AV News July 2024

JUNE 2024

July 2024

In this Issue

InfoComm 2024: collaboration takes centre stage Boom’s ultra-portable conferencing solution In this issue

AV and sustainable public transport Exertis parent DCC year-end results

InfoComm 2024 – a show of many layers

InfoComm 2024, June 8-14 in Las Vegas, Nevada, delivered a wide-ranging show for pro AV professionals around the world – from an ‘evening at sphere] to a vast education program and more than 800 exhibitors. “There were so many layers to InfoComm, which allowed each participant to select a unique path. Professional development, technology demonstrations, networking, and experiential AV at sites around Las Vegas – it was all here in one place for a week,” said David Labuskes, CTS, CAE, RCDD, CEO of AVIXA. “InfoComm is a high-energy, busy week for thousands of people that sparks innovations, creates connections, and makes lasting memories.”

Total registrants for InfoComm 2024 reached 36,967. The show welcomed 30,271 verified attendees from 125 countries – post-COVID show records. International attendance made up 23% of the total. In addition, of non-exhibitor attendees, 71% were from the pro AV channel and 29% were end users. InfoComm 2024 hosted 833 exhibitors showcasing pro AV products and solutions across 407,000 net square feet in the West and Central Halls of the Las Vegas Convention Centre.

On Tues., June 11, the day before the trade show floor opened, InfoComm welcomed more than 2,600 pro AV professionals for An Evening at Sphere for

InfoComm 2024 hosted 833 exhibitors showcasing pro AV products and solutions across 407,000 net square feet in the West and Central Halls of the Las Vegas Convention Centre.

an unforgettable experience to witness AV at its finest, the perfect way to kick off InfoComm 2024. Joe Pham, Chairman and CEO of QSC | Q-SYS, presented the keynote “Everything Has Changed: AV’s Infinite Potential in an Exponential Age.” Pham spoke to a room of more than 600 attendees about the massive opportunity AI brings to the pro AV industry.

Danielle Feinberg, Visual Effects Supervisor at Pixar Animation Studios, delivered the keynote at the 10th annual AVIXA Women’s Breakfast to a crowd of more than 350 attendees. She shared stories from her more than 25-year career at Pixar, including being a part of the studio’s first all-female leadership team for the film Turning Red. The second in-person edition of Congreso AVIXA, presented in Spanish, delved into crucial business topics, from the importance of creative thinking, companies’ adaptability to constant change, the flexibility required to adjust internal processes to maintain business efficiency, and the diverse strategies that generate value in the audiovisual industry. In addition, the Latin American Reception welcomed more than 300 attendees.

Also at the show, several attendees took the Certified Technology Specialist (CTS) exam. A total of 171 professionals earned their CTS at the show – 104 earned their CTS, 28 attained CTS-D (Design), and

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31 attained CTS-I (Installation). These numbers put CTS holders over the 14,000 mark for the first time. AVIXA debuted AVA AI, powered by Open AI, at InfoComm to help attendees navigate the show floor, education sessions, events, transportation, and more. AVA AI was built by the AVIXA IT department off OpenAI’s large language model and integrated into the show’s official app.

InfoComm 2025 takes place June 7-13 (exhibits 1114) at the Orange County Convention Centre in Orlando, Florida.

Signs of life in corporate AV display buying

PMA Research (PMA) has published their latest sellthrough tracking reports on large-format (32-inch and larger) flat panel displays being sold by leading North American distributors who typically serve commercial markets. After a slow start to the year, spending for professional flat panel display technology is on the rise.

Month-over-month, May 2024 unit volume grew nearly 10% and revenues grew more than 15% compared to April 2024. Year-over-year, May 2024 unit volume and revenues grew by single digits compared to May 2023. Some of the sales improvement is

linked to increased corporate AV spending which has been slow since the pandemic. These are welcome indicators.

98-inch non-interactive LCD displays helped to fuel the uptick. Unit sales grew +25% month-over-month and year-over-year. Most of these units went into large corporate installations, while a smaller portion were going into meeting rooms in government and higher education.

Also contributing to the boost in professional display sales were dvLED video walls. Revenues from direct-view LED displays grew more than 25% yearover-year. Custom dvLED configurations captured 57% of the volume while all-in-one bundles captured 43%. Much of this volume went to higher education in May, a segment that continues to experiment with dvLED in many open spaces and new construction projects. A smaller portion went into corporate locations for customer briefing rooms, high-profile hybrid meeting locations and lobby signage.

Month-over-month, interactive professional LCD display sales also rebounded a bit in May. With both hybrid and in-office meetings finding their post-pandemic footing, investment for interactive displays used for Unified Communication and Collaboration (UCC) is gaining ground in the corporate market again.

Month-over-month, May 2024 unit volume grew nearly 10% and revenues grew more than 15% compared to April 2024.

Kramer acquires Ashton Bentley to enhance its UCC domain

Kramer has announced the acquisition of Ashton Bentley, a UK-based provider of collaboration spaces. This acquisition is a pivotal step in Kramer’s three-year strategy, elevating its capabilities and offerings in the Unified Communication and Collaboration (UCC) domain. Ashton Bentley’s solutions will enhance Kramer’s current offerings, providing the most integrated and seamless solution in the market. This strategic move will allow Kramer to deliver a comprehensive audio-visual experience, encompassing a coherent, end to end approach to hybrid conferencing From Audio Visual enabled meeting room furniture to display mounts, alongside high-quality Audio-Visual Technology products. The acquisition of Ashton Bentley enables Kramer to offer complete meeting room solutions for enterprises in all markets. Providing fully integrated “out of the box” meeting room solutions, ensuring consistent, top-notch hybrid meeting spaces globally. Ashton Bentley’s solutions are designed for simplicity, efficiency and scalability. Their intuitive installation process reduces the time and cost of setup from days to just a few hours. This ease of use is a testament to the deep integration knowledge and firsthand experience of Ashton Bentley’s leadership. The unique blend of diverse perspectives from their team, combined with a thorough understanding of the challenges faced by system integrators and the needs of global enterprises, has resulted in the most user-friendly and easy-to-install AV solutions available.

The combined forces of Ashton Bentley and Kramer will further enhance customer experience and extend it to companies around the globe. By

Gilad Yron, CEO of Kramer: “This acquisition is another milestone in our investment and commitment to the unified communication and collaboration ecosystem.

combining our strengths, we are poised to elevate the standards of AV solutions and deliver substantial value to our customers. Gilad Yron, CEO of Kramer, commented on the acquisition: “We are thrilled to welcome the Ashton Bentley team to the Kramer family. This acquisition is another milestone in our investment and commitment to the unified communication and collaboration ecosystem. The Ashton Bentley ‘out of the box’ solution, alongside Kramer’s broad portfolio, offers a unique, fully integrated solution to further enhance the hybrid meeting experience. Any acquisition is about the people. I’m convinced that the cultural fit, enthusiasm, and passion the Ashton Bentley team brings will be an outstanding addition to the Kramer family.”

Roger McArdell, Roger Vinton and Tony Leedham, founders of Ashton Bentley, expressed their enthusiasm: “Joining forces with Kramer presents an exciting opportunity for Ashton Bentley. Kramer’s global market reach and product synergies will enable us to bring our innovative solutions to a broader audience. The whole team are looking forward to contributing to Kramer’s vision and continuing to push the boundaries of AV technology in the UCC domain.” reduce the total cost of ownership.

Midwich distribution deal with Hive

Midwich has signed a distribution deal with Hive, the manufacturer of scalable media servers that suit any size project. This exclusive agreement allows Midwich and PSCo to offer Hive’s full range of products in the UK and Ireland and launched at their Beyond the Pixel’ event. Hive’s sales director, Nigel Sadler, business development manager, Sarah Cox, and co-founder/managing director, Mark Calvert, will be available in-person at the event to deliver presentations and demonstrations of their product line to attendees.

The Beehive, Beebox, and Beeblade products create a flexible and scalable media control ecosystem to power complex and creative visuals in a variety of applications including immersive exhibitions, galleries and museums, live shows, theme parks and high impact advertising. Hive has been designed from the ground up on a Linux operating system, to provide rock solid reliable high-performance playback, intuitive ease of use, low power consumption meeting very high standards of sustainability throughout the product, company, and deployment process. This is central to the company’s ethos and is supported by their tagline, ‘ingenious by nature’.

Midwich has signed a distribution deal with Hive, the manufacturer of scalable media servers that suit any size project including the Frameless – London’s first digital gallery.

Lloyd Platt, business manager at Midwich, said: “We’re thrilled to welcome Hive’s full product offering to our portfolio. We pride ourselves on the service we provide our partners and for Hive to choose us as their distribution partner in the UK&I is immensely exciting. Mark Calvert, managing director at Hive, added: “We are very happy to join the Midwich Group for exclusive distribution of our entire product range within the UK and Northern Ireland. Midwich sales, marketing and first line support reach enables Hive to remain focused on our core development and growth strategies and equally agile and affordable in the AV Market. We are grateful to the UK Midwich team for their eagerness to represent our product and brand.” Hive was founded by Dave Green, Trey Harrison and Mark Calvert, who have together delivered video systems for global projects including the BBC Earth Experience, Frameless London, Luna Park Theme Park, Bees at World Museum, London 2012 Olympics, Tokyo Olympics, Dubai World Expo, Eric Prydz’s HOLO, Coldplay World Tours, and the National Museum of Qatar.

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Lightware and Lenovo collaborate on

Microsoft Teams Rooms

Lightware Visual Engineering has announced a collaboration with Lenovo to combine Lightware’s advanced Taurus devices and LARA control software with Lenovo’s ThinkSmart solutions for Microsoft Teams Rooms (MTR). The joint solutions are designed to set new standards for collaboration technology by providing seamless integration, enhanced functionality, and user experience across modern meeting room environments.

Lenovo offers a wide range of Unified Communication (UC) solutions for meeting rooms of all sizes, including its ThinkSmart Full Room Kit MTR bundle. This package includes the core computer, control interface, AI-based camera and smart soundbar with microphones, along with Premier Support and premium remote manageability software. By integrating this technology with Lightware’s Taurus series hybrid matrix switchers and built-in Lightware Advanced Room Automation (LARA) control software, users can unlock the full potential of their Lenovo Microsoft Teams Rooms infrastructure. This includes routing video and USB signals and enables Bring Your Own Device (BYOD) peripherals to connect to the MTR system. After a BYOD call, Taurus automatically switches the video and peripherals back to the MTR system.

