you want. From the very beginning, the planning, installation and ongoing support that we have received from Datapath has been, as it always is, absolutely outstanding. We knew early on that we’d made the right choice. You want something to just go in and do what it says it’s going to do really well. This system from Datapath does exactly that.”
Datapath kit list:
•1x VSN-V3-11-B-RPSU
•1x VSNMicro 600-ATX
•9x Image2K
•4x VisionSC-HD4+/H
•5x ActiveSQX2
•2x Aetria-WC-PRO
•1x Aetria-SRV2
•1x Aetria-LIC-VSN
•2x Commissioning
•1x Premium 3 Year Service
INFiLED develops LED cube for Genève-Servette Hockey Club
INFiLED has partnered with Swiss AV integration specialist Lemanvisio to design and deliver a custom-engineered, four-sided LED video cube for the championship-winning Genève-Servette Hockey Club (GSHC). Designed to enhance the match-day experience by providing the club’s supporters with a top-tier visual experience from every angle, the new 96m²display brings immersive, high-resolution visuals to Patinoire des Vernets, the Geneva home of GSCH, one of Switzerland’s most celebrated ice hockey teams.
Following GSHC’s recent historic double win as both Swiss and European champions, the team sought to invest in a new LED centrepiece display to augment the on-court action and create a more immersive and sponsor-friendly environment at its home arena. Working closely with Lemanvisio, its official AV partner, GSHC commissioned a dynamic video cube that would offer sharp, uninterrupted visuals and withstand the unique technical demands of an indoor ice hockey venue. To meet this brief, INFiLED supplied a customised version of its MV Series of bright, durable LED displays already deployed at several high-profile sports venues and events, including the Etihad Stadiumin Australia and the UEFA European Championships in France. Engineered for high-speed playback, power redundancy and superior stability, the MV Series features a high refresh rate, anti-glare coating and adjustable brightness to ensure visibility even under bright arena lights.
The installation posed several unique challenges, including environmental factors such as humidity and temperature gradients inside the arena and the structural demands of suspending a centre-hung display
above the ice. To address these challenges, INFiLED developed a bespoke solution featuring curved 90° cabinet corners to eliminate visual interruptions–meaning that with no visible gaps or distortions across the cube, spectators can enjoy immersive, uninterrupted visuals from any angle. The display’s lightweight magnesium-aluminium frame reduces structural load on the roof, while its robust mounting system was adapted to ensure safety well beyond standard requirements. Further innovations included vibration resistance and dual data and power redundancy, safeguarding against signal or power loss during live gameplay, and gold-wire LED technology to protect against oxidation caused by high humidity levels from the ice. Working in close partnership with Lemanvisio throughout the design, customisation and installation process, INFiLED ensured that every element of the project met the tight deadlines and technical standards demanded by sports arenas like the Patinoire des Vernets.
The result is a high-impact, visually seamless LED cube that not only matches GSHC’s championship-winning status but also sets a new standard for indoor sports display technology in the DACH region. “We are thrilled to have completed the integration of this stunning four-sided LED cube for our amazing partner, the Genève-Servette Hockey Club. This installation was made possible thanks to an exceptional INFiLED product, delivering top-tier visual performance for an electrifying game-day experience,” says Johann Ody, founder and CEO of Lemanvisio. “A huge thank you to the entire INFiLED team for their support in bringing this project to life.”
ViewSonic advances AI driven learning at Bett 2025
ViewSonic Corp. showcased its latest AI-driven learning technologies and innovative solutions at Bett 2025. The company’s immersive, hands-on experience captivated significant attention from educators, EdTech professionals, and industry leaders who wanted to see how technology is shaping the future of education. Under the theme “Let’s Learn Together,” ViewSonic designed its booth to resemble a school, offering an engaging learning environment that spanned from primary education to professional workspaces. The space featured classroom-inspired setups, interactive learning stations, and live demonstrations of AI-powered teaching tools. “The incredible engagement at our booth this year highlighted the strong interest in AI-driven teaching solutions and our Chromebox OPS and ViewBoard EDLA solutions,” said Thomas Müller, Vice President of Sales and Marketing for West Europe at ViewSonic. “Our interactive demos brought these technologies to life, demonstrating how ViewSonic’s EdTech solutions seamlessly integrate into everyday teaching to simplify classroom workflows and enhance collaboration. We are helping schools build more connected, collaborative, and future-ready learning environments.”
