More than 200 people from across the country attended the 19th Annual Canadian Printing Awards in Toronto, one of the nation’s largest celebrations of print
20 The beautiful box
More businesses are using folding cartons for their products for the natural look and customization options
DEPARTMENTS
GAMUT
6 News, People, Installs
6 CALENDAR
SPOTLIGHT
22 Shawn Desmarchais, president, Groupe Produlith
COLUMNS
FROM THE EDITOR
4 Nithya Caleb
Key growth areas in 2026
CHRONICLE
9 Nick Howard
The weak link: Man or machine?
INSIDER
10 Bob Dale
Reflecting on 30 years of change in print
Cover photo: Mark Lillies, VP, manufacturing, PBI
– Printing by Innovation; Christine Yardley, president & co-founder, Print Panther Direct; Jeff Cooper, production manager, Hemlock Printers; Mike Brickwood, manager, print innovations, Pollard Banknote; and Antony Rubino, founder & managing director, Resource Integrated.
Key growth drivers for 2026
WUS$36.9B
The amount Smithers is predicting the packaging market will reach in 2030.
e just wrapped up the 19th Annual Canadian Printing Awards. It takes us more than six months to organize this awards program, but all the hard work is worth it. It gives us immense joy to bring together the Canadian printing industry for an evening of celebration as well as to honour leaders and innovative projects. This year, we were delighted to welcome Ontario Premier Doug Ford, who gave the keynote address. If you missed the gala, catch the highlights on Pg 12 or visit www.printaction.com.
As we close out one year and prepare for another, I thought of sharing some trends from market research company, Smithers, to give you a sense of how 2026 will unfold in some sectors of the printing industry.
Digital print in packaging
According to the Future of Digital Print for Packaging to 2030 report by Smithers, the packaging market will increase in value at 10.9 per cent CAGR to reach US$36.9 billion in 2030. Currently, digital has a modest share (approx. 1 per cent) of the overall printed packaging output. However, this will increase as a new generation of digital presses that are designed specifically for packaging and have higher throughput are installed. Smithers forecasts digital print on flexibles to increase at 11.6 per cent CAGR to 2030.
The corrugated sector will have significant growth too. According to Smithers, value will more than double across the next five years, reaching US$8.2 billion in 2030. The principal opportunity in the sector will be for inkjet, where the latest wide-web systems can print up to 400 mpm. These presses are expected to reach 500 mpm by the end of this decade.
The use of inkjet postprint is growing rapidly as well due to the increased use of printed e-commerce delivery boxes. As the boundaries between display and secondary packaging blur, there’s greater need to print higher quality shelfready trays and boxes.
In label printing, digital presses haven’t made many inroads. Per Smithers, around 8,100 narrow-web inkjet and
toner presses are being used worldwide for label and sleeve printing. It predicts an 8 per cent CAGR for 2025-2030 when it comes to digital press technology adoption in label printing.
“The proliferation of suppliers makes labels extremely competitive. One option is to upgrade the existing base of narrow-web machines to print flexible packaging substrates,” said the report.
When it comes to screen printing, the technology isn’t being used as heavily as in the past in graphics, packaging and label print. However, new value is being found in functional and industrial print, such as textiles, promotional items, automotive, and electronics. Screen print value in these markets is forecast to increase to US$79.3 billion in 2030; a 4.4 per cent CAGR. Screen is also expected to maintain a small foothold in packaging where it’ll be used for opaque coatings and embellishments.
Inks and coatings
As fars as inks are concerned, sustainability is a key driver. Govt. legislation, especially in Europe, is also incentivizing this shift. Printers are looking for sustainably sourced inks with excellent deinking and recycling properties. Similarly, there will be increased demand for coatings, specifically in food-based packaging, that combine effective barrier properties with superior recyclability and biodegradability.
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A Smithers study found that market polymers and metal foil are preferred solutions. Thermoplastic polymers are the largest coating type. These polymers are expected to maintain their market share over the next five years. Waxes, high-barrier polymers, and silicone coatings are expected to lose ground. Bio-based coatings will increase at a CAGR of 25 per cent to US$446.8 million in 2030.
I can go on and on about trends, but I’ll leave it at this for now. I wish you all a relaxing festive season. See you in 2026!
NITHYA CALEB Editor ncaleb@annexbusinessmedia.com
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Kyocera has been at the vanguard of the production print industry for decades, thanks to our outstanding inkjet technology and constant innovations.
According to several media reports, Canada Post lays off dozens of managers as it restructures the Crown corp. The federal government has also introduced a series of measures to stabilize Canada Post and enable its modernization. The measures included moving non-urgent mail by ground instead of air, lifting the moratorium on community mailbox conversions and removing the moratorium on rural post offices.
Cober opens a new manufacturing facility in Calgary, Alta. This new facility doubles Cober’s square footage, as it expands its presence in western Canada. Its Ontario operations remain unchanged. In Sept. 2024.,Cober acquired Alberta-based West Canadian Digital Imaging’s digital print and wide format signage division.
CAI Software and Print ePS merge operations. The newly combined organization will operate as CAI Software. Print ePS will become the Graphic Communications business unit of CAI. As part of this transaction, the ePS Packaging division of eProductivity Software will now operate as an independent software company. CAI Software names
Pietrzak as CEO and Cort Townsend as CFO.