In addition, Taurus expands the number of sources that can be integrated with the Lenovo MTR system, supporting USB-C and classic HDMI+USB connections. The Lightware Companion App, installed on the Lenovo core, also provides real-time call status feedback to LARA, enabling smart logic functions, automatic switching, and routing with or without user interaction. Taurus can also act as a central room controller, with the user interface running inside LARA and presented on the Lenovo display. This enables users to access room control functions, such as volume, lighting, projector/display and many more.

“Lightware is excited to collaborate with Lenovo to enhance meeting room experiences. Our Taurus series and LARA software bring seamless integration and advanced functionality to Lenovo’s ThinkSmart meeting room solutions,” commented Gergely Vida, CEO of Lightware. “Together, we are setting new standards for collaboration technology.”

“Lenovo is collaborating with Lightware to enhance the capabilities of ThinkSmart solutions for Microsoft Teams Rooms over Windows,” said Andrea Recupero, Smart Collaboration EMEA Director. “By adding the capabilities provided by Taurus.

A+K official UK distributor for PointGrab workspace sensors

Anders+Kern has announced a new distribution agreement with PointGrab, a pioneer in AI based smart sensor technology. Through this partnership, Anders+Kern will offer PointGrab’s innovative Sensor Data System, including the industry-leading CogniPoint sensor, to AV and IT resellers across the UK.

“We are excited to take our longstanding relationship with PointGrab to the next level,” said Barrie Meehan, Managing Director at Anders+Kern. “As official distributors, we can bring their industry-leading sensor technology to a wider audience. PointGrab’s CogniPoint sensor, for example, offers a unique combination of high-resolution imaging, sensing, and artificial intelligence, making it ideal for enhancing collaboration and productivity in modern workspaces. This innovative sensor goes beyond simple people counting to provide valuable data on movement patterns, usage ratios, and even object detection.”

PointGrab’s smart sensors provide real-time, high-fidelity data that can be used to optimise workspace layouts, improve room utilisation, and reduce operational costs. Unlike traditional sensors, PointGrab’s CogniPoint sensor leverages a powerful combination of technologies: High-Resolution Imaging: Creates a

Anders+Kern has announced a new distribution agreement with PointGrab, a pioneer in AI based smart sensor technology

detailed image of the workspace, providing insights beyond simple presence detection.

This rich data empowers businesses to make data-driven decisions about their workspaces. Imagine optimising layouts to promote collaboration, identifying underutilised areas for cost savings, or even enhancing security measures with real-time object detection. Anders+Kern’s expertise in workspace technology solutions, combined with PointGrab’s cutting-edge sensor technology, will provide customers with a powerful solution for creating smarter and more efficient workspaces.

“We are excited to partner with Anders+Kern to expand the reach of our Sensor Data System in the UK workspace technology market,” said Larry Levy, VP Customer Success & Partnerships at PointGrab. “Anders+Kern’s strong reputation and deep understanding of customer needs make them an ideal partner to help us deliver the benefits of our technology to businesses across the UK.”

Anders+Kern is a leading UK distributor of AV and workspace technology, dedicated to empowering organisations with smarter spaces and connected experiences. They deliver a comprehensive range of

innovative technologies, from cutting-edge AV solutions to IoT tools, workspace software, room and desk booking panels, and occupancy sensors, all through a network of trusted channel partners and resellers. With a commitment to excellence and customer success, Anders+Kern helps businesses of all sizes optimise their workspaces, enhance communication and collaboration, and embrace the future of work.

DirectOut introduces Commercial Audio as new distributor

DirectOut has announced that Commercial Audio Sp. z o.o. is now its exclusive distributor in Poland, providing the company’s audio solutions with a new home in Poland. Commercial Audio is a partner that shares a passion for sound and innovation and is just as committed to this ethos as DirectOut. “We are delighted to welcome Commercial Audio as our new distribution partner in Poland,” says Jan Ehrlich, Managing Director of DirectOut. “Their extensive industry knowledge and commitment to the highest quality and excellent customer service makes them the perfect partner for DirectOut. Together we want to offer our Polish customers the best audio solutions.”

Commercial Audio has established itself as a reliable partner in the professional audio industry and already provides exclusive distribution services for well-known brands such as Amadeus Active Acoustics, Solid State Logic, ATC Loudspeakers, Bose Professional, Clear-Com, Marian Audio and Harrison Audio. Commercial Audio is the ideal choice to rep-

DirectOut has announced that Commercial Audio Sp. z o.o. is now its exclusive distributor in Poland, providing the company’s audio solutions with a new home in Poland.

resent DirectOut’s products and solutions in Poland.

The professional audio solutions offered by the Polish distributor are widely used in radio and television studios, OB vans, and in recording, mastering, post-production and home studios. The company is known for its expertise in the implementation of audio signal infrastructures as well as in the provision of sound systems, which range from large stadium and concert systems to installation or portable sound systems.

“We are impressed by the professionalism and commitment that DirectOut brings to every project,” says Krzysztof Kowalewski from Commercial Audio. “Their ability to deliver customised electroacoustic and acoustic designs tailored to the individual needs and expectations of clients fits perfectly with our philosophy at Commercial Audio.” The partnership between DirectOut and Commercial Audio aims to better fulfil the needs of Polish customers and further expand its market presence in Poland.

Kinly launches XR studio to revolutionise immersive collaboration

Kinly has announced the launch of its global cutting-edge XR studio offering. As the first AV company to distribute this transformative technology on a global scale, Kinly is setting a new standard in immersive collaboration. The XR studio —unveiled at the pre-launch event at the Science Museum in London last month— is a comprehensive turnkey solution, designed to immerse users in a limitless virtual world for more dynamic and engaging experiences, bringing broadcast quality production events to the corporate and higher education market.

By replacing a green screen environment with LED video displays, the technology allows presenters to be fully immersed in digital content and virtual worlds. Users are able to see presentation content, colleagues and clients surrounding them, allowing conversations to become more natural and making subject matter content more engaging. The Kinly XR Studio environment is a limitless 360° virtual world, where hosts have complete freedom of movement and become fully immersed in their surroundings. A unique virtual set extension expands content beyond the physical LED environment, allowing the camera(s) to freely explore the virtual world, capturing a range of perspectives, or revealing additional content.

Augmented reality layers, such as 3D props, graphs or data can be incorporated alongside the presenter

Kinly has announced the launch of its global cutting-edge XR

‘on stage’, to emphasise and bring specific content to life. The presenter’s position is tracked on the XR Studio, allowing the AR graphics to appear in front or behind them as they walk around the AR graphic. Another standout feature of the XR studio is the full body human ‘teleportation’, a technology that allows remote guests to join and present as if they were physically in the XR Studio. This is achieved through keying a live stream of the remote guest into the studio — to allow the virtual remote guest to appear teleported alongside a real presenter in the room.

The Kinly XR Studio allows users to embrace the future of XR content creation in one simple solution. No technical experience or large studio team is required to produce broadcast quality output with AR graphics and extended VR sets - the XR Studio operation and content creation is managed though an intuitive user interface, operable via an iPad. When

used in a corporate environment, Kinly’s XR studio not only allows speakers to address their audience during meetings or industry events, regardless of geographical location —perfect for reducing business travel to meet sustainability goals — it also increases productivity, collaboration and idea sharing.

In the education space, the Kinly XR Studio’s interactive approach allows for enhanced remote learning. Students can explore more complex subjects such as mechanics, medicine, and engineering through 3D visualisations and real-time interaction — providing a better understanding of theoretical concepts and practical applications. This creates a superior experience compared to simple presentation calls.

Commenting on the launch, Simon Watson, Kinly’s global head of innovation said: “I am excited to launch our new XR studio offering. Not only is it a testament to Kinly’s unwavering commitment to innovation and

excellence, this cutting-edge technology also represents a significant step forward in immersive collaboration — providing our clients with unparalleled tools to transform the way they communicate and engage. Combining Kinly’s mature AV managed service offering with the innovative capabilities of Studio XR is what truly sets this solution apart. By integrating advanced VR, LED, and tracking technologies, we are not only enhancing the user experience but also paving the way for more sustainable and efficient business practices.”

Simon continued: “Kinly has an invested focus on immersive collaboration technology and will continue to add to its portfolio. Our XR solutions are designed to meet the diverse needs of various sectors, from education to corporate environments, and we are excited to see the profound impact they will have.”

studio offering.

AV in the art gallery?

Ever heard of ‘Beeple’ (or Mike Winkelmann as his birth certificate states)? As ‘Beegle’, Winkelmann is acknowledged as a pioneer in the digital art world, with his best-known work the NFT artwork “Everydays: The First 5000 Days” selling for $69 million at Christie’s in 2021. Beegle unfamiliar, how about ‘Pak’? You could be forgiven for not knowing this anonymous digital artist, whose work also explores the boundaries of digital art and NFTs. The artist’s minimalist and geometric NFT project “The Merge” sold for $91.8 million. Like many digital artists, Beegle and Pak are making significant impacts through their unique styles and innovative approaches. But if you consider audience size the measure of success for digital art shows, it is digital reproductions of the

traditional art masters that really attract the big audiences – even to digital reproductions of work in traditional media.

While the artists Beeple and Pak represent a tiny fraction of the talent engaged in the contemporary digital art world, with each bringing their distinct vision and pushing the boundaries of what digital art can achieve. But for attracting really big audiences to art, we have to turn to reproductions of well-known oil paintings. To add something extra to standard reproductions of such masterpieces. high fidelity image capture requires advanced AV technology. But that’s not all; white current visual technologies can both capture and display the fine details, textures, and colours of original artworks, new and emerging technologies can be applied to make enjoyment of the work truly immersive.

Image capture

Capturing high resolution “D and even 3D images id relatively straightforward with today’s technology. High-resolution digital cameras, such as those from Hasselblad or Phase One, can be used for capturing the intricate details and textures of oil paintings. These cameras can offer resolutions up to 100 megapixels or more, ensuring that even the smallest brushstrokes are visible. Gigapixel imaging involves

By Rue Parrish

stitching together multiple high-resolution images to create a single, extremely detailed image that can be zoomed into without losing clarity. This is particularly useful for very large paintings.

Colour accuracy is of paramount importance when creating facsimile digital versions of an iconic artwork. To this end, spectral imaging captures information across different wavelengths of light, which helps in accurately reproducing the colours of the painting. This technology can be used to create a colour profile that matches the original as closely as possible. As a further safe-guarding measure, devices such as colorimeters and spectrophotometers ensure that the colours captured by the camera and displayed on monitors are consistent with the original painting. Using multiple photographs taken from different angles, photogrammetry software can create a 3D model of the painting.

