Rethinking Digital Signage for dynamic environments
Meeting rooms: the state of the art now and in the future
The classroom tech holding generations back
Businesses turn to tech to boost workplace productivity
New data has found that while 27% of businesses are currently using AV to display art and culture, nearly two thirds of AV professionals (65%) believe that technology should be used for artistic or aesthetic purposes, not just functionality. This shift in the industry comes at a time when employees are demanding more aesthetically pleasing workplaces or taking their talent elsewhere. In fact, nearly half (46%) of young UK workers aged 24-35 would consider quitting due to unattractive office design. Moreover, the data suggests that uninspiring design is also harming employee productivity and wellbeing, with over one-in-five (21%) young workers reporting that their mental health suffers due to poor-quality workplaces.
That’s according to Kinly’s Art of Productivity report, which surveyed 1,000 UK office workers and 425 audio visual (AV) professionals across Europe. The findings indicate that as businesses contend with talent shortages, productivity crises, and ongoing return-to-office debates, workplaces designed without the employee experience in mind are exacerbating these issues. However, technology is fast becoming the solution. More than two thirds (69%) of AV teams are now working closely with HR departments to support wellbeing goals through tech. In fact, three in four AV professionals (75%) say that AV supports staff welfare, with more than half of businesses (51%) now deliberately using technology like digital signage to enhance the overall workplace experience.
Technology is also proving to be key in building more inclusive and supportive environments. Nearly a third of enterprises (31%) are actively using AV to support neurodiverse employees through accessibility-focused software or sensory-friendly design features, and almost half (46%) plan to follow suit. Beyond aesthetics and inclusivity, AV technology is also essential for businesses looking to maximise hybrid working models. As well as keeping employees connected, 71% of AV profes-
sionals believe AV plays a role in building community across offices and remote teams. “Creative environments fuel performance. Office design is no longer just an aesthetic choice, it’s a strategic one,” says Tom Martin, CEO at Kinly. “Businesses have to give employees the tools they need to thrive, and that includes an environment where they feel empowered and inspired. The office has become a second-choice experience for many employees, but implementing technology creatively can and will make a difference, both in terms of boosting office attendance and improving overall output.” “Remote work has opened up new ways for creative collaboration,” adds Ben Sheppee, British Visual Artist. “But without the right tools, it can actually stifle the creative process and leave people feeling disconnected. As hybrid work becomes the norm, it’s vital that businesses provide the technology to help ideas flow freely, no matter where their teams are.”
This research is based on original research with 425 AV professionals working at enterprises across the UK, Germany, the Netherlands, and the Nordics. The study also surveyed a nationally representative sample of 1,000 UK office workers aged 18 and above, including a balanced cross-section of sectors, job roles, and regions in the UK. Respondents were asked a series of questions about their attitudes toward workplace design, environment, and wellbeing, as well as their emotional responses to a range of visual artworks. In addition, a separate facial recognition study was conducted using AI-powered emotion tracking software. Participants were shown a curated selection of famous digital artworks, including Van Gogh’s Starry Night, Monet’s Sunflowers, and Kandinsky’s Blue Rider, in a workplace environment. Facial expressions and micro-emotional responses (e.g., indicators of focus, relaxation, and engagement) were measured in real time and correlated with self-reported perceptions of creativity and concentration.
IoT test lab takes IoT testing to the next level
Telenor IoT has announced a significant upgrade to its advanced test lab in Karlskrona. With new features and equipment, the lab strengthens its position as a central resource for ensuring optimised IoT solutions for customers worldwide. “Our test lab is at the heart of our endeavour to deliver stable and high-quality IoT solutions,” says Jonas Karlsson, Product Manager at Telenor IoT. “It has grown beyond our initial plans, which clearly demonstrates the global demand for this type of large-scale testing. We see it as an ‘enabler’ that helps both us and our customers succeed.” The upgrade of the test lab, initially introduced in spring 2024, adds several new and improved features that further enhance the flexibility and control of the test environment:
•Expanded Cell Capacity: The lab now includes an additional test cell, enabling handover scenarios within Sweden, in addition to the existing capability to test handovers between different countries.
•Enhanced Radio Capabilities: More advanced radio capabilities have been integrated into the Telenor Sweden network for more detailed testing.
•GPS Simulator: New equipment that can simulate any GPS position in the world. This is crucial for use cases where geographical position is important, allowing for testing in various locations without physical relocation.
•Improved Power Analyser: A larger and more advanced power analyser measures device power consumption. This is vital for power optimization, finding the best balance between energy saving and responsiveness.
“Our environment has become more flexible and controllable, which is crucial for addressing the complex challenges of global IoT deployments,” explains Robert Colvin, IoT Technical Expert at Telenor IoT.
Telenor IoT’s test lab is located in Karlskrona, in close collaboration with Telenor Sweden’s and Telenor Linx’s own test labs. This provides immediate access to base
stations from all Nordic Telenor operators (Sweden, Norway, Denmark, and DNA in Finland) with a simple push of a button. The lab serves as a critical resource for customers to test and verify their IoT solutions and terminals at an early stage, before large-scale rollouts. It also offers a unique opportunity to troubleshoot problems by recreating specific scenarios that are difficult to replicate in the field. “We view the test lab as an investment in our customers’ success,” says Jonas Karlsson. “It’s not about directly generating revenue, but about building partnerships and helping our customers achieve stable and optimal solutions. This benefits not only the customer but also us by increasing the overall value of our offering.”
“Our commitment extends beyond technical support,” says Robert Colvin. “We help customers understand the complexities of telecommunications and choose the right technology for their specific needs, whether they are developing robotic lawnmowers or energy meters.”
The lab has welcomed customers from around the world, including major car manufacturers and companies from as far away as Canada, all of whom sought the lab for its unique testing capabilities, such as eCall testing for the Nordic countries in one single location.
The demands on IoT testing have increased with the complexity of new technologies like LPWA (LTE-M and NB-IoT) with features for energy saving and improved coverage. Telenor IoT’s lab is prepared for the future and anticipates more testing in a variety of different technologies such as LTE CAT1bis, Next Generation eCall, VoLTE, and 5G SA. “We are responsive to our customers’ needs and continue to develop the lab to meet future demands,” concludes Jonas Karlsson. “Our goal is for the Telenor IoT Test Lab to continue helping our customers create stable, secure, and optimized solutions that, in turn, lead to competitive products and services of high quality.”
Rethinking Digital Signage for dynamic environments
Thomas Müller, Vice President Sales, Marketing West Europe at ViewSonic
In an era dominated by AI headlines and rising demand for immersive experiences, digital signage is undergoing a fundamental transformation. What was once a passive, screen-based broadcasting panel is now expected to act as an intelligent, responsive, and spatially integrated platform to enhance user engagement while supporting business goals. But as expectations grow, so do deployment challenges. Thomas Müller, Vice President Sales, Marketing West Europe at ViewSonic explains how people are facing the real challenge, which is not just making signage smarter, but making it ready for the unpredictability of dynamic, digitally connected spaces.
Signage that shapes dynamic space
Higher resolution requirements and advanced technology are replacing existing signage with immersive LED displays. However, traditional LED setups often face hurdles, such as complex installation and maintenance. All-in-one LED displays are capable of providing flexible design options and improved pixel density. These displays now adapt effortlessly to any environment, whether vertical towers, panoramic 21:9 layouts, curved installations or custom shapes. Recent advancements further facilitate adoption, including an all-in-one rack-mountable control box that allows the LED solution to integrate seamlessly into existing AV infrastructures, streamlining system control and power management within central control rooms.
In sectors including retail, corporations, and public venues, signage is no longer treated as a standalone display but as part of a broader ecosystem. Acceleration in the speed of real-time data, and the requirement to meet future sustainability standards drives digital signage innovation today.
From massive video walls for branding, to interactive wayfinding, dynamic content zones for collaboration, and self-service kiosks for live transactions, each element must work together to deliver a seamless, responsive experience.
Technologies like Glue-on-Board (GOB) enhance durability, making it ideal for high-impact applications. Beyond Chip-on-Board technology, Chip-on-X (COX) innovation pushes boundaries further, enabling transparent, rollable, and glass-based screens that seamlessly blend into public, retail, and hospitality environments.
Alongside LED, touch and non-touch commercial displays have also been widely adopted to support scenario-specific applications in the corporate or education sectors. These displays extend into ultra-wide formats, offering multifunctional value. A single screen can serve as a dynamic presentation tool in high-traffic areas, a
collaborative space in virtual meetings, and a data dashboard for its expansive view space.
This adaptability not only enhances daily operations but also maximises utility, driving down the cost per inch and lowering the total cost of ownership.
Ecosystems that scale
As digital signage evolves into a multifunctional tool, management systems must evolve with it. The rise of system-on-chip (SoC) displays and integrated content management platforms (CMS) eliminate the need for external media players by enabling faster setup, easier updates, and more agile control across networks.
But today’s demands go beyond basic scheduling. Clients expect signage as a strategic communications layer to bridge physical and digital experiences. At the same time, integrators and IT teams require platforms that are cloud-based, API-ready and compatible with unified communication systems to enable centralized control, remote diagnostics, and granular visibility into device health and playback performance.
This is why ViewSonic developed Manager, a centralised device management platform designed to support real-time device monitoring, seamless content orchestration across locations and flexible format adaptation. Paired with the integrated casting solution, it ensures robust interoperability between devices for instant operation and wireless content sharing. Whether managing a single location or a continent-wide deployment, ecosystems that simplify integration and scale effortlessly are becoming the new standard.
Sustainability and AI as built-in value
Sustainability is set to become a key factor in digital signage procurement across Europe, particularly in markets such as Germany, the Netherlands, and the Nordic
countries.
Procurement decisions are now being shaped by factors like product recyclability, energy efficiency, and device longevity, not only to comply with evolving regulations such as the EU Ecodesign Regulation, but also to align with internal ESG objectives.
This reflects a broader industry shift toward responsible, lifecycle-oriented strategies in the AV and display sector. As a result, features like energy-saving ICs, recyclable packaging, and modular upgrade paths are expected. For example, ViewSonic’s LED displays are already delivering 40 –50% lower power consumption than traditional solutions, while slimmer packaging designs are cutting transport-related emissions and reducing total cost of ownership.
Looking beyond sustainability, the next layer of value is intelligence. AI is beginning to reshape how signage interacts with users and the environment — automating brightness adjustments, enabling predictive maintenance, offering audience insights, and curating content in real time. These capabilities, however, can only be leveraged if the signage infrastructure is already OS-enabled, cloud-connected, and equipped with stronger processing power.
To meet the requirements of modern European buyers, ViewSonic as one of leading ProAV providers is committed to delivering more than just displays but a cohesive system of hardware, software, and services that balances people, technology, and environmental responsibility.
It goes beyond smarter screens to smarter spaces, which means signage becomes an adaptive layer of the built environment, continuously optimising itself to meet both operational demands and sustainability standards.
PPDS and Shure announce strategic global alignment
PPDS has announced a ‘landmark’ global alliance with Shure to deliver the industry’s most advanced range of full room audio visual solutions, for seamless user experiences. The collaboration sees PPDS enter into a global alliance with Shure, combining the power of Philips Professional Displays with Shure’s premium audio systems. Ron Cottaar, Director of Global Marketing at PPDS, said: “Our collaboration with Shure further extends our commitment to bringing ‘total solutions’ to market, delivering the industry’s most advanced and complete range of hardware and software. Together, we are empowering our customers to purchase with confidence for all their project needs, no matter how complex or creative they might be.”
PL Wang, Vice President at the PPDS’ mother company, TPV Technology, said: “This industry first agreement marks the start of a powerful alliance between two global AV leaders, offering ultimate assurance to customers seeking integrated, proven, and scalable meeting room and learning space technologies.” Designed to bring unparalleled integrated audio-visual experiences to a variety of collaborative settings and spaces – from boardrooms and mission critical government departments to school classrooms and university lecture theatres, customers of PPDS and Shure can bundle visual clarity with optimised audio for effortless deployment, management, and scalability.
Sharing a joint desire to deliver seamless audiovisual experiences to any room or setting, the collaboration integrates a robust range of Philips Professional Displays with Android SoC together with Shure’s IntelliMix Room Kits. Shure’s IntelliMix Room Kits have been designed to drive collaboration in small, medium, and large spaces with simple and secure Microsoft Teams Rooms conferencing kits. IntelliMix Room Kits effortlessly deliver high quality audio and video experiences for collaboration spaces measuring up to 33x18ft (10x5.5m), using Shure’s premium audio signal processing, an intuitive touch panel, a superior all-in-one MXA902 ceiling array microphone and loudspeaker, and intelligent, high resolution video.
For the first time, IntelliMix Room Kits, selected depending on specific needs and requirements, including
room size and population – are a proven solution with the Philips Signage 4050 (Q-Line), Philips Signage 3000 Series EcoDesign, Philips Signage 4650 (D-Line) or Philips Collaboration 4152 (E-Line) displays, plus a yet to be announced range of Philips Unite LED AIO displays, at launch. More compatible displays will be announced in due course. Bringing additional choice and flexibility to AV/IT managers, the collaboration will also benefit from a range of remote management capabilities. This will include full compatibility and integration of Shure’s cloud management system, ShureCloud, with Philips Wave - PPDS’ cloud-based remote device management platform – to support discovery, and soon to come control, of Shure devices, streamlining configuration and maintenance processes.
The collaboration includes partners and customers located in the EMEA, North America, Asia Pacific, and India. Chicago-based Shure – now celebrating 100 years of audio engineering and innovations – is the preferred audio provider and partner for some of the world’s biggest stars and events, including the most iconic moments in history, from Elvis Presley to Martin Luther King Jr. Chris Merrick, Global Marketing Director, Meetings & Collaboration at Shure, commented: “Whether you’re an IT manager, lecturer, presenter, participant in
a meeting, student in a class, or installation engineer, Shure has an innovative audio product to exceed your expectations. Our collaboration with PPDS creates a reliable end-to-end solution that organisations can trust. As hybrid working and learning continue to evolve, the need for simple, scalable, and certified AV solutions has never been more vital. By combining our strengths, we are delivering high performance experiences that inspire confidence. From the boardroom to the lecture hall.”
Frank Trossen, Global Business Development Director at PPDS, concluded: “We are delighted to partner with Shure in this global collaboration. Together, we are eliminating complexity and delivering a seamless ecosystem that combines best-in-class display and audio technologies. This partnership underscores our joint commitment to offering open and flexible solutions that empower integrators and end users alike.” Demonstrations of the collaboration will be available via appointment inside PPDS’ growing estate of multidisciplinary PPDS Studio showrooms located around the world. These include locations in Amsterdam, Paris, Stockholm, Munich, Milano, New Delhi, New York, and the UK.
Midwich launches Live: dedicated to the UK&I live events market
Midwich has announced the launch of Live, a new division created to serve the unique needs of the live events industry through specialist distribution and trade rental services in the UK&I. Backed by the legacy, expertise, and energy of Sound Technology and PSCo, Live brings together a powerful team, an expanded technology offering, and a streamlined experience designed to help partners deliver extraordinary live events. Under the Live banner sit two independent specialist businesses – each focused on delivering excellence in their own area:
• Live Technology – the distribution arm, formerly Sound Technology, providing market-leading brands in audio, lighting, video, and control to the live events community, supported by expert pre- and post-sales teams.
• PSCo and Dry Hire Lighting – the trade rental arm, continuing to deliver exceptional service and specialist rental solutions through trusted teams and existing account structures.
“With Live, we’re removing complexity and making it easier for customers to access everything they need to bring live experiences to life – whether they’re buying, renting, or integrating technology.”
For years, Sound Technology and PSCo have lived and breathed this world – helping create unforgettable performances through cutting-edge AV technology. Now, that passion has evolved into a new division with a clear focus: to support partners with the right products, people, and expertise. Live is designed around the demands of the live events industry – fast-paced, highly technical and deeply collaborative. “By bringing everything together into one dedicated division, we’re empowering customers with a single point of contact, improved consistency, and an even wider range of complementary solutions, from LED video and projection to rigging, audio, lighting, and control.”
Steve Fay, managing director of Live Technology, said: “Live represents a bold step forward in how we serve the live events community. By bringing together trusted names and specialist expertise, we’re making it easier than ever for our partners to access the technology, knowledge, and support they need to create unforgettable experiences.” Stuart Holmes, executive directorsolutions at PSCo, added: “For PSCo and Dry Hire Lighting, we remain fully committed to serving the live events market with a brand-agnostic, trade-only rental proposition – delivered by our experienced, specialist team who are focused solely on supporting our partners.”
Our Musical Instruments (MI) division remains a key part of our business under the Sound Technology brand and will continue to serve MI customers with no change in service, structure, or identity. For trade rental customers, nothing changes. PSCo and Dry Hire Lighting
continue as normal with the same level of service and expertise customers have become accustomed to. Live is about clearer communication, easier access, broader solutions, and stronger support – all powered by a team who shares the same passion for live performance. Together, we’re shaping the future of live events technology.
Midwich has announced the launch of Live, a new division created to serve the unique needs of the live events industry through specialist distribution and trade rental services in the UK&I.
Lightware reinforces its commitment to its Europe
Lightware Visual Engineering has emphasised its status as a Europe -based technology company to clients and colleagues at its recent seminars. With all product design and manufacturing carried out at its headquarters in Budapest, Hungary, the message was clear: Lightware is well-positioned to face the current global challenges with confidence and ensure its customers continue to benefit from an efficient service and cutting-edge technology. As supply chains face increasing uncertainty, Lightware’s commitment to local, European manufacturing offers a reliable and future-ready alternative for partners across the continent and around the world. Although manufacturing is centralised in Budapest, Lightware operates across a total of 18 offices worldwide, supporting customers in the EMEA, APAC and Americas regions. This combination of European production and local presence ensures both regional responsiveness and consistent product availability, helping the brand to stand apart in an era of supply chain delays. By keeping the entire production process inhouse and within Europe, Lightware highlights its ability to commit to faster delivery times through centralised European logistics and guarantee stable pricing, unaffected by unpredictable import duties or overseas shipping costs.
At its Budapest HQ in Hungary, Lightware exercises full autonomy over quality and product development, with R&D and manufacturing unified under one roof. Their location enables the company to combine advanced technology with the precision and adaptability of European engineering. This strategic setup benefits European customers through logistical and regulatory efficiency. Another key takeaway from their recent seminars was Lightware’s environmentally conscious operations, with reduced transportation resulting in a smaller carbon footprint – an important selling point that can empower AV professionals to achieve project-based sustainability goals. “As a company deeply rooted in Europe, we believe that proximity to our customers, control over our processes and the expertise of our engineering teams provide a clear advantage in today’s AV market,” said Gergely Vida, CEO of Lightware. “Amidst the uncer-
tainty of supply chain and tariff concerns, Lightware’s manufacturing location, global presence and production methods ensure our customers will continue to benefit from the innovation and service we are known for.”
Dubformer and OOONA announce strategic partnership
Dubformer and OOONA, the media localisation sector’s language technology platform of choice, are pleased to announce a strategic partnership grounded in mutual trust and shared goals. The two companies will explore ways to integrate their core products, providing greater synergy for users seeking streamlined localisation workflows, including AI dubbing. Together, they will also collaborate on future projects and address key priorities such as data security, intellectual property protection, and the ethical use of AI in media localisation.
“We’re excited to deepen our relationship with OOONA
and work together on initiatives that will shape the future of localization,” said Elena Chernysheva, COO of Dubformer. “Partnering with Dubformer aligns perfectly with OOONA’s mission to provide top-tier solutions and uphold the highest standards in the industry,” added Wayne Garb, CEO and Founder of OOONA.
London’s Roundhouse extends partnership with Delta Live
Award-winning audiovisual solutions specialist Delta Live has renewed its partnership with the iconic Roundhouse in Camden to be its exclusive audio solutions supplier. The new agreement will see Delta Live implement significant updates to the venue’s audio systems to include new flown PA side fills, plus updated PA ground fills and brand-new mixing desks. The company specialises in sound design, broadcast, events, and communications solutions across a range of industries from live concerts to corporate events, and has worked on productions for London Fashion Week, the recent VE
Day celebrations in London, and has a two-decade partnership with the BBC Proms. Its relationship with the Roundhouse goes back to 2019, when it won the tender to become the venue’s official audio supplier. “Up to that point they had rolling contracts with their previous suppliers, so this was their first full tender process,” recalls Dan Lund, Delta Live’s Roundhouse venue manager. “After winning the tender, we had a turnaround of just two weeks to find all of the equipment, engineers, and learn the upcoming shows so we could tailor bespoke solutions for them. So we’ve developed a really strong relationship with the Roundhouse from the beginning.”