Cascades sells its only flexible packaging plant to Five Star Holding, Houston, Texas, for $31 million. Cascades will retain ownership of the site real estate. Located in Mississauga, Ont., the plant manufactures printed flexible plastic packaging and films. It employs 45 people, all of which will be retained by Five Star at closing. The transaction includes a supply agreement between the two parties to ensure the continued production and supply of the flexible film that is used by Cascades’ tissue and packaging sectors.
Fiery and Esko co-develop an end-to-end workflow solution for industrial printing. The Esko Colour Engine is now integrated with Fiery Impress DFE. With Fiery Impress, manufacturers can offer their customers the choice of Fiery colour technology or the Esko Colour Engine. This flexibility helps manufacturers differentiate their presses and deliver consistent, brand-accurate colour across both analog and digital production.
Fujifilm Canada recently signed a distribution agreement with Thunder Bay Xerographix Inc. (TBXI), a technology solutions provider in northwest Ontario. As part of this relationship, TBXI will be a reseller of Fujifilm’s print production lines including Revoria Press, ApeosPro, and Acuity.
Labelink acquires L’Empreinte, Laval, Que. Founded in 1986, L’Empreinte employs 110 people and focuses on publishing, marketing, direct mail, folding cartons, and cut-sheet label solutions. L’Empreinte will maintain its portfolio of clients and continue to operate under the name L’Empreinte. Jean- Pierre Rose will remain at the helm to ensure operational continuity.
Konica Minolta partners with Adobe to offer its new prepress embellishment technology, referred to as Project Goldsmith by Adobe. Designs with embellishments often require complex co-ordination between designers and print service providers, with workflows varying widely across equipment and teams. Project Goldsmith by Adobe aims to simplify the process of adding special finishes like foiling and varnishing to printed materials by automating job preparation and creating ready-for-production files. The solution will be available across Konica Minolta’s full range of embellishment devices, including the AccurioShine 3600 with iFoil One option, JETvarnish 3D 52L, JETvarnish 3D Evolution, JETvarnish 3D Web 400 and AlphaJET.
The Canadian Printing Industries Association (CPIA) appoints Isabel Jordan as the new association manager and Alfonso Vincenti as secretary treasurer. Jordan is a 2025 graduate of the Graphic Communications Management program at Toronto Metropolitan University. She has four years of experience in a marketing and design role. Vincenti is a seasoned professional with over 25 years of experience in the printing and
CALENDAR
January 9-10, 2026
National Imprint Canada Show
Toronto
March 16-19, 2026
TAGA NextGen Minneapolis, Minn.
April 8-10, 2026
ISA Sign Expo Orlando, Fla.
April 26-29, 2026
FTA Forum, Infoflex Milwaukee, Wis.
May 19-22, 2026
FESPA Global Print Expo Barcelona, Spain
packaging industry, specializing in folding cartons. He currently serves as vice president of sales at Netpak Packaging, where he brings deep technical expertise and a strategic approach to sales and business development.
Xerox earns the 2025-26 Pacesetter Award in Manufacturing from Keypoint Intelligence. This award recognizes Xerox for its comprehensive approach to solving the complex document, compliance, and workflow challenges of the modern manufacturing industry. Keypoint Intelligence’s Pacesetter Awards identify the document imaging original equipment manufacturers that best align their products, services and go-tomarket strategies with the needs of clients in specific vertical markets. Xerox was selected for this year’s award for manufacturing based on a combination of product portfolio strength, workflow automation capabilities, regulatory support, and sector-specific service delivery.
Brent
General Formulations appoints Mike Miserany as Canada sales manager, overseeing the provinces of New Brunswick, Nova Scotia, Prince Edward Island, Newfoundland and Labrador, Ontario, and Quebec. With more than 28 years of experience in the paper, printing, and wide-format graphics industries, Miserany brings a wealth of knowledge, strong customer relationships, and a passion for supporting the print community across Canada. Miserany started in the paper and printing industry in 1997 at Moore Business Forms. He later joined Appleton Papers, where he spent over two decades selling carbonless rolls, sheets, direct thermal, white wove, coloured bond, and security papers. Recently, he worked with Nekoosa, selling wide-format media, application tape, synthetic paper, and carbonless sheets.
Matik names Dean Haertel as executive vice president of sales. Haertel brings decades of experience in domestic and international digital print business development and will play a key role in advancing Matik’s sales strategy across North America. Haertel’s career spans senior leadership roles in digital imaging technologies and consumable and capital equipment sales in the labels, wide format, signage, commercial print, textile and packaging markets, having most recently worked as the senior sales manager of the Americas and Australia for Fujifilm Integrated Inkjet Solutions. Haertel’s extensive knowledge in machine technology also served him in his career as business director for narrow & mid web, part of Bobst Group North America. In his new role, Haertel will focus on driving North American business development, with a particular emphasis on the SEI Laser line.
Industry veteran Thomas Michael “Buckey” Devitt died on October 12, 2025. He was 101 years old. Born in Harrow, England, Devitt joined the RAF when he was 18 years old. He trained as a Spitfire pilot, an experience that sparked his lifelong affection for Canada, where he trained, and where he and his wife Joan (deceased) would later settle to raise their family. Devitt focused his significant entrepreneurial talents on growing Office Equipment Company of Canada into one of the world’s largest Canon dealers.
Supremex names Normand Macaulay as chief financial officer and corporate secretary. Macaulay has more than 20 years of leadership experience in finance and operations in the manufacturing and distribution industries. Most recently, he was the CFO of Nitrex. Before joining Nitrex in 2019, he spent eight years at Wajax where he held several senior roles in finance, including VP-finance. He also held various positions with Accent-Fairchild Group and KPMG Canada.