3D laser scanning provides an alternative to image capture with a camera. Scanning can capture the topography of the painting, including its texture and any raised brushstrokes or ‘impasto’. The 3D data can be combined with high-resolution images to create a detailed digital reproduction.

Choosing the right display

Having captured accurate images of the artwork an equally important consideration is the nature of the display technology. Ultra-high-definition displays are crucial for viewing digital reproductions of paintings. These monitors offer the resolution needed to see fine details and colour variations. OLED and MicroLED display technologies provide superior colour

accuracy, contrast, and brightness, making them ideal for reproducing the vividness of oil paintings.

Increasingly, Augmented Reality (AR) and Virtual Reality (VR) are being used to supplement images of artwork. AR and VR can create immersive experiences where viewers can explore detailed reproductions of oil paintings in a virtual space. This can be especially useful for educational purposes and virtual gallery tours. For the ultimate viewing experience, holographic displays can present a 3D image of the painting, providing depth and texture that is closer to the actual experience of viewing the original artwork.

The ultimate viewing experience?

For the best results, a combination of all the above technologies is often used. For instance, high-resolution imaging combined with 3D scanning and spectral imaging can ve used to create a comprehensive digital representation of an oil painting. This digital data can then be viewed on high-quality displays or projectors to produce engaging and accurate reproductions.

Therefore. the ‘best’ AV technology for reproducing oil paintings is probably not a single technology but a combination of several, each contributing to capturing different aspects of the artwork. High-resolution cameras, spectral imaging, 3D scanning, and high-quality displays work together to ensure that reproductions are as close to the original paintings as possible in terms of detail, colour accuracy, and texture.

s the industry for immersive cultural experiences booms, a new venue focusing on the display of largescale digital works of art will open in London this autumn. The multi-sensory immersive art experience

will be largest in the UK, its organisers say. Frameless, as the cultural attraction is to be known, will be housed in a newly redeveloped tower complex in Marble Arch and will occupy a 30,000 sq. ft space across two floors, for which it has a 15-year lease. Digital renditions of works by artists including Cezanne, Kandinsky, Monet, Canaletto, Rembrandt and Klimt will be projected using 4K resolution technology across the space’s walls, floors and ceilings. The organisers of Frameless promise the experience will be “highly Instagrammable”, and its chief executive Richard Relton says that he hopes for the venue to become “a top-ten ticketed London attraction”.

Van Gogh’s masterpieces made immersive with projection

One of the most successful art / AV interactions in recent years was realised by Lighthouse Immersive and Foster Entertainment in 2021. The digital recreation ‘Immersive Van Gogh’ was staged, for the first time, in Las Vegas. The visually striking exhibition encourages guests to experience the awe-inspiring works of post-Impressionist artist Vincent van Gogh through 500,000 cubic feet of immersive projections, featuring 60,600 frames of video and 90,000,000 pixels.

The Las Vegas site was the company’s ninth location, following the successful on-going and soldout exhibits in Toronto, CAN, San Francisco, and Chicago, with additional productions scheduled to

open in Los Angeles and Dallas. Two factors were immediately apparent. Firs, unlike the original paintings which are generally restricted to a single, unique location, a digital showing cab appear in several locations simultaneously. From a commercial perspective, where it is often free or very low coat to visit the original artwork, tickets for the digital show sold at prices ranging from $59.99 and above in comparison to a visit to Amsterdam’s Van Goch Museum which charges Euros 22 for over 18s to see their collection of Van Goch originals.

Aside from the medium in which the works are presented, the other differences are 1. Curation and 2. value added resources available to visitors. The digital exhibition is very much a ‘greatest hits’ showing of the artist’s work, with originals currently scattered across the globe, inviting audiences to step inside paintings and objects evoking Van Goch’s, highly emotional and chaotic inner consciousness through art, light, music, movement, and imagination. Featuring towering projections that illuminate the mind of the artistic genius, the exhibition features a curated selection of images from Van Gogh’s 2,000+ lifetime catalogue of work, including Mangeurs de Pommes de Terre (The Potato Eaters, 1885), Nuit étoilée (Starry Night, 1889), Les Tournesols (Sunflowers, 1888), and La Chambre à coucher (The Bedroom, 1889). Paintings are presented as to how the artist first saw the scenes, based on an active life and moving landscapes turned into sharp yet sweeping brush strokes. Visitors can enjoy an hour-long, timed-entry, walk-

through experience is designed with health and safety as a priority. Capacity is limited in accordance with the City of Las Vegas’ safety protocols. Additional safety precautions include touchless ticket-taking, temperature checks upon arrival, hand sanitizer stations, social distancing markers throughout the venue, and digitally projected social distancing circles on the gallery floors to ensure appropriate spacing. Designed by Creative Director and Italian film producer Massimiliano Siccardi, ‘Immersive Van Gogh’ contains original, mood-setting music by Italian multimedia composer Luca Longobardi and Vittorio Guidotti as the Art Director. Siccardi immersive productions in Paris have been seen by over 2 million visitors and were featured on the Netflix TV show “Emily in Paris,” episode 5. Co-Producer, Svetlana Dvoretsky said:

“Over 200,000 guests have seen ‘Immersive Van Gogh’ in small, socially distanced safe groups. It is an honour to bring the arts back into peoples’ lives during these times,” added Co-Producer, Corey Ross.

“Despite being unknown throughout his life, Van Gogh’s artwork has created a lasting impact through its emotional richness and simple beauty,” said Massimiliano Siccardi, ‘Immersive Van Gogh’ designer.

“Both myself and Luca Longobardi are very excited to visit Las Vegas and once again bring Van Gogh’s legacy to life in a way that is unique to the city.”

Following its successful US launch, ‘Immersive Van Gogh’ has had UK showings in London, Liverpool, Glasgow and the Birmingham NEC.

When Lighthouse Immersive undertook the task

of reimagining an immersive exhibit highlighting the works of post-impressionist Dutch artist Vincent van Gogh, their first job became finding the perfect space.

Once the group made arrangements to house the exhibit in the Toronto Star building, a historic location with deep ties to the greater Toronto community, the team would begin to make plans for the next stage of the project: Designing a setup consisting of a series of projectors that would work in tandem to transform the floors and walls of the industrial space. The finished exhibit would immerse visitors into the works of Van Gogh from every angle.

To achieve this impact, the exhibit had to be designed around the exact specifications of the 11,000 square foot space of the Toronto Star building, according to Lighthouse Immersive Co-Founder and Producer Corey Ross. One of the things that separates this experience from other exhibits, he says, was the way his team eschewed the traditional method of putting up temporary walls or screens for the projections. In this exhibit, the walls, pillars and floors - all made of metal, brick and concrete - are themselves the canvass for the imagery.

Design and build an immersive exhibit based on the artwork of Vincent van Gogh that completely transforms the interior of the host location by creating a 360-degree experience for visitors. To achieve the effect, the room must be fitted with projectors mapped to the walls that can provide enough precision and detail to create a single, large and seamless image.

Utilizing 53 Panasonic PTRZ770 laser projectors

FEATURE

and an internal network, the Lighthouse Immersive team created a mosaic of images that come together to create a wholly immersive, 360-degree experience. By utilizing the projector’s Edge Blending and Colour Matching feature, the team was able to match the edges of the individual projectors and create large smooth and seamless images.

Opening amid the Covid-19 pandemic, the Lighthouse Immersive team created a second, drivethrough experience, which required an additional 53 projectors and operates in tandem with the traditional walk-in experience. Both exhibits create an immersive experience for visitors and have sold out through their initial run, which has since received glowing reviews in online forums. Lighthouse Immersive has also reported minimal maintenance and upkeep required since the exhibit has opened. Sean Richards, Project Manager at Lighthouse Immersive, worked to make these creative concepts a physical reality from a technical standpoint. With 25 years of experience in stage and event design, creating a grid from which projectors could be fastened was the easy part. The hardest part would be designing a layout of projectors that could map to the walls of the building.

To develop the exhibit, Lighthouse Immersive worked with the creative and artistic teams from Europe, and both groups knew the goal of creating a truly immersive experience left little to no room for imprecision. After developing the plans that would allow the team to map the images to the walls, floors and columns of the Toronto Star building, they began looking for projection solutions that would best fulfil these plans. Based on the level of precision needed - and other considerations such as energy usage, heat and durability the team agreed that laser projectors were a better solution than lamp-based alternatives. The design called for 53 projectors to be run in tandem to create images that are 26 feet high and up to 170 feet wide across the building’s walls and columns. Ultimately, the team decided to utilize the projectors in portrait mode - as opposed to landscape - to achieve the image height in these designs. This meant finding projectors with flexible installation, superior side-shifting and edge-blending to create the desired immersive impact.

When utilizing side-shifting, the projector is placed at the top of an image, and the optics are shifted to project the image without distortion. Using the Panasonic PTRZ770 projectors, the team at Lighthouse Immersive was able to maximize the shift, utilizing the 360- degree free installation feature and have the projectors at a maximum downward angle of six degrees with the projector five meters from the wall. This flexibility enables projection from virtually any angle. “That is a pretty impressive amount of

side-shifting considering we’re using the projectors in portrait mode,” Richards says. “I would’ve expected that in landscape, but that’s a very long image in portrait mode considering the lens is practically at the top of the image and the projector is fairly close to the wall.”

Beyond simply side-shifting, these images need to blend at the seams since each projector’s image is a single piece of the whole experience. With such extensive side-shifting, Richards says the concern becomes a distortion of the images’ edges in the form of softening. These softer edges would make it impossible to blend these separate images seamlessly and impact the overall immersion of the experience. “The good thing is that each projector was precise and sharp in the same way,” Richards says. “I would imagine there would be a degree of variation in a [lamp projector] - and that could even change over time. It would make it impossible to use the edges of the image because it wouldn’t be precise enough.”

As valuable as the projection hardware was in making these images possible, Richards says the access to Panasonic’s Geometry Manager Pro software freed the team up to utilize the projectors to their greatest potential. To get the images to line up perfectly, the team created a grid on the walls using 800 pieces of tape. Utilizing the projector management software, they were able to adjust the edges of the image wirelessly using a laptop to achieve the precision needed to create the effect of a single image. “It was a 10-day process, and we brought in a professional projectionist who’s a genius with this stuff,” Richards says. “You start from one side of the room and match the image to the grid for each projector. Then, once you’re done, you go back to the beginning and make all the minor adjustments you need to make until it’s right, about four or five more times. Each time, It gets more precise.”

When the Lighthouse Immersive team undertook this project, they had no idea what lay ahead in terms of coronavirus and the impact it would have on the entire world. Originally scheduled to open in May, the opening date had to be pushed back and the production time condensed to adhere to social distancing guidelines. Just before the opening, the group created a second location in the building, which transferred the exhibition to a drive-in art exhibition and allowed visitors to see the exhibit from the safety of their cars.

