DE May - June - July 2022 Edition // DE India

DE india

//MAY - JUNE - JULY 2022//VOLUME 03 - ISSUE 03__

architecture & design magazine

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featuring

ON COVER //JJ VALAYA’s sumptuous new fashion & luxury interiors store brings the complete Valaya experience to India’s capital city.

JJ VALAYA

DE SPOTLIGHT (ON COVER)

DESIGN DECONSTRUCT TOP SPACES - INTERNAL COVER

ASHIESH SHAH ATELIER APARNA KAUSHIK DESIGN GROUP CHESTNUT STOREYS PORTAL 92 LALITTYA BY SHIVANI AYUSH STEM DESIGN

and many more young architects & designers of India.

#LetsTalkDesign

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architecture & design magazine

DE india

//MAY - JUNE - JULY 2022//VOLUME 03 - ISSUE 03__

architecture & design magazine

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DE TOP SPACES

DESIGN DECONSTRUCT, NEW DELHI, INDIA (RISHABH KAPOOR & MONICA CHADHA) (PAGE 34)

@demagazineindia

edit #LetsTalkDesign

DE INDIA DESIGN ESSENTIA MAGAZINE

MAY - JUN - JUL 2022

#LetsTalkDesign

Design Essentia Magazine is an Architecture & Interior Design magazine from INDIA.

We are an international design journal featuring the work of top architects and designers, as well as the best in design trends to follow.

Join our DE community!!

“We curate to showcase the best”

@designessentiamagazine LIKE US ON FACEBOOK

@demagazineindia FOLLOW US ON INSTAGRAM

@designessentiamagazine SUBSCRIBE ON YOUTUBE

@isaloneofficial

www.salonemilano.it

architecture & design magazine

DE INDIA (OFFICIAL MEDIA PARTNER)

CONTENTS

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25

34

CONTENTS

DE DIRECTIONS/EVENTS //DESIGN HIGHLIGHTS FROM WORLD EVENTS

THE BEST OF INTERNATIONAL CONTEMPORARY FURNITURE FAIR - NEW YORK

2022

12

DE PRODUCTS

//ARCHITECTURE & INTERIOR PRODUCT SHOWCASE

STEM DESIGN #homeware

17

DE PRODUCTS MAGAZINE PREVIEW

20

DE SPACES

//TOP TRENDING ARCHITECTURE & INTERIOR SPACES

40

NEUMA MUMBAI

By ASHIESH SHAH ATELIER

48

PROJECT 901

44

AKDG STUDIO NOIDA

By APARNA KAUSHIK DESIGN GROUP

52

KOAI

56

JAIPUR HOME

CHENNAI

NEW DELHI

JAIPUR

By CHESTNUT STOREYS

By PORTAL 92

By LALITTYA BY SHIVANI AYUSH

//YOUNG ARCHITECTS & DESIGNERS OF INDIA SHARE THEIR STORY

63

architecture & design magazine

CONTENTS

DE DISCOVER

//Editor’s letter ABOUT THE ISSUE With this edition DE INDIA introduces its third issue for the year 2022.

We celebrate design, with the our latest edition for May - June - July 2022 with the theme -

.

.

Art Design Fashion Edition.

For this issue our DE cover story, we had an exciting conversation with thefashion design icon of India - JJ Valaya. who shares about his design journey and showcases his latest flagship store “The World of Valaya” in New Delhi.

Let’s take an alluring journey through design with some of the exquisite SPACES full of ART, AESTHETICS and LOVE designed by today’s design trendsetters.

So, Let’s highlight and celebrate the beautiful essence of design around us.

Let’s Talk Design with DE. Let Stay Safe & Happy Reading!!

//photograph by DE Studio

ANIRUDH DATTA (Editor in chief) DESIGN ESSENTIA MAGAZINE (DE INDIA)

architecture & design magazine

the best of

International Contemporary Furniture Fair

2022

ICFF 2022 NEW YORK

EXPLORING THE LATEST IN CONTEMPORARY DESIGN The International Contemporary Furniture Fair returned to New York’s Javits Center May 15 to 17, 2022. The fair showcases new designs for the residential and contract markets from over 300 established and emerging brands from more than 25 countries, in addition to the ICFF Studio, Studi a partnership with Bernhardt.

The ICFF, or International Contemporary Furniture Fair, is an annual trade show that features hundreds of the interior design world’s newest and brightest collections — a forecast into the near future of design aesthetics.

During this year's ICFF event showcase, the expansive Javits Center became a microcosm of high art and design teeming with interior enthusiasts as they scanned the gallery displays. Design that highlights the work of the next generation of emerging talent.

Here is a preview of some of the design He debuts you’ll find at the fair. www.icff.com/

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| May - June - July 2022 Edition//Design Essentia//DE INDIA

PREVIEW THESE ICFF PRODUCT LAUNCH HIGHLIGHTS

Brooklyn-based studio and showroom Piscina incorporates inventive sculpture to everyday environments. The studio was founded by Cuban American artist Natalie Shook, whose creativity is exemplified through Piscina’s dynamic catalog of furniture, objects, and jewelry.

Piscina’s playful and modular designs Piscina stood out to us, as they appear to reimagine function and naturalize a home with its signature earth tones and architectural shapes.

THE READER SIDE TABLES

BY PISCINA

(ON LEFT) The Reader Side Tables at ICFF 2022.

Photograph courtesy : Piscina.

Pasadena, Calif.–based designer Cory Grosser created a contemporary chair rooted in tradition and inspired by Hollywood’s Mulholland Drive. The shell functions as the seat, back, and armrests, blending into a solid ash frame, available in multiple finishes. A seat cushion provides additional comfort and can be customized by using contrasting textiles.

MULHOLLAND CHAIR

BY BERNHARDT DESIGN

(ON LEFT) Mulholland Chair at ICFF 2022.

Photograph courtesy : Bernhardt Design.

May - June - July 2022 Edition//Design Essentia//DE INDIA |

13

PREVIEW THESE ICFF PRODUCT LAUNCH HIGHLIGHTS

Forma Rosa Studio encapsulates what it means to envision nature in unique forms. The designers, both hailing from the U.S. and Peru, pull from their respective natural environments to digitally design and tactfully execute an individual design piece. What caught everyones attention was the Wave ev Form Lamps, which were “developed with digital precision and hand crafted by artisans in Peru and Brooklyn,” and come in different sizes, glazes, and visual textures.

WAVE FORM LAMP COLLECTION FORMA ROSA STUDIO

(ON LEFT) The Wave Form Lamp collection at ICFF 2022.

Photograph courtesy : Forma Rosa Studio.

The walking bench, designed by Lauren Rottet and the Rottet Collection, looks kinetic, as if the angled legs of the bench have the energy to walk inside or out.

The longer the bench, the more legs are added, and the more visual energy it has. It comes in black marble, white marble, and custom options as well, and marbl is part of a new collection, available this summer, that will include stone planters, fire pits, and indoor plants

THE WALKING BENCH

BY ROTTET COLLECTION 14

| May - June - July 2022 Edition//Design Essentia//DE INDIA

(ON LEFT) The Walking Bench at ICFF 2022.

Photograph courtesy : Rottet Collection.

PREVIEW THESE ICFF PRODUCT LAUNCH HIGHLIGHTS

JOYFUL GLASSWARE

BY IRINA FLORE

COMBI PENDANT LIGHT

BY KONCEPT

Irina Flore is an award-winning designer who puts the process of creation in the highest regard. Irina Flore’s design practice utilizes both traditional techniques and new technology in the crafting of everyday art objects. The works are statement pieces for the home that appear and function extraordinarily. Stumbling upon the artist’s drinkware set at the ICFF, as it sat colorfully and joyfully on its display was a complete joy.

(ON LEFT) Joyful Glassware at ICFF 2022.

Photograph courtesy : Irina Flore.

The Combi Pendant series by Koncept adds new, customizable elements into otherwise static pendant designs. The 1.5" cylindrical light comes in five different lengths, all with an innovative 2-in-1 mounting capability for suspension and ceiling flush mounting.

Over 10 optional attachments—such Ov as glass shades, acoustic panels, and a cylindrical snoot—are available.

(ON LEFT) Combi Pendant Light at ICFF 2022.

Photograph courtesy : Koncept.

CHECKOUT MORE ON WWW.DESIGNESSENTIAMAGAZINE.COM

architecture & design magazine

May - June - July 2022 Edition//Design Essentia//DE INDIA |

15

Introducing DE Products - our specially curated product platform to showcase architecture and interior design products by DE INDIA

@demagazineproducts

PRODUCTS

Introducing DE Products - our product platform specially for architectural and interior design products by DE India

STEM DESIGN,

a contemporary Indian design studio working between homeware, fine art and spaces to create heartfelt experiences.

Led by Aman Bhayana and Sugandhi Mehrotra, a tactile aspect exists within the works of Stem.The studio’s work strives for cultural and societal relevance, questioning the role of an object in space.

“We believe art is a powerful tool that allows for an exchange of dialogue. Similarly, objects should embody that. All our designs originate from this conscience, becoming functional or a source of inspiration. Each product becomes a medium to express emotion with honesty to the material and process.Working closely with Indian artisans, our direct engagement allows us to redefine traditional crafts in a contemporary lifestyle while laying importance on the challenges involved in the process. Each detail is impo fine-tuned to bring focus to the object's narrative.”

