Welcome to Alberta Theatre Projects and our production of King James!
Whether you’re a die-hard basketball fan or simply love a great story, we’re thrilled to have you with us for this powerful play about sports, friendship, and the experiences that bring meaning to our lives.
This season has been nothing short of remarkable. As we continue to celebrate ATP’s 50th Anniversary, we’ve witnessed an incredible resurgence in audience engagement and support. From the magic of Charlotte’s Web to the gripping drama of The Seafarer, your enthusiasm has reminded us why theatre remains a vital part of Calgary’s cultural fabric. Your presence in our theatre fuels our passion and reaffirms the importance of live storytelling.
At its core, King James is about connection—between two friends, between fans and their team, and between a city and its shared history. In many ways, it mirrors what we strive for at ATP: bringing people together in this amazing city for unforgettable experiences.
We’d also like to extend a heartfelt thank you to our friends at Theatre Aquarius for their invaluable collaboration in bringing this production to life.
Thank you for being part of this extraordinary season. Let the game begin!
With Gratitude,
As a lifelong sports fan, the deep, often hard-to-explain bond we form with our favorite teams and players is something I’ve always found relatable. When I first encountered King James, I was immediately struck by how this play captures the essence of that connection— how it goes beyond the game itself, becoming a part of our lives and relationships.
King James isn’t just a play about basketball. It’s a powerful exploration of friendship, loyalty, and the human need for connection. We see two men, bonded by their shared passion for the Cleveland Cavaliers and LeBron James, navigate the highs and lows of life, using sports as both a bridge and a mirror to their own experiences. Whether you’re a sports enthusiast or not, the themes of camaraderie, change, and personal growth resonate on a deeply human level.
My vision for this production is rooted in the hope that you, our audience, will see yourselves in these two fascinating characters. Whether through the lens of sports, friendship, or the challenges of life, I believe there is something in this story that speaks to us all. It’s about the ways in which we find common ground, even when the game—or life— doesn’t go as planned.
Thank you to Mary Francis Moore and the entire team at Theatre Aquarius for their collaboration, commitment, and energy. We hope James keeps you engaged until the final buzzer and stays with you well beyond the performance.
Haysam Kadri
Director, King James
King James was co-commissioned by Steppenwolf Theatre Company, Anna D. Shapiro, Artistic Director, David Schmitz, Executive Director, and Center Theatre Group, Michael Ritchie, Artistic Director, Douglas C Baker, Producing Director, and received its world premiere in 2022 in co-productions at Steppenwolf Theatre Company, Chicago and Center Theatre Group/Mark Taper Forum, Los Angeles.
King James is presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play Service imprint. (www.dramatists.com)
MICHAEL BLAKE
Theatre: King James (Shawn) (Theatre Aquarius), The Player in Rosencrantz & Guildenstern Are Dead (Mirvish/ Neptune); 10 seasons at Stratford Festival of Canada having played Othello, Edmund, Caliban, MacDuff, Don John and Sebastian among many others. Michael has worked across Canada from Bard on the Beach in Vancouver to Stephenville Festival in Stephenville, NFLD. He has played Adult Simba in Disney’s The Lion
King at Princess of Wales Theatre in Toronto. He was an inaugural member of English Theatre Acting Company at the National Arts Centre in Ottawa where he played Mercutio in Romeo and Juliet among others. He was seen as MLK in The Mountaintop at Theatre Kingston. He was also an inaugural member of the Soulpepper Academy where he was seen as George in Raisin in the Sun and Orlando in As You Like It among many others. Beauty and the Beast (Prince/Beast) (Theatre Aquarius). Film/Television: Selected credits: Slumberland (Netflix), The Lost Symbol (Universal), Murdoch Mysteries (CBC), The Expanse (Syfy), Degrassi (CBC). Training: National Theatre School of Canada Acting Program; Soulpepper Academy; Claude Watson Program at Earl Haig S.S. Michael was born and raised in Toronto and now calls Hamilton home.