The initial agreement came up for renewal earlier this year, triggering another tender process due to the Roundhouse’s status as a charity. The scope of the tender was for an in-house audio partner to provide a PA system and control package to manage all the venue’s incoming gigs and corporate events. “Although it’s still a challenging experience, the tender’s scope essentially encapsulated the partnership we’ve developed with the Roundhouse over the past six years,” says Lund. “But we wanted to go deeper than just providing the kit: we pride ourselves on the relationships we build with our partners, and that’s exactly what we’re building together with the Roundhouse to help them achieve their goals and meaningfully enhance the user and audience experience of this prestigious venue.”
Delta Live has put a meticulous focus on flexibility for the systems redesign. The desk upgrade will see two Digico Quantum 326 digital mixing consoles installed from which the team will be able to run the majority of shows, reducing the need for additional consoles to be brought in for specific events. “The desks are the same physical size as we currently have, but vastly more powerful. They will give us the ability to manage almost all types of events which is a huge benefit given the variety of shows coming into the venue.” Another key part of the upgrade is a new A-Series ground package from L-Acoustics, a medium throw speaker system which Lund says is a natural upgrade on the previous version and is already in use on all shows. In addition, flown side fill monitors are now permanently in place which allow artists to hear a general mix on stage while improving sight lines for the audience so they are able to see more of each performance; a specific request from the Roundhouse due to its unique design and flexible staging arrangements.
For the Roundhouse, the renewal of the agreement with Delta Live is a natural evolution of a burgeoning partnership. “Our relationship is based on a mutual passion for innovation and creating unforgettable experiences for artists and audiences alike,” states Craig Tye, head of technical and production at the Roundhouse. “We’re excited to continue our journey with Delta Live, and the new audio technology coming into the venue will enable the Roundhouse to further enhance its heritage as one of the country’s leading venues.” The full upgrade of the systems will continue over the next six months and will include an overhaul of digital infra-
structure, including rack infrastructure, SD racks and new bit cards. Also new are improved PA boxes, L-Acoustic enhancements, and a new mic package that will include the Shure Axient wireless mics. The agreement covers a period of three years with an option to extend for a further two.
Delta Live has renewed its partnership with the iconic Roundhouse in Camden to be its exclusive audio solutions supplier
LEA Professional expands in the German residential market
In a move that reflects LEA Professional’s mission to reach every corner of Europe, the company today announces it is joining forces with AV Media Solutions, a Flonheim, Germany-based residential AV distributor. This partnership will bring LEA’s rich technology catalogue, featuring industry-first advancements in intelligent IT solutions, best-in-class DSP, and smart power management, to Custom Integration customers in the German residential AV market.
With over 20 years of experience in AV integration and distribution, the AV Media Solutions team has curated countless living spaces featuring a high-quality architectural design with discreetly integrated home entertainment components. This partnership will bring LEA Professional’s award-winning Network Connect series of professional amplifiers and companion Dante Connect series featuring Dante and AES67 connectivity to AV Media Solutions’ customers. These series allow integrators to utilize cloud-based remote control, monitoring, notifications, and more from any internet-enabled device, allowing them to stay connected anywhere in the world. “LEA Professional has consistently demonstrated its strength as a leader in top-tier technology and customer service,” said Markus Henseler, Owner of AV Media Solutions. “We have complete confidence in LEA’s residential technology and look forward to working with the Connect Series and other offerings.”
AV Media will work with Global AV Sales, LEA’s residential partner in the EMEA region. The Global AV Sales team collaborates closely with LEA to deliver its extensive technology portfolio to customers worldwide and broaden its reach. “We take pride in delivering high-quality offerings to our customers, and our collaboration with AV Media helps us maintain this standard,” said Dave Williams, CEO of Global AV Sales. “We are committed to connecting the EMEA residential market with LEA’s technology-driven solutions while providing exceptional customer service.”
LEA Professional’s smart amplifiers are the most feature-rich amplifiers available in the industry - featuring onboard 96kHz DSP, LEA Cloud connectivity, WebUI, third-party API control, real-time load monitoring, LoZ/70V/100V selectable by channel, Smart Power Bridge technology, event and fault monitoring, high-efficiency power design, over 3,000 speaker tuning presets, and LEA’s advanced amplifier control software, SharkWare. “Our technology lineup and company values align
seamlessly with those of AV Media Solutions,” said Jeff Gorton, Sales Director EMEA, LEA Professional. “As we expand our partnerships across Europe, we are grateful for the opportunity to make such strong and valuable connections.”
Crystal Display Systems acquires Flatvision products
In a strategic move to strengthen its presence in the specialist display industry, Crystal Display Systems Limited (CDS) is proud to announce the acquisition of the Flatvision product range, a respected and long-standing name synonymous with high-quality display and touchscreen solutions.
For over two decades, Flat Vision has set a benchmark in the industry, recognised for their reliability, innovation, and strong customer base. This acquisition marks a significant milestone for CDS as it further expands its portfolio and reinforces its commitment to offering toptier display technologies to the market. “We are excited to incorporate the Flatvision range into our broader offering,” said Tony Large, Technical Director of CDS. “This move is more than a business acquisition - it is about embracing and building upon a respected legacy. By combining Flatvision’s trusted product line with our infrastructure and innovation, we are well-positioned to deliver even more value to our customers.”
The acquisition will allow CDS to enhance its service capabilities and product range, ensuring continuity for existing Flatvision customers while opening up opportunities for future growth and collaboration. Martin Bose, the founder and Managing Director of Flatvision, commented: “Flatvision has always prioritised reliability and customer focus. By partnering with CDS, we guarantee that our customers will continue to experience these values, along with the added support, innovation, and enthusiasm of a forward-thinking company like CDS. I am pleased that Flatvision’s business and customers are in dependable hands, ensuring we can continue to provide real value.”
CDS reassures Flatvision’s customers and suppliers of a smooth and uninterrupted transition, with a focus on maintaining the same levels of service and commitment they have come to expect. Chris Bartram, CDS Managing Director, added, “Preserving the trust and longstanding relationships built under the Flatvision brand is our top priority. We remain dedicated to honouring existing commitments and forging new partnerships that bring long-term value, as a part of our ongoing acquisition strategy.” This development marks a pivotal step forward for CDS. With Flatvision’s heritage integrated into CDS’s culture of innovation and service excellence, the future of the display industry looks even brighter
Utelogy and Yorktel expand strategic partnership
Global managed services provider Yorktel and intelligent AV/UC platform leader Utelogy Corporation have announced the expansion of their long-standing strategic partnership, bringing next-generation innovation to enterprises looking to get the biggest ROI from their AV and UC environments. As organisations face increasing demands for operational efficiency, global support, and seamless user experiences, this partnership delivers scalable, outcomes-focused solutions designed to meet the needs of today’s hybrid workplace and tomorrow’s evolving business landscape.
Yorktel has long entrusted Utelogy’s intelligent, hardware-agnostic platform as a core component of its managed services ecosystem. The upcoming integration of new capabilities – including Agentic AI, cloud configuration, advanced analytics, and Webhooks – further strengthens Yorktel’s ability to proactively manage complex global environments, reduce meeting room downtime, and deliver consistently high-quality user experiences. “Utelogy is a core part of our managed services ecosystem. As we head into the second half of 2025 and beyond, we are looking to adapt to our customer needs and deliver measurable results,” said Ken Scaturro, CEO of Yorktel. “By integrating Utelogy’s Agentic AI capabilities into Yorktel’s existing AIOps-based global managed services, we deliver best-in-class innovation with the clear goal of accelerating outcomes, improving user experience, and reducing operational complexity at scale. There is no better solution to deliver the level of experience our customer’s demand.”
With IT professionals under pressure to maximize uptime and streamline management across increasingly complex tech stacks, Utelogy’s latest technology announcements provide:
•Conversational AI with Agentic AI – A secure, natural language interface that empowers AV/IT teams to troubleshoot, configure, and automate tasks in real time, shortening MTTR and simplifying daily operations
•Cloud Configuration – Remote management of Locations, Rooms, and Devices directly within the Utelogy Cloud Portal, ideal for supporting distributed global environments
•Real-Time Analytics Dashboards – Actionable insights into room usage, occupancy, SLA, and performance metrics to drive data-backed decisions and improve resource planning; pre-configured for immediate customer advantage
•Webhook Integrations – Seamless alerting into ITSM and automation platforms, accelerating workflows and improving operational visibility
Yorktel leverages Utelogy’s ongoing platform innovation to deliver predictive, preventative, and responsive support that aligns with client goals, from reducing downtime to enabling global scalability. “Yorktel has been a top-tier global partner of Utelogy for years, and we’re proud to deepen that relationship as they scale
their next-gen managed services platform,” said Kevin Morrison, CEO of Utelogy. “Together, we’re delivering a best-in-class, future-ready platform focused on outcomes, innovation, and real customer impact.” This continued collaboration represents a “better together” approach, uniting Yorktel’s world-class managed services with Utelogy’s powerful software platform. By combining operational expertise with intelligent automation, actionable insights, and flexible cloud-based deployments, Yorktel and Utelogy are redefining how enterprise AV/UC environments are managed; empowering organisations to move from a reactive to a strategic approach with measurable results.
Huddly and Barco unite to deliver modular AI-driven solutions
Huddly and Barco have announced the deepening of their long-standing partnership through a newly signed Memorandum of Understanding (MOU), focused on delivering intelligent, seamless meeting experiences across all spaces. This agreement strengthens the collaboration between the two companies and reinforces their shared commitment to transforming hybrid collaboration with intuitive, AI-driven technology. “We’re proud to further enhance Huddly’s collaboration with Barco, reinforcing our shared mission to simplify hybrid collaboration through smart, inclusive solutions,” said Fraser Park, Chief Commercial Officer of Huddly. “By uniting Huddly’s AI innovation with Barco’s wireless conferencing platform, we’re empowering teams to have truly engaging, equitable meetings in every space.”
By uniting Huddly’s AI innovation with Barco’s wireless conferencing platform, we’re empowering teams to have truly engaging, equitable meetings in every space. As part of this expanded partnership, the Huddly Crew multi-camera system and the new Huddly C1 AI-driven videobar are now certified for Barco ClickShare Conference. Furthermore, Barco has announced the launch of its new ClickShare Hub, a next-generation meeting room platform. As part of this launch, Huddly is proud to be one of a limited group of strategic partners selected to collaborate on end-to-end solutions for Hub enabled spaces.
Huddly plans to include both Crew and C1 in these end-to-end solutions, bringing smart, adaptive video to meeting spaces of all sizes. Known for their compact form factor, AI framing, and simplicity of deployment, Huddly cameras will add modularity and intelligence to Barco Hub environments, empowering organizations to design rooms of any size around their needs without compromising user experience. Huddly’s AI innovation aligns perfectly with Barco’s vision for future-proof, seamless meeting experiences across all spaces.
Dan Root, Head of Global Strategic Alliances at Barco said: “Huddly’s AI innovation aligns perfectly with Barco’s vision for future-proof, seamless meeting experiences across all spaces,” added Dan Root, Head of
Huddly and Barco have announced the deepening of their long-standing standing (MOU), focused on delivering intelligent, seamless meeting
Global Strategic Alliances at Barco. “Together, we’re making the hybrid meeting experience intuitive, immersive, and ready for the future. Delivering the quality, simplicity, and consistency our customers expect, no matter the room size.” The Huddly C1 is scheduled to begin shipping in Q3 2025. Barco x Huddly Certified Devices.
AUO Display Plus joins Microsoft device ecosystem
AUO Display Plus has announced its participation in the Microsoft Device Ecosystem Platform (MDEP) as an ODM partner, together driving the next wave of innovation in smart enterprise applications. Powered by the Android Open Source Project (AOSP), MDEP offers an open, adaptable foundation for device manufacturers and software developers to build cutting-edge solutions supported by Microsoft’s enterprise-grade security, management and reliability standards. By joining MDEP, AUO Display Plus is positioned to deliver seamless, interoperable products that enhance collaboration efficiency in modern workspaces—while accelerating time-to-market.
“With AUO Display Plus’s proven expertise in advanced display technologies and integrated hardware-software
long-standing partnership through a newly signed Memorandum of Undermeeting experiences across all spaces
solutions, joining the Microsoft Device Ecosystem Platform marks a significant milestone for us. It enables us to tap into a robust ecosystem that fosters innovation and collaboration,” said CC Lee, CTO at AUO Display Plus. “This partnership underscores our commitment to driving impactful transformation across the evolving enterprise landscape. We are well-positioned to co-create next-generation innovations that redefine how people work and collaborate,” added Scott Hix, CMO and GM of the Smart Education and Enterprise Business Group at AUO Display Plus.
“We’re thrilled to welcome AUO Display Plus to the Microsoft Device Ecosystem Platform,” said Juha Kuosmanen, Head of MDEP at Microsoft. “As MDEP continues to grow into a strong community of forward-thinking partners, AUO Display Plus brings valuable strengths in display innovations. Their vision and capabilities complement our goal of enabling partners to build secure, scalable, and reliable devices that empower the advancement of future enterprise experiences.”
Signagelive selected by Exertis to power its Digital Signage
Signagelive has announced the deployment of its content management system (CMS) by Exertis, one of the UK and Ireland’s top technology distributors. Selected to power Exertis’ workplace digital signage, the scalable Signagelive platform now runs on 90 digital displays across five office locations. Since its rollout in January 2025, the solution has helped increase the visibility and effectiveness of internal campaigns, while also enhancing employee engagement and productivity.
“Gaining Exertis - a key distribution partner of ours - as a customer is a huge vote of confidence,” said Frank Larsen, Chief Commercial Officer at Signagelive. “The Exertis team has deep insight into the CMS landscape, so for them to select us over other platforms is a real endorsement of the strength and scalability of our solution.”
Previously, all content updates had to be made manually by a single team member - an inefficient process that created bottlenecks and limited campaign agility. The switch to Signagelive has smoothed workflows and significantly increased the speed of content delivery. Updates can now be made remotely, instantly, and securely by multiple authorised team members using enterprise features such as Granular User Permissions (GUP). Signagelive’s digital signage software has become a central resource for Exertis’ internal communications. From one unified platform, the Exertis team can now inclusively share a variety of departmental news and support, as well as streamline day-to-day office operations.
The latest marketing and promotional campaigns are now impactfully displayed in real-time, immersing staff in all the most important, need-to-know customer on-boarding news and product launches. HR initiatives, like Exertis’ “Brightest Stars” employee recognition scheme are also easy to share and promote, helping to engage and motivate staff. Furthermore, Exertis can foster an inclusive and supportive work culture through the big-screen display of mental health initiatives and infotainment, which bonds teams and encourages staff to take short breaks. Easy to deploy and manage, Signagelive’s CMS was fully implemented within a single day, requiring no ongoing technical oversight.
Video conferencing sales to ‘boom’ for Aldous Systems
Aldous Systems (Europe) has become a new UK distribution partner for video conferencing manufacturer, Boom Collaboration – as it fully enters the collaboration hardware market for the first time. The agreement sees the Aylesbury-based business supply Boom’s complete conferencing portfolio, spanning videobars, cameras, audio solutions and multiple connectivity options. Aldous Systems is a distributor of networking and audio/ video equipment to the trade.
Established in 2002 with a commitment to excellent customer service and a strong engineering background in networking products, Aldous has built an extensive customer base in the UK and mainland Europe – continuing to research new and innovative solutions for residential and commercial integrators. Product lines currently cover a range of technologies including voice, data, video, audio, CCTV, automation and access control. “The shift to remote and hybrid work models has made video conferencing an indispensable tool for businesses of all sizes. To ensure seamless communication and collaboration, investing in the right video conferencing hardware is becoming ever-more essential,” explained Aldous Managing Director Damien Winters.
“Boom represents a perfect fit. From their intelligent videobars to high performance PTZ cameras and ZYGO multi-connectivity hub; they offer something new and different at a very competitive price point which our customers are going to love. It ticks all the boxes. In a
highly competitive market it offers the specifications, price and people who are on the same wavelength as us. It’s a perfect fit to become our first-ever full video conferencing vendor offering a complete suite of solutions.” The partnership is off to a strong start, with Boom’s ZYGO one-cable plug-and-play hubs already deployed at 15 customer sites—demonstrating immediate demand for flexible video conferencing solutions.
“Aldous has been a distributor for over 20 years and over the last five years or so we have grown into a lot more commercial projects,” Fellow MD Jason Aldous highlighted. “We’ve never had a video collaboration full product set in the mix until now. Our customers are asking for it and it’s perfect timing. We’ve seen Boom in the global media spotlight and know they can help inspire a major new expansion of our customer proposition. It’s the right fit for our market.”
Created in 2020 by founders Fredrik Hörnkvist and Holli Hulett, Texas-based Boom operates in almost 40 countries – based on a philosophy of any device on any platform in any room. Hörnkvist enthused: “The UK is a very important market for us and Aldous can help drive us deeper by creating many new opportunities.” Hulett added: “Boom has rapidly grown into a major international force and working with such a long established industry player further elevates our market penetration. Our platform-agnostic portfolio covers all types of room environments and is ideally placed to help Aldous and their customers take full advantage of new market opportunities and embrace the video conferencing market fully for the first time.”
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Promethean is releasing new solutions in workplace technology and meeting collaboration. Promethean will showcase the new ActivPanel 10 Premium IFPD with software DisplayNote Launcher.
Promethean reveals new workplace solutions at InfoComm
Promethean is releasing new solutions in workplace technology and meeting collaboration solutions. Promethean showcased the new ActivPanel 10 Premium IFPD with software DisplayNote Launcher. Unique to Promethean, the ActivPanel 10 Premium easily connects remote, hybrid, and in-person employees with one touch to maximize teamwork and ensure meeting equity. The panel and premium accessories, including an All-in-one Remote and ActivPen 2, paired with DisplayNote Launcher*, help teams connect and collaborate in real time, seamlessly increasing engagement and productivity no matter where they are. Users enjoy a 4K full-array local dimming (FALD) screen, enhanced built-in audio, and a compute module that fits with their existing tech ecosystem, improving security and peace of mind for both IT professionals and employees.
A custom-fit and cord-free 4K ePTZ camera delivers professional-grade, crystal-clear optics with electronic pan, tilt, and zoom to ensure in-person and remote participants have an equal seat at the table. With no messy cables or need to switch inputs, users simply plug in the camera, open their preferred app like Microsoft Teams, Zoom, Google Meet, or Webex, and immediately start meetings at the panel without needing to take extra
steps. “Teams need to collaborate whether they’re in person or in different locations. The tools they choose need to fit right into their existing IT systems,” said Lance Solomon, chief product offer at Promethean.
“Promethean’s investment in a robust workplace strategy with award-winning technology will redefine what’s possible everywhere.”
Promethean continues to lead the IFPD market in the U.S. In 2024, the company installed more than 116,000 displays and shipped nearly 50 percent of its product to customers across the globe**. A trusted trendsetter in the learning and collaboration technologies, Promethean is a proven partner for workplaces and learning institutions.
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Meeting
rooms: the state of the art now and in the future
From the charge to enhance business meeting spaces driven by the pandemic, rent advances in AI have added further impetus to developments in meeting room solutions. So where is the state of the art today, and how much further should we expect to travel? AV News editor Bryan Denyer reports with additional material from Jon Knight, Managing Director at Ascentae and Peter Fitton, Solutions Architect at Ross Video.
We are undoubtedly in the midst of a new generation of office and meeting room technologies, driven by the impact of AI, and, furthermore, by advances in physical display solutions, networks and automation of the user experience. “AI is already becoming the invisible assistant in many meeting spaces - quietly making everything easier. From real-time transcription to automated speaker tracking and intelligent summaries, it’s shifting the focus back to human interaction instead of technical friction.” Peter Fitton, Solutions Architect at Ross Video adds: “At Ross, we’re integrating AI into our control solutions to help automate production workflows - think smart switching, camera automation, and content prioritisation. That means less fiddling with settings and more engaged conversation and decision-making.”
Taken in isolation, AI is insufficient to bring about the level of change expected by end-users today. There is continuing reliance on established AV technologies and techniques: “The goal is to make meeting technology so unobtrusive; you hardly even know it’s there. Wireless presentation equipment of today’s generation already enables users to switch and share content in the moment. Add in decision-making assistance through AIlike recommendations, alerts, or major insights - and meetings become more dynamic, live video collaborations,” says Fitton.
Does environmental control improve meeting outcomes?
AI functionality
Taking these recent advances into account Jon Knight, Managing Director at Ascentae, believes that we are still at an early stage in the development of meeting room technology: “We’re only scratching the surface of what AI can deliver in meetings. Today’s meeting summaries and transcriptions are just the foundation. Imagine a future where every meeting becomes searchable data, enabling AI to track trends, assess communication styles using DISC profiling, and even auto-generate action plans that match individual communication preferences. That’s not a distant dream - it’s a direction we’re already heading”. As evidence supporting this conclusion, Knight cites tools like Otter.ai and Microsoft Copilot which already provide live transcription and summaries, and AI platforms trained to personalise communication using behavioural profiles.
