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PORTFOLIO

Architecture & Visual art

architecture illustration photography

the community. inhabitants and users they will be the voice voice heard outside

platform for sharing music and their the platform and the community. bond with the inhabitants and users radiotransmission. And they will be the voice but also make their voice heard outside

press themselves. This will be a first appropriation of the street for the inhabitant. We believe that this freedom and blank space will allow them to express from the streets. It can aslo be seen as a way to exteriorized things (kind of art therapy in a sense). The billboards can be activated through workshops with At a second stage, the billboards will be used to display information about ongoing events and daily life in karantina, acting as an info-wall. It will advertise 2 other installations and then be available as a free space to announce events, meetings, or any informations. The management of these informations will be supervised by a small commitee.

Expected outcome:

First those panel will be intriguing, white panel, distributed in the streets of karantina. Those panels will be here to start give to the inhabitant a place where they can freely press themselves. This will be a first appropriation of the street for the inhabitant. We believe that this freedom and blank space will allow them to express them selfes, be visible from the streets. It can aslo be seen as a way to exteriorized things (kind of art therapy in a sense). The billboards can be activated through workshops with local street-artists.

At a second stage, the billboards will be used to display information about ongoing events and daily life in karantina, acting as an info-wall. It will advertise and inform about 2 other installations and then be available as a free space to announce events, meetings, or any informations. The management of these informations and their presentation will be supervised by a small commitee.

Architecture

has a way to teach us a lot about human being. We are constently interacting with our environement. The practice of architecture pushes us to ask more question about the way we live and the way we interact with each other and with the nature.

Understanding the social, economical and cultural context is essential to create a meaningful project.

Bamboo Pavilions

Internship 2020 Bali, Tegallalang Bamboo Pavillion Design of Multiple Bamboo Pavillion in Bali

Structural calculations by Asali Bali

Asali Bali Team is specialized in the structural calculations of bamboo structure. During my Internship with them I had the opportunity to design a few bamboo pavilions and to see some of them come to life.

EPFL FAR Laboratory of Construction and Architecture

VISIBILITY, A MANIFEST

1. DUE TO A COMBINATION OF SPATIAL, SOCIAL, HISTORICAL, AND LEGAL CONDITIONS, KARANTINA IS CURRENTLY DEFINED BY THE NEGATIVE.

2. THE INHABITANTS AND COMMUNITY OF KARANTINA CARRY THE BURDEN OF SOCIAL IMPAIRMENTS SET UP BY THE LEGAL FRAMEWORK AND SECURTIZATION OF REFUGEES.

FAR from Home Post-disaster urban emergency analysis

3. AS VULNERABILITIES INTERSECT, SOME POPULATION GROUPS FACE EVEN MORE INVISIBILISATION THAN OTHERS. WOMEN, CHILDREN, ELDERS, LGBTQ, AMONG OTHERS, CUMULATE THE OBSTACLES TO THEIR FREE EXPRESSION.

4. NOBODY GOES TO KARANTINA, NOODY WANTS TO SEE KARANTINA. IT IS TIME TO VISIBILIZE THE INVISIBLE AND MAKE THE VOICE OF THE COMMUNITY HEARD, INSIDE AND OUTSIDE THE CONFINES OF THE NEIGHBOURHOOD.

5. MANY OF THE PRESSURES FACED BY THE NEIGHBOURHOOD ARE APPLICABLE ON A LARGE SCALE TO LEBANON AND REFUGEES. WE NEED TO VISIBILIZE AND VALUE THOSE NARRATIVES IN ORDER TO PLACE THE INHABITANTS AS ACTORS OF CURRENT AND FUTURE URBAN DEVELOPMENTS.

Prof. André Ullal Yvan Vuarambon Ricardo Vannucci Collaboration: Kyra Michel

KARANTINA MANIFEST

KARANTINA BILLBOARDS

Both migrant workers and the Palestinian refugees felt threatened in most areas of the city: their accents, habits, and appearances were clearly more tolerated and/ or integrated in the city’s peripheries.