What they wound up offering was an opportunity to escape from these unprecedented times by getting lost inside the artwork of Van Gogh. Both the walk-in and drive-through experiences are sold out through their original run, and the reviews online have been largely positive.

Barco expands its TruePix LED video wall portfolio

Barco has introduced the latest product in its TruePix portfolio. The TP-I family is a cutting-edge indoor LED video wall solution that is said to set a new standard for visual excellence, seamlessly combining smart engineering, energy efficiency and ergonomics. This new introduction complements Barco’s existing TruePix portfolio and is applicable in control rooms and a wide range of other markets, such as simulation, home entertainment, corporate lobbies and many others.

CTOUCH awarded EcoVadis gold medal for sustainability excellence

Barco introduced its TruePix indoor LED video wall range in 2022, setting a new standard in LED innovation. The 16:9 tiles, combine unique mounting technology, impressive image quality and ensuing longevity. Next to the hardware innovations in the LED tiles, TruePix was also the first range to incorporate Barco’s superior Infinipix Gen2 image processing system.

The advantages of the TruePix range, with pixel pitches ranging from 0.9 to 1.9 mm, include faster and more accurate installation (for an ensured truly seamless viewing experience), superb colour accuracy under all lighting conditions, better end-user ergonomics for 24/7 operations, and up to 10 years of dedicated service and support. On launch, TruePix was available in two flavours: a standard range, and the mid-brightness E-range. The TruePix I-range now complements this portfolio with a 1.2 mm (available now) and 0.9 mm (available from Q4 2024 onwards) product, and also offering the respective TAA compliant versions. Boosting remarkably high brightness levels exceeding 1000 nits (and even 2300 nit peak brightness), TP-I delivers vivid and captivating visuals in even the most challenging lighting conditions. The Infinipix Gen2 processor ensures excellent performance at any brightness level: very high or severely dimmed. No other LED video wall in the market can bring an

impeccable image quality in such a wide range of brightness settings.

This improvement in brightness level is mainly due to the flip chip and common cathode technology introduced in TruePix TP-I. While LED technology is already renowned for the excellent contrast levels, TruePix TP-I takes this one step further. With further increased black levels, TP-I ensures that every pixel truly stands out. All details are thus more pronounced, accounting for a unique viewing experience.

With TruePix TP-I, Barco takes a significant leap forward in ecological performance. Leveraging common cathode and flip-chip technology, power consumption is reduced by more than 45%. This makes TP-I an environmentally conscious choice for all large video wall needs. Next to the obvious sustainability benefits and a reduced energy bill, this impressive reduction has another benefit: significantly less radiated heat. The result is a more comfortable working environment (especially during long shifts), with less noise from air conditioning systems.

“We are very excited to extend our LED video wall portfolio with TruePix TP-I,” says Gerrit Vermeire, Director Product Management and R&D Displays at Barco. “Combining our flagship TruePix benefits with higher brightness, better contrast and reduced power consumption, will without any doubt appeal to our customers in both control rooms and other Barco focus markets.”

Barco has introduced the latest product in its TruePix portfolio. The TP-I family is a cutting-edge indoor LED video wall solution that is said to set a new standard for visual excellence, seamlessly combining smart engineering, energy efficiency and ergonomics.

Barco selects Microsoft Device Ecosystem for ClickShare innovations

Barco has announced that its future-generation ClickShare solutions will be developed using the Microsoft Device Ecosystem Platform. This operating system has built-in security as well as IT-friendly and enterprise-grade functionalities, allowing the Barco team to focus even more on ClickShare’s renowned simplicity and user experience.

Barco is taking a major leap in its mission to consistently innovate and deliver intuitive, equitable hybrid meeting solutions. To do so, Barco will leverage the Microsoft Device Ecosystem Platform for its next-generation ClickShare solutions. This Android-based platform is designed to enable device manufacturers and software developers to deliver innovative solutions, backed by Microsoft’s reputation for security, trust, and management. In close cooperation with partners and customers, ClickShare will further invest in its notable ease-of-use and outstanding user experience.

For more than 12 years, Barco says it has been leading the market in Bring Your Own Device (BYOD) spaces. ClickShare Conference enables users to start videocalls from their own laptop with their preferred video conferencing platforms, using the audio and video equipment of the meeting room. With more than 270,000 ClickShare Conference devices in the field, a strong partner ecosystem and a large customer base in Fortune 1000 companies, ClickShare has always been a pioneer in user-friendly collaboration technology.

“ClickShare remains focused on bringing a simple, premium experience to meeting spaces. We will continue to create innovative experiences, while leveraging Microsoft’s expertise in security, manageability, and AI capabilities,” said Jan van Houtte, EVP Meeting Experience at Barco. “We are pleased to accelerate our defined partnership with Microsoft, expanding beyond ClickShare’s integration with Shared Spaces.”

“Microsoft and Barco share a common emphasis on designing solutions with enhanced privacy, accessibility, and manageability excellence,” said Juha Kuosmanen, Head of MDEP at Microsoft. “We are proud to welcome Barco, a leading player in the BYOD rooms, to the Microsoft Development Ecosystem Platform community. We are confident that its future developments will be a catalyst for their continuous success.” As Barco embarks on this journey, it will continue to drive future innovations in close cooperation with the ClickShare community of existing customers and partners.

Avocor adds Jabra to its CollabTouch program

Avocor has announced a new strategic alliance with Jabra, a manufacturer of audio equipment and video conferencing systems, marking an expansion to the Avocor CollabTouch program. The strategic alliance will enable the development of reference design solutions that deliver effective hybrid working, combining Jabra’s technical excellence with Avocor’s interactive collaboration solutions to enable meeting equity and inclusion in any space.

The new alliance will see Jabra’s PanaCast 50 Video Bar System and PanaCast 50 Video Room System being configured with Avocor’s G, E, H, E92 and L series of displays and CollabTouch Kit. The PanaCast 50 VBS is an all-in-one appliance with professional-grade audio and a whole host of intelligent features, such as Virtual Director and precision voice detection. Purposefully configured with Avocor’s interactive displays, users will be able to immediately start collaborating with ease and simplicity whatever the size and configuration of their meeting space.

There are many archetypes of meetings spaces in today’s hybrid world of work. Avocor CollabTouch solutions enable the use of proper screen size, feature and function for each space through careful curation of reference design configurations with Avocor Alliance Partners. Each of the Avocor display series (E Series, G Series, H Series, E92 Series and L Series) offer unique features to meet the needs of any deployment, including BYOD Rooms, Microsoft Signature Teams Rooms and Zoom Rooms. The inclusion of the Avocor CollabTouch Kit provides simplified installation, connectivity and deployment creating flexible, scalable and modular solutions that provide more value than that of other all-in-one displays.

Avocor’s partnership with Jabra is part of a larger focus by the manufacturer on forming strategic alliances that will help to ensure that interactive collaboration can thrive across the multiple UCC ecosystems that exist in the market. The company recently announced the creation of a new Avocor Alliances organization to build on the legacy partnerships already in place and work across the industry to deliver aligned plans and products that enable the best experiences for users.

The Avocor CollabTouch program enables the opti-

mal pairing of interactive display size with our Alliance Partner’s UC peripheral technology to deliver the most effective meeting space experiences, all while activating the interactive features of the applications used in the space. Avocor Alliance Partners can enable any space with interactivity thereby unleashing the full potential of their technology to accommodate these use cases and empower their customers with the freedom to use the applications they need in any space, thereby achieving equity, inclusion and modality parity desired by all.

Clear-Com unveils Arcadia updates

Clear-Com has announced the latest release of Arcadia, the updated version of the award-winning intercom platform Arcadia. Set to revolutionize the communication landscape, this update is equipped with new features, offering unparalleled connectivity, and expanded device support. Arcadia is now designed to provide users with a seamless and highly efficient communication experience.

Features include I.V. Direct Interfacing, allowing effortless interfacing with LQ, Eclipse E-IPA, and other Arcadia systems over LAN, WAN, or the Internet, ensuring robust and versatile connectivity options for diverse operational needs. HelixNet HXII-DPL Powerline Device Support expands intercom capabilities with enhanced support for HelixNet devices, allowing for greater flexibility and integration within communication infrastructure.

Additionally, the increased capacity for FreeSpeak II digital wireless system belt packs and IP transceivers means that Arcadia now supports a significantly higher number of these devices, accommodating larger teams and more complex communication requirements with ease. Furthermore, Arcadia doubles the number of supported HelixNet User Stations, making it an ideal solution for larger and more demanding communication setups. This newest update is set to become an indispensable tool across multiple sectors, including broadcasting, live events, theatre and more. By delivering superior audio quality, robust reliability, and extensive connectivity, Arcadia ensures that teams can communicate more effectively, no matter the environment.

“We are thrilled to launch this newest update to Arcadia,” said Bob Boster, President of Clear-Com. “Our goal has always been to provide our users with the most advanced and reliable communication solutions. Arcadia represents a significant leap forward in terms of connectivity and capacity, empowering our customers to achieve even greater efficiency and performance in their operations.”

InfoComm 2024: collaboration takes centre stage

The future of conferencing and collaboration took centre stage at InfoComm 2024, staged June 8-14 (exhibits 12-14) at the Las Vegas Convention Centre. The show’s wide-ranging program spotlights the latest developments in hybrid working with insightful presentations by industry experts, more than 200 leading solutions providers on the trade show floor. “Conferencing and collaboration solutions continue to thrive, especially now that many organisations are embracing hybrid work,” said Annette Sandler, Senior Director of Live Content, U.S. and Canada, AVIXA, producer of InfoComm. “At the show, we explored the benefits and pitfalls that emerging technology like AI, virtual reality, and the metaverse bring to conferencing and collaboration, and also examine the important staples of this pro AV solution — clear audio connections and flexible meeting spaces.”

Collaboration presentations

Despite controversy continuing to rabe over the return to the office, InfoComm continued to support the conferencing and collaboration with its seminar and conference programme. On Tues., June 11, InfoComm 2024 presented the half-day Emerging Trends program, which uncovered the disruptions that are paving the way for a new era of integrated, intelligent pro AV solutions. In the session ‘How clear is your crystal ball? Future trends in conferencing and collaboration,’ Linda Gedemer from Faith Group and Pete Coman of NV5 shared trends for developing flexible meeting spaces, including space planning, furniture design, and technology. The Emerging Trends program also featured a discussion on how market dynamics, changing user needs, and technological advances are altering the pro AV landscape and explore how to transform spaces with pioneering AV design. Attendees also experienced a chat session with an AI personal assistant, which provided real-time, personalised insights into the future of conferencing, collaboration and pro AV design.