Fitton has seen change in action: “The power dynamic is shifting. AI-driven summaries can bring objectivity and speed to the follow-up process. When the tech captures the key outcomes, decisions, and action items accurately, everyone walks away with the same understanding. At Ross, we see this as a natural extension of smart meeting rooms—making outcomes more transparent, traceable, and accountable, video minutes that correspond with transcripts and summaries. Quorum
One – our new all-in-one video production platform purpose-built to help elevate the message from modern meetings through highly polished video content.”
While wireless and touchless presentation systems are essential for the successful integration of modern hybrid meeting spaces: “When you integrate them with AI-powered decision support systems, you’re not just sharing information—you’re enabling real-time, data-informed decisions. Tools that highlight key metrics, sentiment trends, or even audience engagement from shared content will turn meetings from passive experiences into agile, outcome-driven sessions,” observes Knight.
Meeting room equity
Increased reliance on technology to support decision-making focuses attention on the importance of ensuring that meeting spaces support ‘level playing fields: This is based, first, on the physical meeting infrastructure (positioning of cameras, microphones etc.) and is now a major factor in specking the software supporting the meeting: “Meeting equity isn’t a feature - it’s a fundamental. AI can bridge language and accessibility gaps, enabling live multilingual transcription and intelligent audio processing that equalises all voices in a room. But the tech is ahead of the infrastructure. Many
businesses are still running on outdated AV hardware that can’t support these innovations. Until we bridge that gap, the promise of equity remains unfulfilled,” reasons Knight. He suggests that Microsoft’s push for inclusive meetings through Teams’ live captions and translation, arguing that this shows that AI is central to equity, But Knight cautions: “This is only true when the meeting ecosystem supports it.”
on concurs: “Meeting room equity starts with giving everyone equal presence and voice. Technology like beamforming microphones, AI-driven gain control, and multilingual transcription enable meetings to be more inclusive by default. And they should be the norm and standard, not premium. At Ross Video, we’re passionate about levelling the playing field - whether it’s for a boardroom, control room, or hybrid event - so every participant can contribute meaningfully, regardless of their physical or linguistic limitations.”
Remote participants
Questions surrounding meeting equity are often raised with reference to the predicament of remote participants. In addition to enhancements to the physical infrastructure of the meeting room. AV News has recently taken part in our first meeting where some of the remote participants were represented by avatars. Aside from the distraction of quasi-realistic avatars, Knight believes that the technology has a future, but suggests some refinements: “Hyper-realistic avatars could humanise remote participation - but only if used ethically. They can help reduce biases tied to appearance or physical presence and give voice to the often-overlooked virtual participant. But we must tread carefully. If avatars are overused or manipulated, we risk undermining authenticity in communication.”
While the use of avatars has some way to go, the use of AI to carry out the basic functions of a meeting is here and now. Take the often-tedious process of taking minutes and assigning actions. Knight explains: “AI doesn’t just summarise—it liberates. By automating notes, minutes, and action points, human attention is freed to focus on strategy and empathy - the things AI can’t replicate. More importantly, this data creates a goldmine for continuous improvement, enabling organisations to spot inefficiencies and trends that would otherwise go unnoticed.”
Fitton largely agrees but with some firther reservations: “Potentially, yes. If avatars can capture gestures, tone, and emotional subtlety, they can help bridge the gap between remote and co-present presence. But it’s not necessarily a question of being realistic - it’s a question of being respectful of individual comfort and agency. Users should be able to decide how they show up. When implemented with care, this tech could enhance engagement and make remote participation feel less... remote.”
FEATURE
XR for understanding
Another factor critical to achieving meeting equity is commonality of understanding, whereby all the participants should be facilitated in sharing understanding of sometimes complex presentations from specialists which impact on group decisions. Here, extended realities are sometimes cited as tools to enhance understanding: Knight believes that: “AR and VR have transformative potential—but context is everything. In sectors like construction or manufacturing, visualising complex models in 3D unlocks better decisions. But for a finance boardroom or sales review, it’s more likely to distract than deliver value. The real challenge is scaling these experiences without turning meetings into sci-fi simulations.”
Fitton advises caution with the deployment of extended realties in a meeting context: “When combined with purpose AR and VR can be amazing. Spatial review of design, for instance, or seeing hard data, or virtual site tours. The problem, however, is context. These technologies do not simply have to amaze - people’s minds need to be able to process, understand, and respond more rapidly. Contextually placed, however, they add clarity, not distraction.”
The meeting environment
While meetings are sometimes notorious ‘snooze fests’, which innovations including IoT functions are designed to help remedy. Knight has seen this in action and believes: “Sensor-driven smart environments are the future. From occupancy detection to voice and motion-triggered automation, sensors will turn static rooms into responsive, intuitive spaces. With AI, we’ll soon see AV tech that adapts to the presenter’s location or audience size in real-time, removing friction from meetings altogether.” Solutions from PointGrab and Utelogy are already enabling occupancy-based automation, while Huddly’s vision AI responds dynamically to in-room movement.
But does environmental control improve meeting outcomes? Knight is a big fan: “Yes - immeasurably so! GSK’s research showed optimal productivity at 21°C and 32% better decision-making under circadian lighting. But most meeting rooms today operate in siloslighting, AV, and HVAC don’t talk to each other. At Ascentae, we’re working with vendors such as GoBright, Utelogy and PointGrab to unify these systems and unlock both wellbeing and sustainability in meeting spaces. Linked to this is the ESG agenda where the automation of HVAC, lighting and AV systems linked to real-time occupancy or booking system data can unlock huge environmental and cost of energy savings.” Knight adds: “At Ascentae we believe this is particularly relevant to organisations embracing hybrid or flexible working.”
Fitton believes that the changes ahead from the use of sensor technology could be profound. Future change will be: “A big one. Sensors allow spaces to respond in
Are height adjustable desks and ergonomic chairs now a wise investment
real-time—to occupation, ambient light, noise levels, and even to who is speaking. Cameras frame automatically, mics adjust, and environmental controls can automatically optimize comfort settings. We already use these principles in control rooms and broadcast studios. Now, we’re bringing that same responsive intelligence into corporate environments to create rooms that are smarter and more intuitive.”
So, do better rooms produce better meeting outcomes?
Fitton believes they do: “It may seem subtle, but comfort fuels performance. An environment that adapts light and temperature to the time of day or meeting size provides a better cognitive space. Our strategy at Ross is to make those changes part of the video experience itself - same as audio and video. It’s an additional level of meeting preparedness that’s simple to automate, and difficult to overlook after experiencing it.”
Meeting tools and environments
While opinions vary on the value of some tools designed to improve the effectiveness and outcomes of meetings, there is a degree of uniformity in the application of pro-
investment to produce better meetings?
ject management tools to help keep meetings on track. Knight is convinced of their value: “Absolutely. Methodologies like Agile and The Last Planner System are redefining how industries like construction stay lean and productive. Embedding similar frameworks into corporate meeting culture - with AI nudging adherence - can transform meetings from talking shops into engines of accountability.” Lean methodologies can improve productivity by up to 25% in construction projects (McKinsey), and software tools like Monday.com and Asana are now integrating AI to optimise task allocation and follow-ups.
Enhancements for personal workspace environments have long been discussed. As far as the 1970s, office workers were encouraged to use ergonomic backless chairs and stand-up desks (mot to any great degree of success). So has the culture and attitudes improved today? Are height adjustable desks and ergonomic chairs now seen as a wise investment to produce better meetings? Knight believes that: “Comfort drives clarity. Ergonomics isn’t just about wellness - it’s about engagement. Height-adjustable desks, for example, improve blood
flow and posture, but also promote collaboration by encouraging movement. At Baker McKenzie (see the box below), we delivered a solution where users could store their own desk height preferences, turning hotdesking into a personalised experience.
And the problems?
Clearly. there are many advantages arising from the adoption of new and emerging AV and AI technologies. But virtually no game-changing innovations come completely free of downsides. Meeting room technologies are no different, with issues surrounding security and compliance. Knight concurs: “Security is the linchpin of trust in AI-enabled meetings. Encryption is table stakes; what matters now is where the data lives and how it’s processed. Platforms like Microsoft Copilot succeed because data stays within the enterprise cloud. But there’s a trade-off: broader AI models can be more powerful, but less secure. Striking that balance is the next frontier.”
Fitton is on the same page when it comes to securing the meeting environment: “It’s essential - especially in markets like corporate, government, finance, and healthcare. Real-time encryption, logging of access, and content management must be built- n, not bolted on. In Ross production systems, we build security as part of the architecture, so it safeguards live operations as well as archived assets. And as compliance demands grow, the ability to monitor and report in real-time is just as important as locking the front door”
Conclusions
While working on this piece, something became clear: “It’s not about AI replacing humans - it’s about amplifying them. AI clears the noise, processes vast amounts of data, and spotlights what matters. It’s not here to decide, but to empower.” Knight argues that: “At Ascentae, we’ve trained our team to use ‘mega prompts’AI-powered workflows that deliver precision and personalisation. That’s the future of effective collaboration.” Fitton supports this view: “AI should support human decisions, not replace them. If the AI is listening, calling out critical trends, forecasting mic and camera positions, suggesting possible next steps - it’s getting you ahead, not driving. The strength is real when humans vet, put it into context, and own the outcome. It’s not a question of replacing meeting facilitators - rather, it’s a question of arming them with better tools to steer the ship, Quorum 1 - Ross Video’s integrated AV production system that unites automation, switching, clip playout, and AI camera tracking in a single solution.”
The Firm wanted to create an environment where people were excited to work, which enabled the continued delivery of first-class service to the Firm’s outstanding client base in the face of changing delivery models for legal advice.
Flexibility and integration the keys for new London offices
Baker McKenzie, a global legal leader, was established in Chicago in 1949. It has since expanded its operations to major business centres worldwide, leveraging its extensive network and expertise in cross-border transactions. The firm’s comprehensive legal services encompass corporate law, finance, litigation, tax, and intellectual property. Following significant growth over recent years, the Firm was looking for a new home for their 1000+ UK-based employees, as the lease at their offices at New Bridge Street, London, was approaching expiry. The move gave Baker McKenzie the unique opportunity to redefine its office layout to create a space that reflected the Firm’s culture, a once-in-a-generation chance to make a space that reflected its values around collaboration, creative thinking and best-in-class service.
The Firm wanted to create an environment where people were excited to work, which enabled the continued delivery of first-class service to the Firm’s outstanding client base in the face of changing delivery models for legal advice. In 2020, Baker McKenzie confirmed they would relocate to offices at 280 Bishopsgate, Spital-
fields, with the physical move concluding in late 2023. 280 Bishopsgate has been meticulously designed to facilitate collaboration, sustainability, and well-being. It’s a dynamic workspace that drives team engagement, inviting everyone to be part of the change. The building features an intelligent use of space, with quiet corners on four of the six floors, enabling people to do ‘focused work’ without distraction. With collaboration desk zones across all working floors, the workspace fosters crossteam collaboration with colleagues in ‘team neighbourhoods’, but with sufficient private meeting and phone call space to allow private work to be conducted.
Rachel Slade was the Programme Lead. She explains that team engagement and collaboration were critical drivers for the relocation project: “One of our main objectives moving to Bishopsgate was to create a completely agile building, and one way that we wanted to deliver this was to have a ‘no-assigned’ desk policy, driving the need for a platform that could enable people to book desks intuitively, integrated with our other business platforms to increase overall efficiency and productivity.” Baker McKenzie chose the GoBright Smart
Workplace platform for several reasons, including the platform’s desk check-in feature. This feature enables users to streamline the process of finding a desk, saving time and reducing administrative burdens. GoBright’s ‘check-in’ option allows users to see when colleagues are also in the office, allowing desks to be taken together and fostering team collaboration and engagement. Rachel explains: ‘We wanted a solution that enabled our people to find and check into desks quickly and simply.
The GoBright platform offered an intuitive user interface allowing quick and easy interrogation of the data with the options to change the way we use the platform easily and seamlessly in the future, increasing collaboration opportunities. We were so impressed with the GoBright platform, particularly the integration it offers with Microsoft O365 and other platforms we were already using across the Firm.”
The GoBright platform also includes a feature that enables users to control the height adjustable motor on Linak desks, a unique integration through which each user can save their personal preferences in the GoBright app. This approach, often referred to as ‘personalised hot desking’ is functional at Baker McKenzie where all desks offer simple height adjustability through integration with the puck. Users pre-set their preferred height of the desk, which is activated when you checkin, creating a more personal experience for desk users. Rachel continues, “My personal objective was to create an environment where everyone who visits Bishopsgate
loves at least one thing about it, and I think we have achieved that! We have created a space that drives cross-team collaboration, enabling teams to work together more productively.”
So, what does the future hold? Rachel explains: “We want to start integrating different elements now, such as temperature and air quality and start to mine the data delivered from applications like GoBright, investigating and reacting to emerging trends. Ultimately, we have created a unique, modern environment; now we need to continue to evolve and look for ways the technology and environment can integrate more seamlessly with our teams, supporting them to work smarter and support our legal practices.”
The classroom tech holding generations back
In a world where technology is shaping nearly every aspect of modern life, the classroom cannot and should not be an exception. The right classroom technology can empower teachers, enhance learning outcomes, and equip students with skills that are essential for their future success in a digital world. Most education institutions in the UK have some form of technology in their classrooms, whether that’s a projector, student or teacher computers, or interactive displays in place of traditional whiteboards. But this brings IT teams new problems.
More technology doesn’t have to mean more IT problems
The 2025 Cyber Security Breaches Survey found that education institutions in the UK were more likely to suffer a cyber-attack or breach than UK businesses overall. For primary schools, this figure was 44% compared to 41% of businesses, and for secondary schools and further education institutions these figures were 60% and 85% respectively.
Because of this, some interactive display manufacturers on the market have started to claim that the fact that their boards don’t have the capability to connect them to the internet makes them more secure, but this simply isn’t true. These manufacturers sell boards without a built-in operating system (OS), which means that to connect to the internet, they need to plug in a separate PC. In theory, if there’s no PC plugged in, then the risk of a cyber-attack or breach taking place is much lower. But this sense of safety is misleading. Without the right technology in place, schools often see fragmented setups emerge in classrooms. Unable to connect to the internet on their classroom interactive displays, teachers instead rely on personal devices that may have out-
dated hardware or increased security vulnerabilities, making IT management far more complicated than it needs to be.
Limited technology in the classroom simply reduces a school’s ability to manage risks effectively. Without connected, integrated systems, IT teams lose visibility and
control as security patches and critical updates can’t be deployed remotely, there’s no option centrally manage user access, and safeguarding becomes reactive rather than proactive.
By investing in interactive displays with a built-in operating system, schools are granted centralised oversight of their whole IT infrastructure, automated updates, and enhanced user access management. This allows teachers to create a learning environment that is more engaging and means that the security of the school’s network is vastly improved and significantly more secure.
Schools that embrace and integrate technology strategically and securely are not only much safer and more efficient but are setting their students up for future success in a workforce that is increasingly placing value on digital skills.
Investing in the future means investing in technology
That’s because digital literacy is no longer a ‘nice to have’, it’s a ‘must have’ in the workplace. A 2025 report by the World Economic Forum (The Future of Jobs Report 2025) found that 60% of employers are expecting the trend of ‘broadening digital access’ to transform their business by 2030. This is alongside other advancements in technologies such as AI and information processing (85%). It’s expected that these trends will have a major impact on jobs and will help to fuel the demand for technology-related skills – especially in the areas of AI and big data, networks and cybersecurity, and technological literacy.
With almost every student set to enter a role that will be shaped by technology, if classrooms don’t have modern, interactive technology then these children are missing out on developing vital skills that will set them apart in the future. Outdated learning environments mean that access to engaging resources is limited, collaboration is restricted and can ultimately lead to students falling being their peers in schools that are more digitally advanced.
A crucial disconnect
On top of this, today’s students are digital natives. They have never known a world without the internet, and they live, socialise, and will go on to work in environments that are shaped and dominated by technology.
If they walk into a classroom that lacks modern education technology, then the disconnect may be instant. Teachers could see engagement begin to suffer, learn-
ing opportunities and outcomes shrink, and students miss out on critical chances to develop the digital skills and literacy that they will need in the workplace beyond their school years.
Over the last few decades, education institutions around the world have embraced technology and taken large strides to keep up with innovation and the future of technology. However, this momentum must be maintained in order to avoid undoing generations worth of work.
Preparing tomorrow’s workforce with yesterday’s tools
By choosing outdated technology and building under-equipped classrooms, schools aren’t just running the risk of students not reaching their full potential, they’re creating the perfect conditions to set learning
outcomes back by an entire generation.
To truly prepare children for the world that they will all one day enter, schools must make sure that they’re providing classrooms that accurately represent the new realities of the working world. That means providing modern, interactive technology, a strategic, secure digital infrastructure, and embracing the fact that less technology doesn’t equal more secure.
By restricting the technology in classrooms, schools are introducing barriers of success that must be removed. The students learning in classrooms today deserve to be given every opportunity to thrive in the future and in an increasingly digital world.
For the sake of our children’s future and their success in later life, the right technology in the classroom is no longer optional, it’s non-negotiable.
Alfalite launches SKYPIX, a new ceiling-mounted LED panel
Alfalite has announced the launch of SKYPIX RGBW & IM, a new series of ceiling-mounted LED panels designed specifically for virtual production (VP XR) environments. This new solution introduces a capability previously unseen in the industry: combining RGB video playback with an integrated white lighting channel to deliver more natural, coherent, and adaptable scenes from above. With a 3.9 mm pixel pitch, up to 9,000 NITS of RGB brightness, and a 7,680 Hz refresh rate, SKIPIX offers precise light control, a colour temperature range between 3,200–6,504ºK, and a TM-30 colour rendering index (Ra) of 90. Its average power consumption of just 35W (90W max) makes it an energy-efficient option for long studio sessions.
A standout feature of SKYPIX is its Invisible Marker (IM) system, which replaces traditional physical tracking markers with a virtual, invisible sticker compatible with existing tracking technologies. This system ensures accurate, real-time synchronisation and allows for the configuration of customisable IM constellations that embed metadata directly into the shoot. Lighting control is managed through a dedicated application that enables real-time adjustment of both colour and intensityby zone or by pixel - with user-defined presets tailored
to production needs. The SKYPIX series is aimed at film, TV, advertising, live event, and broadcast productions working within VP XR environments, reinforcing Alfalite’s commitment to developing purpose-built solutions for this rapidly evolving sector: “With SKYPIX, we’re taking the integration of image and light within virtual production volumes one step further,” says Luis Garrido, Executive Director of Alfalite. “We listened to studios and lighting technicians to create a panel that not only displays content, but also lights the scene with unprecedented realism and communicates with the broader production system. It eliminates the maintenance and synchronisation issues associated with traditional tracking markers. Once again, we’re surprising the market with a cutting-edge solution unlike anything previously available for film, television, advertising, and broadcast. It’s a tool designed to let creators focus on storytelling without compromising technical precision.”
PPDS brings next level versatility and adaptability to All In One dvLED family
PPDS announced the latest innovations and evolutions to its advanced and low energy direct view LED portfolio, with the launch of an all new ‘foldable’ and ‘height adjustable’ 135” Philips Unite LED 6000 Series All In One, for unrivalled flexibility and adaptability. The stylish and imposing Philips Unite LED 6000 Series (135HDL6015IA) All In One delivers a true masterclass in visual performance, sustainable design, and mechanical engineering, overcoming many of the traditional limitations and obstacles faced by other AIO models in the marketplace – notably around mobility and accessibility.
Ideal for classrooms, auditoriums, and corporate environments and looking to make a bold impression, or to transition away from smaller LCD screens, the Philips Unite LED 6000 Series All In One amalgamates cutting-edge Chip on Board (COB) technology with a fine 1.5mm pixel pitch for ultra reliable, ultra sharp visuals, from spectacular video to intricate meeting room presentations. Mirroring other premium solutions within PPDS’ evolving and expanding direct view LED portfolio, the Unite 135HDL6015IA ensures content is always presented as intended, delivering vibrant colours, deep blacks, and uniform brightness. Satisfying even the most scrutinised colour branding, the new series is impossible to ignore, bringing more engaging, immersive experiences to any space.
Harnessing invaluable feedback from customers, the Philips Unite LED 6000 Series All In One has been designed with flexibility and adaptability in mind, for effortless and hassle free installations, whether in a large open space on a ground floor, inside a meeting room at the top of a skyscraper, or moving between conference rooms within a hotel complex. Inspired by the solutions PPDS has developed for its partner, Oracle Red Bull Racing – which includes both portable and fixed, fully tailored direct view LED solutions that are used on the road and inside the racing giant’s Milton Keynes HQ –the new Philips Unite LED 6000 Series is the first in the AIO family to debut an innovative foldable design.