SHAWN DEVIN MACKINNON
MATT
(He/Him) Born and raised on PEI, Devin received his BA from the University of Prince Edward Island before attending The National Theatre School of Canada. He now resides in Stratford, Ontario. Having had the privilege of working at theatres all across the country, Devin is thrilled to be making his ATP debut with this beautiful play and this incredible team of artists. Selected credits: King James (Theatre Aquarius), Heist (The Grand), King Lear, Much Ado About Nothing (u/s), Richard III, All’s Well That Ends Well, The Comedy of Errors, Paradise Lost, Long Day’s Journey Into Night (u/s) (Stratford Festival); Little Women, A Christmas Carol (Theatre Calgary); The Tempest (The Shakespeare Company), Crime Does Not Pay (Downstage), In This Light, Frankenstein, The Ruins, Nothing Less!, A Midsummer Night’s Dream, Liberation Days (Two Planks and a Passion). Training: The National Theatre School of Canada, Birmingham Conservatory. Much love to the family and friends who continue to support me on this journey and special thanks to Rachael and the entire TH team!
DIANA REYES FLY LADY DI
DJ
(She/Her) Theatre: Our Fathers, Sons, Lovers and Little Brothers (Tarragon, Segal Centre), Mixie and the Half-Breeds (fu-GEN), This Will Be Excellent (St. Catherines), Cacao (Aluna Theatre), Third World (Summerworks, Manila). Film/Television: Lost Girl (Showcase), The Jane Show (Global), Remedy (Global), Honey (Universal), Platinum (UPN). Training: Lewis Baumander (TO), MOP TOP / Elite Force (NYC), “the school of life”... ETC: I’m also a published author with the Oxford University Press’, “Oxford Handbook of Hip Hop Dance Studies. Co-wrote Chapter 21! Toronto born multi-disciplinary artist Diana Reyes also known as Fly Lady Di has DJ’d for elite brands and venues including Dior, Toronto Maple Leafs, eBay, Twitter, Jay Z’s D’Usse Cognac, Rihanna’s FENTY Beauty, SOHO House, Royal Ontario Museum, and the Art Gallery of Ontario – to name a few. As a dancer, her credits include the film Honey (2003), Fall Out Boy’s Dance, Dance video as well as Jason Derulo, Ciara, the Clipse with Pharell, BlackSTREET and many more. Diana has been featured on eTalk, CP24, CBC’s The National, The Globe & Mail, Toronto Star, Chatelaine Magazine, Toronto Life, Dance Current amongst other media. She divides her time between Montreal and Toronto. Visit flyladydi.com for more info. Social Media: @flyladydi
RAJIV JOSEPH PLAYWRIGHT
Rajiv Joseph’s play Bengal Tiger at the Baghdad Zoo was a 2010 Pulitzer Prize finalist for Drama and was also awarded a grant for Outstanding New American Play by the National Endowment for the Arts. He has twice won the Obie Award for Best New American Play, first in 2016 with Guards at the Taj (also a 2016 Lortel Winner for Best Play) and then in 2018 with Describe the Night. Other plays include King James, Letters of Suresh, Archduke, Gruesome Playground Injuries, Animals Out of Paper, The Lake Effect, The North Pool and Mr. Wolf. Joseph has been awarded artistic grants from the Whiting Foundation, United States Artists and the Harold & Mimi Steinberg Charitable Trust. He served for three years in the Peace Corps in Senegal.
HAYSAM KADRI DIRECTOR
Directing Theatre Credits (Selected): King James (Theatre Aquarius), Heist, Clue, Nero Wolfe: Might As Well Be Dead (Vertigo Theatre); In Wonderland, The Wizard of Oz (ATP), A Thousand Splendid Suns (Arts Club, MTC), The Shoplifters, Romeo and Juliet (Theatre Calgary), A Thousand Splendid Suns, Homes: A Refugee Story (The Grand Theatre); The Three Musketeers, Titus Andronicus, Hamlet (The Shakespeare Company); Hamlet (The Rose Brampton), As You Like It (National Theatre School), Prairie Boys Winter, A Midsummer Night’s Dream, Dracula ( Mount Royal University); Metamorphoses (U of C).