@stem.design (instagram) www.stemdesign.co

Lets Talk Design /

DEProducts//

May - June - July 2022 Edition//Design Essentia//DE INDIA |

17

COY TABLE LAMP

Handmade and sand-cast in solid aluminium

COY Table Lamp, Long fascinated by the simplicity and symbolic aspect of revealing some- thing true, the table lamp is designed in the pursuit of expressing the object in its bare finish. Coy embraces singularity in design, exploring the dialogue and delicate balance between organic and geometric forms. The interplay of light and shadow caused by soft depressions enhances Coy’s modest character. dep Aluminium is left bare in its natural finish, bringing in a renewed sense of energy in space. Coy uses intricate handmade techniques, becoming a lighting object for the new home.

//DEProducts / Lets Talk Design

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| May - June - July 2022 Edition//Design Essentia//DE INDIA

CHECK OUT THE FULL EDITION ON WWW.DESIGNESSENTIAMAGAZINE.COM | DOWNLOAD YOUR FREE DIGITAL COPY NOW

let’s

talk

art

“Earthy Hues”

One O Eight Projects and Art Magnum come together for the Exhibition “Earthy Hues”.

One O Eight Art Projects and Art Magnum, the capitals leading art galleries and curators have come together to present "Earthy Hues", a beautiful game of earthy sculptures and artworks that are aligned with nature and the human existence and evolution. Consisting of only two artists, G. REGHU and ANKI tw BHUTIA, the exhibition was held at Bikaner House, New Delhi.

TARUN KHANNA, Founder, One O Eight Projects and SAURABH SINGHVI, Director, Art Magnum, curated a show that is bound to capture your imagination and drive in the form of pure art. The event will showcase the works of G Reghu, a prolific sculptor and Anki Bhutia, who is known for her nature-inspired paintings.

Commenting on the exhibition, Tarun Khanna, Founder of One O Eight Projects, expressed,

SCULPTURES BY G. REGHU

“We are elated to associate with both the artists and provide them a platform for showcasing their talent.

We hope to delight all the art lovers by amalgamating Gandhian philosophy and Buddhism inspiration incorporated by Reghu and Anki Bhutia in their artworks respectively. We aim to bring the diverse culture at one platform.”

Lets Talk ART // May - June - July 2022 Edition//Design Essentia//DE INDIA |

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Anki Bhutia's brush strokes are enticing, and the canvas spaces are divided into colour slots, much like a prism held up to the light within. The textures created by her tonal applications trace the journey of a pilgrim on the path to self-discovery, where each landmark along the way is marked with a hue of light and life, making the painting an interesting tracery, actualizing one's personal journey through life.

(ABOVE ON LEFT) (AB Reghu's creations are influenced by the artist's own agricultural upbringing as well as the Gandhian ideal of working with local materials.The figures are doll-like and use traditional folk motifs, such as women and children at play, with expressions of joy or wonder. His Indian village roots are reflected in the muted organic earth colours and matte finish. (ABOVE ON RIGHT) (RIGHT) The exhibition brings to the table, visions of both eminent Indian artists in the form of soothing artworks that are a result of their learning and inspiration from life and nature.” For all the art lovers seeking a way out to transcend into a magical time and escape reality for a few minutes, ‘Earthy Hues’ can definitely offer them the opportunity to do so.The artworks are extraordinary and have been put together with a vision in mind. Each artist compliments the other and comes together seamlessly as a showcase that is going to leave you spellbound,” says Saurabh Singhvi, Director,Art Magnum.

// Lets Talk ART 24

| May - June - July 2022 Edition//Design Essentia//DE INDIA

CHECK OUT MORE ON WWW.DESIGNESSENTIAMAGAZINE.COM

DE

Spotlight Interview JJVALAYA,

India’s top fashion design icon recently unveiled his flagship store, The World of Valaya at JW Marriott, Aerocity, New Delhi.

DE Editor in chief Anirudh Datta had a detailed interaction with the designer for the DE Spotlight interview series where JJ Valaya talks about his design journey and shares his latest The World of Valaya - two-story t concept store that will feature the designer’s three primary loves under one roof — Fashion, Home and Photography

IN CONVERSATION WITH

JJ VALAYA (FOUNDER & PRINCIPAL DESIGNER AT THE WORLD OF VALAYA) (NEW DELHI, INDIA)

architecture & design magazine

# DEs p o t l i g h t//interview ByANI RUDH DATTA

DESI GN ESSENTI AMAGAZI NE/ / DEI NDI A

NS PI REDYOUTO J JVALAYA t h ef a s h i on d e s i g ni c on ofI n d i a AD :WHAT I u n v e i l e dh i sf l a g s h i ps t or e , TheW or l dofVal ayaa tP URS UEACAREERI N DES I GN? J W Ma r r i ot t , Ae r oc i t y , Ne wDe l h i .

We l c omet oTh eWor l dof V a l a y a— t h ea l l n e wf l a g s h i p e x p e r i e n c eb yd e s i g n e rJ J V a l a y a , on et h a tr e d e f i n e st h e b e n c h ma r k sof l u x u r yf a s h i ona n dl i f e s t y l ei nI n d i a .

Hou s e d a tt h eJ W Ma r r i ot tHot e li nAe r oc i t y ,Ne w De l h i , Th e Wor l dof V a l a y ai sa1 2 , 0 0 0 s q u a r ef e e t , t wos t or yc on c e p t s t or et h a twi l l f e a t u r et h ed e s i g n e r ’ st h r e ep r i ma r yl o v e s u n d e ron er oof —F a s h i on , Home , a n dP h ot og r a p h y .

De s i g n e db yV a l a y aHome ,t h emu l t i d i s c i p l i n a r ys p a c e r e ma i n sr oot e di nq u i n t e s s e n t i a l V a l a y as e n s i b i l i t i e s .

E v e r y p r od u c ta tt h es t or eh a sb e e nd e s i g n e d , d e v e l op e d , or c u r a t e db yt h ema s t e rc ou t u r i e r , r e f l e c t i n gt h es y n e r g yof mod e r n , ma x i ma l , a n dmu l t i c u l t u r a l e l e me n t s .

J JVALAYA :I s u p p os ei t ' sami xof DNAa n d l u c k , I wa sp u r s u i n gac a r e e ri nc h a r t e r e da c c ou n t i n g u n t i l on e d a yi n s p i r a t i ons t r u c ka n dI g a v eu pmyCA c a r e e ra n ds e tt ob e g i n my c r e a t i v ej ou r n e y .

Cr e a t i v i t yr u n si nou rb l ood ,mymot h e rwa sa f a n t a s t i ck i d s we a rd e s i g n e rwh os p e c i a l i s e di nu s i n g e mb r oi d e r i e sl i k eF r e n c hk n ot s ,p oc k i n g ,s h a d o w wor k sa n da l l t h eb e a u t i f u l ol dt e c h n i q u e s .

Myma s i P a r me s h wa rGod r e j ,on t h e ot h e rh a n d ,i sa we l l k n o wni n t e r i ord e c or a t ora n dd e s i g n e r , a n dof c ou r s ema n yot h e rc r e a t i v eh a t st oh e rc r e d i t .E v e n Iu s e dt oe n j o yf i n ea r t , p a i n t i n g sa n de v e r y t h i n g a r t i s t i ci nmys c h ool d a y sa n dwa st h eb e s ta r t i s tf or y e a r sr u n n i n g .

Ig r a d u a t e da sac omme r c es t u d e n ta n de v e n s t a r t e dmyc a r e e ri nt h a t f i e l d , b u t t h ec r e a t i v eDNA t ooko v e ra n dIs wi t c h e dc a r e e r s .

Th a td e c i s i on ob v i ou s l yh e l p e dmei ng oods t e a ds oI s u p p os et h e i n s p i r a t i onc a mef r omwi t h i na n dt h a t ’ swh e r ei ta l l s t a r t e d .

AD : WHO WEREYOUR EARL Y DES I GN HEROES AND ROLE MODELS ?

J JVALAYA : I s t a r t e dmyc a r e e ri nawor l dt h a t wa sv e r yd i f f e r e n tf r om t h eon ewel i v ei nt od a y .

Th e r e wa sn oi n t e r n e t ,f a s h i on ma g a z i n e sor n e ws p a p e ra r t i c l e s , n of a s h i onwe e k s , a n dn or e t a i l s t or e ss e l l i n gd e s i g n e rc l ot h e s .

Be c a u s et h e r ewa s n oon ewec ou l dr e l a t et oi nI n d i a , wef ou n dou r h e r oe sa n dr ol emod e l sa mon gf a mou si n t e r n a t i on a l d e s i g n e r s .P e r s on a l l y ,Ia d or e dRoh i tKh os l a ,wi t h wh omI i n t e r n e do v e rt h es u mme ra n dwa sh i sf i r s t a n don l yt r a i n e e , a n dt h ou g h t h ewa st h ee p i t omeof s t y l e .

I nI n d i a , wes t a r t e dwi t hj u s t 78d e s i g n e r sa n d h a da ni n c r e d i b l ej ou r n e yb e c a u s et h e r ewe r en o f a s h i oni n s t i t u t e sot h e rt h a nNI F Ta tt h a tt i mea n d t h e yu s e dt ot r a i non l y2 5s t u d e n t se v e r yy e a r , s o on l y2 5d e s i g ng r a d u a t e s .

S o , i nas t r a n g ewa y , we b e c a meou ro wnr ol emod e l sb e c a u s ewel e a r n t f r omou ro wnmi s t a k e s , wet r i p p e d , wef e l l , wer i s e b a c k , a n dI t h i n kt h a t ' st h eb e a u t yof l i f e , a n di f y ou t h i n ky ouk n o we v e r y t h i n ga n ds t opl e a r n i n gt h e n t h a ti st h ee n dof a n yc a r e e r .