The smart, foldable structure removes all obstacles around transportation, whether being installed for the first time or as it is transferred between rooms, by easily fitting through any standard sized doors or in elevators. Adding an extra level of convenience, the Philips Unite LED 6000 Series will also become available with a flight case, allowing it to be easily and compactly stored when not in use, and making it a breeze to move and redeploy on demand. This is ideal for rental use purposes, for exhibitions, or for when transportation between different buildings is required. Jeroen Brants, Global Product Director for LED at PPDS, commented: “One of the biggest and often unforeseen issues with larger displays, whether LED or LCD, is around accessibility. Sometimes an order will arrive for installation that can’t get through
the door due to size. I’ve seen boxes being left in reception because they cannot physically fit in the lift, or in some more extreme and costly circumstances, products being dropped and damaged while being carried up flights of stairs. We took this on board. And with our Philips Unite LED 6000 Series All In One, we have a solution that fits.”
To accommodate all possibilities and room types – including sloping environments or areas with rising seating, such as in a lecture theatre or auditorium – the Philips 135HDL6015IA features a motorised trolley enabling smooth and safe electric lifting, also supporting its portability. Ideal for dynamic spaces, presenters can simply, safely, and smoothly adjust the display height with just the push of a button, ensuring perfect viewing in any setting. With security of paramount importance to PPDS - whether hardware or software related -the motorised height adjustment on the Philips Unite LED 6000 Series All In One includes an emergency stop button and anti-pinch protection. Integrated as standard, the emergency stop can detect any obstructions and halt movement to avoid mishaps during lifting or lowering, preventing potential injury or equipment damage. Efficiency is also at the core of the simplified one box installation design, which includes built in cabling and audio in a single package that vastly simplifies the deployment process and ensures a clean look at all times.
Continuing PPDS’ relentless focus on delivering energy conscious solutions for the industry, and supporting customers with their sustainability goals, the Philips Unite LED 6000 Series All In One includes the company’s ultra-low standby mode, consuming less than 0.5
watts. This unique and much lauded feature provides instantly lower operational costs, while ‘instant power-up’ via remote control ensures minimal downtime during presentation. Finally, incorporating the world-renowned reliability of Android 11, the Philips Unite LED 6000 Series AIO is optimised for native Android apps, with integrated System on Chip (SoC), allowing businesses to install web apps and software directly onto the display. This eliminates the need for an external media player, saving on additional expense and energy, for maximum ROI.
Joining PPDS’ ever growing SoC family, the Philips 135HDL6015IA is compatible with Philips Wave – the evolutionary cloud-based remote device management ecosystem – putting users fully in control of their display fleets, 24/7. Unlocking the power, versatility and intelligence within Philips Professional Display fleets, the benefits of Philips Wave include, but are far from limited to, simplified installation and setup, monitoring and control, firmware upgrades, managing playlists, and setting power schedules, saving time, energy, and environmental impact. Jeroen concluded: “At PPDS, our entire existence is centred on designing and delivering solutions built exclusively around the needs and requests of our customers. For us, we don’t look at legacy, we look at the present. And the future. With our growing Philips LED range, we have a family of solutions to satisfy even the most complex and challenging requirements, helping to make lives simpler. There is no point in having the best display if you can’t get it in the room. We’re incredibly proud to have debuted our new ultra-flexible and adaptable Philips Unite LED 6000 Se-
ries All In One at InfoComm 2025 in Orlando.”
New Boom technology is a showstopper
The Boom ARC dual host connectivity hub was one of the stars of the show for the innovative video conferencing manufacturer at InfoComm 25. The smart bridge for seamless host switching, between in-room and Bring Your Own Meeting (BYOM) deployments, attracted huge interest – as over 30,000 international visitors converged in Orlando for the three-day AV show. Other key highlights included its own dedicated wireless content and screen switching solution, as well as an innovative expandable speakerphone with advanced AI noise cancelling capabilities – that can link up to a further seven devices.
In addition, Texas-based Boom also showcased its ‘meeting room in-a-box’ video kit range. The all-in-one solutions feature video and audio hardware plus its one-cable-connection ZYGO station – designed to simplify installations and capitalise on high demand for Bring Your Own Meeting deployments. “The video conferencing world moves fast, and we know we have to move even faster to stay ahead,” says Co-Founder Fredrik Hörnkvist. “Our focus has always been on creating solutions that simplify collaboration while delivering an exceptional experience, based on any device across any platform in any room. We believe the ARC is unique in the market – designed for the hybrid reality we all work in. It offers automatic switching between roombased and personal devices, while providing USB-C power delivery and versatile I/O options - including HDMI, for seamless flexibility. It was definitely the star of the show for us.”
Fellow founder, Holli Hulett emphasised: “InfoComm was the perfect place to demonstrate how far we’ve come and what’s ahead. These launches reflect our mission to simplify conferencing and create intuitive tools for modern work. “Simplicity is our compass. Our meeting room in-a-box kits for example make it easier to choose the right equipment for any space while delivering the high-quality features teams need to work effectively. They’re practical, efficient, and designed to take the hassle out of getting your stuff done.”
Visitors also witnessed the company’s HALO videobar which boasts ultra-HD 4K performance, a wide angle 120° field of view, AI Auto-framing and speaker-tracking, 10x ePTZ, six digital array mics plus the option of up to 8 additional expandable mics. “Every InfoComm is a bigger stage for us,” Hulett added. “We’re here to solve real problems - whether it’s streamlining setups or making BYOM seamless. We’ve grown fast, but the most exciting part is what’s next. InfoComm is always a great industry focal point and post check. This year it was clear flexibility, simplicity and interoperability are leading the way. It’s exciting to see integrators and end users seeking solutions that are powerful yet easy to deploy and support.”
Nureva previews HDX series
Nureva has announced the Nureva HDX pro audio series. Each HDX configuration is a complete and flexible solution designed to meet the full range of in-room audio and remote conferencing requirements for higher education classrooms, corporate training rooms, flex spaces and large meeting rooms up to 60 x 40 (18.3 x 12.2 m). Building off the success of Nureva’s HDL pro series systems for audio conferencing, the HDX series is a direct response to the mounting costs and complexities faced by IT managers who need to support a growing set of in-room audio requirements beyond full-room microphone pickup. This includes high-quality in-room media playback, voice amplification, voice lift, assistive listening, lesson capture, meeting recording and support for AI agents. Traditional pro AV solutions that deliver similar functionality require trained technicians equipped with the necessary components and software for installation. In contrast, the HDX series delivers all this functionality to IT professionals in a tightly integrated, cost-effective solution that doesn’t require special expertise to install, set up or maintain. HDX systems automatically adapt to changes in room layouts and their associated audio requirements, reducing the resource load on busy IT teams and their budgets.
HDX systems come with the choice of two or four wall-mounted audio bars and one or two optional microphone pods for Adaptive Voice Lift and enhanced microphone coverage. The system hub has single-cable AV-over-IP connectivity. These components are designed to be simple to install and set up, and therefore highly scalable, and they can be configured in varying combinations depending on the room size and in-room audio requirements. HDX systems deliver full-room speaker coverage that combines distributed audio with full-range loudspeakers for exceptional in-room sound. Adaptive Voice Lift enhances voice clarity across large spaces, dynamically adjusting to the talker’s position without requiring dedicated microphones or a complex setup.
Integral to every HDX configuration is Nureva’s patented Microphone Mist technology and its unique unified coverage map. The physical microphones of all the components automatically configure to create an expansive, unified microphone array to provide full-room
coverage while delivering maximum gain and consistently clear audio pickup throughout large spaces. HDX systems are also compatible with AI agents such as Microsoft Copilot and Zoom’s AI Companion. Additionally, their performance is further enhanced by using trained AI models for specialized audio tasks. Voice detection AI accurately distinguishes human voices from other sounds, enhancing audio location accuracy and improving camera tracking. Noise suppression AI filters transient background noises like chair squeaks, rustling papers and slamming doors. This is an ideal complement to UC&C platforms that lack integrated noise suppression capabilities. “Nureva continues to push the envelope by simplifying complex audio challenges in large spaces,” said Ira M. Weinstein, founder and principal analyst at Recon Research. “With the new HDX series, Nureva makes in-demand features like distributed audio and voice lift not just possible, but easy to deploy and manage.”
“With higher education institutions rapidly adopting HyFlex learning models and office environments transforming into flexible collaboration hubs, demand has surged for full-featured audio solutions that support a broad range of in-room and remote conferencing needs in larger spaces,” said Nancy Knowlton, CEO of Nureva. “Our HDX series meets this demand with an unmatched combination of simplicity and performance that helps IT professionals fully serve the needs of their users while making the best use of their resources.” Currently in development, the new platform for centralized set-up, control and management will officially launch in early 2026
Breakthrough 40,000lm projector from Panasonic
Panasonic Connect has announced the upcoming launch of the PT-RQ45K Series, a next-generation 3-Chip DLP projector offering an impressive 40,000lm brightness at 4K resolution - all packed into the world’s smallest and lightest body in its class. The new model is scheduled for release in Q3 CY2026 (July–September).
This launch marks Panasonic’s debut in the 40,000lm projector class, delivering a compact and highly reliable solution designed for the demanding workflows of rental and staging professionals, including large-scale events and outdoor projection mapping.
As projection mapping and immersive experiences continue to grow in scale and complexity, there is greater demand for higher-brightness projectors that simplify integration without sacrificing performance. The PTRQ45K Series addresses this need, delivering 10,000lm more brightness than the 30,500lm RQ35K Series, yet within the same chassis—enabling full compatibility with existing rental frames, flight cases, and lenses, and significantly reducing costs. Despite delivering significantly increased brightness, the PT-RQ45K Series remains extremely compact and lightweight, making transport and on-site installation easier and faster. A large 5-inch LCD screen on the projector body offers real-time system status and image previews, enabling quick setup and reducing troubleshooting time.
The projector supports Intel SDM expansion modules, enhancing system flexibility and future-proofing for evolving AV environments. Additionally, its integrated 12G-SDI input allows for high-resolution video transmission with fewer cables, simplifying cabling and reducing setup complexity. Engineered to perform reliably in challenging conditions, the PT-RQ45K Series features UV-coated circuit boards that protect against environmental factors such as salt, dust, and exhaust fumes commonly encountered at outdoor venues. Panasonic’s proprietary cooling and digital control technologies maintain stable laser output and consistent colour quality during extended use. Features such as the Backup Input, Mechanical Shutter, and Multi Laser Drive Engine deliver fail-safe performance, making it ideal for critical events where uptime is non-negotiable.
Leveraging 3-Chip DLP architecture, Quad Pixel Drive technology, and a laser engine with dual blue and single red laser modules, the projector offers true 4K resolution (3,840×2,400) with lifelike colours and rich gradation. Support for high frame rate signals (e.g., 1080/240p) and tools like Gradation Smoother and Black Level Correction make it ideal for blended and large-scale displays. The PT-RQ45K Series is purpose-built for the rental and staging market, combining increased brightness with system compatibility to reduce operational complexity and costs. With its modular internal design, that groups the signal/control boards, power supply boards, and light source driver boards into separate units, maintenance is significantly faster—for example, power board replacement time is cut from 80 to under 10 minutes.
The PT-RQ45K Series represents Panasonic’s first entry into the 40,000lm class, further strengthening its presence in the high-end projection market. This move underscores Panasonic’s commitment to innovation in visual technology, helping rental companies and event professionals deliver immersive experiences with maximum efficiency.
New LED video wall platform from Barco
Barco announces the launch of a new LED video wall platform at InfoComm. The NT-I series (available with 0.9-, 1.2- and 1.5-mm pixel pitches) is a dedicated high-brightness, low power consumption and minimal heat dissipation LED panel range. Additionally, the company presented new wall mounts for Barco UniSee, offering a sleek new design that will especially appeal to the corporate market. Like all other Barco Control Room solutions, the NT-I series and new wall mounts were displayed at partner booths, resulting in the omnipresence of our technology across the show floor.
The NT-series was successfully launched in 2023, with available pixel pitches of 1.2-, 1.5- and 1.8-mm. The NT-I series now joins the existing models, adding 0.9 mm to the range. Based on flip-chip and common cathode technology, the NT-I series offers high contrast with deep black levels. The range is TAA and BAA compliant (made in and for USA), making it perfect for use in critical control rooms in government markets. Powered by the Infinipix Gen2 LED image processor, the NT-I series brings content to life in the most optimal and secure way.
LED manufacturer Nanolumens demonstrated the perfect interaction of the Barco CTRL platform with their LED video wall and new LED processor. The JB&A booth (#3511) features another new introduction. The magnificent Barco UniSee II LCD video wall was on display there for the first time with the brand-new wall mounts. Unlike traditional UniSee Mount corner crosses, these new mounts will be barely noticeable to viewers. Especially tailored to the corporate market, these new wall mounts offer the great benefits of the UniSee Mount in a sleek new design.
The NT-series was successfully launched in 2023, with available pixel existing models, adding 0.9 mm to the range.
BrightSign launches new AI toolkits
With digital displays having the power to capture more views than static displays, the stakes are high for organisations to implement digital signage effectively. BrightSign announced new toolkits that give partners and end users the capability to optimise digital signage workflows with artificial intelligence (AI) insights, helping them achieve unprecedented levels of interactivity, personalisation, and efficiency. The new toolkits make it easier to run AI applications at the edge via BrightSign players. For those using brightAuthor connected, we’ll showcase how the platform now supports AI to enhance content performance and audience engagement. This real-world activation uses AI to detect activity in front of the display - capturing user interest in real-time and dy-
pixel pitches of 1.2-, 1.5- and 1.8-mm. The NT-I series now joins the namically transforming content to deliver maximum impact for businesses.
BrightSign booth visitors also witnessed an integration with Quividi, a leader in audience measurement and shopper engagement for DOOH, to see how Quividi’s platform alongside BrightSign players optimises AI to help retailers seamlessly measure engagement and create more tailored digital campaigns. These new toolkits are also available to CMS partners, enabling broader access to intelligent content optimisation at the edge. Bright Alliance Elite partner, Poppulo, demonstrated these capabilities in its booth. “From real-time content that responds to changing weather and traffic patterns to tailor-made visuals that engage audiences on the
spot, AI has tremendous potential to transform the way organisations engage with their audiences,” said Steve Durkee, CEO of BrightSign. “Accessible across a range of players, our AI offerings respond to customers’ need for a solution that takes their customer experience to the next level.”
An integrated Neural Processing Unit (NPU) enables BrightSign players to run powerful AI applications without compromising on performance. Users can blend AI insights with video or graphics for enhanced engagement and easily deliver content. By delivering AI-ready players and toolkits that unlock the true potential of AI at the edge across BrightSign players and software, BrightSign empowers partners and end users to create immersive, personalised digital experiences with on-device intelligence. “With in-store retail media experiencing strong growth, retailers need easy access to hightrust audience metrics and real-time shopper engagement insights to effectively unlock alternative and incremental revenue streams,” said Olivier Duizabo, President of Quividi. “We’re proud to partner with BrightSign to bring AI to the edge, enabling granular audience analytics for every campaign played on instore screens, along with enhanced monetisation and shopper engagement capabilities. Best of all, BrightSign’s platform makes it incredibly easy and fast to move from concept to deployment and scale our solutions across large retail media networks.”
BrightSign also launched three new Series 6 digital signage solutions. The XD6 and HD6 digital media players and the XS6 system-on-a-chip technology will debut at InfoComm alongside new displays running the trusted BrightSignOS. The three new Series 6 solutions represent purposeful and incremental capability upgrades over their predecessors delivering eye-catching 4K 60Hz video with vibrant 10-bit HDR support. The BrightSign XS6 elevates our all-in-one system-on-a-chip (SoC) solution for the next era of digital signage. It offers the unmatched flexibility of being directly embedded into BrightSign Built-In partner commercial-grade displays with BrightSignOS integration. The HD6 provides impressive HD graphics, while the XD6 deploys immersive 4K graphics for higher-quality, impactful HTML presentations. Furthermore, the XD6 leverages the flexibility of Power over Ethernet (PoE+) to deploy creative and high-performance installations anywhere. Series 6 was designed to meet the industry’s demand for richer, more vivid content as organisations seek to attract, engage, and captivate audiences. Simultaneously, these new solutions give customers and end users the ultimate choice and flexibility of digital signage form factors, allowing for easy-to-deploy, creative, and innovative displays fit for almost any use case.
CrimsonAV showed three forward-thinking solutions at InfoComm in Orlando, Florida. Known for its installer-first approach and engineering excellence, CrimsonAV is once again raising the bar with advanced AV infrastructure solutions built to meet the evolving needs of modern commercial environments—blending form, function, and flexibility. Among the new offerings are:
• KFP255TA-BB: Dual-Sided Interactive Touch Kiosk for High-Traffic Engagement
Purpose-built for busy indoor environments, the KFP255TA-BB offers back-to-back 55” portrait displays with 10-point infrared touchscreen capability—allowing for real-time interaction on both sides. Whether it’s retail promotions, airport wayfinding, or campus navigation, this freestanding kiosk makes digital communication impossible to ignore.
oKey Highlights:
oBrightSign or Android 5.1 integrated media players
• Tool-free installation and tamper-resistant locking
o Built-in Ethernet for video wall sync and mobile interactivity
o Ideal for transportation hubs, corporate lobbies, educational institutions, and more
• KFP255UN: A Universal Indoor Kiosk Shell for Any 55” Display
Designed with flexibility and simplicity in mind, the KFP255UN is a sleek, free-standing indoor kiosk shell engineered to work seamlessly with virtually any 55” display. With universal compatibility (up to 1253.4 x 724.2 x 59.9 mm), this versatile solution supports a wide range of digital signage applications across retail, corporate, education, and more.
• Constructed from durable 14-gauge steel, the KFP255UN features internal storage for media players, routers, and other AV components—all secured behind keyed locks for added protection.
Perfect for:
o Retail storefronts, shopping malls, front of store, hospitality lobbies, and atriums
o Supporting 55” displays with integrated cable management
CrimsonAV showed three forward-thinking solutions at InfoComm in
o High-traffic, high-impact marketing zones
o ADCSP Component Storage Panel: Smart Mounting for Media Players & More
CrimsonAV’s new ADCSP Component Storage Panel brings simplicity and scalability to behind-the-screen setups. Designed to house media players, power supplies, and accessories, this mount eliminates clutter while delivering unmatched flexibility.
Installer-Focused Features:
o Universal compatibility with generous mounting surface
o Slotted holes and cable tie points for clean installs
o Tool-free access and a slim, heavy-duty steel form
o Seamless pairing with CrimsonAV fixed, tilt, and articulating mounts
“As AV equipment becomes more architecturally embedded into the project infrastructure, CrimsonAV is dedicated to providing engineered, versatile, durable, and intuitive mounting solutions that simplify the installer’s job and elevate the end-user experience,” said William Bear, Vice President of Sales and Marketing at CrimsonAV. “These new products deliver exactly what integrators have asked for—durability, ease of use, aesthetic appeal, and support for modern media technologies.”
in Orlando, Florida.
VITEC spotlights IP video advantages
VITEC showcased its latest IP video innovations for IPTV, digital signage, content creation, and video streaming at InfoComm 2025. Making its first appearance at the show is Avedia Platform v11, an all-in-one system for IP video and digital signage. VITEC will also highlight the latest performance and workflow enhancements of its EZ TV platform. The Diamond C1 Chassis will debut in the Pro AV space, alongside upgrades to the MGW Diamond-H encoder and EP6 endpoint. “The demand for broadcast-grade content distribution continues to accelerate, and our latest hardware and software updates enhance deployment, performance, and audience engagement for our AV partners,” says Bryan Reksten, VP Global Marketing, VITEC. “IP video provides a reliable, flexible solution, allowing organizations to use their existing IP network to distribute high-quality, low-latency video across applications such as corporate, broadcast, government, hospitality, and venues.”
Avedia Platform v11 offers an intuitive interface for content creation and user experiences, ArtioCreate, which makes it easy for users to design dynamic digital signage and interactive portals, and the Wayfinding solution enables multi-floor navigation of buildings and campuses, using intelligent algorithms. Meanwhile, the
latest EZ TV update features AI-powered auto-tagging in the Media Library to automatically identify objects, whilst its innovative SignSync feature allows venues, such as stadiums, to make quick and easy changes to synchronized signage content on the fly using existing hardware.
MGW Diamond-H, VITEC’s compact 4K HDMI encoder, has been enhanced with the new USB recording feature, allowing users to simultaneously record and stream IP video, and using the loop-through functionality, monitor the stream/recording on a desktop display. MGW Diamond-H is a fully featured encoder featuring dual HDMI inputs and Power over Ethernet (PoE), enabling high-quality, low-latency encoding in a compact form factor. Also on display is the EP6 endpoint, a hardware-based video player supporting dual 4K video streams, HTML5 technologies, and PoE+ deployment. EP6 integrates fully with Avedia Platform, enhancing VITEC’s IPTV solution.