Visitors explored ViewSonic’s latest innovations, including ChirpAI, an AI teaching assistant, ClassSwift interactive platform, and AI-enhanced ViewBoard interactive displays, experiencing firsthand how AI-powered solutions are transforming modern teaching. Live demonstrations showcased their ability to automate administrative tasks, streamline lesson preparation, and provide real-time feedback, enabling teachers to focus on stu-
dent engagement. Chromebox OPS (Open Pluggable Specification) and the new Android Enterprise Device Licensing Agreement (EDLA)-certified* ViewBoard interactive displays stood out as key attractions, educators discovered these solutions enhance digital teaching with seamless learning, device management, and security-offering a scalable, future-ready solution.
EdTech Experts Discuss AI’s Impact on the Future of Education Beyond showcasing its latest solutions, ViewSonic hosted thought-provoking keynote panels and EdTech expert discussions, sparking important conversations about AI’s transformative role in education, digital accessibility, and the future of interactive learning. One of the highlights on the stage was the ClassSwift Quiz, which became a crowd favourite. Educators and student groups eagerly competed in real-time interactive sessions. Participants explored how instant feedback fosters deeper engagement, while teachers praised its intuitive design and ease of use, recognizing its potential to simplify lesson delivery while making learning more interactive and enjoyable.
Throughout the three-day event, ViewSonic actively engaged with educators and industry experts, discussing innovations in education technology and showcasing how AI-driven solutions are enhancing teaching and learning experiences. Experience the highlights from Bett 2025 – watch the wrap-up video and please visit ViewSonic’s BETT 2025 event page to see AI-driven learning and interactive EdTech solutions in action: https://youtu.be/6O7N7dWOrOE
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Sound systems in transportation hub
The invisible guide powering mobility
Every day, millions of passengers pass through Europe’s transportation infrastructures—train stations, airports, metro and tram stops. Behind this immense flow lie just as many needs, expectations, and logistical challenges. How can we optimise their experience? Ensure accessibility for all? And above all, guarantee their safety in all circumstances? Arthur BOUTIN, Head of Market (Transportation) at RBANE GROUPE offers his opinion.
What if acoustics were part of the answer?
Picture the scene. You arrive at the station, running late. You’re desperately looking for your platform. The signage is blurry, your stress levels rise. Suddenly, a jingle plays - it’s an announcement. It contains exactly the information you were hoping for - but all you hear is a garbled mix of echoes and background noise. The message is there, but it’s unintelligible. Your stress spikes again, and you’re still unsure where to go. Unfortunately, this scenario is all too common. It highlights how much sound quality shapes our perception and comfort in these environments. Conversely, a clear, intelligible, and well-positioned announcement becomes a reference point—a helping hand, a moment of relief. Sound systems are not just a matter of comfort: they are a cornerstone of the traveller experience.
But that’s only the beginning.
An issue of accessibility
In these often complex and maze-like spaces, many passengers rely entirely on audio information. Visually impaired travellers, seniors, travellers fixated on their
phones, or those with arms full of luggage- all depend on the clarity of audio messages to find their way. A well-delivered announcement helps people reorient themselves, anticipate a platform change or a service disruption, without needing to stop or locate a screen. In this sense, sound becomes a powerful tool for inclusion.
A matter of safety
Then there’s the critical issue of safety. In the event of an emergency-fire, crowd movement, security threats - the audio system becomes the main communication channel. It must be able to deliver evacuation instructions that are audible, clear, and immediately understandable in every corner of the building. Failure to do so can have serious, even tragic consequences. We begin to understand that sound systems in transportation hubs are not a luxury. They are an operational requirement serving comfort, accessibility, and safety.
When architecture betrays the message
Here lies the challenge: these are some of the most difficult spaces to properly equip acoustically. They
combine several features that work against intelligible audio.
First, ambient noise. The sound of train engines, overlapping announcements, and moving crowds create an intense, unpredictable soundscape. This background noise interferes with even the best-calibrated announcements.
Second, reverberation. Stations and airports are often built with hard, reflective materials: glass, concrete, steel. These surfaces, combined with vast open spaces, turn these venues into genuine acoustic challenges. A well-delivered announcement can become muffled, distorted, or entirely incomprehensible depending on where the listener is standing.
To make matters more complex, some buildings are heritage sites or architectural landmarks. Sound systems must therefore blend seamlessly into the visual environment, respecting strict aesthetic or conservation rules. This adds yet another layer of constraint.
On top of that, public buildings must meet rigorous technical standards. Regulations for public-access buildings require uniform sound coverage, defined sound pressure levels, redundancy in case of failure, and more. Every solution must comply with a strict technical framework.
Acoustic treatments + performant audio system: the right combination
How do we address this puzzle? Several avenues exist. Adding sound-absorbing materials in new or renovated buildings helps reduce both noise levels and reverberation. It’s effective- but costly, and often impractical in active sites. Installing acoustic panels or ceilings in a 19th-century station isn’t always feasible - or even permitted. And even in a well-treated acoustic space, a poor-quality audio system remains a major obstacle. A low-end speaker that’s poorly placed or improperly configured will deliver confusing, misdirected sound- and therefore fail its mission.