Mapping Security in Beirut, p. 26

Since the assassination of PM Hariri (2005), the proliferatio of militarization and compartmentalization of space accelerated in greater Beirut. The fragmentation allows control of smaller areas by small, sectarian groups, and private security means have boomed.

Refugees are specifically subject to certain of the security measures, such as riot control, frequent identity controls, curfews...

Expected outcome:

“Many people are coming to inquire about it. They wanted to buy 24h after the blast!”

Claude khoury, retiree

Installing large billboards. First, those panel will be intriguing, white panels, distributed in the streets of Karantina. Those panels offer the inhabitant a place where they can freely express themselves.

Billboards can be activated through workshops with local street artists.

Due to the current economic situation and the blast that weakened even more to population. The promoters are trying to take advantage from the vulnerable inhabitant.

Although they cannot officially take a move because karantina was put under study for one year after the blast to avoid this kind of urban development, they still approach the poorest and the elder to try to buy their space. The inhabitant are in dander to be kick out of their neighborhood and the collective memory of karantina is in danger.

Further, the billboards will be used to display information about ongoing events and daily life in karantina, acting as an info wall. They advertise and inform about the 2 other installations and then be available as a free space to announce events, meetings, or any information.

Providing a framework that will allow its use as a tool of communication and expression within the community.

By installing those panels before the other installations, we rely this intervention as a signal for our projects. They function within the interventions as the first opportunity of spatial and visual reappropriation.

- 55% of the country’s total population facing poverty. Extreme poverty increased from 8% (2019) to 23% (2020)

The collectives partner up to provide community guidance in making this place as equally accessible for all as possible, setting up workshops focusing on therapeutic art creation for example.

- 1.5mio estimated / 1.2mio registered refugees in Lebanon (almost 1/4 of the country’s population)

- 50% of the Syrian refugees are children - 29% women’s participation in economy

never felt the need to hide that was a Syrian except during my years here. love life, but to be honest, am unhappy here.”

With the evolution of the project, those white board will become more and more the informations points of karantina, a space that allows the people to become active designers of the information flow.

- Abu Nidal (Syrian refugee)

Mobilized Youth, Partners: IAAT, Expected General experiences, The The of the Youth: of Karantina This

Due to its location close to the port, Karantina has been one of the areas that was hit the hardest by the blast on August 4th. Being one of the poorest areas of the city, its inhabitants vulnerability increased since they suffered physical and material damage as well as phsychological, social and cultural damages.

The aid sometimes brought up feuds between syrian refugees and lebanese, as each person was fighting for their survival, and some refugees living in Karantina report that they feel like the neighbourhood received less aid than wealthier parts

“This is where we have lived and worked for years, where our memories accumulated and formed. This is

PRESSURE ON HOUSING

RADIO KARANTINA

Mobilized groups: Youth, elders, any inhabitants of Karantina Partners: IAAT, mdlab

Expected outcome:

Creating a radio station that will make Karantina’s voice heard in the city, as it acts as a mobile device stopping at various places in the streets of the neighbourhood, engaging and including its users to tell their stories. the station becomes a gathering point with tables, chairs, recording but also streaming broadcasts and music. Youth can receive training in audio-production disciplines to manage the radio station.

KARANTINA PLAYHOUSE

Setting up a temporary theater stage hosting a womens’ drama workshop as well as a number of performances. It also includes a set of substructures such as childcare that allow its proper functionung.

Mobilized groups: Women, children, public of Karantina Partners: Open Art Foundation, Koon Theater Group, Firefly International, Public Works Studio

General outcome: Allowing freedom of expression for everyone living and working in Karantina to reinforce the community by offering a platform for sharing music and their experiences, as well as punctually to inform about upcoming and ongoing events and interventions. voice of Karantina will be a tool to be heard, to heal, to organize the life of karantina. It gives a motivation to become an active part of the platform and the community. van also acts as a pop-up party or gathering place, activating the different parts of Karantina. In this way it ensure to have a strong bond with the inhabitants and users the radio station.

