DE Sep-Oct 2020 Edition // DE India

// September - October 2020 // DE INDIA

architecture & design magazine

On Cover

PINK DYE & VARYING RAW TEXTURES at

The WEBSTER, Los Angeles, by

ADJAYE Associates.

+

Spotlight

//in conversation with DIPEN GADA & ASSOCIATES, VADODARA SPASM, MUMBAI

#LetsGo

RAW

For the love of "Terracotta" and the raw "Concrete" charm. This edition focusses on going "raw" in architecture and design; celebrating the resurgence of terracotta.

#LetsTalkDesign

DESIGN ESSENTIA MAGAZINE

www.designessentiamagazine.com

DE//INDIA

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architecture & design magazine

#LetsGoRAW

THE WEBSTER, Los Angeles, California, USA.

//Adjaye Associates page

32

#LetsGoRAW

//photograph by DROR BALDINGER

architecture & design magazine

// September - October 2020 // DE INDIA

architecture & design magazine

“tough times never last, but tough people do”

+

#LetsGo

RAW

DE SPOTLIGHT INTERVIEW

DIPEN GADA, DIPEN GADA & ASSOCIATES, VADODARA

DESIGN ESSENTIA MAGAZINE

www.designessentiamagazine.com

DE//INDIA #LetsTalkDesign

follow us @designessentiamagazine

// September - October 2020 // DE INDIA

architecture & design magazine

“we better

WAKE up, be relevent and be the children of this planet.” #LetsGo

RAW

+

DE SPOTLIGHT INTERVIEW

SANJEEV PANJABI & SANGEETA MERCHANT, SPASM, MUMBAI

DESIGN ESSENTIA MAGAZINE

www.designessentiamagazine.com

DE//INDIA #LetsTalkDesign

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DE//INDIA DESIGN ESSENTIA MAGAZINE

SEP - OCT 2020 #LetsTalkDesign

Design Essentia Magazine is an Architecture & Interior Design magazine from INDIA.

We are an international design journal featuring the work of top architects and designers, as well as the best in trends to follow.

Join our DE community!!

“We curate to showcase the best”

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DE//INDIA DESIGN ESSENTIA MAGAZINE

SEP - OCT 2020

Contents

#LetsTalkDesign

//DE spotlight story

#Lets Go RAW

//On Cover

SIR DAVID ADJAYE

32

PRINCIPAL ARCHITECT at ADJAYE ASSOCIATES, Accra, London & New York Acc

PROJECT: THE WEBSTER, Los Angeles, California, USA

//DE spotlight interview

DIPEN GADA PRINCIPAL DESIGNER at

DIPEN GADA & ASSOCIATES, Vadodara

19 //DE spotlight interview

SANJEEV PANJABI & SANGEETA MERCHANT PRINCIPAL ARCHITECTS at

SPASM, Mumbai

25

#Lets Go RAW For the love of "Terracotta" and the raw "Concrete" charm. This edition focusses on going "raw" in architecture and design; celebrating the resurgence of terracotta.

RESURGENCE OF TERRACOTTA

12

DE impressions //TOP TRENDING DESIGN SHOWCASE (DE SPACES)

MAATI COLLECTION Ahmedabad, Gujarat

By This & That Studio | Cube Inc

MANGO HOUSE

KOKUM HOUSE

Alibag, Maharashtra

Goa

By Studio PKA

42

By Studio Matter

40

46

BAIT UR ROUF MOSQUE

HOUSE WITH 49 TREES

Dhaka, Bangladesh

Gurgaon, Haryana

By Marina Tabassum Architects 50

By Renesa Architects

BRICK BY BRICK

SIS SCHOOL

Pune, Maharashtra

Gurgaon, Haryana

By Studio Infinity

58

By Urbanscape Architects

54

62

DE discover

69

//YOUNG ARCHITECTS & DESIGNERS OF INDIA SHARE THEIR STORY.

42

70 32

74 32 TREELIGHT DESIGN, BANGALORE

THE BABY ATELIER

78

32 ALTER ARCHITECTS, VADODARA

84

81

32 CREST ARCHITECTS, BANGALORE

LOKIREV DESIGNS, HYDERABAD

architecture & design magazine

LETTER FROM THE EDITOR ABOUT THE ISSUE With this issue Design Essentia launches its fifth edition for the year 2020.

“Lets Go Raw”

DE introduces its special edition.

For the love of "Terracotta" and the raw "Concrete" charm.

This edition focusses on going "raw" in architecture and design; celebrating the resurgence of Terracotta.

It seems that terracotta is once again making a comeback in the design world. Terracotta is seeing a resurgence in demand as architects look to create statement elements with respect to building facades as well as interiors, for that rustic earthy character to explore that “raw” aesthetics in design.

DE spotlight cover story includes the recently completed store “Webster” in Los Angeles, California designed by RIBA 2021 gold medal winner - Sir David Adjaye - Adjaye Associates. The design beautifully corresponds to the raw context with its “pink dye and raw textures.

DE shares the conversation with renowned designer Dipen Gada principal designer at Dipen Gada & Associates from Vadodara, India. Also sharing with our audience a conversation with an acclaimed architecture duo - Sanjeev Panjabi & Sangeeta Merchant, principal architects at SPASM, Mumbai. The architects share their thoughts and works on the “raw” aspect of architecture & design as well as discussing the situation of architecture post COVID-19.

This edition showcases various homegrown architects & designers of the country sharing their thoughts and works towards promoting the raw and rustic expression in design.

ANIRUDH DATTA (Editor in chief)

DESIGN ESSENTIA MAGAZINE //DE INDIA

I don’t think architecture is just about building physical structures, it is an art that satisfies the human eye aiming to bring the society together with a good design.

Also being an architect I believe; a good design is the one for a smart future in which mankind approaches symbiotically to nature rather than destroying it.

Lets Talk Design!!

Let’s highlight the “raw” aspect of architecture & design.

Let’s get rustic, Let’s celebrate the resurgence of terracotta, Let’s go “RAW”.

Stay Safe & Happy Reading!! architecture & design magazine

www.designessentiamagazine.com

architecture & design magazine

Lets Talk Design

www.designessentiamagazine.com

//the resurgence of terracotta!!

DE directions Design Essentia Magazine//DE INDIA

T

erra-cotta (meaning “baked earth” in Italian) has long found its way into the architecture of the day. For centuries, the light and inexpensive material was formed into rust-hued tiles for humble roofs. In the later 1800s, it was molded into decorative details on the façades of elaborate Arts and Crafts buildings. And now, contemporary architects have returned to the contempora storied clay-based ceramic as an accent for statement-making modern buildings.

Having largely disappeared in the mid - 20th Century, it seems that terracotta is once again making a comeback in the design world. Today designers are opting to use the ceramic and the colour terracotta for their products, giving the pieces an earthy tone and a sense of history. Terracotta is seeing a resurgence in demand as architects look to create statement elements with respect to building facades as well as interiors, for that rustic earthy character to explore that “raw” aesthetics in design.

#Lets Go RAW 12

| September - October 2020 Edition//Design Essentia//DE INDIA

It does not come as a surprise that architects who prefer green architecture perceive terracotta as the ideal material for facades in public buildings since it does not require maintenance, it’s ecological, inexpensive and offers great potential in terms of design.

Brick is one of the most popular materials for architects designing with a vintage or rustic aesthetic: exposed brick walls are often touted as highly desirable for apartments, restaurants, and stores, and exterior brick facades can make a building or home feel warmer and more inviting. However, the color and cut of the brick can greatly influence the atmosphere it emanates,with white brick lending itself to more minimalist design and tan brick tending to feel more rustic and earthy.

Celebrating the resurgence of terracotta, we've put together a list of few examples that show just how the remarkable colour and material is making a comeback.

//year 2018 photographer : Edmund Sumner

Maya Somaiya Library, Sharda School

by Sameep Padora & Associates

This library project in Kopargaon, Maharashtra, India used bricks in an unconventional way shaping the roof of the library as a floating landscape and a playground for the school and at the same time embracing the library functions. By using historic inspiration from old brick vaults in different parts of the world and designing with sophisticated computer software, this project is expressed by an advanced brick structure.

September - October 2020 Edition//Design Essentia//DE INDIA |

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//year 2017 photographer : Prue Roscoe

The Beehive

by Luigi Rosselli Architects and Raffaello Rosselli Architect Located in the centre of Sydney, Australia, recycled tiles have been built into a complex rhythmic Brise-soleil that mediates the sun and wind.