26 |May-June-July 2022Edition//DesignEssentia//DEINDIA

( ONL E F T) J J VAL AY Aa t THEWORL DOFVAL AY Ai nNe wDe l h i , I n d i a .

P h ot og r a p hc ou r t e s y :AS HI S HS AHI

AD :AL ONGWI TH F AS HI ON DE S I GN, Y OU HAVEA BE AUTI F UL S E NS E OF I NTE RI OR DE S I GN.WHAT I SY OUR P R OCE S ST OI NI TI ATETHEDE S I GN OFA S P ACE ? DO Y OU MI XY OUR DE S I GN I DE OL OGY WI TH F AS HI ON AND I NTE RI ORSORI SI TS TRI CTL YS E P ARATE ?

J JVALAYA : Ib e l i e v et h a tf l a i rf ord e s i g na n dt h e s e e dof c r e a t i v i t y , i sav e r yf e r t i l eon e , a n di f we l l s own , n u r t u r e d , a n dwa t e r e d , i tc a nb r a n c hou ti n t oawi d e r a n g eof e x p r e s s i on s .

Wh e ni tc ome st oa r ta n dd e s i g n , I ' v en e v e rb e e non et os e tb ou n d a r i e sf ormy s e l f .I u s e dt op a i n tone n or mou sc a n v a s e swh e nIwa si n s c h ool ,b u ta s Iwe n ti n t of a s h i on ,If ou n d my e x p r e s s i on i n b e a u t i f u lc ol ou r s ,t e x t i l e s ,a n d e mb r oi d e r i e s .

I ' v ea l s od r a wnt op u r s u ep h ot og r a p h y , wh i c hI s t a r t e dd oi n gwh e nI wa sa tNI F Ta n don l yg ot s e r i ou sa b ou t1 0y e a r sa g o.I n t e r i or d e s i g ni s f a s c i n a t i n gb e c a u s ei ti n v ol v e ss p a c e s , y ouh a v et oh a v e as e n s et h a ta l l owsy out owa l ki n t oar oom, l ooka t t h ewa l l s , l ooka te v e r y t h i n g , a n du n d e r s t a n de x a c t l y wh a ty ouc a nd owi t hi t . / / bel ow; THEWORLD OFVALAYA i nNew Del hi ,I ndi a byJ J VALAYA Phot ogr aphc our t es y:ASHI SH SAHI

Ih a v ea l wa y sh a dav i s i onwh e ni tc a met oc r e a t i n g s ome t h i n gu n i q u eou tofe mp t ys p a c e sa n dt h ou g h ti t wou l db eawa s t ei f I d i d n ' te x p l or et h i sf a c e tof my s e l f a s we l l .Att h e mome n t ,I ' m i n t of a s h i on ,p h ot og r a p h y , i n t e r i ord e s i g n ,f u r n i t u r e ,j e we l l e r y ,f oot we a r ,a n dt i l e d e s i g n .

An dI f e e l wes t i l l h a v eal otof d e s i g na n dc r e a t i on wor ka h e a dof u s .

Bu tf ort h et i meb e i n g , a l l of t h e s ek e e p meb e a u t i f u l l yb u s ya n df r a n k l y , I c ou l d n ' th a v ea s k e df ora b e t t e rop p or t u n i t yt oma k eal i v i n gou tofs ome t h i n gI l ov ed oi n g .

AD : HOUSE OF VALAYA, Y OUR S UMP TUOUSNE W F L AGS HI PF AS HI ON & L UXUR YI NTE RI ORS S T ORE BRI NGSTHE COMP L E TEV AL A Y AE XP E RI E NCE .

TE L LUSA BI TABOUTTHES P ACETHATCURATE STHE “ V AL A Y AE XP E RI E NCE ” .

J JVALAYA : Th es p a c ei sr oot e dt oi t sc or ea n di n q u i n t e s s e n t i a l Va l a y as e n s i b i l i t i e s-ma x i ma l i s md on ee l e g a n t l y , s op h i s t i c a t e d l ya n dd on ewi t hac e r t a i na mou n tofma s t e r y a st h e r ei sav e r yt h i nl i n et h a td i v i d e sp os hma x i ma l i s mt o g a u d ye x c e s s .

On eh a st ot r e a di tv e r yc a r e f u l l ya n dI b e l i e v e ov e rt h ey e a r sIh a v eb e e na b l et ol e a r nh ow t oh a n d l e mu l t i c u l t u r a le l e me n t sa n db r i n gt h e mc oh e s i v e l yi n t oon e l ooka n dy e tma k ei tl ookv e r ymod e r nb u ta l s owa r ma n d we l c omi n g .

Ason ee n t e r st h es p a c e , t h eg r ou n dl e v e l s h owc a s e sJ J V; a n e c oc on s c i ou sc ol l e c t i onma d ef r omTE NCE LL UXEa n da s e l e c t i onof Va l a y aHomef u r n i t u r e .

Th el owe rl e v e l f e a t u r e s r e s p l e n d e n tJ a ma wa rGa l l e r yf e a t u r i n gwa l l sf a b r i c a t e du s i n g or i g i n a l a n t i q u ej a ma wa rs h a wl s .

Th ec e n t r a l p a s s a g ef e a t u r e s wome n ’ swe a r&me n s we a rc ol l e c t i on s , ac ou t u r emu s e u m s h owc a s i n gs i n g l e e d i t i onma s t e r p i e c e s , ap r e c i ou sj e we l l e r y s h owc a s e , a n dt h ep r i v a t el ou n g ef orb e s p ok ec on s u l t a t i on s , L eS a l ond uMu s é e .

Th es t or ea l s od i s p l a y ss i g n a t u r eVa l a y a wa l lt a p e s t r i e sa sy oue n t e rt h ec e n t r a la l t a rl ob b yoft h e Home s e c t i on wh e r ey ou c a n me a n d e rt h r ou g hf i v e s e a ml e s s l yi n t e r c on n e c t e dz on e s— t h el i v i n gr oom, t h eb a r wi t hi t sd e d i c a t e dl ou n g e , t h ed i n i n gr oom, a n dt h eb e d r oom —f orac omp l e t eVa l a y aHomee x p e r i e n c e .

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May-June-Jul y2022Edi t i on/ / Des i gnEs s ent i a/ / DEI NDI A|

AD :HOW WOUL DY OU DE S CRI BE THI SE CL E CTI C S P ACE I N ONE P HRAS E ?

J JVALAYA:

Gr a n d e u r a n ds o p h i s t i c a t e d ma x i ma l i s m! !

AD : Y OUAREF AMOUSF ORY OUR BE AUTI F ULMAXI MALI ST DE S I GN AP P R OACH THAT MANY F E AR E XP E RI ME NTI NG WI TH.WHAT I S Y OUR T AKE ON CHOOS I NG MAXI MAL I S T OVE RA MI NI MAL I S T L ANGUAGEI NDE S I GN? J JVALAYA :E v e r y t h i n gwi l lc oe x i s ti nt h i s wor l d ,a n de v e r y t h i n gwi l lb ea p p r e c i a t e d or d e s p i s e d , a sI ' v el e a r n tov e rt h el a s t3 0y e a r s .

I a m ama x i ma l i s ta th e a r tb e c a u s eIb e l i e v eI n d i ai s ma x i ma l i s ta th e a r t , a n dt h i sr e mi n d smeofa n a mu s i n gme t a p h or :Iwa sd e s i g n i n gawe d d i n g , a n dt h ep e r s onwh o wa se x e c u t i n gi twa sa r of e s s i on a l wh o h a dp r e v i ou s l y s e a s on e dp e x e c u t e dl a r g e s c a l e we d d i n g s ,a n ds ome on e a s k e dh i m, " Wh od oy out h i n ki sb e t t e r , d e s i g n e r X ord e s i g n e rY? "Hej u s ts a i d ," We ' r eI n d i a n s , a f t e ra l l ,a n dwel ov eb ot hI n d i a na n dCh i n e s e c u i s i n e .

I st h e r ea n yc omp a r i s on ?We ' dwa n tt o g e tat a s t eofb ot h" If e l tt h a twa sap r e t t y s t r a i g h t f or wa r da n db a s i cme t a p h orf orh ow v a r i ou ss c h ool sofd e s i g nwi l l a l wa y sc oe x i s t .

We h a v ee x t r a v a g a n tf e s t i v a l sa n dl a r g ewe d d i n g s ( n otl i k eap l a i nwh i t ewe d d i n g ) , t h u swemu s tl i v e a n de mb r a c et h ef a c tt h a tma x i ma l i s mi sa n I n d i a ns p i r i t .

Ib e l i e v ei nma x i ma l i s m, a n di fy out r a v e lb a c ki n t i me , y ouwi l l f i n dawe a l t hof c u l t u r ea n dh i s t or y n oton l yi nI n d i a , b u ta l s oi not h e rc ou n t r i e sa l on g t h es p i c eors i l kr ou t e s , a l lofwh i c hh a v et h e i r ownh i s t or i e sa n dg r e a tc ol l e c t i on sofa r t , c r a f t , p h i l os op h y ,a n dp oe t r y ,a l lofwh i c hh a v ea b e a u t i f u l l a n g u a g e .

I c on s t a n t l yb l e n dma x i ma l i s m a n dmod e r n i t y ,wh i c hi swh you rb y l i n er e a d s " Roy a ln oma dwi t hap e n c h a n tf orAr tDe c o” .