It is essential to design a high-performance sound system adapted to the constraints of the location. Technologies like controlled directivity speakers offer real benefits: they reduce the need for extensive acoustic treatment by directing sound exactly where it’s needed, limiting unwanted reflections, and ensuring excellent intelligibility even in acoustically hostile environments.
A pragmatic, step-by-step approach
The ideal solution strikes a balance: treat the acoustic environment while deploying a well-calibrated, high-quality sound system. But in tightly constrained projects - financially, architecturally, logistically- upgrading the sound system can be a first, high-impact step. It’s fast, relatively simple, and delivers measurable results.
In a world where passenger flow and safety are top priorities, acoustics emerge as a powerful yet often overlooked ally. Well-conceived, well-integrated, and finely tuned, audio systems can transform busy transit areas into intelligent, welcoming, and secure environments. As transport infrastructures continue to modernize, it’s time to recognise sound not merely as a channel of information, but as a real lever of innovation for the public good.
Understanding these challenges is essential to act. In transport hubs, acoustics shape how we navigate, interpret, and react. Any decision-maker concerned with enhancing user experience, accessibility, and safety must see sound systems as indispensable tools in achieving their goals.
InfoComm 2025 comprehensive business and project management for
AV professionals
InfoComm 2025 will feature a business and project management program, with more than 20 sessions and workshops, including a State of the Industry session hosted by AVIXA’s market research team and NSCA’s BizSkills workshop. Attendees will also have the opportunity to participate in certification preparation and testing. InfoComm 2025, produced by the Audiovisual and Integrated Experience Association (AVIXA), takes place this June 7-13 (exhibits June 11-13) at the Orange County Convention Centre in Orlando, Florida. “InfoComm brings together all facets of the pro AV industry—tech from top manufacturers, hands-on skills training, and insights from industry leaders,” said Jenn Heinold, Senior Vice President, Expositions, Americas, AVIXA, producer of InfoComm. “To deliver a truly well-rounded event to help AV professionals thrive in their day-to-day work, we’ve built a strong program focused on business and project management. It covers the full spectrum—from sales and operations to finance and team training. We’ll also take a deep dive into what the next five years will look like for the pro AV industry, so you can plan ahead with confidence.”
AVIXA’s market intelligence team will debut research from the 2025 Industry Outlook and Trends Analysis (IOTA) during the “Market Insights Lunch: State of the AV Industry” on Tues., June 10. This event will deliver forecasts on pro AV industry size and growth, as well as the macroeconomic trends shaping the pro AV landscape, such as tariffs, inflation, and interest rates. Attendees will also hear key highlights from recent end-user demand surveys that reveal quarterly purchase intentions for pro AV products and services. The NSCA BizSkills will return as a full one-day workshop, with five targeted sessions, to deliver a strategic business curriculum empowering participants with invaluable insights and tools crucial to enhancing pro AV business operations.
In the hands-on session “Integration Business Sales,” attendees will learn how to better manage customer relationships through customer matching, building credibility and trust, and customer-focused interviewing processes. The “Integration Business Project Management” session will provide an overview of the project life cycle and impact of effective project management. NCSA Executive Director Tom LeBlanc and leading integrators in the NCSA community will host the “NSCA Luncheon Plenary Session: 2025 Midyear Report on Factors Impacting the Integration Market” to discuss challenges and opportunities unique to running an integration company. This conversation will examine factors that define the state of the industry at the midpoint of 2025 and offer suggestions on how integrators can react.
The “Integration Business Operations” session will help any integration company team member or leader with a role in operations understand how to overcome obstacles and nuances of operating a company in the pro AV industry. The “Integration Business Finance” session will provide industry-specific examples and exercises that will help any integration company team member understand the fundamental impacts of bal-
InfoComm 2025 will feature a business and project management program, with more than 20 sessions and workshops, including a State of the Industry session hosted by AVIXA’s market research team and NSCA’s BizSkills workshop.
ance sheets, income statements, cash flow statements, and more.
In the three-day course “How to Effectively Manage AV Staff” June 7-9, attendees will gain fresh ideas, practice training techniques, and examine real-world scenarios that will enable them to develop more efficient management skills. In the “Project Management for AV Professionals” course taking place on Sat., June 7, participants will deepen their understanding of the four major project phases of AV systems integration projects. This course will include discussions on the challenges of managing multiple simultaneous projects and the different facets of an organization that must be aligned to gain the full benefits of mature project management.