On Wed., June 12, at AVIXA Xchange LIVE (W2847), Scott Josephson from Google shared his company’s approach to selecting and replacing videoconferencing technology in “Supporting Videoconferencing at Google.” Also on June 12, Jared Timmins and Blaine Brown from Diversified explored advanced tools and strategies that are reshaping the future of work in their examination of the marriage of generative AI and AV tech. Plus, on the Technology Innovation Stage on June 12, Joshua Peterson from Lenovo was joined by Alistair Johnston from Futuresource Consulting for “Back to the Future of Hybrid Work,” where they’ll tie together the hybrid work explosion with future collaborative technologies and AI-enabled UC applications.

On Thur., June 13, a panel of speakers from Republic Services, Frost & Sullivan, Blue Touch Paper, Wesco, and Yamaha Unified Communications discussed navigating AI, sustainability, and commodification in “Trend Forecast: Conferencing and Collaboration.” InfoComm also presented sessions on Microsoft’s vision for intelligent shared spaces; productivity and inclusivity in hybrid workplaces; compliance and security; harnessing ROI from collaboration tools; and the changing nature of conference room support. The InfoComm trade show floor featured more than 260 exhibitors showcasing conferencing and collaboration solutions. Two sold-out show floor tours led by experts from Blue Touch Paper introduced attendees to the latest solutions in videoconferencing, cloud technology, and collaboration platforms.

Boom Collaboration demonstrated complete portfolio.

The fast-growing hardware manufacturer, Boom, is hailing the Vegas event a resounding success, where a flagship intelligent videobar with expandable audio was one of its star attractions. The Boom HALO features a 4K UHD camera, six microphone array and high-fidelity speakers for a seamless all-in-one collaboration experience. In addition, multiple extra mics can be connected to maximise voice pick-up in larger or more flexible rooms.

isitors from across the world witnessed all of Boom’s latest technologies, such as high-performance cameras and audio devices as well as all-in-one systems. Its new MAGNA Pro PTZ camera, GOJO multi-camera controller and forthcoming ZYGO user-friendly connectivity hub attracted lots of attention. Boom also ‘teased’ a new PTZ camera with 25x optical zoom and NDI video over IP support. Another variant boasts highly responsive ‘intelligence’, including voice tracking. A new wireless sharing dongle was also demonstrated alongside an innovative connectivity station – that allows instant switching between in-room PC or BYOD deployments, across up to a 100-meter installation range.

Co-founder Fredrik Hörnkvist hailed the three-day show a perfect launchpad to accelerate the company further forward. He emphasized: “Boom is based on delivering better meetings, simply. This was our third

consecutive year at InfoComm which was supported by staff from across the world. Each time it gets bigger and better for us, with the HALO videobar one of many stand-out innovations.” Fellow founder Holli Hulett added: “The last 18 months have been very successful and InfoComm provided a perfect platform to help us grow even faster, with a huge volume of sales leads generated. We are determined to remain the friendly face of video conferencing, based on a personal touch and a passion for long lasting partnerships through the distribution channel. InfoComm 24 inspired lots of interest and future success from the tens of thousands of international visitors.”

ClearOne showcases AV collaboration solutions

At InfoComm 2924, ClearOne showcased its industry-leading line of collaboration and conferencing solutions. “Rather than merely showcasing individual products, we’re presenting a solution-based approach to address the challenges of modern hybrid work and learning environments. We invite end users and AV practitioners of all types to visit our booth to explore our powerful AV solutions. We’re eager to learn about our customer and end user priorities and challenges for the year ahead and explore how we can work together to achieve success,” said Derek Graham, CEO of ClearOne.

At its exhibit, ClearOne showcased a suite of products designed to optimise specific use-case scenarios. For enhancing BYOD collaboration, the company demonstrated how its UNITE 160 camera, BMA 360D beamforming microphone array ceiling tile, Versa Mediabar Video Soundbar, COLLABORATE Versa Lite CT conferencing system, Versa UCS2100 Collaboration Switcher Kit, and COLLABORATE Versa Hub transform any room into a user-friendly BYOD space. These solutions enable seamless BYOD integration through single-cable USB connections to computers, guaranteeing high-quality audio and video for all virtual collaboration participants.

ClearOne also showcased the recently released Versa Lite BMA 360D. This innovative bundle combines ClearOne’s industry-leading BMA 360D Dante enabled microphone array ceiling tile with the Versa USB22D Dante adapter, offering a perfect audio solution for any conferencing space with an easy connection to any computer or room device via USB. The Versa Lite BMA 360D delivers crystal-clear audio in meeting spaces and provides simplified configuration and management ClearOne’s proprietary FiBeam and DsBeam technologies ensure participants experience natural and full-fidelity audio across all beams and within a single beam. DsBeam delivers superb

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clarity and intelligibility through unparalleled sidelobe depth, reaching below -40 dB, ensuring superior rejection of reverb and noise in challenging environments.

FiBeam brings the industry’s only ultra-wideband, frequency invariant beamforming mic array technology with uniform gain response across all frequency bands, providing consistent voice pickup throughout the room. The powerful integrated amplifiers can be configured for either 4 x 15 Watt or 2 x 30-Watt output and make connecting ceiling speakers cost-effective and convenient. The Versa USB22D seamlessly integrates with the BMA 360D using Dante audio networking. This powerful combination allows for simple setup and configuration using ClearOne CONSOLE AI Lite software and Audinate Dante Controller software. With support for 2x2 channels of bidirectional USB audio, the Versa USB22D gives PCs and mobile devices access to the BMA 360D’s advanced beamforming capabilities.

Powering the microphones is simple and efficient, as all models use the same 12-hour off-the-shelf Li-ion battery that can be charged via USB-C or an optional eight-bay network-connected charging dock. Firmware updates can be done over the network while the transmitters charge. The Dante-enabled system includes an eight-channel Dante Access Point to ensure optimal signal transmission and system reliability. Additionally, an optional DIALOG UVHF Dante interface provides eight Euroblock balanced analogue outputs, including mixed output, USB audio output, and eight GPIOs. The lightweight plenum-rated access point offers versatile mounting options for wall, ceiling, tabletop, or pole mounting, including VESA mount holes.

PPDS collaborative education with Philips Genius

PPDS announced the worldwide launch of its new, technology agnostic Philips Genius educational software, bringing unrestricted collaborative teaching and learning experiences to any classroom and on any interactive display. A year in development, Philips Genius – the first in-house educational software from PPDS – is a brand new, GDPR compliant platform, bringing together all-inclusive tools and capabilities for educators to effortlessly create and deliver highly professional and engaging ‘intelligence-led’ lesson plans for smarter and more inspired classroom experiences.

Designed with educators for education and brought together by PPDS’ team of future focused in-house developers, the intuitive application brings previously unseen levels of support, not only in delivering

elevated classroom experiences for students, also in supporting their own wellbeing, and ensuring a healthier work-life balance. Frank Trossen, Global Business Development Director Education and Corporate at PPDS, commented: “Philips Genius makes the process of creating highly professional, engaging and feature-rich lesson planning – for all subjects – child’s play. Tutors are unsung heroes, sacrificing many hours of their personal lives, including weekends, to plan, days and weeks ahead, to ensure their lessons are tailored to the needs of each class. A significant focus in developing Philips Genius is around helping to improve the work-life balance for tutors, without compromising on quality or performance.” He added: “Philips Genius brings all the tools an educator could need for lesson planning, delivery, and classroom display activities, packaged together in one easy-to-access location.”

Philips Genius enables educators to effortlessly create their lesson plans, either directly on an interactive display, or remotely – 24/7 – via a web browser, or a dedicated app, compatible with any Android, Windows, and iOS device, for their convenience. All content is saved to a personal Philips Genius account/ library and can be retrieved and displayed on interactive displays with Philips Genius installed within seconds of the educator entering the room. This ensures a speedy and seamless set-up, and consistent experiences in all locations. Logging in is fast and se-

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cure, with educators simply scanning the on-screen QR code using the camera on their own connected device, or by directly inputting their unique username and password.

To bring lessons to life, educators have access to a wealth of applications and third-party premium content, as well as the ability to effortlessly import/embed YouTube videos, PDFs, Word documents, Excel spreadsheets, PowerPoint presentations, and more. Educators can easily link to other sources and software – including Google Classroom – delivering on both breadth and depth across the curriculum. Encouraging and facilitating collaboration in the classroom, used together with the Philips Collaboration 4152 and 3152 interactive displays, Philips Genius also brings all the familiarity and functionality of a traditional whiteboard, allowing students to effortlessly – either directly on screen or via their own device – share their ideas and workings. Among the many tools included are digital pencil/pen, highlighter, eraser, images/shapes and lines, ruler, set square (triangle ruler), and protractor.

Designed to make life easier for educators and students alike, Philips Genius provides instant screen sharing directly on a student’s own personal device in the classroom and at home, if studying remotely. Stay tuned for more product launch news on this coming soon. All content displayed on the screen can be saved and shared directly – via URL or email – with

students at the end of each lesson, allowing them to create clear and precise subject notes for easy reference and revision via their OneNote or other filing system.

Avilable in Q3 – including in EMEA, North America, LATAM, APAC and India – Philips Genius will come pre-installed on all new Philips Collaboration Displays for Education, with users of existing models –including the Philips E-line and Philips T-line Series – available to install for PPDS Wave ProStore users. Furthering PPDS’ education for all commitment and global Open2 philosophy, Philips Genius is available on a range of other manufacturers’ interactive displays, allowing schools to enjoy consistent experiences in all classrooms.

Siddarth Gopal, Global Director Software Solutions at PPDS, commented: “We understand many schools, colleges, and universities have a mix of displays, rather than a consistent fleet from one manufacturer. Naturally, we would prefer them to use our Philips Collaboration Displays for Education, but our business is about being open and unrestrictive. For that reason, Philips Genius is available to provide the same functionality on other displays, as well as our own.” Frank Trossen added: “When it comes to education, there is simply no room for error. As a leading provider of professional displays and dedicated software, we have a moral duty to support students and educators by developing best-in-class solutions that will help to maximise their potential. With Philips Genius, we have listened to the market to understand its frustrations and shortcomings and brought a more intuitive approach to lesson planning and delivery.”

Solutions ahead of the market?

Whether the market for conferencing and collaboration continues to develop post pandemic remains to be seen, but what is undoubtedly true is that UCC technology on show at InfoComm 2024 contributes to better performance and ease-of-use. If adherence to sustainability continues to develop, the long term prospects for conferencing and collaboration are assured.

