DE india
//MARCH - APRIL 2022//VOLUME 03 - ISSUE 02__
architecture & design magazine
ON COVER //a bright, colourful & artsy residence in New Delhi by interior designer Sanjyt Syngh
+
edition
featuring
EMMANUELLE SIMON, PARIS DE SPOTLIGHT //international spotlight interview
SANJYT SYNGH DE SPOTLIGHT (ON COVER)
FADD STUDIO DE SPOTLIGHT
INDIHAUS DESIGN
@demagazineindia
QUIRK STUDIO STUDIO 17 STUDIO ARDETE SRIJIT SRINIVAS ARCHITECTS
and many more young architects & designers of India.
THE BEST OF ART DUBAI 2022 WITH DE INDIA #LetsTalkDesign
//PAGE 13
architecture & design magazine
DE INDIA DESIGN ESSENTIA MAGAZINE
MAR - APR 2022 #LetsTalkDesign
Design Essentia Magazine is an Architecture & Interior Design magazine from INDIA.
We are an international design journal featuring the work of top architects and designers, as well as the best in design trends to follow.
Join our DE community!! “We curate to showcase the best”
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DE india
//MARCH - APRIL 2022//VOLUME 03 - ISSUE 02__
architecture & design magazine
edition
“
HIGH CIELINGS, CUSTOM
FURNITURE,
VINTAGE
ART &
PARISIAN CHIC!!
+
DE SPOTLIGHT INTERVIEW
EMMANUELLE SIMON, PARIS, FRANCE #LetsTalkDesign
@demagazineindia
DE india
//MARCH - APRIL 2022//VOLUME 03 - ISSUE 02__
architecture & design magazine
edition
+
DE SPOTLIGHT INTERVIEW
EMMANUELLE SIMON, EMMANUELLE SIMON ARCHITECTURE D’ INTERIEUR & DESIGN, PARIS, FRANCE #LetsTalkDesign
@demagazineindia
DE india
//MARCH - APRIL 2022//VOLUME 03 - ISSUE 02__
architecture & design magazine
edition
“
A HOUSE WITH A
CONTEMPORARY INDIAN SENSIBILITY!!
@demagazineindia
+
DE SPOTLIGHT INTERVIEW
FADD STUDIO, BANGALORE, INDIA #LetsTalkDesign
DE india
//MARCH - APRIL 2022//VOLUME 03 - ISSUE 02__
+
DE SPOTLIGHT INTERVIEW
FARAH AHMED MATHIAS & DHAVAL SHELLUGAR, FADD STUDIO, BANGALORE, INDIA @demagazineindia
edition #LetsTalkDesign
CONTENTS
edition INTERNATIONAL SPOTLIGHT INTERVIEW
//DE spotlight INTERVIEW with EMMANUELLE SIMON
23
PRINCIPAL DESIGNER PRINCI at
EMMANUELLE SIMON ARCHITECTURE D’INTERIEUR & DESIGN,
PARIS, FRANCE (on right)
//DE spotlight INTERVIEW with FARAH AHMED MATHIAS & DHAVAL SHELLUGAR PRINCIPAL DESIGNERS at
FADD STUDIO, BANGALORE, INDIA (on right)
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37
CONTENTS
DE DIRECTIONS/EVENTS //DESIGN HIGHLIGHTS FROM WORLD EVENTS
THE BEST OF ART DUBAI
2022
13
DE PRODUCTS
//ARCHITECTURE & INTERIOR PRODUCT SHOWCASE
B&B ITALIA IN INDIA #furniture
TRENDS 2022 THAT
CONVERGE MINIMALISM WITH SUSTAINABILITY
18 20
DE SPACES
//TOP TRENDING ARCHITECTURE & INTERIOR SPACES
46
BAH : THE NEST
50
HOUSE OF WEAVES
GUWAHATI
MUMBAI
By INDIHAUS DESIGN
By QUIRK STUDIO
54
AKSHANAKSH
58
HOUSE 91/4
62
NARROW BRICK HOUSE
SURAT
PANCHKULA
THIRUVANANTHAPURAM
By STUDIO 17
By STUDIO ARDETE
By SRIJIT SRINIVAS ARCHITECTS
//YOUNG ARCHITECTS & DESIGNERS OF INDIA SHARE THEIR STORY
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architecture & design magazine
CONTENTS
DE DISCOVER
//Editor’s letter ABOUT THE ISSUE With this edition DE INDIA introduces its second issue for the year 2022. We celebrate design, with the our latest edition for Mar-Apr 2022 with the theme -
Beautiful Homes Edition.
For this issue our DE cover story showcases a bright, colourful & artsy farmhouse in New Delhi by interior designer Sanjyt Syngh. For our DE Spotlight international segment, had an exciting conversation with one of the top Paris based designer Emmanuelle Simon. who showcases her latest apartment design with high cielings, custom furniture, vintage art pieces & parisian chic. We also had a wonderful interaction with two young design stars of India, based in Bangalore, Farah Ahmed & Dhaval Shellugar founders at FADD Studio, Bangalore; who share their latest residence project with a contemporary Indian sensibility. Let’s take an alluring journey through design with some of the exquisite and beautiful HOMES designed by today’s design trendsetters.
//photograph by DE Studio
So, Let’s Let highlight and celebrate the beautiful essence of design around us. Let’s Talk Design with DE. Stay Safe & Happy Reading!!
ANIRUDH DATTA (Editor in chief) DESIGN ESSENTIA MAGAZINE (DE INDIA)
architecture & design magazine
the best of ART DUBAI
2022 ART DUBAI 2022 Take a leap into the future as Art Dubai 2022 intersects NFTs, digital art and big data artists with the most exciting names in contemporary art. As the curtain rises on the year 2022, cultural initiatives across the Gulf region, and in particular in Dubai, took centre stage. There is a collective eagerness among art practitioners and audiences alike to move on from the pandemic, to be inspired and grow, bolstered by new technologies and alternative solutions to make the cultural alternati sector sustainable. Dubai and its neighbours through their diverse creative scenes are a splendid illustration of this. Art Dubai celebrated its 15th edition back at home in Madinat Jumeirah last month from 11-13 March 2022. It was the largest edition to date with 115 presentations across the fair’s Contemporary, Modern, Bawwaba and Digital sections (30 participating for the first-time) from f over 40 countries. The theme running through the fair was timely: that of digital art and NFTs. It was the subject of the Global Art Forum ‘This is the Picture’, elements of the extensive education programming, such as Campus Art Dubai 9.0 Blockchain, and a new curated section of the fair,Art Dubai Digital. March - April 2022 Edition//Design Essentia//DE INDIA |
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the best of ART DUBAI 2022
1. PAOLA PIVI
The Italy-born, Alaska-based artist, who is known for quirky animal sculptures, showcased a fluorescent pink-feathered polar bear doing yoga at the Perrotin gallery. @paolapivi (instagram)
2.
MOUS LAMRABAT
Often taking shots that capture a synthesis between the East and the West, the Moroccan photographer had three of his striking portraits displayed at the art fair. @mouslamrabat (instagram)
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| March - April 2022 Edition//Design Essentia//DE INDIA
3.
DANIEL ARSHAM
Also showing at the Perrotin gallery was renowned New York-based artist Daniel Arsham. One of his most known concepts of erosion was displayed. @danielarsham (instagram)
4.
ART DUBAI DIGITAL
In its inaugural edition, Art Dubai Digital introduces us to the fast-developing landscape of digital art and NFTs. Curated by Web3 specialist Chris Fussner, the section will feature 18 international galleries examining the context out of which NFTs, cryptocurrency, video art and virtual cr reality (VR) have grown since the rise of digital art in the 1980s.
NFT animation ‘CarpETHereum’ (2021) by Mazyar Kamkar, courtesy of Mazyar Kamkar, Emergeast and Art Dubai. @mawzika (instagram) March - April 2022 Edition//Design Essentia//DE INDIA |
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5.
SOUTH ASIAN ART AT ART DUBAI 2022
Art Dubai has cemented itself as a platform for meaningful engagement with contemporary practices outside of Western art. This year, 100 galleries from more than 40 countries were presented across four gallery sections, including a particularly strong representation of Asian art. As art markets draw focus to the East, the fair continues to expand its position as a hub for Asian galleries and artists. Stretching from Pakistan to Japan, the fair represented a multifaceted view of the Asian art scene, with subjects including land, labour, identity, and urban living, as well as works that focused on form and materials through abstract and geometric stylings. Japanese artist Katsumi Hayakawa showed at Yusto/Giner. (on right) The artist uses meditative methods to produce paintings and cut-paper sculptures evoking urban landscapes. He carefully constructs objects suggesting skyscrapers and city grids, while the interaction of line and colour coalesce with the cubes to create complex and vibrant rhythms. The work Katsumi Hayakawa Japan, 1970,Time, 2021 portrays solitude in the modern city, investigating the Courtesy of Yusto/Giner po relationship between what is natural and what is Marbella/Madrid fabricated. Many works delved drew from the socio-political realities that shape the artist’s lived Ma environments. Founded in 2009 in Kolkata, Experimenter represents some of the most critical contemporary artists worldwide and is considered to be a pace-setter for its region. At this year’s fair, the gallery showed work by Pune-based artist Prabhakar Pachpute, who often uses his lived experience of the coal mines of Maharashtra as a starting point for the complex historical transformations of the region. Pachpute combines portraiture and landscape with surrealist tropes to critically tackle issues around industry, land, and labour. Charcoal, a material he uses consistently in his work, links back to his mining heritage while also connecting to the broader themes in which he engages. (below)
Prabhakar Pachpute, Bodies in Protest, 2021, Courtesy of Experimenter Kolkata, India
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| March - April 2022 Edition//Design Essentia//DE INDIA
CHECK MORE ON WWW.DESIGNESSENTIAMAGAZINE.COM
Introducing DE Products - our specially curated product platform to showcase architecture and interior design products by DE INDIA
@demagazineproducts
Poised midway between design and art, this innovative solution originates from B&B Italia’s extensive technological know-how in terms of polyurethane injection moulding.