Massilly North America, Brantford, Ont., installs a new Koenig & Bauer MetalCoat 470 coating line.
Jukebox adds HP Indigo 6900 and HP Indigo 7900 digital presses. These presses enable roll label production for Jukebox.
Cameron Advertising, Toronto, becomes the first print service provider in North America to invest in Agfa’s Onset Panthera flatbed printing system.
The weak line: Man or machine?
A case for printers to embrace all the tools in their toolbox
By Nick Howard
Go on and take a stroll through any grocery store. As most printers know, the quality of printed packaging at these outlets varies from the very good to dreadfully bad. I recently came across boxes of White Cheddar Deluxe Macaroni & Cheese Dinner, a product manufactured for Canada’s largest grocer, Loblaw’s, and their bespoke President’s Choice brand. The printing was atrocious, with stark differences between individual packages. I bought a couple to simply get them off the shelf; it’s a sense of responsibility that we graphic arts professionals have when spotting bad print. If we see it, we can be certain a consumer will too.
Loblaw’s or the third-party manufacturer was not at fault. In this case, the product was produced, printed and packaged in the U.S. The sloppy work lies at the feet of the printer. The offset press that printed these boxes would most certainly have a host of features, including colour-control devices, the ability to scan the sheet or ICC bars, along with a reasonably responsive inker to alter ink film and dampening settings. The press manufacturer would have supplied a closed-loop inking system and software for the press operator to instantly see whether they were in a go or no-go setting of the desired density. So why, after all the technological improvements, can such sloppy outcomes end up on a grocery shelf?
The importance of colour management
Colour reproduction is a constant topic of discussion and debate among the world’s press, as it’s in a roller coaster ride of constant development. Chasing consistent colour is a hot topic that dates to the 1950s. Press builders recognize that developing
available technologies did their job, flagging start-up waste or out-of-conformity sheets, but no action was taken to remove the offenders. Whatever the reason, this, along with hundreds of similar situations, continues to occur.
2008
The year when Manroland introduced the Roland InlineColorPilot.
systems to manage colour is essential, particularly considering the transition from offset to digital. At one time, press calibration using thirdparty test forms, such as GATF or Kodak, became commonplace in the 1980s. However, these were rarely used other than to benchmark a new press, plate or ink. Measurement systems, such as those developed by Brunner and Fogra and the International Colour Consortium (ICC), introduced new tools as press operators transitioned from handheld densitometers to full-sheet or colour bar scanning on the console.
Then, in the 1990s, densitometry units from Gretag and others, now including spectral evaluation, began appearing inside the press. Printed sheets could be scanned on the fly before they were delivered. Manroland celebrated the launch of their autonomous InlineColorPilot with a new delivery for the 700 model. It featured a ‘reject’ waste bin that removed out-of-conformity scanned sheets. With inline densitometric scanning, the operator no longer had to pull a sheet, swivel around, and then place it onto a scanner console.
Most of you are already familiar with these developments. The question of who to blame for this macaroni box remains a finger-pointing exercise, so far. The answer is the one element of the printing process that is not controlled by computers, spectral scanners, and soon artificial intelligence: a human. What is so frustrating is how, after decades of labour-saving advances by manufacturers, a careless person could be the cause. It is also possible that the
The consumer is the final arbiter of print quality. If those running offset presses don’t pay attention to consistent print quality and ignore existing tools, they are ultimately handing the ball to emerging digital technologies that have an easier time and don’t need to balance ink and water simultaneously. Improving press habits can be profitable and a savvy decision, as labour is as expensive as paper.
Many press operators reacted with disdain when press automation began in 1977 with the introduction of the off-press console. They argued that operations cannot be improved with automation. They were wrong then, and some remain stubborn in their refusal to change to this day.
As we navigate our way through many challenges, it is essential to recognize that today’s machinery is equipped with numerous labour-saving features that were not available 20 years ago. These tools, developed at a high cost and by all major suppliers, will continue to enhance the skills required by those who run the machines. We are now more than ever a visual communication medium compared to before the internet, when print was seen as essential for everything from transactional printing to books and magazines. The consumer is attracted to high-quality, consistent reproduction, whether it’s a large-format banner or a box of instant macaroni.
In print, particularly in the world of consumer packaging, sloppy quality control can destroy a brand, perhaps even a company, simply because someone dropped the ball during the printing process. Embrace the tools in your toolbox!
NICK HOWARD, a partner in Howard Graphic Equipment and Howard Iron Works, is a printing historian, consultant, and certified appraiser of capital equipment. He can be reached at nick@howardgraphic.com.
Reflecting on 30 years of change in print
The printing and graphic communications sector has seen tremendous change in the last three decades
By Bob Dale
t’s hard to believe that I’ve been writing columns on this industry for 30 years. During that time, the printing and graphic communications sector has seen tremendous change— some transformations happening at revolutionary speed, others evolving gradually over time.
Idecor, and industrial printing;
Looking back, many of the jobs that once required years of training, such as typesetting and film stripping, have disappeared. Yet, each of these roles contributed to a foundation that has made this a successful and deeply rewarding career.
Process evolution
From hot metal to digital workflows, every decade has brought waves of innovation, including the following:
• typesetting and composition evolved to desktop publishing, then to today’s fully digital workflows;
• film stripping and platemaking gave way to computer-to-plate (CTP) technologies;
• screen printing has transitioned into digital wide format applications for signage,
• offset dominates but has steadily given ground to toner-based presses and now to high-speed inkjet systems;
• flexographic printing continues to thrive, but increasingly in hybrid digital-flexo configurations that balance flexibility and quality; and
• online communication and e-commerce portals have become integral to print ordering, proofing, and fulfillment.