Retail

Bagel Factory menu boards use nsign.tv digital signage

The Bagel Factory, a renowned UK chain of convenience food outlets specialising in freshly baked and filled bagels, has taken a significant leap forward in enhancing its customer experience by digitizing its stores with menu boards powered by the nsign.tv digital signage software platform. Founded in 1997 with its first store on Endell Street, London, The Bagel Factory has grown to over 32 outlets across United Kingdom, strategically located at major travel hubs. “We were in search of a cost-effective and user-friendly menu signage solution that could be easily deployed and maintained across all our stores”, explains Abdul Mohamed, IT & Digital Business Partner at The Bagel Factory. “We found nsign.tv incredibly user-friendly allowing us to easily maintain playlists and schedules”, he adds. nsign.tv powers The Bagel Factory’s menu boards offering a mix of static and dynamic content and allowing quick updates with

centralized cloud management across all locations. With nsign.tv, the stores can manage the appearance of price adjustments, new menu additions, limited time offers and more across store-wide menu board systems, the majority of which are iiyama 42 and 52 series with SoC (System-on-chip). In other words, the food chain can get very creative, produce more engaging visuals for customers, and in an easy way to manage, taking their marketing to powerful new levels. “One of the standout benefits of nsign. tv is their exceptional support. They consistently exhibit a high level of responsiveness when addressing our queries and technical issues”, says Abdul. “Also worth to highlight are the enhanced planning capabilities of the platform by scheduling menu changes in advance rather than implementing them on the day”, he adds.

of the ongoing project, The Bagel Factory has adopted nsign.tv for the majority of their new store launches and are currently in the process of transitioning from their previous poster booking solution, showcasing their commitment to elevating customer engagement and streamline store operations. “We are truly grateful to The Bagel Factory for choosing our digital signage platform to elevate their menu board experience”, comments Mónica Fernández, managing director at nsign.tv. “Digital signage in the QSR industry offers significant advantages, tailoring audience experiences, capturing attention, and ultimately boosting sales.”

Education

College of DuPage enhances event communications

The College of DuPage (COD), the second-largest provider of undergraduate education in Illinois, has successfully utilised Clear-Com’s advanced communication solutions for over two decades, significantly enhancing its production capabilities for various large-scale events. The institution recently demonstrated the efficacy of these systems during its 57th commencement ceremony, a major event that hosted 5,000 attendees and celebrated the achievements of 700 graduates.

COD’s production team employs an extensive ClearCom setup, including two FreeSpeak II digital wireless systems integrated with LQ® Series IP Interface, merging multiple Clear-Com products. This setup comprises of transceivers connected to the Eclipse® HX Digital Matrix system, a base station, and both wired and wireless belt packs. The versatility and reliability of these systems are essential for managing a wide array of field productions, including commencement speeches, concerts, and other significant events across the campus.

For the commencement ceremony, the production setup included two FreeSpeak II transceivers strategically placed to cover the entire arena, ensuring robust wireless communication. Ten wireless belt packs were utilised by key crew members to maintain mobility while ensuring clear communication. The LQ Series IP Interface facilitated seamless integration of different communication devices and extended the reach of communication to remote locations. Acting as the central hub, the Eclipse HX Digital Matrix connected all communication devices and ensured reliable and synchronised communication. This comprehensive setup efficiently supported an 18-member crew within the arena. The communication network, comprising both wired and wireless belt packs, ensured seamless coordination among the team members, contributing to the smooth execution of the event. Additionally, the LQ system was used to connect with graduates and other team members in different buildings, ensuring clear and reliable communication between the control room in the arena and various remote locations.

Beyond large events, Clear-Com systems are used extensively across the College of DuPage campus. These systems facilitate communication for various activities, including daily operations, special events, and emergency coordination. The flexibility and scalability of Clear-Com solutions enable the college to

adapt to different communication needs, ensuring that every event, regardless of size or complexity, is managed efficiently.

al Garcia, Production Supervisor and Sound Engineer at College of DuPage, emphasised the importance of Clear-Com systems: “The flexibility and ease of use provided by Clear-Com are invaluable for our field productions. Whether it’s a commencement ceremony or daily campus operations, ClearCom ensures that our team can communicate effectively and deliver a flawless experience.”

he College of DuPage is a public community college and the second-largest provider of undergraduate education in Illinois, after the University of Illinois Urbana-Champaign. With its main campus in Glen Ellyn and additional campuses in Addison, Carol Stream, Naperville, and Westmont, COD serves a diverse student body across Illinois’ Community College District 502.

Sports

Hisense: sponsorship technical dominance in football

Leading home appliance and consumer electronics brand, Hisense, is marking its third successive partnership with UEFA European Championship with its debut as the Official VAR Screen Provider for UEFA EURO 2024, maintaining its global TV market dominance with top spots in multiple nations.

The introduction of Video Assisted Referee (VAR) technology has been one of the most significant changes in football in the last 50 years. The innovation has improved the game’s fairness and accuracy. For the first time in UEFA’s history, commercial interests involving the field of professional referee-

ing were opened up to sponsors. UEFA’s decision to grant exclusive sponsorship rights represents high recognition, by one of the world’s leading event organizations, of Hisense’s display technology.

To meet VAR standard, it is imperative to have display devices with a high level of precision because the high-speed nature of sports requires unparalleled imaging details. Hisense, with its industry-leading technology in resolving picture trailing issues, has independently developed an AI image quality chip, which can identify and process real-time pixel-level images, guaranteeing no loss of key details.

Since the previous UEFA European Championship, Hisense has gradually transitioned from brand sponsorship to providing unparalleled technical support. Hisense’s selection as one of the tournament’s top sponsors serves as proof of their excellent “User-Centric Technology” and commitment to “Ultimate Quality.” Furthermore, it has enhanced brand awareness in global markets, allowing the world to witness the power of Hisense..

Driving by the ambition of ‘Never Settle for No.2 Globally’, Hisense’s relentless pursuit of quality, innovation, and customer satisfaction continues to set it apart, solidifying its leading position in the global market.

Hospitality

Illuminarium uses Christie Griffyn laser projectors

Christie has announced that its 50,000 lumen Griffyn 4K50-RGB pure laser projectors are delivering a stunningly immersive experience for visitors and

guests at Illuminarium at Wynn Palace Cotai, Macau. The luxury five-star hotel and resort, located in Macau’s city centre, is home to exclusive shopping, ultra-fine dining, and as of January 2024, the newest Illuminarium location. The new experience builds on the Macau SAR Government’s diversified development strategy, a long-term plan to enrich the visitor experience through the development of non-gaming experiences. Illuminarium engages guests of all ages through cutting-edge visual, audio, and haptic technologies.

Conceptualised only a year prior to opening, it was a short runway from ideation to reality. “We were approached by the CEO of Wynn Resorts, and he really wanted to bring the finest immersive entertainment experience possible to Wynn Palace, which is their flagship property in Macau,” explains Alan Greenberg, CEO, Illuminarium Experiences. “We had a whole team, including Christie, Rockwell Group, Electrosonic, Holoplot, and Legends project management, come to Macau to look at the space. We developed a technology fit and then we were off and running on construction.”

Part of the initial planning involved the selection of AV technology. “Wynn was looking for the best possible technology solution,” says Greenberg. In working closely with Christie’s Joe Conover and solutions architects, Illuminarium and Wynn Palace selected 29 Christie Griffyn 4K50-RGB pure laser projectors for the venue. The Griffyn 4K50-RGB is the smallest and lightest 50,000 lumen laser projector available today, and its pure laser illumination technology enables it to deliver richer, more highly saturated colours than laser phosphor projectors for exceptional experiences in large-venue applications.

Boom’s ultra-portable conferencing solution

I HATE luggage! No surprise then that I abandoned my Nikon video and stills camera, with all its lenses, chargers, cards, lights and tripods, for a combination of a GoPro and an Insta 360-degree device. Even with all its paraphernalia, the entire new rig fits in a small shoulder bag – ideal for shows, open days and other external events. With all this preamble, imagine my excitement when Boom offered me the chance to review my other essential work tool – a portable remote conferencing solution, which would also fits in my shoulder bag if it’s up to scratch!

Even with my aversion to unnecessary luggage, I have to be satisfied that adding any new kit to my laptop would make a real difference to current video and audio performance. Supplementary kit should also be convenient, lightweight, easy to pack away and reasonably priced.

The Boom Mini webcam is said to offer “crystal-clear video conferencing”, and would be simple to use. We tested the Boom Mini with Zoom software, .and the results were truly impressive. The full HD 1080p @ 30fps image was used for a National Gallery webinar, where live speakers were combined with still images of artwork. We used the Zoom background blur function for our side of the call.

Boom describes the Mini webcam as “packing a powerful punch in a compact design”, which is an accurate observation. The Mini easily packs away into the laptop bag. The only disappointment is that, unlike the accompanying Giro noise cancelling microphone, the Mini is not supplied with a dedicated carrying case. Price wise, however the Mini certainly fits the bill – Amazon UK lists the Boom Mini at £95.75. So, what makes the Boom Mini different? The camera features an advanced Image Signal Processor (ISP). It delivers images with vibrant and accurate colour rendition, good brightness and high resolution. Boom claims effortless plug-and-play setup via Bluetooth or USB. Boom says you should be up and running in seconds, on both PCs and Macs. We found no reason to disagree. In use, the wide dynamic range (WDR) for balanced lighting in any environment stood up

well in both office and domestic spaces.

The Mini is well designed and built with a 4K glass lens, HD sensor and a 90° field of view. The camera has multiple codecs (including H.264, H.265, MJPEG and YUV2). This is supplemented with advanced focus technology and low light optimisation. The camera has two built-in high sensitivity mics and is sold with a 3-year warranty.

With mics installed in the camera, why would you need the Boom Giro professional speakerphone? If your application is limited to one-to-one meetings arguably, you would not need the Giro – but if you need a solution for a team, the 360° omnidirectional microphone pickup and full-duplex HD audio of the Boom Giro Pro provides a much-improved audio conferencing experience. The Giro offers the convenience of wireless audio with the built-in lithium-ion battery and Bluetooth. As an alternative, you can also connect directly to a computer with simple USB plug & play experience.