The facade design was largely conceived through multiple full scale tests and hand built prototypes, opening up a tactile process of rapid prototyping, and experimentation. Each tile course is placed based on its function.The acute course was used at the bottom due to its strength, as well to obscure the solid spandrels. Equilateral tiles were used at eyelevel to reduce visual obstructions. While diagonal tiles were used at the top due to their low clearance.The facade curves around a paperbark street tree which encroaches the site and links the misaligned neighbouring buildings. buildings photographer : Prue Roscoe

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| September - October 2020 Edition//Design Essentia//DE INDIA

//year 2017-2020 photographer : Schran Image

Jingdezhen Imperial Kiln Museum

by Studio Zhu Pei

Studio Zhu Pei completes the Imperial Kiln museum in a historical area - Jingdezhen, Jiangxi, China, known as the ‘porcelain capital’ of the world. the region, which had produced and exported pottery for more than 1,700 years, is now characterized by a fabric of ruinous ancient kiln complexes. the new museum, first designed in 2016 with respect for the history of its context, comprises more than half a histo dozen brick vaults base on the traditional form of the kiln, the apparatus used to create pottery for centuries.The vaults - each a different size, curvature, and length are integrated with the many existing ruins, some of which were discovered during the project’s construction.

photographer : Schran Image September - October 2020 Edition//Design Essentia//DE INDIA |

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//year 2019 photographer : Ketsiree Wongwan

Thai Red Cross Foundation Children Home

by Plan Architects

Located in Nakhon Pathom, Thailand, this cluster of buildings is a children foster care village patronized

by Thai Red Cross Children Home. The project consists of seven types of building which are Director House, Lecturer House,Trainee Dormitory, Children House, Training Hall, Canteen and Service Building.

Sufficiency Economy, which is King Bhumiphol’s Philosophy, is the major theme of this project.

Philosop According to the project’s theme, the architects decided to approach the concept toward “Self-Sustaining Architecture”. Moreover, architects selected local natural material like bricks as the main building’s material, which is economical and remain the essence of local.

photographer : Ketsiree Wongwan

16

| September - October 2020 Edition//Design Essentia//DE INDIA

//year 2020 photographer : Jino Sam

Pirouette House

by Wallmakers

Located smack in the middle of an urban and crowded locale of Trivandrum , India, the site was a small plot that was being suffocated by other residential projects from all four sides.The idea of this residence was to have an inward facing house with all its spaces opening into a funneling central courtyard.

The house is aligned in the East-West direction with openings facilitating for maximum cross-ventilation.

The Pirouette House features the “Last of the Mohicans� fired bricks as an ode to the stellar practice of Laurie Baker with spaces that are made beautiful by the pure geometry and patterns created by the walls that seem to be coming alive and pirouetting around. photographer : Jino Sam check out more on terracotta at www.designessentiamagazine.com September - October 2020 Edition//Design Essentia//DE INDIA |

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DE spotlight DESIGN ESSENTIA MAGAZINE//DE INDIA

//in conversation with

DESIGNER

DIPEN GADA PRINCIPAL DESIGNER AT DIPEN GADA & ASSOCIATES, VADODARA

#DEspotlight Dipen Gada

is the founder & principal designer at Dipen Gada & Associates, Vadodara, Gujarat.

Design Essentia Editor in chief Anirudh Datta had a detailed interaction with the designer for the DE Spotlight interview series about the work at DGA and the post COVID scenario in architecture, along with the topic of “Lets Go RAW” to celebrate the raw in architecture & design with the resurgence of terracotta today. www.dipengada.com/

“Any designer’s journey is more than a table, more than a drawing board. When the people are the actual drawing board, the real journey starts.”

- DIPEN GADA

DE spotlight

By ANIRUDH DATTA

DESIGN ESSENTIA MAGAZINE//DEINDIA

Dipen Gada & Associates, popularly known as DGA, began as a very modest interior design firm.

Gradually with time and every project accomplished, DGA evolved from an exclusive interior design firm to a civil and architectural planning firm and attained the position as one of the respectable and admired firms of India.

Since its inception in 1993, DGA has made its presence felt through innovative, minimalistic and timeless designs.

The firm strives to maintain a balance between aesthetics and functionality in all its designs. There is a constant search of exploring the uncharted and concluding beyond the conventional.

Fe of my personal favourite works of the studio Few that narrates the raw aesthetics in architecture through its exposed terracotta style are Dr. Nene’s House and Ajay Patel Residence both located in Vadodara, Gujarat. (in the next pages) 20

| September - October 2020 Edition//Design Essentia//DE INDIA

It was interesting talking to Mr. Dipen Gada as he shares his insights on the concept of going “raw” in architecture and design as well as on the post covid situations in architecture with a need for a sustainable future.

AD : What inspired you to pursue a career in Architecture?

DG : There was never any plan to pursue architecture, say it destiny but as things worked out my life and career turned towards architecture and interiors.

When the time came to select a stream in 10th Std., my heart said commerce, but under influence (of my cousin) it screamed science. I had keen interest in Mechanical Engineering, I worked hard enough for it but failed as I was 3 marks short. Then, there was no alternative and I had to select Civil Engineering.

One fine day, my cousin asked me to supervise work for his house for which he had bought marble.

In doing so, I made few changes to the planning and the end result turned out to be quite something. It was different and something sparked in me. One of my friend happened to see the completed house and requested me to do the design for his boutique. I was obliged.This was the turning point.

The spark in me had started a series of firecrackers.

I went on a learning spree. I started educating myself through books, seminars and working self on site quite often. This is how those three marks led me on to this journey of becoming a designer.

AD : Who were your early heroes and role models?

DG : Tadao Ando’s philosophy to work with bare concrete has always inspired me. The spaces Tadao Ando have created along with the play of light is unbelievable. The play of light is very important to change the character of a space. One should design in a way which is very photogenic in order to capture it in a perfect light. Geoffrey Bawa, another architect who has inspired me a lot with his love towards nature and play of structure respecting nature at its best.

AD : In few words, how would you define your design process – philosophy?

DG : “SAHAJ”- Effortlessness is our design motto.

Although, we take great efforts to attain the final result, we believe in making it feel effortless.

Gradually as we evolve, the need for a soothing, serene & calm ambience is felt. We believe in incorporating that in our design process since the beginning, thus making the design timeless.

Functionality is given utmost importance in our design approach. Once functionality is resolved, aesthetics is addressed and a perfect blend of both is achieved. We always keep our eyes open for new ideas & designs. Learning and exploring the latest technologies and working with lot of younger minds help us which retain the freshness & innovativeness in our designs.

AD : What would you say is DGA’s strongest ideology/asset, and how have the firm developed that skill over time?

Dr. Nene’s House, Vadodara, Gujarat by Dipen Gada & Associates Photographer: TEJAS SHAH check out full project on www.designessentiamagazine.com

DG : Our firm strives to maintain a balance between aesthetics and functionality with amalgamation between architecture, art and design.

There is a constant search of exploring the The uncharted and con-clouding beyond the conventional. Classic minimalism is what we follow and maintain in each project we undertake. We also believe in respecting the natural materials and uniqueness of each element. For us, each project is considered a milestone.

September - October 2020 Edition//Design Essentia//DE INDIA |

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AD : The world is now slowly realizing the seriousness about climate change. What is your take on sustainable practice in architecture today?

DG : Sustainable architecture seeks to minimize the negative environmental impact of buildings by efficiently and moderately using materials, energy and development space.

It is extremely important to practice sustainability in designs for a cleaner and green environment. We believe that sustainable architecture holds the key of an environmentally positive future. Only by living more economically with our resources can we hope to protect our environmental climate. Minimum use of non-renewable resources, enhancing the natural en environment & eliminating the use of toxic materials gives a boost to sustainable environment.

We strongly believe that sustainability is all about smart designing by incorporating the same in our initial planning concept itself.

Traditional design methods such as designing of openings according to basic design principles, centre courtyard, well shaded south west direction, open North and East directions are various such as green concepts.The design depends upon the climate conditions of the site. Hence the approach is region specific.

AD : You’re most proud - favourite project?

DG : Niraant (on right) is one of that kind of project which you can say that is very close to my heart. It is a single-storey residence built on naturally curved land.

The brief of the project is that it’s a retreat home with few programmatically requirements of 2 bedrooms with home theatre and pool as well as a space that provides ease to relax, mediate and get away from routine. It creates an environment that surrender to nature and give experience, which would zero down oneself from the worries of the world world.

The house with its bold minimalist expression stands firmly and praises this amalgamation of art and architecture. Overall, the house offers contemporary interiors with Indian vernacular twist, which is worth experiencing.