The C1 Chassis is a modular, single-slot design supporting VITEC OG cards for video contribution or IPTV head-end applications. It enables seamless MGW Diamond encoder and Ace Decoder integration for high-quality content delivery in desktop and rack-mounted environments.
d&b audiotechnik introduces new amplifiers.
d&b audiotechnik expanded its amplifier portfolio with the introduction of the 25D and D25. Based on the company’s most advanced amplifier DSP platform, both models integrate Milan networking and offer full compatibility with d&b’s software suite, ensuring seamless performance and improved workflow efficiency. Designed for versatility, the D25 is optimised for mobile applications while the 25D is tailored for installation. “With the 25D and D25, we’re not only providing customers with a cost-effective solution to address venues and events for small to mid-sized applications perfectly, but they also share the same feature set as the more powerful D90, D40 and 40D amplifier models to create maximum application flexibility for their individual needs,” says Wolfgang Schulz, Head of Product Management, Electronics & Software at d&b audiotechnik. “Users can rely on proven features such as ArrayProcessing and Milan to ensure high performance and ease of integration.”
For rental companies, venue operators and system integrators looking for efficient amplification, the D25 and its installed counterpart- the 25D - offer the perfect balance of power and adaptability. Both models provide the optimal output voltage for mid-size sound reinforcement requirements. When combined with d&b loudspeaker systems, such as the new CCL System, A-Series, Y-Series, E-Series, xC-Series or Xs-Series, these amplifiers provide a fully integrated d&b system. As part
of d&b’s latest DSP platform, the 25D and D25 integrate Milan for precise synchronisation, streamlined configuration and enhanced interoperability. “Milan integration has always been a priority for us,” adds Marco Fußhöller, Product Manager Electronics at d&b audiotechnik. “By bringing this protocol to our latest amplifiers, we’re not only enhancing user experience but also driving wider industry adoption.”
Both amplifiers also support the full suite of d&b software solutions, including ArrayCalc, ArrayProcessing, NoizCalc and R1 remote control. Additionally, the inte-
amplifier portfolio with the introduction of the 25D and D25
gration of d&b HeadroomCalc allows for a more accurate prediction of the overall system performance, helping users make well-informed decisions at every stage of a project. The 25D and D25 feature a 4.3” colour touchscreen for intuitive device configuration and real-time status monitoring. Housed in a compact 2RU, they support up to 16 input channels, including eight Milan input channels, four analogue inputs, and four AES3 channels with corresponding link outputs. The installed 25D version also includes dedicated Euroblock connectors for General Purpose Input/Output (GPIO) and a fault contact, providing eight GPI and four GPO pins for additional control functionality. Enhanced energy-saving features, high power efficiency, and an automatic wake-up function further support sustainable operation. The 25D and D25 amplifiers will be available starting end of August.
EvertzAV showcases DreamCatcher BRAVO Studio and Studer Audio
EvertzAV, a division of Evertz Microsystems Ltd., showcased the latest enhancements to its DreamCatcher BRAVO Studio virtual production suite and Studer Audio solutions at InfoComm. Visitors to the EvertzAV booth experienced how BRAVO Studio and Studer Audio empower corporate teams to produce live events, including product launches, AGMs, town halls and more, with the same sophistication as large-scale television productions.
DreamCatcher BRAVO Studio is the all-in-one, collab-
orative production platform that offers continuous recording of all sources, content playback, live video/audio switching, replays, graphics and more. Its latest data-driven machine learning (ML) co-pilots and IQs assist production teams by automating clip creation, playlist management, and story assembly, maximizing creativity and efficiency.
BRAVO Studio’s advanced features, combined with its remote-access virtual control room capability, have made it the platform of choice for some of the world’s largest media organizations. For audio mixing, BRAVO Studio integrates with Studer Vista digital mixing consoles, offering full-featured audio capabilities either through multi-fader mixing consoles or Evertz VUE for remote control. InfoComm visitors can see Studer 32-fader Vista V in action, including remote control capabilities and full VISTA in VUE connectivity.
Barco launches ClickShare Hub
Barco has introduced ClickShare Hub, a modular wireless video conferencing room system for effortless hybrid meetings. ClickShare Hub is the first modular Microsoft Teams Room device built on the Microsoft Device Ecosystem Platform (MDEP), Microsoft’s Android-based operating system. While leveraging Microsoft’s expertise in security, manageability, and AI capabilities, ClickShare Hub guarantees simplicity, security, and easy integration.
With ClickShare Hub, meeting room participants start their hybrid meeting with a tap on the ClickShare Con-
d&b audiotechnik expanded its
EvertzAV, a division of Evertz Microsystems Ltd., showcased the latest duction suite and Studer Audio solutions at InfoComm.
latest enhancements to its DreamCatcher BRAVO Studio virtual protrol Panel, using the video conferencing platform of the room system. Wirelessly sharing 4K content from anywhere in the room without cables or constraints is easy,
thanks to the next generation ClickShare Button. This enhanced Button features Wi-Fi 6E and USB-C DisplayPort. No software needs to be installed, increasing the ease of use for both employees and guests.
ClickShare Hub comes in two models. ClickShare Hub Core brings the essential functionalities of a room system with wireless presentation, perfect for standard meeting spaces, featuring one next-gen ClickShare Button. ClickShare Hub Pro adds dual display support, two next-gen Buttons and more connectivity options for more complex installations. ClickShare’s agnostic approach to in-room peripherals remains steadfast, with several room bundles already in development for Microsoft Teams Rooms certification.
Continuing Barco’s commitment to sustainability, ClickShare Hub is designed with ecological principles at its core. With reduced plastic, environmentally friendly packaging, and lower energy consumption, it holds a Barco Eco Label A+ certification, helping organizations reduce their environmental footprint without compromising performance. “Over the past two years, we have strengthened our partnership with Microsoft and worked towards delivering the next generation of innovative ClickShare devices,” said Jan van Houtte, Executive Vice President Meeting Experience at Barco. “With the ClickShare Hub, we bring our core values — security, reliability, and user experience — to the room systems market. This milestone showcases our relentless passion for innovation and our dedication to creating the ultimate meeting experience.” The new product is expected to be available at the end of 2025.
Sennheiser showcases collaboration and wireless audio
Sennheiser will invite InfoComm attendees to explore the advancements in the company’s latest education, collaboration and wireless solutions. Featured highlights will include highly anticipated product development news impacting AV and IT teams, such as the newest additions to the TeamConnect (TC) family of products available for demo. Spectera, the world’s first wideband, bidirectional wireless ecosystem, will also be on display at this year’s show. Rounding out the experience are demos of SoundBase, a brand-neutral, collaborative RF coordination tool.
Jeffrey Horan, Global PR/Marketing Manager, Business Communications, Sennheiser said: “Attendees will have access to live demonstrations and hands on experiences with our innovative audio solutions, plus hear some exciting product development news for AV and IT teams. We also encourage showgoers to participate in our partner scavenger hunt for a chance to win some great prizes.” InfoComm visitors will experience the entire range of Sennheiser’s TeamConnect family of products. The TeamConnect family will be on display at InfoComm, including the TC Ceiling Medium (TCC M) with its new ceiling tile installation variant, launched earlier this year. The TCC M Ceiling Tile (CT) offers an even simpler integration of TCC M into suspended grid ceilings, significantly reducing installation time and costs. Available in both 60 cm square and a 2 ft square (primarily for the US market) solutions, the TCC M CT blends seamlessly into any environment. The TCC M CT will be available as an assembled kit, with the front plate also available as an accessory for retrofit installations. Visitors to the booth will also be able to witness the award-winning TC Bar Solutions and TCC M in action in dedicated live demonstration rooms.
Sennheiser will showcase Spectera, the world’s first wideband, bidirectional wireless ecosystem. Now shipping, attendees can experience the unprecedented ease of use this solution offers for wireless mics, IEMs, and control data within a single RF channel and bodypack. Spectera’s small footprint, automatic coordi-
nation, and simplified setup redefine live audio productions. The ecosystem includes the Base Station, bidirectional SEK bodypacks, DAD transceiving antennas, optional MADI cards, intuitive LinkDesk software for larger Spectera setups and the streamlined Spectera WebUI for monitoring and controlling an individual Base Station. Now shipping, InfoComm 2025 attendees can experience the unprecedented ease of use Spectera offers for wireless mics, IEMs, and control data within a single RF channel and bodypack
InfoComm guests also had the opportunity to see demos of the brand-neutral SoundBase app. The RF coordination software is compatible with systems from various wireless brands and unifies the wireless audio workflow into a single, simple, and flexible platform. Also on display will be EW-DX, the latest addition to Sennheiser’s Evolution Wireless Digital family. Designed for ease of use without compromising power and flexibility, EW-DX is suitable for a wide range of business and professional applications, with straightforward installation and integration that allows for seamless scalability across existing Dante networks, from intimate meeting rooms to large campus deployments.
Sennheiser invited InfoComm attendees to explore the advancements solutions.
advancements in the company’s latest education, collaboration and wireless
Christie to showcase technology for powerful experiences
Christie invited InfoComm attendees to experience Christie’s industry-leading ProAV solutions, including the InfoComm debut of the Sapphire 4K40-RGBH, the world’s first high-brightness hybrid RGB pure laser and laser phosphor projector, and the launch of the Secure Series III LCD panel. Josh Kolbeck, vice president of sales, Americas, Christie said: “From our immersive room and hands-on projection mapping demonstration to our museum-inspired artwork, we’re excited to showcase what’s possible with Christie.”
The Sapphire 4K40-RGBH and the 4K2100-JS will make their InfoComm debuts. The Christie Sapphire 4K40-RGBH projector combines solid-state RGB pure laser illumination with a dual laser phosphor system to create the world’s first high-brightness hybrid RGB laser projector. Christie designed and engineered the Sapphire 4K40-RGBH to meet the demands of any 2D and 3D application with its exclusive Infitec colour comb 3D option, and any screen type, including silver screen 3D. The Sapphire 4K40-RGBH will demonstrate its impressive capabilities in a stacked rear-projection display.
Part of the Jazz Series of 1DLP laser projectors, the 4K2100-JS delivers outstanding performance and exceptional value. With 21,350 lumens and 4K UHD+ resolution in a 65-lb chassis, it’s a versatile and flexible projection solution. The 4K2100-JS will be used in a vibrant, museum-inspired projection mapping display on the booth. Designed for secure environments, including control rooms and government facilities, TAA-compliant Secure Series III LCD panels improve
upon the previous generation with additional security features, including encrypted firmware packages, the ability to disable RS-232, LAN, IR, and keypad interfaces. The series complies with Letter of Volatility requirements by erasing all screen information and data when the panel is powered down. The new Secure Series III is available exclusively via Almo Pro AV in the U.S. Christie’s award-winning Core Series III LED video wall technology was on display, showcasing its impressive 4K UHD capabilities. Core Series III offers enhanced performance, improved value, and lower power consumption, resulting in a video wall that is up to 40% more energy efficient and 30% lighter than previous versions. Attendees can also experience Christie’s premium, award-winning MicroTiles LED technology. With the latest advancements in LED technology, Christie has reduced MicroTiles LED power consumption by 40%, and the unique modular design of MicroTiles LED means that the existing display infrastructure can be retained if the video wall tiles are upgraded to a finer pixel pitch. Our Pandoras Box suite of media and show control technology, including Pandoras Box Software and hardware, will power the entire booth. Attendees can get a hands-on demonstration of Pandoras Box Software, including features such as timeline editing, image blending, and warping, to learn how the software can control and playback content onto a projection-mapped 3D object. Pandoras Box CMS (Content Management System) will also be shown. CMS allows users to remotely access and manage content via the cloud.
Returning to Christie’s booth at InfoComm was its popular immersive and interactive room. Using a combination of Christie Inspire Series 1DLP laser projectors and sensors and cameras from Augmenta, attendees could interact with and manipulate content, including vibrant particles, dynamic fluids, and an engaging reveal, that was projected onto the walls and floor. Attendees were invited to learn more about ChristieCare, which includes extended warranties for ten years and beyond, fasttracked parts, 24/7 access to service experts, remote monitoring with Cinergy, and routine maintenance. Team members were available to answer questions about Christie’s flexible service options designed for nonstop performance. Attendees will find Christie solutions across the show, including a Secure Series III display in the Almo Pro AV booth, #1615, and Terra® in the SDVoE Alliance booth, #3768. Tempest, in booth #3029, will feature a static M 4K25 RGB pure laser projector.
Elevated sound with a riverside view for London’s 12th Knot
12th Knot, the rooftop cocktail bar at the riverside Sea Containers Hotel, is known for its stunning city views and upscale atmosphere in a prime location on the South Bank. When the time came to upgrade its audio system, the hotel turned to its trusted technology partner, Tateside, who already provides managed AV services across various areas in the hotel. The client envisaged a new audio solution that would complement, rather than compromise, the carefully curated ambience of its popular rooftop destination. “We’ve worked on projects throughout the Sea Containers hotel for a long time, including the cinema, background audio systems and the event space,” says Jack Cornish, technical director at Tateside. “When it came time to upgrade the 12th Knot bar, they trusted us to deliver something special.”
The existing audio system at 12th Knot was no longer meeting the evolving needs of the space. Over time, its coverage had become inconsistent, with components frequently being moved to accommodate different events, ultimately detracting from the overall aesthetics of the venue. The client approached Tateside with a clear goal: to modernise the system, improve coverage across the entire bar and make the setup more discreet and better integrated with the surroundings. “The system wasn’t doing what it needed to anymore, and people were unplugging it or shifting things about,” continues Cornish. “It was time for a proper upgrade, and 1 Sound stood out as an ideal solution.”
Tateside designed a new sound system from the ground up based around 1Sound loudspeakers to address both technical and aesthetic concerns. In the interior bar area, the team installed twelve 1 Sound C8i coaxial 8-inch and two C4i 4-inch loudspeakers, chosen for their small form factor and exceptional sound clarity. For the low-end, six 10-inch SUB310s, also from 1 Sound, are flown out of immediate sight lines, further preserving the all-important look and feel of the space. With triple 10-inch subwoofers, the SUB310s offer similar performance to larger models, but with a much smaller footprint. Tateside commissioned bespoke met-
alwork to secure this new loudspeaker system. Two additional 1 Sound C8i loudspeakers for monitoring are installed in the DJ booth, which plays host to DJ sessions every weekend.
The previous installation had placed all amplification and processing equipment in a storeroom, which led to significant overheating issues. To solve this, Tateside undertook a complete cabling rerouting, running all cabling to a nearby communications room, alongside a full backend overhaul. This included the installation of a Q-SYS Core processor for flexible and intuitive signal processing and audio networking on a Dante network, alongside Powersoft Unica amplifiers, which provide scalable amplification to drive the new audio system. A Netgear managed switch takes care of advanced signal management. Day-to-day system control is via a wall-mounted QSC touchscreen controller and simplified Pragma Someo PoE wall controllers, giving 12th Knot staff accessible control of source selection and music volume. “The original rack location just wasn’t working. It was way too hot, which affected performance. We moved everything to a nearby comms room and started afresh,” says Cornish. “This gave us a reliable, scalable foundation.”
The installation faced several logistical challenges, particularly around working hours and preserving the bar’s daily operations. Every day, ceiling panels had to
12th Knot, the rooftop cocktail bar at the riverside Sea Containers Hotel, in a prime location on the South Bank.
Hotel, is known for its stunning city views and upscale atmosphere
be carefully removed in the morning to access cabling routes and loudspeaker locations, with everything needing to be put back into place by late afternoon so that the venue could open as usual in the evening. This extended the project timeline significantly and required careful daily planning and coordination. Furthermore, throughout the project, parts of the old AV system needed to remain operational in order to keep the venue functional. Therefore, changeover dates had to be carefully planned to minimise disruption. “It was important for us to commission something that just works, something high-fidelity with great coverage and a system that is intuitive for the team to use day in, day out,” continues Cornish. “This wasn’t a small job. It was a fair investment from the client, and we needed to get it right, visually, sonically, and operationally. We wanted to give them the best system they could have.”
For Tateside, the 12th Knot upgrade represented an opportunity to showcase the company’s full range of skills, from technical design to professional installation, whilst facing significant time constraints. “We’ve been working with Sea Containers as a client for a while now, and this project represented the next evolution in our long-term relationship,” confirms Cornish. “We’re really pleased with the result and the opportunity to showcase these high-end audio products along with our own expertise and skills.”
Meyer Sound delivers unparalleled audio at Austin’s Jupiter Supper Club
Austin’s new Jupiter Supper Club isn’t just another high-end dining and entertainment establishment—it’s an immersive, multi-sensory experience where no detail has been overlooked, from fine dining to flawless sound. The venue showcases Meyer Sound systems throughout, with its crown jewel - the intimate Nova Lounge live music room - powered by a Constellation acoustic system for unrivalled sonic versatility.
Jupiter Supper Club is the vision of Bill and Lara Perkins, a hedge fund manager and entrepreneur who sought nothing less than the absolute best for their first hospitality venture. “Our search was singularly for the best sound,” says Bill Perkins. “We flew to Meyer Sound’s headquarters in California to listen to their speakers, and these were very, very good speakers. We saw the range of speakers that they offered, the designs, the ability to customise the colours, et cetera. But while we were there, they introduced us to Constellation. They had it on while they were talking to me, then turned it off. It blew me away - and I was like, ‘well, now I have to buy this Constellation sound system.’”
Housed in a historic downtown Austin building, Jupiter Supper Club blends Gilded Age opulence with cutting-edge technology, offering a meticulously curated experience for members and guests alike. Inside, four sumptuous spaces - the Nova Lounge, the Library Lounge, the Bar, and the Terrace restaurant - set the stage for fine dining, socialising, and world-class live music performances. While each room is outfitted with Meyer Sound loudspeakers - custom painted to match the venue’s luxury finishes - the Nova Lounge is a standout. Designed as an intimate performance space with seating for just 30 guests, it features a Meyer Sound Constellation system, which transforms the room’s acoustics at the push of a button. “We wanted to create an environment that could be whatever we wanted it to be without having to think about the future,” says Perkins. “One of the things that the Constellation system allows us to do is to shape the room sonically any way we want. Right now, we have nine presets, but as we get going, those nine buttons might be 25. It’s a playground.”
Constellation allows the Nova Lounge to adapt to a range of performances, from jazz combos and singer-songwriters to DJ sets. “Both artists and guests have been blown away by how good it sounds,” says Perkins. “It’s immersive without cranking the volume - more like a warm bath of sound than just blasting music at you.” Sound systems and active acoustics were designed and integrated by technology solutions provider Ford AV in collaboration with the Meyer Sound design team. The Nova Lounge’s Constellation system features 12 Ashby-8C ceiling loudspeakers, 16 UP-4slim ultracompact installation loudspeakers, six MM-10 miniature subwoofers, and an array of concealed microphones, all
managed by the new NADIA-CP integrated digital audio platform. Other speakers in the lounge include two Acheron screen channel loudspeakers, two USW-210P compact narrow subwoofers, two ULTRA-X20 compact point source loudspeakers, and two MJF-208 high-power stage monitors.
“Jupiter’s Nova Lounge live room is a hybrid Constellation system unlike anything we’ve seen,” says Ford AV audio engineer Jon Atkinson. “The room is so intimate that performers can sing completely acoustically, and the system will still immerse the audience without excessive volume. The first time we ran a demo, musicians were stunned - they’d never heard anything like it.” Elsewhere in the venue, custom-painted UP-4slim ultracompact installation loudspeakers and ULTRA-X22 compact point source loudspeakers, along with numerous Ashby ceiling loudspeakers, provide seamless sound in the Library Lounge, The Bar, and the Atrium Dining Room. Systems are managed by the Galileo GALAXY network platform with NADIA-CP used for the Constellation room.
With premium Meyer Sound systems in every space, Jupiter Supper Club’s commitment to opulence extends beyond its Michelin-worthy plant-based menu and lavish decor. “Sound is one of those things people don’t always consciously notice, but it shapes how they feel,” Perkins says. “It’s as important as sight and smell in creating a vibe. That’s why we went all in. With pristine sound, world-class performances, and a no-compromise design approach, Jupiter Supper Club is setting a new standard for high-end entertainment. “I’ve been into a lot of spaces, bars, clubs - you name it,” says Robert Burt, project manager at Ford AV. “And I’m going to venture to say that this is the best sound system in Austin.”