Wireless charging adds further convenience, while an additional Bluetooth dongle peovide increased connectivity. The Boom Giro offers Dynamic Noise Reduction (DNR) to clean-up the sound available from the Giro, which we found effective at a range of 4 to 5 metres from the audio source. Typically, this makes the Giro ideal for small to medium sized meeting rooms. The Boom Giro worked well in our tests and seems reasonable value at £164.93 from Amazon UK, inclusive of a 3-year warranty,

Boom Mini full HD Webcam

Boom Giro Pro professional speakerphone

Cosmos Theatre, Nirvana Cosmopolitan Hotel. Antalya, Turkey

Immersive projection mapping combined with spectacular ‘technology-performance-gastronomy’ shows delight audiences with a 270-degree immersive experience created using 32 NEC laser projectors and video mapping techniques.

Blending digital and visual art, the Cosmos Theatre is an innovative project promising a brand-new guest experience: ‘a unique synthesis of art, gastronomy, entertainment and technology.’ The ‘Dinner Theatre’ aims to awaken all five of the senses through themed gastronomic events where guests are entertained with on-stage performances and an immersive digital art experience. Located alongside the Nirvana Cosmopolitan Hotel in Antalya, Turkey, the Cosmos Theatre hosts concerts, themed events, and famous local and foreign performance artists.

The challenge

During the Covid period, the Client, Kilit Hospitality Group, purchased an area in Antalya to build a new five-star Nirvana Hotel. The main hall of an existing convention centre was to be developed into a unique entertainment venue both for hotel guests and tourists. The venue must be multifunctional, able to be used as a conventional theatre, or set up for banquet

Blending digital and visual art, the Cosmos Theatre is an innovative project promising a brand-new guest experience: ‘a unique synthesis of art, gastronomy, entertainment and technology.

or bistro style events, or indeed, entirely flexible. The building renovation impacted the entire infrastructure from heating, ventilation, and air conditioning to stage mechanics and audiovisual systems.

In pursuit of the highest quality outcome, the Client requested state of the art technology at international standards. The objective was to deliver a superior audio-visual experience, yet for the technology itself to remain unobtrusive. The AV concept design was provided by project consultant Fatih Osmancelebioglu, while the detailed AV system was designed, supplied, and installed by Atempo.

To create an immersive experience, the Client requested a 270-degree visualisation, whereby the performance areas and supporting digital content appears on all sides of the hall except the floor and rear wall, opposite the stage. To accomplish such dramatic immersion, Atempo identified projection mapping as the ideal solution, although achieving optimal brightness levels would be challenging.

Acrobatic and musical performers would require a significant level of stage lighting, so the key was to illuminate the stage whilst not impacting the projected dynamic imagery on the surrounding walls in terms of brightness and contrast. It was calculated that a

minimum projection brightness of 270 ANSI lumens per square metre would be needed. Furthermore, the positioning of the projectors would be critical to generate the desired visual impact without causing physical or noise disturbance to the audience, bearing in mind that some would need to be positioned at floor level.

The solution

Atempo selected PX Series 20,000 ANSI lumen DLP projectors from Sharp/NEC, confident in the high quality and reliability of the brand. The RB laser technology uses red lasers, increasing the colour gamut to produce more vivid images. The filter-free sealed optical system means no dust can impact the Constant Light Output ensuring impressive longevity and minimal maintenance whilst reducing fan noise. 32 x NEC PX2000UL projection units are carefully positioned discretely at critical locations around the hall using projection mapping to create the 270-degree visual experience. The projectors are achieving 284 ANSI lumen per square metre, in excess of the desired brightness level, and their quiet operation does not cause any disturbance to audience members sitting in close proximity.

The entire internal surface of the venue is covered with a silver- coloured acoustic fabric (PONGS) providing a 1200m2 mapping area, keeping the speakers out of sight yet preserving the sound quality, as well as enhancing the visual quality of the projection. The

video mapping design acknowledges the architectural limitations of the building and the flexible usage requirements of the space yet delivers the required WOW factor generated through the blend of digital art and on-stage performance. At dining events, for example, where projection is used in its full magnificence, there are 44 dancers on the stage that simultaneously create a visually captivating show.

The result

Cosmos Theatre is Antalya’s first Dinner Theatre with an immersive digital infrastructure to offer the ultimate multi-sensory audience experience. Special shows are hugely popular with locals and tourists who are drawn to the area to experience the unique spectacle. The stage itself may not be of unusual proportions, but the surrounding digital immersion makes it appear larger than it is. Performers are keen to utilise the unique technological capabilities that the theatre can provide.

There are ‘technology-performance-gastronomy’ shows taking place three times a week, with the remaining availability being taken up for concerts, family sensory experiences, industry awards events, corporate presentations and more.

To create an immersive experience, the Client requested a 270-degree visualisation, whereby the performance areas and supporting digital content appears on all sides of the hall except the floor and rear wall, opposite the stage.

excellence

CTOUCH has been awarded the EcoVadis Gold Medal in recognition of our outstanding sustainability performance. This places CTOUCH in the top 5% of companies rated worldwide by EcoVadis in the last 12 months.

EcoVadis is the world’s most trusted provider of business sustainability ratings with a global network of more than 130,000+ rated companies. It evaluates companies on a comprehensive set of criteria across four themes: Environment, Labour & Human Rights, Ethics and Sustainable Procurement.

CTOUCH scored the highest on the Environment theme with a score of 80/100, representing a platinum score (top 1% of companies rated by EcoVadis in the last 12 months).

We’re dedicated to creating futureproof products and accessories that are sustainable by design, resulting in a reduced product CO2 footprint and lowering product energy consumption significantly. Throughout the past year alone, CTOUCH has continued its sustainability journey with impactful product innovations and initiatives, including:

Developing a proof-of-concept of the most sustainable touchscreen possible, with 41% less power consumption

Selling refurbished touchscreens in conjunction with its established takeback program

Committing to a fair and transparent supply chain

With the Gold EcoVadis medal and ongoing commitment to sustainability, we’re excited to make even more of a meaningful impact on the environment in 2024 and beyond.

Curious about our sustainability initiatives?

CTOUCH is #1 in sustainability

CTOUCH is the world’s most sustainable touchscreen brand. Our ultimate sustainability goal is to achieve net zero emissions by 2050. To reach this target, we are committed to reducing our CO2 footprint by 46% in scope 1 and 2, and by 27% in scope 3 by 2030. We take responsibility for our actions by ensuring total transparency. To this end, we provide insight into the results of our sustainability mission: Less energy consumption: Our sustainable touchscreens use on average 29% less energy than other brands.

Lower total cost of ownership: Reduce your TCO with up to 20% while minimising your CO2 footprint.

Longer product lifetime: We aim to keep you a happy user of our products, even after 10 years of use.·

Fair trade: We ensure that slavery and child labour do not occur in our supply chain.

Making impact in all areas

We consider the environmental impact at every life-cycle stage of our products, from raw material acquisition to the end-of-life. Additionally, CTOUCH goes to great lengths to practice Corporate Social Responsibility.

·Produce, pack and ship with care: We make great effort to lower our CO2 footprint and increase the use of recycled materials during production, packaging and transportation.

· Responsible use: We offer energy efficient products with an extended lifespan, helping you to reduce your impact and lower your operational costs.

·Reduce, re-use, recycle: We’re committed to increase the circularity of our products and improve the recyclability and re-use at the end-of-life to prevent any unnecessary waste.

· Corporate Social Responsibility: By practicing CSR, we optimise the environmental and social impact of CTOUCH as an organisation.

ZeeVee, a leading global provider of AV distribution products, has added Michael Burton

ZeeVee, a leading global provider of AV distribution products, has added Michael Burton, a 17-year industry veteran, to its team as central U.S. regional sales manager.

ImageBurton is based in the Dallas-Fort Worth metropolitan region. He is responsible for business development in 13 states – Arkansas, Colorado, Iowa, Kansas, Louisiana, Minnesota, Missouri, Nebraska, New Mexico, North Dakota, Oklahoma, South Dakota and Texas. In addition to the strong industry relationships he’s built over the years, he brings a high level of AV industry knowledge and experience to ZeeVee. Most recently, Burton was the regional sales director for the south central and southeast U.S. at SAVI Con-

trols (Carrollton, Texas), makers of audio video control systems for the commercial market. Prior to that, he was the TOLA regional sales director at Mersive Technologies (Denver), a provider of wireless media streaming and collaboration solutions. Over the course of his career, Burton also held senior account manager and project manager positions at Ford AV (Oklahoma City), a major national integration firm that designs and integrates professional and commercial sound, audio video, network infrastructure and security surveillance systems.

Burton, a lifelong musician, first got into AV technology through live production and recording studio environments. He spent his early career leading teams of musicians and technicians in large churches around the country both on stage and behind consoles. His role as account manager at Clark (Alpharetta, Georgia) was the catalyst that led him to a professional career in commercial AV.

“We are very fortunate to be able to add Michael to our sales team as he brings a wealth of experience and industry relationships from his nearly 14-year tenure at Ford AV and his work as a project manager,” said Joe Chordas, vice president, North American Sales & Corporate Marketing, ZeeVee. “Given his background, he will be a tremendous resource to integrators and other pro AV professionals throughout his territory, helping them to understand, embrace and maximize AV over IP solutions for an ever-widening list of applications.”

“ZeeVee has a unique combination of top-tier products, incredibly easy to use software and a dedicated team committed to making customers smile before and after every project,” said Burton. “With AV over IP technology becoming essential in countless applications, I’m excited to be part of a team that provides versatile video distribution solutions for almost any scenario.”

Burton received a Bachelor of Arts in music business from Oklahoma City University. He lives in Prosper, Texas, with his wife, Samantha. When he’s not on the job, he enjoys playing guitar and piano, watching movies and travelling with his family.

L-Acoustics announces the appointment of Anne Hamlett to Chief People Officer

L-Acoustics announces the appointment of Anne Hamlett to Chief People Officer, marking a pivotal moment in the company’s evolution. Anne, joining co-Chief Executive Officers Hervé Guillaume and Laurent Vaissié in leadership, places the company’s people-centric education and innovation culture at the core of its strategy and future. In addition to pro-

viding a people-focused contribution to key strategic topics at the C-level, Anne will also directly lead three L-Acoustics divisions: People; Legal, Tax & Compliance; and Education & Scientific Outreach. The teams Anne leads will cultivate an empowering experience for all employees, strengthen the company’s brand, and create an internal and external education program that boosts the creativity, employability and resiliEnce of L-Acoustics team members, partners, and end users

L-Acoustics announces the appointment of Anne Hamlett to Chief People Officer

With over 20 years of experience leading teams at L-Acoustics, Anne has been instrumental in shaping the company’s success. Anne holds a postgraduate degree in business law. Before L-Acoustics, she oversaw contract negotiations for a direct marketing firm and managed human resources for an IP consultancy. Since joining L-Acoustics, she has overseen the recruitment of countless talented individuals and, over the last two years, has skillfully navigated the company through a 30% employee increase during accelerated growth that will see the company reach 1,000 team members this year. Anne’s strategic vision has significantly enhanced the company’s strength and established a “people first” culture. “For years, we have valued collaborating with Anne

and we value her unwavering contribution to the growth and success of L-Acoustics,” said Hervé Guillaume and Laurent Vaissié, co-CEOs at L-Acoustics, in a joint statement. “Her expertise, leadership, and strategic acumen position her as the right leader to shape our global workforce, enhance employee experiences, and help define our path forward.”