AD : What other projects are you currently working on?

DG : There are many villas we are working on currently in and around Vadodara. Some of the projects that we are currently working on include an eye hospital in Vadodara, Corporate commercial and residential projects in Vadodara and Anand respectively.

22 | September - October 2020 Edition//Design Essentia//DE INDIA

Niraant, Residence in Vadodara by Dipen Gada & Associates Photographer : TEJAS SHAH check out full project on www.designessentiamagazine.com

AD : DE’s this month theme is Let’s Go Raw (the resurgence of terracotta today) As seen in few of your projects the use of terracotta, how would you share your experience working with terracotta and the idea of embracing the “raw” aesthetics in architecture?

DG :Terracotta being earthly palette gives a different level of satisfaction. Not only in terms of structure but also gives a very warm and rooted feeling when someone uses it in any space.

The texture of terracotta in different form gives variety of play and using such materials in various proportion and aspect gives different dimension to each project.

#Lets Go RAW Ajay Patel Residence, Vadodara, Gujarat by Dipen Gada & Associates Photographer: TEJAS SHAH check out full project on www.designessentiamagazine.com

September - October 2020 Edition//Design Essentia//DE INDIA |

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AD : The future of architecture after COVID? How would you think this would affect the design industry?

DG : There is a new normal after COVID. I strongly believe that everything will be alright and same after certain period. Changes will come in overall space planning in public areas, common gathering spaces or circular spaces.

AD : What is your “message of HOPE” in this COVID crisis?

DIPEN GADA In this difficult time, we need to stand strong and together and take all the necessary precautions and we will surely emerge out of this pandemic with learning and viewing life through a different aspect.

As rightly right quoted by Robert Schuller;

“Tough times never last, but tough people do”

Dr. Nene’s House, Vadodara, Gujarat by Dipen Gada & Associates Photographer: TEJAS SHAH check out full project on www.designessentiamagazine.com

architecture & design magazine

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| September - October 2020 Edition//Design Essentia//DE INDIA

DE spotlight DESIGN ESSENTIA MAGAZINE//DE INDIA

//in conversation with

ARCHITECTS

SANJEEV PANJABI & SANGEETA MERCHANT PRINCIPAL ARCHITECTS AT SPASM, MUMBAI

#DEspotlight Sanjeev Panjabi & Sangeeta Merchant

principal architects at SPASM, Mumbai.

Design Essentia Editor in chief Anirudh Datta had a detailed interaction with the architects for the DE Spotlight interview series about the work at SPASM and the post COVID scenario in architecture, along with the topic of “Lets Go RAW” to celebrate the raw in architecture & design with the resurgence of terracotta today. www.spasmindia.com/

DE spotlight

By ANIRUDH DATTA

DESIGN ESSENTIA MAGAZINE//DEINDIA

SPASM Design Architects is a Mumbai-based architecture practice. SPASM is a unique design practice, a 'mom 'n' pop' shop. The soul of each project is deeply entwined in the studio's personalities, collective thoughts, vision or world view. The firm believes design can transform our lives, and architecture is our tool of influence.

The importance of stories is paramount to the studio. Like children, SPASM Design Architects feel stories are relatable ways of resolving projects and realise situations. The architects' passion lies in uncovering stories, the lives and the purpose behind what we do. These stories are rooted in travelogues, observations, feel of place, material, of wonder, of spirit and of soul soul.

Few of my personal favourite works of the studio that narrates the raw aesthetics in architecture through its exposed terracotta and concrete xharm are Brick Kiln House and House Cast in Liquid Stone both located in Maharashtra. (in the next pages) 26

| September - October 2020 Edition//Design Essentia//DE INDIA

It was interesting talking to the duo as they share their insights on the concept of going “raw” in architecture and design as well as on the post covid situations in architecture with a need for a sustainable future.

AD : What inspired you to pursue a career in Architecture?

SPASM : Inspired by traveling the length and breadth of India from the age of 9 to 16 and seeing everything from Villages, to monuments, temples, , river towns and the vast plethora of Indian architecture.

AD : Who were your early heroes and role models?

SPASM : Role models, in Modern Architects were Ando and Akbar. Both modern in their thinking.

AD : In few words, how would you define your design process – philosophy?

Brick Kiln House, Alibag, Maharashtra by SPASM Photographer : Sebastian Zachariah check out full project on www.designessentiamagazine.com

SPASM : Our design philosophy is to be as true and relevant to the task. First understand what is the task, solve as many issues with as less moves as possible and never be traceable through your work.

AD : What would you say is DGA’s strongest ideology/asset, and how have the firm developed that skill over time?

SPASM : Our strength lies in having divergent views on issues and how to solve them, the ability to constructively disagree and restrict each other from frivolity and having years together as two station points.

Each project for us is like a little boxing match; like Ali said “flutter like a butterfly and sting like a bee.”

AD : The world is now slowly realizing the seriousness about climate change. What is your take on sustainable practice in architecture today?

SPASM : Sustainability is a huge topic and often turns the best designers into oxymorons. We try and keep grounded in our reality. In our arena of operation we enjoy the ability to turn this reality and the beauty we see in it into, endearing, timeless works that wear blemishes of age and time well. well For us sustainable is a word for occupying its rightful place in today's planet, country, city or countryside or any location with ageless grace. Projects which cannot be imagined without their context and vice versa - that is true sustainability.

AD : You’re most proud - favorite project at SPASM? SPASM : It's not about PRIDE for us, but about the content each project delivers, inquiry is important to us as is sense of simple understanding of our world and the people we work for.

Sanskriti Vihara proposal by SPASM Photo courtesy : SPASM

Sanskriti Vihara a Centre for religious learning is something we are really looking forward too. (on left) September - October 2020 Edition//Design Essentia//DE INDIA | 27

AD : DE’s this month theme is Let’s Go Raw (the resurgence of terracotta today) As seen in few of your projects the use of terracotta, how would you share your experience working with terracotta and the idea of embracing the “raw” aesthetic in architecture?

SPASM : For us is nothing but materials expressed as their own true selves.The bricks at the Brick Kiln House (below) is a handmade building unit, however for us it's own birthing is important. The “KILN” where the bricks bake, becomes the expression of the stacks that makes this home so relevant.

The landscape of Raigad, Maharashtra is dotted with many such Kilns and it is a part of the visual and physical landscape of our environment.What purer way to occupy a patch of wild green?

For us these issues are of utmost interest.

While the House Cast in Liquid Stone (on next page) is a body of the construct, expressed as a stone which has metamorphosised as a natural extension of the outcrop of Basalt.

It's of this place, quarried right there it's more than sustainable. It was born there millennia ago. For us that is interesting!!

#Lets Go RAW

Brick Kiln House, Alibag, Maharashtra by SPASM Photographer : Sebastian Zachariah check out full project on www.designessentiamagazine.com

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| September - October 2020 Edition//Design Essentia//DE INDIA

The House Cast in Liquid Stone, Khopoli, Maharashtra by SPASM Photographer : Sebastian Zachariah check out full project on www.designessentiamagazine.com

#Lets Go RAW

AD : The future of architecture after COVID? How would you think this would affect the design industry? What is your “message of HOPE” in this COVID crisis?

SPASM : COVID is a realisation about the FRAGILITY of our species.We have taken for granted the other species of Flora n Fauna on this planet.

“We better WAKE up, be relevent and be the children of this planet.” our “Pale blue DOT” as CARL SAGAN put it.

architecture & design magazine

September - October 2020 Edition//Design Essentia//DE INDIA |

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ONLINE SOURCE FOR ARCHITECTURE & INTERIOR PRODUCTS. //SHOWCASE YOUR PRODUCTS WITH DE INDIA.

#LetsTalkDesign

FOLLOW US ON INSTAGRAM @DE_PRODUCTS.INDIA

#DEspotlight

DESIGN ESSENTIA MAGAZINE//DE INDIA

#Lets Go RAW

THE WEBSTER LOS ANGELES, CALIFORNIA, USA, 2020

DESIGN ARCHITECT: ADJAYE ASSOCIATES Photographer: Laurian Ghinitoiu and Dror Baldinger

W

ebster’s latest flagship store in Los Angeles is a new 11,000 square feet ground-up retail development adjacent to the historic Los Angeles Beverly Center. Juxtaposed beneath the monolithic eight story structure, The Webster elegantly asserts itself as a sculptural and experiential counterpoint to the Beverly Center’s retail experience. The cantilevered concrete facade references and reimagines the brutalist shell of the original existing building and is injected with a pink dye—an ode to the luminosity of California, where the Pacific light naturally amplifies saturated colors.