First-ever volleyball match played on glass sports floor
An extraordinary sporting event took place at Munich’s BMW Park. For the first time ever, an official international volleyball match was played on ASB GlassFloor’s groundbreaking full LED video sports floor. To mark the
50th anniversary of the Bavarian Volleyball Association, the German men’s national team faced off against world No. 5 and reigning world champion Italy - a true heavyweight clash. In front of nearly 7,000 enthusiastic spectators, a thrilling five-set match unfolded. Despite a spirited comeback, the young German team narrowly lost 2:3 (19:25, 22:25, 25:20, 25:20, 7:15). Nevertheless, the evening was a resounding success -both in terms of athletic performance and atmosphere - and marked a major milestone for ASB GlassFloor.
“The match against Italy was a true highlight - not only athletically, but also in terms of presentation,” said René Beck, CFO of the German Volleyball Association. “With the innovative glass floor technology, we were able to accompany the match with striking visual effects - from animated player introductions and waving flags during the national anthem to dynamic animations after each point.” This globally unique fusion of elite sport and LED visualisation created an atmosphere rarely experienced in German volleyball. Beck continued: “For the players, it was an extraordinary experience to perform on such a stage, in a packed arena, against a world-class opponent like Italy. And our fans were visibly thrilled - they witnessed volleyball on an entirely new level.”
Players also responded enthusiastically. National team member Erik Röhrs was particularly impressed: “Playing on the video sports floor is special in so many ways.
Austin’s new Jupiter Supper Club isn’t just another high-end dining ry experience where no detail has been overlooked, from fine dining
dining and entertainment establishment - it’s an immersive, multi-senso-
dining to flawless sound.
It’s perfect for event-style matches - whether for advertising, effects, or showcasing our names and images.” One particularly moving moment for him: “Seeing the flag displayed across the floor during the anthem — that was a real highlight.” Beyond the visuals, the sports performance of the floor also impressed. “The surface feels slightly firmer than usual, and there’s a pleasant warmth coming from the floor,” Röhrs noted. “Events like this are essential for pushing our sport forwardand the floor is ideal for that. It was a great experience and hopefully not the last.”
Since the 2024/25 season, BMW Park - home of FC Bayern Basketball - has been equipped with the world’s first permanently installed high-tech video sports floor. The ASB GlassFloor delivers optimal playing conditions, outstanding promotional opportunities for sponsors, and a fully immersive multimedia experience for fans.
Epson powers Cirque du Soleil’s European residency debut
As an official partner of Cirque du Soleil Entertainment Group, Epson today announced its high-performance laser projectors will play a key role in bringing to life the never-before-seen visuals of Cirque du Soleil ALIZÉ. Marking a pivotal moment for the global live entertain-
ment leader, ALIZÉ is Cirque du Soleil’s first residency in Europe. Mixing extraordinary artistry with breathtaking projection, the avant-garde creation – set to premiere in November 2025 at Berlin’s Theatre am Potsdamer Platz – is the first of many productions that showcase the creative force of two leading entertainment companies joining together to craft something truly magical. “By redefining the limits of stage technology as well as theatre and scenic design, Cirque du Soleil has completely transformed what can be achieved in delivering resident shows around the world,” said Matthew Nickel, chief creation and production officer, Cirque du Soleil. “In 2025, we write a new chapter in our history by establishing our first residency in Europe, and Epson’s vision is the best asset we can have by our side at this very strategical moment for our company.”
Cirque du Soleil’s 54th original production, ALIZÉ, depicts a journey into the unseen, immersing the audience in a magical adventure that transcends the boundaries of the imagination. The stunning production will take the audience on a wonderful journey into a surreal world where the impossible becomes possible. Reinventing the limits of visual experience, ALIZÉ will blend Cirque du Soleil’s creativity and stage design mastery with the power of Epson’s unique 3LCD laser projection technology to create immersive imagery that truly dissolves the lines between reality and illusion. “Cirque du Soleil ALIZÉ is an in-depth immersion into a world of wonder and mystery that will have the audience witness the impossible become possible,” said Martin Dignard, line producer, ALIZÉ. “As we’re developing a production that aims to deliver visuals unlike anything we’ve done before, our team knew that relying on Epson’s projection technology was the right solution to achieve our creative objectives.”
Exploring new ways to expand storytelling and create never-before-seen experiences, Cirque du Soleil named Epson its Official Projector Partner in 2024, turning to the worldwide leader in projection and printing technology to help redefine the future of immersive entertainment. Cirque du Soleil ALIZÉ stands today as the first of many projects that will bring the savoir-faire of both entertainment powerhouses together and illuminate Cirque du Soleil’s creative vision in new ways. As such, both partners are currently working closely together on new collaborations that will bring awe and amazement to audiences around the world. “We are incredibly proud of this partnership with Cirque du Soleil, and to be part of making this monumental residency vision a reality,” said Richard Miller, vice president, commercial marketing and service, Epson America, Inc. “The ALIZÉ production is the perfect canvas to showcase the potential of our projection technology – and this is only the beginning. Through our ongoing partnership, Cirque du Soleil and Epson are poised to redefine storytelling and deliver unforgettable experiences to audiences in Berlin and beyond.”
Portugal Pavilion at Expo 2025
Osaka
ON was entrusted with the full AV integration and daily operation of the Portugal Pavilion at Expo 2025 Osaka, a standout cultural and technological space, which has already welcomed over 500,000 visitors. The Pavilion, designed by internationally acclaimed architect Kengo Kuma, explores the theme “The Ocean: The Blue Dialogue” through immersive storytelling, interactive installations, and large-scale projections. ON was contracted by Rimond SRL, the general contractor for the project, to deliver the complete AVL infrastructure for the Portugal Pavilion - covering everything from equipment acquisition and system design to installation, integration, and daily operation throughout the six-month event. Their scope included projection systems (walls, floors, interactive surfaces, and a custom-built minidome), architectural and scenic lighting, multichannel sound systems, LED installations, touchscreen displays, and centralized control automation.
As the Pavilion is entirely driven by audiovisual content, the seamless integration and reliability of these systems were critical. A team of 8 professionals from ON worked on-site in Osaka, collaborating closely with local Japanese teams and Portuguese partners to meet tight deadlines and navigate challenges. The conceptual development and exhibition design were led by MUSE – Museums & Expos, a company specialized in curating museum and cultural projects. The Pavilion spans 1,836 m² and combines open-air architecture with a carefully orchestrated interior flow, where audiovisual technology acts as an invisible guide, shaping atmosphere, rhythm, interaction, and emotional impact at every step. From the first moment outside to the final immersive space, the visitor journey is a seamless traversal of history, culture, sustainability, and maritime exploration - all narrated through AVL.
Inside the Pavilion, the experience begins in the Waiting Area, where a multichannel soundscape envelops visitors in the sonic atmosphere of ocean waves and winds, created by composer Diogo Alvim. This ambient audio, delivered through discreet weatherproof loudspeakers, marks the first act of a journey where AVL becomes storytelling. The next space, known as Room 1, is a darkened environment organised around five thematic ‘islands’, each offering a different layer of interpretation through light, projection, image, and sound. A highlight is the Minidome installation, featuring a hemispherical projection surface animated with navigational maps and animated cartography. To achieve this, ON commissioned a custom fisheye lens manufactured with a bespoke optical solution that allows a single Epson EB-L730U projector to cover the entire dome with uniform image quality and no visible distortion. The lens ensures image fidelity from every angle and eliminates the need for complex multi-projector setups. The result is a continuous, realistic visual experience that reinforces Portugal’s maritime legacy through innovative AV en-
ON was entrusted with the full AV integration and daily operation of technological space, which has already welcomed over 500,000 visitors.
gineering. Other islands include interactive 86” multi-touchscreen displays (Sharp PN-LA862) with content on marine biodiversity and technology; embedded Iiyama monitors designed to mimic Japanese byōbu screens; and an audio-light installation that explores linguistic parallels between Portuguese and Japanese using LED-synced words and directional sound. The system also incorporates Brightsign XD4 players to drive synchronized video playback. Five Optoma ZK708T 4K DLP laser projectors provide ambient environmental visuals throughout Room 1. All of Room 1 is tied together by a LED ribbon integrated within the islands and a surround audio system built with Audac loudspeakers and Prolights fixtures, creating a cohesive audiovisual envelope. The technical rack includes GrandMA3 lighting controllers and Watchout 6 media servers, forming the backbone of the control system.
The journey continues into Room 2, the Pavilion’s immersive climax. Here, 16 Barco G62-W9 laser projectors, combined with a Watchout 3D-modeled content engine, create a fully enveloping animated underwater landscape across curved walls and floor. This room, with surround sound and kinetic lighting, invites the vis-
itor to sit on the ground and absorb a sensory narrative about sustainability and the future. It is a contemplative, emotionally resonant experience that many visitors repeat. AVL here acts as both guide and narrator, seamlessly integrating visual, auditory, and spatial cues. Beyond the exhibition, ON also equipped the restaurant, terrace, shop, and multipurpose room, providing ambient audio and versatile AV setups for concerts, film screenings, diplomatic receptions, and cultural events. The Multipurpose Room includes dual Barco projectors, Shure microphone systems, live streaming equipment, simultaneous interpretation infrastructure, Panasonic PTZ cameras, and Bose L1 Pro 16 sound systems, as well as Roland V-60 and Behringer X32 mixers, and laptops running Resolume and Vmix software for video control and real-time projection.
All audiovisual equipment was acquired brand-new in Portugal specifically for the Expo and shipped to Japan in more than 20 pallets, totaling around 4 tons. The entire system was customised and built to meet both Portuguese and Japanese technical standards. Sustainability was a guiding principle throughout the AV system
design. All lighting systems use high-efficiency LED technology, and projection relies on laser-based systems that consume significantly less energy than traditional lamps. Equipment such as Audac amplifiers and Epson and Barco projectors were selected for energy efficiency and long lifecycle, reducing waste and power demand. Modular mounts and racks were chosen for future reuse, and Japanese recycling protocols were followed for packaging and installation waste.
Throughout the project, ON had to respond to challenges well beyond AVL: adapting mounting structures, modifying scenography, handling equipment delays, and communicating across three languages and cultures. Their team remained on-site for final commissioning and continues to operate and maintain all systems daily. The Portugal Pavilion’s AVL system is not just a support mechanism—it is the spine of the experience. Technology flows intuitively with the visitor’s path, engaging the senses and transforming the Pavilion into a fluid emotional narrative. The AVL system becomes an active agent of storytelling, guiding each phase of the visit as a symbolic navigation through culture, memory, and innovation. “This project was not only a technical challenge, but also a defining moment for us as a company,” said Hugo Rodrigues, CEO of ON. “It validated our ability to deliver highly customized, complex AV solutions in an international environment, working hand in hand with foreign teams under demanding operational and cultural standards. We’re proud not only of what we delivered, but of how we earned trust, solved problems, and became a trusted part of a multicultural team delivering an ambitious and impactful experience.”
ON collaborated directly with Rimond SRL to ensure that the audiovisual systems not only met technical requirements but were also seamlessly integrated into Kuma’s architectural vision. The result is a cohesive, sensorial experience where technology and space are fully aligned. Since opening, the Portugal Pavilion has been visited by more than 500,000 people, drawing praise for its immersive design and unique sensory narrative. The success of the Pavilion has already led to ON being entrusted with additional live support duties and invited to collaborate on other future international efforts. With Expo 2025 as a milestone, the company now looks ahead with confidence to new global projects, backed by proven experience in innovation, collaboration, and delivery at the highest level.
of the Portugal Pavilion at Expo 2025 Osaka, a standout cultural and visitors.
TVC powers karaoke and AV at King Street Tap
Bolton-based TVC Technology Solutions has announced the successful completion of a sophisticated audio-visual installation at King Street Social Tap, a new flagship hospitality venue by Amber Taverns in Huddersfield. This latest project adds to TVC’s growing portfolio in the sector, reinforcing the brand’s position as a premier AV integrator of choice for the hospitality industry. “We know what it takes to make a good hospitality venue great: Impressive sound, visually dynamic video and engaging entertainment options like karaoke that increase customer dwell time, average spend and repeat custom.” Says Chris Whitlock, Technical Director at TVC Technology Solutions. “All tied together through the seamless interface that is easy for employees to use.”
Building upon previous successful collaborations with Amber Taverns, including the popular Iron Ram in Derby, TVC was chosen to design, supply, and install an advanced AV infrastructure specifically tailored for King Street Social Tap. The venue needed to set itself apart from other bars and venues in busy Huddersfield town centre and attract local residents, visitors and University students alike. At the heart of King Street Social Tap’s AV setup are state-of-the-art Samsung 4K Hospitality Smart TVs, strategically installed throughout various entertainment zones, including the main bar, darts area, elevated seating sections, outdoor courtyard, and an exclusive karaoke room. With screen sizes ranging from 55 to 75 inches, these robust, commercial-grade displays ensure optimal visibility and outstanding clarity, providing vivid visuals for live sporting events, digital signage, and dynamic entertainment content. Designed specifically for hospitality environments and continuous operation, the screens can deliver stunning visuals in a wide variety of lighting conditions without concerns about overheating or performance degradation over time. The screens were mounted using Peerless flat wall brackets for each TV installation, to keep the sleek, high-quality feel throughout.
One standout attraction of the King Street Social Tap is the custom-designed karaoke room, thoughtfully
equipped with the innovative Singa Karaoke System. Leveraging TVC’s expertise in hospitality karaoke, the system merges a 55-inch Samsung display, professional-grade Audac loudspeakers, and a quad UHF wireless microphone system with the Singa platform. Guests can effortlessly browse and select from an extensive track library via a wall-mounted iPad Pro while they warm up their tonsils waiting for their turn.
To further enhance the Karaoke room’s atmosphere, TVC deployed HDMI audio integration, sophisticated wall-mounted lighting controls, and dynamic RGBW LED lighting to deliver a theatrical flair that matches the karaoke experience. “Amber Taverns management team were very pleased with the finished result at King Street,” adds Chris, “and our successful delivery of this project underscores TVC Technology Solutions’ expertise and reliability in designing and executing dedicated AV integrations for the hospitality sector.”
Leveraging TVC’s expertise in hospitality karaoke, the system merges a 55-inch Samsung display, professional-grade Audac loudspeakers, and a quad UHF wireless microphone system with the Singa platform. Guests can effortlessly browse and select from an extensive track library via a wall-mounted iPad Pro while they warm up their tonsils waiting for their turn. To further enhance the Karaoke room’s atmosphere, TVC deployed HDMI audio integration, sophisticated wall-mounted lighting controls, and dynamic RGBW LED lighting to deliver a theatrical flair that matches the karaoke experience.
Bolton-based TVC Technology Solutions has announced the successful Street Social Tap, a new flagship hospitality venue by Amber Taverns
successful completion of a sophisticated audio-visual installation at King Taverns in Huddersfield.
“Amber Taverns management team were very pleased with the finished result at King Street,” adds Chris, “and our successful delivery of this project underscores TVC Technology Solutions’ expertise and reliability in designing and executing dedicated AV integrations for the hospitality sector.”
Christie technology for new lobby experience at OdySea Aquarium
Christie is pleased to share that its HS Series laser projectors, Mystique software, and Pandoras Box software and servers are part of an exciting new lobby experience at Arizona’s OdySea Aquarium. OdySea Aquarium is a multi-level, state-of-the-art facility offering immersive, educational, and entertaining experiences for guests of all ages. As one of the 10 largest aquaria in the U.S., it’s home to more than 6,000 animals, 300 species, and 70 exhibits. Now, guests to the aquarium begin their underwater journey as they enter OdySea’s lobby space, courtesy of a new, immersive, 360-degree projection mapping experience that transforms the lobby with marine life and ocean sounds. Malvern Entertainment created six original, animated sequences that transport guests to the heart of the ocean, which are
projection mapped onto the 23-foot walls of the oval-shaped lobby.
OdySea selected 12 Christie HS Series laser projectors, Pandoras Box Software and Servers, and Mystique, an automated camera-based alignment and recalibration solution, to create the experience. The 3D workspace feature in Pandoras Box is used in conjunction with Mystique to calculate the position of the projectors in the room and mask content from areas including the escalator, doors, and massive Aqua Globe fish tanks that are suspended from the lobby’s ceiling. Beyond the lobby, a 16 x 9-foot Christie 2.5mm pixel pitch LED video wall with full HD resolution delights guests with ocean-themed visuals in the aquarium’s café.
The project was integrated by CCS Presentation Systems and posed some unique challenges. In addition to projection mapping around the nine massive Aqua Globes, each filled with live fish, CCS worked closely with The Power Group, which was brought onboard to manage the electrical needs for the project, including a power upgrade. “We were honoured to be chosen to lead such an exciting project. This lobby installation was incredibly ambitious and pushed our team’s creativity and precision,” said Paul Gallagher, Account Executive, CCS Presentation Systems. “From the complex projection mapping and immersive audio to solving some tricky power challenges, we made sure every element worked exactly as promised. It’s a perfect example of how technology can truly become an experience.”
The result is a truly immersive, one-of-a-kind aquarium experience. “We want guests to feel like they’re in the middle of the deep blue sea the second they walk in. Not watching it—in it,” says Amram Knishinsky, CEO, OdySea Aquarium. “It’s no longer just a lobby— it’s a portal to the ocean.” “We’re thrilled to have contributed to this stunning lobby transformation at OdySea, which further positions the aquarium as a ‘must-see’ destination in Scottsdale,” said Eric Rosenberg, channel manager, Christie. “Seeing our technology bring these visuals to life is a testament to what’s possible through innovative technology, collaboration, and bold vision.”
INFiLED LED wall at the UAE’s first open-format music
INFiLED technology helped transform Abu Dhabi’s Etihad Park into an immersive AV spectacle for the inaugural OFFLIMITS Music Festival. Billed as the UAE’s first open-format music festival (i.e. one featuring multiple genres of music), OFFLIMITS welcomed global artists including Ed Sheeran, OneRepublic and Kaiser Chiefs across four stages purpose-built on Yas Island for the trailblazing event, held on 26thApril 2025.
Technical production across all four stages–T11 (main), Head, Meteor and Club X – was managed by regional event technology powerhouse SLS Production. The team was responsible for delivering audio, video and lighting to global touring standards, ensuring a premium experience for the international artist lineup. One
of the standout visual features of the festival was found on the Meteor stage, where a 910m² LED wall–built using INFiLEDGX4.6 outdoor panels–provided a high-impact, daylight-resilient backdrop for acts including Kaiser Chiefs, Faithless and FunLovin’ Criminals. SLS specified INFiLED’s GX4.6 outdoor LED panels for the project, opting for the high brightness, fine pixel pitch (4.63mm) and robust performance in outdoor conditions offered bythe GX Series of displays. The panels were configured into a custom, curved layout using specially engineered mounting plates, creating a bold panoramic display that wrapped around the stage to maximise impact from all audience perspectives. The ambitious scale of the install came with logistical challenges, as Shafeeq Bin Shereef, SLS’s senior video engineer for the event, explained: “The tilted LED design required elevated installation using boom lifts, which was time-consuming and logistically complex. Additionally, the signal and patching of the extensive LED system took longer than expected. “Despite these issues, the SLS team completed the installation on schedule through coordinated efforts and round-the-clock work to meet the tight deadline”, he adds.
INFiLED also provided crucial remote support during set-up, helping to resolve a technical issue with configuration files quickly and without disruption to the event timeline. “The collaboration with the INFiLED team was excellent,” continues Bin Shereef. “They responded swiftly, provided remote and technical assistance, and helped us resolve the issue without affecting the show timeline. Their panels performed reliably, and their technical backing added great value to the success of the Meteor stage. Bin Shereef also praises the versatility of the GX4.6 system, which supported seamless real-time playback and fast switching between media sources, showcasing a mix of live visuals, real-time content, and animated videos synchronised with the performances.
The Meteor stage, with its tilted LED wall, proved to be one of the most memorable visual elements of the festival, according to the engineer: “We received overwhelmingly positive feedback from both the organisers and the audience. The Meteor stage LED set-up was particularly praised for its visual impact, clarity, and immersive design, solidifying its role as one of the most visually impressive elements of the festival. Despite the engineering challenges, it stood out as a visual centrepiece of the festival and seta new benchmark for stage design in the region,” he concludes. Organised by Dubai-based Theory Eleven Entertainment, OFFLIMITS Music Festival will return in 2026 following the success of the debut event
Digital Projection and Manganelli deliver
state-of-theart
auditorium
Two of Rennes’ most prestigious cultural and conference venues have recently been upgraded with cutting-edge projection technology from Digital Projection, enhancing their ability to deliver immersive, high-quality visual experiences. Spearheaded by Lille-based system integrator Manganelli, the twin installations–at the Couvent des Jacobins and Les Champs Libres–reinforce the Breton capital’s reputation as a leading destination for events, conventions and multimedia exhibitions. Located at the heart of Rennes’ cultural and artistic landscape, Les Champs Libres is a multidisciplinary venue housing a library, museum and science centre alongside its conference facilities.