The modern print operation is now part of an integrated ecosystem of data-driven automation, web-to-print portals, variable data personalization, and robotics-assisted workflows.
Technological transformations
When Xerox launched the 914 copier in 1959, it started a revolution in office communication.
1959
The year when Xerox launched the 914 copier machine.
The
modern print operation
part of an
is
now
integrated ecosystem of data-driven automation, webto-print portals, variable data personalization, and roboticsassisted workflows.
By the 1980s, Xerox led the digital copying revolution. Today, digital printing continues its rapid ascent. By 2025, digital is projected to account for nearly 19 per cent of global print market value, with inkjet leading the charge in books, packaging, and direct mail.
Technology investment cycles have shortened dramatically—from decades to just a few years. The pace of innovation demands ongoing capital reinvestment, not just for productivity, but for integration with data systems, automation, and sustainability compliance.
Meanwhile, manual and repetitive tasks have been replaced by robots, cobots, and smart finishing systems, improving workplace safety and efficiency. Artificial intelligence now plays a growing role in colour management, predictive maintenance, scheduling, and estimating, transforming how shops operate.
Workplace and industry structural changes
The Canadian commercial print industry once featured giants like Quebecor, Transcontinental, Moore Canada, Data Communications, Friesens, Maclean-Hunter, and Davis & Henderson. While a few of them remain strong, most have disappeared or consolidated. The landscape has also shifted toward fewer but larger enterprises, complemented by a resilient mid-market of entrepreneurial companies specializing in packaging, labels, and niche marketing communications.
Today’s successful firms are those that have diversified services, invested in workflow automation, and developed value-added solutions such as packaging design, fulfillment, and digital marketing integration.
Associations and collaborations
Thirty years ago, most people in the industry belonged to one or more trade associations. These groups provided networking, education, and professional development, many guided by the Craftsmen’s motto of ‘Share your knowledge.’
While overall membership has declined, new collaborations have emerged. Organizations like the Canadian Printing Industries Association (CPIA), PAC Global, and regional associations continue to foster innovation, sustainability, and workforce development. Virtual events and hybrid forums now complement traditional networking, helping connect a broader community across North America.
Education and talent
In earlier decades, the industry had strong high school and trade training programs, union apprenticeships, and community college pathways leading to university-level print management degrees.
Today, the challenge is attracting and retaining new talent. Many programs have closed, but initiatives like the Print
Wisdom mentorship program at Toronto Metropolitan University (TMU) and other mentorships across Canada are working to bridge the skills gap. The focus has shifted to cross-disciplinary education that blends print, design, technology, and business analytics.
Communication channels
When I began my career, we relied on newspapers, trade journals, and direct mail for news and advertising. Those channels have largely shifted to digital, streaming, and social media platforms, yet print continues to hold a unique position in building trust and engagement. Print remains tangible, credible, and effective—especially when integrated with omnichannel marketing strategies that combine print with data, QR codes, and augmented reality.
Core values remain constant
Some things haven’t changed at all. The heart of our industry remains about:
• understanding and meeting customer needs and expectations;
• solving business challenges through creative communication; and
• delivering relevant, sustainable, and measurable print solutions.
In the 1700s, Benjamin Franklin wrote Poor Richard’s Almanack to generate quality content for his press. He also helped establish the postal system to distribute it. The same entrepreneurial spirit drives the print industry today. As we look ahead, our challenge—and opportunity—is to continue demonstrating print’s relevance in a digital-first world, while promoting the environmental sustainability, innovation, and career potential that make this industry so rewarding.
BOB DALE is vice-president of Connecting for Results. He can be reached at b.dale@cfrincorporated.com.
CELEBRATING CANADIAN PRINT
More than 200 people from across the country attended the 19th Annual Canadian Printing Awards in Toronto on November 6, hosted by PrintAction. It has become one of the nation’s largest celebrations of print
By Nithya Caleb
John A. Young Lifetime Achievement Award Mike Brickwood, Manager, Print Innovations, Pollard Banknote
Mike has been in the industry for nearly 50 years. In those years, he’s been named in 41 patent applications, showcasing innovations across multiple product lines—many of which have been key to Pollard Banknote’s global success and have collectively generated tens of billions of dollars in revenue. He has also led or contributed to numerous non-patented innovations that have enhanced lottery product design, retail delivery, and customer engagement.
He has consistently been the go-to person for teams launching complex products and developing new technologies. Mike has taught and mentored new generations of planners, production technicians, and innovation managers. His dedication, humility, and problem-solving mindset have inspired many to stay with the organization and grow their careers.
Printing Leader of the Year Christine Yardley, President & Co-Founder, Print Panther Direct
A globally recognized creative leader and print innovator, Christine has helped redefine how the world experiences print. As President and Co-Founder of Print Panther Direct, she has led the company to become one of North America’s most acclaimed names in digital embellishment — earning international recognition, multiple awards, and a reputation for pushing the boundaries of what print can achieve.
A lifelong learner and mentor, Christine is passionate about sharing ideas, exploring new technologies, and inspiring others to embrace the craft and creativity of embellished print. Through speaking engagements, podcasts, and education initiatives, she continues to champion innovation, collaboration, and excellence across the print and design community.