With Anne’s appointment as Chief People Officer, L-Acoustics takes a decisive step toward future-proofing its success. Anne’s steady leadership

Sphere Entertainment Co. (NYSE: SPHR) today announced that Jennifer Koester’s role at the Company has been expanded to President and Chief

Sphere Entertainment Co. (NYSE: SPHR) today announced that Jennifer Koester’s role at the Company has been expanded to President and Chief Operating Officer of Sphere. Ms. Koester most recently served as the Company’s President, Sphere Business Operations, where she has played a critical role in leading the strategy and execution of all business aspects of Sphere, a next-generation entertainment medium in Las Vegas.

In this expanded role, Ms. Koester will continue working together with executive leadership, and across the broader Sphere team, to grow the business and optimize its operations. Ms. Koester will now also provide strategic oversight for Sphere Studios – the immersive content studio in Burbank dedicated to developing multi-sensory experiences exclusively for Sphere – including further developing the Studios’ capabilities as a full-service production studio. She will continue to focus on maximizing venue utilization across a range of categories, such as original programming, attractions, concerts, residencies, and corporate and marquee events; driving strategic partnerships; delivering the best customer experience; and growing Sphere as a premium global brand.

EVENTS

“Since joining our team earlier this year, Jennifer’s contributions have had a significant impact,” said James Dolan, Executive Chairman and Chief Executive Officer, Sphere Entertainment. “We believe we are just scratching the surface of what is possible with Sphere, and her expertise will be essential as we continue to advance on our long-term vision for this next-generation entertainment medium.”

“I welcome the opportunity to take on this expanded role,” said Ms. Koester. “Across the Sphere organization we are focused on both bringing unique ex-

periences to life in Las Vegas, and developing new experiences that will keep Sphere at the forefront of immersive entertainment. I look forward to continuing to work with our world-class team to grow our business and deliver on Sphere’s vision for the future of entertainment.”

A seasoned executive with 30 years of diverse experience in technology, media, and entertainment, Ms. Koester’s experience spans across functional areas including business development, marketing, technology, legal, and product management. Throughout her career, she has leveraged her diverse expertise with a unique ability to integrate legal, technical, business, and operational matters. She joined Sphere Entertainment in February 2024 from Google, where she served as Managing Director, Americas Strategic Alliances, Global Partnerships. In this role, Ms. Koester was responsible for leading the overall relationship with Google’s most strategic partners to drive greater incremental value across Google’s products and services. She also previously served as Director, Telecommunications and Video Distributors, Global Partnerships at Google, where she was a key contributor to product strategy and roadmaps that delivered new revenue opportunities, including development and monetization of advertising product lines. Her experience prior to Google includes serving as Senior Vice President of Advanced Advertising Product Development, Data Analytics and Ad Operations at Cablevision, as well as various legal positions. Ms. Koester received a J.D. from St. John’s University School of Law and a B.S. in Management Information Systems from Binghamton University.

Sphere Entertainment Co. (NYSE: SPHR) today announced that Carolyn Blackwood

Sphere Entertainment Co. (NYSE: SPHR) today announced that Carolyn Blackwood, a respected leader with more than 25 years of experience in the media and entertainment industry, has joined the Company as Head of Sphere Studios – the immersive content studio dedicated to developing multi-sensory entertainment experiences exclusively for Sphere, a next-generation entertainment medium that opened its first venue in Las Vegas in September 2023. In this role, Ms. Blackwood will lead the day-today running of the Burbank-based Sphere Studios, which is home to an interdisciplinary team of creative, production, technology and software experts who provide full in-house creative and production services, including strategy and concept, capture, post-production and show production. The Studios team is responsible for creating and executing con-

tent for a wide variety of events at Sphere, including The Sphere Experience, concerts and residencies, and marquee and corporate events. Ms. Blackwood will direct Sphere Studios’ production operations to maximize the full technical and creative possibilities of Sphere, and strategically position both Studios and Sphere for continued growth and development. She will also partner closely with MSG Ventures, the division of Sphere Entertainment responsible for developing the advanced production technologies used to create immersive experiences for Sphere.

“Our team at Sphere Studios is working closely with artists, brands, and technologists to bring the next generation of immersive entertainment experiences

to audiences in Las Vegas and beyond,” said Jennifer Koester, President and Chief Operating Officer, Sphere. “We’re pleased to welcome Carolyn to this team of innovators and believe her expertise bringing high-profile entertainment projects to life will be an asset as we continue to build on, and grow, the Studios’ capabilities.”

“Throughout my career, I have focused on creative and business innovation in the entertainment industry, as well as the pursuit of production excellence, and this is a tremendous opportunity to be part of the cutting-edge work at Sphere,” said Ms. Blackwood.

“I am excited to join the talented and passionate creative and production technology teams at Sphere Studios as we continue reinventing and reimagining the experiences and content that make Sphere the leader in immersive entertainment.”

Ms. Blackwood brings extensive experience in leading world-class business and creative professionals and has a proven track record across a wide range of entertainment industry projects, with integral involvement in over 100 films including blockbusters

such as Barbie; The Lord of the Rings; The Hobbit; IT, Chapters 1 & 2; The Conjuring franchise; and many others. Ms. Blackwood most recently served as Chief Operating Officer at Warner Bros. Pictures Group, where her role encompassed a wide portfolio of management responsibilities, including physical production, business affairs, film acquisitions, and live stage events, among other areas. Prior to joining Warner Bros., Ms. Blackwood served in roles of increasing responsibility over more than 20 years with New Line Cinema, a division of Warner Bros. Discovery. Under her leadership as President and Chief Content Officer, New Line Cinema crossed $1 billion at the global box office for three consecutive years. Ms. Blackwood’s experience prior to New Line Cinema includes serving as a legal and business affairs executive at MDP Worldwide Entertainment, an independent production and sales company. Ms. Blackwood received a J.D. from Pepperdine Law and a Bachelor of Arts from Fordham University.

Titus Bicknell appointed Executive Chairman of Giant Worldwide

Giant Worldwide, a leading provider of cutting-edge solutions for the media industry, is excited to announce the appointment of Titus Bicknell as Executive Chairman.

Bicknell joins Giant Worldwide with over two decades of experience in senior leadership roles within the media and technology sectors. His impressive track record includes transformative roles at AMC Networks and RLJ Entertainment, where he pioneered the launch of Acorn TV, North America’s most popular streaming service for British and international television.

“I am honored to join Giant Worldwide at such a pivotal time,” said Titus. “The whole industry is changing fast: returning to full power after last year’s strikes and responding to significant changes in technology. Having worked with Giant for almost a decade, I can think of no company more suited to embrace these changes. I look forward to collaborating with the talented team at Giant Worldwide to deliver exceptional value to our clients and drive the next wave of growth and innovation.”

In his new role as Executive Chairman, Bicknell will support Giant Worldwide’s strategic direction, focusing on expanding its service offerings, enhancing client relationships, and exploring new market opportunities. His appointment underscores Giant

Worldwide’s commitment to leadership excellence and its dedication to staying at the forefront of industry advancements.

“We are thrilled to welcome Titus to Giant Worldwide,” said Jeff Stabenau, CEO of Giant Worldwide. “In our next phase of management, his extensive experience and visionary leadership will be invaluable as we continue to expand our services and strengthen our position as an industry leader. I look forward to working with Titus: his passion for innovation and excellence aligns perfectly with our mission to provide unparalleled service to our clients.”

Digital Signage Summit Europe 2024

DSS Europe, co-hosted by invidis and Integrated Systems Events, was held at the Hilton Munich Airport from 22-23 May 2024. Recognised as Europe’s premier event for the digital signage and Digital-outof-Home industries, DSS Europe offered an extensive array of attractions. The introduction of the invidis Digital Signage Software Compass, the release of the invidis Yearbook and unique networking opportunities support digital signage professionals aiming to get a head start in business.

Complementing the comprehensive conference programme with compelling keynotes and a series of insightful regional panel discussions with respected C-level speakers and emerging industry disruptors, was a vibrant exhibition area, providing attendees with firsthand access to cutting-edge digital signage solutions. Brands showcased include AMERIA, AXIOMTEK, Concept, Dynascan, Edbak, Google, HIND, iiyama, Novisign, Samsung, Sharp/NEC, SignageOS, and Vanguard, among others.

DSS Europe also promised invaluable networking occasions, culminating in a networking drinks reception, sponsored by Google Chrome OS, on the evening of 21 May and the not-to-be-missed evening beer garden event at the conclusion of day one. With a dynamic blend of thought-provoking sessions, unparalleled industry insights, and an array of networking opportunities, DSS Europe 2024 was undoubtedly a pivotal event for professionals in the digital signage landscape. “As the continent’s foremost digital signage conference, we’ve curated a lineup of industry heavyweights and rising stars poised to share their observations and experiences,” said Florian Rotberg of invidis. “From exploring groundbreaking software advancements to delving into the burgeoning opportu-

nities within the retail media and DooH sectors, our agenda was packed with discussions vital for staying ahead in this dynamic industry.”

DSS Europe also unveiled the revolutionary invidis Digital Signage Software Compass, a vendor-neutral tool designed to simplify CMS selection and to serve as a comprehensive resource and platform for digital signage software-related topics, offering expert knowledge, editorial independence and transparency in a fragmented market. Attendees can further augment their industry knowledge with exclusive market intelligence from the newly released invidis Yearbook, a must-read for everybody in the digital signage industry. The focus topic ‘Signage & Software’ promises exciting background information and rankings. The invidis Digital Signage Market Compass analyses the key markets and the important players. It focuses on the different European Markets but will also covers the important North America market. As always, the invidis Yearbook will be available in both a German and an English edition.

Another indispensable event at DSS Europe 2024 was the invidis Strategy Awards. Presented for the third time, the awards recognised individuals and organizations for sustained, long-term contributions to the digital signage industry. The Strategy Awards were judged by industry experts in the invidis advisory team and recognize strong leadership, strategic thinking and excellent execution. The winners included disruptors in their fields and developers of excellent products.