To support its diverse range of events, Manganelli integrated a Digital Projection’s TITAN Satellite Modular Laser System (MLS) boasting20K lumen and 4K resolution. By allowing the integrator to separate the noise and heat-producing light source from the projector head, the award-winning modular MLS system enables greater installation flexibility, reduced noise levels and enhanced thermal efficiency. “The goal was not to have the video projector in the control room, but to place it in
INFiLED technology helped transform Abu Dhabi’s Etihad Park into Festival.
into an immersive AV spectacle for the inaugural OFFLIMITS Music
the auditorium. In order not to disturb the spectators in the auditorium, we opted for the Satellite solution, which only allows us to place the head–which doesn’t make any noise–in the auditorium, and the RGB laser source in the technical room,” explains Stéphane Bourdon, Digital Projection’s regional sales manager for south-western Europe. Dewi Seignard, the auditorium FOH manager at Les Champs Libres, confirms: “We did a number of tests with other brands and the Satellite technology was the only one able to answer our needs fora very powerful projector without any of the usual inconveniences, such as noise, heat or a massive cabinet. 4K compatibility was another deciding factor, as well as colour reproductions. We are also thankful to Stéphane Bourdon and his team fortheir availability and support during and after the integration phase”. Situated a stone’s throw away from Les Champs Libres, the Couvent des Jacobins is a landmark of Rennes’ architectural heritage. It was converted into a congress centre in 2018 after undergoing extensive modernisation while retaining its historic charm.
Within its 1,000-seat auditorium, Manganelli installed a Digital Projection TITAN 33000 4K-UHD projector to provide unparalleled image clarity, brightness, and colour accuracy for conferences, performances and presentations. The original plan was to use the TITAN in La Nef, asmaller400 seats auditorium in the congress centre, but after being impressed by the performances of
the projector, the end user decided to use it for the main auditorium, demoting the existing projector to the smaller venue. “We chose Manganelli following a public tender last year, and the company exceeded our expectations in terms of equipment quality and prices, but also in terms of sustainability commitment, which was particularly important for us as an ISO 20121 certified company. Customer service was also a significant advantage in this constructive relationship. We’ve been using the equipment for months and we are completely satisfied”, explains Laurent Knobloch-Bard, production manager at the Couvent des Jacobins.
From a compact chassis, the powerful TITAN Laser 33000 delivers up 31,000lumensat 4K resolution, making it the ideal projector for the most demanding of large-venue applications. The 3-chipDLP TITAN Laser 33000offers connection options including DisplayPort, HDMI 2.0 and HDBaseT, while its advanced electronics also bring HDR processing to the large-venue class of projectors. Features such as Constant Brightness Control and DMX Art-Net compatibility make it the ideal solution for high profile events and fixed installations, with the class-leading3 chip DLP projector also benefiting from features such as Non-linear Warp, Geometry Correction, EdgeBlending and Picture in Picture as standard.
Digital Projection’s relationship with Manganelli proved instrumental in successfully completing both projects. Yannig Morice, sales engineer at Manganelli, confirms:
“The level of support from Stéphane Bourdon and his team was excellent, both before and during the installation phase. They provided an unbeatable package in terms of performance and price, which really helped us to secure both projects. For the Couvent des Jacobins in particular, the low environmental impact of the projector and the overall lease of integration were crucial, and both conditions were perfectly met by Digital Projection.
Wildstone unveils largest roadside digital billboard in Spain
Leading outdoor media infrastructure owner Wildstone has unveiled an impressive 20x6m digital billboard on the Burgos highway in the Alcobendas district of Madrid. The billboard is strategically located beside the A-1 route in the busy Alcobendas municipality, one of the main arterial roads for entering and leaving Madrid. An average of 189,223 vehicles pass by the site each day. The screen will be managed by media operator Impact OOH. Wildstone led the end-to-end development of the billboard, which was transformed from a 12x5m, single-sided screen to a 20x6, double-sided screen. This makes it one of Europe’s largest digital billboards and Spain’s biggest large format roadside billboard. Moving forward, Wildstone plans to acquire and upgrade large format screens like this across Spain and beyond. To sustain the screen’s unusually large size, the supporting mast was designed in a triangular, lat-
tice-like structure using similar techniques to those employed in the construction of the Eiffel Tower. Having entered the Spanish market in 2022, Wildstone currently owns over 1,700 outdoor advertising panels across Spain. Carlos Pestaña, Managing Director, Wildstone Spain said: “At Wildstone, we’re going beyond traditional out-of-home to create iconic structures. This extraordinary billboard combines cutting-edge technology and robust design to offer a high-impact visual advertising platform with a low environmental impact. The project reinforces our commitment to technological innovation in outdoor advertising, offering impactful, high-value solutions for both advertisers and property owners.”
Pedro Várez, CEO at Impact OOH, said: “By collaborating with Wildstone on innovative projects like this one, we significantly strengthen the value of our digital network. The site’s cutting-edge LED technology enhances the quality of each advert and allows us to display dynamic, adaptable messages in real time, making it far more effective than traditional media. We look forward to developing our relationship with Wildstone, as we continue to innovate and adapt to our clients’ changing needs.”
Leading outdoor media infrastructure owner Wildstone has unveiled an impressive 20x6m digital billboard on the Burgos highway in the Alcobendas district of Madrid.
Polygon live delivers UK’s largest outdoor 360° immersive sound
Crystal Palace Park became the epicentre of a sonic revolution as Polygon Live LDN delivered the UK’s largest outdoor 360° immersive sound festival from 2nd –4th May 2025. The three-day event brought together visionary artistry and spatial audio innovation, with artists such as Jon Hopkins, Max Cooper, Cosmo Sheldrake, and Halina Rice performing specially crafted sets within Polygon’s signature hemispherical dome—a space where sound moves beyond traditional stereo boundaries to surround listeners from every direction. What began as a fundamental question: “What if listeners could be completely enveloped by sound from all around them, including overhead?” became an experience that places Polygon at the forefront of spatial audio innovation in live music.
For CEO Nico Elliott, the Crystal Palace event represents the culmination of nearly a decade spent reimagining how audiences connect with music. “We’re creating audio environments where every element can move through three-dimensional space with purpose,” Elliott explains. Since first integrating L-ISA technology at Thailand’s Wonderfruit Festival in 2018, Polygon has been steadily refining its vision of placing audiences at the centre of the musical experience rather than in front of it. The Crystal Palace debut marks its boldest statement yet about the future of live music. “What we’ve
created is emotionally transformative,” says Polygon Director Adam Nicholas. “When sound can originate from anywhere in a 360° field and travel through space with precision, artists can paint with an entirely new palette. We’re giving musicians tools to create experiences that simply cannot exist in traditional stereo environments.”
Polygon’s hemispherical dome is designed as an instrument for spatial storytelling. The structure houses nearly 125 loudspeakers, creating a sound field where every element can be animated in real time across three dimensions. “Traditional festivals put audiences in front of the music. We put them inside it,” notes Elliott. “With this technology, every synth line, every vocal phrase, every percussive element can move through space with choreographed precision.” The configuration required extensive technical planning and precision engineering. Designed in-house by Polygon with support from L-Acoustics, the layout relied heavily on Soundvision software to model sound coverage and optimise speaker placement before installation. “Soundvision was absolutely essential,” said Nicholas. “It allowed us to visualise complex coverage patterns and fine-tune placement with incredible accuracy.”
Central to Polygon’s vision is its collaborative approach with performing artists. Polygon works closely with each musician ahead of their show to unlock the creative potential of the L-ISA immersive sound technology. “We’re giving artists new ways to express their music,” Elliott explains. “Some of our featured artists had previous experience with L-ISA technology, while others were dis-
covering spatial audio for the first time. In every case, we provide the support and studio time they need to reimagine their material for this unique environment.”
This preparation ensures that audiences experience music that has been specifically reimagined to harness the full three-dimensional potential of the dome environment. “The response from artists has been extraordinary,” Nicholas adds. “When they realise they can move elements of their compositions through space, place sounds above and around the audience, and create musical narratives that unfold in three dimensions, it opens creative possibilities they’ve never had before.”
“My performance at Polygon Live LDN was a special one for me,” confirms artist Max Cooper. “I put a lot of work into trying to build something unique for the system. I tried to balance a club experience with full punch, with the spatial experience for full immersion. It’s one of the best live systems I’ve heard and it’s safe to say it went off.” L-Acoustics Certified Provider Britannia Row, a Clair Global company, supplied the immersive 12.1.4 system for the dome. The Scene System comprised four L2 speakers with eight surround hangs of two A15 Focus over one A15 Wide, while four further A10 Wide provided overhead sound. Low-end reinforcement was provided by 18 KS28 subwoofers in an end-fire configuration. Two out-fill hangs of one A15 Wide and one A15 Focus speakers sent sound to areas outside the dome. Immersive stage monitoring featured nine X15 HiQ speakers and four SB18. Two adjacent smaller domes, a VIP area, and Front-of-House were also
equipped with full immersive sound to mirror the main stage. The VIP area featured A Series for the Scene System, with X12 for surrounds and overheads, while Front-of-House used X12 for frontal, surround, and overhead. Both areas used SB18 for low-end reinforcement.
The new Sound Spaces feature in L-ISA 2025 was crucial to optimising immersive sound, with unique immersive mixes simultaneously feeding the main dome audience area, the Front-of-House monitoring area for sound engineers and a separate monitoring mix for artists on stage. The entire system was powered by four LA7.16i, 23 LA12X, and six LA4X amplified controllers. Beyond its sonic advantages, the L Series system, which uses 30% less wood, 60% less steel, and has a 30% smaller physical footprint compared to equivalent line source arrays, also delivers notable environmental benefits. This results in significantly lower transportation and fuel consumption requirements. “L-ISA technology gives us creative freedom that didn’t exist before,” said Nicholas. “For artists working in electronic, ambient, and experimental genres, it’s a game-changer.”
All Polygon engineers have completed advanced L-ISA training, while artists receive early access to L-ISA software with binaural rendering capabilities, enabling them to prepare performances for the spatial environment. “Crystal Palace validated everything we believed about the power of spatial audio,” Elliott reflects. “The audience response confirmed that when you transform how people experience music, you create memories that last a lifetime.” “The best part of spatial audio is that it’s all about the audience and how it makes them feel - emotional connection is so important,” says artist Halina Rice. “I hope more live events will be able to use spatial audio systems in the future.” Looking ahead, Polygon is already planning its return to Crystal Palace Park in 2026. “We’ve proven that full 360° immersive audio is both technically feasible and artistically essential,” Elliott continues. “And this is only the beginning of what’s possible.” Elliott sees Polygon’s work as part of a larger evolution in live music: “What we’re creating represents a fundamental shift in the relationship between artist and audience. This is the next evolution in live sound—it’s an entirely new way of experiencing music.”
Metallica’s M72 world tour elevates visual experience
Metallica’s groundbreaking M72 world tour, renowned for its innovative in-the-round stage and “no repeat weekend” format, has taken a bold step forward by adopting the PIXERA media server system from AV Stumpfl. This transition enhances the tour’s massive video setup, delivering an unparalleled visual experience across its eight 100-foot-tall towers, each featuring three 50- × 30-foot LED screens, totalling 24 discrete surfaces – the brainchild of creative director and production designer Dan Braun.
The M72 tour, which began in 2023 and has captivat-
ed upwards of 80,000 fans per night, relies on a sophisticated technical infrastructure to match its ambitious creative vision. Metallica’s switch to PIXERA, first tested at the Soundstorm festival in 2023, has proven transformative. “PIXERA’s rendering capabilities, especially for Notch effects, are unmatched,” says Tom Denney, media server engineer for the tour. “These boxes handle up to two simultaneous Notch effects without dropping frames, which is critical for our 38-camera setup and dynamic visuals.” David Leonard, media server programmer and operator, echoes this sentiment, highlighting the system’s reliability and flexibility: “PIXERA version 25 has been great. I’ve had zero drops or restarts. The layer-based interface and tools like layer referencing make it easy to manage 50 different screen mappings per show, keeping the visuals fresh and immersive.” Leonard programmes a timeline per song and then builds out his cue list based on the band’s set for the evening. Leonard’s ability to adapt on the fly is crucial, as Metallica’s setlists – drawn from the band’s vast discography – are finalised just before showtime.
The PIXERA system, comprising eight servers (four main, four redundant), supports a true one-to-one redundancy workflow, ensuring seamless performance. “The band and creative team prioritise reliability, and PIXERA delivers,” Denney notes. “Each tower receives a 4K signal, and our utility machine handles additional outputs for festivals or broadcasts, like when we streamed to 3,000 cinemas worldwide.” The system’s 16-terabyte drives (upgradable to 60TB) accommodate the tour’s 3.5TB content folder per show, enabling effortless transitions between the main “tower show” and festival configurations without time-consuming offloading. The eight PIXERA servers make up one of the six custom “barges” that comprise the tour’s video infrastructure, and fibre lines connect video village to the racks of the eight towers in the stadium hundreds of metres away. “The barges cut our server and camera setup time to under an hour, despite hundreds of cables,” Denney explains. “PIXERA’s Hub tool simplifies managing eight servers, from network configuration to fan speeds, making our workflow incredibly efficient.”
Video director Gene McAuliffe, who spearheaded the adoption of PIXERA, praises its creative potential. “The system lets us play with perspective, wrapping visuals across multiple towers or isolating them for impact. It’s about giving fans a unique view from every angle,” Leonard recalls from discussions with McAuliffe. The support from PIXERA’s team has also been a game-changer. “From Soundstorm to now, their support is the best I’ve experienced,” Denney adds. “Whether it’s a bug fix or a new feature, they’re responsive across time zones.”
Now in the middle of a 10-week US run, PIXERA empowers the M72 tour to push boundaries further, blending cutting-edge technology with the live energy Metallica brings to every show. “PIXERA feels futureproof,” Leonard says. “We’re already planning to adapt these files for other shows – it’s that versatile.”
Clarion Hotel Helsinki takes guestroom entertainment and business capabilities to new heights
PPDS has announced the installation of 800 hotel TVs, digital signage, and dvLED walls inside Finland’s advanced business hotel complex, the Clarion Hotel Helsinki Airport. Located immediately outside Vantaa Airport’s main terminal, the stunning 12 floor multi-purpose Clarion Hotel Helsinki Airport is an all-encompassing premium destination for travelers and businesses alike, boasting 505 luxury guest rooms, a scenic rooftop cocktail bar, an à la carte restaurant, a gym, and heated outdoor pool.
Named among the world’s best locations for business travelers – accounting for 25 per cent of the 15 million passengers that travel via its runways annually – the Clarion Hotel Helsinki Airport also features a 21-room conference centre and plush 1,050 capacity ballroom, making it the perfect destination for local and international meetings, exhibitions, events, and more. Taking comfort and convenience to new heights, the hotel’s owners, Strawberry Hotels – one of the largest hotel
groups in the Nordics with over 240 properties – turned to PPDS to support the ultimate away from-home digital experience for its hotel guests, while putting the complex on the global map for its advanced and interactive conferencing capabilities.
Working together with solution specialists Speeron, Smart Media Solutions, and Audico Systems, the project was completed on time and on budget, ahead of the hotel’s grand opening. Jan Ahjovaara, Project Lead Hotel Openings at Strawberry, commented: “The opportunity to choose displays from one provider through different areas of the hotel makes integration so much easier. The line-up from Philips Professional Displays supported us throughout the hotel.” 778 Google Cast integrated Philips MediaSuite 6214 UHD TVs – including 50”, 65”, and 75” size variants – were installed inside all guest rooms and suites, with screen sizes and number of units selected and placed based on room sizes and layouts.
One of Europe’s most popular hotel TV entertainment solutions, topping the Omdia charts last year, Philips MediaSuite TV allows guests staying at the Clarion Hotel Helsinki Airport to control their viewing and entertainment choices. Creating fully customised experiences unique to the hotel, including a tailored interface and branding, Speeron’s innovative NEXT guest communication portal was installed to provide guests with nearly
instant access to entertainment options such as TV channels, Netflix, and other casting apps for a complete multimedia experience.
Aligned with Strawberry Hotel’s sustainability objectives, which have seen all its properties become ISO 14001 certified, all Philips MediaSuite TVs are also designed to get better with age, receiving regular Android updates for the latest features and functionalities, helping to extend the lifetime of their investment and creating consistent experiences in every room. Running on Android, Clarion Hotel Helsinki Airport guests also have access to thousands of apps via the Google Play store – such as games, news, weather, and more – while the hotel can also deliver personalised welcome and guest information in the guest’s preferred language via the TV.
With built in security features and no additional hardware (including dongles) or wires needed, Philips MediaSuite eliminates any concerns of theft or wire tampering while saving on costs and unnecessary electronics waste. Strawberry aims to lead the way and show that impact on the climate can be reduced even within large hotel operations. Building its business on three core values – energy, courage and enthusiasm –Strawberry strives to be a different kind of company. A rebel within the hotel industry with a warm heart. Their goal goes far beyond a desire to change the hotel industry. Strawberry aims to make the world a better place in which to live, work and travel.
Providing state of the art conferencing facilities, supporting the needs for every use and possibility, from small gatherings to large scale events and exhibitions, Strawberry Hotels selected PPDS’ stunning and newly launched 135” Philips Unite LED All In One display, allowing the Clarion Hotel Helsinki Airport to benefit from with its unique standby mode, which reduces energy used to just 0.5w, further saving on costs and environment impact.
Meanwhile three Philips Public 7000 Series LED walls were custom installed inside the conference centre. These were mounted using purpose-designed systems from Smart Media Solutions, with each set into a wooden slatted design, seamlessly blending them with the wall for a stylish, clean set up. Complementing the connected ecosystems of displays throughout the hotel, a range of digital signage was chosen for wayfinding and information, including 88” and 75” Philips Signage 3000 Series Q-Line displays and 98” Philips Signage 4000 Series Modular D-Line displays. To support the control of these displays, Audico Systems delivered a high-performance AV solution integrating intuitive control systems. This comprehensive set up optimizes meetings and events with seamless communication, clarity and adaptability.
From boardrooms to the grand ‘Runway’ hall, every space is engineered for maximum business impact, operational efficiency, and guest satisfaction. Nils Brovold, Sales Manager Hospitality Nordics at PPDS, commented: “As a brand new hotel, Clarion Hotel Helsinki Airport was able to start from a blank sheet, with no legacy obstacles or challenges, giving them the freedom to fulfil their technology ambitions for today and the future.
Equally as important, Strawberry Hotels places sustainability as a top priority and needed a partner that shared its vision and strategy. Ambitions included extending the lifetime of its tech investments, reducing waste and energy usage, while providing easy experiences for guests and visitors. PPDS was the outstanding choice for achieving these goals, and we’re delighted to have supported this incredible project.” Jan Ahjovaara concluded: “The Clarion Hotel Helsinki Airport has put Finland on the map for conferencing. The hotel experience extends far beyond the guest room TV, and the portfolio from Philips Professional Displays has delivered.”
Christie powers immersive experiences at Huabohui Scenic Spot
Christie laser projectors have brought to life an immersive nighttime spectacular at Wuhan’s popular Huabohui Scenic Spot, transforming the picturesque flower-themed park into a vibrant fusion of natural beauty and leading-edge visual technology. Titled “Zhiyin Flower Moon Night”, the multi-venue show is celebrated as China’s first immersive night tour themed around the “Twelve Flower Goddesses.”
Christie’s trusted partner Jianye Display led the projection design and systems integration, deploying 13 Christie 1DLP laser projectors. Models include the Inspire Series DWU760-iS and DWU960-iS, as well as the high-brightness DWU23-HS - chosen for their accurate colour reproduction, dependable performance, and ability to operate reliably in demanding outdoor environments. “The Christie laser projectors delivered outstanding brightness and colour accuracy, even under challenging nighttime conditions,” said Ke Zhou, regional manager, Hubei District, Jianye Display. “Their low noise, stable operation, and efficient thermal management ensured consistent performance throughout the show.”
Spanning five key venues including the “Appointment of the Rose” church façade projection mapping, “Fairy Shadow” animated flower skirt projection, “Bell Tower Fantasy” and “French Street–Rose Castle” projections, as well as a mesmerising mapping sequence projected onto a floating sphere measuring four metres in diameter, the projectors played a vital role in shaping the visual storytelling of this landmark cultural tourism experience. The Christie DWU23-HS, with its 23,650 lumens of brightness and enhanced colour performance, was particularly effective for large-scale architectural projection—transforming surfaces like the church façade into seamless canvases of light and motion. Meanwhile, the compact DWU760-iS and DWU960-iS projectors excelled in tighter installations such as the flower skirt and floating sphere projections. These Inspire Series models demonstrated remarkable versatility and precision, backed by an IP5X-rated dust-resistant optical engine and whisper-quiet operation.