On Thurs., June 12, the session “Creating Modular Training Programs for Diverse Audiences” will explore how breaking down training into adaptable modules can provide participants with relevant and engaging content, regardless of their background, Also on Thursday, the roundtable discussion “Recruiting the Next Generation” will unite industry leaders from recruitment, training, and management to explore proven strategies for developing the next generation of AV professionals. Key discussion points will include current challenges, education and training, diversity and inclusion, mentorship and internships, technological engagement, and career pathways.
Event report
DSS Europe 2025 achieves record-breaking attendance
The Digital Signage Summit (DSS) Europe has concluded with a record of almost 500 delegates following three-days of strategic insight and ground-breaking technologies at the Hilton Munich Airport, Germany. Organised by invidis in a joint venture with Integrated Systems Events (ISE), DSS Europe took place from 21-23 May, bringing together innovators and thought leaders to debut its new three-day format.
Florian Rotberg, conference chair and Managing Director of invidis consulting, reflected, “Over the past three days, DSS Europe 2025 has not only set a new benchmark for innovation and collaboration but has also highlighted the pressing challenges and future opportunities that our industry must address. From groundbreaking advancements in digital signage to meaningful conversations about sustainability and user engagement, this year’s summit has truly redefined what’s possible. I extend my heartfelt thanks to all our speakers, sponsors, and attendees for their invaluable contributions, which have made our first three-day summit an unforgettable, record-breaking success.”
Headline themes for DSS Europe included AI and Managed Services, with over 100 speakers setting the agenda across more than 60 impactful keynotes, presentations, panel discussions, and workshops. This year’s edition was presented in partnership with Chro-
meOS by Google as the headline sponsor, Lenovo as Premium Events Partner, M-Cube as Technology Partner, as well as support from several other notable brands.
Digital Signage Summit Europe 2025 set a new benchmark for the industry providing insightful exploration of the evolving digital signage landscape, highlighting crucial themes such as cybersecurity, managed signage, and the integration of artificial intelligence (AI). The event began with the inaugural Digital Signage Technology Forum, where leaders from companies like Google ChromeOS, TeamViewer, and Kirchberg Capital discussed the rising importance of software, cybersecurity, AI, and advancements in player technologies. Subsequent sessions delved into managed services, data-driven decision-making, sustainability, and responses to geopolitical challenges, featuring high-profile speakers such as Trison’s Alberto Cáceres, SignageOS’s Stan Richter, and Lenovo’s Johanny Payero. The summit concluded with a focus on AI’s transformative impact on digital signage and retail, including topics like AI-driven content creation, audience targeting, and data analytics.
A comprehensive timetable of networking events including network breakfasts and evening gatherings offered numerous invaluable opportunities to make new connections. A stand-out event was the invidis Strategy Awards 2025, hosted by invidis and Dave Haynes, publisher at Sixteen:Nine. These prestigious awards recognise exceptional individuals and organisations demonstrating strategic excellence across the industry. Dave Haynes reported on the digital signage industry for nearly 20 years through his blog Sixteen-Nine. Over this period, he was a prominent voice in the North American market alongside invidis. Invidis will now assume responsibility for the coverage previously provided by Sixteen-Nine, continuing the work established by Dave. The Special Recognition Award acknowledges the significant impact of Dave’s contributions and his distinctive voice within the digital signage industry.
Complementing the innovative conference programme and varied networking opportunities, over 20 leading brands featured in the Technology Showcase, presenting cutting-edge solutions for digital signage and DOOH projects. This year’s exhibiting brands included DynaScan, Sony, iiyama, Signage OS, Samsung, Sharp NEC and many more. Mike Blackman, Managing Director of Integrated Systems Events, concluded, “DSS Europe 2025 has once again demonstrated why it’s the must-attend event for digital signage visionaries. This year’s summit showcased not only the latest innovations and technologies but also the powerful impact of bringing the brightest minds together. With an incredible lineup of speakers, cutting-edge solutions, and high-energy networking, DSS Europe ignites ideas and sets the momentum for real breakthroughs in our industry. I can’t wait to see the innovations and partnerships that will emerge from this year’s event.”
To wrap up, DSS Europe delegates were the first to receive the ‘invidis Yearbook 2025’, regarded as a mustread for digital signage industry professionals. The yearbook is a pivotal resource for forward planning, with in-depth analysis of the latest market trends and rankings, to help shape business strategy for the next 12 months.