PRODUCTS
Introducing DE Products - our product platform specially for architectural and interior design products by DE India
B&B Italia
Unveils the Iconic
Up Series Armchair 2000 in India
B&B Italia, world leader in contemporary furnishing sector, has unveiled the iconic Up Series Armchair 2000 in India. Available at Scala Home’s newly launched flagship store of B&B Italia and Flos in New Delhi, it is considered an outstanding expression of design. Designed over 50 years ago in 1969 by the renowned architect, artist and designer Gaetano Pesce, the Up series has astonished connoisseurs with its expressive contours and shapes upholstered with elastic fabric. @scala.home @bebitalia (instagram)
//DEProducts / Lets Talk Design
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Most eye-catching among the armchairs is the UP5_6 created to celebrate the 50th anniversary of the epochal design. It was upholstered with special beige and petrol green striped fabric. With its voluptuous shape, a metaphor of a large womb, the armchair calls to mind ancient statues of the goddesses of fertility. A spherical ottoman tied to the armchair contrasts the image of comfort and convenience with a more figurative one of a woman with a ball and chain tied to her foot. “I believe that women have always unwittingly been their own jailer.This is why I decided to give this armchair the shape of a woman with a ball and chain, reflecting the traditional image of a prisoner,” said Gaetano Pesce about the design. The Serie up armchair is also available in a junior version for kids aged three and upwards. A perfect replica of the original design, only smaller.The series also includes the UP7 “foot”, a large sculptural object in painted polyurethane that poses as an archaeological relic of the modern era. ar
B&B Italia
Launches New Modular Sofa System – Camaleonda B&B Italia, world leader in contemporary furnishing sector, has reissued its iconic Camaleonda seating system. Designed by celebrated Italian architect Mario Bellini, it features a playful form with delightfully rounded contours. It is available at Scala Home, a destination for exclusive furniture in New Delhi. The new Camaleonda collection retains all the elements that have made it a contemporary classic.The expansive seat module, together with the backrest and the armrest, remain faithful to the original project. In fact, the original cutting pattern was used for the new edition. The generous polyurethane padding that forms the characteristic capitonné design remains unchanged, still manufactured with the innovative system created by Bellini in 1970, which defines the characteristic look and modularity. Its various configurable elements make it highly modular. The modules can be unhooked and recombined at will, allowing the sofa to adapt to an evolving taste and the specific needs of its owners. The seats, backrests and armrests can be arranged to redesign spaces. “Of all the objects I have designed, Camaleonda is perhaps the best in terms of its sense
of freedom. There are infinite number of possible configurations,” says Bellini. With its sumptuous proportions, it offers an invitation for conviviality, while its modularity makes it ideal for compact spaces as well. Its padding has been thoroughly updated too, making it even more comfortable than the original version. Camaleonda can also be covered with B&B Italia’s entire textile and leather collection. While allowing for so much flexibility and modularity, it still maintains its peculiar and unique identity. checkout more at www.bebitalia.com/ available in INDIA at Scala Home, New Delhi. @scala.home (instagram)
Lets Talk Design /
DEProducts//
March - April 2022 Edition//Design Essentia//DE INDIA |
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PRODUCTS
Orange Tree
Introducing DE Products - our product platform specially for architectural and interior design products by DE India
spells out six dominant trends for 2022 that converge minimalism with sustainability In its DESIGN FORECAST for 2022, Orange Tree (Nikita Bansal, Head of Lighting Design at Orange Tree) emphasizes using natural materials that can be crafted with artistry, elegance, and craftsmanship to refresh and reinvent your interiors. This trend edit will bring forth a curated look with sensational style. //TAKING A MINIMALISTIC APPROACH While sustainability in design has been gaining momentum, we predict this year the minimalistic look will hit a new fever pitch. With multifunctionality being at its prime, to be able to use furniture differently is in sync with current times. On these lines is our Coffee Table Collection which unites the minimalist silhouettes of mid-century modernism and timeless materials. Flaunt separately or together to create a conversation area. //THE MEDITERRANEAN ACCENTS In tune with the minimalist chic approach is the whiff of Mediterranean influence which has become a catch-all for all interior designs and is here to stay. Having a timeless appeal, spelling understated beauty, can add a Wow factor in both classical and contemporary abodes. The Aphro Collection (on right) is inspired by Mediterranean style and combines features that blend the best of old-world style with modern lifestyles. @orangetreehomes (instagram)
//DEProducts / Lets Talk Design
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| March - April 2022 Edition//Design Essentia//DE INDIA
//EMBRACING TOUCH
THE
GREEK
In tune with the minimalist chic approach is the whiff of Paving their way through is the mesmerizing mystique of Grecian symmetry, designs crafted with natural, woven materials to create a warm, cozy vibrancy in any ambience. Less is more, in the Greek design lexicon, as is our Arachne Collection, embracing the symmetrical balance through shape, pattern, texture, and Santorini colors of blue and white. Following simple geometry, highlighting the visual impact of various textures creates Grecian imagery in a room.
(1)
//NOD TO GLOBAL STYLE Say yes to the modern global aesthetics this year with sleek and fuss-free styles, adding a touch of urban chic.The modern approach is keeping the decor minimal while emphasizing industrial materials, the essence is rooted in clean lines and simplicity in every aspect of design. Creating a new unique blend is the Toshi Collection, solid wood with natural finish along with cement inlay stands on metal legs with brass finish. (IMAGE 3)
(2)
//RUSTIC VOGUE Contemporary rustic is having a moment right now. With its no-fuss aesthetics, designed to feel cozy, comfortable, and inviting, it can work with any decor and style. A sophisticated take on raw tones of wood in a natural finish is the Yoho Dining range. The Yoho Collection inspired straight by the Yoho National Park is reminiscent of the initial elements before they are transformed. (IMAGE 2) //MIRRORS & LAMPS - SMALL ADDITIONS FOR A BIG MAKEOVER Give an artistic edge to your home with a mix of light and reflection. A statement lamp or a mirror with a big personality is the perfect way to add glowing warmth, depth, and character to any room.Asymmetric, yet clean lines, modern aesthetics with abstract style, antique gold finishes on glass is the fresh and unique collection of lamps and mirrors in the Hera Collection. (IMAGE 1) checkout full collections by Orange Tree at www.orangetree.in/ @orangetreehomes (instagram)
(3)
Lets Talk Design /
DEProducts//
March - April 2022 Edition//Design Essentia//DE INDIA |
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PRODUCTS
ONLINE SOURCE FOR ARCHITECTURE & INTERIOR PRODUCTS. //SHOWCASE YOUR PRODUCTS WITH DE INDIA.
#LetsTalkDesign
FOLLOW US ON INSTAGRAM @DEMAGAZINEPRODUCTS
DE
Spotlight Interview EMMANUELLE SIMON,
is the founder & principal designer at Emmanuelle Simon Architecture D’ Interieur & Design based in Paris, France.
Emmanuelle Simon is one of the top Emma young internationally acclaimed designer, especially recognised as one of the best rising design stars in France. Her work is often inspired by the Art Deco style and Wabi-Sabi philosophy. DE Editor in chief Anirudh Datta had a detailed interaction with the French-Israeli designer for the DE Spotlight interview series where Emmanuelle talks about her design journey and shares with DE INDIA her latest designed Parisian apartment Commandant Marchand an Comm apartment with high cielings, custom furniture, vintage art and parisian chic in Paris, France.
IN CONVERSATION WITH
EMMANUELLE SIMON (PRINCIPAL DESIGNER AT EMMANUELLE SIMON ARCHITECTURE D’ INTERIEUR & DESIGN) (PARIS, FRANCE)
architecture & design magazine
#DEspotlight // interview By ANIRUDH DATTA
DESIGN ESSENTIA MAGAZINE//DE INDIA
Emmanuelle Simon, a French-Israeli interior These influences reflect Emmanuelle Simon’s architect & designer who is the principal designer at Paris based design studio Emmauelle Simon Architecture D’Interieur & Design.
Emma Emmanuelle applies a global vision to her projects, from the architecture to individual objects. She considers all of her projects to be unique, giving them each a strong identity. For her customized furniture, designed with precision and according to high standards, she draws on the expertise of craftsmen who excel in their field. Her work is often inspired by the Art Deco style and wabi-sabi philosophy.
aesthetic approach, where the raw nature of materials breathe a note of authenticity into the carefully-designed lines of the architecture. Cleverly accentuated by light, each volume is arranged in such a way as to reveal different perspectives thanks to subtle transitions, playing on the notion of transitions experience, which is a key part of Emmanuelle Simon’s style. This refined sophistication does not override attention to detail, creating balance through its uniqueness.