Despite cold winter conditions and a tight construction timeline, installation and commissioning were completed in just 25 days. Projectors were housed in custom waterproof enclosures, with fixed brackets and mirror systems ensuring precise alignment. Redundant systems were deployed in critical areas to ensure uninterrupted operation and system reliability. April Qin, senior sales director for China, Christie, commented, “We’re proud to support this benchmark cultural tourism project. It demonstrates the strength of our projection technology in complex outdoor applications and shows how immersive experiences can enhance storytelling and engagement. Christie remains committed to enabling bold, high-impact creative visions across China’s cultural tourism landscape.”
The experience fuses traditional cultural themes with innovative technology, including holography, lighting effects, and spatial audio. Since its launch, “Zhiyin Flower Moon Night” has attracted thousands of visitors, establishing a model for future cultural tourism development. Its contribution to rural revitalisation and sustainable tourism is equally significant, with audiences praising its immersive fusion of light, art, and nature. “Huabohui Scenic Spot has become a beacon for tech-powered cultural tourism,” added Zhou. “Together with Christie, we’ve delivered a high-precision, high-impact solution that elevates visitor engagement and drives cultural and economic growth.”
Japanese temple chooses Renkus-Heinz to deliver crystal-clear sound
The Nagoya Betsuin of the Shinshu Otani-ha is a historic temple located in Aichi Prefecture’s Nagoya City. Affectionately known as “Higashi Betsuin,” it has grown into a central place of worship in the Japanese region
since its construction in 1632. As well as hosting Buddhist ceremonies and religious events, the temple is used for exchange events and markets, making it an important meeting place for the local community. However, the building’s distinctive architecture comes with complex audio challenges, including intelligibility in the main hall.
To resolve long-standing acoustic issues and improve clarity for attendees, the Taimensho reception hall recently enjoyed a significant upgrade with the help of Renkus-Heinz distributor Beetech Inc., who installed an Iconyx Compact audio system. The reception hall is a large, traditional temple structure boasting a grand architectural style built with thick concrete. Buddhist sermons monies. As a place of reflection and religious importance for both locals and tourists, it was imperative that the new audio system reflected this significance by delivering precise sound.
Around ten years ago, the building underwent a major renovation. Original tatami flooring was replaced with carpet laid over concrete, whilst s paper screens on the sides were changed to a more durable, tear-resistant material. The renovation, along with the temple’s previous loudspeakers, caused significant issues with reflected sound from walls and ceilings. The sound-absorbing properties of the tatami flooring and shoji paper screens were lost, leading to increased sound reverberation and a significant drop in speech intelligibility when using the PA system. A substantial upgrade was necessary for the temple to continue hosting sermons and other events successfully. A representative from equipment supplier A&V Co. Ltd suggested Renkus-Heinz loudspeakers would be a suitable solution due to their narrow form factor, high performance and beam-steering technology. After conducting a successful demonstration with the Iconyx Compact Series ICC12/3, the decision was made to officially install the system. The ICC12/3 was a perfect fit due to its neat, compact
design, avoiding any potential interference with the building’s historic characteristics. The slim cabinets blend seamlessly with the venue’s pillars for minimum distraction. Its diminutive dimensions notwithstanding, the ICC12/3 delivers exceptional flexibility and directivity without sacrificing performance. The loudspeaker’s high vertical directivity can effortlessly penetrate acoustically challenging spaces such as the temple. A representative from the temple explained, “With the introduction of the ICC12/3 system, we were able to deliver sound evenly throughout the room with minimal power. This reduced the need for excessive output to the rear, effectively helping to control reverberation. Since the installation, there have been no complaints during the daily Buddhist sermons. I believe those involved in the setup and tuning worked very hard, and I sincerely appreciate their efforts.”
Where the temple’s previous sound system used portable loudspeakers, the new fixed installation needed to be mounted on the pillars. Due to the temple’s unique architectural design and structural limitations, installation locations were highly restricted and required careful consideration to achieve optimal audio performance. To address these concerns, the installation team designed custom mounting brackets that allowed the loudspeakers to be positioned with maximum precision. The brackets were also engineered to be almost invisible behind the array, ensuring minimal disruption to the hall’s traditional appearance.
Hanging the speakers from the front pillars raised concerns about potential sound distortion; however, utilizing the ICC12/3’s beam-steering technology guaranteed minimal reverberation. The technology allowed integrators to freely adjust the output sound angle, allowing precise control over the focus and therefore minimizing echoes around the pillars. The result is exceptionally clear sound throughout the hall, allowing all attendees to hear lectures and speeches with crisp clarity.
Furthermore, Renkus-Heinz’s RHAON II software’s 8-band equalizer was used to adjust the acoustics to match the existing system for input devices such as wireless microphones and mixers, creating an optimal acoustic environment whilst maintaining seamless integration. Three months after installation, the local sound engineer was delighted to report that the Renkus-Heinz ICC12/3 sound system had vastly improved the experience for both attendees and lecturers. “The lecturers are extremely pleased with the results,” he notes. “The issues we faced have been resolved, and we are highly satisfied.”
Higashi Betsuin is now equipped to host a multitude of events, from Buddhist ceremonies to other religious proceedings, with an exceptional Renkus-Heinz audio system that ensures every word is heard clearly. Visitors to the historic temple can now focus on enjoying their experience without the distraction of sound distortion and reverberation. Advanced Iconyx beam-steering technology was the perfect match for such a complex and architecturally sensitive space, bringing exceptional audio performance and directivity to this culturally important venue.
ZetaDisplay strengthens UK presence with senior appointments
ZetaDisplay is deepening its commitment to the UK market with the formal launch of a dedicated UK division, underscoring its strategic intent to scale operations in one of Europe’s most innovative and opportunity-rich regions for digital signage. Building on the foundation of its 2024 acquisition of Beyond Digital, this expansion represents a critical step in the company’s mission to deliver intelligent, insight-led digital signage solutions across key sectors such as retail, transportation and corporate environments.
The UK leadership team is led by Mick Tooley, who joins as Managing Director. Tooley brings extensive experience in digital transformation and enterprise engagement across blue-chip brands in the consumer, healthcare and gaming industries. His strategic vision will focus on expanding market share, delivering commercial growth and advancing ZetaDisplay’s suite of intelligent signage solutions. David Cowell, a seasoned AV/IT professional with deep industry insight, has been appointed Senior Business Development Manager. Cowell will spearhead new partnerships and drive innovation-led growth, particularly in retail, automotive, fashion and corporate verticals. His remit includes showcasing the transformative potential of digital sig-
nage in creating meaningful brand interactions. Rob Sawyers joins as Operations Director, bringing over 15 years of experience in AV, SaaS, and digital signage project delivery. With a proven track record launching and scaling UK divisions for European technology companies, Sawyers will work in close collaboration with ZetaDisplay’s European operations to enhance technical infrastructure, elevate service delivery and streamline customer support.
The leadership trio will work alongside Dan Shaw, who continues as Creative Director, Michael Thompson, who continues as Technical Solutions Architect and the wider UK team of talented professionals with many years of industry experience in delivering end-to-end digital signage solutions. From concept to completion, at the heart of the UK team are experts who specialise in every stage of the process including creative design, strategic planning installation and ongoing maintenance, ensuring the creative excellence at the core of ZetaDisplay’s full-service proposition is retained and evolved.
ZetaDisplay’s UK division inherits long-standing relationships with marquee clients, including Greggs, the UK’s largest food on the go chain. With a network of over 12,000 digital screens installed across 2,500+ sites, ZetaDisplay enables Greggs to deliver dynamic, real-time menu content and brand messaging from high streets to motorway service stations. Additional clients include Jaguar Land Rover, Lotus, Tortilla, and Swissport, each representing ZetaDisplay’s trusted status as a partner of choice for enterprise-level deployments. Anders Olin, President and CEO of ZetaDisplay, commented: “These strategic appointments reflect our ongoing investment in the UK and reaffirm our commitment to being the leading provider of full-service digital signage solutions. The new leadership team brings a wealth of expertise and a shared passion for innovation that will be pivotal as we expand our offering and deliver value-driven digital experiences across the UK market.
Nextlane appoints Bobby Brown as Chief Customer Officer
Nextlane has announced the appointment of Bobby Brown as Chief Customer Officer (CCO). With over 25 years of leadership in customer success, global operations, and post-sales strategy, Bobby brings a wealth of experience from Silicon Valley’s most innovative tech companies to accelerate customer success at Nextlane. Prior to joining Nextlane, Bobby served as Global Vice President of Customer Experience at Bird (formerly MessageBird), where he built a scalable and data-driven customer framework, supporting clients ranging from self-serve SMBs to global enterprises. He previously held leadership roles at Twilio and was also a founding team member of Google News. Bobby has a proven track record of helping businesses deliver customer experiences that drive retention, product adoption, and long-term loyalty. “Nextlane’s vision and product portfolio present a rare opportunity to redefine how customers experience value in this space,” said Brown. “What stood out to me most was the alignment I felt on building high-impact teams and culture, as well as the scale of opportunity across the automotive software landscape. I’m excited to apply what I’ve learned from fast-paced, disruptive environments to help Nextlane customers succeed at every stage of their journey.”
As CCO, Bobby will focus on scaling Nextlane’s postsales organisation to deliver consistent, repeatable, and first-class customer experiences across Europe and beyond. His approach is grounded in data-driven decision-making, operational excellence, and empowering teams to innovate and collaborate, all to better serve Nextlane clients. “Bobby’s deep understanding of global customer dynamics and proven ability to build customer-first organizations will play a pivotal role in our next phase of growth,” said Hartmut Wagner, CEO of Nextlane. “His leadership will help us deliver even greater value to our customers and strengthen our position as the preferred digital partner for the automotive industry.” Nextlane welcomes Bobby to the team and looks forward to the energy, empathy, and expertise he brings in shaping the future of customer success in the automotive industry.
Solstice AV appoints Louise Abbey as Marketing Director
Solstice AV has announced the latest addition to its ever-strengthening leadership team, with the appointment of Louise Abbey as the company’s new Marketing Director. Signalling another important landmark in Solstice AV’s growth strategy and market ambitions, Louise brings more than 20 years of accomplished B2B marketing knowledge and experience to the company, having held senior positions across vendor, distributor, and reseller organisations operating in the fast-paced ICT sector.
With a strong track record of building scalable marketing functions that drive business growth and channel engagement, Louise will lead the company’s marketing
strategy, working as a key advisor to the board and collaborating with Solstice’s vendor and reseller partners to unlock new opportunities and drive mutual profitability. Based at Solstice AV’s Gloucestershire headquarters, Louise’s appointment follows recent milestones for Solstice AV, including the recent appointment of Chris Ball as Chief Finance & Operating Officer at Solstice AV, plus
Nextlane has announced the appointment of Bobby Brown as Chief Customer Officer (CCO)
Solstice AV has announced the latest addition to its ever-strengthening leadership team, with the appointment of Louise Abbey as the company’s new Marketing Director.
UK distribution partnerships with LED display leader LianTronics and interactive technology provider i3CONNECT – further enhancing the value offered to UK resellers.
Commenting on her appointment, Louise said: “I’m excited to be joining such a dynamic, service-led business. Solstice AV is building something special, combining technical excellence with a genuine commitment to its partners. I’m looking forward to contributing to the next phase of growth.” Chris Ball, to whom Louise will report, added: “Louise’s appointment is a key milestone for us. Her energy, expertise, and strategic mindset will be invaluable as we scale. We’re delighted to welcome her to the Solstice team.”
Dalet appoints Tamara Saunders as Chief Financial Officer
Dalet has announced the appointment of Tamara Saunders as Chief Financial Officer (CFO). Tamara brings nearly 30 years of expertise in enterprise technology and financial strategy, making her well-suited to support Dalet’s next phase of growth and innovation. Saunders’ career encompasses leadership roles at global technology companies, including extensive experience guiding financial strategies in high-growth, international environments. Her ability to build cohesive, results-driven teams and align operations with corporate goals has earned her a reputation as a forward-looking, strategic leader.
“Tamara brings a wealth of financial expertise, operational insight, and a proven record in driving transformation across complex organizations,” said Santiago Solanas, CEO of Dalet. “She embodies the modern CFO, playing a pivotal role in shaping strategy, fostering collaboration, and creating sustainable value for all stakeholders. We are thrilled to have her join Dalet’s executive team as we continue our focus on innovation, customer success, and operational excellence.”
Tamara will lead Dalet’s global financial operations, overseeing critical areas such as financial planning, risk management, and organizational development. She will also serve as a key liaison with Dalet’s Board of Directors and investors, ensuring transparency and alignment as the company pursues its strategic objectives. Her leadership will be instrumental in aligning Dalet’s financial strategies with its long-term goals, empowering teams to deliver impactful results and strengthening its position as an industry leader.
“In today’s fast-evolving industry, financial leadership is not just about numbers, it’s about creating frameworks that enable agility and innovation,” said Tamara Saunders. “I am excited to join Dalet at such a pivotal time in its growth. The opportunity to collaborate across disciplines as we drive value for our customers and continue building a strong foundation for the future is deeply inspiring.”
This appointment reinforces Dalet’s commitment to assembling a leadership team equipped to navigate the evolving media technology landscape and capitalize on emerging opportunities.
PPDS announces appointment of Marco van der Knaap
PPDS has announced the appointment of highly experienced and globally accomplished AV/IT specialist Marco van der Knaap as its new Global Product Manager of Philips LED displays. With a 25 year career dedicated almost exclusively to LED, Marco is one of the AV industry’s most respected and sought after talents. He will support the team in navigating the highly competitive marketplace, continuing to position the expanding Philips direct view LED displays range in line with PPDS’ global strategy and growth ambitions.
Based in Amsterdam and reporting to Jeroen Brants, Global Product Director for LED at PPDS, Marco brings a new dimension of invaluable and enviable knowledge to PPDS’ ever strengthening team. His credentials boast a proven track record in leading high-performance teams and executing complex digital and sales transformation initiatives to deliver exponential growth at some of the industry leading LED technology brands. This included, at one previous global company, achieving a remarkable 500% revenue growth while optimising operational costs.
Reinforcing PPDS’ commitment to expanding its market presence and enhancing customer value and experiences – pre, during and post installation – Marco will support PPDS’ indoor and outdoor dvLED sales teams globally. Leveraging his deep technical expertise, while also utilising his skills in product management, busi-
Dalet has announced the appointment of Tamara Saunders as Chief Financial Officer (CFO).
PPDS has announced the appointment of highly experienced and globally accomplished AV/IT specialist Marco van der Knaap as its new Global Product Manager of Philips LED displays
ness development, marketing, sales, strategy and operations, Marco’s role will include increasing awareness of Philips indoor and outdoor LED line up and delivering tailored solutions (including hardware and software) to meet the evolving and unique needs of customers across a broad spectrum of market verticals. These include retail, broadcast, public venues including sports and stadia, corporate, education, hospitality, transportation, and many more.
Commenting on his appointment, Marco commented: “I am thrilled to join PPDS and to take on the responsibility of growing the Philips LED business. With Philips’ strong brand presence and the support of an exceptional team, I see tremendous potential to deliver ever more innovative solutions that exceed customer expectations worldwide. PPDS shares an unparalleled commitment to bringing innovative and often world first solutions, delivering unforgettable customer experiences that continue well beyond installation.”
Jeroen Brants added: “We are delighted to welcome Marco to the PPDS family. His extensive experience and strategic mindset will be invaluable in driving our global direct view LED business forward and ensuring we continue to deliver industry leading solutions for our customers.”
AbsenLive thrives with dynamic UK team expansion
AbsenLive, a sub-category brand of leading LED manufacturer Absen, is delighted to announce the appointment of Murray Scott to its growing UK team and in the
process bolster its rental services and solutions for the events, virtual production, and broadcasting sectors. Murray joins as Business Development Manager for the UK and Ireland. He brings with him a wealth of experience in sales and purchasing, having dedicated 30 years to both FMCG and independent businesses. His most recent experience involves working with transparent LED for the retail and rental LED market, making him an asset to Absen and its innovative growth plans. Within his new role, Murray will foster long-term partnerships with clients, ensuring their needs are met and exceeded. His extensive expertise will strengthen Absen’s regional team, focusing on progression, new products, and exceptional client support, all contributing to the expansion of the AbsenLive division. “I’m eager to embark on this new chapter in the world of rental and staging LED,” says Murray. “I was drawn to Absen by its outstanding product range and the exceptional support provided by the teams in the UK, Europe, and China. I look forward to showcasing Absen’s extensive solutions, demonstrating its capabilities to our customers, and seeing our LED in action across existing and upcoming projects.”
In recent times, Absen has focused on advancing LED display technology for the live events and virtual production market. The company recognised a need for high-performance, versatile, and user-friendly LED solutions that could meet the demands of immersive visual experiences. This led to the creation of AbsenLive, a brand dedicated to the high-end rental and staging market, as well as virtual production/xR stages. “We are thrilled to welcome Murray to the AbsenLive team, highlighting our ongoing commitment to providing high-quality and pioneering solutions,” says Debbie Zheng, Managing Director of AbsenLive. “As AbsenLive goes from strength to strength, we are excited to see the positive impact he will bring to the team and our valued customers.”
EVENTS
InfoComm 2025: record-setting end user attendance
InfoComm 2025 set a show record for end user attendance, representing 35% of verified attendees. In total, the show welcomed 30,998 verified attendees from 97 countries. International attendance made up 18%. Total registrants for InfoComm 2025 reached 39,579. InfoComm 2025 hosted 817 exhibitors showcasing pro AV products and solutions across 400,100 net square feet in the West Hall of the Orange County Convention Centre. “From the moment the doors opened, the energy at InfoComm was palpable. What was most fulfilling to see was the business being done on the show floor,” said Jenn Heinold, Senior Vice President, Expositions, Americas, AVIXA, producer of InfoComm. “We were very intentional about attracting end users to the show – they are critical part of growth for the pro AV, IT, and broadcast ecosystem. They drive product enhancements from manufacturers and push for more innovative technology. Solution providers came out in full force – with product launches and interactive experiences.” The InfoComm 2025 program was vast – featuring dynamic speakers, education, networking events, and certification exams. On Wednesday morning, Dang Ly of Universal Destinations & Experiences, Jeff Zabel of Amazon Web Services (AWS), and moderator Todd Hougland of Ripley Entertainment discussed the rising demand for immersive, personalised experiences that blend the digital and physical worlds, like Universal’s Epic Universe. They shared the critical role that cloud infrastructure and AI-powered intelligence plays in driving these experiences.
Brad Hintze from Crestron, Eric Hutto of Diversified, Christine Schyvinck from Shure, Jason Antinori from TELUS, and David Labuskes, CEO of AVIXA, took the stage on Thursday for a discussion on the future of AV, covering topics from the workplace to collaboration, standards, and AI. Also on Thursday, the AVIXA Women’s Breakfast drew hundreds of attendees to celebrate
the of accomplishments of women in pro AV. Technologist Noelle Russell, founder and chief AI officer of the AI Leadership Institute, provided the keynote “Scaling Responsible AI: From Enthusiasm to Execution,” sharing stories from her career, which includes roles with AWS and Microsoft.
Also at the show, several attendees took the Certified Technology Specialist (CTS) and Audiovisual Network Professional (ANP) exams. A total of 121 attendees earned their CTS at the show – 78 earned their CTS, 22 attained CTS-D (Design), and 21 attained CTS-I (Installation). The total number of CTS holders is now over 14,800. In addition, 10 attendees earned their Audiovisual Network Professional (ANP) certification, bringing the total number of ANP certification holders to 230.
“It was evident this year that the future of the pro AV industry is created here,” said David Labuskes, CTS, CAE, RCDD, CEO of AVIXA. “The importance of InfoComm is directly reflected by the quality of attendees who brought their questions and needs to our amazing exhibitor presence.”
CEDIA Expo/Commercial Integrator Expo (CIX)
The Destination for Integrators and Designers Systems integrators, tech managers, designers, and architects serving the residential, commercial, and resimercial markets are challenged to make the most of their time and resources. It’s for this reason that many look to CEDIA Expo/Commercial Integrator Expo (CIX) as the optimal event at which to see the brands and products they’ll use on their next projects, gain the business and technology insights to guide their strategies and meet like-minded peers navigating the same business issues in their careers. The one-of-a-kind expo takes place in Denver from September 3-6 this year, and registration is now open.
“The demands of business can pull systems integrators and designers in many directions at once,” explains Jason McGraw, Group Vice President of Emerald Expositions, the owner and organizer of CEDIA Expo/CIX. “Projects, planning, and business development are the core functions of integrators and designers, so having one show where they can see everything and meet everyone is an efficient use of their time. This is why we originally co-located the CEDIA Expo/Commercial Integrator Expo, and this year, we are taking it a step further with a fully combined event featuring cohesive branding, a central website and social media platforms, and a shared registration process. We’re already receiving a lot of positive feedback about the event!