Emerging Leader of the Year Mark Lillies, VP, Manufacturing, PBI – Printing by Innovation
Mark began his career in the print industry nearly 20 years ago at Canada Yearbook Services. Years later, transitioning into production and finishing would allow him to expand his mechanical skills. His initial time with PBI was spent in the digital department, but he quickly transitioned into management roles.
Mark has an aptitude for managing complex workloads and working with people; skills he utilizes regularly in his day-to-day operations. Helping lead PBI through difficult and prosperous seasons, Mark continually inspires his team by leading with humility and perseverance. He is known to be a champion of others, believing that success involves his whole team, not just himself.
Community Leader of the Year Antony Rubino, Founder & Managing Director, Resource Integrated
Antony has made a meaningful impact on his community by actively supporting local and national charities with financial contributions, in-kind sponsorships, and volunteerism. His entrepreneurial spirit, positive leadership, and passion for creative expression in business have allowed him to expand his business portfolio. He is an active member of the community, enjoying the opportunity to give back through volunteering and charitable contributions. Under his leadership, Resource Integrated has contributed to numerous organizations, including Kids Help Phone, The Pinball Clemons Foundation, Aurora Food Pantry, Yellow Brick House, Daily Bread Food Bank, and Scarborough Women’s Centre. He also encourages his staff members to participate in volunteering and donation initiatives. Additionally, for every Verde Fastframe sold, Resource Integrated donates to One Tree Planted, resulting in the plantation of nearly 2,000 trees worldwide to support global reforestation efforts. His mentorship extends to students through Toronto Metropolitan University’s Graphic Communications Management Program, where Resource Integrated donated $10,000 in 2024 to the Student Experiential Opportunity Fund.
Plant Manager of the Year Jeff Cooper, Production Manager, Hemlock Printers
With over 40 years in the printing industry, Jeff exemplifies the leadership and technical expertise that define excellence in plant management. Central to his success is the belief that anything is achievable given the right approach and determination.
Throughout his career, Jeff has embraced learning and growth. Since joining Hemlock Printers as a press operator, he rose to pressroom supervisor and later production manager, always managing to foster a culture of collaboration and accountability among his team. Jeff now leads a team of five supervisors, directing all production, scheduling, and maintenance operations. Known for his hands-on approach, he does more than oversee; he regularly walks the shop floor and engages directly with his team, turning challenges into opportunities to strengthen skills and refine production processes.
Demonstrating solutions-driven leadership, Jeff consistently plays a focal role in Hemlock’s most significant operational initiatives. He was instrumental in integrating B2 digital print technology into the company’s traditionally offset pressroom, increasing efficiency on the production floor while expanding printing capabilities. Under his direction, Hemlock’s cross-training program has enhanced operational flexibility and reduced reworks to below 1 per cent. Beyond daily operations, Jeff oversees new product testing and is currently guiding the transition of case binding into Hemlock’s main production facility—an exciting advancement that strengthens the company’s market position. With steady optimism and dedication to mastering print, Jeff embodies a drive for continuous improvement that is demonstrably helping to carve a path for Hemlock’s success.
Ontario Premier Doug Ford presents Mike Brickwood of Pollard Banknote with the John A. Young Lifetime Achievement Award. Laylah and Doug Laxdal of The Gas Company ecstatic after their project wins multiple Canadian Printing Awards this year. Attendees had the opportunity to greet
A proud moment for Toronto Metropolitan University students and staff who won an award for Best Student Project of the Year-Academia.
Gala attendees had the opportunity to check out print samples from sponsors as well as award entries.
Christine Yardley with Douglas McLean, sales director, Konica Minolta Business Solutions.
Jay Mandarino, CEO, CJ Graphics, with Paul Grossinger, group publisher, PrintAction.
Chris Dueck, Friesens, and Kim Barton, PrintAction.
A joyous Print Panther Direct staff with their award.
PrintAction editor Nithya Caleb with PDI president Jamie Barbieri.
Premier Ford at the gala.
YOU’RE INVITED YOU’RE INVITED
YORKVILLE — Toronto’S PREMIER HUB FOR VISIONARY IDEAS
February 18 & 19, 2026 | Royal Conservatory of Music
FuturePack: Redefining Brands Through Design
The PAC Global Awards @ Futures Edge Summit is the premier global experience for the world’s top designers, innovators, and changemakers. We’ll gather to explore how global retail giants and bold emerging brands are transforming packaging through creativity, innovation, and sustainability on the global stage.
Join us at the Royal Conservatory of Music for the awards and summit, followed by a rooftop reception at the Writer’s Room Bar, Park Hyatt. Stay comfortably nearby at the Yorkville Royal Sonesta Hotel in the heart of Yorkville.
Visit our website for tickets, storytellers, and more info.
WORLD-CLASS PRINTING
An 11-person judging panel, working from a blind scoring system as well as considering factors like print quality, technical execution, creativity and design, paper, and substrate choice, as well as special effects and finishing poured through more than 200 entries to determine the winners in 50 categories in Printing, Print Production, Packaging, Labels, Environmental and Technology
2025 JUDGING PANEL
Printing
George Webber, Komcan Inc.
Joseph Banich, Heidelberg
Martin Habekost, Toronto Metropolitan University
Matthew Serwin
Nick Howard, Howard Graphic Equipment
Packaging, Labels
Aleks Lajtman, Koeing & Bauer
Kinga Krawczykiewicz, Lowe-Martin
Natalia Lumby, Toronto Metropolitan University
Sara Hawary, Canon Canada
Technology and Environment
Abhay Sharma, Toronto Metropolitan University
Christine Yardley, Print Panther Direct
Peter Aston, Zebra Packaging
BEST OF SHOW
Hellmann’s Garlic Aioli X The Primal of Blood and Bone –
Craven-Proof Edition
The Gas Company Inc.