AD : WHAT INSPIRED YOU TO PURSUE A CAREER IN ARCHITECTURE & DESIGN? EMMANUELLE : I always loved observing and drawing places and objects so the will to create interiors and objects came naturally from that. Also, i love creating spaces where people live and Als experiment memories
AD : WHO WERE YOUR EARLY DESIGN HEROES AND ROLE MODELS? EMMANUELLE : There are many inspiring personalities but if I need to specificaly choose a few they would definitly be Carlo Scarpa, Axel Vervoordt and Lee Ufan.
AD : TELL US SOMETHING ABOUT YOUR JOURNEY IN THE INCEPTION OF EMMANUELLE SIMON ARCHITECTURE. EMMANUELLE : It is an enriching experiment because it requires to be able to do several different jobs et not only be a creator. What is satisfying is to see a team created around you. To have people who believe in the agency's project, be it the teams, the clients and the craftsmen (ON LEFT) Commandant Marchand Apartment in Paris, France by Emmanuelle Simon. | Photographer : Damien de Medeiros
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| March - April 2022 Edition//Design Essentia//DE INDIA
AD : IN FEW WORDS, HOW WOULD AD : YOUR LATEST PROJECT – THIS YOU DEFINEYOUR DESIGN PROCESS – WHIMSICAL PARISIAN APARTMENT WITH A MINIMALIST DESIGN PALETTE. TELL US PHILOSOPHY? SOMETHING MORE ABOUT IT’S DESIGN EMMANUELLE : The design process for INCEPTION. interiors begins with the space itself that gives me the first inspiration: its history, the volumes, the light.
If the project integrates outdoors, the surrounding nature is also a great inspiration to start with. The whole project always gravitates around the human experience and how the architecture can influence one’s mood. More specifically, for furniture, I always start from Mo the form and material with wabi-sabi philosophy : choosing handcrafted materials which makes us want to touch and tame them while leaving irregularities in the material to let it get better with better in time.
//below; Commandant Marchand Apartment in Paris, France by Emmanuelle Simon. | Photographer : Damien de Medeiros
EMMANUELLE : This APARTMENT in the centre of Paris is a heaven thanks to its design. The elegant, sober and relaxing atmosphere was achieved through architectural work and rounded furniture.The living room is the heart of this house with its interconnected spaces, featuring a mix of furniture, lighting and artwork from various periods. The high ceilings of the house allowed for vertical work with arches and large doors, as if it were a cloister. cloiste Symmetry defines the living room. The raw character of the materials is combined with the pure lines, soft tones and warm textures of the furniture and accessories, creating a relaxing atmosphere. To maintain coherence, everything in the flat sticks to the same neutral palette. The predominant colours are beige, sand and white. In addition to solid brushed oak, stone, travertine and natural fibers, were used. In the understated kitchen, wooden stools from the 1960s are combined with ceramics by Quentin Marais and Benoit Audureau, and a painting by the contemporary French artist Hermentaire.
March - April 2022 Edition//Design Essentia//DE INDIA |
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AD : ONE OF YOUR FAVORITE ELEMENTS FROM THIS BEAUTIFUL SPACE THAT YOU CHERISH THE MOST AND WHY? EMMANUELLE: My favorite element is the custom-made library in the living room. Made in wood and natural braided fibers, it hides 2 secret doors : one of them conceals acces to the guest restroom. (on right)
AD : NOT JUSTTHE INTERIOR SPACES EVEN THE ELEGANT FURNITURE PIECES IN THE SPACE HAS ALSO BEEN DESIGNED BYYOU. ANY OF YOUR SPECIFIC FAVORITE FURNITURE PIECES IN THE SPACE THATYOU DESIGNED? EMMANUELLE : My favorite design piece is the NOMAD sofa. The curved angles allow fluid circulation in this central space of the living room. (below)
//On Right; Commandant Marchand Apartment in Paris, France by Emmanuelle Simon. Photographer : Damien de Medeiros
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| March - April 2022 Edition//Design Essentia//DE INDIA
Commandant Marchand Apartment in Paris, France by Emmanuelle Simon. Photographer : Damien de Medeiros March - April 2022 Edition//Design Essentia//DE INDIA |
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AD : STAYING INDOORS SAFE IN THIS TWO YEAR PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT?
AD : WHAT DESIGN IDEOLOGIES YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR?
I think site-specific art (painted murals, figurative mosaics on the floor, bas-relief) are becoming more and more important and trendy and I EMMANUELLE : I am am thinking of integrating it in an upcoming project. convinced that Architecture influences the way we feel. In one of my other project AD : GETTING AN OPPORTUNITY TO REVIVE SPA EVIDENS DE THE OLD-GOLDEN DAYS OF DESIGN, WHAT BEAUTE, SPECIFIC DESIGN ELEMENTS YOU THINK HAVE I created a long corridor like an arched tunnel that lead towards light. This creates a transition between the outside world and a very intimate and private space.
EMMANUELLE :
A SHOT IN MAKING STRONG COMEBACK TODAY?
The dressing table, the bar cabinet, or other objects dedicated to a specific moment that would revive forgotten habits. EMMANUELLE :
architecture & design magazine
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March - April 2022 Edition//Design Essentia//DE INDIA |
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DE
Spotlight Interview SANJYT SYNGH,
is the founder & principal designer at Sanjyt Syngh: Spaces + Objects based in New Delhi, India. A global minded design consultancy dedicated to luxury spaces, which takes pride in creating spaces that are a visual delight yet functional. DE Editor in chief Anirudh Datta had a detailed interaction with the designer for the DE Spotlight interview series where Sanjyt talks about his design journey at Sanjyt Syngh: Spaces + Objects and shares his latest work of art with DE INDIA - a bright, colourful and artsy residence in New Delhi. ar
IN CONVERSATION WITH
SANJYT SYNGH (PRINCIPAL DESIGNER AT SANJYT SYNGH: SPACES+OBJECTS) (NEW DELHI, INDIA)
architecture & design magazine
#DEspotlight // interview By ANIRUDH DATTA
DESIGN ESSENTIA MAGAZINE//DE INDIA
Sanjyt Syngh the principal designer at New
Delhi based interior & product design studio Sanjyt Syngh: Spaces+Objects is one of the top design studios with exemplary work in Delhi. “We consider ourselves as an interpreter. It is our passion that gives us the strength to create bespoke, sophisticated spaces. We use the power of layering different textures and mediums to create a space that reflects the personality of its users, by working with our exclusive team of craftsmen and vendors from across the world to deliver a functional work of art.” says Sanjyt. Sanjyt
AD : WHAT INSPIRED YOU TO PURSUE A CAREER IN ARCHITECTURE & DESIGN? SANJYT : I started creating things and objects when I was little. And have been creating ever since.To explain this I will have to go back to my childhood. My parents used to export garments and handicrafts back in the day. All my evenings after school and my holidays were spent in the factory. I would say I have literally grown up in that environment. I even remember interacting with some of the overseas buyers and designing products for them on the spot. Being exposed to all that made me fall in love with colour and textures.To take this experience to the next level, lo
I decided to study fashion and textiles at the Fashion Institute of Technology in New York and that was a whole new beginning. I tried my hands at so many things from designing garments to home furnishings to visual merchandising to spaces. I started observing trends very carefully.As a result, one of the services we offer at my studio is Trend and Colour Forecasting. Hence the colours I use in my interior design project are mostly trend driven.I also use them in such a way that you can change a couple of things and you’ll have a whole new space. After having lived in NewYork for almost 9 years, I decided to move to the UK to pursue my Masters in Interior and Spatial Design at Chelsea College of Art and Design (University of the Arts London). After about a 3 year stint in London, I decided to move back to India. I consulted with some brands for a couple of years before launching my design studio in 2010. I call myself a mix of influences.My sense of style has evolved. It’s been an organic evolution to a point where I've reached to a conclusion that I like weird things and by weird, I mean unique.Who says weird can’t be pretty.
AD : WHO WERE YOUR EARLY DESIGN HEROES AND ROLE MODELS? SANJYT : Oh! This could be a whole magazine. There are lots of people and experiences that influence us. I have learnt so many things from so many different people and I consider all of them icons because they’ve changed my life and the way I think in so many ways. From the pattern drafter at my parents’ factory – who taught me the foundation of how things are constructed. Or my mother, who made sure that constructed dinner had to be laid in a certain way and her artefacts had to be kept at a specific angle. From Tom Ford to Karl Lagerfeld. I might or might not follow their design aesthetics but the way they think or function is certainly inspiring.There are so many other figures like Thom Browne, Peter Marino, Yayoi Kusama, Robert Montgomery, Jaime Hayon. The list is endless and they all come from different walks of design.