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| September - October 2020 Edition//Design Essentia//DE INDIA

architecture & design magazine

SIR DAVID ADJAYE Principal Architect at ADJAYE ASSOCIATES

“ My approach is to design from the inside out and my buildings have been said to ‘unfold cinematically’.The starting point is to gain an understanding of a client’s needs and the way in which a sequence of spaces will be used. ” - Sir David Adjaye OBE

S

IR DAVID ADJAYE OBE is a Ghanaian-British architect who has received international acclaim for his impact on the field.

Bornin Tanzania to Ghanaian parents, his influences range from contemporary art, music and science to African art forms and the civic life of cities. In 2000, he founded Adjaye Associates, which today operates globally, with Associates studios in Accra, London, and New York and projects spanning across the globe.

The celebrated architect Sir David Adjaye OBE has been named the

2021 recipient of the Royal Gold Medal.

The Royal Gold Medal is approved personally by Her Majesty The Queen and is given to a person or group of people who have had a significant influence "either directly or indirectly on the advancement of architecture”.

September - October 2020 Edition//Design Essentia//DE INDIA |

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Encompassing square footage that was originally allocated for interior retail, The Webster establishes a new public space at the intersection of San Vincente and Beverly Boulevards. Featuring a digital art wall and a sculptural water fountain, the new public space cultivates an unexpected urban oasis.

Visible only from the underside of the cantilever, the digital art wall spans its surface area to form an columnless portico with banquette seating. Both out of deference to and in defiance of Hollywood’s amplified digital culture, the art wall is intentionally low resolution at 1472 pixels wide and 20 pixels tall; it is a sculptural canvas that will debut bespoke art pieces commissioned

by The Webster.

#ConcreteCharm

“ In the past five years I’ve started to work with a lot of saturated red and pink hues, which extends back to the early color experiments I did at the beginning of my career.

Pink felt like fashion, but I wanted to make something that was tough and gentle at the same time. ” - Sir David Adjaye OBE about the Webster.

THE WEBSTER, Los Angeles, California, USA

by Adjaye Associates.

Photographer: LAURIAN GHINITOIU

At the main entry, a panoramic window—comprised of three sheets of curved glass—creates an angular visual portal, dissolving the boundary between the public space and the retail inside.

Conceived as a landscape of forms Concei for display and inhabitation, the color and material palette of The Webster’s exterior identity continue into the interior. architecture & design magazine

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| September - October 2020 Edition//Design Essentia//DE INDIA

Oscillating between varying textures and types of concrete, the interior is akin to a sculptural field punctuated by cast-in place concrete columns and teardrop shaped display plinths, creating a series of vignettes for the curated merchandise on display.

The ground concrete floor features black cherry marble fragments.

Bronze framed mirrors and display racks line the perimeter. These interior finishes balance an appreciation for the sculptural beauty of the store’s sinuous form without detracting from the curatedproducts on display.

The upper walls of the fitting rooms are softened with vintage 1950’s wallpaper, sourced from the client’s personal collection.

Transcending the now dated transactional and commercial experience of most brick and mortar retail,The Webster offers a destination and experience not only for its clients but for the city of Los Angeles.

architecture & design magazine

THE WEBSTER, Los Angeles, California, USA

by Adjaye Associates.

Photographer: DROR BALDINGER

September - October 2020 Edition//Design Essentia//DE INDIA |

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THE WEBSTER, Los Angeles, California, USA

by Adjaye Associates.

Photographer: DROR BALDINGER

check full story at www.designessentiamagazine.com

#Lets Go RAW 36

| September - October 2020 Edition//Design Essentia//DE INDIA

#LetsTalkGreen

India’s first journal on Environmental news & Sustainable Design to take action against “climate crises”

#GreenGazette

“JOIN US NOW IN THIS CLIMATE EMERGENCY”

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A green initiative by Design Essentia magazine//DE INDIA

#Lets Go RAW

DE

Impressions //Let’s take an exquisite journey through design with some of the trendsetting architecture & interior spaces and products in India that celebrates the “RAW” aspect in design.

//In background Bait Ur Rouf Mosque, Dhaka, Bangladesh by Marina Tabassum Architects. photographer: Rajesh Vora

MAATI COLLECTION BY THIS AND THAT STUDIO & CUBE INC #Lets Go RAW

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| September - October 2020 Edition//Design Essentia//DE INDIA

#TerracottaLove

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aati collection has been co conceptualized by two Ahmedabad based studios; This and That studio by Ariane Thakore and Cube Inc by brothers Anand and Anuj Ambala.

“Our emphasis is to design sustainable, hand-crafted products with sensitivity and to contextualize traditional craftmanship into the contemporary scenario” says the designers. >> DE’s this month theme is Lets Go RAW (the resurgence of terracotta today) How would you share your idea of working with terracotta and the idea of embracing the “raw” aesthetic in design with this collection?

Maati collection; Terracotta elliptical nesting table and Terracotta cone coffee table (from top) Anand and Anuj Ambala (Cube Inc); Ariane Thakore (This and That Studio) (below - from left)

“Maati or earth, is one of the five elements or panchamahabhuta, that make up a human body. The five elements of nature according to hindu mythology, earth, water, fire, space and air are essential in our formation.

Maati one of the funtamental building blocks life is what has inspires us to design products that can take us back to our roots. Design that have a visceral quality to connect everyone of us and to restore santulan or balance with nature.

Wood steel and terracotta bases, exclusively handcrafted by master potters, forms our inaugural range of tables - designed for outdoors as well as indoors. Designs are available in varying forms and finishes to cater to the funtional requirements of contemporary living.” says Ariane Thakore. architecture & design magazine

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MANGO HOUSE BY STUDIO PKA

Location: ALIBAG, MAHARASHTRA

#Lets Go RAW

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Architect: STUDIO PKA Principal Architect: PURAN KUMAR Design Team: NIDHI KANOI, SONALI NIMBALKAR Photographer: AMIT PASRICHA

The Family zone at the Mango House, Alibag.

Photographer: Amit Pasricha

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#TerracottaLove

ango house is designed by Studio PKA in the quaint coastal town of Alibag where the rattle and hum of the crowded urban Mumbai is silenced. The prelude to the experience, that is The Mango House, is set in motion on arrival - a walk down the sunlit pier and a short drive from the port along a long silent dirt road under a canopy of lush green trees.

The design manages to ostensibly hide this feature and create the impression of a modern contemporary flat covering. Achieved by orienting the gradual slope of the roof towards the entrance and the backyard - effectively rendering ba it invisible from ground level – the subtle gradient thus, can As one steps through the gates it takes a only be experienced from within moment to look past the trees and find the the abode. house sitting almost inconspicuously between them.

At two storeys high, the house allows the branches of the trees The age-old inhabitants of the site - the mango to spill over onto the deck, trees - governed the simple form of the house. overlooking the pool. Multiple As a direct response to the resolute and large glass fenestrations line the intricate network of roots, careful attention was exposed brick walls, casting paid to leave them unharmed and unhampered. reflections of the world outside The footprint furthermore makes them an flooding the interiors with active part of the design by enabling them to daylight and shadow trails, act as natural natu shaded extensions of the house. allowing the experience to percolate within.

Rising up to acknowledge the trees and to compensate for the narrow site, the volume The windows along with the four opens up to an expansive sloping Mangalore expansive entrances along the tiled roof. north - south and east- west axes further blur the lines between the inside and the outside. architecture & design magazine

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The design responds to its surroundings and makes a conscious effort to reconnect with the natural environment.

The rain drops trailing down windows, the dappled reflections of sunlight bouncing off panes and the gentle breeze running through the spaces – all pleasantly add to the experience and quality of the space. The unwavering desire to allow the house to blend in and become one with the land is accentuated by the earthy tones of exposed brick and concrete that complement the verdant landscape around it.

An experience which is carried forward into the abode.

The journey through the different spaces are marked by a defined sense of transition between them - It could be as subtle as the sound of footsteps, on the gravel, following the user till the threshold, or even the change in warm hues of the exposed bricks, in the communal spaces, to white plastered brickwork, in the private spaces. Brick, Concrete, Metal, Stone, Terracotta and Wood - A medley of natural materials come together to form a whole. The use of stark, raw and earthy materials entices the user and beckons them to engage with the house – through the myriad sights, sounds and textures that coalesce to form memories. A feeling of home.

Inside view from the front yard; View towards the Dining & Kitchen (below) Mango house, Alibag.