Self Promotion, Printing Company
Winner Kallas First Press
Olive Oil
MET Fine Printers
Honourable Mention 2024
Hemlock Holiday Wrap –
To Dream and To Live
Hemlock Printers Ltd.
Self Promotion, Printing Industry Supplier
Winner Konica Minolta
Extreme Digital Designer’s Guide 5
Print Panther Direct
Honourable Mention
Web2Print Station at Dscoop
HP Indigo
Brochures & Booklets, Offset
Winner Cirque Du Soleil – OVO
PDI
Honourable Mention 2025
Audain Art Museum Gala
Program
Hemlock Printers Ltd.
Brochures & Booklets, Digital
Winner The Age of AI
Print Panther Direct
Honourable Mention
Patron F25 AF Cocktail
Book
Hemlock Printers Ltd.
Books, Hardcover Offset
Winner The Alex – The
125 Year History of the
Royal Alexandra Hospital
Burke
Honourable Mention
Rheem Casebound and
Slipcase
MET Fine Printers
PRINTING
Books, Softcover Offset
Winner Chasing Artwork Friesens Corp.
Honourable Mention
DeSantis Lakefront Viewbook
PBI – Printing by Innovation
Stationery, Business
Cards and Invitations
Winner Four Seasons
Philadelphia
CJ Graphics Inc.
Honourable Mention UHN
20th Anniversary Wine Festival
CJ Graphics Inc.
Binding ( Stitching, Perfect Binding, Coil, Wire, Case binding)
Winner Jack Diamond –For Pure Pleasure
The Gas Company Inc.
Books, Digital
Winner Rivage Property
Brochure – Casebound
Hemlock Printers Ltd.
Honourable Mention
Beedie Book
MET Fine Printers
Business & Annual Reports
Winner BC Egg
MET Fine Printers
Calendars
Winner
TD Calendar 2025
CJ Graphics Inc.
Promotional Printed Merchandise
Winner Hellmann’s Garlic
Aioli X The Primal of Blood and Bone – Craven-Proof Edition – The Gas Company Inc.
Honourable Mention
Nespresso Pod Recycling Program
CJ Graphics Inc.
Direct Mail
Winner Metrolinx Kid’s Passport
CJ Graphics Inc.
Honourable Mention Voilà
Passport for Voilà by Sobeys
AIIM (Avant Imaging and Integrated Media LLC)
Very Large Format
Printing (55 in. or more)
Winner Year of the Snake Mall Display
Burke
Honourable Mention
Corporate Interiors: Morningstar TI Group
Specialty Project
Winner 750ml Collective Arts
Brewing and Erikas Chesonis Glass
Bottle – Stanpac
Winner Sloane East/West Brochure and Presentation Folder – TI Group
Specialty Effects
Winner The Book of Life
Print Panther Direct
Honourable Mention The Dehydrating Book
The Gas Company Inc.
Magazines
Winner SAD Magazine
MET Fine Printers
Honourable Mention
re:Porter Magazine July/ Aug 2025
Mi5 Print & Digital
Honourable Mention The Fringe Full of Stars
Festival Guide – Burke
Wide Format Printing (18-36 in.)
Winner Nespresso Pod Recycling Program
CJ Graphics Inc.
Honourable Mention
McDonald’s McShaker Fries Campaign
CJ Graphics Inc.
Best Print Production, Miscellaneous
Winner Nepantla Series by Alexa Black
MET Fine Printers
Honourable Mention
Border Concepts – Product Catalogue
Mi5 Print & Digital
Best Integrated Media Campaign Production
Winner Invesco Cook
BookaZine – Hemlock Printers Ltd.
Best Print Project, Quebec
Winner Neighborhood Story
Marquis Book Printing
Best Public Service Print Production
Winner The Alex – 125 Year History of the – Royal Alexandra Hospital – Burke
Honourable Mention Translucency: The Stories Within Hemlock Printers Ltd.
Best Print Project, Ontario
Winner Nespresso Pod Recycling Program
CJ Graphics Inc.
Honourable Mention Sea Island Magazine – Spring
Summer 2025
Mi5 Print & Digital
Rigid Packaging, Offset
Winner Vichy Creme Solaire UV+Age Daily – PDI
Honourable Mention LOA Skincare Packaging
MET Fine Printers
Rigid Packaging, Digital
Winner MolecuLightDX
Carton & Product Wrap
CJ Graphics Inc.
Flexible Packaging, Digital
Winner Oath Nutrition
Digital Soft Touch Pouch
Associated Labels and Packaging
Best Student Project of the Year– Academia
Winner Phoenix Challenge Competition in Collaboration with Cheekbone Beauty
Toronto Metropolitan University
Best Print Project, British Columbia Winner 2025 Audain Art Museum Gala Program
Hemlock Printers Ltd.
Honourable Mention
Voxel Book and Cover
MET Fine Printers
Best Print Project, the Prairies (Manitoba, Saskatchewan, Alberta Winner Chasing Artwork Friesens Corp.