Youth: This place will be in particular for the young inhabitants who will be taught all the skills needed to host a radio program and radiotransmission. And they will be the voice Karantina and of their generation. radio will allow them to share their story, and the other inhabitants story, their culture, their events (etc), to karantina’s community but also make their voice heard outside

Expected outcome:

This theatre will be removable so it allow us a bigger flexibility in time: it can also then be dismounted and travel to another place where it is needed.

First those panel will be intriguing, white panel, distributed in the streets of karantina. Those panels will be here to start give to the inhabitant a place where they can freely express themselves. This will be a first appropriation of the street for the inhabitant. We believe that this freedom and blank space will allow them to express them selfes, be visible from the streets. It can aslo be seen as a way to exteriorized things (kind of art therapy in a sense). The billboards can be activated through workshops with local street-artists. At a second stage, the billboards will be used to display information about ongoing events and daily life in karantina, acting as an info-wall. It will advertise and inform about the 2 other installations and then be available as a free space to announce events, meetings, or any informations. The management of these informations and their presentation will be supervised by a small commitee.

VISIBILITY, A MANIFEST

1. DUE TO A COMBINATION OF SPATIAL, SOCIAL, HISTORICAL, AND LEGAL CONDITIONS, KARANTINA IS CURRENTLY DEFINED BY THE NEGATIVE.

2. THE INHABITANTS AND COMMUNITY OF KARANTINA CARRY THE BURDEN OF SOCIAL IMPAIRMENTS SET UP BY THE LEGAL FRAMEWORK AND SECURTIZATION OF REFUGEES.

3. AS VULNERABILITIES INTERSECT, SOME POPULATION GROUPS FACE EVEN MORE INVISIBILITY THAN OTHERS. WOMEN, CHILDREN, ELDERS, LGBTQ, AMONG OTHERS, CUMULATE THE OBSTACLES TO THEIR FREE EXPRESSION.

4. NOBODY GOES TO KARANTINA, NOODY WANTS TO SEE KARANTINA. IT IS TIME TO VISIBILIZE THE INVISIBLE AND MAKE THE VOICE OF THE COMMUNITY HEARD, INSIDE AND OUTSIDE THE CONFINES OF THE NEIGHBOURHOOD.

5. MANY OF THE PRESSURES FACED BY THE NEIGHBOURHOOD ARE APPLICABLE ON A LARGE SCALE TO LEBANON AND REFUGEES. WE NEED TO VISIBILIZE AND VALUE THOSE NARRATIVES IN ORDER TO PLACE THE INHABITANTS AS ACTORS OF CURRENT AND FUTURE URBAN DEVELOPMENTS.

Fall 2020 EPFL FAR Laboratory of Construction and Architecture

FAR from Home

Playhouse

Karantina is a fragile district of the city of Berouth. Throughout its history it has been home to the most vulnerable segments of the population.

This project deals with the design of an urban theater and a local humanitarian coordination center in the Karantina district.

It will host workshops, performances, and simultaneaously act as the technical coordination hub of civil society groups and local NGOs: it gives visibility to the inhabitants, while encouraging the creation of communication and coordination channels.

The theatrical architecture serves both purposes.

Vote in the city

MxD lab

Virtual Parliament Studio Vote in the city Prof. Jeffrey Huang Assitant: Frederick Chando Kim

Collaboration: Alessandro Tiessi

The political system of Switzerland is a direct democracy. It’s a well-established and appreciated system where the citizen are asked to vote on popular initiative and referendum 4 times a year. 3 weeks before the count of the vote each citizen receive at home a ballot paper, and a booklet with official information. From this point, the citizen has 3 weeks to make is way through the different official and non-official source of information to make is mind.

While studying and analysing the behaviour of the citizen during this period we realize that an important part of the decision-making process is underrated: the informal discussion.

This project focuses on the activation of public spaces dedicated to political discussions through out the city. Spaces that would during those 3weeks periods allow people to meet, exchange and share their personal opinions.