(ON LEFT) FARM 21 in New Delhi, India by Sanjyt Syngh Photographer : Deepak Agarrwal & Rohan Luthra
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AD : YOUR LATEST – FARM 21; A BEAUTIFUL AD : IN FEW WORDS, HOW VACATION HOME AMONGST THE SPRAWLING WOULD YOU DEFINE YOUR FARMS IN SOUTH DELHI. TELL US ABOUT YOUR CONCEPT BEHIND IT’S DESIGN INCEPTION. DESIGN PROCESS – PHILOSOPHY? SANJYT : I believe in writing stories based on client briefs. I don’t repeat concepts and details. Once a space has been designed, there isn’t another one which will have the same elements. I don’t label myself a designer. I am more of an interpreter. I always try and put people who own the space in the environment and think how they would feel. A space should always reflect the style of the inhabitants. We’ve heard a lot about androgyny in fashion but not as much in interiors. That’s one rule I follow while designing a space. A space shouldn’t be gender specific unless it has specific needs. Design to me is very personal. It’s an expression of your taste.And if it doesn’t It create conversations, it’s not design. That doesn’t necessarily mean it should be avant-garde. It must have a story.A lot of design is story-telling. But the story also needs to be practical. Beauty lies in details. It’s always that extra mile that gives me satisfaction.
SANJYT : A farmhouse to serve as vacation home nestled amongst sprawling farms in Rajokri, New Delhi. Several bold contemporary linear forms are fastened to the structure to give a sense of volume. Spread over 48000 square feet, the structure masses over 19000 square feet split into two floors. Hu Huddled amongst massive trees it was important to create focal points and experiential moments within the design itself. This was achieved using large metal sculptures, typographic sculptures, axial water features and detailed landscaping.While the exterior palette is very muted, the interiors are a colour riot.The concept was initiated on the lines of personal expression.The interiors should feel as good as they look. The layout was designed paying attention to the needs and comforts of the inhabitants.The style is a mix of multiple styles blurring to form a unique identity.As the styles blur, the space starts to scream its own character.There is a sense of softness in elements portrayed through gentle curves. There is sense of ambiguity, yet power portrayed through colour. Even though there’s pattern, texture, repetition and boldness, there is a sense of calmness.
//below; FARM 21 in New Delhi, India by Sanjyt Syngh Photographer : Deepak Aggarwal & Rohan Luthra
March - April 2022 Edition//Design Essentia//DE INDIA |
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AD : HOW WOULD YOU DESCRIBE THIS SPACE IN ONE PHRASE? AND WHY? SANJYT: I think instead of a phrase I would describe it in 2 words – “LOVE AFFAIR” and in certain cases an extra marital affair or you may call it a throuple. You see love amongst the solid mass structure and the sprawling greens, but you also see both flirting with the sculptures.The interiors are a mix of multiple styles blurring to form a unique identity, almost like a multicultural marriage. As the styles blur, the space starts to scream its own character.
AD : SOME OF YOUR FAVORITE DESIGN ELEMENTS FROM THIS RESIDENCE THAT YOU CHERISH THE MOST AND WHY? SANJYT : CABINET DE CURIOSITE BY BONALDO (above on right) in the passage area and the Abstract MOO MOO ART (on right) by Sanjyt Syngh : Objects + Spaces. The concepts have been demonstrated in the play of varied shapes along with a play of material. The key word is “Reimagined”. //On Right; FARM 21 in New Delhi, India by Sanjyt Syngh Photographer : Deepak Aggarwal & Rohan Luthra
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(1)
(2)
//above; FARM 21, New Delhi, India by Sanjyt Syngh 1. Foyer Area 2. Family Lounge 3. Dining Area
(3)
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//above; FARM 21 in New Delhi, India by Sanjyt Syngh Photographer : Deepak Aggarwal & Rohan Luthra
AD : STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? SANJYT: I believe in two cardinal rules. SANJY 1. Go Big or Go Home Oh wait! Aren’t we already home? So, let’s just go big. I’ve always felt that your home should be an extension of your space or your style. If you love Glam, go for Glam. Embrace grandeur. It is something I have always believed even before Covid-19. And as we settle into the new normal it has become increasingly important. 2. Art is necessary What is a space without art? Art is story-telling. It doesn’t necessarily have to harmonize with the surroundings. I say, take risks, mix eras. Not only does art bring life to a room but it also adds colour and inspiration. It builds a confident living environment.
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AD : WE SEE THE USE MANY STATEMENT ART OBJECTS IN THE DESIGN PALETTE THAT ENHANCES THE AURA OF THE SPACE. ANY SPECIFIC ART FAVORITES OF YOURS THAT YOU WOULD LIKE TO SHARE WITH US?
Without blinking my eye – it is the typographic installation created for the front lawn – “IF I FLY”. It almost signifies, there is freedom waiting for you and it is you holding yourself back. SANJYT :
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Architecture & Interior Design Magazine (DE MIDDLE EAST) The best of trends in design & art from the Middle East & Gulf.
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Spotlight Interview FARAH AHMED MATHIAS & DHAVAL SHELLUGAR,
the founders & principal designers at FADD Studio based in Bangalore, India. FADD Studio’s projects range from residences to offices and retail spaces to hospitality. DE Editor in chief Anirudh Datta had a detailed interaction with the designer-duo for the DE Spotlight interview series where Farah & Dhaval talks about thier design journey at FADD Studio and share their latest residence in Bangalore with DE INDIA.
IN CONVERSATION WITH
FARAH AHMED MATHIAS & DHAVAL SHELLUGAR (PRINCIPAL DESIGNERS AT FADD STUDIO) (BANGALORE, INDIA)
architecture & design magazine
#DEspotlight // interview By ANIRUDH DATTA
DESIGN ESSENTIA MAGAZINE//DE INDIA
Farah Ahmed Mathias & Dhaval AD : WHAT INSPIRED YOU TO CAREER IN Shellugar, are the principal designers at Bangalore PURSUE A based FADD Studio. While FADD is an acronym for Farah and Dhaval Design, it is also a play on the word ‘fad’. It is easy to stagnate into a style that becomes a firm’s identity. “We believe that having a singular style defies the purpose of design, which is to push beyond what we know, achieve something novel and unique in every project, and be constantly propelled out of our comfort zone into a world where we not only embrace new concepts and techniques but also create fads of our own. With this stubborn sensibility and desire to be original, we aspire not to create a style unique to us but original to give you a design identity that is exclusive to you and your space whether it is a home, restaurant or store.” says Farah & Dhaval.
ARCHITECTURE & DESIGN?
FARAH : The Shiro that Sandeep Khosla designed in Bangalore was one of my inspirations. Until then I was still experimenting and discovering. DH DHAVAL : My early exposure significantly influenced my design fondness. In a young age helping my father in his automobiles business where I would come across to posters or calendars of innovative vehicle designs use to excite me a lot.This is something I recollect as my first introduction to the design field. In my college days I used to visit my uncles office who practiced architecture himself. With the zeal for creativity and passion for drawings I decided to pursue design professionally.
AD : WHO WERE YOUR EARLY DESIGN HEROES AND ROLE MODELS? FARAH : If I need to choose a few specific names then it would definitely be Dale Chihuly and Jackson Pollock. DHAVAL : For me few of my design role models would be Philippe Starck , Marcel Wanders , Kelly Hoppen & Jaime Hayon.
AD : IN FEW WORDS, HOW WOULD YOU DEFINE YOUR DESIGN PHILOSOPHY AT FADD STUDIO? FARAH & DHAVAL : The world of design is in a constant state of flux; exploring and evolving into and out of new ideas, concept, trends and fads. It is also about revisiting older trends that were set decades ago and reinterpreting them in a fresh and contemporary way. So is the philosophy philosop of FADD Studio. (ON LEFT) KESSAKU 16, a residence in Bangalore, India by FADD Studio Photographer : Suleiman Merchant
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AD : YOUR LATEST PROJECT – THIS BEAUTIFUL CONTEMPORARY INDIAN HOME – KESSAKU 16. TELL US SOMETHING MORE ABOUT IT’S DESIGN INCEPTION. FARAH & DHAVAL : Kessaku 16 is located in a luxurious gated community in a lovely green suburb of Bangalore. The design process, from brief to execution was led by a strong direction toward a contemporary Indian sensibility. Subliminal it feels like we were guided by the Subliminally, Indian Bindi – it’s deep crimson colour and perfectly round shape evident is little details like the door handle, the main door, the mirrors, – and it’s deep-rooted cultural significance. The deep red foyer, with the black and red furniture and the intense red colour of the main door are intimate and bold. The red is again repeated in the pixeled marble inlay that leads you toward the Puja room. Immediately, a white, cream and red palette is experienced. On the left is of the Puja room is a surprisingly open and airy living room with a double height. //images; Kessaku 16, a residence in Bangalore, India by FADD Studio Photographer : Suleiman Merchant
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AD : FEW OFYOUR FAVORITE ELEMENTS FROM THIS BEAUTIFUL SPACE THAT YOU CHERISH THE MOST AND WHY? FARAH & DHAVAL : The lotus leaf of the lotus flower, (on right) also a significant flower of India, in that particular simple shape and material enhance the theme of modern Indian design. Furnitu from Saba Italia and Furniture Lignet Roset that sit atop a Carpet Kingdom rug (on right) bind the space in their warm and light tones. A stunning piece from Smith Moksh provides the most powerful and striking backdrop for the whole setting and enhances the earthy yet contemporary feel. ea On the left is the dining room (page 41) in neutral colours with furniture from Catellan Italia. Opposite the Puja room, on either side of the door are two circles, (page 39 and 41) reminiscent of the Bindi share. One is a customised decorative piece and the other a mirror.These along with the red circular door handle of the main door provide a tryptic of sorts, of repetitive circles that evoke a sense of calm. ev The bedrooms (page 42) are in hues of deep blues, greens, mustards ranging from simple solids to botanicals and fun prints in the kids rooms. Plans play a big role in bringing together the freshness, homeliness and a sense of completeness to the home. //On Right; Kessaku 16, a residence in Bangalore, India by FADD Studio Photographer : Suleiman Merchant
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//above; Kessaku 16, a residence in Bangalore, India by FADD Studio Photographer : Suleiman Merchant
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AD : STAYING INDOORS SAFE IN THIS TWO YEAR PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT?