Photographer: Amit Pasricha

While inside, eyes are drawn to a suspended steel staircase that seems like a conversation between the two levels of the house. Double heighted spaces not only act as interesting vantage points but also ensure ventilation across the axes.

The semi-private and private spaces rise up to the second level and are reserved for the family of four. Spaces that remain interwoven with the lower level yet become characteristic to each of the resident’s individual sensibilities cha and passions.

The design and articulation of spaces take into account the privacy of the inhabitants. The Lower Level acts as an intimate yet informal zone where one could wander finding places for casual conversations or find their own little corner to lean back - against the embrace of the cold brick wall and sit reading a book. A strong connect of the dining with the kitchen and its visual connect with the pool deck gives rise to a dynamism that allows each space to spill out into the other - unhindered and welcoming. Every space becomes a stage for new memories to play out. Where every space relates with the next.

Alluding to the vernacular, a rich sense of culture and tradition is ever present - The Mango House helps the city-dwelling family to connect with nature by being organic in both spirit and content. A space where Design meets Life bridging the growing gap between us and the natural environment - not interfering with the course of nature, but rather inviting it in as an extension to the house. The design speaks of modest desires and smart aesthetic appeal, all the while serving as a place to call 'home'. architecture & design magazine

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The dining area - Mango House, Alibag.

Photographer: Amit Pasricha

check full story at www.designessentiamagazine.com September - October 2020 Edition//Design Essentia//DE INDIA |

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KOKUM HOUSE BY STUDIO MATTER #Lets Go RAW

Location: GOA Architect: STUDIO MATTER Design Team: Ruturaj Parikh, Pradeep Kodikara, Jineshi Samaraweera, Rishiraj Sarkar, Ranga Ravi, Azna Parveen.

Photographer: RISHUL BANGAR, STUDIO MATTER

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The Kokum House, Goa. Photographer: Rishul Bangar

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#ConcreteCharm

okum House is programmatically designed as a private residence situated in a village called Quitla, near Aldona, Goa. Half of the site belongs to an orchard zone, and the house thus is contained on a small footprint of 9m x 12m with five bedrooms, one kitchen, toilets and living spaces. It is a highly economical project.

On the apex of a small mound, the house opens up to beautiful vistas with typical Goan houses on three sides and one side facing the Orchard. The roof is designed with a high pitch roof to reflect the steep slopes of the local village church. It also works as a climatic device to reduce the heat ingress. An atrium is carved within this reticent frame to bring in light, and ventilation. Spatially, it renders lightness in the house, and at night, induces a contrasting effect, wherein the house lights up against the darkness of the lush surroundings. architecture & design magazine

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The living experience is simple, and gestures such as open-to-sky showers jutting out as cubicles in the faรงade, completely openable louvered step-out spaces on the ground floor, the quality of light, embellish it.

Kokum House, Goa Photographer: Rishul Bangar, Studio Matter

A restricted palette of materials outlines the complete aesthetic, composed of tactile materials such as laterite blocks, cement floors, non-plaster materials, steel, glass, minimal elements and warm hard wood.

The envelope itself is rendered as a monolithic grey structure (cement finish with titanium punning), replete with an industrial roof of Zinc AI sheets.

The kitchen has been pocketed well in the living space rendered black with all its fittings and appliances among the white walls and grey flooring of the house. A wooden deck extends out and a second skin made of GI pipes and bamboo completes this rugged outdoor area.

The amalgamation of different materials to vide it as one tall mass which stood out amongst all low heighted structures in the vicinity was tactfully done. architecture & design magazine

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Kokum House, Goa Photographer: Rishul Bangar, Studio Matter

check full story at www.designessentiamagazine.com September - October 2020 Edition//Design Essentia//DE INDIA |

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BAIT UR ROUF MOSQUE BY MARINA TABASSUM ARCHITECTS #Lets Go RAW

Location: DHAKA, BANGLADESH Architect: MARINA TABASSUM ARCHITECTS Principal Architect: MARINA TABASSUM Photographer: RAJESH VORA, HASSAN SAIFUDDIN CHANDAN (background image)

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Bait Ur Rouf Mosque, Dhaka, Bangladesh.

Photographer: AKTC / Rajesh Vora

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#TerracottaLove

ait Ur Rouf Mosque located in Dhaka, Bangladesh is designed by well known Bangladeshi architect Marina Tabussum. This project that portrays terracotta beautifully won the 2016 Aga Khan Award for Architecture.

After a difficult life and the loss of her husband and near relatives, the client donated a part of her land for a mosque to be built. A temporary structure was erected. After her death, her grand-daughter, an architect, acted on her behalf as fundraiser, designer, client and builder to bring the project to completion.

In an increasingly dense neighbourhood of Dhaka, the Mosque was raised on a plinth on a site axis creating a 13-degree angle with the qibla direction, which called for innovation in the layout. A cylindrical volume was inserted into a square, facilitating a rotation of the prayer hall, and forming light courts on four sides. architecture & design magazine

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The hall is a space raised on eight peripheral columns. Ancillary functions are located in spaces created by the outer square and the cylinder. The plinth remains vibrant throughout the day with children playing and elderly men chatting and waiting for the call to prayer.

Funded and used by locals, and inspired by Sultanate mosque architecture, it breathes through porous brick walls, keeping the prayer hall ventilated and cool. Natural light brought in through a skylight is ample for the daytime.

A refuge for spirituality in urban Dhaka, selected for its beautiful use of natural light.

An adherence to the essential – both in the definition of the space and the means of construction – was crucial in formulating the design of Bait ur Rouf Mosque. With land donated by her grandmother and modest funds raised by the local community, the architect has created an elemental place for meditation and prayer. pr There are two structural systems in place – the load-bearing brick walls that define the outer perimeter and the smaller spaces, and the reinforced-concrete frame that spans the column-free prayer hall.

In the prayer hall itself a simple vertical gap in the brick denotes the direction of the qibla, but the recess is splayed so that worshippers are not distracted by sight lines onto the busy street. What they see instead is sunlight bouncing off the wall behind. Awash with light, open to the elements, the mosque ‘breathes’.

“In a transitional area caught between urban hyper-density and rural proximity, the terracotta mosque is an exquisitely proportioned building that is both elegant and eternal. Funded primarily by community donors, the mosque design challenges the status quo and understands that a space for prayer should elevate the spirit. The mosque does so through el the creation of an interior space that is rich with light and shadow, but at the same time possesses a robust simplicity that allows for deep reflection and contemplation in prayer.” as per the jury / Aga Khan Turst for Culture (AKTC) Bait Ur Rouf Mosque, Dhaka, Bangladesh.

Photographer: AKTC / Rajesh Vora architecture & design magazine

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Bait Ur Rouf Mosque, Dhaka, Bangladesh.

Photographer: AKTC / Rajesh Vora

check full story at www.designessentiamagazine.com September - October 2020 Edition//Design Essentia//DE INDIA |

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HOUSE WITH 49 TREES BY RENESA ARCHITECTS #Lets Go RAW

Location: GURGAON, HARYANA Architect: RENESA ARCHITECTURE DESIGN INTERIORS Principal Architect: SANJAY ARORA Design Team: Sanchit Arora (studio head) , Vandana Arora, Virender Singh, Akarsh Varma, Jagdish Bangari, Aayush Misra,Tarun Tyagi, Tanushi Goyal, Janhvi Ambhudkar, Ambhud Prarthna Misra, Navdisha Kukreja, Anushka Arora, Ayushi Gupta.

Photographer: NIVEDITAA GUPTA

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House with 49 trees, Gurgaon.

Photographer: Niveditaa Gupta

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#ConcreteCharm

ouse with 49 trees in Gurgaon, designed by Renesa Architects appears to be carved out of the trees, openly sharing the materials of its making - raw painted concrete and a vertex of red sandstone with steel slats meticulously organized to delineate itself, as if the faรงade has been pushed out of its form to create an additional layer. The house evolving from around the trees itself, places the built as no longer an independent object, but a medium to connect rough concrete and sandstone with soft trees, engaging a space capable of reacquainting the resident with an elusive intensity of feeling.

The unique trapezoidal shape of the land, with two street facing sides, called for a design that is at ease with seeing and being seen from all sides, as well as from the inside to the outside. Spatial design strategies envisaged around this trapezoid into large rooms with wedge shaped annexes that formed in the bathrooms adding an interesting design element to an otherwise mundane space. architecture & design magazine

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The house unfolds as an anticipatory winding walk between the light walls and the monolith stone staircase that runs to the other levels of the house. A clear passage leads you to a fairly open living room, the interior of which was designed in neutral tones to create a sense of a sanctuary; one that embraces nature. All common areas spread across the natu three floors overlook a splash pool and Barragan inspired water spout, clad in red sandstone, through which water cascades amidst a revelatory garden set, hidden from the outside. The greenery is woven around the house, whereby plants have been given free reign to clamber between all levels, enhancing the foundational cubic forms of the house.