I a ma na b s ol u t eb e l i e v e ri nma x i ma l i s ma n da s u p p or t e rof mi n i ma l i s m.

Roy a l t y , Noma d i ct r a i t s a n dAr tDe c oa r et h r e es e e mi n g l ys e p a r a t e s c h ool s , b u ti t ' st h es p i r i tofh owIp u tt og e t h e r myou t f i t s , s p a c e s , a n da n y t h i n ge l s e . / / OnRi ght ; THEWORLD OFVALAYA i nNew Del hi ,I ndi a byJ J VALAYA Phot ogr aphc our t es y:ASHI SH SAHI

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/ / abov e; THEWORLD OFVALAYA i nNew Del hi ,I ndi a byJ J VALAYA Phot ogr aphc our t es y:ASHI SH SAHI

AD :S OMEOFY OURF AVORI TEDE S I GN E L E ME NTS F R OMTHI SS P ACETHATY OU CHE RI S HTHEMOS TANDWHY? J JVALAYA:Th eWo r l do f V a l a y ai sal a b o u ro fl o v e .

T o b e g i nwi t h , weh a do n ev a s tc a v e r n o u se mp t yp l a c ea n dwe s p e n tt woy e a r sp l a n n i n gi t , c r e a t i n gl e v e l s , h e i g h t s , my s t e r i e s a n ds t o r y l i n e s .

I s t r o n g l yb e l i e v et h a ta n ys p a c e , wh e t h e ri t ’ sa h o meo ra n ys e t u p , s h o u l db ef u l l o f u n e x p e c t e de l e me n t s .

I t ’ s u t t e r l yb o r i n gt oh a v eo n ep r e d i c t a b l ed i r e c t i o ng o i n gt h r o u g h t h es p a c e .

E v e r ys u r f a c e , e v e r yd e t a i l , a n de v e r yp i e c et h a ty o u s e ea t Th eWo r l do f V a l a y awa sd e s i g n e dwi t hg r e a tp a s s i o nb y me , a n dt h ewh o l ei d e awa sh o wI c o u l di n c o r p o r a t ea l l o f my i d e o l o g i e si n t ot h a ts p a c ewh i l es t i l l ma k i n gi two r ks e a ml e s s l y , b e a u t i f u l l y ,a n di nawa r m ma n n e rwi t h o u to v e r wh e l mi n g a n y o n ewh oe n t e r e d .

P e o p l ewh or e l a t et ot h i si d e o l o g yh a v e b e e na n dwi l l c o n t i n u et ob ef l o o r e db yi t ; f o re x a mp l e , p e o p l e wh oa r ei n h e r e n t l ymi n i ma l i s tmi g h ta p p r e c i a t ei tb u tn o t n e c e s s a r i l yr e s o n a t ewi t hi t ; n o n e t h e l e s s , t h a t i sj u s t t h ewa yt h e wo r l di s , a n dwemu s t a c c e p t i t a n dr e s p e c t a l l p h i l o s o p h i e s .

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AD : WECAMEACR OS S THEUS EOFMANY S T ATE ME NT AR T OBJ E CTS AND A MAXI MAL I S T DE S I GN P AL E TTE .ANY S P E CI F I CAR TF AVORI TE SOFY OURSTHAT Y OUWOUL DL I KET OS HAREWI THUS ?

J JVALAYA:Myf o r t ei sr e a l l yp u t t i n gt h i n g st o g e t h e r , b r i n g i n go b j e c t s ,s u r f a c e s ,t e x t u r e sa n dp a l e t t e s ;c r e a t i n g s o me t h i n gt h a ti su n i q u ea n ds p e c i a l , i two u l db eu n f a i rf o rme t op i n p o i n to n et h i n g .

P o i n t i n ga tas i n g l ee l e me n to u to f t h e c o l l e c t i v et h a t ' sd e s i g n e do u t o f s o me t h i n gy o uh a v es p e n t t wo y e a r sp u t t i n gt o g e t h e r , wi l l b eu n f a i rt ot h er e s t o f t h es p a c e .

S o , I a ma f r a i di twi l l h a v et ob et h ee n t i r es p a c et h a tI h o l i s t i c a l l y e mb r a c e .

AD : STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR DESIGN IDEA OF A PERFECT HOME THAT TRANSFORMS THE LIVING OF THE RESIDENT? JJ VALAYA : Apart from the evil we all had to endure, as well as the sadness and pain, the

pandemic strangely brought about a lot of positivity, with changes in the way we began living and perceiving our lives spiritually and otherwise. Many people have been influenced and changed to be more appreciative and grateful for living in the moment.

The value of a home has increased as we have begun to appreciate the space more and realised that home is where we belong with our families and thus it is important. Even today, despite the large gatherings, a lot of entertainment is happening at home, so living at home and in style has undergone a significant change, which I think is a wonderful movement because, after all, home is where the heart is. I personally believe that if you can create a wonderful home full of warmth, whether maximalist or minimalist, it should be welcoming and a place where you want to spend every single moment of your life, and I believe that if you take that approach, you will see a completely different home and not just a house. check full story at www.designessentiamagazine.com architecture & design magazine

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Venue - Raipur, Chhattisgarh

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//Let’s take an alluring journey through design with some of the exquisite and beautiful SPACES designed by today’s design trendsetters.

NEUMA, Mumbai, India by ASHIESH SHAH Ashiesh Shah Atelier | Photograph by ASHISH SAHI //Page 40

NEW DELHI FARMHOUSE Location: CHATTARPUR, NEW DELHI, INDIA Architect/Interior Designer: DESIGN DECONSTRUCT Principal Designers: RISHABH KAPOOR AND MONICA CHADHA Photographer: Atul Pratap Chauhan

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Exorbitant lights that unveil like art installation, exclusive wall art, bold paintings and sculptures set apart this luxury FARMHOUSE located in New Delhi’s Chattarpur.

This 18,000 sq. ft. farmhouse spread across three levels for a family of eight is designed by New Delhi based design studio DESIGN DECONSTRUCT led by principal designers Rishabh Kapoor and Monica Chadha.

The three-level house is designed around the needs of a family of eight to live, play, entertain and party in style.

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A massive 55-ft-long chandelier in gold finish decorates the ceiling from one end to the other of the double-height drawing space adding unapologetic opulence to the home. (ABOVE) This, and the rich wall panelings, specially created art, and custom furniture made in-house by Design Deconstruct bring out the uniqueness of the interiors. Apart from the play of fine quality stones, wood, textiles, leather, what shines through are the unexpected and striking décor elements.

Grand living and dining spaces,

carefully designed restful bedrooms, stylish games and entertainment areas, charming outdoors, spaces that connect the indoors with its green exteriors the home aspires to offer every possible comfort, function and luxury to its inhabitants.

“Having involved ourselves with the project from the beginning, we have dressed up the floors, walls and ceiling to emphasise the woodwork and the artistic flair of the interiors, as well as take care of the styling needs based on the family’s choices.” says the designers.

The upper ground and the first floors house residential quarters with casual dining and lounge areas (page 38) & the kitchen. The family tends to spend most of the time in the lounge. The drawing space abounds in the double-height spatial volume, with the intricately crafted 55-ft-long jewel-like chandelier running across. The furnishings and accessories match up to the glamour of the chandelier creating an atmosphere of exquisite beauty and luxury. The room also features two repurposed antique doors from the family’s previous home.

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The entertainment room in the lower ground floor is inspired from the family’s love for entertaining guests over drinks and shisha. Dedicated to entertaining guests, it consists of a formal drawing room, formal dining room, a bar and an entertainment room. A dark colour palette evokes a moody, yet stylish environment with bright furniture in neon shades.

A series of human figures depicting the concept of evolution from apes to humans smoking sheesha livens up the sound-insulated wall panellings.

The furniture is easily manoeuvrable to allow for flexibility for any occasion from an evening party to a Diwali scene.

(IMAGE ON TOP)

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“The bar is designed by us from the bottom and is made with selenite crystals, which add a lighting element to the serene atmosphere.”

The home features an outdoor swimming pool, and a play area for the lovely, and mischievous two-year-old daughter of the family. The space is carefully designed keeping in mind that it will cater to more kids in the future. The child’s room is a vibrant spot with delightfully stimulating décor. déco (BELOW) “Custom making most of the furniture for the project at our in-house manufacturing facility helped us introduce the right dose of grandeur and elegance befitting the luxury home and its inhabitants.” says Rishabh and Monica.

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NEUMA Location: MUMBAI, INDIA Architect/Interior Designer: ASHIESH SHAH ATELIER Principal Architect: ASHIESH SHAH Photographer: Ashish Sahi

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Located amidst the chaos and cacophony of Colaba Causeway, NEUMA in Mumbai designed by Ashiesh Shah serves as an architecturally prominent landmark transporting one to a different time and space.

Shah presents the space in a new avatar with his minimal aesthetic infusing it with colour while retaining the essence of erstwhile Indigo restaurant.

Drawing inspiration from the architecture of this bungalow and his travels, Shah endeavors to keep the minimalism alive while giving it character through the introduction of custom handmade pieces commissioned from craft communities across different parts of India.

Furthermore, the space features art pieces and collectibles sourced from all over reminiscent of a collector’s collecto home.

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Every room has a distinct character leaving the viewer in absolute awe and surprise. In the outdoor area in hues of white with its detailed carvings and stone pebbles, Shah recreates the architectural language around the existing greenery, seamlessly merging with the aesthetic of the Bungalow. Bathed in natural light, the oakwood sun porch area with its skylight opens up to the trees and infinite sky lending a certain warmth to the space. The courtyard with its black and white old world cement tiles are 42

complemented by the detailed moulding panels on either side.