The pandamic totally changed the design perception.Focus shall be on bigger spacious daylit rooms, more balconies and extra open spaces for fresh air and sunlight to seap in. Space for plants and rooms to house the plethora of junk associated with little children child is a must. FARAH & DHAVAL :
AD : WHAT DESIGN IDEOLOGIES YOU THINK YOU WOULD BE EXCITED TO EXPERIMENT WITH THAT YOU THINK MIGHT DEFINE THIS YEAR? FARAH & DHAVAL : Simple
clean fuss free spaces. I think the pandemic has taught us to hoard less and be more minimal. AD : GETTING AN OPPORTUNITY TO REVIVE THE OLD-GOLDEN DAYS OF DESIGN, WHAT SPECIFIC DESIGN ELEMENTS YOU THINK HAVE A SHOT IN MAKING STRONG COMEBACK TODAY? We’re already seeing a trend of chubby furniture which we feel will really explode this year. Rounded cylindrical legs vs straight right angles, on chairs, consoles, and bed. Oxymoronic as it may sounds, a sort of stubby yet elegant composition with furniture pieces is making a big comeback and while one may feel these are excessive large, they are quite minimal and sleek. Invisible Collection, Studio Twenty Seven, Secolo have some of these and in India Koy, Pinakin and and Josmo. FARAH & DHAVAL :
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edition
//Let’s take an alluring journey through design with some of the exquisite and beautiful HOMES designed by today’s design trendsetters.
Akshanaksh, residence in in Surat, Gujarat, India by Studio 17 | Photograph by Noaidwin Studio //Page 54
BAH: the nest Location: GUWAHATI, INDIA Architect/Interior Designer: INDIHAUS DESIGN Principal Architect: Nikita Jain Photographer: Niveditaa Gupta Text: Lavanya Chopra
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Cradled in the timeless embrace of the rugged Assamese foothills and towering evergreen emeralds, dwells BAH. A 1,200 sq.ft. recreational space designed by Indihaus Design is extention of Greenwood hotel & resorts in Guwahati, India. A dynamic entity, this architectural intervention engages in a ceaseless yet silent exchange with its context, almost emerging from the land and existing in a sense of untainted repose. The Northeast has viewed and preserved its relationship with nature in a sacrosanct light, unimpeachably amalgamating its architecture, culture, and craft with its preservation. The brief at hand and the driving catalyst at BAH stemmed from reflecting upon the raw potential of the site. The aspiration was to build in resonance with the challenging boulder-strewn topography and make the contours a part of the spatial blueprint. Nature had been a resident of the space for times immemorial and building with astute devotion to that reality was the only way forward. “Sequestered in the envelope of Guwahati’s alpine-dotted hills, BAH: The Nest is an echo through time that signals its intention of rethinking recreation through the appendages of rooted materiality and earthy minimalism.” says pincipal architect Nikita Jain.
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A nodal destination within the larger hospitality masterplan of The Greenwood Hotels & Resorts, BAH’s intention is far removed from the conventional perception of what recreation can look and feel like. The venue inhabits a focal position within the larger programmatic construct, allowing the patrons to encounter the same as they traverse the journey towards their accommodation or the administrative sections of the property. BAH occupies a unique and pivotal vantage point within the site, establishing a tangible 48
dialogue amidst the guests and the pristine verdant landscape. The lofty ranges pose as a guardian-like mise-en-scène against which the unassuming structure holds its own. In Assamese, the word ‘Bah’ / বাহ translates to a Nest; a humble yet intricate latticed art of shelter-creation that Mother Nature seems to have ingeniously taught its wee and mighty creatures alike. Analogously, the impetus became Analogousl the genesis of a snug and inviting space ensconced in surrounding greenery — one that bore its
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immersive milieu open to an end-user to feel unfettered yet instantly at home. Sciography in its interplay of light and shadow whispers life into the quaint structure, casting a fleeting medley of visuals as the sun traverses the cyanic highland skies. The native architectural ethos of the state seeps in ever so inconspicuously into the demeanour of the space and its indulgence of minimalist geometry. Influenced from late modern period architecture and the omnipresence of wood and local stone, BAH
steers clear of superfluous ornamentation and pays a neoteric homage to the vernacular of the city. Enveloped in 9-inch-thick insulating concrete walls, the structure has been a result of a climatically responsive design that keeps the interior volume warm and cool depending on the temperature that prevails outdoors. Kota stone has been laid in various orientations across the expanse of BAH — indoors the 2-feet x 2-feet square slabs have been fixed and outdoors the pattern has been broken into 2-feet x 1-foot slabs arranged symmetrically to demarcate the transition amidst various levels. The protagonists in the design scheme are the louvred teak wood sliding windows and doors that imbue BAH’s being with a tactile element of vitality, perpetually brewing a conversation between the interiors and exteriors. These slatted shutters draw light into the structure experimentally, projecting dramatic strobes of illumination indoors which mimics a cluster of straws. A structural origami of sorts, these sliding fenestrations seem to collapse inventively to reveal the spaces inside or to screen them from all that transpires outside, creating a cocoon of serenity. A stated crossover amidst simplicity, pragmatic function and earthiness comes uncorked within the walls of BAH. Inside, the compact floor plan creates two core zones that are in an incessant tête-à-tête under the wooden rafter-lined high ceilings. By the floor-length fenestrations on one end rests a low height diwan seat swathed in soft French blue upholstery. On the other end, a built-in umber-doused desk and wall-mounted bookshelf layer the wall. This wall is further punctured by a framing window that offers the end-users uninterrupted views of the great outdoors. The tonal green leatherette chairs are a nod to drawing the greenery inside, conjuring a biophilic inspiration. BAH’s identity seems to emanate from inspiration found in the breathing forests and its many stirring marvels that are the harbingers of the message of transformation. Like nature itself, BAH draws in on the notion of pausing, reinventing, and knowing that every moment is ever-morphing yet eternal.
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HOUSE OF WEAVES Location: MUMBAI, INDIA Architect/Interior Designer: QUIRK STUDIO Principal Designers: Disha Bhavsar & Shivani Ajmera Photographer: Kuber Shah
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A home often tells the story of the people who dwell within, bringing together under one roof their experiences, memories, and aspirations while witnessing their journeys map out in the most honest ways possible. Located in Mumbai’s plush residential and business hub – BKC, House of Weaves designed by Quirk Studio is a three-generational family home that presents itself as a tapestry of emotions and a grounded ethos that stems from the identity of its inhabitants. Every individual is an integral member of the family-founded business, iterating the home’s role as an oasis for them to return to while underscoring an essence of belonging that everyone seeks. “The realness of an Indian household peeks through with unmitigated honesty at this residence. For us as a design studio, this space has enabled us to push the envelope and transcend our signature fluidic and uber-contemporary design style. We’ve been able to make the space’s DNA ours, while staying tethered to the family’s vision. The resultant design scheme is something we feel elated about conceptualising as it recalibrates the diversity of our offerings as a design studio,” says principal designers - Disha & Shivani.
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The client brief was as coherent as they come. The home needed to reflect the aura of the family and hold up a mirror to their way of being with sincerity. Timeless Mid-Century Modern sensibilities cross paths with the neoteric to strike an equilibrium. Understated and rooted in its demeanour, the family and their amicable mien tugged at the strings of inspiration for the Principal Designers.
be interpreted. The open floor plan communal nucleus of the home reigns the heart of the blueprint with sunlight-laden nooks. An inherent warmth and a deliberate dose of hues guide the senses through the medley of spaces. The public spaces of the home are in an incessant conversation while the private sections enjoy seclusion, tying in with the communal zones with gravitas.
The residence revels in a mystery, beckoning forth myriad possibilities in which the home’s persona could
The absence of a defined foyer in the preambulatory area of the home was addressed with a wood
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and cane screen cum console that rests upon sleek black-metal members; this installation renders the space with privacy while adeptly sectioning the former. A gridded matrix of rectilinear mouldings bridges across the ceiling’s canvas and blankets the ceiling volume overhead initiating a sense of visual dynamism. An ornate candelabra-style chandelier by The Hesperus cascades over the median of the living and dining areas, nodding to the layered and elevated aesthetic of the space.