KODIE ROLLAN
ASSISTANT DIRECTOR
Kodie Rollan is a Philippine-born, Scarborough-raised, Mohkinstsisbased playwright, dramaturg, lyricist, and producer. As an artist, Kodie is passionate about creating care-forward environments where artists and collaborators can dream their dreamiest dreams, show up in the fullness of themselves and thrive in their artistry. He is currently the Artistic Director of Chromatic Theatre and was previously the Associate Dramaturg at the Banff Playwrights Lab. He was also one of the recipient of Theatre Alberta’s 2023 Michelle Dias Community Service Award. Outside of theatre, Kodie is a huge basketball fan and spends most of his time talking and thinking about the Toronto Raptors! In spite of a tank season, he still spends countless hours watching them play. He is also incredibly excited about the emergence of the WNBA and can’t wait to see the Toronto Tempo hit the court in 2026! #WeTheNorth
BRIAN DUDKIEWICZ SET & COSTUME DESIGN
(He/Him) Brian is an award-winning designer whose work has been seen across Canada, the United States, and Asia. Theatre: King James, Never Not Once (Theatre Aquarius); A Streetcar Names Desire (The Citadel), Lady Day at Emerson’s Bar and Grill (Theatre Calgary), Controlled Damage, Titanic (The Grand); Frozen, Billy Elliot, The Last Five Years (Neptune); Jukebox Hero (Mirvish/Jubilee); Dixon Road (Musical Stage Company), Priscilla, Kinky Boots, The Sound of Music, Newsies, Rocky (Drayton); April Fools, Prayer for the French Republic, Indecent, Million Dollar Quartet, Bad Jews (Segal Center). Many shows Off-Broadway in NYC. Instagram: @briandud1
LOUISE GUINAND LIGHTING DESIGN
Louise Guinand has designed lighting for over 600 shows at theatres across Canada and the U.S including Stratford Festival, Shaw Festival, Western Canada Theatre, Citadel, Grand Theatre, Soulpepper, Canstage, Globe Theatre, Blyth Festival, Theatre Orangeville, Kennedy Center and New York Shakespeare Festival. Recent Theatre Credits: Peter Pan (Globe Theatre), Beaver Club (Theatre Orangeville), King James (Theatre Aquarius); 1939 (Canstage and Belfry), Candida (Shaw Festival), Romeo and Juliet (Stratford), Liars at a Funeral (1000 Islands Playhouse), Casey and Diana (Soulpepper). She has received multiple award nominations across the country and was the recipient of the 1992 Dora Mavor Moore Award for Best Lighting Design for a Musical. Louise was nominated in 2012 for the Siminovitch award. Louise Guinand is a graduate of Queens University and of the National Theatre School’s Production Section.
MADDIE BAUTISTA
SOUND DESIGN
(She/Her) Theatre: Interior Design, CRAZE (Tarragon Theatre); King James (Theatre Aquarius), Get That Hope, Les Belles-Soeurs (Stratford Festival); seven methods of killing kylie jenner (Crows/Obsidian), Woking Phoenix (Theatre Passe Muraille), Wild Woman (Soulpepper), Kim’s Convenience (The Grand Theatre, London), The First Stone (New Harlem Productions). Training: Humber College Theatre Performance. Maddie Bautista is a Bi, Saudi Arabia-born Filipina sound designer and composer based in Treaty 13, Tkaronto. Maddie received 2 Dora Mavor Moore Awards for Love You Wrong Time (Outstanding Sound Design and Composition, and Outstanding Ensemble). Thank you to Pa, Ma, Anya, Douie, and the love of my life: John. maddiebautista.com Instagram: @xLqpopart Facebook: @madzbautista
LAUREL ONEIL STAGE MANAGER
Theatre: BOOM (Theatre Calgary, Thousand Islands Playhouse & OffBroadway), BOOMX (Theatre Calgary & Royal Manitoba Theatre Centre), BOOMYZ, The Importance of Being Earnest, Escape to Margaritaville (Theatre Calgary); Flora and Fawna Have Beaver Fever (Lunchbox), The Strange Case of Dr Jekyll & Mr Hyde, The Extractionist, Murder in the Studio (Vertigo Theatre); Liars at a Funeral, Beauty and the Beast, Jesus Christ Superstar, The Wizard of Oz, The Sound of Music (Western Canada Theatre); Fiddler on the Roof, Priscilla: Queen of the Desert, A Few Good Men, Buying the Farm, Annie, Fiddler on the Loose (Drayton) and 60+ productions at Stage West Calgary, including: Jersey Boys, Legally Blonde, Rock of Ages, Avenue Q, 39 Steps, Chicago, Spamalot, Young Frankenstein, Buddy: The Buddy Holly Story. Laurel would like to dedicate her work to the loving memory of her mom, who helped her find her love of theatre at young age. She would also like to thank her family, friends and RP for their unending love and support.