The House of 49 resonates with indigenous architecture; The respectful dominance of the materials, left minimally treated and finished with staggered floors that act as vantage points and break away from the straight-lined angles of a house. The balconies protrude outwards suggesting a method of addition that welcomes shade for the pool below, whilst remaining wrapped amidst the trees.

The interior of the house was done keeping in mind the innate experiences the house and its inhabitants share. Curated and Collected from various places, the design suggests a personalized touch as serene as the house itself. Like its users, the house matures over time.

House with 49 trees, Gurgaon.

Photographer: Niveditaa Gupta

Conc Conceptualized through an outside to inside philosophy, the house of 49 trees fuses architectural form and planning to the emotive quality of curating various movements within the house. architecture & design magazine

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House with 49 trees, Gurgaon, Haryana by Renesa Architects.

Photographer: Niveditaa Gupta

check full story at www.designessentiamagazine.com September - October 2020 Edition//Design Essentia//DE INDIA |

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BRICK BY BRICK BY STUDIO INFINITY #Lets Go RAW

Location: PUNE, MAHARASHTRA Architect: STUDIO INFINITY Principal Architect/Designer: TUSHAR KOTHAWADE, CHIRANJIVI LUNKAD Photographer: SEBASTIAN + IRA (PHX INDIA) & ATUL KANETKAR

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Brick by Brick, Pune, Maharashtra Photographer: Sebastian + Ira (PHX India) & Atul Kanetkar

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#TerracottaLove

rick by Brick project is an Advocate's Office spread across two floors in a 3 storied mix use building. The initial challenges revolved around creating a visual relief in the tight space available and developing a design vocabulary that will redefine the way one looks at an advocates office and moreover considering the fact that most people come there under stress due to their legal issues.

The client, a young advocate couple wanted primarily an office that will accommodate their present & future staff and have a spacious front office to accommodate large number of people coming for consultation. One of the briefs was to have an office that will aesthetically be different from the other legal offices in the vicinity. architecture & design magazine

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“Throughout the project, our efforts were primarily based on three fundamental aspects, viz: creating a seamless transition from the entry into the site and then into the interior spaces. Secondly, we wanted to define inter-relations of spaces thru' visual connectivity and lastly, work around a common design vocabulary to bind all spaces together.” says the architects. to The public or visitor areas and the semi-private spaces like consulting cabin and conference room were segregated with a wide corridor. The planning is largely open with all spaces visually inter-linked.

“Then considering functional requirements, we segregated the user and visitor spaces. Separate entries were defined for office staff and visitors. A fore-court was designed to act like a transition space between the first floor office & ground floor entry. Efforts were taken to maintain a visual connect with the adjoining street.”

The first floor acts like a semi-private space where visitors are attended, while the second floor is a more private space where all advocates work.

Considering the stressful state of mind of clients coming to consult an advocate, we designed a double height tree-court which overwhelms the reception - waiting zone.

Fu Further, keeping in mind the level of concentration required by their staff while working with documents and legal terms, the second floor designs were defined. The contextual setting also played an important role in helping us define our spaces.

The plot is surrounded by residential development all around and except the front side; there are buildings at a mere 18 feet distance. Thus, we decided to respond to this situation by creating largely inward looking space. The openings are derived to respond to directions in which they are placed and the functions happening around them.

Brick by Brick, Pune, Maharashtra Photographer: Sebastian + Ira (PHX India) & Atul Kanetkar

The material palette is more on an earthen side and subtle changes in detailing give each space its' individual identity. A series of courts helped to break away from the tight nature of space at our disposal. architecture & design magazine

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Brick by Brick, Pune, Maharashtra Photographer: Sebastian + Ira (PHX India) & Atul Kanetkar

check full story at www.designessentiamagazine.com September - October 2020 Edition//Design Essentia//DE INDIA |

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SIS SCHOOL

BY URBANSCAPE ARCHITECTS #Lets Go RAW

Location: GURGAON, HARYANA Architect: URBANSCAPE ARCHITECTS Design Team: DINESH PANWAR, DHEERAJ JHALUNKAD Interior Design: PAL DESIGN Photographer: SURYAN//DANG

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SIS School, Gurgaon.

Photographer: Suryan//Dang

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#ConcreteCharm

ingapore International Preparatory School (SIS School) Gurugram is a primary institution that aims to promote holistic development of a child. It is conceived as an environment that nurtures and shapes the personality of children through their formative years. The school seeks to immerse children in a creative milieu, building new relationships and ways of engaging with the external environment.

Giving young children foremost importance, the process begins by centering around them. The form-al development of the building counters the natural angle of the site. The sharp angles are moulded to carve out a fluid, turning form, representing a soothing and seamless fostering environment for the children. Spaces with no restrictions are thereby conceptualised, for users to move freely between the various programmes/portions of the building. While light, colour and pattern are developed as educational tools, extending the classroom curriculum into the spatial environment. The resultant form class engenders an interplay of light, shadow and porosity enabling the ‘outside’ to flow inwards into the spaces. architecture & design magazine

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Balconies are extruded across the kids areas to extend physical access to the wide views. The composition of the building mass, openings and voids generates interior spaces that allow for effortless and uncomplicated movements within. As a response to the climate, the south façade is entirely closed while the west façade is enti strategically designed with all the services, screened by louvres. An exposed concrete and glass edifice represents honest materiality. A sunken open-air theatre towards the east facilitates the process of evaporative cooling. A juxtaposed central atrium brings in natural light, ventilation and visibility. Owing to the conception of collaborative activities, the atrium is constructed across various levels with unconventional and playful architectonic features.

The raw material palette applied remains consistent to the idea of user-centricity.

Built for a peer group that perceives openly, free from the worldly constructs – the spaces provide an experiential environment in soft, earthy, natural tones with green terraces alternating along the implied ‘f‘front’ to induce an organic character and ‘soften’ the form’s edges.

A consequence of the adaptable and fluid form are the interior spaces; the spatial organization conforms to the needs and movements of the children.

SIS School, Gurgaon.

Photographer: Suryan//Dang

The intention of the overall process echoes through the child-centric environment that is ultimately created – one that youngsters can explore and call their own. Adhering to a process driven methodology from conception to completion, the SIS School offers an uncomplicated captivating ambiance. architecture & design magazine

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SIS School, Gurgaon by Urbanscapre Architects Photographer: Suryan//Dang

check full story at www.designessentiamagazine.com

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Dubai

Design

Week 9 - 14 November 2020

Within a safe open-air setting in Dubai Design District (d3), the 2020 edition of the creative festival will stage a series of installations, urban interventions, exhibitions and outdoor experiences under the theme of redefining and reimagining the way we will live in the near and distant future.

Responding to the impact of the recent pandemic on the region’s design ecosystem, this year’s Dubai Design Week will offer new opportunities to the Middle East’s creative community, giving centre stage to local and regional talent and reflecting on the role of designers in redefining the way we live in a COVID impacted world.

log on to www.dubaidesignweek.ae/

ONLINE SOURCE FOR ARCHITECTURE & INTERIOR PRODUCTS. //SHOWCASE YOUR PRODUCTS WITH DE INDIA.

#LetsTalkDesign

FOLLOW US ON INSTAGRAM @DE_PRODUCTS.INDIA

architecture & design magazine

Lets Talk Design

www.designessentiamagazine.com

DE Discover //Let’s discover an alluring journey through design, while in conversation with various young architects and designers of India.

#LetsTalkDesign

//In background The Magari store, Bangalore by Treelight Design, photographer: Manoj Masand

DE discover DESIGN ESSENTIA MAGAZINE//DEINDIA

//the

Organic baby atelier!

Payal Karumbiah FOUNDER

THE BABY ATELIER

Launched in 2016 by Payal Karumbiah with their linen collection and later with their home decor furniture in 2017, The Baby Atelier offers bespoke home design services for kids rooms. It specializes in creating fun, safe, chemical free, and on trend spaces with high utility for children to thri thrive in their own unique environment.