A retreat to the senses, the master suite is emblematic of minimalism and all things zen. “The celebrated deep blue hue is a favourite of the lady of the home and makes a cameo here and pairs serendipitously with the overarching presence of whites. We have let the limited scheme of colours and the natural light in the room come together to concoct magic,” says Disha. The ubiquitous mouldings work their way into the bedroom and create a greige background against which the wingback Prussian blue bed is placed flanked by vintage-style wood nightstands. A large-print gingham chequered fabric armchair by Magnolia creates a colour-hewn lounging nook by the lofty windows. The opposite wall’s length is earmarked by a running console with fluted drawer fronts that are bookended by a vanity in the far corner. The bedroom is preluded by a walk-in closet that sports artisanal shutters; wherein blue floral-patterned wallpaper is wedged between clear glass panes to draw in slivers of the colour. The ensuite bathroom constitutes a distressed teal subway tile backsplash that glazes over the bipartite wall, sliced through by a brass profile detail under which the warm white vanity is nestled. “The name of this dwelling invents a melange of visions in the mind, each abstract yet harmoniously stitched together. It represents what families are at the end of the day; they are imperfectly perfect, constantly morphing, emotional entities that accord us with our sense of belonging. The weaves of affection, laughter, space, and conversations af wind around each other in a tight embrace to form a larger-than-life picture that allows a family to find their bearings in the present while inking away a newfound chapter for tomorrow,” summarise the Principal Designers. With the House of Weaves, the concept of a ‘home’ is viewed from a renewed lens — the residence is an echo through time that brims with colour, texture, art, and stories that come uncorked.
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AKSHANAKSH Location: SURAT, INDIA Architect/Interior Designer: STUDIO 17 Principal Designers: Mayur Mangukiya & Ankit Sojitra Photographer: Noaidwin Studio | Nilkanth Bharucha
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This house in Surat, India is the combination of contemporary style along with very famous Indian element; ‘the circle’.
Akshanaksh
a residence designed by Studio 17 where the elevation with its never ending charm, a boldness of cherry red lighting the whole elevation just like sun which bright up the whole sky. “Circle is considered as the most eye pleasing element as it removes all the sharpness in a wholesome. The circles are deliberately used according to the user of the bedroom as well as our style. From exterior to interior the style, akshanksh is the fusion of contemporary and indian style. The astounding façade was something that broke all the stereotype of straight windows and flat elevation. Though the plot size restricted us to, it couldn’t restrict us to develop a shape and break the elevation.” says principal designers - Mayur & Ankit.
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The constraint of plot size restricts us from introducing the loops to our elevation which brings us to using old era arch windows into our elevation. The arch window was originated by the Romans in the olden times which have been twisted with bold color of texture. Minor detail of giving offsets to arch and creating an alcove out of it enhances the window more and even helps to give amazing throw of natural light in the room with its shape. When we design it should have a hold all over the house and 56
our main focus stays in making it look one. From the detail of outer staircase to the last detail of sky light every element dances with holding one string of fusion style. The Main door is an enlarged part of inside screening. The main purpose of screening is always to create a barrier maintaining privacy but along with its transparency. Here by, each module of the jail have a perforated metal sheet containing small circular cutouts and a thin line of metal plate binding the edge of it.
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The most interesting part of the house comes now, the full height space where our dining table and pooja is situated. Even though, the plot size is compact we succeeded to give 4 bedroom along with double height space and open terrace. The benefits of double height made our client happier than ever. It helped our client to have smooth conversation with their family members all over the house and as we say more the communication better the relations. Apart from that it works as a great ventilation for the
sunlight as well as air circulation directly from the kitchen. The ideology with the master bedroom (BELOW) was to not let loose the hold of our exterior. Cladding of tiles and natural stone has been completely avoided in our akshanksh. Use of textures and simple colors was something which brighten up the whole room. The exact mirror of window wall has been covered with patchy texture along with boldness of black granite shaped in an offset of an arch but in a rotated form. To keep our eye stable to the back, bed was just a compliment to our design. The design simply speaks design and not luxury resulting the woody bed along with the side unit and all other upholstery. (BELOW) The top floor is been completed with one bedroom and half open terrace. The last bedroom is design according to the modules. Till now the spaces were design in the similar manner and so were the last room. Each modules where synchronize by thin border creating a cube and filled with fluted beige color tinted matte glass. (ON RIGHT) “Akshanksh hold details, design as per the user and proportion as per the space.” - says principal designer Ankit Sojitra.
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HOUSE 91/4 Location: PANCHKULA, HARYANA, INDIA Architect/Interior Designer: STUDIO ARDETE Principal Architects: Badrinath Kaleru & Prerna Kaleru Photographer: Purnesh Dev Nikhanj
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This beautiful abode -
HOUSE
91/4 is located facing a highway on a Peripheral
sector
of
Panchkula, Haryana.
sector
4,
It is a corner plot in an urban row house measuring 550 sq. yards. Designed by Studio Ardete this house was built for a small family of 4, A couple, two teenage children, occasionally visiting parents. “The client being a hotelier and having multiple hotels, Client wanted to keep the house private and most of the socializing activities would be out of the house. The House is primarily is designed around the day to day activities of occupants. The House is laid out around a long central courtyard. Courtyard also shields the privacy of formal and informal areas.” says principal architectsBadrinath & Prerna.
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The façade is primarily bold and minimal. The angular wall in the façade is a reflection to make the elevation look broader than it is. Muted Colors such as white natural stone, Grey ceramic tiles and metallic copper finish blend to create a subtle contrast for the house. The interior of the house has been planned to enhance the capture of sunlight with a subtle and muted color palette. The sunlight has been used as a major material along with all others, be it hard wood or soft furnishing. 60
The formal area has a connection from the dining area which makes the guest access dining directly and also help serve the guest as a service door.The kitchen, living and dining form a long connected space in the north western part of the house, which keeps the occupants together most of a time. The corner road being narrow, long slit windows uniformly spaced on the living wall letting in the sunlight keeping the privacy from the street. The main bedrooms of the house
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is on the first floor in which one of the master bedrooms occupies the entire front of the house with a spacious closet and terrace along with a suite size room. If one looks on to the main courtyard which houses an art installation, it is a specifically designed act which offers views for strategic points around the courtyard. It has a water element which activates the courtyard and spaces around it.
The rear Bedroom and space outside the room acts as a lounge space for occasional closed families get together. The space is Cozy to house 8 people with a small console Bar and a home theater. The Bedroom is designed specifically like a lounge room which could have different age groups or the women of the house who prefer to sit in a separate space during the social gathering which is a part and culture of the family. The second floor primarily houses domestic help quarters and the main store of the house .The terrace splits into two levels. The higher one houses all the services and the lower one is kept to use as a terrace with plantation. It forms a nice space during morning in summer and evening day for winter sun. The materials used primarily needed lower maintenance keeping in as a view with the low frequency of the use of the terrace. In all, the architecture eclecticism has been carried out to enhance the transitional relationship of space in a calm and serene yet playing boldly at focal location, to derive the balance between soul and silence of the space, generating a homely yet ecstatic look of overall feel satisfying thereby client’s taste and artistic nature of architects.
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NARROW BRICK HOUSE Location: THIRUVANANTHAPURAM, INDIA Architect/Interior Designer: SRIJIT SRINIVAS ARCHITECTS Principal Architect: Srijit Srinivas Photographer: Justin Sebastian Photography
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A beautiful exposed brick house in Thiruvananthapuram, India built on a small narrow plot -
Narrow Brick House. The house with a raw material palette is located in a tropical setting of South India designed by Srijit Srinivas Architects. “The Clients presented an extremely narrow site in Thiruvanthapuram as part of their design brief. The inherent challenge was in accommodating a generous 117 sq.m. of built-up area on the elongated 283 sq.m. site, which upon excluding mandatory setbacks on the sides, elicits just 4.8 m (or a mere room-width) of working clearance. This house showcases the power of purposeful spatial design and planning to deliver deft functionality and charm, even in appreciably constrained plots.” says principal architect - Srijit Srinivas.
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The resultant design solution delivered living, dining, and kitchen areas on the Ground Floor along with an ensuite bedroom. The First Floor accommodated the ensuite master bedroom with balcony and a walk-in wardrobe, a living room for the Client to conduct mridangam (percussion instrument) classes, as well as an additional ensuite bedroom with a walk-in wardrobe, which could also alternatively function as a Study. A full-sized car porch was not achievable given the paucity of plot space, but alternatively a partially 64
covered nook was devised affording all-weather access from the car to the front door. Despite the narrowness of the building envelope the interior spaces did not compromise on the ingress and movement of light and air circulation. The design also took advantage of the longitudinal slope of the site via stepped-down floor plate following the natural contours of the land, and in the process optimised on foundation costs.
whose verdant green foliage are bathed with natural light from the overhead skylight feature. This miniature ‘oasis’ provide the emotive focus, visually connecting living room and dining space on its either side. The minimalistic staircase in exposed concrete wraps around the green space leading upwards, whilst also providing visual interest via its restrained contrasting of recesses and quiet protuberances.
On entering the house, one is welcome by a internal courtyard
The kitchen is located towards the rear of the site, and sited at a lower
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level. The careful use of vertically expanded internal volumes where possible, and of a mutually inter-flowing functional triad of spaces such as the living, dining and kitchen (and tied together vertically by the concrete stairwell)successfully negates any perception of the volumetric constrictions from the narrow building and site envelopes. The double-height configuration of the dining room connects with the upper floor plan, and accentuates the overall visual experience of the building. The light-touch minimalist approach also finds expression in the various interior design elements like wardrobes, shelving, fenestrations etc– all pared back to the bare minimum required. The bedrooms- through with careful space planning, though small have space for sleeping as well as integrated study area and walk-in wardrobes. The upper floor living room with its roof-mounted skylight endows the space with a warm character to complement its intended use as an informal mridangam training space. The upper floor master bedroom opens out to a balcony with louvers providing privacy and cool breezes, and an invigorating interplay of light and shadows across the day.