RAYNAH BOURNE ASSISTANT STAGE MANAGER
Raynah is thrilled to be spending the first half of the year with ATP! Recent Credits: Liars at a Funeral (Western Canada Theatre/ATP), Stealing Sam (ATP), Twelve Days (Lunchbox Theatre), Beaches the Musical, Made In Italy (Theatre Calgary); The Woman in Black, Heist, Murder on the Orient Express (Vertigo Theatre); Starslingers (Calgary Stampede/ Cirque de la Nuit), Rock of Ages, Lucky Stiff (Stephenville Theatre Festival); Elf the Musical, Next To Normal (New West Theatre); Celtic Illusions, A Dinosaur Tale, We Will Rock You (Annerin Productions). In her spare time, Raynah can be found in a dark movie theatre watching all of the Oscar nominees! Big thanks to her roommates; Indie the Chonky Beagle, Fuego the Tortoise, and also the spectacular humans in her life.
Our hearts are filled with gratitude and awe—not just for your incredibly generous support, but for the way you’ve championed theatre and helped bring some of our most impactful productions to life in the Martha Cohen Theatre.
Your dedication is the heartbeat of ATP, and we couldn’t do this without you.
THANK YOU!
While we make every effort to ensure accuracy, mistakes can happen. If you notice an error, please contact us at: info@atplive.com
(List updated for printing: February 12, 2025)
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SEASON SPONSOR
MAJOR SPONSORS
GOVERNMENT & FOUNDATION SUPPORT
CREATIVE PARTNERS
MEDIA SPONSORS
HOSPITALITY PARTNERS
SPECIAL THANKS TO
WHO WE ARE STAFF
ARTISTIC
Haysam Kadri, Artistic Director
ADMINISTRATION
Peita Luti, Executive Director
Megan Jovie, Company Coordinator
Honglan He, Bookkeeper
Mardie D’Andrea, Consultant
DEVELOPMENT
Drew Gusztak, Fund Development Manager
SALES & MARKETING
Matt Smith, Manager, Sales & Marketing
Kevyn Sander, Patron Experience and Community Coordinator
Kara Sturk, Marketing & Communications Coordinator
Danielle Barton, Media & Communications Consultant
Emily Adams, Box Office Attendant
Jasmine Cha, Box Office Attendant
Manisha Dangol, Box Office Attendant
Jess Parker, Box Office Attendant
PRODUCTION
D.W. von Kuster, Production Manager
Sabrina Mueller, Technical Director
Caroline Broadley, Head of Wardrobe
Geoff Buchanan, Head Stage Carpenter
Michael Carr, Head of Props
Gerry Dubbin, Head Dresser
Barry Eldridge, Head Scenic Carpenter
Andy Fawcett, Head Electrician
Misha Hlebnicov, Head of Sound
Barb Curle, Scenic Painter
Ventura Jones, Scenic Painter
Rylan Brown, Assistant Stage Carpenter
ALBERTA THEATRE PROJECTS
220 9 Ave SE, Calgary, AB T2G 5C4 | ALBERTATHEATREPROJECTS.COM
Main Office: 403-294-7475 | Ticket Office: 403-294-7402
Alex G. MacWilliam, Director, Counsel, Dentons Canada LLP
Stuart Parnell, Director, Managing Director, Stormont Capital Advisors
Alberta Theatre Projects was founded by Douglas Riske and Lucille Wagner in association with a dedicated group of Calgary artists and volunteers in 1972. D. Michael Dobbin, Producing Director Emeritus, 1983-1999.
Alberta Theatre Projects is a not-for-profit theatre and an active member of the Professional Association of Canadian Theatres (PACT). Alberta Theatre Projects engages theatre artists who are members of Playwrights Guild of Canada (PGC), Associated Designers of Canada (ADC) and Canadian Actors’ Equity Association (CAEA) under the terms of the Canadian Theatre Agreement (CTA). Production and technical personnel are engaged under a collective agreement with IATSE (International Alliance of Theatrical Stage Employees) Local 212. Alberta Theatre Projects is an allied member of The Calgary Congress for Equity & Diversity in the Arts (CCEDA).