Brompton Technology appoints Steve Leyland as new Chairman
Brompton Technology has announced the appointment of Steve Leyland as its new Chairman of the Board. Leyland’s appointment follows the resignation of Brompton’s previous Chairman, Neil Gaydon, for health reasons. Neil joined at the time of Brompton receiving investment from specialist private equity provider Connection Capital in 2022 and has played a central role in developing Brompton’s growth strategy. “We are very grateful to Neil for all his support and wish him the very best,” says Richard Mead, Brompton’s CEO. A seasoned executive and respected voice in the AV industry, Leyland brings with him decades of international leadership experience, including senior roles at Barco, Polycom and Intel, and a proven track record of driving growth and strategic transformation across global markets. Leyland currently runs a consulting practice advising technology companies and investors on growth, international expansion, and go-to-market strategies. He also acts as the Chairman of Cambrionix Group, a UK-based manufacturer serving the mobile device management market.
During his corporate career, Leyland served as President of the Control Rooms & Simulation Division at Barco, where he successfully turned the global business from a loss-making unit to profitability, before becoming the company’s Chief Commercial Officer. Earlier in his career, he was President of Polycom EMEA, where he tripled revenue and transformed the region into a highly profitable business. Leyland also held leadership roles at Intel Corporation and Dialogic Corporation, where he was General Manager of its largest division before its acquisition by Intel. “I am excited to take on the role of Chairman of the Board for Brompton Technology, and I hope that my audio-visual industry experience can help them to continue their significant growth,” he says. Leyland’s career has taken him across the globe, with leadership experience in London, Los Angeles, New York, Brussels, and Paris, and management responsibilities in India, China, and Latin America. His extensive expertise in board governance, international business development, sales strategy, and operational turnaround will be instrumental in supporting Brompton’s
next phase of innovation and expansion. “We are thrilled to welcome Steve as Chairman,” says Mead. “His deep industry knowledge, commercial acumen, and international perspective make him an invaluable addition to the team. Beyond chairing our board, Steve is keen to be hands-on in supporting our commercial strategy and sales efforts, and we’re looking forward to having him regularly involved at our London office and key industry events.”
Ryan Penny joins d&b audiotechnik as VP global business development
d&b audiotechnik has announced the appointment of Ryan Penny as Vice President Global Business Development. In this newly established role, he will be responsible for leading and implementing global business development strategies and expanding the company’s footprint across key markets and verticals. With over a decade of experience in the professional audio sector, Ryan’s broad skill set spans sales leadership, production management, consultancy, and strategic business development.
Prior to joining d&b audiotechnik, he held senior commercial roles at HOLOPLOT and HARMAN International, and previously worked as a professional audio consultant at Vanguardia and RH Consulting. Ryan has also played a key role in delivering audio at high-profile global events, including the Opening and Closing Ceremonies for the Rio 2016 and London 2012 Olympic & Paralympic games. “We are delighted to welcome Ryan to the d&b team,” says Jaakko Kaivonen, Chief Revenue Officer, d&b audiotechnik. “His deep market expertise and his customer driven approach and unique combination of engineering and commercial strategy make him ideally suited to this role. As we continue to grow our global reach and customer proximity and innovate across new markets and models, Ryan’s leadership will be instrumental in helping us unlock further opportunities and deliver exceptional customer value.”
Brompton Technology has announced the appointment of Steve Leyland as its new Chairman of the Board.
At d&b, Ryan Penny will lead the implementation of the company’s global and key account strategies, establish robust frameworks for international consultant relations, and support the commercialisation of business models such as CPO (Certified Pre-Owned), and ‘Sound as a Service’. Additionally, he will work closely with the Market Development and Market Intelligence teams to support strategic alignment across territories and represent d&b audiotechnik in relevant industry associations. “I’m absolutely thrilled to join d&b – a company that has shaped my career from day one. I have an affinity for the brand, from using the systems as a student to competing against them as a professional. It’s an exciting time to be joining the team, with new and innovative products and business models I look forward to the future with d&b,” says Ryan Penny, VP Global Business Development, d&b audiotechnik.
Ryan Penny joins d&b audiotechnik in the newly established role as VP Global Business Development. (Photo Credit: d&b group)
nue-generating functions across both organizations in Canada and the US, including sales and business development.
“Leo’s leadership has been instrumental in strengthening VuWall’s presence in North America,” said Thorsten Lipp, CEO of VuWall, G&D, and Tritec. “His deep industry knowledge, strong customer relationships, and proven track record make him the ideal person to unify and accelerate our go-to-market strategies across both VuWall and G&D North America. This is a natural and exciting next step for our organization.”