The bar, realized in hues of red, is characterized by a sculptural light fixture inspired by Anish Kapoor, much like a cigar lounge room clad in wood adding a dramatic flair.

The private dining area, also referred to as the corset room features chairs and curtains with Channapatna bead tassels in tones of yellow. The detailed corset panels paired with the Atelier’s signature Guccha light serve as the highlight of the space. The staircase leading to the first floor,

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amply lit, is distinguished by its rope-detailed handrails inspired by Shah’s sojourn in Sri Lanka.

The outdoor bar upstairs in hues of black coupled with foliage and water features is contrasted by its adjacent indoor dining area with a nautical vibe realised in blue and white with stunning chandeliers alongside its paneled walls. Set against a medley of backdrops, this soulful restaurant with its layered aesthetic is the definition of modern luxury, colour and vibrancy!

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APARNA KAUSHIK DESIGN GROUP OFFICE Location: NOIDA, INDIA Architect/Interior Designer: APARNA KAUSHIK DESIGN GROUP Principal Designer: APARNA KAUSHIK Photographer: Atul Pratap Chauhan

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Aparna Kaushik Design Group’s new Noida office is a striking example of the firm’s distinctive design aesthetics. The four-story structure holds a graceful, symmetric silhouette composed of clean lines, large balconied windows and a subtle exterior palette of warm grey and antique brass hues.

Meticulously curated elements of Gothic, Belle-Époque and mid-century design are customised to pair with sleek contemporary layouts. The balanced use of discerning variations of fine metal, glass and stone frame serene, museum-like interiors. Hints of classical stylisations are brought together by tailored selections of fabrics and furniture that exude an inviting ambiance of modern regality.

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Conceptualised to represent the firm’s versatile talents and serve as a creative artistic sanctum for its designers, the office embodies the classically elegant and thoughtfully calibrated spaces that the group consistently creates for its discerning clientele.

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What is the importance of art in your projects?

APARNA: Art is the application of creative skill and imagination, in a visual form that is an expression of a person’s imagination and be depicted in multiple forms. Art can play various roles throughout the interior design process. It could be the central focus in a space or simply compliment the style of the room. Many a times in interior design, we notice that wall art has been treated like an afterthought. It is something that gets dealt with at

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a later stage. When chosen appropriately, art matters the most in interiors. The first step in designing a space is by creating a concept for the same. It is more about creating a vision that has been well thought out. Over the years, design trends have changed and shifted which has made art an important part of the interior design process. Today all the aspects of design are influenced by aesthetics and art has become an integral part of it blending the two.

Further emphasising the firm’s inventive and transcultural design culture is a pagoda chandelier in the elevator lobby. The mid-century design was inspired by a vintage book discovered in the bazaars of Daryaganj, an old Delhi flea market.

Intimate spatial nooks clad in neutral colours and fitted with generous bookshelves are designated to be private work forums or discussion rooms. The designers employed clever styles of spatial reformation to deepen a sense of seclusion and retreat in these areas.

First, they choose large artworks featuring trompe-l'oeil (ABOVE ON RIGHT) to hang on the neutral coloured walls. Literally translated as “to deceive the eye” the perspective-play of this technique was made popular during the Renaissance to add illusory depth to closed spaces.

Second, ceiling heights were scaled down to an intimate level using simple wainscoting, which was then carved with intricate detailing that mirrors the classical panelling depicted in surrounding paintings.

The ornate rooftop client’s lounge is set against an expressway skyline and arresting views of the city. A skylight ceiling window channels diffused natural light into the room adding further elevation and warmth to the distinguished space. (BELOW ON RIGHT) A lantern style chandelier embodies the tailored blend of Late-Gothic pointedness and Baroque opulence. Designed to match lighting silhouettes seen at Palais de Versailles, it was hand-crafted by seasoned artisans in India. Wall to wall bookshelves and an assortment of small, framed prints and illustrations pair with the inviting comfort of plush-cushioned furniture. Chinese style porcelain vases on a marble mantle beset with a rich-coloured painting of a leopard bind the room’s intricate collections of artworks, artefacts and memorabilia - drawing a sense of being in the private gallery of a curious, creative and well-traveled resident.

It is in some ways a misnomer to label this abode of defining art and novel architecture an office. The space aptly speaks to the spirit of an innovative firm devoted to placing historic and global design heuristics within exceptionally crafted spaces that nurture immersive experiences: including an effortless retreat into the imaginative, elevated and bespoke.

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PROJECT 901 Location: CHENNAI, INDIA Architect/Interior Designer: CHESTNUT STOREYS Principal Designer: FARAH AGARWAL Styling: Samir Wadekar Photographer: Yash R Jain

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Simplicity at it’s most elegant, the design encompassing this home in Chennai allows it’s residents to fully embrace the classic without giving up creativity. PROJECT 901 designed by Chestnut Storeys led by principal designer Farah Agarwal designs this home to breathe sophistication and structure.

A delicate glamour speaks through the minute details like the interlinking mirrors, the unique rugs and a significant use of colours. While minimalistic design does have a dominant presence in this home, remarkable art pieces and statement furniture gives life to the space in bright little pockets.

The designer’s vision for the client’s smart, simple and classy home was manifested into a house that flows uninterrupted from room to room, with interrelated parallels throughout the home to provide for a sense of connection and cohesiveness while maintaining an exclusive chicness.

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The first wall one sees upon entry must speak for the personality of the entire home in all their eclectic yet restrained glory. A fusion of eras, the center of the wall is taken over by a contemporary piece, while surrounded by prints representing unique characters from different eras and cultures.

A multicultural focal point, the foyer acts as a conversation starter, making for an impactful entrance with credenza from Magari and rug by Jaipur Rugs. (page 49) 50

A bustle of character, the living room (ABOVE) has a wonderful balance of materials, colors and prints, denoted best through the juxtaposition of the gleaming velvet blue sofa with the leather credenza and the abstract botanical printed single seaters from Magari. The home owner’s awards adorn the walls, standing proud amidst the finery.

The grey printed rug from Jaipur rugs spans the room, providing the ideal foundation for the wooden centre table that holds it’s place in

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the center of the room as an interesting piece.

Soft, Subtle colours take over the dining room (page 51) in a tasteful way. Pastel pink suede chairs surround the table, topped with sunflowers highlighting the tinges of gold in the furniture. The black and white rug from Jaipur rugs allows the understated yet impactful colours and furniture to stand out. Mirrors in the background interlink their arches, expanding the space and adding class.

True to their wishes, the master bedroom was designed to be stately and simple smart. Sage green and ivory striped wallpaper off set by the set of draws provide understated nobility to the room.

The velvet green headboard by Magari with the classic beige & brown bed makes for a classy centerpiece in the room. The printed ottoman also from Magari, distressed carpet from Jaipur rugs and large dual toned artwork by Pulkit Prajapati from gallery Veda above the headboard provide for specks of interesting devices that tie the whole room together.

A riot of colors that are perfectly muted while still standing out, the guest room is a vision in elegance. The rich blue walls stand out beautifully in contrast to the yellow and grey rug from Jaipur rugs and the plush headboard in the pastel pink suede that once again makes an appearance. A touch of regality is brought by the black and white art plates from The Plated Project that hang above the bed.

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Koai Location: NEW DELHI, INDIA Architect/Interior Designer: PORTAL 92 Principal Architects: AANCHAL SAWHNEY & SAGAR GOYAL Photographer: Niveditaa Gupta

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In an era fueled by the imperative quest for identity, the cultural phenomenon of fashion can be interpreted as a tool for one’s proclamation of their individuality, empowering individuals to create and diversely sculpt their identities.

Quintessentially Indian in its roots, KoAi, Japanese for lovechild, KoAi in located at The Dhan Mill, New Delhi, India is Anugrah Chandra’s label of elevated essentials paying homage to Rajasthan’s traditional hand block printing technique: Dabu.

Designed by Delhi based design studio PORTAL 92 led by principal architects Aanchal Sawhney & Sagar Goyal.

“KoAi emphasizes on the subtlety and simplicity of everyday wear – and hence our intent was to delve deeper and showcase the philosophy in our design language.” says principal designers Aanchal Sawhney & Sagar Goyal.

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Resonating with the brands ideology, the designers aimed at creating a muted backdrop, punctuated and adorned by a repeating modular detail, stamped across the project, much like the Dabu (hand block) prints that adorn the couture. These modules take the form of various functional elements, such as signages in the façade, door handles, hanging display racks, seating units as well as structural expressions, while lending softness and warmth to the textural canvas. This signature elemental language, works as a 54

stitch between the space and the brand itself, paying homage to the brand’s identity and what it stands for.

As one glances at Koai, the façade presents itself as a stark white volume sculpted by its voids, harmoniously nestled beneath the shade of a Neem tree.

The ‘Ribbon Window’, which extends and wraps around the corner, liberates one from the corne preconceived sense of a structure, in hopes of not being perceived as ‘Fascist’ and potentially getting

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Cancelled’. Walking through the chiseled stone entryway, the user is introduced to an island unit bathed in sunlight. The interiors were crafted with the intent to generate an airy aura, and this was executed by keeping an open plan whilst carving out large openings that allow the outdoors to trickle in.

Decked by a muted material palette, the user is introduced to a canvas of muted shades of grey, accentuated by tactile mosaic patterns.

Stamped across the project, the distinctive usage of the modular louver detail attempts to contextualize the spatiality of KoAi. The detail was intricately designed and crafted to conceal, as well as soften the structural components to appear delicate.