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Architecture + Interior Photography
architecture & design magazine
//Let’s take an alluring journey through design while in conversation with young architects & designers of India.
Metanoia - a luxurious retreat in Lonavala, India by THe Open Door Photograph by Darshan Savla Photography //Page 72
INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA
‘the garden of eden’ wallpaper collection
(HOUSE OF IKARI) PRINCIPAL DESIGNER : KEERTHI JEETHURI
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| March - April 2022 Edition//Design Essentia//DE INDIA
KEERTHI JEETHURI
founder & principal designer at HOUSE OF IKARI, Hyderabad, India
WHAT IS HOUSE OF IKARI ALL ABOUT? WHAT IS YOUR DESIGN PHILOSOPHY ? KEE KEERTHI : House of Ikari is a celebration of Indian art.With more and more modern design techniques and aesthetics taking over, House Of Ikari aims to carve ca out its space in the modern era by reviving Indian art and cusotmising with a touch of contemprary style to best suit the homes of today. House Of Ikari has been launched to create a space where I can express my love for fusion design unapolegetically and am truly over-whelmed by the response I’ve been receiving for it! (on right - continued on page 70)
Garden of Eden wallpaper collection by HOUSE OF IKARI Photograph courtesy : House of Ikari March - April 2022 Edition//Design Essentia//DE INDIA |
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TELL US ABOUT YOUR LATEST PRODUCT COLLECTION – ‘THE GARDEN OF EDEN’. WHAT WAS THE CONCEPT BEHIND IT’S INCEPTION? KEERTHI : Garden Of Eden translates KEE into garden of paradise.With this collection we brought elements of South-Indian culture with the coconut tree patterns and ANY SPECIAL USE OF A SPECIFIC elegance into the design with the peacock. COLOR PALETTE? AND WHY? KEE : With Garden Of Eden, we We tried to achieve the the feeling of KEERTHI paradise by channeling our South-Indian aim to bring nature into your house. In a culture into our designs. world where there is hardly any space for nature, simply looking at wallpaper in your home should take you into reminesence of (below) The Garden of Eden wallpaper collection by your time in nature- ultimately bringing in a HOUSE OF IKARI sense of peace within you. Photograph courtesy : House of Ikari With this in mind, mind we stuck to colours of nature as our main colour palette.
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| March - April 2022 Edition//Design Essentia//DE INDIA
The Garden of Eden wallpaper collection by HOUSE OF IKARI
Check out full story on www.designessentiamagazine.com
HOW WOULD YOU PAIR YOUR WALLPAPER COLLECTION WITH AN INTERIOR DESIGN PALETTE TO DESIGN A PERFECT LIVING SPACE? KEERTHI : I come from an architecture and interior design background. Being an KEE
architect I have a good understanding of different spaces and how I can elevate those spaces with my art. So, when presented with a space, I focus on designing the wallpaper in such a way that it blends in with the interior colour palette of the space and yet stands out from the other elements in the space. The key is bringing in the right level of complimentary and uniqueness.
March - April 2022 Edition//Design Essentia//DE INDIA |
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INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA
connoisseurs at home (BEETLE DESIGN STUDIO) LOCATION : MUMBAI, INDIA PRINCIPAL DESIGNERS : RUKHSAR SHAIKH & SAIQA SHAIKH PHOTOGRAPHER : TALIB CHITALWALA
architecture & design magazine
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| March - April 2022 Edition//Design Essentia//DE INDIA
RUKHSAR SHAIKH & SAIQA SHAIKH (from left) principal designers at BEETLE DESIGN STUDIO, Mumbai, Maharashtra, India
TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? RUKHSAR & SAIQA : We focus on achieving the perfect balance in an interior space, creating a sense of emotion through materials and textures.As long as the space makes you feel extraordinary in the humblest way possible, it is a space with good design.Trends in the design world design are constantly changing and with the evolving design language around the world, our studio focuses on always exploring the latest innovations in design, to have a global design outlook and keep on reinventing. The vision of our studio is to always be driven for unknown possibilities, uniqueness and endless exploration of the creative minds. our design language. (on right - continued on page 74)
‘Connoisseurs at home’ in Mumbai, India by BEETLE DESIGN STUDIO Photographer : TALIB CHITALWALA March - April 2022 Edition//Design Essentia//DE INDIA |
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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION?
WHAT WAS YOUR FAVORITE RUKHSAR & SAIQA : DESIGN ELEMENT ASSOCIATED “CONNOISSEURS AT HOME" is a WITH THIS PROJECT? four-bedroom apartment on the 27th floor in the western suburb of Mumbai.The client’s aesthetic brief was to have a vibe of a London Notting Hill RUKHSAR & SAIQA : Every home home infused with modern Parisian requires an area that becomes a reflection charm. of the homeowner’s personality.And this case, having a personal library combined Here every piece of art and furniture becomes an with a traditional setting of a fireplace He expression of a stylish personality.We truly believe that mantel not only becomes a grand visual luxury in design comes from customization,hence most display but also conveys a sense of inspiration. of the furniture pieces,rugs,bed linen and decorative inspiration lights were custom-made at our own factory in Mumbai. The personal touch with detailed objects creates a The suspended shelving above mantel is a marriage of substance and style.The home brings various special place as it exudes a character or layers of design details like the wall moldings, past life of its own holding various objects la stainless-steel metal features,linen textures and the of art and collection of books.The artwork intensity of the grey marble floor together,creating a and frames alongside of the wall is also a memorable space.Every corner of this house expresses favorite element, as they’re suspended from its soul in a form of subtle minimalist elegance. the ceiling by an invisible string. Just like how one sees in museums, this element ho (below) allows for the homeowners to rearrange ‘Connoisseurs at Home’ a residence in Mumbai, India by and change the artwork as per their BEETLE DESIGN STUDIO Photographer : TALIB CHITALWALA preference.
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| March - April 2022 Edition//Design Essentia//DE INDIA
‘Connoisseurs at Home” in Mumbai, India by BEETLE DESIGN STUDIO | Photographer : TALIB CHITALWALA
Check out full project on www.designessentiamagazine.com
STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? RUKHSAR & SAIQA : Definitely due to the pandemic the home has become
more intertwined with one’s day-to-day life. It’s now not only a place to unwind and relax but also a place to feel motivated and imaginative. Having an home office or a workspace has become of an utmost need, it also challenges the house to be more organized.While the scenario of being in a lockdown has made us realize the importance of a home, a space to feel like an warm embrace during difficult times. One is searching for a soothing getaway in the comforts of his or her own bedroom to be able to clear their mind, mind without any distractions.All these factors of comfort and emotion now play a strong role in designing of a home and the final output for the client. March - April 2022 Edition//Design Essentia//DE INDIA |
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INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA
metanoia - a luxurious retreat (THE OPEN DOOR) LOCATION : LONAVLA, INDIA PRINCIPAL DESIGNERS : SIMRAN KANUNGO & PREKSHA SHAH PHOTOGRAPHER : DARSHAN SAVLA PHOTOGRAPHY
architecture & design magazine
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| March - April 2022 Edition//Design Essentia//DE INDIA
SIMRAN KANUNGO & PREKSHA SHAH principal designers at THE OPEN DOOR, Mumbai, Maharashtra, India
TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? SIMRAN & PREKSHA : “often friends make the best collaborators” Having met on the benches of the Rachna sansad school of interior designing, our design ideas, practicality, and creativity clicked immediately. aalways aiming for “wow”, a multifacated, conceptuial driven and heartfelt spaces have been core of the open door. Exploring different dif materials, concepts, graphics, textures, forms, colors and a carefull blend of contemporary modern and vintage we try to create a joyfull experience and storyline that comforts the clients. (on right - continued on page 78)
Metanoia - a luxurious retreat in Lobavla, India by THE OPEN DOOR Photographer : DARSHAN SAVLA PHOTOGRAPHY March - April 2022 Edition//Design Essentia//DE INDIA |
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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? SIMRAN & PREKSHA : “METANOIA- A LUXURIOUS RETREAT " a beautiful 4500 sq.ft family retereat is located outside cityscape in Lonavala. Keeping the concept Metanoia in mind. metanoia is a journey journ of change of mind,heart,and self or way of life. With love,sweat,creativity and obviously some money,this holiday home was designed for 4 brothers who wanted to break from the daily routine of the city life and have a place were they could relax,rejuvenate,revel and relish the lush greenery outside the bungalow with friends and family.the project that began in mid-2019 is awash of luxury,tropical nostalgia and organic geometery. The place itself was quite special with a superbly high geomete ceiling and luminosity.Considering the rough weather in Lonavala and keeping clients concern in mind we claded the walls with tiles for low maintenance and still keeping the brief of luxurious space. We designed and handcrafted most of the furniture pieces- made to measure on site such as sofa,side tables,handles,fabric customization,lights,etc.the project was an opportunity for us to experience and explore different aspects of design and bring melody into the space. (below) Metanoia - a luxurious retreat in Lonavla India by THE OPRN DOOR Photographer : DARSHAN SAVLA PHOTOGRAPHY
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| March - April 2022 Edition//Design Essentia//DE INDIA
WHAT WAS YOUR FAVORITE DESIGN ELEMENT ASSOCIATED WITH THIS PROJECT? SIMRAN & PREKSHA : The Family Fami Room; Ditching the luxurious look of the villa we created a modern space in the basement, that is “the family room”. We love the space because we were courageous enough to experiment and follow our heart. we used various customized fabrics, played with prints added wooden motifs above the console table, and created a collage of quirky prints above the family seating area. ab The space is connected to the lawn which brings in lot of greenery, fresh air and one can have a relaxing and fun time with family and friends.