As Managing Director of G&D North America, Bull will oversee sales operations, drive strategic alignment between VuWall and G&D, and lead efforts to deliver comprehensive, integrated solutions to customers across critical infrastructure and control rooms environments. “I’m honored to take on this expanded role,” said Leo Bull. “Both VuWall and G&D have strong legacies of innovation and customer focus. I look forward to continuing to build on that foundation and creating even greater value for our partners and customers through a more unified and strategic approach.” This announcement reflects the ongoing collaboration between VuWall and G&D, both recognized leaders in their respective markets, and marks a significant step toward aligning resources and expertise to deliver world-class visualization and KVM solutions in North America.
Jessica Little and Claire Pullen return to Dataflow AV after a decade
VuWall has announced the promotion of Leo Bull to Chief Revenue Officer (CRO) of VuWall and KVM pioneer Guntermann & Drunck (G&D) North America. As part of this expanded leadership role, Bull will also serve as Managing Director of G&D North America, headquartered in Houston, Texas. Previously serving as Executive Vice President at VuWall, Bull has played a critical role in driving the company’s revenue growth, strategic partnerships, and market expansion. In his new role, he will be responsible for leading all reve-
As Dataflow approaches its 25th year in business, the company is celebrating this milestone by welcoming back two familiar faces—Jessica Little, who rejoined in April as Account Manager, and Claire Pullen, now returning as Sales Director. Jessica was the first to return, marking a new chapter in her career with Dataflow after ten years away. A trusted and knowledgeable figure within the AV space, she brings with her a strong foundation in client relationships, deep product knowledge, and a clear understanding of Dataflow’s culture and customer-first approach. Since rejoining, she has been
VuWall appoints Leo Bull as Chief Revenue Officer for VuWall and G&D North America
VuWall has announced the promotion of Leo Bull to Chief Revenue Officer (CRO) of VuWall and KVM pioneer Guntermann & Drunck (G&D) North America.
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instrumental in supporting the company’s growing client portfolio and delivering a responsive, solutions-led service across both the projection and display divisions.
Claire Pullen followed shortly after, also returning to Dataflow a decade later. Over the past ten years, she has remained a leader in the AV industry, accumulating significant experience and knowledge. Now back at Dataflow, she is taking on the role of Sales Director, bringing a renewed emphasis on business development and spearheading expansion in both the rapidly growing display sector and the company’s established projection business. “The opportunity for Claire to return as Sales Director came at just the right time,” says Murray Thompson, Managing Director at Dataflow. “The synergy for both Claire and Dataflow was undeniable. Her insight, leadership, and the experience she’s gained over the last ten years make her the perfect person to help build our brand and grow the business.”
Together, Claire and Jessica are a proven team. Having worked side by side previously, their reunion brings fresh energy and a strong shared vision for the future. “Coming back to Dataflow feels like coming home, but with fresh eyes and a whole new level of experience,” Claire says. “The business has evolved, the industry has moved forward, and it’s an exciting time to be part of that growth—and even better to be working with Jessica again. We’ve got ambitious plans for our display division, and our future is one that display brands should absolutely want to be part of.”
Tateside takes on two new apprentices
London-based integrators, Tateside, have hired two new employees on an apprenticeship basis as part of their commitment to fostering the next generation of AV industry professionals. As part of their training, George and Joe will shadow the Tateside team on projects, undergo technical training and spend time with different departments to gain an understanding of the integration business and the world of AV. “Many of us started out in AV quite young, and we want to give others the opportunity to do the same,” says Jack Cornish, Technical Director at Tateside. “It can be difficult for people to find a clear career route into the integration business, so through these apprenticeships, we are offering a path to a future in AV that will hopefully inspire these young people to continue their journey within the company or the wider industry.”
A typical day during the apprenticeship includes site meetings, introductions to different departments, from managed services to project management and IT, and direct technical training on everything from AV networks to cabling and rack maintenance. Alongside practical sessions, apprentices also begin their journey towards AVIXA certification by learning online with AVIXA’s courses. “I joined Tateside because I wanted to pursue a career in technical installation, combining my passion for electronics with hands-on work,” says George
Dataflow
25th year in business, the company is celebrating this milestone by welcoming back two familiar faces—Jessica Little, who rejoined in April as Account Manager, and Claire Pullen, now returning as Sales Director. Jessica was the first to return, marking a new chapter in her career with Dataflow after ten years away
Dodds, apprentice at Tateside. “I’ve been learning how loudspeakers work, how they’re installed, and the various cable connectors involved. I enjoy both physical tasks and technology, so this job is the perfect blend for me. So far, I’ve had a great experience – everyone has been incredibly supportive and has taught me so much. I’m excited about the future and eager to face the challenges in a constantly evolving industry.”