To activate the entire city, we decided to work on 3 different scale. The first scale was the one spreading though the city. To make it easier to get around the city we implemented, as an extension of the already existing public-bike system, new bikes. We also spread urban furniture in the city’s streets. They function as module that you can assemble in different way to create various discussion layout. On each bike one module of chair is attached to create evolving places.

The second scale was the creation of bigger places allowing groups discussions, that would be directed by moderators.

And the last intervention is the creation of a pavilion, symbol of the direct democracy, a place of gathering, discussion, and archives. This pavilion also serves as a lighthouse that display the current evolution of the citizen votes.

Festival du Vallon

EPFL MxD lab Master Project

Festival du Vallon

Highlighting the social and cultural dynamics of the neighbourhood

Prof. Jeffrey Huang

Assitant: Mikhael Johanes

Collaboration: Teo Golay

The Vallon district in Lausanne is very enigmatic. Despite its location in the heart of the city, the social reintegration infrastructures and its topographical position in a basin make it a marginalized neighbourhood and often seen as inhospitable. However, the social and cultural dynamics that have developed there make it a particularly inspiring example of a participatory, selfmanaged and vibrant community.

Since 2016 the Vallon has opened up to the rest of the city by organising festivals in the neighbourhood, promoting culture, art, their way of life and their values. Unfortunately, this energy and participatory life lacks visibility in the eyes of the general public. In this project, we propose a reinvention and enhancement of the collective spaces we have identified. By dilating the street, a collision is made between the community places and the public place, creating new spaces with multiple uses.

They are delimited and visually marked by our architectural interventions based on the somewhat chaotic and festive identity of the neighbourhood. Our modular structure allow the inhabitant to create to create ephemeral and changing configurations in order to respond to the multiple atmospheres that the festival requires.

When we look at a scene, our brain processes the information that he receives. But due to the enormous amount of data we are facing, we are limited with the speed processing of the visual image.

We will first get a global understanding of the scene. This process is very fast. But if you want to collect a broader, more detailed, understanding of what is actually happening it takes more time.

We actually see only a fraction of our visual field in high resolution, the rest is our peripheral vision. STO

The visual attention will allow us to filter the information about the physical space and categorise it. In terms of evolution it allowed us to identify quickly subject of interest to adapt our behaviour.

This attention will be driven either by recognition or by selectivity, both working together. In other words, it will be activated either by the reception of a stimulus given by a salient object or driven by a certain intention of the viewer.

This visual attention plays a major role in our comprehension of space. The architects have the possibility to attract the viewer attention to some very precise aspects of his design. He also has control over the speed that the visitor will take to understand the space. MIE

We should not minimize the impact that geometrical tools as symmetry, axes, focal points, repetition can have in directing the viewer attention.

VIO.

“Details, when they are successful, are not mere decoration. They do not distract or entertain. They lead to an understanding of the whole of which they are an inherent part.”

Prior to this project we did a theoretical research about our visual system and the impact it has on our architectural perception. This research taught us a lot about certain physiological reactions that can be triggered by architectural elements and allowed us to better understand the emotional impact that certain architecture has on us.

During this research we were also greatly sensitized to the notion of representation. And its impact on our mental representation of space.

That’s why we created an object for experimental representation. A black box narrowing our field of view and projecting the viewer in a space composed of layers of element that build our physical world. Depending on the layer’s configuration different perception of a unique space appear to the viewer.

Peter Zumthor

VIO

Which design tools could the architect use to improve the visual curiosity of the visitor?

Stuttgart University

IBK3 Institute for Sustainability, Construction and Building Design

Bamboo Education A rebirth for «Sdit Al Hijrag» School

«Sdit Al Hijrag» School

Prof. Jens Ludloff Dipl. Ing. Shakiba Ravazadeh

Collaboration: Nina Coustaud

In the summer of 2018, the school in Sdit Al Hijrag was destroyed by an earthquake. After discussion with the teachers and young students of the school, we were able to define their expectations. The challenge was to meet their needs with a minimal budget and by using local ressources and techniques.

To meet this challenge, we chosed bamboo as the main material. Bamboo, in addition to being local, it has a very good resistance to pressure, bending and traction, which makes it a strong asset in these regions with high seismic risk.