Honourable Mention The Alex – The 125 Year History of the Royal Alexandra Hospital Burke
Flexible Packaging, Flexography
Winner Gentle Giants
Premium Chicken Meal & Nutritious Grains with a Vegetables/Fruit Medley
15lbs (6.8kg)
Tempo Flexible Packaging
Honourable Mention
Gentle Giants Salmon
Meal Feast 18lbs (8.16kg)
Tempo Flexible Packaging
Folding Carton
Packaging, Offset
Winner Vineland Fruit Baskets
PBI – Printing by Innovation
Honourable Mention HXH
Box, Sleeve, Insert, and Book
Hemlock Printers Ltd.
Best Student Project of the Year – Industry
Winner In the Moment – 2024/25 Yearbook
Friesens Corp.
Best New Entrant
Winner Hellmann’s Garlic Aioli X The Primal of Blood and Bone – Craven-Proof
Most Progressive Printing Process, Production Inkjet
Winner
HP DesignJet XL 3800 HP Canada
Honourable Mention KYOCERA TASKalfa Pro 15000c
Cut-sheet Inkjet Press
KYOCERA Document Solutions Canada
KOMF I AMIG A 5 2 T D
Designed & Manufactured in Czech Republic
B2 format in either Single Side or Double Side in 1 pass
Most Environmentally Progressive Technology Company
Winner Canon Canada
Honourable Mention HP Canada
Most Environmentally
Progressive Printing Project
Winner Kʷasən Folder & Inserts
– Hemlock Printers Ltd.
Honourable Mention Nespresso Pod Recycling Program – CJ Graphics Inc.
For more information about the awards program, how to apply, as well as coverage of previous winning projects and industry leaders, please visit PrintAction.com/CPA.
THE BEAUTIFUL BOX
More businesses are using folding cartons to pack their products for the natural look, customization options and more
By Treena Hein
It’s been a busy year of paper box and folding carton projects for Amanda DeVries and her team at Eye Candy Design in London, Ont.
“Having great printers I can work closely with in my area has allowed me to explore what’s ultimately possible,” she says. “They are great knowledge holders and can offer solutions that address both sustainability and a reasonable shelf life. From a marketing perspective, we designers really appreciate the ‘real estate’ that paper boxes offer as packaging solutions, and the many ways the various finishes and options make our products ‘pop’ on the shelf.”
DeVries has recently been working on packaging for a line of sachet products housed in a carton, designed to introduce babies to common allergens. Another project is luxury boxes for a premium maple syrup brand. In collaboration with Pique Packaging, also in London, Ont. (a unit within Capital Colour), she’s been working on a redesign of boxboard sleeves for madefrom-scratch frozen comfort meals as well as sleeves for a line of vegan ‘burgers’ and ‘brisket.’ Yet another project with Pique
Packaging is a tea box with a coating so that the tea bags are protected from ambient air.
In fact, since demand for custom cardboard boxes from small and medium-sized businesses (mostly for food products and gift items) is growing, owner Jeff MacLennan recently invested in box-making equipment.
“We do everything—fold, cut, glue, etc.” says Lara Yovetich, who does Pique’s sales and marketing. “Our equipment makes it much more affordable for our clients to do shorter runs and keep production local. We’ll do runs of 20, 50 or much more, whatever the client wants. For printing, we offer digital and offset.”
Yovetich explains that besides short run capability, the ability to see prototypes is a key element for clients who decide to update their packaging or launch a new product in collaboration with Pique.
“We are able to give clients the time and expertise they need in making the switch from buying boxes in bulk and putting printed labels on them to a custom printed box,” she says. “They know that they don’t have to commit to huge quantities, and with a prototype, they can see how the right size of box provides a perfect fit for their product. They can also see the options, different colours of cardboard, spot glosses and aqueous gloss in satin touch, matte, glossy or other finishes. We’re seeing luxury finishes are very popular right now. A textured natural feel is what Amanda has selected for food products—packaging that reflects the
care and wholesomeness of the fresh-fromthe-farm foods being packaged.”
And in Yovetich’s view, the consumer preference for enjoyable ‘unboxing experiences’ is still strong. Years ago, Apple’s legendary unboxing experience set the tone, and there’s a mountain of analysis on why Apple’s packaging has a huge impact on consumers. It’s many things at once—elegant, sturdy, luxurious and sophisticated, with every detail and a satin feel reflecting and validating the worth of the actual product. The Apple box structures, with lids that lift as if by magic, along with all the inner framing and trays, are all precision engineered, reflecting the quality of what’s inside. Plus it’s all made of paper.
PAPER: SUSTAINABLE AND MORE
One obvious reason paper boxes are popular is that they are made from renewable fibre materials.
“Certainly with my clients I’ve observed a growing concern over sustainability,” says DeVries, “and namely, they are trying to find ways to use paper boxes for their packaging as an alternative to plastic.”
Andrina Rose, marketing manager at packaging maker SupremeX, also observes that paper-based packaging is seen as more sustainable in and of itself. If it can be made locally (avoiding long carbon-intense supply chains), then all the better.
How big is the market now, and how big could it get globally? Looking at folding
carton, Rose points to Fortune Business Insights, which pegged this market at about US$177 billion in 2024 and estimates it will reach about US$266 billion by 2032. The entire paper packaging/ paper and paperboard packaging market, according to Global Market Insights, will expand from about US$410.5 billion in 2024 to US$597 billion by 2034.
That enormous growth is not just due to the sustainability factor, but also the continued expansion of e-commerce and omnichannel retail sales. Folding cartons offer excellent structural and tamper-evident protection, says Rose, making them a favourite in many consumer goods, cosmetics, health and food sectors.