The natural light filtering through an array of wooden posts caresses the interior space, meticulously choreographed to offer a soothing yet tactile experience.

“Today, KoAi stands as a rich spatial experience defined by its niche, embodying the true spirit of subtlety and simplicity in its architecture and couture.” says Aanchal & Sagar.

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JAIPUR HOME Location: JAIPUR, INDIA Architect/Interior Designer: LALITTYA by Shivani Ayush Principal Designers: AYUSH MITTAL & SHIVANI GUPTA MITTAL Photographer: Studio BluOra

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The malled city of Jaipur in India is an exceptional example of indigenous city planning and construction.

The JAIPUR HOME designed by ‘LALITTYA by Shivani Ayush’, a Delhi NCR based design studio led by principal designers Ayush Mittal and Shivani Gupta Mittal.

The client’s brief revolves around the authenticity and richness of colour play in the interiors of the space. The design philosophy as understood was on the lives of contrast of colours with the play of art and decorative pieces, highlighting the depth in the detailing of the accessorization of the whole space.

“Our studio gives precedence to a triumvirate of three ideals: authenticity, quality and functionality. As a firm that condemns redundancy, it works in tandem with contemporary trends and continually tries to reinvent itself. Its team of conscientious and qualified professionals is persistently pushing itself to curate meaningful designs and innovative architecture for all clients, irrespective of the project or budget size. We seek to elevate ordinary structures to luxurious homes with modern furnishings.” says the Shivani and Ayush.

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The positioning & placement of the right art pieces, furniture and furnishings added value to the design of the house. Each and every space has been demarcated with its own essence of design so that they stand out and give a new experience to the visitor. visito The colour harmony within the living and the dining spaces catches the eye of the user even from the exteriors of the home. The artefacts and paintings talk about the culture and design perspective followed while making the selections.

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Tell us something about this project? What was the concept behind its design inception?

SHI SHIVANI & AYUSH: The project was our first in Jaipur, and there definitely was a design clash because we do modern more monochromatic houses and the client wanted more colours and stand out elements. So we did just that The residence is an amalgamation of modern materials and contrasting colours. Spaces like

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the dining, living kitchen and family lounge are all very well connected to each other because that’s how owners feel with their relations in life.

What was your favorite design elements associated with this project and why?

SHIVANI & AYUSH: One of the most favorite spaces or elements we did was the double height wall. (ON RIGHT) It a mix of Italian statuario marble with It’s black marquina and an introduction of brass inlay to oomph it up.

...

A mix of contemporary modern with the classical essence here provides a smooth transition of amalgamation of different design philosophies within the interiors. Use of bold colours for accent furniture details of inlay flooring, story of rugs and lighting solutions gives a holistic visual treat to the individual experiencing the space.

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@demagazinemiddleeast

Architecture & Interior Design Magazine (DE MIDDLE EAST) The best of trends in design & art from the Middle East & Gulf.

@designessentiastudio

Architecture + Interior Photography

architecture & design magazine

//Let’s take an alluring journey through design while in conversation with young architects & designers of India.

Bhutani House in Amristsar, India by SPACE 5 Photograph by PURNESH DEV NIKHANJ //Page 68

Ravi Shashi Home in Udaipur, India by DESIGN INC | Photographer: PRATIKRUTI

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STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? ANUP & SANDEEP : This residence was started during Covid times, which had

its own limitations and benefits as well. Not so easy availability of material transport, inclined us to try different finished in the material available on site. It seemed if we would try to use varied craftsmenship, project will certainly delay, hence we used local artisans and simplest techniques, producing exquisite results. In this project especially , as most of the material used , was in house cultured product of client, it made not clients being very connected to the residence, but also us as designers, as it gave us liberty to explore possible avenues henceforth.This residence’s each and every element happen to be live representation of client’s work as well, making it unique.

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INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

Bhutani House (SPACE 5) LOCATION : AMRITSAR, INDIA PRINCIPAL ARCHITECTS : HARKARAN BOPARAI & SIMRAN BOPARAI PHOTOGRAPHER : PURNESH DEV NIKHANJ

architecture & design magazine

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HARKARAN BOPARAI & SIMRAN BOPARAI principal architects at SPACE 5, Delhi - Amritsar - Chandigarh, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? HARKARAN & SIMRAN : Our philosophy is simple.We try to amalgamate the current & contemporary with the “bygone”.

We truly believe that by merging the polar opposites; we can answer the unique design problems of today.

(on right - continued on page 70)

Bhutani House in Amritsar, India by SPACE 5 Photographer: PUNESH DEV NIKHANJ May - June - July 2022 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? HARKARAN & SIMRAN : The approach was to bring forth a colorful interplay of form & space all the while riding high on the vibe of a hip contemporary persona. For us this project is a work of art in its symbolic use of high color.

The house adopts a peaceful tone set in a maximal garb. Artistically the design remains open for judgment with no single conclusion at any point.

And that’s the intention.

The over-arching thought was to build a “open-to-judgement” project.We didn’t stick to any particular design idea or any particular taste in this work. WHAT WAS YOUR FAVORITE The project p stands as a symbioses of upscale DESIGN ELEMENTS ASSOCIATED contemporary design merged with artistic creativity. WITH THIS PROJECT AND WHY? Each corner of the property brings a different interplay of form & space thus weaving a HARKARAN & SIMRAN : Hands never-ending story which charms all those who down the most palpable part is the double witness it. height waterfall area.The water droplet inspired wooden black beads convey a tranquil message.The whole area around (below) this zone really enlivens the genesis of the Bhutani House in Amritsar, India by SPACE 5 Photographer : PURNESH DEV NIKHANJ place.

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Bhutani House in Amritsar, India by SPACE 5 | Photographer: PURNESH DEV NIKHANJ

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STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? HARKARAN & SIMRAN : We feel that as designers; we are problem solvers.

But to solve the problem we need to first frame the question.To really transform the living of the resident; we need to first understand the calls of the project.That will be the question. Post that; you build upon in your pursuit to answer that.The way you answer it is your “design”.

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INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

Udaan (9 DEGREE DESIGN STUDIO) LOCATION : AHMEDABAD, INDIA PRINCIPAL DESIGNER : CHIRAG MEHTA PHOTOGRAPHER : MAULIK PATEL

architecture & design magazine

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CHIRAG MEHTA

principal designer at 9 DEGREE DESIGN STUDIO, Ahmedabad, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? CHIRAG : We turn ideas into CHIR awe-inspiring and eccentric designs as if an act of art.We use a mix n match concept in every project, i.e., fusing old recycled things with trendy and modern items.This design approach helps us add a distinctive value to our designs.

The permanent application of values like socio-cultural value, building & technical value, experiential value, and ergonomic value determines the projects we undertake and mutually reinforces the overall design.This way of working also allows us to lift any design to an even higher level with utmost satisfaction. le We take pride in converting ideas and feelings into practical and sublime designs. (on right - continued on page 74)

Udaan, residence in Ahmedabad, India by 9 DEGREE DESIGN STUDIO Photographer: MAULIK PATEL May - June - July 2022 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? WHAT WAS YOUR FAVORITE CHIRAG : We had to design a home for a DESIGN ELEMENTS ASSOCIATED CHIR chirpy & dynamic nuclear family of 3 members- a WITH THIS PROJECT AND WHY? couple and their daughter.They had excitingly peppy ideas and wanted an overall newfangled Rajasthani CHIRAG : My favorite part was definitely theme with a touch of minimalism and luxe.We had the entire process. an ideal space to put our creativity to work & we Complimenting all the elements in a way; w did that in the best possible way. that merges with the furniture design while radiating vibrance, elegance, grandeur, and Set in Ahmedabad, Gujarat, the build of this comfort to the eyes in a beguiling demeanor. bedazzling home is in a two-storey architecture.

Covering a 1560 square feet area, this home From design discussion to material selection primarily makes space for a living area, dining area, and execution - working on this electrifying the master bedroom, daughter's bedroom, library, Rajasthani-themed home was indeed a and a home theatre, amongst other sections.This dreamy process.And the results were home celebrates loads of textures, patterns, and profoundly wholesome and immensely carvings relative to traditional Rajasthani culture and inviting. ca a vivid palette embracing pastels with an authentic, But if I do have h to single out a specific area, I quirky, and rich ambiance. would choose the home theatre designed generously in pomp and showbiz. Each wall Needless to say that we did justice to this enlivening calls attention to a legendary Bollywood star home theme and brought out the impeccable like Lata Mangeshkar, Kishore Kumar, or a design that is distinctly radiant and eccentric. still from a movie like Sholay, Don, Zindagi Na Milegi Dobara, and The Pursuit of (below) Ha Udaan, residence in Ahmedabad, India by 9 DEGREE DESIGN STUDIO Happyness, among many more.The design Photographer : MAULIK PATEL adds glamour yet feels homestyle.

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Udaan, residence in Ahmedabad, India by 9 DEGREE DESIGN STUDIO | Photographer: MAULIK PATEL

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STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? CHIRAG : The environment around us affects our energy, mood, attitude, and productivity.And CHIR people are becoming more conscious about their physical, emotional, and mental well-being, especially since the pandemic.The crucial realization and desire for peace, comfort, and stability brought out a drastic change in the interior design choices globally.

Also, I believe that creating a beautiful space is not just about impressing your guests or employees and Als surrounding yourself with pretty items. It is about designing an area where you feel relaxed, comfortable, active, motivated, organized, and at peace equally. After all, 2022 is all about embracing contentment.