The ecommerce wing of the company offers kids furniture, bed and bath products that are organic, pesticide-free, and hypoallergenic. “In terms of our offerings we have two categories that both cater to kids 0 18 years. Firstly bespoke interior design services which include furniture & furnishings and Secondl products which include bed & bath Secondly, linen and nightwear.� says Payal. www.thebabyatelierco.com

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he Baby Atelier sources cotton only from Global Organic Textile Standard (GOTS)-certified vendors. “We work with very specific partners. Even when we partner with manufacturing facilities, we check their time sheets, because we don’t want to work with someone who is over worked, and we ensure that the manufacturing facilities use pesticide-free cleaning substances,” says Payal. The company does not starch any fabric to ensure it is chemical-free and organic.

Tell us a little bit about your studio’s design philosophy and about the kind of products offered by The Baby Atelier?

PAYAL : Our design philosophy at The Baby Atelier has always been to deliver spaces and products that are fun, clean and on trend, in terms of design, and are value for money. We ensure that while our products are kid friendly and beautiful, they serve the purpose of longevity and are technically sound in terms of design.

Why is it so important to design products and spaces catering exclusively to kids?

PAYAL : When we launched our studio with just organic linen products in 2016, most of what was available in India at the time was really over-stimulating and laden with all sorts of dyes and chemicals.

We understood at the beginning that we would need to educate our target market about the importance of having your child in a chemical free environment.

The idea of pesticide free, hypoallergenic product isn’t as clear to many people especially in developing countries such as ours - price sensitivity is the primary decision making factor in most buys across income levels. l It is really important for every child to have their own independent space to be creative and grow.

Non-theme based furniture, will provide more flexibility in terms of usage. Using a limited color palette lends a sense of high utility and timelessness which is so important when planning for a child’s space. //a kids bedroom by Payal Karumbiah with the mentioned organic products for kids by the Baby Atelier.

Photo courtesy: The Baby Atelier.

We try to create spaces with high utility, for your child to thrive in their own unique environment. architecture & design magazine

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Your favorite products? And concept behind them?

PAYAL : Personally my favourite product currently is the fun shaped mirrors that are used as sketch boards. Mirrors are an extremely great discovery tool for children because they allow them to explore themselves. (on right) We do them in many different shapes and sizes and are a huge hit with even the teenage crowd. Its such a simple product but has such a huge impact in the room functionally as well as aesthetically.

You follow an organic approach towards your products at The Baby Atelier. What is that about?

PAYAL : We try to use only natural breathable materials that are completely pesticide free. For example, we use only paint that is free of lead, and wood that contains silver ions (which are naturally anti bacterial). We spend a lot of time working on child proofing, which contrary to popular belief, is as important for older kids as the toddlers.

printed baby blanket collection by the Baby Atelier.

Mirror cum Scribblers by the Baby Atelier.

What is process of designing kids spaces? How do you understand the requirement of a growing child before starting to design for them?

PAYAL : When we begin designing a kids room the first thing we do is to understand what the parents have envisioned for their child’s space. We ask the client to answer a short questionnaire and send us images of things that speak to their child (like a particular colour or animal or shape or even a song).

We cannot predict what interest a child will develop, but what we can do is to understand what interests a parent would “like” their child to develop and tailor products to those interests.

Unlike an adult space, the child's room has to be ever evolving since the child's likes and requirements change at a frequent pace. We don’t like to commit to anything that cannot be changed in an instant. So we ensure we don’t over commit to a certain concept by basing a whole room on that theme, instead we may do a specific chair or product to go along with a play table. This addresses both the child's interest and the issue of outgrowing the interest. architecture & design magazine

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With the current COVID spread, In terms of design, what do you think will be the future of design post lockdown? How have the design of kids’ spaces/products changed due to the current pandemic?

PAYAL : The biggest change we will see past lockdown is that parents will understand the importance of spending time developing their kids spaces at home because they would have experienced the advantages of a highly functional children’s space during the current home schooling . cu Since a child’s surroundings has a very large impact on how they grow and develop, it is important to build a child’s home environment that encourages comfort, creativity and fun. One should build a room around the child’s likes and dislikes, so they have a sense of belonging and familiarity.

It will be common now to see organised areas for play storage, a well thoughtout ergonomically sound study area, a designated floor area for free play in a room, easy access to art supplies, creative building play tools and so on. architecture & design magazine

//a kids bedroom by Payal Karumbiah with the mentioned organic products for kids by the Baby Atelier. In picture are the towel collection for kids by The Baby Atelier.

Photo courtesy: The Baby Atelier.

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DE discover DESIGN ESSENTIA MAGAZINE//DEINDIA

//the “raw & textural”

Magari store!

Treelight Design is an aesthetic practice in architecture, interior & product design.

Started by architect Amitha Madan in 2015, Treelight believes that design is a creative reaction to interesting stimuli. This stimuli may be a beautiful location, unique material,form,function or simply a classic line.

Amitha Madan PRINCIPAL ARCHITECT

TREELIGHT DESIGN (Bangalore, Karnataka)

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The practice has since evolved to work with the old, infuse the new and to ultimately create a timeless design. “Our endeavor is to provide sustainable design with particular emphasis on promoting local materials, while using green construction methods.The diverse capabilities of the team and our unconventional approach lead us to create unique,contemporary app designs.” says Amitha. www.treelightdesign.in

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#TerracottaLove

reelight Design’s Bangalore store for Magari is a home dÊcor store that houses a variety of interior products like furniture, upholstery, wardrobes, carpets, accessories and light fixtures.

Tell us something about the idea for this project that made you take this raw approach towards design and materiality.

AMITHA : Magari houses products that have a touch of local craftsmanship and a sense of nostalgia, inspired by bygone eras. This prompted the idea of creating a home-like environment, where a patron could visualise the products as they might look in their home.

The materials used are very raw and textural, like exposed brick and cement block masonry. The resultant appearance is a composition, playing with the duality of both rustic and refined, to enhance the products on display. pr

architecture & design magazine

//the Magari Store, Bangalore designed by Treelight Design.

Photographer: MANOJ MASAND

The overall effect is a spacious yet homely, simple yet sophisticated environment. From the foyer-like entrance that spreads out onto areas of everyday life, to the details that serve to highlight the products, Magari is an achievement of considered and thoughtful design.

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What are your favorite elements that embrace the raw aspect of design in this project and why?

AMITHA : The design concept became more of a confluence of all the materials coming together in unison. This eventually tied together with the entire canvas of the form making all the materials co-exist with each other.

DE this month theme is Lets Go DE’s Raw (the resurgence of terracotta today) How would you share your idea of working with terracotta and the idea of embracing the “raw� aesthetic in architecture?

AMITHA : The versatility of terracotta is such that it has the ability to make a space find the feeling to be of cool and warm nature all at the same time. This along with its texturally rich pigmented feel made terracotta a hands-down choice as part of the material palette.

In terms of the raw aesthetic in architecture and design, it talks of honesty first. Honesty in terms of being true to materiality. When something is left exposed, it creates an uninhibited feeling towards its rawness and texture and no other ornamentation or frills become a or necessity to bring out its character.

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architecture & design magazine

//the Magari Store, Bangalore designed by Treelight Design.

Photographer: MANOJ MASAND

| September - October 2020 Edition//Design Essentia//DE INDIA

#Lets Go RAW

check full story on www.designessentiamagazine.com //the Magari Store, Bangalore designed by Treelight Design.

Photographer: MANOJ MASAND

With the current COVID spread, In terms of design, what do you think will be the future of architecture and design post lockdown?

AMITHA : Any kind of design, be it architecture or art is meant to create a unique experience for the individual to see what they could not have envisioned unless presented in a situation like that. It allows one to completely channel a different kind of thinking and outlook towards something that could have been perceived very normally. Design at its core is all about optimism and hope. And that itself becomes the first seed planted to come out from adversity that is presented in the form of a pandemic.

Adversity turns into opportunity and this in turn makes rethinking the future of vital importance. Whether it is through relooking at the design of a home and how its function can become completely transformative, where learning, working, exercising, and even spending more time with family could all be designed to happen holistically under one roof. Certain principles although may sound cliched act as a path sometimes to understand how society works and thus design better.

architecture & design magazine

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Alter Architects, a young Architecture and Interior Design

firm established in 2017 at Vadodara. with a vision of creating a design which is perfect blend of Architecture with Interiors .

“Our Strength we believe is our experiences in different areas backing us working on all kind of projects. Our key philosophy is to prioritize our client’s need and fulfilling the same with our creativity.We have worked on several residential and commercial projects in and out of Vadodara. Along with the team of young and creative architects and designers, we work dedicatedly to make each project unique and better from previous one.” says the architects.

architecture & design magazine

//on left;

CHITRA SINDHKAR, SHIL SHAH, PARTH PATEL,ADITYA UMRAJKAR principal architects at Alter Architects, Vadodara, Gujarat.