Metanoia - a luxurious retreat in Lonavla, India by THE OPEN DOOR | Photographer : DARSHAN SAVLA
Check out full project on www.designessentiamagazine.com
STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? SIMRAN & PREKSHA : If the pandemic has taught us anything, it is that our personal
spaces are sacrosanct as they now double up as offices, schools, gyms, play area, entertainment spaces. The project must have the potential for shared spaces as well as the ability to isolate within the house. there needs to be a good strategy to incorporate natural and artifical ventillation, plantation and lighting in order to maintain good interior air quality, state of mind and well being. Having good accoustical treatments done to double up a living space into a home theatre. now it’s much more common to work/study from home, there must be an area dedicated to conduct work/study as well as a complimentary complimenta area to relax.We need furnitures and enviroment that are better suited to this. the future of homes will be spaces divided into more distinct quiet and noisy zones-for entertainment, learning and relaxation. March - April 2022 Edition//Design Essentia//DE INDIA |
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INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA
manawat house (RN DEESIGN) LOCATION : KALYAN, THANE, INDIA PRINCIPAL DESIGNERS : ROHIT GUPTA & PUJA GUPTA PHOTOGRAPHER : YASH KATARIA - WHATWECLICK
architecture & design magazine
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| March - April 2022 Edition//Design Essentia//DE INDIA
ROHIT GUPTA & PUJA GUPTA principal designers at RN DEESIGN, Mumbai, Maharashtra, India
TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? ROHIT & PUJA : RN DEESIGN was established in 2017 with the idea of collaborating design expertise in the field of interiors and architecture. The firm’s work exemplifies designs focused on one thing, to have crisp and thing defined sensibilities in each and every space they craft. We start every single project with fresh ideas and thoughtful consideration of our clients.
(on right - continued on page 82)
Manawat House in Thane, Maharashtra, India by RN DEESIGN Photographer : YASH KATARIA (WHATWECLICK) March - April 2022 Edition//Design Essentia//DE INDIA |
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TELL US SOMETHING ABOUT THIS PROJECT? WHAT WAS THE CONCEPT BEHIND ITS DESIGN INCEPTION? ROHIT & PUJA PU : “MANAWAT HOUSE" is a 1800 sq. ft. duplex residence is WHAT WAS YOUR located at Thane, Maharashtra which is FAVORITE DESIGN very close to our heart. ELEMENT ASSOCIATED WITH THIS PROJECT? The concept was to design a house that ensures ensu grandeur with a dash of sophistication and PU : Certainly creates a contemporary luxury that enriches ROHIT & PUJA the Living area: to be precise the the exquisite look with contrasting color palette, staircase rail and the entrance lobby patterns and textures.With this project it was all about making each and every element with tropical wallpaper and thoughtful,vibrant and full of personality. artwork. (below) Manawat House in Thane, Maharashtra India by RN DEESIGN Photographer : YASH KATARIA (WHATWECLICK)
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| March - April 2022 Edition//Design Essentia//DE INDIA
For us, it is the overall look and feel of the house showcasing elegance with a splash of pop color palette.
Manawat House in Thane, Maharashtra, India by RN DEESIGN | Photographer : YASH KATARIA (WHATWECLICK)
Check out full project on www.designessentiamagazine.com
STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? PU : Pandemic has taught us, there is no such place in the world as assured and ROHIT & PUJA
soothing as our home. For designers, it’s a soul-searching exercise, especially if you happen to live in a home you outfitted for yourself. Design course is now more personalized and oriented.The pandemic has clearly changed our brief format, now when we conceive a project we don’t just see it as a space where different individuals of the family need to have a room to relax but also some combined space to function.We try to follow a simple philosophy and create plethora of small spaces where members can evolve and curate unique experiences of their own. More than two years into the pandemic, we can al already see changes to the way we work and live that could have a lasting impact on future spaces. People are making ingenious use of the spaces in their homes.They are wanting to grab every inch of space and looking at ways they can be together and ways they can be apart and also recycling spaces for different uses. March - April 2022 Edition//Design Essentia//DE INDIA |
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INTRODUCING YOUNG ARCHITECTS AND DESIGNERS OF INDIA
a dynamic home (STUDIO ATINIV) LOCATION : BANGALORE, INDIA PRINCIPAL DESIGNERS : VINITA KUMARI & PRAJON NAIR PHOTOGRAPHER : RICHA NAG
architecture & design magazine
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| March - April 2022 Edition//Design Essentia//DE INDIA
VINITA KUMARI & PRAJON NAIR (from left) principal designers at STUDIO ATINIV, Bangalore, Karnataka, India
TELL US SOMETHING ABOUT YOUR STUDIO’S DESIGN PHILOSOPHY? VINITA & PRAJON : Our designs and concepts are a experiential, interactive, and enjoyer friendly.We aim to embrace nature, and functionality into our work that the user can relate to. We also focus on creating space that are more personal and endearing. In our work, we try to amalgamate function, beauty, and simplicity, in such a way that the space breathes an identity of its own.
(on right - continued on page 86)
‘A Dynamic Home’ in Bangalore, India by STUDIO ATINIV Photographer : RICHA NAG March - April 2022 Edition//Design Essentia//DE INDIA |
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TELL US SOMETHING ABOUT THIS WHAT WAS YOUR FAVORITE PROJECT? WHAT WAS THE CONCEPT DESIGN ELEMENT ASSOCIATED BEHIND ITS DESIGN INCEPTION? WITH THIS PROJECT? VINITA & PRAJON : “A DYNAMIC VINITA VINI & PRAJON : Our aim was HOME" is a 4130 sq. ft. residence in Bangalore,India. the careful curation of spaces, at the same time, designing a residence that oozes Decked out in a rare combination of luxury and luxury. Spread across three levels, including Dec colorful eclectic elements,this bungalow reflects the the ground, first and second floor, clean and lifestyle of its elite owners,who are in love with this contemporary exteriors with jali and cheerful yet elegant and modern interiors.Niches,pillars, louvres surrounded by an expansive garden chunky chandeliers,metal accents bring the at the back and eastern side at the quintessential opulence and grandeur.Rich materials and entrance, beautifully orchestrated lighting finishes ensure resplendent touches,and carefully using hidden and grazer lights falling on the planned lighting along with a little bit of beautiful feature wall offer a warm and charming look to this walls,sophisticated interior elements and large space. eye-catching sculpture around adding to the mood palette.Luxurious stones,metal accents and a careful Our favourite design element is the central selection of sculpture adds to the glory of the interiors. skylight that binds the home, offering flow Decorative ceilings add depth to the spaces,with of positive and soothing energy into each exorbitant chandeliers imparting opulence.With an floor.With an overall modern all-inclusive design approach,its decor scheme contemporary theme, the areas showcase a all-inclusi incorporates bold and bright interiors that offer up a neo-classical style with modern essence, refreshing charm and airy feel for sure.Sometimes a reflecting the personalities of its occupants. dwelling calls for a little more extravagance.Something La Lavishly dressed in elegant, subtle shades that is a combination of luxury,high-end contemporary with bright accent hues adding intensity, the furnishings and some statement lighting. And this thoughtful choice makes this design feel residence is a perfect example of just that. comfortable and accessible.With careful (below) attention to lighting, composition, and A Dynamiv Home, a residence in Bangalore, India by contrasts, this home is profiled to embrace STUDIO ATINIV Photographer : RICHA NAG serene hues within your own home.
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‘A Dynamic Home’ in Bangalore India by STUDIO ATINIV | Photographer : RICHA NAG
Check out full project on www.designessentiamagazine.com
STAYING INDOORS SAFE IN THIS PANDEMIC MADE US CONNECT WITH OUR HOMES MORE THAN EVER. HOW WOULD YOU DEFINE YOUR PROCESS TO DESIGN A RESIDENCE THAT TRANSFORMS THE LIVING OF THE RESIDENT? VINITA & PRAJON : Since people avoided stepping out much even after the lockdown, it VINI
was important that the home interiors offered a sensorial experience, as well as bringing in an outdoorsy feeling.A holiday vibe with an easy, laidback design is always the end result that people like to have from their home.The process is to incorporate the client’s emotions and expectations from their residences.Warm and calming colour palettes like pastels, blues like teal and dusty blue, mint green, grey, pale yellow, as well as a pop of bright and cheerful shades. A mix of materials to colour palette to space planning, every aspect of interior designing consciously looks into functionality first and foremost.We aim to design a space that is inclusive of functionality and aesthetics, that can be lavish with a sustainable approach, a home that works with trends that are timeless, keeping in view the future consumer lifestyle. March - April 2022 Edition//Design Essentia//DE INDIA |
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