The program consisted of building eight classrooms. Each classroom is an independent module. Our two main buildings are composed of a series of four classrooms each.

Since Lombok is a Muslim area, we had to include a prayer room. We made it an independent building, taking the main characteristics of the classroom modules but adapting them to this specific function.

In addition to a library, teacher’s lounge and dormitory have been incorporated into our master plan in response to the needs of the teachers and childrens.

All the buildings are grouped around a central recreational space. This is a large courtyard where the children can gather to play. It is also a meeting place for teachers and students, as well as an emergency gathering area in case of earthquake.

The Metrhotel Charles and the Forum Naturae Artificialis

LTH3 Lab

Superstudio S.EN.SES

Collaboration: Téo Gollay

Sarah Hahusseau

Alexandro Tiessi

Delphine Klumpp

Oh Dyonisos,

you enjoy walking barefoot. Your steps lead you to us, your ankles caressed by multiple streams. You slip into the great baths of hot water, dizzy with the heady fumes of sage and blue lotus.

The silhouettes of men and women blur and blur in the corner of your vision, and the golden curtains gently shimmer with light and shadow.

Soothe your thirst, let’s drink together, and happily share these suspended moments, so that the sounds of the city fade behind the lush vegetation.

You sigh of contentment, and whisper for our ears alone: «Happy the one who every day wakes up here, and who never ends to awaken his senses! But already you leave and from your spirit the fragrances dissipate.

When will you come back? Will you bring back with you the smells of the Metrhotel?

What do you keep from your visit? Only the excitement of the senses? The dancing of the bodies to the wild music?

Or will you have understood our life, our actions? When we play with our scrubbers around the public washhouse; the choreography of the continuous ballet of the washing floating in the wind, hanging in the sun next to the aromatic herbs, the tea shared between the youth and our elders.

Prof. Roberto Gargiani

Our globalized society of mass consumption is facing a problem of international proportions : managing a phenomenal amount of waste. Mountains of plastic are being washed out to the sea, carried by currents and clumping together to form vast «garbage patches» in the oceans.

Our project was to create a research campus in the heart of the North Pacific, one of the regions most affected by the problem.

We found this location to be suitable for both collecting waste from the water surface and researching its reuse.

It would even be possible to expand this campus by simply reusing the collected plastic.

Thanks to its floating characteristic we were able to imagine a dynamic construction. The mobile elements would be moved and reassembled according to the needs of the moment.

Our campus thus imitates a living organism. It adapts by reconfiguring its modules to create new associations over time.

Finally, we also sought to design a kinetic roof, which would meet the various protection needs that must be put in place in an environment as unstable as the ocean.

Photography

amazes me by its capacity to make us stop and observe. Capture ephemeral moment or highlight moments that were always present and never considered. A way to learn about the human behaviour, interactions, and nature that I find simply fascinating.

https://annesteullet.wixsite.com/photography

Apocalypse my love, Bali 2020

Apocalypsemylove is a woman’s story. Many women’s story. Maybe a piece of every woman’s story. Apocalypse my love narrates, along a perambulation, the path of an anonymous that we may all know.

Immersed into the intimacy of a character, the audience is invited to enter, raw, immodest, into a life, to interact with it, to soak in its essence. This multidisciplinary exhibition brings a subjective gaze on One, but also on so many.

Vernissage: Apocalypsemylove|TheNYX,Bali https://www.youtube.com/watch?v=B2U8eHlxGLk

Artist interview: Apocalypse My Love: An Interview with Art Performer Sandra Andoulsi https://www.youtube.com/watch?v=O5S819VP7e0&t=6s

Apocalypse my love, Vernissage

@photos de Mathieu Oullette

Streets of San Fansisco

Photo-reportage

Streets of San Fansisco

Illustration

Parkour

is for me a way to go back to our roots when we were not yet socially conformed to a precise use of space. A way to explore our relation between our surrounding space and the incredible capability of our body for motion. The city becomes our playground and a place for more experimentation and encounters.