“I seized the opportunity of working at Tateside, driven by my passion for the AV industry and technology,” confirms Joe Sullivan, also on an apprenticeship. “I have had hands-on experience re-imaging NVIDIA shields for digital signage and developing scripts to streamline data entry. I’m also expanding my knowledge of HTML and other programming languages to further strengthen my skills in the sector.” Tateside is committed to giving back to the AV industry in which it operates, through initiatives such as apprenticeships and its regular AV networking event, Lateside. “We are always thrilled to bring young talent into the Tateside team, and with the opportunity to expand, we jumped at the chance to find the right people,’ says Graham Agambar, Director at Tateside. “Both George and Joe are extremely keen, and their enthusiasm and willingness to learn is truly inspiring, injecting a new spirit into the team. It’s also great to see the faith we place in our more senior engineers to mentor these guys and instil the ethos that drives our approach to the wide variety of projects we undertake. Investing in young trainees ensures a strong pipeline of future talent within Tateside and the industry as a whole.”
Absen boosts UK proAV team with strategic hires
Absen has sharpened its UK ProAV focus with three new strategic hires. This move – designed to fuel the company’s ambitious regional growth plans – reinforces its dedication to localised service and strong relationships across Europe. The reinforced UK division also underscores its pledge to provide advanced LED solutions and exceptional service throughout the UK.
Joining the UK Absen team are:
•Peter Mytton-Bayley – Business Development Executive: With 30 years of experience in consultant and strategic roles within the AV sector, including significant work in corporate and education installations, Peter joins Absen’s UK team to support its expanding market presence. He will leverage his extensive industry knowledge to drive the adoption of Absen LED in upcoming projects and champion Absen’s commitment to sus-
London-based integrators, Tateside, has hired two new employees on an apprenticeship basis as part of their commitment to fostering the next generation of AV industry professionals.1
tainability through its ‘Absen Green’ initiative. Peter commented, “I am excited to join Absen and contribute to its growth in the UK, particularly in promoting our environmentally conscious LED solutions.”
•Chris Wilson – Business Development Manager, Absen UK & Ireland ProAV: Bringing 20 years of experience in both indirect and direct AV sales, Chris will champion the development of Absen’s UK sales and enhance customer relationships. Having closely followed Absen’s growth and recognising the quality of its LED offerings, Chris aims to further develop and strengthen client partnerships and ensure an exceptional customer experience across the UK and Ireland. “I am delighted to be part of the Absen team and look forward to showcasing the superior capabilities of Absen LED to our clients,” said Chris.
•Martin Price – Business Development Manager, Absen UK & Ireland ProAV: Martin embarks on his latest AV industry journey with 30 years of experience, focusing on expanding Absen’s presence in the Midlands, the North of the UK, as well as Scotland and Ireland. Known for his strong relationships with end-users and resellers, Martin will be actively engaging with the industry at trade shows and events. “I am passionate about connecting with partners and end-users, and I am thrilled to be driving Absen’s growth in these key regions,” Martin stated.
Collectively, the UK team will be instrumental in driving Absen’s presence and sales across the UK and Ireland and working closely with customers to deliver exceptional LED display projects. “These strategic appointments mark a significant milestone in Absen’s regional growth strategy across Europe,” said Azalea Hu, Absen’s managing director of Europe. “Peter, Chris, and Martin’s deep understanding of the UK ProAV land-
scape and their proven track records will be invaluable as we expand our market presence, forge stronger and trustworthy customer partnerships, whilst continuing to deliver innovative and sustainable LED solutions.”
ISS UK and Ireland appoints Graeme Cameron as COO operations
ISS UK & Ireland (‘ISS’) has confirmed the appointment of Graeme Cameron as Chief Operations Officer (COO) of its Operations Performance (OP) function, effective 1 June 2025. Graeme, currently Commercial Director, succeeds Aidan Bell, who has left ISS after almost five and half years to become CEO of a non-competitor company. Graeme joined ISS in 2019, having already spent almost 15 years in the facilities management industry. In a series of roles at the company, including as the director of one of ISS’ largest and most prestigious key accounts, leader of its customer retention programme and most recently as commercial director, Graeme has championed the company’s ambitions to grow profitably through new business wins and build ever deeper partnerships with existing customers. Under Graeme’s leadership, the OP function will be the catalyst of accelerated, positive change, driving business performance and commercial momentum. It will bring to market product and service innovations in key growth areas, including sustainability, workplace experience and capital projects. It will continue to drive efficiency and effectiveness programmes to support a lean, sustainable operation. Through Graeme’s extensive commercial experience, the function will forge stronger, deeper links with Commercial colleagues, putting the customer front and centre of everything ISS does.
Absen has sharpened its UK ProAV focus with three new strategic hires. This move – designed to fuel the company’s ambitious regional growth plans.