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INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

Contemporary Canvas (BEYOND HOMES STUDIO) LOCATION : MUMBAI, INDIA PRINCIPAL DESIGNER : VIDHI MEHTA PHOTOGRAPHER : ANUJA KAMBLI | STYLING : SHRADDHA NAYAK

architecture & design magazine

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VIDHI MEHTA

principal designer at BEYOND HOMES STUDIO, Mumbai, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? VIDHI : Philosophy - is to go bold and design a home that reflects personalities of people living in this house. Having said that client’s needs and comfort is always a priority.A design can have loud colours & textures or can be just simple & sophisticated, in whichever form the client should be comfortable com since he is one who has to come back after all the daily hustle, so it should give him that warmth and vibe and longing to come back.The definition of comfort is different for different clients & that’s why all projects have different concepts, colours & functionality.A beautifully designed neutral home can be beautiful boring for some clients & a colourful concept can be too loud for some. I personally love playing with colours & prints but the proportion obviously depends on the client. (on right - continued on page 78)

Contemporary Canvas, Mumbai, India by BEYOND HOMES STUDIO Photographer: ANUJA KAMBLI May - June - July 2022 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? VIDHI : As I mentioned before, I like to design bold, the same is reflected in this home. Also, it is very important that you and client are in sync when you start designing and I am glad we clicked from the word go. For this house I had conceptualised a modern and contemporary home to reflect client’s personalities.

So, a grand entrance was designed along with printed flooring and an arched niche with a beautiful WHAT WAS YOUR FAVORITE chandelier.The same printed flooring has been continued in the kitchen with dark cabinets & fluted DESIGN ELEMENTS ASSOCIATED glass to cut away from the typical light colours. WITH THIS PROJECT AND WHY? The rust colour with prints in the living room was used to give a bright & warm welcome. My clients love to travel & the same has been portrayed by framing monochrome images of the famous monuments.We have also used bold colours like deep red & subtle green on the units that stand out on a neutral base. (below) Contemporary Canvas, Mumbai, India by BEYOND HOMES STUDIO Photographer : ANUJA KAMBLI

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VIDHI : My favourite design element & highlight of this home were the arches.

Instead of having a straight door frame we went for arched door frames & we continued the same concept in other elements as well like the crockery unit, kitchen glass door, library units etc. It breaks the monotony monoto of having straight lines but along with that it also gives that contemporary look. I feel, it gives that required appeal to the house.

Contemporary Canvas, Mumbai, India by BEYOND HOMES STUDIO | Photographer: ANUJA KAMBLI

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STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? VIDHI : I actually believe “heart is where your home is” and now that we spend more

time at home than offices, we really need a space that not only is a comfort zone as a home but also comfortable for working.The surroundings of our homes, the functionality and the colours are now more important as we have to look at the same space 24/7. For instance, I have designed a foldable study table in the library unit near the window, so it not only gives room to move around when shut but will also be an interesting space for my client to work from home.Adding some colours, textures & plants uplifts the space making it a perfect per blend of a residence as well as a part-time office.

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The Apparel Office (EMPATIO ARCHITECTURE) LOCATION : CHENNAI, INDIA PRINCIPAL DESIGNER : CHANDHANA RAMESH PHOTOGRAPHER : YASH R JAIN, GAUTHAM KRISHNA

architecture & design magazine

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CHANDHANA RAMESH

principal architect at EMPATIO ARCHITECTURE, Chennai, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? CHANDHANA : As designers, we CHANDHA understand that every client has a significant story with differing contexts, cultural definitions, and financial viability, making them unique. Consequently, we do not have a singular design language.This allows us to offer originality to every project.

Sustainability informs in the very essence of our practice.

Our preliminary p conversations and design start with looking into the climatic aspects, the orientation of the site, sun angles, wind direction, and neighbourhood context.The Design strategies to encourage natural ventilation, Day-lighting, water management techniques, using sensitive materials, native plantation, etc. are primarily adopted to reduce the building's energy ener demands, thereby reducing the negative environmental impact.These design considerations can range from micro to macro, depending on the client's sensitivity and vision.We believe the building as a whole should meet the challenges and requirements of the future. (on right - continued on page 82)

The Apparel Office in Chennai, India by EMPATIO ARCHITECTURE Photographer:YASH R JAIN, GAUTHAM KRISHNA May - June - July 2022 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? CHANDHANA : The idea was to create an CHANDHA exciting office space with a lively welcoming theme that meets the company’s energy and inspires its staff and customers with a fresh look. In addition to these, we wanted the space to reflect the company’s sustainable values and culture.

The first step was to create c a programme flow that co-ordinated well with each other yet maintained necessary boundaries, resulting in private zones for the executives and an open interactive workspace space for the staff.

The buildings eastern glazed façade and tall ceiling height was taken advantage for providing naturally lit spaces. Focus on sustainability is applied from macro to micro scale, with elements like table-tops made of reclaimed wood and accent lights, pin-up boards furnished with left-over fabric from the company itself.The latter of which elucidates a deeper connection between bet the staff and the company, making the project, in its entirety, more personal and closer to heart. (below) The Apparel Office in Chennai, India by EMPATIO ARCHITECTURE Photographer :YASH R JAIN, GAUTHAM KRISHNA

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WHAT WAS YOUR FAVORITE DESIGN ELEMENTS ASSOCIATED WITH THIS PROJECT AND WHY? CHANDHA CHANDHANA : The industrial materiality and bold colour usage.

Perforated blue sheet metal, polished grunge-pattern cement flooring and raw wood grain texture on the furniture contrasts against the elements of vibrant green used throughout the design, subconsciously triggering a sense of subconscious excitement.

The abundance of green elements and greenery spread throughout the space blends with the natural landscape outside, integrating it – an embodiment of the concept of embracing new exciting ideas while the shades of blue in the space represents commitment and bond between the staff and the company. compa

INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

Elite Residency (INTERIORS BY TANISHA BANSAL) LOCATION : MUMBAI, INDIA PRINCIPAL DESIGNER : TANISHA BANSAL PHOTOGRAPHER : GAUTAM BISWAS

architecture & design magazine

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TANISHA BANSAL

principal designer at INTERIORS BY TANISHA BANSAL, Mumbai, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? TANISHA : Our studios design policy is quiet simple.We make sure we have a thorough idea and brief on the client along with their family about their like’s dislikes and their lifestyle.

It’s very important to align your It designs with their practical use along with their daily practices and habits. Once that it is done they design will speak for itself.

(on right - continued on page 86)

Elite Residency in Mumbai, India by INTERIORS BY TANISHA BANSAL Photographer: GAUTAM BISWAS May - June - July 2022 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? TANISHA : This 1800sqft home is a flawless mix of modern luxury and practical living lifestyle.

It’s a 4 bedroom apartment with a huge balcony surrounding the entire length and breadth of the house. Keeping the client’s requirements in mind, this 4bhk combines of a Master bedroom with a luxury informal sitting area, their mother’s bedroom, the son’ son s bedroom and a small den room.

Once inside in the master bedroom, the eyes are directly drawn to a beige curved sofa perfectly designed for the client to unwind.The designers created a permanent carpet look below the bed by mixing two different marbles in an abstract pattern.

The big headboard touching the ceiling in ruby pink breaks the monochromatic look of the bedroom with yet again end to end windows opening in the whole length of the room. Being the only apartment on the floor, they get to have the whole lift lobby to themselves which we utilized to make it into a foyer area. Coming in we have a huge Living plus Dining area. (below) Elite Residency in Mumbai, India by INTERIORS BY TANISHA BANSAL Photographer : GAUTAM BISWAS

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WHAT WAS YOUR FAVORITE DESIGN ELEMENTS ASSOCIATED WITH THIS PROJECT AND WHY? TANISHA : The highlight of the living room has to be the Green Tiffany Onyx cladded on one of the entire wall of the room, adding to it our personal favorite Emerald Green sofa which was customized in our workshop, next to which is our dining table completely customized again according to their liking which is mix of acco Marble and veneer.This Living room has ample daylight drawn into the space through large windows running from end to end of the whole space.

The Kitchen being the heart of any Indian house was personalized keeping the client’s requirements in mind.“The Secret Ingredient is Always Love” is what the client believed which was then engraved on the backsplash.

Elite Residency in Mumbai, India by INTERIORS BY TANISHA BANSAL | Photographer: GAUTAM BISWAS

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STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? TANISHA : As our studios philosophy goes, it makes it very easy

to transform a space according to the living of the client. During the pandemic a lot of people have changed their lifestyles, routines and habits. Once those are incorporated in the designs the space starts speaking for itself as it gives a personal touch of the client.