#Lets Go RAW

INTRODUCING THE YOUNG ARCHITECTS AND DESIGNERS OF INDIA

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| September - October 2020 Edition//Design Essentia//DE INDIA

Project Name:

#TerracottaLove

NAYAAH

Project Location: Dajipura, Vadodara, Gujarat Project Area: 2500 Sq. ft.

Design Team: Chitra Sindhkar, Shil Shah, Parth Patel, Aditya Umrajkar Photographer: TEJAS SHAH Phot

DE’s this month theme is Lets Go Raw (the resurgence of terracotta today) How would you share your idea of working with terracotta and the idea of embracing the “raw” aesthetic Alter Architects : We were so excited in architecture? to work on this project because of the topography and the location of the Alter Architects : We really feel the project. The whole plot was surrounded by use of natural materials specifically lush green trees, and client wanted to terracotta gives a warmth and keep the green element as it is and want character to any space, whether it would be an interior or architecture. Terracotta to build small house amidst the nature.

Other thing, client wanted to use natural when added with wood can give you material at maximum and we are always warmth feeling whereas added with happy to design with bricks and natural blues creates interesting contrast effect. stones. We loved the multicolor kota As a raw material, we feel exposed flooring we used in whole farm which bricks is an expression of the timeless support the raw architecture as well charm and it is way to add elegance and enhance the classy interiors. Outdoor bar personality to the building. Using rubble space was created using rubble stone stone in some area in this particular which is locally available and also embrace project was interesting element which the brick architecture and maintain we feel durable along with enhancing the space. reminisce with nature.

Tell us something about this project? Your favorite elements?

Did you have any elements that embrace the raw aspect of design in this project?

architecture & design magaazine

//Nayaah - residence IN VADODARA by Alter Architects.

Photographer: TEJAS SHAH September - October 2020 Edition//Design Essentia//DE INDIA |

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With the current COVID spread, In terms of design, what do you think will be the future of architecture and design post lockdown?

Alter Architects : We do feel, this COVID spread will definitely affect on the working pattern of Designers and Architects, as we try to avoid site visits and give drawings more precisely. We are forced to use materials which are locally available and avoid going out for the same. So that will restrict us at some point and our work wo will increase day by day.

Second thing, because of lock down, people are more prone to stay at home for maximum time, they are forced to indulge in the designing of their home precisely. They will understand what they will exactly want for their home and this will make designers to think in more details.

Acco According to us, Economy will affect on the expenditure people used to make while designing their dream homes but at the same time, this pandemic is resisting people to go out and spend at any other place, they are likely to spend in their homes. Even higher class will think to have second home if any such situation comes later on that will keep su them out of this pandemic and that will benefit the future of architects and designer.

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| September - October 2020 Edition//Design Essentia//DE INDIA

architecture & design magazine

//Nayaah - residence IN VADODARA by Alter Architects.

Photographer: TEJAS SHAH

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Crest Architects, is a pragmatic and holistic design practice based in Bangalore that provides a scope for a wide range of experimentation and exploration in architecture of various kinds of projects.

Founded by principal architects Vikas MV and Vishwas Venkat, the firm has ventured into redefining residential design of single and multi-dwelling houses, institutional, commercial and hospitality projects while providing purpose built interior spaces and landscape designs that complement the architecture.

architecture & design magazine

//on left;

VIKAS MV, VISHWAS VENKAT principal architects at Crest Architects, Bangalore, Karnataka.

INTRODUCING THE YOUNG ARCHITECTS AND DESIGNERS OF INDIA

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Project Name:

Floating Walls Residence Project Location: Bangalore, Karnataka, India Project Area: 4226 sqft Design Team: Vikas MV and Vishwas Venkat Photographer: SHAMANTH PATIL J Phot

Tell us something about this project? Your favorite elements?

Did you have any elements that embrace the raw aspect of design in this project?

Crest Architects : The site for the Floating Walls residence, is situated in a densely populated locality.

An introverted building program was developed around two courtyards and a series of staggered slits have been deliberately positioned at unconventional heights throughout the unco building to allow light, maximum views of the outside and accentuate the spatial experience keeping in mind the aspect of privacy. Strong attention is paid to details while blurring the lines between the tangibles and intangibles.

The magnificent 10 feet long doors of the master and daughter’s bedroom in the first floor which have been articulately designed to transform into a striking feature wall, is our favourite element in the house.

DE’s this month theme is Lets Go Raw (the resurgence of terracotta today) How would you share your idea of working with terracotta and the idea of embracing the “raw” aesthetic in architecture?

Crest Architects : Terracotta as a construction material has been used since ancient times as a mode of architectural expression. Over the years, experimentation with terracotta as a material has led to its revival and usage in different forms – as a part of the exterior façade treatment, in the interior partition walls and for multiple ecological and sustainable purposes in the construction industry. As a material, there is an immense potential for terracotta in terms of design imagination and exploration.

The concept of using exposed finishes and the rugged character of materials for both exterior and interior surface treatment stands out as opposed to the conventional methods of painting or covering with wall paper. Materials are increasingly being preferred in their most raw form as an aesthetic and stylistic element both by the designers as well as clients.

As a part of developing a sustainable structure with improved performance and enhanced efficiency, terracotta clay tiles have been laid as terrace flooring to reduce the temperature and keep the interiors cool and pleasant.

Apart from this, exposed concrete finished slabs in the dining and family lounge add a natural and fresh ambience to the interior environment.

This choice of material and its usage in communal spaces of the house embodies the rough character and natural texture of concrete. natu //Nayaah - residence IN VADODARA by Alter Architects.

Photographer: TEJAS SHAH architecture & design magaazine

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| September - October 2020 Edition//Design Essentia//DE INDIA

//Floating Walls Residence in BANGALORE by CrestArchitects.

Photographer: SHAMANTH PATIL J

With the current COVID spread, In terms of design, what do you think will be the future of architecture and design post lockdown?

Crest Architects : The current pandemic situation has brought to light numerous factors that could bring about an important change in the approach of design and development of buildings.

The safety measures and social distancing norms will push the architectural community to rethink the design of social and communal spaces. It might also involve collaborations with organisations from various disciplines to assess the current situation and develop innovative design solutions to prevent further impact in the near future. It might have a significant impact on the private and multi-dwelling residential architecture and may encourage the design fraternity to learn from the current experience. architecture & design magazine

//Floating Walls Residence in BANGALORE by CrestArchitects.

Photographer: SHAMANTH PATIL J

check full story on www.designessentiamagazine.com September - October 2020 Edition//Design Essentia//DE INDIA |

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Lokirev Designs,

is a Hyderabad based young architectural firm founded in 2016 by architect Gauthami Lokirev.

The young & enthusiastic firm focusses in creative & contemporary design solutions with projects including architectural & interior services.

architecture & design magazine

//on left;

GAUTHAMI LOKIREV

principal architect at Lokirev Designs Hyderabad, Telangana.

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| September - October 2020 Edition//Design Essentia//DE INDIA

Project Name:

Light & Shadows Project Location: Hyderabad, Telangana Project Area: 1100 sft Architect: Gauthami Lokirev Photographer: RICKEN DESAI

Tell us something about this project? Your favorite elements? Did you have any elements that embrace the raw aspect of design in this project?

Loki Designs : This contemporary work space for an established Lokirev company features a minimalistic and restrained material palate which in combination with generous amount of natural light and bright coloured roof induces a vibrant ambience. The structure which is a metal fabrication, totally made on site by locally available fabricators explores discrete metal palette for walls, roof and framework that accentuates clean lines and austere of the faรงade.

All the materials are used in their exposed form which in a way connects with the nature of the work undertaken there. Ridges of the corrugated sheet on the wall, texture of the exposed chequered sheet of the roof, exposed wooden finish are all raw and unique in their own way. The simplicity of the nature of the metal helped to create an open space with linear planning, limited barriers, transparency, cool colour palate, functional furniture making the space simple yet visually and physically appealing. architecture & design magaazine

//Light & Shadows - office in HYDERABAD by Lokirev Designs.

Photographer: RICKEN DESAI September - October 2020 Edition//Design Essentia//DE INDIA |

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architecture & design magazine

//Light & Shadows - office in HYDERABAD by Lokirev Designs.

Photographer: RICKEN DESAI

check full story on www.designessentiamagazine.com

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in background //The Mango House //Studio PKA