Graeme Cameron, incoming COO, OP, ISS UK & Ireland, commented: “I stand ready, having spent my career at ISS working directly with some of our biggest, most innovative, customers, to bring that insight to bear as we seek to grow profitably through genuine, reciprocal partnerships. All the components are in place to create a world-class OP function that supports growth, efficiency, and compliance. I look forward to getting to work.”
Scott Davies, CEO, ISS UK & Ireland, commented: “I am glad to have been able to appoint home-grown talent of Graeme’s calibre into this crucial role for our company. Graeme brings with him deep and varied experience not only of our industry, but also of performance optimisation, compliance and innovation that meets the needs of our customers and our company. His insight, expertise, and enthusiasm, coupled with our vision of an extended remit for the Operations Performance function, recommends him for this role, which is central to the achievement of our shared strategic objectives.”
Since the internal announcement of Aidan Bell’s departure in February 2025, the company has been setting in place handover and contingency plans. This work, supported by CEO Scott Davies’ interim management of the function, supports a smooth transition of responsibilities.
Solstice AV appoints Chris Ball as new CFO and COO
Solstice AV has announced the appointment of Chris Ball as its new Chief Financial Officer (CFO) and Chief Operating Officer (COO). Chris brings over 20 years of top-level financial knowledge and experience to Solstice AV’s growing team, with a proven track record in driving profitability, improving operational efficiency, and fostering cross-functional collaboration in fast-paced environments, including major banking institutions. His strategic vision and proven leadership skills make him the perfect candidate to support Solstice AV in its next chapter of growth.
Based in Solstice AV’s Diss and Tewkesbury offices, Chris joins the company’s board of directors, reporting to chairman Tony Hunt. His key responsibilities will include, but are far from limited to, reviewing and overseeing the company’s financial planning, risk management, and operational performance. His appointment follows recent news announcements from Solstice AV to mark its UK distribution partnerships with LED and interactive displays providers LianTronics and i3CONNECT, delivering even greater choice and value to UK resellers.
Commenting on his new role, Chris Ball said: “I am honoured to join Solstice AV at such an exciting time in the company’s journey. I was attracted by the ambition of the board and the quality of the broader team, whose infectious entrepreneurial spirit fuels some genuinely inspirational goals for the future. I am committed to leveraging my experience to support the business’s growth ambitions and to contribute to delivering exceptional
value to our clients and partners. Solstice AV has built a strong reputation for innovation and excellence, and I look forward to working with the team to take the company to new heights.”
Tony Hunt, Chairman at Solstice AV, added: “We are delighted to welcome Chris to the Solstice AV leadership team. His wealth of experience and proven track record of driving financial performance make him the ideal choice to support our next phase of growth and development. We are confident that his leadership will help us achieve our goals and strengthen our position.”
ISS UK & Ireland (‘ISS’) has confirmed the appointment of Graeme Cameron as Chief Operations Officer (COO) of its Operations Performance (OP) function, effective 1 June 2025.
CVP Appoints Stuart Dennis as Sector Development Manager
CVP has announced that it has appointed Stuart Dennis as Sector Development Manager. Stuart has joined CVP, to lead the development of a new division focused on supporting independent content creators - including mirrorless videographers, hybrid photo/video shooters, self-shooting producers, and those in search of accessible studio and streaming solutions. This initiative includes the creation of a dedicated physical space at CVP’s Charlotte Street showroom (The Creator Hub), as well as the rollout of a targeted online commercial strategy - all aimed at positioning CVP as a leading destination for the next generation of content creators. Stuart is a seasoned specialist with a deep understanding of the needs of freelance camera operators, independent filmmakers, production companies, and broadcasters. With 18 years of experience in the professional video industry - including nine years leading the professional video division at Wex Photo Video - he brings a strong blend of strategic insight and hands-on expertise to the role. Known for his focus on innovation and customer engagement, Stuart is committed to helping businesses stay competitive and forward-thinking in an industry that continues to evolve at speed. “Stuart brings a wealth of experience and insight that will be instrumental as we continue to expand our offering for the growing creator economy,” says Jon Fry, CEO, CVP. “As technology evolves at pace, it’s crucial to have someone who not only understands the tools but also the real-world pressures faced by today’s content creators. His expertise and expertise will be a strong asset as
we continue to support this dynamic and increasingly important part of our customer base.”
“Supporting creators with the right tools and insight has always been at the heart of what I do,” says Stuart Dennis. “Joining CVP is a fantastic opportunity to contribute to a company that genuinely understands the evolving needs of modern creatives. With its focus on innovation and community, CVP is uniquely positioned to shape the future of content creation - and I’m looking forward to playing a role in that evolution.”