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INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

Purn Pushottam Nivas (MEET PATEL ARCHITECTS) LOCATION : AHMEDABAD, INDIA PRINCIPAL ARCHITECT : MEET PATEL PHOTOGRAPHER : KALAATIVE PRODUCTIONS

architecture & design magazine

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MEET PATEL

principal architect at MEET PATEL ARCHITECTS, Ahmedabad, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? MEET : Our philosophy is simple.We try tI believe that Primary goal of team MPA is not only to fulfil the client’s expectations but also to exceed them.As designers team MPA is always striving for perfection by considering the smallest detail as well as the overall aesthetic appeal.At MPA we strive hard to achieve the most appropriate, ha efficient and cost effective yet aesthetic solution for each scale.Applying no-pre conceived or stylist notions, our approach attempts to enliven and enhance the built environment by means of our architecture and interior design services.At MPA we believe that we are not only designing your beli home/office but we feel that we are shaping your lifestyle / your business environment. (on right - continued on page 90)

Purn Pushottam Nivas in Ahmedabad, India by MEET PATEL ARCHITECTS Photographer: Kalaative Productions May - June - July 2022 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? WHAT WAS YOUR FAVORITE DESIGN ELEMENTS ASSOCIATED MEET : We present you this 1140 Sq. ft (approx.) WITH THIS PROJECT AND WHY? Residence “Purn Purshottam Nivas” located in the world heritage city of MEET : “You are never Lost if you can Ahmedabad (Karnavati) which establishes the see the temple” strong and clean design concept at the same time experimenting with colour pallets, texture and Temple room was the most challenging part patterns.We have tried to keep the essence of each of the project and also the favourite design space true to its function while also trying t to keep element.The client was very particular and the overall design language consistent across the exited to see how we approached the spaces. designing of the temple room.When we first time visited the site and entered the Client’s brief was simple that he wanted a Morden space, we saw this big temple touching the style design with the use of strong colour pallet and ceiling ceiling. also making sure that there are design elements that depicts his strong belief in his religion. The approach towards designing temple room was kept simple that we design the “Luxury is when it seems flawless, when you reach room in a way that this big temple remains the right balance between all elements. Understand the centre of attraction and all the other theoretically-That is what luxury is all about.” elements in the space are enhancing the beauty of the temple.The ceiling of the temple room has small lights creating star (below) effect and Chandelier is kept in the centre Purn Pushottam Nivas in Ahmedabad, India by MEET PATEL ARCHITECTS ef Photographer : KALAATIVE PRODUCTIONS establishing a religious atmosphere.

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P u r nP u s h o t t a mNi v a si nAh me d a b a d , I n d i ab yME E TP ATE LARCHI TE CTS| P h o t o g r a p h e r : KAL AATI VEP R ODUCTI ONS

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I a sad e s i g n e rf e e l t h a tn o wi nou rc l i e n t me e t i n gweh a v ec on t i n u ou sd i s c u s s i ona n dd e c i s i onma k i n gb a s e donP a n d e mi c/ l oc k d o wnp e r i od e v e na f t e rp a n d e mi cs i t u a t i onn o wn ott h a ts e r i ou s , I t ’ ss ome t h i n gl i k ea ne r ah a sc h a n g e d .

As d e s i g n e r sweh a v en o ws t a r t e dt os e et h eh omei n t e r i ord e s i g n swi t hamor eh ol i s t i ca p p r oa c ht o r e d e s i g n i n gh ome / of f i c ei n t e r i or s .

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INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

Mann Villa (RAISE ATELIER) LOCATION : LONAVALA, INDIA PRINCIPAL ARCHITECTS : BODHAYAN CHAKRABORTY & JOHN SOLOMON PHOTOGRAPHER : PHX INDIA - AADITYA KULKARNI

architecture & design magazine

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BODHAYAN CHAKRABORTY & JOHN SOLOMON principal architects at RAISE ATELIER, Mumbai, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? BODHAYAN & JOHN : BODH At Raise Atelier, we craft spaces with comfort, functionality and calmness at the core, we believe that if the space doesn’t ensure comfort & functionality and doesn’t suit your lifestyle however beautiful it is, then it has ho no meaning.We believe in experimentation of materials keeping the experience of the user central to each design.

We are personally invested in each client as understanding their cultural connotations, personal idiosyncrasies age and value systems have a direct role in the design for Indian families. (on right - continued on page 94)

MannVilla in Mumbai, India by RAISE ATELIER Photographer : PHX INDIA - AADITYA KULKARNI May - June - July 2022 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? BODHAYAN & JOHN : This project is a WHAT WAS YOUR FAVORITE BODH holiday home for our clients whose city house was DESIGN ELEMENTS ASSOCIATED also designed by us. It’s a 3500sqft bungalow g+1, 2bhk structure with a huge lawn at the rear end. WITH THIS PROJECT AND WHY? Nature was Hero of this project.

BODHAYAN & JOHN : Our BODH The moment we stepped in the site we both knew favourite design element has to be the this house will need complete reorientation as it gazebo that sits atop of the master didn’t do justice to the context and it had to house washroom overlooking the scenic view, 35 members of the family , parties & get together . neighboring farmlands and landscape .What makes it more interesting is the way it leads The indoors and outdoors were connected with you to the place where one can just chill natu verandas and intermediate space.The idea was to and connect with nature. extend the house and forge a bond with the surrounding landscape. Our favourite element is the living room with extended veranda in earthy palate of wood and kota that encourages one to walk barefoot on the Kush grass creating a (below) sense of calmness and shrug of the stresses MannVilla in Mumbai, India by RAISE ATELIER Photographer : PHX INDIA - AADITYA KULKARNI of the urban jungle.

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MannVilla in Mumbai, India by RAISE ATELIER | Photographer: PHX INDIA - AADITYA KULKARNI

Check out full story on www.designessentiamagazine.com

STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? BODHAYAN & JOHN : At Raise Atelier, we believe architecture and Interior are BODH

one and it has the ability to transform the interaction between users and environment into something spiritual and deeper.The pandemic just made us believe strongly that a space is much more than just its visual stimulation. Every touching experience of architecture and interior is multi-sensory.Textures, smells and sounds can make tremendous impact.The focus is not to have over stimulating or under stimulating space based on the user but to balance and create a therapeutic design, aiming to create and uplifting and soothing environment e through design.

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INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA

Bliss Homes (AR STUDIO) LOCATION : GHAZIABAD, INDIA PRINCIPAL ARCHITECTS : ANSHIKA JAIN & RITIKA JHUNJHUNWALA PHOTOGRAPHER : FUZZY REELS

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ANSHIKA JAIN & RITIKA JHUNJHUNWALA (FROM LEFT)

principal architects at AR STUDIO, Ghaziabad - Kolkata, India

TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? ANSHIKA & RITIKA : AR Studio aims at creating unique designs which are inspired by the user’s personality and needs.

The studio strictly follows the maxim of “form follows function”.We believe in bringing the outdoors to the indoors, in creating spaces that provide for a smooth transition from f the indoors to the outdoors.

We believe in juxtaposing different material and geometric shapes in order to create a balance between all elements.The firm’s "designs for the future" are inspired by the brilliance of the timeless vernacular architecture of the past.We don’t believe that luxurious design can only on be achieved by using expensive materials but on the contrary feel that luxury is all about beautifully fusing different materials together and paying great attention to detail. (on right - continued on page 98)

Bliss Homes in Mumbai, India by AR STUDIO Photographer : FUZZY REELS May - June - July 2022 Edition//Design Essentia//DE INDIA |

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TELL US SOMETHING ABOUT THIS WHAT WAS YOUR FAVORITE PROJECT? WHAT WAS THE CONCEPT DESIGN ELEMENTS BEHIND ITS DESIGN INCEPTION? ASSOCIATED WITH THIS PROJECT AND WHY? ANSHIKA & RITIKA : BLISS HOMES For MSS infracon Pvt. Ltd., was a unique and challenging project as ANSHIKA & RITIKA : The the brief was to create sample models for 2BHK & 3BHK

flats for small and medium size families.The concept behind this project was “modern & luxury” but in a pocket- friendly price.We wanted to juxtapose contrasting geometries to create a unique design.The aim was to create flexible, multipurpose spaces in small restrictive areas.Which we achieved by creating light visually porous partitions to divide the long living area into a formal seating area and an informal dining area. Lighting design also incorporates both rectilinear and curvilinear designs to give different kinds of experiences throughout the day.

A theme of gold and bronze predominate the interiors in 2BHK Sample Apartments.The entrance is done in hues of brown and gold followed by the living areas in blue and gold and the bedrooms in a combination of green-gold &wine-gold respectively.

Designed to suit the lifestyle li of a medium size family , 3BHK Sample Apartment showcases clean, elegant and unobtrusive design that also features eye-catching luxury elements. We have kept all the elements simple yet stylish and everything can be customized easily according to the client’s needs. (below) Bliss Homes in Ghaziabad, India by AR STUDIO Photographer : FUZZY REELS

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blue-gold partition in the living room is a multi-purpose unit as it can also be used as console plus T.V Unit.This is so because we designed this very piece to fulfill several purposes, from being a television console with storage to a visually porous partition.

Circles intersect the grid of straight lines to Ci form a “jaali” between the formal living area and the informal dining area.This element helped us to divide the long living space into two useful areas without making the flat feel smaller. Brass has been used in the framework for this piece to give it strength as it hangs from f the ceiling. Golden inlay is done in the front of the drawers to continue the theme of contrasting geometries. Non-protruding, brass profile handles have been used for the console drawers so that this element can be used as a partition too.

The main highlight of 3BHK Apartment is the striking matt finished marble, accentuated with brass sheets, forms a gorgeous backdrop of the living area.

Bliss Homes in Ghaziabad, India by AR STUDIO | Photographer: FUZZY REELS

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STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? ANSHIKA & RITIKA : The pandemic has indeed taught us all, a lot about how we should

lead our lives and has also changed our lifestyles. Staying indoors, for the longest time has made us truly realize the worth of our homes. Homes are now not seen simply as resting places but as places where innumerable different activities can take place at the same time. Common shared spaces in a home should be so flexible that their size, typology and ambiance can be changed according to different activities.An example being that a bedroom should be able to transform into a work from home office during daytime to a relaxation den at night. Kitchens in India especially, has been a place visited mostly most by house-help, this has completely changed after the pandemic, so now kitchen designs should be more user and children friendly.The outdoors should come indoors, with bigger windows and balconies.

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