Additionally, she notes that as consumer goods markets mature, individual brands seek packaging that helps them stand out. Paper box and folding cartons packaging fit the bill, offering more innovative options than commodity packaging, while technology has also made them much more cost competitive. All this has made these types of packaging much more important to SupremeX.
KEY GROWTH ENGINE
“From SupremeX’s perspective, the folding carton/custom packaging market is now of strategic importance for several reasons,” says Rose. “Historically we have strong roots in envelope manufacturing. Expanding into folding cartons gives us more diversified revenue streams and allows us to offer higher-value solutions.”
In addition, she explains that her firm’s existing infrastructure, technical knowledge and relationships in the broader print/paper world also position it well in building a bigger presence in this market.
SupremeX, therefore, now views the folding carton market as a core pillar of long-term growth.
“Investment in equipment, R&D, marketing and talent for folding carton is part of our roadmap for the next five to 10 years,” Rose reports. “The folding carton market is no longer a nice-tohave; it’s a key growth engine for us, both operationally and strategically.”
TECHNOLOGY PAVES THE ROAD AHEAD
Looking ahead, DeVries believes the paper box and folding carton sector will grow as printing and paper technology continue to advance. She adds that “the sustainability question will never go away,” and in this area, “the paper industry offers so much potential.”
Rose and her colleagues also foresee growth due to innovation and tech—with one driver of innovation being high and volatile input costs (of paper materials, ink/finishing chemicals and energy). Therefore, we can expect R&D that results in lighter-weight boards,
fibre substitutes, optimized structures using less material, and coatings that optimize performance at lower cost.
At the same time, Rose says, “We expect more use of QR codes, NFC tags, augmented reality packaging, tamper evidence features and anti-counterfeiting elements (holograms, security inks) embedded within cartons. Also, structural engineering (how you fold, tuck, insert) will be a differentiator. Brands will also push for unique shapes and integrated features. For example, windows, pockets, trays, inserts and closures to make packaging part of product experience and branding.”
Indeed, you will no longer see cartons standing alone in the near future.
“They will integrate with protective inserts (molded pulp, foam, biodegradable trays), printed inserts or sleeves and other elements,” says Rose. “Packaging will be seen as a system, not just a box.”
The paper packaging market is estimated to hit US$597 billion by 2034. Amanda DeVries, Eye Candy Design.
Shawn Desmarchais / president / Groupe Produlith
Quebec-based Groupe Produlith has manufactured folding cartons, labels, and flexible packaging for more than 40 years. This second-generation, family-owned company is helmed by Shawn Desmarchais who joined the company at a young age. The 53-year-old worked in several departments to fully understand the business before becoming company president in 2006. Recently, Produlith purchased a new Komori GL540C press to help strengthen its position as a leading North American company in folding cartons, labels, and flexible packaging. Here's an excerpt from an interview PrintAction recently conducted with Desmarchais about the Canadian printing industry.
What is the state of the Canadian print industry today?
SD: The industry is more consolidated than in previous years. Over the past decade, we’ve seen many smaller, privately owned companies being acquired by larger public corporations or private equity groups.
Technology has also transformed the landscape—it’s now at the heart of everything we do, from automation and colour management to workflow integration and sustainability. It’s an exciting time, but it also requires constant adaptation.
What attracted you to the print industry?
SD: I’ve always been fascinated by the craftsmanship behind printing and the ability to transform a concept into something tangible that connects with people. There’s a real sense of accomplishment when you help a customer bring their product to life. We manufacture essential products that play a critical role in people’s daily lives in hospitals, pharmacies and grocery stores. What drives me is knowing that we’re a part of that ecosystem, helping brands express their identity and make an impact.
How can the industry attract more young people?
SD: We need to open our doors and showcase the incredible opportunities our industry offers. At Produlith, we launched the Académie Produlith to invite young professionals to discover
the technical side of our trade. It’s an important initiative for us because the next generation is key to our industry’s future. We’re also working on different marketing projects that shine a light on what really goes on behind the scenes in printing—the innovation, creativity, and impact we have on everyday life. Our internal podcast, Édition Offset, is another way for us to have those conversations.
In such a competitive landscape, how can printers win more sales?
SD: We need to stay close to customers and build genuine, long-term relationships. For us, it’s not just about selling; it’s about educating. When customers understand how printing works, the possibilities multiply. Inviting them to see, learn, and experience our processes builds trust and collaboration. That’s how true partnerships are forged.
What are some of the biggest opportunities in the print industry?
SD: Innovation is the driving force behind everything we do. The biggest opportunities today come from how technology and sustainability intersect in our industry. We’re seeing incredible progress in raw materials, renewable and recyclable substrates, water-based inks, and barrier coatings that replace plastics. These advancements are pushing the boundaries of what’s traditionally been possible in print and packaging. By maintaining strong, long-term relationships with our customers, we’re able to accompany them on this journey of innovation while developing packaging that not only looks beautiful and performs well, but also supports their sustainability goals.
What do you think is the most exciting aspect of the printing industry today?
SD: The evolution of printing and finishing equipment is incredible. They’re faster, smarter, and more precise than ever before. The quality we can achieve today would have been unimaginable 20 years ago. It’s really exciting to see that progress firsthand and be a part of it.
Shawn Desmarchais’s response was edited for length. For more Q&A Spotlight interviews, please visit www. printaction.com/profile.
Shawn Desmarchais and wife and business partner Annick Garcin with their children, Shayne and Laurence.
PHOTOS: GROUPE PRODULITH
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